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[ "Johnny Unitas", "1964 MVP season" ]
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what team did unitas play for
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what team did Johnny Unitas play for?
Johnny Unitas
The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER
The Colts
John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players
true
[ "The Gorinchemse Voetbalvereniging Unitas is a Dutch association football club from Gorinchem. It is among the oldest football clubs of the Netherlands and for most of the 20th century played in the highest leagues of amateur football. In 2018 the first team of GVV Unitas returned to the Hoofdklasse. They won promotion to the Derde Divisie in 2020.\n\nHistory\nGVV Unitas was founded on 19 April 1898. It joined the main KNVB leagues in 2007, initially as a Derde Klasse team. In 2011 Unitas promoted to the Tweede Klasse. In 1924 it won a Tweede Klasse championship, promoting to the Eerste Klasse, at that time the highest league of Dutch football. In 1926 Unitas relegated to the Tweede Klasse. It won Tweede Klasse championships in 1928, 1944, and 1946 but did not promote to the costly leading league.\n\nIn 1956 Unitas promoted for a second time to the Eerste Klasse, after winning its fifth Tweede Klasse championship, and after a league above the Eerste Klasse had been established. In 1963 and 1967 it became champion of the Eerste Klasse without promoting. In 1970 Unitas relegated to the Tweede Klasse, immediately returning to the Eerste with a sixth Tweede Klasse championship.\n\nIn 1998 the club celebrated 100 years with several events. Coen Moulijn suffered a heart attack at the event he attended.\n\nSince 2018 Unitas is back the Hoofdklasse, after taking a championship in the Eerste Klasse. It finished the first Hoofdklasse season in decades in 5th position. Last game of the first Saturday squad of the 2018–2019 season ended in a 7–0 loss to SV Meerkerk.\n\nPlayers who became internationals\n Jan Peters\n Robert Verbeek\n Hans Vonk\n Frank Wels\n\nReferences\n\nAssociation football clubs established in 1898\n1898 establishments in the Netherlands\nFootball clubs in the Netherlands\nFootball clubs in South Holland\nSports clubs in Gorinchem", "The 1972 New York Jets season was the 13th season for the team and the third in the National Football League. It began with the team trying to improve upon its 6–8 record from 1971 under head coach Weeb Ewbank. The Jets star quarterback Joe Namath was healthy for a full season for the first time in three years but the rest of the squad was decimated by injuries and, after a strong start, the Jets finished with a record of 7–7.\n\nDuring the 1972 preseason, a squad composed of the Jets’ rookies defeated the Long Island Chiefs of the Seaboard Football League, 29–3.(In 1974, the Houston Oilers rookie squad played a preseason game vs the minor league San Antonio Toros) \n\nNamath threw for 496 yards and six touchdowns (on 15 of 28 passes) in a 44–34 victory over the Baltimore Colts in his first appearance at Baltimore’s Memorial Stadium in week two, but the next week, the Jets were humbled 26–20 by the Houston Oilers, the Oilers' only victory of 1972 and their last before embarking on an 18-game losing streak.\n\nThey Jets were eliminated from playoff contention in the season’s thirteenth week, a Monday Night Game with the Raiders in which a battered and bruised Namath threw for 403 yards and nearly pulled off the upset. After the game Raiders coach John Madden went into the Jets locker room and shook Namath’s hand out of respect; it was the only time in his coaching career Madden ever did that. Eliminated from postseason play, the Jets’ coaches decided Namath would sit out the final game of the season to make sure no serious injuries were incurred prior to the 1973 season.\n\nRoster\n\nOffseason\n\nSchedule \n\nNote: Intra-division opponents are in bold text.\n\nGame summaries\n\nWeek 2: at Baltimore Colts \n\n Source:\n \n \n \n \n \n \n \n \n \n \n \n \n \n\nThe rivalry between Joe Namath and Johnny Unitas had never resulted in both quarterbacks meeting for a full game until this meeting. Namath and Unitas exploded to a combined 872 passing yards. Namath threw for 496 yards and six touchdowns despite only 15 completions in 28 attempts. Unitas scored twice but was sacked six times. Don McCauley also scored twice for the Colts as the Jets won 44–34.\n\nStandings\n\nReferences\n\nExternal links \n 1972 statistics\n\nNew York Jets seasons\nNew York Jets\nNew York Jets season\n20th century in Queens\nShea Stadium" ]
[ "John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors.", "Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL.", "He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years.", "Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed \"Johnny U\" and the \"Golden Arm\", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979.", "He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family.", "When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback.", "Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would \"get murdered\" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns.", "In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback.", "Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports.", "By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football.", "In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards.", "It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee.", "One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown.", "The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms.", "When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State.", "His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round.", "Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach.", "Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game.", "On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip.", "The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, \"[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams).\" The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback.", "The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious \"mop-up\" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears.", "Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record.", "His 55.6-percent completion mark was a rookie record. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA).", "At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: \"The Greatest Game Ever Played\" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche.", "The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the \"greatest game ever played\". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s.", "The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193).", "1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined.", "Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season.", "In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired).", "After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games.", "The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference.", "1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time.", "He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears.", "But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers.", "Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game.", "The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions.", "However, he posted a league-high 24 interceptions. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns.", "In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games.", "He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale.", "Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense.", "Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the \"night ball\" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior.", "In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom.", "Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions.", "Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10.", "Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions.", "After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season.", "He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders.", "Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory.", "Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining.", "The 1972 season saw the Colts declining. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with \"Broadway\" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium.", "The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas.", "After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!!", "He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!! \", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt.", "Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore.", "San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended.", "The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract.", "The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two.", "His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts.", "He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973.", "Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career.", "Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season.", "His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012.", "The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979.", "He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as \"Bob Irsay's Midnight Ride,\" he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life.", "19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell.", "A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards.", "Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium.", "After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium.", "He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player.", "When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, \"He was better than me, better than Sammy Baugh, better than anyone.\" Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees.", "Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing.", "Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death.", "Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university.", "Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games.", "Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland.", "His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank.", "These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009.", "Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins.", "Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas.", "Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No.", "In 1999, he was ranked No. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32.", "32. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games.", "Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots.", "Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them.", "The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship.", "In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named \"Johnny Unitas Way\" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor.", "Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999.", "Champaign, IL: Sports Pub Inc., 1999. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). \"Johnny Unitas: Sunday's Best\". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65.", "Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books.", "New York:Anchor Books. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players" ]
[ "Johnny Unitas", "1964 MVP season", "what team did unitas play for", "The Colts", "how many games did the colts win", "the Colts ran off 10 straight victories to finish with a 12-2 record." ]
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who did they play in the playoffs
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who did the Colts play in the playoffs?
Johnny Unitas
The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER
Cleveland Browns
John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players
true
[ "The 2014 J.League Division 2 season was the 43rd season of the second-tier club football in Japan and the 16th season since the establishment of J2 League. The season commenced on 2 March and ended on 23 November. Post-season promotion and relegation playoffs will be played until 7 December.\n\nClubs\nGamba Osaka and Vissel Kobe have stayed in the second division for just a year, winning a promotion as champions and runners-up respectively. Fourth-placed Tokushima Vortis won the promotion playoffs and become the very first Shikoku club to play in the top flight since the establishment of Japan Soccer League, the first amateur nationwide football league in Japan. Shonan Bellmare and Oita Trinita were relegated from the first division immediately after promotion, and Júbilo Iwata have suffered their debut relegation after 20 years in the first division.\n\nOn the other end of the table, Kamatamare Sanuki have been promoted from 2013 Japan Football League, replacing Gainare Tottori whom they defeated in the J2–JFL playoffs.\n\nOn 29 September the J.League licensing board issued J1 licenses to all J2 clubs except Mito HollyHock, FC Gifu, and Giravanz Kitakyushu. This means these three clubs are not eligible to play in J1 for 2015 season and therefore cannot be promoted directly or via playoffs.\n\nThe participating clubs are listed in the following table:\n\nForeign players\n\nLeague table\n\nResults\n\nPlay-offs\n\nPromotion Playoffs to Division 1\n2014 J.League Road To J1 Play-Offs (2014 J1昇格プレーオフ)\nBecause Giravanz Kitakyushu did not obtain J1 license for 2015 season, they were ineligible to participate in the playoffs. Thus, JEF United Chiba who finished third in the season received a bye into the final.\n\nSemifinal\n\nFinal\n\nMontedio Yamagata was promoted to J1 League.\n\nJ3 Relegation Playoffs\n2014 J2/J3 Play-Offs (2014 J2・J3入れ替え戦)\n\nKamatamare Sanuki remains in J2 League.Nagano Parceiro remains in J3 League.\n\nTop scorers\n\nUpdated to games played on 23 November 2014\nSource: J. League data\n\nAttendances\n\nReferences\n\nJ2 League seasons\n2\nJapan\nJapan", "The 2017 Weber State Wildcats football team represented Weber State University in the 2017 NCAA Division I FCS football season. The Wildcats were led by fourth-year head coach Jay Hill and played their games at Stewart Stadium as members of the Big Sky Conference. They finished the season 11–3, 7–1 in Big Sky play to finish in a tie for the Big Sky championship with Southern Utah. Due to their head-to-head loss to Southern Utah in the regular season, they did not receive the Big Sky's automatic bid to the FCS Playoffs, but did receive an at-large bid to the FCS Playoffs, their second straight trip to the playoffs. In the first round, they defeated Western Illinois. In the second round, they avenged their regular season loss to Southern Utah. In the quarterfinals, they lost to eventual national runner-up, James Madison.\n\nPrevious season \nThe Wildcats finished the 2016 season 7–5, 6–2 in Big Sky play to finish in third place. They received an at-large bid to the FCS Playoffs, their first trip to the playoffs since 2009, where they lost to Chattanooga in the first round.\n\nSchedule\n\nDespite also being a member of the Big Sky Conference, the game with Sacramento State on September 16 was considered a non-conference game.\n\nGame summaries\n\nMontana Western\n\nat California\n\nat Sacramento State\n\nUC Davis\n\nat Montana State\n\nSouthern Utah\n\nat Cal Poly\n\nMontana\n\nat Eastern Washington\n\nat Portland State\n\nIdaho State\n\nFCS Playoffs\n\nWestern Illinois–First Round\n\nat Southern Utah–Second Round\n\nat James Madison–Quarterfinals\n\nRanking movements\n\nReferences\n\nWeber State\nWeber State Wildcats football seasons\nBig Sky Conference football champion seasons\nWeber State\nWeber State Wildcats football" ]
[ "John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors.", "Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL.", "He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years.", "Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed \"Johnny U\" and the \"Golden Arm\", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979.", "He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family.", "When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback.", "Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would \"get murdered\" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns.", "In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback.", "Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports.", "By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football.", "In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards.", "It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee.", "One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown.", "The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms.", "When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State.", "His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round.", "Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach.", "Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game.", "On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip.", "The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, \"[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams).\" The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback.", "The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious \"mop-up\" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears.", "Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record.", "His 55.6-percent completion mark was a rookie record. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA).", "At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: \"The Greatest Game Ever Played\" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche.", "The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the \"greatest game ever played\". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s.", "The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193).", "1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined.", "Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season.", "In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired).", "After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games.", "The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference.", "1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time.", "He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears.", "But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers.", "Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game.", "The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions.", "However, he posted a league-high 24 interceptions. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns.", "In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games.", "He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale.", "Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense.", "Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the \"night ball\" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior.", "In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom.", "Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions.", "Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10.", "Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions.", "After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season.", "He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders.", "Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory.", "Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining.", "The 1972 season saw the Colts declining. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with \"Broadway\" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium.", "The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas.", "After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!!", "He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!! \", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt.", "Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore.", "San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended.", "The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract.", "The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two.", "His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts.", "He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973.", "Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career.", "Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season.", "His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012.", "The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979.", "He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as \"Bob Irsay's Midnight Ride,\" he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life.", "19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell.", "A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards.", "Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium.", "After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium.", "He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player.", "When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, \"He was better than me, better than Sammy Baugh, better than anyone.\" Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees.", "Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing.", "Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death.", "Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university.", "Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games.", "Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland.", "His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank.", "These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009.", "Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins.", "Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas.", "Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No.", "In 1999, he was ranked No. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32.", "32. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games.", "Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots.", "Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them.", "The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship.", "In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named \"Johnny Unitas Way\" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor.", "Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999.", "Champaign, IL: Sports Pub Inc., 1999. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). \"Johnny Unitas: Sunday's Best\". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65.", "Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books.", "New York:Anchor Books. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players" ]
[ "Johnny Unitas", "1964 MVP season", "what team did unitas play for", "The Colts", "how many games did the colts win", "the Colts ran off 10 straight victories to finish with a 12-2 record.", "who did they play in the playoffs", "Cleveland Browns", "did they win the super bowl", "losing 27-0." ]
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who did they play in the super bowl
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who did the Colts play in the super bowl?
Johnny Unitas
The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER
the Packers.
John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players
true
[ "The 2011 Pro Bowl was the National Football League's all-star game for the 2010 season. It took place at 7:00 p.m. EST (2:00 p.m. local time) on Sunday, January 30, 2011 at Aloha Stadium in Honolulu, Hawaii. The NFC won 55–41, despite leading 42-0.\n\nReturn to Hawaii\nIn 2010, the NFL's contract with Hawaii's Aloha Stadium expired, and commissioner (Roger Goodell) reviewed several options of locations for the Pro Bowl. Eventually, it was decided that the 2010 Pro Bowl would be played at Sun Life Stadium in Miami, Florida where Super Bowl XLIV would be held. Goodell also decided the Pro Bowl would be played before Super Bowl XLIV after \"looking at alternatives to strengthen the Pro Bowl.\"\n\nSoon after Goodell made the decision to play the 2010 Pro Bowl in Miami, it was immediately criticized by coaches and players such as Eli Manning, who said, \"if the tradition continues, eventually the game will be held in cities that are not desirable vacation destinations.\"\n\nAs a result of backlash from players and critics about the decision to move the 2010 Pro Bowl to Miami, and the state of Hawaii offering a US$4,000,000 subsidy to the league, the NFL moved the game back to Hawaii for 2011, but the game remained before the Super Bowl for the second straight season. Therefore, players on the teams participating in Super Bowl XLV, the Green Bay Packers and the Pittsburgh Steelers, did not play in the Pro Bowl the Sunday prior.\n\nScoring summary\n\nAFC roster\n\nOffense\n\nDefense\n\nSpecial teams\n\nNFC roster\n\nOffense\n\nDefense\n\nSpecial teams\n\nNotes:\nbold denotes player who participated in game\nReplacement selection due to injury or vacancy\nInjured player; selected but did not play\nReplacement starter; selected as reserve\n\"Need player\"; named by coach\nSelected but did not play because his team advanced to Super Bowl XLV\nGriffin was selected as free safety\nVilma originally backed out of the game and was replaced by Henderson who played instead of him, but Vilma later decided to play and Henderson was inactive\n\nNumber of selections per team\n\nReferences\n\nhttp://www.jsonline.com/blogs/sports/129273523.html\n\nExternal links\n Official Pro Bowl website at NFL.com\n \n\nPro Bowl\nPro Bowl\nPro Bowl\nPro\nPro Bowl\nAmerican football in Hawaii\nSports in Honolulu\nJanuary 2011 sports events in the United States", "Marty Moore (born March 19, 1971) is a former professional American football player who played linebacker for eight seasons for the New England Patriots and Cleveland Browns. Moore was the first Mr. Irrelevant ever to play in a Super Bowl (Super Bowl XXXI). He also became the first Mr. Irrelevant to win a Super Bowl (Super Bowl XXXVI). \n\nMoore did not play in Super Bowl XXXVI because he was on injured reserve due to a torn Achilles tendon earlier in the season. Because of this, Moore is not the first Mr. Irrelevant to both play in and win a Super Bowl, with that achievement going to placekicker Ryan Succop. Succop was the Mr. Irrelevant of the 2009 NFL Draft, and was the Tampa Bay Buccaneers starting kicker in their Super Bowl LV championship over the Kansas City Chiefs, which was coincidentally the team that drafted him. Moore played high school football for Highlands High in Fort Thomas, Kentucky and college football at the University of Kentucky, playing in the 1993 Peach Bowl and becoming the final pick in the 1994 NFL Draft after his senior season.\n\nReferences\n\n1971 births\nAmerican football linebackers\nKentucky Wildcats football players\nNew England Patriots players\nCleveland Browns players\nLiving people\nHighlands High School (Fort Thomas, Kentucky) alumni\nPlayers of American football from Phoenix, Arizona" ]
[ "John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors.", "Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL.", "He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years.", "Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed \"Johnny U\" and the \"Golden Arm\", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979.", "He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family.", "When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback.", "Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would \"get murdered\" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns.", "In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback.", "Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports.", "By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football.", "In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards.", "It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee.", "One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown.", "The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms.", "When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State.", "His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round.", "Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach.", "Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game.", "On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip.", "The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, \"[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams).\" The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback.", "The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious \"mop-up\" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears.", "Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record.", "His 55.6-percent completion mark was a rookie record. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA).", "At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: \"The Greatest Game Ever Played\" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche.", "The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the \"greatest game ever played\". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s.", "The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193).", "1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined.", "Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season.", "In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired).", "After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games.", "The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference.", "1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time.", "He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears.", "But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers.", "Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game.", "The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions.", "However, he posted a league-high 24 interceptions. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns.", "In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games.", "He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale.", "Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense.", "Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the \"night ball\" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior.", "In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom.", "Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions.", "Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10.", "Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions.", "After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season.", "He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders.", "Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory.", "Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining.", "The 1972 season saw the Colts declining. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with \"Broadway\" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium.", "The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas.", "After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!!", "He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!! \", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt.", "Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore.", "San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended.", "The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract.", "The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two.", "His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts.", "He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973.", "Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career.", "Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season.", "His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012.", "The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979.", "He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as \"Bob Irsay's Midnight Ride,\" he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life.", "19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell.", "A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards.", "Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium.", "After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium.", "He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player.", "When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, \"He was better than me, better than Sammy Baugh, better than anyone.\" Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees.", "Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing.", "Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death.", "Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university.", "Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games.", "Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland.", "His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank.", "These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009.", "Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins.", "Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas.", "Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No.", "In 1999, he was ranked No. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32.", "32. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games.", "Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots.", "Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them.", "The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship.", "In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named \"Johnny Unitas Way\" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor.", "Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999.", "Champaign, IL: Sports Pub Inc., 1999. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). \"Johnny Unitas: Sunday's Best\". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65.", "Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books.", "New York:Anchor Books. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players" ]
[ "Johnny Unitas", "1964 MVP season", "what team did unitas play for", "The Colts", "how many games did the colts win", "the Colts ran off 10 straight victories to finish with a 12-2 record.", "who did they play in the playoffs", "Cleveland Browns", "did they win the super bowl", "losing 27-0.", "who did they play in the super bowl", "the Packers." ]
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what were unitas stats
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what were Johnny Unitas stats?
Johnny Unitas
The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0. Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers. Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER
Gary Cuozzo also suffered a season-ending injury the following
John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed "Johnny U" and the "Golden Arm", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would "get murdered" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, "[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams)." The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious "mop-up" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: "The Greatest Game Ever Played" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the "greatest game ever played". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the "night ball" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with "Broadway" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, "We want Unitas!!!", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as "Bob Irsay's Midnight Ride," he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, "He was better than me, better than Sammy Baugh, better than anyone." Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named "Johnny Unitas Way" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). "Johnny Unitas: Sunday's Best". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players
true
[ "Unitas may refer to:\n\n 306 Unitas, a main belt asteroid \n UNITAS, a multi-lateral naval exercise in South and Central America\n Unitas Capital, a private equity firm, formerly known as CCMP Capital Asia\n Humani generis unitas, a planned encyclical of Pope Pius XI before his death on February 10, 1939, which condemned antisemitism, racism and the persecution of Jews.\n Johnny Unitas (1933-2002), professional American football player\n Unitas (mollusc), a genus in family Cancellariidae\n Housing complex Unitas, an apartment complex from 1931 in Bratislava", "The Wissenschaftliche Katholische Studentenverein (W.K.St.V.) Unitas Stolzenfels Bonn was established in 1910. It is a Catholic student fraternity at the University of Bonn in Germany. It is member of the Unitas-Verband (UV) an umbrella organisation of several Catholic fraternities and sororities. Unitas Stolzenfels is the second oldest of the four today existing Unitas associations in Bonn. Others are W.K.St.V. Unitas-Salia (1847), W.K.St.V. Unitas Rhenania (1912) and the sorority W.K.St.V. Unitas Clara-Schumann (1992).\n\nHistory\n\n1910–1938\n\nFoundation: 1910 \nUnitas Stolzenfels was founded in Bonn on November 28, 1910, as Unitas Sigfridia and was associated with the Unitas-Verband on June 6, 1911, by the 52. general assembly (Generalversammlung, GV) of the Unitas-Verband in Fulda. World War I prevented a fast buildup of the Aktivitas (the active student association). Only in winter term of 1919/20 the fraternity was re-established.\n\nColour-Crisis \nThe colour-crisis was a struggle among the different fraternities of the Unitas-Verband. Some associations wanted to carry colours (hats and ribbons with the colours of the fraternity). Unitas Sigfridia was one of them. Therefore, it left the umbrella association in 1924 and founded with other fraternities the RKDB (Ring Katholischer Deutscher Burschenschaften (Ring of Catholic German fraternities)).\n\n1st Re-establishment \nTogether with 8 other members Hermann-Josef Stumpe, religion teacher, and Dr. Karl Loskant founded Unitas Stolzenfels in 1927, which didn't want to break away from Unitas umbrella association. The name refers to the castle Stolzenfels near Koblenz, Germany. With the other Unitas associations in Bonn Unitas Stolzenfels developed a viable confraternity. Before fraternities were banned by the national socialists, each of the associations in Bonn had 50 to 40 active members. The first house of Stolzenfels is still standing on Bonner Talweg. In 1938 Unitas Stolzenfels as the whole umbrella organisation Unitas was banned.\n\nPost-war period\n\n2nd Re-establishment \nAfter WWII Unitas Stolzenfels was re-established in the winter term of 1949/1950. A few out-of-town members and a few members of Unitas-Salia helped. Once again Hermann-Josef Stumpe, now pastor of the Bonn minster and bank director Dr. Karl Loskant were founding members. Official affiliation followed on August 4, 1950, during the 73rd general assembly (Generalversammlung, GV) in Munich.\n\nIn 1956 a new house had to be bought, since the old house was dispossessed by the national socialists, but was not given back after the war. The house and the parties held in this house will always remain a nice memory of the students of the 50s and 60s. In 1967 the house was sold to the Deutsche Bahn to finance a new house. This wasn't to good for fraternity life, since no festivities could be held in own rooms. It also wasn't possible to provide cheap housing for new students and members. In 1970 this changed at once with the opening of the new house on Hatschiergasse. There was more space for festivities and more rooms for students. The fraternity began to flourish once again. The house was inaugurated during the 95th GV in Bonn in 1972 by the nuncio in Germany, Archbishop Corrado Bafile.\n\nSince 1963 an irregular magazine is published by Stolzenfels called \"Convent\".\n\nTraditions\n\nPrinciples and Motto \n Virtus means you should always pursue a Christian way of life, which considers social engagement and willingness to fulfil our responsibility in church, nation and society.\n Scientia requests every member of Unitas, to deal with other academic subjects than one’s own. It is a possibility to enhance ones general knowledge and to sharpen ones judgement for a better world.\n Amicitia characterises our effort to win friends for life by friendly behaviour with each other and responsibility and concern for each other.\n\nThe motto of W.K.St.V. Unitas Stolzenfels is:\nIn necessariis unitas, in dubiis libertas, in omnibus caritas\nIn necessity unanimity, in doubt liberty, but above all charity\n\nFlags and Colours \nThe colours of Unitas Stolzenfels are the colours of the Unitas-Verband in the order of white blue gold \n\nThe flag of Unitas Stolzenfels shows the colours white-blue-gold in horizontal stripes. Embroidered on them is the Monogram. On the other side the coat of arms is depicted on a blue basis. Underneath it reads: „Unitas Stolzenfels sei's panier“ (Flag of Unitas Stolzenfels)\n\nZirkel (Monogram) \n\nThe Zirkel of Unitas Stolzenfels contains the following letters:\n\nThe exclamation mark shows, that this fraternity has active students. A Zirkel without exclamation mark still exists, but has no more active students and therefore has a high possibility of ceasing to exist when the last of the Alte Herren (\"Old Gentlemen\", members who finished studying) dies.\n\nCoat of Arms and Needle \n\nIn the Coat of Arms of the Unitas fraternities and sororities you will find most commonly four fields. These four fields usually show the following:\n A bundle of Arrows (the arrows represent Amicitia, the friendship in the fraternity meaning that the community is strong and cannot be broken like a single arrow)\n The Zirkel\n The Coat of Arms or the Flag of the Local City\n An Owl (Representing Scientia, meaning science and education. Sometimes sitting on a book or completely replaced by a book. The owl also sometimes sits on top of the Coat of Arms.)\n\nOften you will also find two hands grabbing themselves to represent Amicitia.\n\nAs a sign of membership in every fraternity a needle is affixed to the collar of every new member at their official reception into the fraternity. The new member is now a \"Fux\". \"Füxe\" can look into the fraternity for one year and then decide to become lifelong members (\"Burschen\") or to leave the fraternity.\n\nKnown Members \n Maximilian Goffart, auxiliary bishop in Aachen\n Josef Höchst, Member of the federal parliament in Germany\n Heinrich Krone, Federal minister in Germany\n Eduard Ackermann, Head of Department 5 of the German Chancellery during the Kohl-Era\n Joseph Goebbels, Reichspropagandaminister (Member from 1917 until 1919)\n\nLiterature\n\nExternal links\n Internetsite of W.K.St.V. Unitas-Stolzenfels Bonn (German)\n Internetsite of the Unitas-Verband(German)\n\nSources \n\n Unitas Handbuch Band I-V\n Fuxenfibel des Unitas-Verbandes\n\nChristian student societies in Germany\nUniversity of Bonn\nStudent organizations established in 1910\n1910 establishments in Germany" ]
[ "John Constantine Unitas (; May 7, 1933 – September 11, 2002) was an American football quarterback who played in the National Football League (NFL) for 18 seasons, primarily with the Baltimore Colts. Following a career that spanned from 1956 to 1973, he has been consistently listed as one of the greatest NFL players of all time. Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors.", "Unitas set many NFL records and was named Most Valuable Player three times in 1959, 1964, and 1967, in addition to receiving 10 Pro Bowl and five first-team All-Pro honors. He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL.", "He helped lead the Colts to four championship titles; three pre-merger era in 1958, 1959, 1968, and one Super Bowl era in Super Bowl V. His first championship victory is regarded as one of the league's greatest games and credited with helping popularize the NFL. Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years.", "Between 1956 and 1960, he set the record for most consecutive games with a touchdown pass at 47, which held for 52 years. Nicknamed \"Johnny U\" and the \"Golden Arm\", Unitas was considered the prototype of the modern era marquee quarterback. He was inducted into the Pro Football Hall of Fame in 1979.", "He was inducted into the Pro Football Hall of Fame in 1979. Early life John Constantine Unitas was born in Pittsburgh in 1933 to Francis J. Unitas and Helen Superfisky, both of Lithuanian descent; he grew up in the Mount Washington neighborhood in a Roman Catholic upbringing. When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family.", "When Unitas was five years old, his father died of cardiovascular renal disease complicated by pneumonia, leaving the young boy to be raised by his mother, who worked two jobs to support the family. His surname was a result of a phonetic transliteration of a common Lithuanian last name Jonaitis. Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback.", "Attending St. Justin's High School in Pittsburgh, Unitas played halfback and quarterback. College career In his younger years, Unitas dreamed about being part of the Notre Dame Fighting Irish football team, but when he tried out for the team, coach Frank Leahy said that he was just too skinny and he would \"get murdered\" if he was put on the field. Instead, he attended the University of Louisville. In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns.", "In his four-year career as a Louisville Cardinal, Unitas completed 245 passes for 3,139 yards and 27 touchdowns. Reportedly, the Unitas weighed on his first day of practice. His first start was in the fifth game of the 1951 season against St. Bonaventure, where he threw 11 consecutive passes and three touchdowns to give the Cardinals a 21–19 lead. Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback.", "Louisville ended up losing the game 22–21 on a disputed field goal, but found a new starting quarterback. Unitas completed 12 of 19 passes for 240 yards and four touchdowns in a 35–28 victory over Houston. The team finished the season 5–5 overall and 4–1 with Unitas starting. He completed 46 of 99 passes for 602 yards and nine touchdowns (44). By the 1952 season, the university decided to de-emphasize sports.", "By the 1952 season, the university decided to de-emphasize sports. The new president at Louisville, Dr. Philip Grant Davidson, reduced the amount of athletic aid, and tightened academic standards for athletes. As a result, 15 returning players could not meet the new standards and lost their scholarships. Unitas maintained his by taking on a new elective: square dancing. In 1952, coach Frank Camp switched the team to two-way football.", "In 1952, coach Frank Camp switched the team to two-way football. Unitas not only played safety or linebacker on defense and quarterback on offense, but also returned kicks and punts on special teams. The Cardinals won their first game against Wayne State, and then Florida State in the second game. Unitas completed 16 of 21 passes for 198 yards and three touchdowns. It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards.", "It was said that Unitas put on such a show at the Florida State game that he threw a pass under his legs for 15 yards. The rest of the season was a struggle for the Cardinals, who finished 3–5. Unitas completed 106 of 198 passes for 1,540 yards and 12 touchdowns. The team won their first game in 1953, against Murray State, and lost the rest for a record of 1–7. One of the most memorable games of the season came in a 59–6 loss against Tennessee.", "One of the most memorable games of the season came in a 59–6 loss against Tennessee. Unitas completed 9 out of 19 passes for 73 yards, rushed 9 times for 52 yards, returned six kickoffs for 85 yards, one punt for three yards, and had 86 percent of the team's tackles. The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown.", "The only touchdown the team scored was in the fourth quarter when Unitas made a fake pitch to the running back and ran the ball 23 yards for a touchdown. Unitas was hurt later in the fourth quarter while trying to run the ball. On his way off the field, he received a standing ovation. When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms.", "When he got to the locker room he was so tired that his jersey and shoulder pads had to be cut off because he could not lift his arms. Louisville ended the season with a 20–13 loss to Eastern Kentucky. Unitas completed 49 of 95 passes for 470 yards and three touchdowns. Unitas was elected captain for the 1954 season, but due to an early injury did not see much playing time. His first start was the third game of the season, against Florida State.", "His first start was the third game of the season, against Florida State. Of the 34-man team, 21 were freshmen. The 1954 Cardinals went 3–6, with their last win at home against Morehead State. Unitas was slowed by so many injuries his senior year his 527 passing yards ended second to Jim Houser's 560. Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round.", "Professional career Pittsburgh Steelers After his collegiate career, the Pittsburgh Steelers of the NFL drafted Unitas in the ninth round. However, he was released before the season began as the odd man out among four quarterbacks trying to fill three spots. Steelers' head coach Walt Kiesling had made up his mind about Unitas; he thought he was not smart enough to quarterback an NFL team, and he was not given any snaps in practice with the Steelers. Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach.", "Among those edging out Unitas was Ted Marchibroda, future longtime NFL head coach. Out of pro football, Unitas—by this time married—worked in construction in Pittsburgh to support his family. On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game.", "On the weekends, he played quarterback, safety and punter on a local semi-professional team called the Bloomfield Rams for $6 a game. Baltimore Colts In 1956, Unitas joined the Baltimore Colts of the NFL under legendary coach Weeb Ewbank, after being asked at the last minute to join Bloomfield Rams lineman Jim Deglau, a Croatian steelworker with a life much like Unitas, at the latter's scheduled Colts tryout. The pair borrowed money from friends to pay for the gas to make the trip.", "The pair borrowed money from friends to pay for the gas to make the trip. Deglau later told a reporter after Unitas's death, \"[His] uncle told him not to come. [He] was worried that if he came down and the Colts passed on him, it would look bad (to other NFL teams).\" The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback.", "The Colts signed Unitas, much to the chagrin of the Cleveland Browns, who had hoped to claim the former Steeler quarterback. Unitas made his NFL debut with an inauspicious \"mop-up\" appearance against Detroit, going 0–2 with one interception. Two weeks later, starting quarterback George Shaw suffered a broken leg against the Chicago Bears. In his first serious action, Unitas's initial pass was intercepted and returned for a touchdown. Then he botched a hand-off on his next play, a fumble recovered by the Bears.", "Then he botched a hand-off on his next play, a fumble recovered by the Bears. Unitas rebounded quickly from that 58–27 loss, leading the Colts to an upset of Green Bay and their first win over Cleveland. He threw nine touchdown passes that year, including one in the season finale that started his record 47-game streak. His 55.6-percent completion mark was a rookie record.", "His 55.6-percent completion mark was a rookie record. His 55.6-percent completion mark was a rookie record. In 1957, his first season as the Colts full-time starter at quarterback, Unitas finished first in the NFL in passing yards (2,550) and touchdown passes (24) as he helped lead the Colts to a 7–5 record, the first winning record in franchise history. At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA).", "At season's end, Unitas received the Jim Thorpe Trophy as the NFL's Most Valuable Player by the Newspaper Enterprise Association (NEA). 1958: \"The Greatest Game Ever Played\" Unitas continued his prowess in 1958 passing for 2,007 yards and 19 touchdowns as the Colts won the Western Conference title. The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche.", "The Colts won the NFL championship under his leadership on December 28, 1958, by defeating the New York Giants 23–17 in sudden death overtime on a touchdown by fullback Alan Ameche. It was the first overtime game in NFL history, and is often referred to as the \"greatest game ever played\". The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s.", "The game, nationally televised by NBC, has been credited for sparking the rise in popularity of professional football during the 1960s. 1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193).", "1959 MVP season In 1959, Unitas was named the NFL's MVP by the Associated Press (AP) for the first time, as well as United Press International's player of the year, after leading the NFL in passing yards (2,899), touchdown passes (32), and completions (193). He then led the Colts to a repeat championship, beating the Giants again 31–16 in the title game. Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined.", "Beginning of the 1960s As the 1960s began, the Colts' fortunes (and win totals) declined. Injuries to key players such as Alan Ameche, Raymond Berry, and Lenny Moore were a contributing factor. Unitas's streak of 47 straight games with at least one touchdown pass ended against the Los Angeles Rams in week 11 of the 1960 season. In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season.", "In spite of this, he topped the 3,000-yard passing mark for the first time and led the league in touchdown passes for the fourth consecutive season. After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired).", "After three middle-of-the-pack seasons, Colts owner Carroll Rosenbloom fired Weeb Ewbank and replaced him with Don Shula, who at the time was the youngest head coach in NFL history (33 years of age when he was hired). The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games.", "The Colts finished 8–6 in Shula's first season at the helm, good enough for only third place in the NFL's Western Conference, but they did end the season on a strong note by winning their final three games. The season was very successful for Unitas personally, as he led the NFL in passing yards with a career-best total of 3,481 and also led in completions with 237. 1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference.", "1964 MVP season In the 1964 season the Colts returned to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12–2 record. The season was one of Unitas's best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time.", "He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season ended on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27–0. Unitas resumed his torrid passing in 1965, throwing for 2,530 yards, 23 touchdowns and finishing with a league-high and career-best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears.", "But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers.", "Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week, and running back Tom Matte filled in as the emergency quarterback for the regular season finale and in a playoff loss to the Packers. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game.", "The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13–10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Unitas, healthy once more, threw for 2,748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions.", "However, he posted a league-high 24 interceptions. However, he posted a league-high 24 interceptions. 1967 MVP season After once again finishing second in the Western Conference in 1966, the Colts rebounded to finish 11–1–2 in 1967 tying the Los Angeles Rams for the NFL's best record. In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns.", "In winning his third MVP award from the AP and UPI in 1967 (and his second from the NEA), Unitas had a league-high 58.5 completion percentage and passed for 3,428 yards and 20 touchdowns. He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games.", "He openly complained about having tennis elbow and he threw eight interceptions and only three touchdown passes in the final five games. Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale.", "Once again, the season ended in loss for the Colts, as they were shut out of the newly instituted four-team NFL playoff after losing the divisional tiebreaker to the Rams, a 34–10 rout in the regular season finale. Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense.", "Super Bowls and final Colt years In the final game of the 1968 preseason, the muscles in Unitas's arm were torn when he was hit by a member of the Dallas Cowboys defense. Unitas wrote in his autobiography that he felt his arm was initially injured by the use of the \"night ball\" that the NFL was testing for better TV visibility during night games. In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior.", "In a post-game interview the previous year, he noted having constant pain in his elbow for several years prior. He would spend most of the season sitting on the bench. The Colts still marched to a league-best 13–1 record behind backup quarterback and ultimate 1968 NFL MVP Earl Morrall. Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom.", "Although he was injured through most of the season, Unitas came off the bench to play in Super Bowl III, the famous game where Joe Namath guaranteed a New York Jets win despite conventional wisdom. Unitas's insertion was a desperation move in an attempt to retrieve dominance of the NFL over the upstart AFL. Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions.", "Although the Colts won an NFL Championship in 1968, they lost the Super Bowl to the AFL Champion New York Jets, thus becoming the first-ever NFL champions that were not also deemed world champions. Unitas helped put together the Colts' only score, a touchdown late in the game. Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10.", "Unitas also drove the Colts into scoring position following the touchdown and successful onside kick, but head coach Don Shula eschewed a field goal attempt, which (if successful) would have cut the Jets' lead to 16–10. Despite not playing until late in the third quarter, he still finished the game with more passing yards than the team's starter, Earl Morrall. After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions.", "After an off-season of rehabilitation on his elbow, Unitas rebounded in 1969, passing for 2,342 yards and 12 touchdowns with 20 interceptions. But the Colts finished with a disappointing 8–5–1 record, and missed the playoffs. In 1970, the NFL and AFL had merged into one league, and the Colts moved to the new American Football Conference, along with the Cleveland Browns and the Pittsburgh Steelers. He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season.", "He threw for 2,213 yards and 14 touchdowns while leading the Colts to an 11–2–1 season. In their first rematch with the Jets, Unitas and Namath threw a combined nine interceptions in a 29–22 Colts win. Namath threw 62 passes and broke his hand on the final play of the game, ending his season. Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders.", "Unitas threw for 390 yards, three touchdowns, and no interceptions in AFC playoff victories over the Cincinnati Bengals and the Oakland Raiders. In Super Bowl V against the Dallas Cowboys, he was knocked out of the game with a rib injury in the second quarter, soon after throwing a 75-yard touchdown pass (setting a then-Super Bowl record) to John Mackey. However, he had also tossed two interceptions before his departure from the game. Earl Morrall came in to lead the team to a last-second, 16–13 victory.", "Earl Morrall came in to lead the team to a last-second, 16–13 victory. In 1971, Unitas split playing time with Morrall, throwing only three touchdown passes. He started both playoff games, a win over the Cleveland Browns that sent the Colts to the AFC Championship game against the Miami Dolphins, which they lost by a score of 21–0. Unitas threw three interceptions in the game, one of which was returned for a touchdown by safety Dick Anderson. The 1972 season saw the Colts declining.", "The 1972 season saw the Colts declining. The 1972 season saw the Colts declining. After losing the season opener, Unitas was involved in the second and final regular season head-to-head meeting with \"Broadway\" Joe Namath. The first was in 1970 (won by the Colts, 29–22). The last meeting took place on September 24, 1972 at Memorial Stadium.", "The last meeting took place on September 24, 1972 at Memorial Stadium. He threw for 376 yards and three touchdowns, but Namath upstaged him again, bombing the Colts for 496 yards and six touchdowns in a 44–34 Jets victory – their first over Baltimore since the 1970 merger. After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas.", "After losing four of their first five games, the Colts fired head coach Don McCafferty, and benched Unitas. One of the more memorable moments in football history came on Unitas's last game in a Colts uniform at Memorial Stadium, in a game against the Buffalo Bills. He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!!", "He was not the starter for this game, but the Colts were blowing the Bills out by a score of 28–0 behind Marty Domres; Unitas entered the game due to the fans chanting, \"We want Unitas!!! \", and a plan devised by head coach John Sandusky to convince Unitas that the starting quarterback was injured. Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt.", "Unitas came onto the field, and threw two passes, one of which was a long touchdown to wide receiver Eddie Hinton which would be his last pass as a Colt. The Colts won the game by the score of 35–7. San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore.", "San Diego, retirement, and records Unitas was traded from the Colts to the San Diego Chargers on January 20, 1973, in a transaction that originally had future considerations returning to Baltimore. The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended.", "The deal's only obstacle was the personal services contract he had signed with the Colts in 1970 which would've kept him employed within the organization on an annual salary of $30,000 over ten years once his career as an active player ended. The pact had been signed when the ballclub was owned by Carroll Rosenbloom who subsequently acquired the Los Angeles Rams on July 13, 1972, in a franchise swap with Robert Irsay. The deal was completed when the Chargers purchased that contract.", "The deal was completed when the Chargers purchased that contract. Eager to sever all ties with the Colts, Unitas signed a new two-year contract with the Chargers on June 8, 1973. He succeeded John Hadl who had requested and was granted a trade to the Rams. Unitas started the season with a 38–0 loss to the Washington Redskins. He threw for just 55 yards and 3 interceptions, and was sacked 8 times. His final victory as a starter came against the Buffalo Bills in week two.", "His final victory as a starter came against the Buffalo Bills in week two. Unitas was 10–18 for 175 yards, two touchdown passes, and no interceptions in a 34–7 Chargers rout. Many were questioning his role as a starter after a loss to the Bengals in week three. Two weeks later, he threw two first-half interceptions, passed for only 19 yards, and went 2-for-9 against the Pittsburgh Steelers. He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts.", "He was then replaced by rookie quarterback, future Hall of Famer Dan Fouts. After having posted a 1–3 record as a starter, Unitas retired in the preseason of 1974. Unitas finished his 18 NFL seasons with 2,830 completions in 5,186 attempts for 40,239 yards and 290 touchdowns, with 253 interceptions. He also rushed for 1,777 yards and 13 touchdowns. Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973.", "Plagued by arm trouble in his later seasons, he threw more interceptions (64) than touchdowns (38) in 1968–1973. After averaging 215.8 yards per game in his first 12 seasons, his production fell to 124.4 in his final six. His passer rating plummeted from 82.9 to 60.4 for the same periods. Even so, Unitas set many passing records during his career.", "Even so, Unitas set many passing records during his career. He was the first quarterback to throw for more than 40,000 yards, despite playing during an era when NFL teams played shorter seasons of 12 or 14 games (as opposed to today's 17-game seasons) and prior to modern passing-friendly rules implemented in 1978. His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season.", "His 32 touchdown passes in 1959 were a record at the time, making Unitas the first quarterback to hit the 30 touchdown mark in a season. His 47-game consecutive touchdown streak between 1956 and 1960 was a record considered by many to be unbreakable. The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012.", "The streak stood for 52 years before being broken by New Orleans Saints quarterback Drew Brees in a game against the San Diego Chargers on October 7, 2012. Post-playing days After his playing days were finished, Unitas settled in Baltimore where he raised his family while also pursuing a career in broadcasting, doing color commentary for NFL games on CBS in the 1970s. He was elected to the Pro Football Hall of Fame in 1979.", "He was elected to the Pro Football Hall of Fame in 1979. After Robert Irsay moved the Colts franchise to Indianapolis in 1984, a move known to this day in Baltimore as \"Bob Irsay's Midnight Ride,\" he was so outraged that he cut all ties to the relocated team (though his No. 19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life.", "19 jersey is still retired by the Colts), declaring himself strictly a Baltimore Colt for the remainder of his life. Some other prominent old-time Colts followed his lead, although many attended the 1975 team's reunion at Lucas Oil Stadium in Indianapolis in 2009. A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell.", "A total of 39 Colts players from that 1975 team attended said reunion in Indianapolis, including Bert Jones and Lydell Mitchell. Unitas asked the Pro Football Hall of Fame on numerous occasions (including on Roy Firestone's Up Close) to remove his display unless it was listed as belonging to the Baltimore Colts. The Hall of Fame has never complied with the request. Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards.", "Unitas donated his Colts memorabilia to the Babe Ruth Museum in Baltimore; they are now on display in the Sports Legends Museum at Camden Yards. Unitas was inducted into the American Football Association's Semi Pro Football Hall of Fame in 1987. Unitas actively lobbied for another NFL team to come to Baltimore. After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium.", "After the Cleveland Browns moved to Baltimore in 1996 and changed their name to the Ravens, he and some of the other old-time Colts attended the Ravens' first game ever against the Raiders on Opening Day at Memorial Stadium. He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium.", "He was frequently seen on the Ravens' sidelines at home games (most prominently in 1998 when the now-Indianapolis Colts played the Ravens in Baltimore) and received a thunderous ovation every time he was pictured on each of the huge widescreens at M&T Bank Stadium. He was often seen on the 30-yard line on the Ravens side. When the NFL celebrated its first 50 years, Unitas was voted the league's best player.", "When the NFL celebrated its first 50 years, Unitas was voted the league's best player. Retired Bears quarterback Sid Luckman said of Unitas, \"He was better than me, better than Sammy Baugh, better than anyone.\" Unitas lived most of the final years of his life severely hobbled. Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees.", "Due to an elbow injury suffered during his playing career, he had only very limited use of his right hand, and could not perform any physical activity more strenuous than golf due to his artificial knees. NFL career statistics Source: In 1957, Unitas was named MVP by the Newspaper Enterprise Association. Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing.", "Personal life At the age of 21 on November 20, 1954, Unitas married his high school sweetheart Dorothy Hoelle; they lived in Towson and had five children before divorcing. Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death.", "Unitas's second wife was Sandra Lemon, whom he married on June 26, 1972; they had three children, lived in Baldwin, and remained married until his death. Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university.", "Towson University, where Unitas was a major fund-raiser and which his children attended, named its football and lacrosse complex Johnny Unitas Stadium in recognition of both his football career and service to the university. Toward the end of his life, Unitas brought media attention to the many permanent physical disabilities that he and his fellow players suffered during their careers before heavy padding and other safety features became popular. Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games.", "Unitas himself lost almost total use of his right hand, with the middle finger and thumb noticeably disfigured from being repeatedly broken during games. On September 11, 2002, Unitas died from a heart attack while working out at the Kernan Physical Therapy Center (now The University of Maryland Rehabilitation & Orthopaedic Institute) in Baltimore. His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland.", "His funeral was held at Cathedral of Mary Our Queen in Baltimore, Maryland. Between his death and October 4, 2002, 56,934 people signed an online petition urging the Baltimore Ravens to rename the Ravens' home stadium (owned by the State of Maryland) after Unitas. These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank.", "These requests were unsuccessful since the lucrative naming rights had already been leased by the Ravens to Buffalo-based M&T Bank. However, on October 20, 2002, the Ravens dedicated the front area of the stadium's main entrance as Unitas Plaza and unveiled a statue of Unitas as the centerpiece of the plaza. Unitas is buried at Dulaney Valley Memorial Gardens in Timonium, Maryland. Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009.", "Legacy Unitas held the record for most Pro Bowl appearances (10) by a quarterback until Brett Favre broke his record in 2009. Unitas set the original standard for most wins as a starting quarterback with 118 regular season victories (since surpassed by multiple quarterbacks). Unitas was voted into the Pro Football Hall of Fame in 1979. Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins.", "Unitas is 11th in all-time number of regular season games won by an NFL starting quarterback with 118 wins. Unitas is 16th in all-time percentage of regular season games won by an NFL starting quarterback with a percentage of 64.5. 1987 American Football Association Semi Pro Hall of Fame Unitas's no. 16 is the first number retired by the football program at the University of Louisville. Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas.", "Unitas Tower, a dormitory at the University of Louisville, is named for Johnny Unitas. A statue of Unitas sits in the north end zone of Cardinal Stadium at the University of Louisville. It is a tradition for each Cardinal player to touch the statue as he enters the field. Since 1987, the Johnny Unitas Golden Arm Award has been awarded to the top senior quarterback of the current year in college football. The award is presented annually in Louisville. In 1999, he was ranked No.", "In 1999, he was ranked No. In 1999, he was ranked No. 5 on The Sporting News list of the 100 Greatest Football Players, behind only Joe Montana among quarterbacks. In 2004, The Sporting News ranked Unitas No. 1 among the NFL's 50 Greatest Quarterbacks, with Joe Montana at No. 2. In 1999, ESPN's Sportscentury: 50 Greatest Athletes of the 20th Century ranked Unitas No. 32.", "32. 32. Just before his death, Johnny Unitas became the community liaison for athletics in Towson, Maryland. The football stadium at Towson University was renamed Johnny Unitas Stadium in 2002. Unitas died less than a week after throwing his last pass in the grand opening of the stadium. Set the record for consecutive games with at least one touchdown pass at 47 games. This record was surpassed by Drew Brees in 2012. Set the record for consecutive games with at least two touchdown passes at 12 games.", "Set the record for consecutive games with at least two touchdown passes at 12 games. This record was surpassed by Don Meredith, Peyton Manning (twice), Tom Brady, Aaron Rodgers, Philip Rivers, and Patrick Mahomes. Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots.", "Set the record for most consecutive games with at least a 120 passer rating (4); this record was later matched by Kurt Warner For the game following his death, Indianapolis Colts quarterback Peyton Manning asked to wear a pair of black cleats as a tribute to Johnny's signature black boots. The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them.", "The league denied his request and threatened Manning with a US$25,000 fine; Manning decided not to wear them. Despite the threatened fine, Chris Redman, a Louisville alum like Unitas, and then quarterback of the Baltimore Ravens, decided to pay homage by wearing the signature cleats during a game against the Tampa Bay Buccaneers. In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship.", "In 2013, a movie project was announced by The Baltimore Sun called Unitas We Stand, which will feature Ravens quarterback Joe Flacco as Unitas during the 1958 NFL Championship. 19th Street in Ocean City, Maryland is named \"Johnny Unitas Way\" in his honor. Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor.", "Johnny Unitas Stadium on the campus of Towson University in Towson, Maryland, home of the Towson Tigers football and Towson Tigers men's lacrosse teams is named in his honor. Unitas was posthumously inducted into the National Lithuanian American Hall of Fame on August 24, 2013. See also List of most consecutive starts by a National Football League quarterback Most wins by a starting quarterback (NFL) Notes References Sources Bolus, Jim, and Billy Reed. Cardinal Football. Champaign, IL: Sports Pub Inc., 1999.", "Champaign, IL: Sports Pub Inc., 1999. Champaign, IL: Sports Pub Inc., 1999. Callahan, Tom. Johnny U: the life and times of John Unitas. New York: Crown Publishers, 2006. Lazenby, Roland. Johnny Unitas: the best there ever was. Chicago: Triumph Books, 2002. Schaap, Dick (1999). \"Johnny Unitas: Sunday's Best\". In ESPN SportsCentury. Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65.", "Michael MacCambridge, Editor. New York: ESPN-Hyperion Books. pp. 154–65. 154–65. Cavanaugh, Jack (2008), Giants Among Men. New York:Random House. MacCambridge, Michael (2005), America's Game. New York:Anchor Books.", "New York:Anchor Books. New York:Anchor Books. External links 1933 births 2002 deaths American football quarterbacks American people of Lithuanian descent Baltimore Colts players Burials at Dulaney Valley Memorial Gardens Catholics from Maryland Catholics from Pennsylvania Louisville Cardinals football players National Football League announcers National Football League Most Valuable Player Award winners National Football League players with retired numbers People from Timonium, Maryland People from Towson, Maryland Pittsburgh Steelers players Players of American football from Baltimore Players of American football from Pittsburgh Pro Football Hall of Fame inductees San Diego Chargers players Sportspeople from Baltimore County, Maryland Western Conference Pro Bowl players" ]
[ "Mark Taylor (cricketer)", "Early years" ]
C_ae269bdc0d524b599736eb69a322d5b1_1
Where was he born?
1
Where was Mark Taylor born?
Mark Taylor (cricketer)
The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER
Taylor's early years were spent at Wagga Wagga,
Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans
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[ "Miguel Skrobot (Warsaw, 1873 – Curitiba, February 20, 1912) was a businessman Brazilian of Polish origin.\n\nMiguel Skrobot was born in 1873, in Warsaw, Poland, to José Skrobot and Rosa Skrobot. When he was 18 he migrated to Brazil and settled in Curitiba as a merchant.\n\nHe married Maria Pansardi, who was born in Tibagi, Paraná, to Italian immigrants, and she bore him three children. He kept a steam-powered factory where he worked on grinding and toasting coffee beans under the \"Rio Branco\" brand, located on the spot where today stands the square called Praça Zacarias (square located in the center of Curitiba). He also owned a grocery store near Praça Tiradentes (also a square in the center of Curitiba, where the city was born). He died an early death, when he was 39, on February 20, 1912.\n\nReferences\n\n1873 births\n1912 deaths\nBrazilian businesspeople\nPeople from Curitiba\nPolish emigrants to Brazil", "Adolf von Rauch (22 April 1798 - 12 December 1882) was a German paper manufacturer in Heilbronn, where he was born and died and where he was a major builder of social housing.\n\nPapermakers\n1798 births\n1882 deaths\nPeople from Heilbronn" ]
[ "Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective.", "He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999.", "He retired from Test cricket on 2 February 1999. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour.", "In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia.", "Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket.", "The young Taylor preferred Australian rules football and cricket. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 \"Invincibles\" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.", "Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987.", "Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania.", "Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average.", "His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood.", "He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia.", "For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test.", "He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930.", "Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play.", "He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record.", "Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs.", "However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings.", "In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990.", "This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title.", "NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney.", "His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series.", "Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0.", "He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados.", "He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49.", "This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India.", "During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team.", "His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament.", "Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets.", "He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings.", "With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests.", "Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries.", "However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15.", "He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed.", "The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win.", "Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory.", "The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw.", "Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970.", "In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings.", "In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost.", "Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa.", "Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams.", "Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00.", "After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury.", "To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match.", "Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20.", "However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches.", "Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane.", "Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on.", "Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney.", "Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand.", "In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand.", "Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series.", "However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25.", "Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40.", "Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century.", "Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a \"green\" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne.", "Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season.", "Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total.", "In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively.", "The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating.", "After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0.", "The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness.", "Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82.", "They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over.", "The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai.", "He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter.", "Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over.", "Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy.", "Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts.", "Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40.", "Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott.", "His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29.", "Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions.", "For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side.", "The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs.", "England amassed a big lead of 360 runs. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team.", "The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor.", "His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7.", "Taylor ended the series with 317 runs at 31.7. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto.", "Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand.", "Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa.", "This was followed by three Tests against South Africa. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series.", "Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs.", "They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase.", "Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career.", "In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours.", "The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run.", "In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation.", "An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990.", "He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average.", "The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon.", "He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test.", "After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record.", "His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor.", "Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing.", "Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras.", "Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year.", "On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years.", "He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family.", "He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region.", "Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE.", "In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife.", "He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans" ]
[ "Mark Taylor (cricketer)", "Early years", "Where was he born?", "Taylor's early years were spent at Wagga Wagga," ]
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What did he do growing up?
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What did Mark Taylor do growing up?
Mark Taylor (cricketer)
The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER
Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him.
Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans
true
[ "Robert Paul Smith (April 16, 1915 – January 30, 1977) was an American author, most famous for his classic evocation of childhood, Where Did You Go? Out. What Did You Do? Nothing.\n\nBiography\nRobert Paul Smith was born in Brooklyn, grew up in Mount Vernon, NY, and graduated from Columbia College in 1936. He worked as a writer for CBS Radio and wrote four novels: So It Doesn't Whistle (1946) (1941, according to Avon Publishing Co., Inc., reprint edition ... Plus Blood in Their Veins copyright 1952); The Journey, (1943); Because of My Love (1946); The Time and the Place (1951).\n\nThe Tender Trap, a play by Smith and Dobie Gillis creator Max Shulman, opened in 1954 with Robert Preston in the leading role. It was later made into a movie starring Frank Sinatra and Debbie Reynolds. A classic example of the \"battle-of-the-sexes\" comedy, it revolves around the mutual envy of a bachelor living in New York City and a settled family man living in the New York suburbs.\n\nWhere Did You Go? Out. What Did You Do? Nothing is a nostalgic evocation of the inner life of childhood. It advocates the value of privacy to children; the importance of unstructured time; the joys of boredom; and the virtues of freedom from adult supervision. He opens by saying \"The thing is, I don't understand what kids do with themselves any more.\" He contrasts the overstructured, overscheduled, oversupervised suburban life of the child in the suburban 1950's with reminiscences of his own childhood. He concludes \"I guess what I am saying is that people who don't have nightmares don't have dreams. If you will excuse me, I have an appointment with myself to sit on the front steps and watch some grass growing.\"\n\nTranslations from the English (1958) collects a series of articles originally published in Good Housekeeping magazine. The first, \"Translations from the Children,\" may be the earliest known example of the genre of humor that consists of a series of translations from what is said (e.g. \"I don't know why. He just hit me\") into what is meant (e.g. \"He hit his brother.\")\n\nHow to Do Nothing With Nobody All Alone By Yourself (1958) is a how-to book, illustrated by Robert Paul Smith's wife Elinor Goulding Smith. It gives step-by-step directions on how to: play mumbly-peg; build a spool tank; make polly-noses; construct an indoor boomerang, etc. It was republished in 2010 by Tin House Books.\n\nList of works\n\nEssays and humor\nWhere Did You Go? Out. What Did You Do? Nothing (1957)\nTranslations from the English (1958) \nCrank: A Book of Lamentations, Exhortations, Mixed Memories and Desires, All Hard Or Chewy Centers, No Creams(1962)\nHow to Grow Up in One Piece (1963)\nGot to Stop Draggin’ that Little Red Wagon Around (1969)\nRobert Paul Smith’s Lost & Found (1973)\n\nFor children\nJack Mack, illus. Erik Blegvad (1960)\nWhen I Am Big, illus. Lillian Hoban (1965)\nNothingatall, Nothingatall, Nothingatall, illus. Allan E. Cober (1965)\nHow To Do Nothing With No One All Alone By Yourself, illus Elinor Goulding Smith (1958) Republished by Tin House Books (2010)\n\nNovels\nSo It Doesn't Whistle (1941) \nThe Journey (1943) \nBecause of My Love (1946) \nThe Time and the Place (1952)\nWhere He Went: Three Novels (1958)\n\nTheatre\nThe Tender Trap, by Max Shulman and Robert Paul Smith (first Broadway performance, 1954; Random House edition, 1955)\n\nVerse\nThe Man with the Gold-headed Cane (1943)\n…and Another Thing (1959)\n\nExternal links\n\n1915 births\n1977 deaths\n20th-century American novelists\nAmerican children's writers\nAmerican humorists\nAmerican instructional writers\nAmerican male novelists\n20th-century American dramatists and playwrights\nAmerican male dramatists and playwrights\n20th-century American male writers\n20th-century American non-fiction writers\nAmerican male non-fiction writers\nColumbia College (New York) alumni", "Growing Up Straight: What Every Thoughtful Parent Should Know About Homosexuality is a 1968 guide for parents, by Peter and Barbara Wyden, which he claims can prevent their children from becoming homosexual.\n\nReception\nGrowing Up Straight received a negative review from James Colton in Tangents. Colton ridiculed the Wydens' advice on how to prevent homosexuality, and accused them of making contradictory and inconsistent claims and of citing experts such as Evelyn Hooker and Judd Marmor only when it served their purposes to do so.\n\nThe gay rights activist Dennis Altman compared Growing Up Straight to the journalist and social critic Vance Packard's The Sexual Wilderness, Patricia Sexton's The Feminized Male, and Hendrik Ruitenbeek's The Male Myth. He described them as part of a trend to attack the collapse of American masculinity and femininity and connect it to \"an alleged growth in homosexuality.\" He wrote that the book, \"makes very explicit the connection between the fear of a declining sex role dichotomy and increased homosexuality; mothers and fathers are counseled to act out all those she-woman and he-man stereotypes as a model for their growing children.\"\n\nThe neuroscientist Simon LeVay described Growing Up Straight as an example of psychoanalytic ideas influencing general attitudes toward homosexuality. The reparative therapist Joseph Nicolosi and Linda Ames Nicolosi stated that Growing Up Straight has been seen as a classic.\n\nReferences\n\nBibliography\nBooks\n\n \n \n \n\nJournals\n\n \n\n1968 non-fiction books\nAmerican non-fiction books\nBooks about preventing homosexuality\nEnglish-language books\nStein and Day books" ]
[ "Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective.", "He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999.", "He retired from Test cricket on 2 February 1999. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour.", "In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia.", "Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket.", "The young Taylor preferred Australian rules football and cricket. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 \"Invincibles\" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.", "Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987.", "Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania.", "Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average.", "His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood.", "He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia.", "For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test.", "He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930.", "Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play.", "He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record.", "Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs.", "However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings.", "In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990.", "This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title.", "NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney.", "His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series.", "Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0.", "He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados.", "He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49.", "This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India.", "During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team.", "His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament.", "Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets.", "He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings.", "With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests.", "Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries.", "However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15.", "He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed.", "The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win.", "Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory.", "The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw.", "Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970.", "In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings.", "In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost.", "Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa.", "Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams.", "Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00.", "After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury.", "To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match.", "Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20.", "However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches.", "Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane.", "Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on.", "Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney.", "Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand.", "In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand.", "Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series.", "However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25.", "Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40.", "Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century.", "Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a \"green\" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne.", "Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season.", "Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total.", "In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively.", "The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating.", "After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0.", "The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness.", "Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82.", "They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over.", "The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai.", "He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter.", "Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over.", "Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy.", "Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts.", "Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40.", "Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott.", "His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29.", "Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions.", "For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side.", "The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs.", "England amassed a big lead of 360 runs. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team.", "The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor.", "His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7.", "Taylor ended the series with 317 runs at 31.7. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto.", "Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand.", "Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa.", "This was followed by three Tests against South Africa. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series.", "Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs.", "They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase.", "Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career.", "In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours.", "The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run.", "In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation.", "An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990.", "He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average.", "The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon.", "He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test.", "After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record.", "His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor.", "Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing.", "Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras.", "Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year.", "On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years.", "He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family.", "He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region.", "Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE.", "In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife.", "He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans" ]
[ "Mark Taylor (cricketer)", "Early years", "Where was he born?", "Taylor's early years were spent at Wagga Wagga,", "What did he do growing up?", "Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him." ]
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Mark Taylor (cricketer)
The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER
Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.
Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans
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[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]
[ "Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective.", "He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999.", "He retired from Test cricket on 2 February 1999. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour.", "In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia.", "Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket.", "The young Taylor preferred Australian rules football and cricket. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 \"Invincibles\" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.", "Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987.", "Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania.", "Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average.", "His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood.", "He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia.", "For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test.", "He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930.", "Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play.", "He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record.", "Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs.", "However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings.", "In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990.", "This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title.", "NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney.", "His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series.", "Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0.", "He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados.", "He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49.", "This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India.", "During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team.", "His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament.", "Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets.", "He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings.", "With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests.", "Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries.", "However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15.", "He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed.", "The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win.", "Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory.", "The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw.", "Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970.", "In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings.", "In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost.", "Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa.", "Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams.", "Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00.", "After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury.", "To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match.", "Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20.", "However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches.", "Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane.", "Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on.", "Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney.", "Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand.", "In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand.", "Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series.", "However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25.", "Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40.", "Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century.", "Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a \"green\" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne.", "Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season.", "Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total.", "In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively.", "The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating.", "After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0.", "The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness.", "Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82.", "They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over.", "The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai.", "He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter.", "Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over.", "Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy.", "Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts.", "Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40.", "Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott.", "His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29.", "Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions.", "For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side.", "The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs.", "England amassed a big lead of 360 runs. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team.", "The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor.", "His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7.", "Taylor ended the series with 317 runs at 31.7. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto.", "Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand.", "Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa.", "This was followed by three Tests against South Africa. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series.", "Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs.", "They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase.", "Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career.", "In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours.", "The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run.", "In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation.", "An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990.", "He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average.", "The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon.", "He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test.", "After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record.", "His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor.", "Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing.", "Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras.", "Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year.", "On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years.", "He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family.", "He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region.", "Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE.", "In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife.", "He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans" ]
[ "Mark Taylor (cricketer)", "Early years", "Where was he born?", "Taylor's early years were spent at Wagga Wagga,", "What did he do growing up?", "Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him.", "Are there any other interesting aspects about this article?", "Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.", "did he win any awards?", "I don't know.", "did he win any championships for his school?", "Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83.", "What jobs did he work?", "He originally trained as a surveyor, and received a degree in surveying" ]
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Did he go to college?
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Did Mark Taylor go to college?
Mark Taylor (cricketer)
The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982-83. Taylor made his Sheffield Shield debut in 1985-86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987-88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. He originally trained as a surveyor, and received a degree in surveying from the University of New South Wales in 1987. CANNOTANSWER
University of New South Wales in 1987.
Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 "Invincibles" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a "green" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans
true
[ "California Concordia College existed in Oakland, California, United States from 1906 until 1973.\n\nAmong the presidents of California Concordia College was Johann Theodore Gotthold Brohm Jr.\n\nCalifornia Concordia College and the Academy of California College were located at 2365 Camden Street, Oakland, California. Some of the school buildings still exist at this location, but older buildings that housed the earlier classrooms and later the dormitories are gone. The site is now the location of the Spectrum Center Camden Campus, a provider of special education services.\n\nThe \"Academy\" was the official name for the high school. California Concordia was a six-year institution patterned after the German gymnasium. This provided four years of high school, plus two years of junior college. Years in the school took their names from Latin numbers and referred to the years to go before graduation. The classes were named:\n\n Sexta - 6 years to go; high school freshman\n Qunita - 5 years to go; high school sophomore\n Quarta - 4 years to go; high school junior\n Tertia - 3 years to go; high school senior\n Secunda - 2 years to go; college freshman\n Prima - 1 year to go; college sophomore\n\nThose in Sexta were usually hazed in a mild way by upperclassmen. In addition, those in Sexta were required to do a certain amount of clean-up work around the school, such as picking up trash.\n\nMost students, even high school freshmen, lived in dormitories. High school students were supervised by \"proctors\" (selected high school seniors in Tertia). High school students were required to study for two hours each night in their study rooms from 7:00 to 9:00 pm. Students could not leave their rooms for any reason without permission. This requirement came as quite a shock to those in Sexta (freshmen) on their first night, when they were caught and scolded by a proctor when they left their study room to go to the bathroom without permission. Seniors (those in Tertia) were allowed one night off where they did not need to be in their study hall.\n\nFrom 9:00 to 9:30 pm all students gathered for a chapel service. From 9:30 to 10 pm, high school students were free to roam, and sometimes went to the local Lucky Supermarket to purchase snacks. All high school students were required to be in bed with lights out by 10:00 pm. There were generally five students in each dormitory room. The room had two sections: a bedroom area and (across the hallway) another room for studying. Four beds, including at least one bunk bed, were in the bedroom, and four or five desks were in the study room\n\nA few interesting words used by Concordia students were \"fink\" and \"rack.\" To \"fink\" meant to \"sing like a canary\" or \"squeal.\" A student who finked told everything he knew about a misbehavior committed by another student. \"Rack\" was actually an official term used by proctors and administrators who lived on campus in the dormitories with students. When students misbehaved they were racked (punished). Proctors held a meeting once a week and decided which students, if any, deserved to be racked. If a student were racked, he might be forbidden from leaving the campus grounds, even during normal free time School hours were from 7:30 am to 3:30 pm. After 3:30 pm and until 7:00 pm, students could normally explore the local area surrounding the school, for example, to go to a local store to buy a snack. However, if a student were racked for the week, he could not do so.\n\nProctors made their rounds in the morning to make sure beds were made and inspected rooms in the evening to ensure that students were in bed by 10:00 pm. Often after the proctors left a room at night, the room lights would go back on and students enjoyed studying their National Geographic magazines. Student might be racked if they failed to make their beds or did not make them neatly enough.\n\nAlthough California Concordia College no longer exists, it does receive some recognition by Concordia University Irvine. This is also the location of its old academic records.\n\nSources\n\nExternal links \n Photos of old campus\n\nEducational institutions disestablished in 1973\nDefunct private universities and colleges in California\nEducational institutions established in 1906\n1906 establishments in California\n1973 disestablishments in California\nUniversities and colleges affiliated with the Lutheran Church–Missouri Synod", "Kyree Walker (born November 20, 2000) is an American professional basketball player for the Capital City Go-Go of the NBA G League. At the high school level, he played for Moreau Catholic High School in Hayward, California before transferring to Hillcrest Prep Academy. A former MaxPreps National Freshman of the Year, Walker was a five-star recruit.\n\nEarly life and high school career\nIn eighth grade, Walker drew national attention for his slam dunks in highlight videos. He often faced older competition, including high school seniors, in middle school with his Amateur Athletic Union (AAU) team Oakland Soldiers. As a high school freshman, Walker played basketball for Moreau Catholic High School in Hayward, California, averaging 21.3 points, 6.5 rebounds and four assists per game. After leading his team to a California Interscholastic Federation Division II runner-up finish, he was named MaxPreps National Freshman of the Year. Entering his sophomore season, Walker transferred to Hillcrest Prep, a basketball program in Phoenix, Arizona, with his father, Khari, joining the coaching staff. On October 25, 2019, during his senior year, he left Hillcrest Prep, intending to move to the college or professional level. In December 2019, Walker graduated from high school but did not play high school basketball while weighing his options.\n\nRecruiting\nOn June 30, 2017, Walker committed to play college basketball for Arizona State over several other NCAA Division I offers. At the time, he was considered a five-star recruit and a top five player in the 2020 class by major recruiting services. On October 21, 2018, Walker decommitted from Arizona State. On April 20, 2020, as a four-star recruit, he announced that he would forego college basketball.\n\nProfessional career\n\nCapital City Go-Go (2021–present)\nWalker joined Chameleon BX to prepare for the 2021 NBA draft. For the 2021-22 season, he signed with the Capital City Go-Go of the NBA G League, joining the team after a successful tryout.\n\nPersonal life\nIn 2018, Walker's mother, Barrissa Gardner, was diagnosed with breast cancer but achieved remission in the following months.\n\nReferences\n\n2000 births\nLiving people\n21st-century African-American sportspeople\nAfrican-American basketball players\nAmerican men's basketball players\nBasketball players from Oakland, California\nCapital City Go-Go players\nSmall forwards\nTwitch (service) streamers" ]
[ "Mark Anthony Taylor (born 27 October 1964) is a former Australian cricketer and currently a Cricket Australia director and Nine Network commentator. He was Test opening batsman from 1988 to 1999, as well as captain from 1994 to 1999, succeeding Allan Border. His predominant fielding position was first slip. He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective.", "He was widely regarded as an instrumental component in Australia's rise to Test cricket dominance, and his captaincy was regarded as adventurous and highly effective. However, he was considered less than ideal for One-Day International cricket and was eventually dropped as one-day captain after a 0–3 drubbing at the hands of England in 1997. He moved to Wagga Wagga in 1972 and played for Lake Albert Cricket Club. His debut was for New South Wales in 1985. He retired from Test cricket on 2 February 1999.", "He retired from Test cricket on 2 February 1999. He retired from Test cricket on 2 February 1999. In 104 Test matches, he scored 7,525 runs with a batting average of 43.49, including 19 centuries and 40 fifties. He was also an excellent first slip – his 157 catches, at the time, a Test record (now held by Rahul Dravid). In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour.", "In contrast to his predecessor Allan Border, who acquired the nickname 'Captain Grumpy', Taylor won plaudits for his always cheerful and positive demeanour. His successor, Steve Waugh, further honed the Australian team built by Border and Taylor and went on to set numerous records for victories as captain. Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia.", "Having been named Australian of the Year in 1999, he is now a cricket commentator for the Nine Network, and former Director of Cricket Australia. Early years The second of three children born to bank manager Tony Taylor, and his wife Judy, Mark Taylor's early years were spent at Wagga Wagga, where his family relocated when he was eight. His father had a sporting background, playing first grade rugby in Newcastle. The young Taylor preferred Australian rules football and cricket.", "The young Taylor preferred Australian rules football and cricket. The young Taylor preferred Australian rules football and cricket. He learned to bat in the family garage, with his father throwing cork balls to him. Taylor idolised Arthur Morris, the left-handed opening batsmen from New South Wales who led the aggregates on the 1948 \"Invincibles\" tour of England. Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga.", "Taylor played for his primary school as an opening batsman, and made his first century at the age of thirteen for the Lake Albert club at Bolton Park in Wagga. His family then moved to the north shore of Sydney, where he joined Northern District in Sydney Grade Cricket. Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987.", "Completing his secondary education at Chatswood High School, he later obtained a degree in surveying at the University of New South Wales in 1987. Along with the Waugh twins, Steve and Mark, Taylor played in under-19 youth internationals for Australia against Sri Lanka in 1982–83. Taylor made his Sheffield Shield debut in 1985–86 when NSW was depleted by the defection of regular openers Steve Smith and John Dyson to a rebel tour of South Africa. Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania.", "Opening with fellow debutant Mark Waugh, he scored 12 and 56 not out against Tasmania. His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average.", "His first season was highlighted by home and away centuries against South Australia in a total of 937 runs at 49.31 average. He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood.", "He had a lean season in 1987–88, after which he spent the English summer with Greenmount, helping them to win their first Bolton League title by scoring more than 1,300 runs at an average of 70. International career Test career Solid form for NSW in 1988–89 resulted in Taylor's selection for his Test debut in the Fourth Test against the West Indies at the SCG, replacing middle-order batsman Graeme Wood. For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia.", "For three years, the opening combination of Geoff Marsh and David Boon had been successful for Australia. However, team coach Bob Simpson wanted a left and right-handed opening combination, and stability added to the middle order. Therefore, the left-handed Taylor partnered the right-handed Marsh, while Boon batted at number three. Taylor's safe catching at slip was also a factor in his selection. He made 25 and 3 in a winning team, then was run out twice in the Fifth Test.", "He made 25 and 3 in a winning team, then was run out twice in the Fifth Test. A first-class aggregate of 1,241 runs (at 49.64 average) for the season earned him a place on the 1989 Ashes tour. Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930.", "Record-breaking start Beginning with a century at Headingley in his First Test against England, Taylor amassed 839 runs at 83.90 in the six Tests: the second best aggregate in an Ashes series in England, behind Don Bradman's 974 runs in 1930. He occupied the crease for a total of 38 hours, more than six full days of play.", "He occupied the crease for a total of 38 hours, more than six full days of play. The highlight of his tour was the Fifth Test at Trent Bridge when he and Geoff Marsh became the first pair to bat throughout a day's play of Test cricket in England, amassing 301 runs. Taylor made 219 in a partnership of 329, an Ashes record.", "Taylor made 219 in a partnership of 329, an Ashes record. He finished with 71 and 48 in the Sixth Test to overtake Neil Harvey for the third-highest series aggregate in Test history and totalled 1,669 first-class runs for the tour. Australia won the series 4–0 to regain the Ashes. However, Taylor was overlooked for selection in the ODIs.", "However, Taylor was overlooked for selection in the ODIs. Returning to Australia, Taylor made 1,403 first-class runs at 70.15 during the 1989–90 season, and ended 1989 with 1,219 Test runs, thus becoming the first player to better one thousand Test runs in his debut calendar year, something only matched twice since by England opener Alastair Cook and Australian Adam Voges. In Taylor's first nine Tests, Australia passed 400 in the first innings.", "In Taylor's first nine Tests, Australia passed 400 in the first innings. He scored centuries in successive Tests against Sri Lanka, and against Pakistan his scores were 52 and 101 at the MCG, 77 and 59 at the Adelaide Oval and an unbeaten 101 at Sydney. Australia won both series 1–0. In just over twelve months, he had amassed 1,618 runs at 70.35. This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990.", "This outstanding start to his career earned Taylor nomination as one of the five Wisden Cricketers of the Year in 1990. At the season's end, he demonstrated his leadership abilities for the first time. Standing in as NSW captain in place of the injured Geoff Lawson for the 1989–90 Sheffield Shield final in Sydney, Taylor scored 127 and 100. NSW won by 345 runs to secure its 40th title.", "NSW won by 345 runs to secure its 40th title. A year after his Test debut, Taylor was selected to make his ODI debut, which came on Boxing Day of 1989 against Sri Lanka. He made 11 as Australia won by 30 runs. He was selected for nine of Australia's ten ODIs for the season's triangular tournament, scoring 294 runs at 32.66 with two half-centuries. His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney.", "His highest score of 76 came as Australia defeated Pakistan by 69 runs to clinch the finals series in Sydney. The season ended with ODI tournaments in New Zealand and Sharjah. He played six of the eight matches, scoring 222 runs at 37.00 with two half-centuries, but was dropped for the final in New Zealand. Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series.", "Inconsistent form Taylor experienced a slump during the 1990–91 Ashes series. After making two-half centuries in the first two Tests, he failed to pass 20 in the last three and finished with 213 runs at 23.66 in a team that won 3–0. He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0.", "He found himself on the outer for the ODI triangular tournament, missing all eight of the preliminary matches before returning to score 41 and 71 as Australia won the finals 2–0. His moderate form continued during the 1991 tour of the West Indies, where he was selected in only two of the five ODIs, scoring three and five. He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados.", "He ended the run with a rear-guard innings of 76 in the second innings of the Fourth Test at Barbados. Despite his effort, Australia lost and the West Indies took an unassailable lead of 2–0. In the Fifth Test St. Johns, Antigua, Australia gained a consolation victory due mainly to Taylor's scores of 59 and 144 (out of a total of 265). This late rush of form boosted his average for the series to 49.", "This late rush of form boosted his average for the series to 49. In late 1991, before the Australian season started, Taylor was appointed to lead an Australia A side to tour Zimbabwe. The team was composed of younger Test players and other young players who were seeking to break into international cricket. The selectors were attempting to groom Taylor as a potential replacement for Border. During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India.", "During the 1991–92 Australian season, Taylor batted consistently in a 4–0 series victory over India. He scored 94 and 35* in a ten-wicket win at Brisbane. He scored half-centuries in each of the next two Tests before striking 100 in the second innings of the Fourth Test at Adelaide. It helped Australia to wipe out a first innings deficit of 80 and set up a winning target. His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team.", "His opening partner Marsh was dropped for the Fifth Test, so the selectors elevated Taylor to the vice-captaincy of the team. Over the next twelve months, a number of players were tried as Taylor's opening partner. Taylor struggled in his first match with new partner Wayne N. Phillips, scoring two and 16. Nevertheless, he had scored 422 runs at 46.89. Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament.", "Taylor continued to be overlooked by the selectors in the shorter version of the game, missing selection for all of the season's triangular tournament. He was selected for the squad for the 1992 Cricket World Cup held on home soil, and after Australia lost its first two matches, Taylor was recalled for his first ODI in 12 months. He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets.", "He made 13 as Australia beat India by one run, but scored his first ODI duck in the next match as England won by eight wickets. He was dropped for the remainder of the tournament. On the 1992 tour of Sri Lanka, Taylor struggled in scoring 148 runs at 24.67. After scoring 42 and 43 in Australia's win in the First Test, Taylor failed to again pass 30. With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings.", "With new opening partner Tom Moody also struggling with 71 runs at 11.83, Australia frequently struggled at the top of their innings. He played in all three ODIs, scoring 138 runs at 46.00. His 94 in the first match was his highest score in ODIs to that point. Against the West Indies in 1992–93, Taylor was now opening alongside David Boon with Moody having been dropped. Taylor was ineffective and failed to pass fifty in the first four Tests.", "Taylor was ineffective and failed to pass fifty in the first four Tests. After Australia failed by one run to win the Fourth Test and thus the series, Taylor was dropped for the deciding Test at Perth, having failed to make double figures in either innings. In his absence, Australia lost by an innings in three days and conceded the series 1–2. He had scored 170 runs at 24.29 for the series. However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries.", "However, he played all of Australia's ten ODIs, scoring 286 runs at 28.60 with two half-centuries. Taylor and Slater As a result of the innings defeat in Perth, Taylor was immediately recalled for the tour of New Zealand, where he scored 82 in the First Test at Christchurch to help Australia to an innings victory. He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15.", "He then scored 50 in the drawn Second Test and bowled for the first time at Test level, taking 0/15. He failed to pass 20 in the Third Test and ended the series with 148 runs at 37.00 as the home side squared the series. Australia then played five ODIs in New Zealand before starting the England tour with three more. Taylor played in all eight, scoring 307 runs at 38.38 with four half-centuries. The problem of finding him a long-term partner was solved on the tour of England that followed.", "The problem of finding him a long-term partner was solved on the tour of England that followed. NSW batsman Michael Slater, who also grew up in Wagga Wagga, made his debut in the First Test of the 1993 Ashes series. In the First Test at Old Trafford, Taylor made 124 after an opening partnership of 128, as Australia managed only 289 after being sent in. Australia managed to scrape out a lead of 79, before going on to a 179-run win.", "Australia managed to scrape out a lead of 79, before going on to a 179-run win. This was followed by a stand of 260 at Lord's in the Second Test, with Taylor making 111. In the process, he passed 1000 Test runs against England and the partnership broke the Ashes partnership record at Lord's, which had been set by Bill Woodfull and Don Bradman in 1930. The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory.", "The partnership laid the platform for Australia's total of 4/632, as the tourists proceeded to an innings victory. His scoring was more sedate in the remaining Tests as Australia won 4–1, and he finished with 428 runs at 42.80. He passed 30 only once more, with 70 in the first innings of the Sixth Test at The Oval. Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw.", "Against New Zealand in 1993–94, Taylor made 64 and 142 not out in the First Test at Perth, which ended in a draw. He then scored 27 and 53 as Australia won the next two Tests by an innings, totalling 286 runs at 95.33 in three Tests as Australia won 2–0. In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970.", "In the rain-affected Boxing Day Test at the Melbourne Cricket Ground, Taylor played his 50th Test and celebrated with 170 against South Africa, the first Test between the two countries since 1970. This made him the first batsman to score centuries on Test debut against four countries. In addition, he passed 4,000 Test runs during the innings.", "In addition, he passed 4,000 Test runs during the innings. Taylor had scored more than 1,000 Test runs for the calendar year, ending with 1106 runs Taylor scored 62 in the Third Test, his only other half-century for the series, which he ended with 304 runs at 60.80. On the reciprocal tour of South Africa at the end of the season, Taylor missed a Test because of injury for the only time in his career. Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost.", "Matthew Hayden filled in for the First Test in Johannesburg, which Australia lost. On his return for the Second Test at Cape Town, he scored 70 and ended the series with 97 runs at 24.25. Both series were drawn 1–1. Captaincy After the retirement of Allan Border, Taylor was appointed captain. Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa.", "Frequently omitted from the ODI team due to slow scoring, Taylor missed the finals of the ODI series in Australia against South Africa. On the tour of South Africa, he missed three consecutive ODIs when tour selectors and fellow players Ian Healy and Steve Waugh voted him off the team. In all, Taylor had only played in 11 of Australia's 19 ODIs for the season, scoring 281 runs at 25.55. Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams.", "Taylor requested an extended trial as opener for the ODI side to help consolidate his captaincy of both teams. Taylor started his ODI captaincy with two tournaments in Sharjah and Sri Lanka. Australia missed the finals in both tournaments, winning three of their six matches. After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00.", "After scoring 68* to guide his team to a nine-wicket win in the first match against Sri Lanka in Sharjah, Taylor's form tapered off, scoring only 64 more runs to end the two tournaments with a total of 132 runs at 33.00. His first task was a tour of Pakistan in 1994, where Australia had not won a Test since the 1959 tour. To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury.", "To make matters worse, Australia's first-choice pace pairing of Craig McDermott and Merv Hughes missed the tour due to injury. The First Test at Karachi was a personal disaster for Taylor as he scored a pair, the first player in Test history to do so on his captaincy debut. Paceman Glenn McGrath then broke down in the middle of the match.", "Paceman Glenn McGrath then broke down in the middle of the match. Australia was in the box seat with Pakistan needing 56 runs with one wicket in hand, but lost by one wicket after Ian Healy missed a stumping opportunity and the ball went for the winning runs. Recovering to score 69 in the Second Test at Rawalpindi, Taylor forced Pakistan to follow on after taking a 261-run lead. However, he dropped Pakistan captain Salim Malik when he was on 20.", "However, he dropped Pakistan captain Salim Malik when he was on 20. Malik went on to make 237 as Pakistan made 537 and saved the Test. Australia again took a first innings lead in the Third Test, but could not force a result, as Malik scored another second innings century to ensure safety and a 1–0 series win. Taylor ended the series with 106 runs at 26.50. Australia fared better in the ODI triangular tournament, winning five of their six matches.", "Australia fared better in the ODI triangular tournament, winning five of their six matches. Taylor scored 56 in the final as Australia beat Pakistan by 64 runs to end the tournament with 193 runs at 32.16. Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane.", "Beginning the 1994–95 season with 150 for NSW in a tour match against England, Taylor followed up with 59 in an opening stand of 97 as Australia made 426 in the first innings to take the initiative in the First Test in Brisbane. Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on.", "Australia amassed a 259-run first innings lead, but Taylor, mindful of the Test match at Rawalpindi, became the first Australian captain since 1977–78 to not enforce the follow-on. Although heavily criticised as a conservative decision, Australia still won the match by 184 runs, with Taylor adding 58 in the second innings. Having scored the first win of his Test captaincy, Taylor led his team to a 295-run win in the Second Test. Taylor played his best cricket of the summer in the Third Test at Sydney.", "Taylor played his best cricket of the summer in the Third Test at Sydney. Last man out for 49 in a total of 116 in the first innings, he defied a pitch that had begun to seam and swing after a shower and cloud cover as Australia narrowly avoided the follow on. In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand.", "In the second innings, he made a bold attempt at chasing a world record target of 449 by scoring 113, but Australia played for a draw after Slater and Taylor fell following a double-century stand. Australia collapsed to 7/292 before hanging on in near-darkness. In the final two Tests, he scored half-centuries as Australia won 3–1. Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand.", "Australia dramatically lost the Fourth Test when England led by only 154 on the final day with four wickets in hand. Aggressive lower order batting saw Australia set 263 in just over two sessions, but a heavy collapse saw Australia eight wickets down with more than 2 hours to play. Almost two hours of resistance later, England took a 106-run win late in the day. However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series.", "However, Australia bounced back to win the Fifth Test by 329 runs, the largest margin of the series. Taylor's partnership with Slater yielded three century opening stands at an average of 76.60 for the series and Taylor's individual return was 471 runs at 47.10. The southern hemisphere summer ended with a quadrangular tournament in New Zealand, where Australia won two of their three group matches to proceed to the final. Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25.", "Taylor scored 44 in a six-wicket triumph over New Zealand and totalled 165 runs at 41.25. His best score was 97 against the hosts in the preliminary round meant that he was still yet to post his first ODI century, five years after his debut. Caribbean tour 1995 This victory was followed by the 1995 tour of the West Indies, where Australia had not won a Test series for 22 years. Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40.", "Australia lost the ODI series which preceded the Tests 1–4, with Taylor making 152 runs at 30.40. The difficulty of Australia's task was increased when fast bowlers Craig McDermott and Damien Fleming went home injured at the start of the tour. Australia fielded a pace attack of Glenn McGrath, Brendon Julian and Paul Reiffel who had played only 23 Tests between them. Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century.", "Despite this, Australia won by ten wickets in the first Test at Barbados, with Taylor contributing a half-century. After the Second Test was a rained-out draw, the West Indies beat Australia inside three days on a \"green\" Trinidad pitch in the Third Test. Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne.", "Australia regained the Frank Worrell Trophy with an innings victory in the Fourth Test at Jamaica, with Taylor taking the winning catch from the bowling of Shane Warne. Although he only managed 153 runs (at 25.50 average) for the series, Taylor held nine catches and his leadership was cited as a key factor in the result. Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season.", "Controversy with Sri Lanka This was followed by two and three-Test series against Pakistan and Sri Lanka respectively in the 1995–96 Australian season. The Pakistan series began among a media circus when Salim Malik arrived with publicity focused on the bribery allegations which had surfaced a year earlier. Australia won the First Test in Brisbane by an innings in three and a half days, with Taylor contributing 69. In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total.", "In the Second Test at Bellerive Oval, Taylor scored 123 in the second innings to set up a winning total. In the Third Test in Sydney, he made 59 as Australia collapsed for 172 in the second innings and conceded the match. He ended the series with a healthy 338 runs at 67.60. The subsequent Test and ODI series involving Sri Lanka were overshadowed by a series of spiteful clashes. The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively.", "The Tests were won 3–0 by the Australians with heavy margins of an innings, ten wickets and 148 runs respectively. Taylor's highlight being a 96 in the First Test at Perth as he compiled 159 runs at 39.75. He also made his 100th Test catch during the series. After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating.", "After accusations of ball tampering were levelled against the tourists in the First Test, leading spinner Muttiah Muralitharan was no-balled seven times in the Second Test, and during the ODI series, the Sri Lankans accused Taylor's men of cheating. The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0.", "The season hit a low point with the Sri Lankans which saw the teams refuse to shake hands at the end of the second final of the triangular series which Australia won 2–0. The match had included physical jostling between McGrath and Sanath Jayasuriya mid pitch, with the latter accusing McGrath of making racist attacks. Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness.", "Later in the match, stump microphones showed Australian wicketkeeper Ian Healy alleging that portly Sri Lankan captain Arjuna Ranatunga was feigning injury and calling for a runner because of his lack of physical fitness. On the field, the ODI tournament saw Mark Waugh elevated to be Taylor's ODI opening partner after the axing of Slater midway through the season. In their first match together in Perth, the pair put on 190, with Taylor scoring 85. They put on another century stand in the second final, with Taylor scoring 82.", "They put on another century stand in the second final, with Taylor scoring 82. Taylor scored heavily in the ODI tournament, with 423 runs at 42.30 with four half-centuries. Australia warmed up for the 1996 Cricket World Cup by winning five of their eight round-robin matches, and taking the finals 2–0, but many of the matches were closely contested. The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over.", "The finals were won by 18 and nine runs respectively, while three of the group matches were decided in the last over. After the spiteful summer, a Tamil Tiger bombing in Colombo coupled with death threats to some members of the team forced Taylor to forfeit his team's scheduled World Cup match against Sri Lanka in Colombo. Taylor made six as Australia started their campaign with a 97-run win over Kenya. He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai.", "He then made 59 in a century stand with Waugh as Australia defeated co-hosts India in Mumbai. Taylor scored 34 in a nine-wicket win over Zimbabwe, before scoring nine in a defeat to the West Indies in the last group match. Australia finished second in their group and faced New Zealand in the quarter-finals. Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter.", "Taylor made only 10 as Australia chased 289 for victory, but made a surprise tactic by sending in Shane Warne as a pinch hitter. Warne made 24 from 15 balls in a partnership with Waugh, to allow Australia to take the momentum and take victory by six wickets. Taylor managed only one in the semi-final as Australia staggered to 8/207 against the West Indies. Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over.", "Australia appeared to be heading out of the tournament when the Caribbean team reached 2/165, but a sudden collapse saw Australia win by six runs in the last over. Australia managed to reach the final, where they met Sri Lanka. Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy.", "Taylor scored 74, a record score by an Australian captain in the World Cup, but Sri Lanka comfortably triumphed on this occasion by seven wickets to claim the trophy. Almost retired After the World Cup, Bob Simpson was replaced as Australia's coach by Geoff Marsh, Taylor's former opening partner. Australia's first tournament after the World Cup was the Singer World Series in Sri Lanka. Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts.", "Taylor opted out of the tournament, and in his absence, Australia reached the final but lost by 50 runs to the hosts. On a short tour to India, Taylor made his first ODI century at Bangalore, with 105 against India in his 98th match, having been out in the 90s on three previous occasions. Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40.", "Taylor performed strongly in the ODIs, with a total of 302 runs at 60.40. However, it was a disappointing tour for the team; the solitary Test in Delhi was lost, as were all five ODIs played during the Titan Cup. In 1996–97, Australia confirmed its ascendancy over the West Indies with a 3–2 series win, but Taylor endured a poor season with the bat and failed to pass 50 in nine innings. His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott.", "His partnership with Slater was terminated when the latter was dropped, replaced by Matthew Elliott. Following an injury to Elliott, Matthew Hayden became Taylor's partner for three Tests. Unable to recover form in the ODI series, Taylor's scratchy batting led to many poor starts for Australia. The team suffered five consecutive defeats, and missed the finals of the tournament for the first time in 17 years. Taylor managed only 143 runs at 17.88 with a highest score of 29.", "Taylor managed only 143 runs at 17.88 with a highest score of 29. The early 1997 tour to South Africa brought no upturn in Taylor's batting despite Australia's 2–1 victory in the series: he scored 80 runs at 16.00. His form was such that it influenced the selection of the team. For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions.", "For the Second Test at Port Elizabeth, played on a green pitch, Australia played Michael Bevan as a second spinner batting at number seven to reinforce the batting, instead of a third seamer to exploit the conditions. After scoring seven and 17 in the first two ODIs, Taylor dropped himself from the team for the remaining five matches. The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side.", "The 1997 Ashes tour started poorly amid rumours that Taylor was on the verge of losing his place in the side. He batted ineffectively as Australia lost the one day series 0–3, scoring seven and 11, before dropping himself for the final match. In the First Test, Australia were dismissed for 118 in the first innings, with Taylor contributing seven: he had not managed to pass 50 in his last 21 Test innings. England amassed a big lead of 360 runs.", "England amassed a big lead of 360 runs. England amassed a big lead of 360 runs. With Australia facing a heavy defeat, media criticism of his position intensified. The Melbourne Age ran a competition for its readers to forecast how many runs he would make. Most respondents guessed less than 10 runs. The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team.", "The team's erstwhile coach, Bob Simpson, said that Taylor's retention in the team in spite of his poor form was fostering resentment among the players and destabilising the team. Taylor started nervously in the second innings, but went on to score of 129, which saved his career, but not the match. His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor.", "His performance prompted personal congratulations from Prime Minister John Howard and the team's management allowed the media a rare opportunity to enter the dressing room and interview Taylor. During the period he refused offers by the manager to handle the media on his behalf. Australia went on to win the Third, Fourth and Fifth Tests and retain the Ashes 3–2. Although Taylor made single figures in the three Tests following his century, he contributed 76 and 45 in the series-clinching Test at Nottingham. Taylor ended the series with 317 runs at 31.7.", "Taylor ended the series with 317 runs at 31.7. Taylor ended the series with 317 runs at 31.7. Dual teams However, Taylor's ODI form was not to the satisfaction of the selectors. At the start of the 1997–98 season, a new selection policy was announced: the Test and ODI teams became separate entities, with specialists in each form of the game selected accordingly. Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto.", "Taylor was dropped from the ODI team, in favour of the aggressive Michael di Venuto. Tactically, ODI cricket was transformed by Sri Lanka's World Cup success, when it employed the highly aggressive opening pair of Sanath Jayasuriya and Romesh Kaluwitharana. At this time, Taylor was a central figure in a pay dispute between the players and the ACB, with a strike action threatened by the players. Taylor continued as Test captain and led the team to a 2–0 win over New Zealand.", "Taylor continued as Test captain and led the team to a 2–0 win over New Zealand. The first two matches were won by 186 runs and an innings, while the Third Test ended with Australia one wicket from victory after almost two days' play was washed out. Taylor scored a century (112 on the first day of the First Test, and an unbeaten 66 in the Third Test, compiling 214 runs at 53.50 for the series. This was followed by three Tests against South Africa.", "This was followed by three Tests against South Africa. This was followed by three Tests against South Africa. After South Africa withheld the Australian bowling on the final day to secure a draw in the Boxing Day Test, Australia took a 1–0 lead in the New Year's Test at Sydney with an innings victory. Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series.", "Taylor carried his bat for 169 in the first innings of the Third Test at Adelaide which helped Australia to draw the match and clinch the series. On the 1998 tour of India, Elliott was dropped and Taylor reunited with Slater as the opening pair. Australia started well by taking a 71-run first-innings lead in the First Test at Chennai, but Sachin Tendulkar's unbeaten 155 put Australia under pressure to save the match on the final day. They were unable to resist and lost by 179 runs.", "They were unable to resist and lost by 179 runs. Australia was crushed by an innings and 219 runs in the Second Test at Calcutta, Australia first series loss in four years and the first time that Australia had lost by an innings for five years. Thus, a series victory in India, which Australia had not achieved since 1969–70, remained elusive. Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase.", "Australia won the Third Test in Bangalore by eight wickets, with Taylor scoring an unbeaten 102 in a second innings run chase. Record equalled Later in 1998, Taylor led his team to Pakistan, where a convincing win in the First Test at Rawalpindi by an innings and 99 runs was Australia's first Test victory in the country for 39 years. Taylor then attended a court hearing investigating the claims of match-fixing made during the 1994 tour. In the Second Test at Peshawar, Taylor played the longest innings of his career.", "In the Second Test at Peshawar, Taylor played the longest innings of his career. He batted two days to amass 334 not out, equalling Sir Donald Bradman's Australian record set in 1930. In temperatures above 32 °C, Taylor survived two dropped catches before he had reached 25 and scored slowly on the first day. He shared a 206-run partnership with Justin Langer. The next day, he added 103 runs in a morning session extended from two to three hours.", "The next day, he added 103 runs in a morning session extended from two to three hours. After the tea interval, he discarded his helmet in favour of a white sun hat, to deal with the extreme heat. He passed 311, eclipsing Bob Simpson's record score by an Australian captain. In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run.", "In the final over, Taylor equalled Bradman's Australian Test record when a shot to midwicket was barely stopped by Ijaz Ahmed, which reduced the scoring opportunity to a single run. At the end of the day's play, Taylor was encouraged by the media, the public and his teammates to attempt to break Brian Lara's world record score of 375. An unusually large crowd turned out the following day in anticipation.", "An unusually large crowd turned out the following day in anticipation. However, Taylor declared the innings closed, opting to share the record with Bradman, and making the team's chances of winning the game paramount. He was widely praised for this decision. He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990.", "He made 92 in the second innings, giving him the second highest Test match aggregate after English batsmen Graham Gooch, who scored 333 and 123 for a total of 456 against India at Lord's on 26 July 1990. His fifteen hours batting in one Test was second only to Hanif Mohammad. The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average.", "The match ended in a draw, as did the Third Test, so Australia won the series and Taylor ended with 513 runs at 128.25 average. Final season Taylor's swansong was the 1998–99 Ashes series against England, which began with his 100th Test in the First Test in Brisbane. He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon.", "He scored 46 and a duck—his first in Australia—as England were saved when thunderstorms forced the abandonment of play on the final afternoon. Two half centuries in the next two Tests in Perth and Adelaide saw Australia win by seven wickets and 205 runs respectively, thereby retaining the series 2–0. After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test.", "After losing the Fourth Test by 12 runs after a dramatic final day collapse, Taylor headed to his home ground, the Sydney Cricket Ground, for what would be his final Test. Australia went on to win the Test by 98 runs and take the series 3–1. Taylor only scored two in both innings, but he broke Border's world record for the most Test catches. His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record.", "His catch in the first innings equalled Border's 156 and another in the second made him the sole owner of the record. He also jointly holds the record in Test cricket (along with Ian Healy) of being the only cricketers to have been run out in both innings of a Test on two occasions. Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor.", "Legacy The improvement of the Australian team, begun during Border's tenure, continued under the captaincy of Taylor. After the defeat of the West Indies in 1995, Taylor's teams won home and away series against every Test team they played, with the exception of winning a series in India. Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing.", "Wisden wrote: Taylor talked so well that he raised the standard of debate in Australia—and perhaps of cricket itself—in a way which was an example to all professional cricketers ... Border stopped Australia losing. Taylor made them into winners, the acknowledged if not official world champions of Test cricket. Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras.", "Taylor made a concerted effort to decrease the amount of sledging committed by his team, a trait that brought criticism of Australian teams during other eras. In total, he captained the side in 50 Tests, winning 26 and losing 13, a success rate unmatched in the previous fifty years except for Don Bradman and Viv Richards. Career best performances Retirement Taylor retired from professional cricket in early 1999 after the Ashes series. On Australia Day, he was named the Australian of the Year.", "On Australia Day, he was named the Australian of the Year. He was awarded an Australian Sports Medal in 2000 and a Centenary Medal in 2001. He was inducted into the Sport Australia Hall of Fame in 2002 and made an Officer of the Order of Australia in 2003. In 2011, he was inducted into the Cricket Hall of Fame by the CA. He is now a commentator for Channel Nine for 21 years.", "He is now a commentator for Channel Nine for 21 years. Despite the network losing the TV rights in April 2018, Taylor re-signed for another three years to give his expert analysis on the Ashes 2019, 2019 Cricket World Cup & 2020 World Twenty20 and as a digital contributor. He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family.", "He mainly commentates on One Day International and Test matches in Australia until the network's final year of cricket telecasts, so he can now spend more time with his family. He used to also appear on The Cricket Show with Simon O'Donnell, and is a spokesman for Fujitsu air-conditioners. He also commentates for radio. Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region.", "Taylor is patron of the Mark Taylor Shield Cricket competition run for NSW Catholic Primary schools in and around the Sydney region. On 6 November 2011, Waitara Oval, the home of the Northern District Cricket Club, had its name formally changed to Mark Taylor Oval, to honour its former First Grade captain and life member. In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE.", "In October 2015, The Primary Club of Australia announced that Mark Taylor had accepted the role of Twelfth Man and Patron following the passing of their former Patron, Richie Benaud OBE. He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife.", "He also became Director of Cricket Australia, who commissioned a replacement cap for Benaud, only for his ill health and subsequent passing to have the cap presented to his wife. References Further reading External links 1964 births Living people Sportspeople from Wagga Wagga Australia Test cricketers Australia One Day International cricketers Australia Test cricket captains New South Wales cricketers Wisden Cricketers of the Year Australian cricket commentators People educated at Chatswood High School Australian of the Year Award winners Officers of the Order of Australia Recipients of the Australian Sports Medal Recipients of the Centenary Medal Sport Australia Hall of Fame inductees University of New South Wales alumni Australian Cricket Hall of Fame inductees People from the Riverina Chatswood, New South Wales Australian republicans" ]
[ "Gautam Gambhir", "Indian Premier League" ]
C_c517b95f33a74cf5ac5b8cc32a6889b8_1
Whe was the Indian premier league?
1
Who was Gautam Gambhir in Indian premier league?
Gautam Gambhir
Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER
He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010.
Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports
true
[ "Murugan Ashwin (born 8 September 1990) is an Indian cricketer who plays for Tamil Nadu.\n\nDomestic career\nAshwin made his List A debut on 11 December 2015 in the 2015–16 Vijay Hazare Trophy. He made his Twenty20 debut on 2 January 2016 in the 2015–16 Syed Mushtaq Ali Trophy.\n\nIndian Premier League\nAshwin was bought at the 2016 Indian Premier League auction by the Rising Pune Supergiants for INR 4.5 crores from his base price of INR 10 lakhs. In February 2017, in the 2017 IPL auction, Ashwin was bought by the Delhi Daredevils team for the 2017 Indian Premier League for INR 1 crore.\n\nIn January 2018, Ashwin was bought by the Royal Challengers Bangalore in the 2018 IPL auction. In December 2018, he was bought by the Kings XI Punjab in the player auction for the 2019 Indian Premier League.\n\nIn February 2022, he has been bought by the Mumbai Indians in the 2022 Indian Premier League auction.\n\nReferences\n\nExternal links\n \n\n1990 births\nLiving people\nIndian cricketers\nTamil Nadu cricketers\nCricketers from Chennai\nRoyal Challengers Bangalore cricketers\nRising Pune Supergiant cricketers\nDelhi Capitals cricketers\nIndia Red cricketers\nPunjab Kings cricketers", "[Mumbai Indians]] (MI) are a franchise cricket team based in Mumbai, India, which plays in the Indian Premier League (IPL). They were one of the nine teams that took part in the 2013 Indian Premier League. They were captained by former Australian captain Ricky Ponting during the initial stages of the IPL, but he was later replaced by Rohit Sharma.\n\nMumbai Indians beat the Chennai Super Kings at the 2013 Indian Premier League Final to win their first IPL title. They also emerged victorious at the 2013 Champions League Twenty20, which was their second CLT20 title. This was the last season Sachin Tendulkar played for the side.\n\n.\n\nSquad\n Players with international caps before the start of 2013 IPL are listed in bold.\n denotes players part of the 2013 CLT20 squad.\n\nIndian Premier League\n\nSeason standings\n\nMatch log\n\nChampions League Twenty20\n\nGroup standings\n\nMatch log\n\nReferences\n\n2013 Indian Premier League\nMumbai Indians seasons" ]
[ "Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL).", "As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches.", "He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014.", "Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals.", "As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India.", "He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife.", "Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi.", "He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000.", "Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches.", "He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL.", "At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team.", "He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders.", "Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer.", "He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain.", "On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils.", "On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007.", "International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that \"When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise.", "I didn't want to practise. I didn't want to practise. I couldn't motivate myself.\" With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007.", "Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past.", "In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final.", "Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup.", "He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain.", "In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores.", "In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test.", "Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo.", "For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls.", "He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw.", "He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No.", "Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home.", "He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory.", "This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat.", "It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC.", "For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win.", "He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers.", "Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011.", "Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh.", "In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62.", "He scored 181 runs at an average of 22.62. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award.", "For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup.", "In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018.", "Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir.", "Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs.", "The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad.", "Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in \"dharna and debates.\" Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely.", "Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles.", "He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports" ]
[ "Gautam Gambhir", "Indian Premier League", "Whe was the Indian premier league?", "He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010." ]
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what did he do as captain?
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what did Gautam Gambhir do as captain?
Gautam Gambhir
Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER
At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL.
Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports
true
[ "What Did You Do in the War, Daddy? is a 1966 comedy DeLuxe Color film written by William Peter Blatty and directed by Blake Edwards for the Mirisch Company in Panavision. It stars James Coburn and Dick Shawn. Filming was at Lake Sherwood Ranch in Thousand Oaks, northwest of Hollywood. In what had been a cow pasture, designer Fernando Carrere fabricated a storybook Sicilian village which added $800,000 to the production's already elevated $5.5 million budget.\n\nPlot\nDuring the Allied invasion of Sicily, an outfit of U.S. soldiers is assigned to capture the small town of \"Valerno\", but upon arrival, they discover that the townsfolk has been expecting them and will willingly turn themselves over to the Americans' rule, provided they are permitted to complete a soccer match and a wine festival.\n\nRomance and frivolity ensue, as a reluctant, by-the-book Capt. Cash (Dick Shawn) is persuaded by easy-going Lt. Christian (James Coburn) to go along with the locals' wishes. Mistaking the festival for an attack, the town's local German garrison come to the Italians' aid, but the Americans accidentally end up conquering all.\n\nCast\n James Coburn as Lieutenant Jody Christian\n Dick Shawn as Captain Lionel Cash\n Sergio Fantoni as Captain Fausto Oppo\n Giovanna Ralli as Gina Romano\n Aldo Ray as Sergeant Rizzo\n Harry Morgan as Major Pott\n Carroll O'Connor as General Max Bolt\n Leon Askin as Colonel Kastorp\n Rico Cattani as Benedetto (as Henry Rico Cattani)\n Jay Novello as Mayor Giuseppe Romano\n Ralph Manza as Waiter\n Vito Scotti as Frederico\n Johnny Seven as Vittorio\n Art Lewis as Needleman\n William Bryant as Minow\n Kurt Kreuger as German Captain\n\nProduction\nThe title of the film came to Edwards when he was asked the question by his son Geoffrey. As Edwards was having marital problems at the time, he did not want to leave the United States, so Mirisch Productions agreed to film the movie in Lake Sherwood, California, for $5 million that included the construction of a large Italian village set. In his study of Edwards, Myron Meisel stated that Coburn imitated Blake Edwards' mannerisms throughout the film.\n\nThe film was the first of what was originally intended to be six Mirisch-Geoffrey Productions between Edwards and the Mirisch Company. Only one other film, The Party, was completed.\n\nWilliam Peter Blatty recalled that Edwards and he originally agreed to make the film grim and without comedy for the first 20 minutes. This idea was shelved when, during the scene where Captain Cash visits Charlie Company at their chow line, he holds out his hand and one of the GI mess orderlies ladles beans into the captain's hand.\n\nReception\nThe film grossed $2,650,000 at the box office\n\nMusic \nThe score is by Henry Mancini. It includes \"The Swing March\" and \"In the Arms of Love\".\n\nReferences\n\nExternal links\n \n \n \n\n1966 films\n1966 comedy films\nFilms directed by Blake Edwards\nItalian Campaign of World War II films\nMilitary humor in film\nAmerican comedy films\nAmerican films\nFilms set in Italy\nFilms with screenplays by William Peter Blatty\nFilms scored by Henry Mancini", "\"What Would Steve Do?\" is the second single released by Mumm-Ra on Columbia Records, which was released on February 19, 2007. It is a re-recorded version of the self-release they did in April 2006. It reached #40 in the UK Singles Chart, making it their highest charting single.\n\nTrack listings\nAll songs written by Mumm-Ra.\n\nCD\n\"What Would Steve Do?\"\n\"Cute As\"\n\"Without You\"\n\n7\"\n\"What Would Steve Do?\"\n\"What Would Steve Do? (Floorboard Mix)\"\n\nGatefold 7\"\n\"What Would Steve Do?\"\n\"Cute As\"\n\nReferences\n\n2007 singles\nMumm-Ra (band) songs\n2006 songs\nColumbia Records singles" ]
[ "Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL).", "As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches.", "He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014.", "Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals.", "As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India.", "He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife.", "Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi.", "He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000.", "Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches.", "He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL.", "At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team.", "He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders.", "Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer.", "He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain.", "On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils.", "On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007.", "International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that \"When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise.", "I didn't want to practise. I didn't want to practise. I couldn't motivate myself.\" With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007.", "Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past.", "In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final.", "Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup.", "He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain.", "In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores.", "In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test.", "Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo.", "For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls.", "He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw.", "He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No.", "Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home.", "He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory.", "This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat.", "It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC.", "For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win.", "He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers.", "Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011.", "Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh.", "In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62.", "He scored 181 runs at an average of 22.62. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award.", "For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup.", "In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018.", "Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir.", "Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs.", "The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad.", "Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in \"dharna and debates.\" Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely.", "Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles.", "He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports" ]
[ "Gautam Gambhir", "Indian Premier League", "Whe was the Indian premier league?", "He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010.", "what did he do as captain?", "At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL." ]
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did he set any other records?
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Did Gautam Gambhir set any other records besides scoring more than 1000 runs in the IPL?
Gautam Gambhir
Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER
Gambhir is the leading run-scorer of the Kolkata Knight Riders.
Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports
true
[ "Manvel Mamoyan () is an Armenian fitness and bodybuilding trainer, fitness blogger, and three times Guinness World Records holder. He is also a multiple record holder of Armenian Book of Records (Dyutsaznagirk).\n\nBiography\n\nManvel was born on April 6, 1993 in Yerevan. Currently works as fitness and bodybuilding trainer. He has been practising sports since 10, when he started attending Judo classes.\n\nIn 2011-2013 he served in the Armenian Armed Forces.\n\nRecords \n\nUntil 18, Manvel also tried himself in Greco-Roman and freestyle wrestling. Manvel set his 11th record in Armenia when he was only 17. His first record was set in Dyutsaznagirk by doing sit up - abdominal exercise for 2 h. 46 min for 3511 reps. For the second time he appeared in Dyutsaznagirk for the most push-ups with one arm using back of the hand in one minute - 89 reps.\n\n2015-2016 \nAfter returning from the army, Manvel set a Guinness world record in October 23, 2015. He did 27 handstand push-ups in a minute. In order to complete one handstand push-up, Manvel’s elbows had to reach 90 degrees or less and then he had to fully straighten his arms. His legs also had to be straight or cross his ankles. He did the exercise in 48,3 seconds. Manvel didn’t have any injury before his performance, and the record was set. He dedicated his victory to the memory of the Genocide of Armenian and Yazidi people promised to update his record throughout the year.\n\n2016-2017 \nOn 25 August, 2016 Manvel dedicated his record in memory of the victims of the 2016 April Four-Day War unleashed in Nagorno-Karabakh. In response to the murder of Hayk Torosyan, Hrant Gharibyan and his compatriot Kyaram Sloyan by Azeris, Manvel Mamoyan set a new record: however, in August, 2016 he couldn’t exceed the record (84 push-ups) of the Canadian Roy Berger from his first performance in the Freedom Square, Yerevan, by reaching 83 reps. According to the Guinness World Records’ rules the athlete has a right to perform the exercise for 3 sets. Manvel managed to set the desired record from his second performance, after having a rest. By doing push-ups for 86 reps in a minute, the athlete exceeded the previous record and set a record in the Guinness World Records.\n\nIn one his interviews Manvel told about his desire to set 10 records in Guinness World Records in a year, particularly by through the Flag exercise, which was set as a record a few years ago by him and was performed for only 20 seconds. It was included in Dyutsaznagirk. He also mentioned he strives to set records more for Guinness World Records. In 2016 Manvel fell behind 5-6 seconds of setting a new world record and the record was 1 min. 5 sec. 71 millisec.\n\n2017-2018 \nIn 2017 Manvel set 4 records in handstand push-ups. He did the exercise 37 reps in a minute. With this result then he set a new record by doing 37 reps non-stop in a minute. \n\nFor his second record he did the same exercise 55 reps in 3 minutes. However, Manvel's last and most important result was doing push-ups for 352 reps in an hour. According to him, the achieved most result was 300 reps and he wished to surpass that record. \n\nIn 2017 Manvel also set a record for the Most jump squats in one minute (male), with 67 reps per minute.\n\nReferences\n\nBibliography \n \n \n\n1993 births\nLiving people\nGuinness World Records\nSportspeople from Yerevan\nMale bodybuilders", "A number of new Olympic records were set in various events at the 2008 Summer Olympics in Beijing.\n\nArchery\n\nTrack & Field\n\nMen's records\n\nWomen's records\n\nCycling\n\nShooting\n\nMen's records\n\nWomen's records\n\n This equalled Renata Mauer's Olympic record.\n This equalled Tao Luna's Olympic record.\n\nSwimming\n\nDue to the use of the LZR Racer, a specialised swimming suit developed by NASA and the Australian Institute of Sport, many records were broken. New world records were set 25 times (affecting 21 distinct world records) and new Olympic records were set 65 times and one other was equalled (affecting 30 distinct Olympic records). Only Ian Thorpe's 3:40.59 in the 400 metres freestyle and Inge de Bruijn's 56.61 in the 100 metres butterfly, both set in Sydney, remained Olympic records. Michael Phelps of the United States also broke the record for the most gold medals ever won by an Olympian with a total of 14; 8 of which were won during the 2008 Summer Olympics - this was also a world record.\n\nMen\n\n* World record split from the 4 × 100 m freestyle relay\n\nNote: At the 4 × 100 m freestyle relay final, anchor Jason Lezak swam the fastest 100 m split (46.06); however, this is not considered an official FINA record, as he did not swim the first leg.\n\nWomen\n\nWeightlifting\n\nMen's records\n\nWomen's records\n\nReferences\n\n2008 Summer Olympics\n2008 Summer Olympics" ]
[ "Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL).", "As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches.", "He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014.", "Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals.", "As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India.", "He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife.", "Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi.", "He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000.", "Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches.", "He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL.", "At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team.", "He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders.", "Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer.", "He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain.", "On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils.", "On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007.", "International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that \"When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise.", "I didn't want to practise. I didn't want to practise. I couldn't motivate myself.\" With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007.", "Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past.", "In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final.", "Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup.", "He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain.", "In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores.", "In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test.", "Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo.", "For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls.", "He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw.", "He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No.", "Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home.", "He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory.", "This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat.", "It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC.", "For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win.", "He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers.", "Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011.", "Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh.", "In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62.", "He scored 181 runs at an average of 22.62. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award.", "For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup.", "In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018.", "Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir.", "Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs.", "The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad.", "Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in \"dharna and debates.\" Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely.", "Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles.", "He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports" ]
[ "Gautam Gambhir", "Indian Premier League", "Whe was the Indian premier league?", "He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010.", "what did he do as captain?", "At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL.", "did he set any other records?", "Gambhir is the leading run-scorer of the Kolkata Knight Riders.", "did he win any awards?", "I don't know.", "Are there any other interesting aspects about this article?", "On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore," ]
C_c517b95f33a74cf5ac5b8cc32a6889b8_1
did he play for any other teams?
6
Did Gautam Gambhir play for any other teams other than Delhi Daredevils?
Gautam Gambhir
Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. On 27 January 2018, In the 2018 IPL Auction, he was bought by the Delhi Daredevils for Rs2.8 crore, later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. CANNOTANSWER
later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started.
Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that "When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise. I couldn't motivate myself." With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in "dharna and debates." Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports
true
[ "Troy Warden Andrew (born December 12, 1979) is a former American football center who played one season for the Miami Dolphins in 2001.\n\nEarly life\nTroy Andrew was born in Tamuning, Guam on December 12, 1979. He went to high school at Klein (TX).\n\nCollege\nHe went to college at Duke.\n\nProfessional career\n\nMiami Dolphins\n\nAndrew was signed as a undrafted free agent by the Miami Dolphins on April 26, 2001. He played 8 games that season. He wore number 65 for the Dolphins. He was released on September 9, 2002. \n\nHouston Texans\n\nThe next day after being cut he was claimed off waivers by the Houston Texans. But he did not make the roster and was cut 4 days later. He did not play in any games for the Texans.\n\nMiami Dolphins (Second Stint)\n\nTroy was then signed to the Miami Dolphins practice squad three days after being cut by the Texans. He was on the practice squad all year and did not play in any games. In the offseason he played for the Barcelona Dragons. In 2002 he was cut before the season started.\n\nBarcelona Dragons\n\nDuring the offseason of 2002, he was the starting center the full season for the Barcelona Dragons. He played all ten games and started them.\n\nCleveland Browns\n\nOn November 26, 2003, he was signed to the Cleveland Browns practice squad. He did not play in any games for the Browns. On January 5, 2004, he was released.\n\nBerlin Thunder\n\nDuring the 2004 offseason, he was the starting center for the Berlin Thunder. He played in all the games as the Berlin Thunder won World Bowl XII against the Frankfurt Galaxy.\n\nSan Diego Chargers\n\nOn June 18, 2004, he was signed by the San Diego Chargers. However, he did not make the roster and was cut on August 31. In his career he played in 8 games, all in 2001. He was not signed and did not play for any other teams after he was released by the Chargers.\n\nReferences\n\nExternal links\n\nReview A Chat With Football Player Troy Andrew\nTroy Andrew Stats\nTroy Andrew Stats, News and Video - C\n\nMiami Dolphins players\nAmerican football centers\n1977 births\nDuke Blue Devils football players\nLiving people", "The 2011 Africa Cup was the eleventh edition of this tournament. The competition has been restructured into several tiers, based on the IRB rankings.\n\nThe top sixteen teams played in Division 1, which is divided into four groups of four teams. The remaining teams played in Division 2.\n\nGroup 1A\nGroup 1A will be held from 7–12 November in Kenya.\n\nThe teams competing in Group 1A:\n \n (withdrew)\n (withdrew)\n \n\n and relegated in division 1/B for 2012 Africa Cup\n\nGroup 1B\nGroup 1B was held from 12–18 June in Uganda.\nThe teams competing:\n (withdrew)\n \n \n \n\n Uganda and Zimbabwe promoted to pool A of 2012 Africa Cup\n\n Ivory Coast relegated too poll C of 2012 Africa Cup\n\nGroup 1C\nGroup 1C was held from 21–25 June in Cameroon.\nThe teams competing :\n \n \n \n \n\nSemi-Finals\n\nThird place play-off\n\nFinal\n\n Senegal promoted to div. 1/B of 2012 Africa Cup\n\nGroup 1D\nGroup 1D was held on 29 July in South Africa.\nThe teams competing :\n \n \n (withdrew and did not play any of its fixtures)\n (withdrew and did not play any of its fixtures)\n\nDivision 2 (North)\n\nDivision 2 (North) was held from 23–30 July in Mali.\n\nThe teams competing in Division 2 (North):\n \n \n \n \n \n \n \n \n\nQuarter Finals\n\nSemi-Finals - 5th place-play-off\n\nSemi-Finals\n\nSeventh place play-off\n\nFifth place play-off\n\nThird place play-off\n\nFinal\n\nDivision 2 (South)\n\nDivision 2 (South) was held from 9–16 October in Rwanda.\n\nThe teams competing in Division 2 (South):\n \n withdrew\n withdrew\n\nSee also\nAfrica Cup\n\n2011\n2011 rugby union tournaments for national teams\n2011 in African rugby union" ]
[ "Gautam Gambhir (; born 14 October 1981) is an Indian politician and former cricketer, who has played all formats of the game. He is a current member of the Lok Sabha since 2019. He received the Padma Shri from the Government of India in 2019, the fourth highest civilian award in India. As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL).", "As a cricketer, he was a left-handed opening batsman who played domestic cricket for Delhi, and captained Kolkata Knight Riders and Delhi Daredevils in the Indian Premier League (IPL). He made his One Day International (ODI) debut against Bangladesh in 2003, and played his first Test the following year against Australia. He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches.", "He captained the Indian team in six ODIs from late 2010 to late 2011 with India winning all six matches. He played an integral part in India's wins in the finals of both the 2007 World Twenty20 (75 runs from 54 balls) and the 2011 Cricket World Cup (97 from 122). Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014.", "Under Gambhir's captaincy, Kolkata Knight Riders won their first IPL title in 2012 and went on to win the title again in 2014. Gambhir was the only Indian and one of four international cricketers to have scored hundreds in five consecutive Test matches. He is the only Indian batsman to have scored more than 300 runs in four consecutive Test series. As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals.", "As of April 2018, he is the sixth highest run-scorer for India in Twenty20 Internationals. In October 2018, during the quarter-finals of the 2018–19 Vijay Hazare Trophy, he scored his 10,000th run in List A cricket. In December 2018, he announced his retirement from all forms of cricket. In 2019, he joined the Bharatiya Janata Party and won election to the Lok Sabha from East Delhi. He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India.", "He was conferred the Arjuna Award, India's second highest sporting award, in the year 2008 by the President of India. In 2009, he was the number one ranked batsman in ICC Test rankings. The same year, he was the recipient of the ICC Test Player of the Year award. He is currently the mentor of Lucknow Super Giants in the IPL. Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife.", "Early and personal life Gambhir was born in New Delhi to Deepak Gambhir, who manages a textiles business, and Seema Gambhir, a housewife. Gambhir has a sister, Ekta, who is two years younger to him.His grandfather originally came from Multan to Delhi in 1947.Gambhir was adopted by his maternal grandparents eighteen days after his birth and lived with them ever since. Gambhir started playing cricket at the age of 10. He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi.", "He received his schooling from Modern School, New Delhi and graduated from Hindu College, University of Delhi. He stayed at his maternal uncle Pawan Gulati's residence in the '90s. Gambhir considers Gulati to be his mentor and would often call him up before important matches. Gambhir was coached by Sanjay Bharadwaj of Lal Bahadur Shastri Academy in Delhi, and Raju Tandon. Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000.", "Gambhir was selected for the first intake of the National Cricket Academy in Bangalore in 2000. In October 2011, Gambhir married Natasha Jain, who belongs to a prominent business family. He currently resides in Delhi's Rajendra Nagar neighbourhood. Indian Premier League Gambhir was picked up by the Delhi Daredevils franchise in the first player auction of the Indian Premier League for a price of US$725,000 a year. He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches.", "He became the second highest run-scorer of the inaugural season with 534 runs from 14 matches. For his performances in 2008, he was named in the Cricinfo IPL XI. He was promoted to the post of Captain of the Delhi Daredevils for IPL Season 2010. At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL.", "At the end of the tournament he became the only player from Delhi Daredevils to score more than 1000 runs in the IPL. In the 2011 IPL player auction, Gambhir was the most sought after player, fetching a bid of $2.4 million from The Kolkata Knight Riders, making him the highest paid cricketer in the history of IPL. He was then appointed as the skipper of the team.", "He was then appointed as the skipper of the team. Under Gambhir's captaincy, the Kolkata Knight Riders qualified for the IPL playoffs and also made it to the Champions League Twenty20 for the first time. He eventually led the side to their first title in 2012 by defeating defending champions Chennai Super Kings by 5 wickets at their home ground in Chennai. For his performances in 2012, he was named as captain of the Cricinfo IPL XI. Gambhir is the leading run-scorer of the Kolkata Knight Riders.", "Gambhir is the leading run-scorer of the Kolkata Knight Riders. During the same season, he scored 6 half-centuries out of a total of nine from his team and became only the second player to cross the 2000 runs mark in the history of the IPL and the second highest run scorer ever in the tournament. He led Kolkata Knight Riders to their second title in 2014 by beating Kings XI Punjab by 3 wickets. He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer.", "He led Kolkata Knight Riders to the playoffs in the 2016 and 2017 season and was also the highest run-scorer. For his performances in the 2017 IPL season, he was named in the Cricinfo and Cricbuzz IPL XI. On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain.", "On 27 January 2018, in the 2018 IPL Auction, he was bought by the Delhi Daredevils for ₹2.8 crore, and was appointed as the captain. Later Kolkata Knight Rider's CEO Venky Mysore revealed that Gambhir had asked the team not to retain him as he wanted to finish his IPL career where he started. On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils.", "On 25 April, Gambhir stepped down from captaincy citing poor performances of the team, and announced Shreyas Iyer as the new captain of the Delhi Daredevils. In December 2021, Gambhir was announced the mentor of the new IPL franchise Lucknow Super Giants. International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007.", "International career Early career While Gambhir was out of the Test team, he played a number of One Day Internationals for India between 2005 and 2007. However, he was not selected for the 2007 World Cup as the selectors opted for a top-order of Sourav Ganguly, Virender Sehwag, and Sachin Tendulkar. It affected him badly and Gambhir later said that \"When I got dropped for the World Cup, there were times I didn't want to play anymore. I didn't want to practise.", "I didn't want to practise. I didn't want to practise. I couldn't motivate myself.\" With no other career options, Gambhir stuck with cricket. After India's first-round exit from the tournament, Gambhir was selected for the One Day International on India's 2007 tour of Bangladesh. Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007.", "Believing the series could be his last chance, Gambhir scored his second century on that tour and was subsequently selected for the One Day International on India's tour to Ireland in 2007. He scored an unbeaten 80 against Ireland in the first game of that tour and was awarded the man of the match award for that effort. In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past.", "In the post-match interview, he indicated that performing more consistently was a top priority for his career as he had done so in the past. Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final.", "Gambhir was selected in India's squad for the 2007 ICC World Twenty20, which India went on to win in South Africa, beating Pakistan in the final. Gambhir performed well in the shortest form of the game, ending the tournament as India's top run scorer, with 227 at an average of 37.83, including three half-centuries which included a crucial 75 runs off 54 balls against Pakistan in the final. He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup.", "He was named in the 'Team of the Tournament' by Cricinfo for the 2007 T20I World Cup. For his performances in 2007, he was named in the World T20I XI by Cricinfo. Golden form In 2008, Gambhir was forced to miss the Test series in Australia due to a shoulder injury. In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain.", "In the 2007–08 CB Series, he scored an unbeaten 102 at the Gabba against Sri Lanka in a match washed out due to rain. Three weeks later at Sydney, he scored a career-best 113 off 119 balls against Australia, in a high scoring match which India lost by 18 runs. He finished the CB series as the leading run-scorer with 440 runs. In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores.", "In 2008 Gambhir finally solidified his place in the Indian Test team with a string of high scores. Opening the batting with Delhi teammate Virender Sehwag, he scored 858 runs at over 61 in seven matches as of December including a double century against Australia in the Border-Gavaskar Trophy. However, in the same match, he was involved in controversy when he elbowed bowler Shane Watson while taking a run. Gambhir asserted it was accidental, but was banned for one Test.", "Gambhir asserted it was accidental, but was banned for one Test. Gambhir scored 463 runs in the series, which despite missing the last match was more than any other player in the series. He was the leading run-scorer in the Test series against England in December 2008 and against New Zealand in early 2009, meaning that he had achieved this feat in three consecutive series. For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo.", "For his performances in 2008, he was named in the World Test XI and ODI XI by Cricinfo. Gambhir played his first major Test series outside the sub-continent, having toured New Zealand in 2009. In the second Test match, he scored a match-saving 137 in the second innings. He stood more than five sessions in the middle and faced over 430 balls.", "He stood more than five sessions in the middle and faced over 430 balls. This innings led Virender Sehwag, Gambhir's opening partner, close friend, and captain for the match, to call him 'The Second Wall' in reference to Rahul Dravid. He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw.", "He then scored 167 in the second innings of the Third Test to give India an unassailable lead, but rain helped the New Zealand batsmen to hang on for a draw. Gambhir, with 445 runs in six innings at an average of 89, helped India win 1–0 to script a series win in that country after 41 years. Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No.", "Through ranks He was named as the ICC Test Player of the Year for 2009, and was briefly ranked the No. 1 batsman in the ICC rankings in July; at the time India were not playing Tests and his points rating did not change, but other batsmen who were ranked higher lost points before regaining them. He continued his run in the late-2009 Test series against Sri Lanka at home.", "He continued his run in the late-2009 Test series against Sri Lanka at home. He scored a century in the second innings of the First Test in Ahmedabad to force a draw after the visitors had taken a first innings lead of more than 300, and then combined in a double century opening partnership with Sehwag on the first day of the Second Test in Kanpur, scoring 167 himself and helping India to score more than 400 runs on the opening day. This set up their score of 642 and an innings victory.", "This set up their score of 642 and an innings victory. Following the match, Gambhir returned to the top of the ICC rankings. Gambhir withdrew from the Third and final Test against Sri Lanka at the Brabourne Stadium in Mumbai in order to attend his sister's wedding. In the First Test against Bangladesh in Chittagong in January 2009, Gambhir hit a rapid 116 from 129 balls. It was his fifth century in as many Tests and made him the fourth player to achieve this feat.", "It was his fifth century in as many Tests and made him the fourth player to achieve this feat. Only Don Bradman has managed six centuries in as many matches. In the 29th Test match against Bangladesh at Dhaka, he rewrote the history of IVA Richards by scoring most fifties plus runs in 11 consecutive matches. In this match, he scored 66 runs. For his performances in 2009, he was named in the World Test XI by the ICC.", "For his performances in 2009, he was named in the World Test XI by the ICC. Brief captaincy In 2010, Gambhir was appointed captain of the national team in the ODI series against New Zealand which was hosted by India. He scored an unbeaten 126 in the third match in Vadodara to help seal the series, guiding the hosts to victory in the run-chase. He eventually earned the Man-of-the-Series award for leading India to a 5–0 win.", "He eventually earned the Man-of-the-Series award for leading India to a 5–0 win. He then returned as captain of the side in India's match against the West Indies in December 2011. Post-captaincy In the final of the Cricket World Cup 2011, Gambhir scored a solid knock of 97 from 122 balls. Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers.", "Coming in to bat in the first over after the dismissal of Virender Sehwag, he anchored the Indian inning despite the early dismissal of both the openers. He had a good partnership first with Kohli, and then a match-winning partnership of 109 runs with MS Dhoni. In 2011, India's batting line-up struggled in Tests, particularly away from home. Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011.", "Out of sixteen innings in away Tests, India passed 300 just twice and both the team's opening batsmen failed to score a century in the format in the whole of 2011. Between February 2010 and November 2011, Gambhir played in 14 Tests. From 25 innings he scored 704 runs at an average of 29.33. In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh.", "In the same period, only two opening batsmen who had played at least 15 innings had a worse average: Phillip Hughes of Australia and Imrul Kayes of Bangladesh. However, while he was struggling in Tests, Gambhir enjoyed a rich run of form in ODIs, averaging 56.90 from 23 matches. Gambhir opened the batting in all four of India's Test defeats against Australia in 2011–12. He scored 181 runs at an average of 22.62.", "He scored 181 runs at an average of 22.62. He scored 181 runs at an average of 22.62. For his performances in 2012, he was named in the World ODI XI by the ICC. On 12 February 2012, Gambhir scored 92 off 111 balls in an ODI match against Australia at the Adelaide Oval, to help India win their first match against the hosts at that venue. It was also India's highest successful run chase in Australia. For his effort, Gambhir won the Man of the Match award.", "For his effort, Gambhir won the Man of the Match award. On 14 February 2012, against Sri Lanka, Gambhir yet again missed out on an ODI hundred when he was dismissed run out for a fine 91 off 106 balls. This knock from Gambhir was instrumental in securing a thrilling tie in that match. In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup.", "In August 2012, the Indian selection committee handed him back vice-captaincy of the T20 squad for the World Cup. Comeback After a big absence from international cricket, on 8 October 2016, Gambhir was recalled for the Test-Match series against New Zealand, after showing good form in domestic cricket. Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018.", "Retirement Gambhir announced his retirement from all forms of cricket on 3 December 2018, ahead of his final match for the Delhi cricket team against the Andhra cricket team in the Ranji Trophy on 6 December 2018. Gambhir went on to score 112 in his final innings, his 43rd century in first-class cricket. Gautam Gambhir began his new innings as a parliamentarian as he took oath as the Lok Sabha MP on 17 June 2019. Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir.", "Gautam Gambhir Foundation The Gautam Gambhir Foundation is the philanthropic initiative of Gautam Gambhir. It was started in 2014 and is based out of Delhi. He set up community kitchens in 2017 through the Foundation in Patel Nagar, Delhi, in a bid to make sure no one slept hungry in the city. The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs.", "The key project of the Foundation is to reach out to as many children of paramilitary martyrs as possible and empower them by supporting their entire educational needs. Apart from this, the GGF works with adolescent girls from underprivileged homes in generating awareness on nutrition, health and hygiene, and an effort to make Delhi green by planting trees the city to fight air pollution in the city. Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad.", "Politics On 22 March 2019, he joined the Bharatiya Janata Party (BJP) in the presence of Union ministers Arun Jaitley and Ravi Shankar Prasad. He was the party's candidate from East Delhi in the 2019 Indian general election. After his opponent Atishi Marlena challenged him to a debate, Gambhir declined her challenge, saying he doesn't believe in \"dharna and debates.\" Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely.", "Gautam won the elections by 695,109 votes against Atishi Marlena and Arvinder Singh Lovely. Other work Gambhir has started work at his constituency of East Delhi, installing CCTV cameras to tackle the issue of women's safety which has plagued Delhi in recent times. He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles.", "He is also the Brand Ambassador for Pinnacle Industries' Pinnacle Specialty Vehicles. References External links Gautam Gambhir Foundation Punjabi people 1981 births Cricketers from Delhi Living people India One Day International cricketers India Test cricketers India Twenty20 International cricketers North Zone cricketers Delhi cricketers Indian cricket captains Cricketers at the 2011 Cricket World Cup Recipients of the Arjuna Award Delhi Capitals cricketers Essex cricketers India Red cricketers India Blue cricketers Kolkata Knight Riders cricketers 17th Lok Sabha members National Democratic Alliance candidates in the 2019 Indian general election Indian sportsperson-politicians Recipients of the Padma Shri in sports" ]
[ "Steve Young", "Montana's backup: 1987-1990", "Did Steve Young play any notable games while a backup?", "Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0", "Did they win that game?", "41-0 victory.", "Did he play any other notable games?", "he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance" ]
C_52dfda507a2f476c98e838aa6c80d9e5_1
Who were the 49ers playing in this game?
4
Who were the 49ers playing in the game with a score of 27-10?
Steve Young
Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER
Minnesota Vikings,
Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans
true
[ "The 2005 San Francisco 49ers season was the 60th year for the team overall, and their 56th season in the NFL. They improved their two-win 2004 season by two games.\n\nFormer head coach Dennis Erickson had been fired just after the end of the 2004 season, and Mike Nolan (son of former Niners head coach Dick Nolan) took the helm.\n\nDespite having a better record than the 2–14 Texans and 3–13 Saints, statistics site Football Outsiders calculated that the 49ers were actually, play-for-play, not only the worst team in the NFL in 2005, but the worst team they have ever tracked. According to the site, the 49ers offense in 2005 is the third-worst they had ever tracked. The 49ers 3,587 total offensive yards were the fewest of any team in 2005, and their 239 points scored were third-worst in the NFL. Despite finishing with the worst record in 2004, the 49ers ended up playing the second-toughest schedule that season as they played eight games against playoff teams which includes games against the top seeds in both conferences, the Seattle Seahawks and the Indianapolis Colts, and games against the Chicago Bears and the Tampa Bay Buccaneers, both teams that the 49ers played due to finishing last in the NFC West the previous year and won their divisions.\n\nSan Francisco's 1,898 team passing yards in 2005 were the lowest such total in the decade of the 2000s.\n\nOffseason\n\n2005 Draft\n\nThe 49ers had the first pick in the 2005 draft, and selected Utah quarterback Alex Smith. The 49ers were in need of a quarterback, and the two top prospects at the position were Smith and Cal quarterback Aaron Rodgers. Rodgers, the second quarterback drafted, famously dropped to the 24th pick on draft day, and went to the Green Bay Packers. Rodgers is a three-time league MVP, has been voted to the Pro Bowl 9 times throughout his career, and won Super Bowl XLV with the Packers in . Smith enjoyed a successful if unspectacular career with the 49ers, starting all 16 games for 2 full seasons and taking them to the NFC Championship game in 2011. He was traded to the Kansas City Chiefs in 2013, where he has earned most of his accolades, before being traded to Washington, where he won Comeback Player of the Year in 2020 following a horrific leg injury 2 years earlier.\n\nStaff\n\nRoster\n\nRegular season\n\nSummary\n\nWeek 1\n\n \n \n \n \n \n \n \n \n \n \n\nIn Mike Nolan's debut as head coach, the 49ers beat divisional rival St. Louis Rams. Quarterback Tim Rattay got the start, the 49ers were able to build a considerable lead in the 3rd quarter, however, their defense fell apart and allowed the Rams to score 16 straight points, including 13 in the 4th quarter. The Rams were poised to score again, but Michael Adams intercepted Marc Bulger with 52 seconds left to seal the victory and start the season with a win.\n\nWeek 2\n\n \n \n \n \n \n \n \n\nThe 49ers were handily beaten by the Philadelphia Eagles as Donovan McNabb threw five touchdown passes, four of which were in the first 19 minutes of the game. In Terrell Owens' first game against his former team he had 143 yards receiving and two touchdowns. Rookie quarterback Alex Smith made his regular season debut, playing the final possession and throwing one incomplete pass. The loss dropped the 49ers to 1–1.\n\nWeek 3\n\n \n \n \n \n \n \n \n \n \n \n\nThe rivalry between the 49ers and the Cowboys continued in traditional high-scoring fashion. The 49ers maintained the lead for the majority of the game; however, their defense fell apart in the final quarter as they allowed the Cowboys to score fifteen consecutive points while the offense failed to put a single point on the board. The loss dropped the 49ers to 1–2 to start the season.\n\nWeek 4\n\n \n \n \n \n \n \n \n \n \n \n\nA game played in Mexico City at Azteca Stadium garnered the largest crowd in regular season history, with 103,467 fans in attendance. The 49ers started off well, scoring two touchdowns in the first quarter, but failed to score again. The Cardinals then began to dominate, scoring 31 consecutive points, including six field goals by Neil Rackers. San Francisco's backup quarterback Alex Smith was given the green light in the fourth quarter and threw six completions, including the first completed pass of his career. The International game gave the Cardinals their first win of the 2005 season while the loss dropped the 49ers to 1–3.\n\nWeek 5\n\n \n \n \n \n \n\nIn Alex Smith's first NFL start, he threw four interceptions and was sacked five times. Aside from Kevan Barlow, the 49ers offense failed to get comfortable and only managed a single field goal. This was the second straight week in which the 49ers' offense failed to score a touchdown. The loss to the undefeated Colts dropped the 49ers to 1–4, heading into their bye week.\n\nWeek 7\n\n \n \n \n \n \n \n \n \n \n \n \n\nThe 49ers lost for the fifth straight time after opening the season with a win when they lost in a 52–17 rout to the Redskins. San Francisco could do nothing right, with Alex Smith getting sacked five times, losing a fumble, and throwing an interception. On the other side of the ball, the Redskins quarterback Mark Brunell tossed three touchdowns and Clinton Portis rushed for three more, rolling up 448 total yards. The 49ers, who had not scored in the fourth quarter yet this season, grabbed ten points in the period. The fifth straight loss dropped the 49ers to 1–5.\n\nWeek 8\n\n \n \n \n \n \n \n \n\nIn a game in which both starting quarterbacks were out due to injuries, field goals were the norm: the 49ers' Joe Nedney scoring five of the game's six. In a statistically unimpressive game, San Francisco toppled the Buccaneers, who, prior to the game, had the best record in the NFC. With the victory, the 49ers snapped a five-game losing streak to grab their second win of the season. Buccaneers receiver Joey Galloway caught his 500th reception of his career. The win brought the 49ers up to 2–5 on the season.\n\nWeek 9\n\n \n \n \n \n \n \n\nFor the second straight game, the 49ers failed to score a touchdown, this time managing only two field goals in the loss. Even while the Giants' offense struggled at times, their defense shut the 49ers down, preventing the 49ers from capitalizing on Giants' mistakes, such as allowing the 49ers four first downs on penalties. In a rare error, the 49ers only had 10 players on the field for the first play of the game, a 28-yard catch by Jeremy Shockey. The loss dropped the 49ers to 2–6.\n\nWeek 10\n\n \n \n \n \n \n \n\nAfter a scoreless first quarter, the 49ers took a three-point lead in the second quarter off a field goal by Joe Nedney. However, the game turned in the Bears' favor when Nathan Vasher ran back an attempted field goal 108 yards for a touchdown. The 49ers came within 5-point during the fourth quarter, but the high winds made it difficult to pass the ball. This, combined with a fumbled punt, doomed the 49ers to their seventh loss of the season, dropping them to 2–7.\n\nWeek 11\n\nIn a shootout, the 49ers nearly came back from a fifteen-point deficit by scoring two touchdowns in the fourth quarter. However, the 49ers failed to score on a two-point conversion with under 30 seconds in the game that would have tied it and likely sent it into overtime. In the course of the game, the 49ers scored their first touchdown at home in sixteen quarters and also snapped a streak of 47 possessions without a touchdown. The eighth loss in nine games dropped the 49ers to 2–8.\n\nWeek 12\n\nThe Titans snapped a five-game losing streak and the 49ers extended theirs to four as Titans kicker Rob Bironas kicked a career-high four field goals. The Titans managed to score two touchdowns in a span of only 80 seconds. The game was not as close as the final score suggested, as the Titans forced four turnovers and Steve McNair threw for 343 yards and three touchdowns. The 49ers lost their 9th game, dooming them to a losing season.\n\nWeek 13\n\nIn their fifth loss in as many games (the 49ers' second five-game losing streak), the 49ers fell to the division rival Cardinals. Although two interceptions from quarterback Kurt Warner kept the 49ers in the game, eventually the poor performance by the defense succumbed. The Cardinals took the lead for good with a 54-yard touchdown reception by Anquan Boldin in a third-and-twenty situation. Being swept by the Cardinals this season, the 49ers fell to 2–10 with the loss.\n\nWeek 14\n\nThe 49ers were dominated in their six straight loss as they fell to 2–11. Not only did Shaun Alexander rush for 108 yards, his ninth consecutive divisional game to rush for more than 100 yards, quarterback Matt Hasselbeck threw for four touchdowns. The 49ers' offense could not get going, managing only 113 total yards and fumbling three times. With the victory, the Seahawks completed the division perfectly, 6–0, and gained a two-game lead for home-field advantage throughout the playoffs.\n\nWeek 15\n\nIn a back-and-forth game, the Jaguars emerged victorious and clinched a playoff berth at 10–4. The 49ers offense failed to score a touchdown, as they only managed three field goals by Joe Nedney. The 49ers had opportunities to take the lead, but were unable to get any first downs in the fourth quarter and a fourth down, game-ending, desperation heave from Alex Smith fell harmlessly to the ground. The 49ers fell to 2–12 with their seventh straight loss.\n\nWeek 16\n\nThe 49ers broke their seven-game losing streak with a big performance from their running backs, Maurice Hicks and Frank Gore, who combined for 177 yards and 3 touchdowns. The Rams lead for most of the game, but the 49ers scored 17 unanswered points and the defense held the Rams scoreless in the second half. The game was only decided in the final minute when Ben Emanuel intercepted a pass at the San Francisco 19-yard line. With the victory, the 49ers moved up to 3–12.\n\nWeek 17\n\nThe final game of the season for the 49ers, in which the number one draft pick was on the line, was a thriller. The two teams scored back-and-forth with the lead never greater than 7 points. The game went into overtime tied at 17, and Joe Nedney kicked a 33-yard field goal for the win. This marked the only time the 49ers won two consecutive games this season. Moreover, the loss gave the Texans the first overall draft pick and moved the 49ers from second overall to sixth. The 49ers finished the season 4–12.\n\nStandings\n\nReferences\n\nSan Francisco 49ers seasons\nSan Francisco 49ers\nSan Francisco 49ers\nSan Francisco 49ers", "The 2015 season was the San Francisco 49ers' 66th in the National Football League, the 70th overall, second playing their home games at Levi's Stadium, and the only season under head coach Jim Tomsula. They were attempting to make history as the first Super Bowl host team to play the Super Bowl on their own home field, but they failed to improve on their 8–8 record from 2014, and ended with a 5–11 record to miss the playoffs for the second season in a row. They also finished last in the NFC West for the first time in a decade, and marked the 31st consecutive year in which the Super Bowl did not include the team in whose region the game was being played – a feat that never has been achieved since themselves in 1984.\n\nOffseason\n\nCoaching changes\nWith their loss to the Seattle Seahawks in Week 15 of the 2014–15 season, the 49ers were mathematically eliminated from the postseason, exacerbating tensions between Head Coach Jim Harbaugh and general manager Trent Baalke. After the season ended, the 49ers and Harbaugh mutually agreed to end his contract. On January 14, 2015, Jim Tomsula was promoted to head coach after serving as defensive line coach with the team since 2007; it is his second time at the helm, as he previously served as the 49ers' interim head coach for one game, after Mike Singletary's firing in 2010.\n\nRoster changes\n\nFree Agency\n\nSignings\n\nDepartures\n\n2015 NFL Draft\n\nNotes\n The 49ers traded their first-round selection (No. 15 overall) to the San Diego Chargers in exchange for San Diego's first- and fourth-round selection (Nos. 17 and 117 overall, respectively) as well a fifth-round selection in 2016.\n The 49ers traded a conditional fourth-round selection to the Buffalo Bills in exchange for wide receiver Stevie Johnson; the selection could be upgraded to a third-rounder pending Johnson's statistics in .\n The 49ers acquired an additional fourth-round selection as part of a trade that sent their 2014 second- and seventh-round selections to the Denver Broncos.\n The 49ers traded a seventh-round selection to the Miami Dolphins in exchange for offensive tackle Jonathan Martin.\n The 49ers acquired an additional seventh-round selection in a trade that sent linebacker Cam Johnson to the Indianapolis Colts.\n The 49ers traded their fifth-round selection (No. 151 overall) to the Indianapolis Colts in exchange for Indianapolis's fifth- and seventh-round selection (Nos. 165 and 244 overall, respectively).\n The 49ers acquired a sixth-round selection in 2016 as part of a trade that sent their seventh-round selections (No. 246) to Dallas Cowboys.\n\nUndrafted free agents\n\nStaff\n\nFinal roster\n\nSchedule\n\nPreseason\n\nRegular season\n\nNote: Intra-division opponents are in bold text.\n\nGame summaries\n\nWeek 1: vs. Minnesota Vikings\n\nIn the 49ers' first game with new head coach Jim Tomsula, the 49ers defeated the Minnesota Vikings 20–3 on Monday Night Football. In his first career start, Carlos Hyde rushed 26 times for 168 yards and two touchdowns. Hyde's 168 rushing yards were the most by a 49ers player since 2012, when Colin Kaepernick rushed for 181 against the Packers. Colin Kaepernick went 17 for 26 with 165 yards passing. The 49ers defense was stout, holding the Vikings to just three points and sacking Vikings quarterback Teddy Bridgewater five times. Adrian Peterson, returning from suspension, rushed for only 31 yards on 10 carries. This game also marked the return of NaVorro Bowman, who missed all of the 2014 season with an injury. He had seven tackles and a sack in the season opener. In addition, the 49ers introduced black alternate uniforms.\n\nWeek 2: at Pittsburgh Steelers\n\nThe 49ers' first road game of the year ended in a disaster. The 49ers defense had no answer for Ben Roethlisberger, who went 21 for 27,369 yards and three touchdown passes as the Steelers won 43–18. The Steelers took a commanding 29-3 halftime lead. Despite only scoring 18 points, the 49ers offense opened up in the second half, with Kaepernick leading the 49ers into the Steelers red zone four times, but only able to score one touchdown (along with a field goal and two turnovers on downs). The highlight for the 49ers was Kaepernick hitting wide receiver Torrey Smith for a 75-yard touchdown pass in the fourth quarter. The Steelers defense had a field day on Kaepernick, sacking him 5 times and making him lose a fumble.\n\nWith the loss, the 49ers fell to 1-1.\n\nWeek 3: at Arizona Cardinals\n\n49ers quarterback Colin Kaepernick became the first player since 1925 to throw two interceptions returned for touchdowns (pick sixes) to start a game. He had four interceptions in the game overall and the Cardinals thrashed the 49ers 47–7. This is the most points the Cardinals have ever scored against the 49ers. In the past two weeks, the 49ers were outscored 90–25.\n\nWith the loss, the 49ers dropped to 1–2.\n\nWeek 4: vs. Green Bay Packers\n\nDespite a good showing by the 49ers defense (holding the Packers to a season-low 17 points and sacking Aaron Rodgers 3 times), the 49ers offense struggled all game. It was another frustrating day for Colin Kaepernick, who consistently missed receivers and threw an interception. Throughout the game, he was sacked six times. In the last two weeks, Kaepernick had no touchdown passes and five interceptions with a quarterback rating of 12.7.\n\nWith yet another tough loss, the 49ers dropped to 1–3, and were outscored by a total of 110–48 in their first 4 games. By the end of week 4, the 49ers were last in the league in total points scored.\n\nWeek 5: at New York Giants\n\nIn one of the wildest games of the year, the 49ers lost a heartbreaker in the final minute. The 49ers offense, which struggled the previous two weeks and had just 6 points at halftime in this game, came alive and scored three-second half touchdowns, including Carlos Hyde's 2-yard go-ahead touchdown run with 1:45 left on the clock to give the 49ers a 27–23 lead. But Giants quarterback Eli Manning led the Giants down the field and threw a 12-yard touchdown to Larry Donnell with 0:17 left in the game. The 49ers defense was shredded for an astonishing 525 yards by the Giants offense. There were five lead changes in the game, three of them in the final 4:29 of the fourth quarter.\n\nWith the loss, the 49ers fell to 1–4.\n\nWeek 6: vs. Baltimore Ravens\n\nThe 49ers met the Ravens for the first time since Super Bowl XLVII, in which the Ravens won 34–31. In the second quarter, Colin Kaepernick threw a 76-yard pass to ex-Raven Torrey Smith to extend San Francisco's lead to 13–3. In the fourth quarter, Kaepernick threw another touchdown, this time to Quinton Patton, for 11 yards to lead the 49ers 25–13. This was Patton's first NFL touchdown. With the win, the 49ers avenged their Super Bowl loss and broke their 4-game losing streak, and they improved to 2–4.\n\nWeek 7: vs. Seattle Seahawks\n\nMuch like last year's Thanksgiving Day matchup, the 49ers were unable to stop the defending NFC Champion Seattle Seahawks. Colin Kaepernick struggled all game long and he was sacked six times, much like Week 4 against Green Bay, where the 49ers were also only held to a field goal. With the 20–3 loss, the 49ers dropped to 2–5.\n\nWeek 8: at St. Louis Rams\n\nWith the loss, San Francisco fell to 2–6.\n\nWeek 9: vs. Atlanta Falcons\n\nThis was Blaine Gabbert's first game as starting quarterback with the 49ers, replacing Colin Kaepernick. The 49ers were also without tight end Vernon Davis, who was traded to the Denver Broncos, after nine and a half seasons with the team.\n\nWith the win, the 49ers improved to 3–6.\n\nWeek 11: at Seattle Seahawks\n\nBlaine Gabbert made his second start and remained starter for the rest of the season with Colin Kaepernick undergoing season-ending surgery on his left non-throwing shoulder.\n\nAfter the loss, the 49ers fell to 3–7.\n\nWeek 12: vs. Arizona Cardinals\n\nWith the loss, the 49ers fell to 3-8 and were swept by the Cardinals for the first time since 2008.\n\nWeek 13: at Chicago Bears\nThe 49ers would trail 20–13 with less than a minute to go. Blaine Gabbert would run in a game-tying 44-yard touchdown to tie the game at 20. However, the Bears appeared to have the game won when they went down the field after a 74-yard kick return by Deonte Thompson. But when Robbie Gould came out to attempt a game-winning 36-yard field goal, the kick was wide left, resulting in overtime. In the overtime period, Gabbert would throw the game-winning 71-yard touchdown pass to Torrey Smith to win the game for San Francisco. This was San Francisco's first win in Chicago since the 1988 NFC Championship Game.\n\nWith the win, the 49ers went to 4–8.\n\nWeek 14: at Cleveland Browns\n\nWith the loss, the 49ers were eliminated from the playoffs and became the latest Super Bowl host team to fail to play the championship game on its own home field.\n\nWeek 15: vs. Cincinnati Bengals\n\nThe 49ers played an overall ugly game as they lost 24–14 to the powerful Cincinnati Bengals. Quarterback Blaine Gabbert threw 3 interceptions and receiver Anquan Boldin lost a fumble.\n\nWith the loss, the 49ers fell to 4-10.\n\nWeek 16: at Detroit Lions\n\nWith the loss, the 49ers fell to 4-11.\n\nWeek 17: vs. St. Louis Rams\n\nThis was the final game between the San Francisco 49ers and the St. Louis Rams before the Rams' relocation to Los Angeles. With the win, the 49ers ended their season 5-11.\n\nStandings\n\nDivision\n\nConference\n\nNotes\n\nReferences\n\nExternal links\n \n\nSan Francisco\nSan Francisco 49ers seasons\nSan Francisco 49ers\n2015 in San Francisco" ]
[ "Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons.", "Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8.", "During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8).", "At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time.", "His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team.", "In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its \"Tidal Wave Defense\", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams.", "During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU.", "Young instead chose BYU. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing.", "He also added 544 yards rushing. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year.", "The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl.", "Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft.", "Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team.", "He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers.", "1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL.", "Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express.", "Young was convinced, and signed with the Express. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve.", "After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game.", "He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles.", "Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season.", "The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum.", "The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash.", "Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs.", "In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity.", "However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express.", "NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL.", "Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier.", "Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter.", "They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana.", "Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively.", "The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory.", "Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10.", "In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings.", "On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss.", "The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl.", "Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions.", "While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots.", "On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10.", "The 49ers lost the game 13–10. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record.", "Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered.", "After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again.", "It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating.", "Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991.", "The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono.", "It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery.", "In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory.", "Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win.", "On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team.", "The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns.", "Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record.", "After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys.", "The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided.", "He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons.", "He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback.", "However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season.", "But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating.", "But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5).", "By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round.", "The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989.", "1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four.", "They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series.", "After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game.", "Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines.", "But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs.", "They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28.", "After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories.", "The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards.", "Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history.", "The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009).", "He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground.", "Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season.", "For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997.", "In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36).", "However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called \"The Catch II\".", "In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called \"The Catch II\". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18.", "Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career.", "Young was plagued by concussions throughout his career. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome.", "Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire.", "Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits.", "In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen.", "He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns.", "A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times.", "He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history.", "He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det.", "NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No.", "(10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005.", "He was enshrined August 7, 2005. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande \"Grit\" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.)", "Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director.", "After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's \"Real Cougar\" advertising campaign, which featured the individuals telling an actual cougar about being a \"real cougar\". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers...", "Cougar: (growls) Young: Lawyers... Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode \"Are You Ready for Some Football?\"", "He also made a guest appearance as himself in the Dharma & Greg episode \"Are You Ready for Some Football?\" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014).", "He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode \"Just Call Me Angel\". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance.", "Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them.", "In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide.", "He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande \"Grit\" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959.", "He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children.", "According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans" ]
[ "Steve Young", "Montana's backup: 1987-1990", "Did Steve Young play any notable games while a backup?", "Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0", "Did they win that game?", "41-0 victory.", "Did he play any other notable games?", "he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance", "Who were the 49ers playing in this game?", "Minnesota Vikings," ]
C_52dfda507a2f476c98e838aa6c80d9e5_1
When was this game being played?
5
When was the Minnesota Vikings game against Montana being played?
Steve Young
Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER
1987
Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans
true
[ "The 2010 Champs Sports Bowl was a college football bowl game that was played on December 28, 2010. The game matched up the West Virginia Mountaineers from the Big East Conference versus the NC State Wolfpack from the Atlantic Coast Conference. The game was scheduled for a 6:30 p.m. ET kickoff at Florida Citrus Bowl Stadium in Orlando, Florida.\n\nBackground\nWest Virginia entered the game with a 9-3 record along with being co-champions of the Big East Conference. The Mountaineers were hurt in their quest for the Big East's BCS bid with October losses to UConn and Syracuse. WVU's strength was in their defense, which ranked 2nd nationally in points allowed and 3rd in yards allowed. The Mountaineers have appeared in eight straight bowl games and were defeated in last year's Gator Bowl by Florida State 33-21. West Virginia has played in the bowl on two previous occasions, in 1995 and 1997, when it was known as the Carquest Bowl and was played in Miami.\n\nNC State entered the bowl with an overall record of 8-4. The Wolfpack attempted to win a bowl game for the first time in coach Tom O’Brien’s four seasons in Raleigh. NC State played in the Papajohns.com Bowl in his second season but lost to Rutgers, 29-23. The strength of the Wolfpack was in their passing game, ranked number 19 in the country. NC State has appeared in the bowl three previous times, first in 1998 when the game was known as the MicornPC Bowl and was played in Miami, Florida, and then in 2001 and 2003 when it was played in Orlando but was called the Tangerine Bowl.\n\nThe two schools have played each other nine times previously, with WVU holding a 5-4 advantage, though they have not played since 1979. This was the third time that they have played in a bowl game, having played in the 1972 and 1975 Peach Bowls. The bowl series between NC State and West Virginia is split, 1-1: the Wolfpack won the 1972 contest 49-13, and the Mountaineers won 13-10 in 1975.\n\nGame Summary\n\nScoring\n\nStatistics\n\nReferences\n\nChamps Sports Bowl\nCheez-It Bowl\nWest Virginia Mountaineers football bowl games\nNC State Wolfpack football bowl games\nAmerican football in Orlando, Florida\nChamps Sports Bowl\n2010s in Orlando, Florida", "Velódromo Paulistano, commonly known as just Velódromo, was a cycling and football stadium located in São Paulo, Brazil. It was the home stadium of Americano, Paulistano and Scottish Wanderers. It was owned by Veloce Club Olimpic Paulista and it had a maximum capacity of 10,000 people. After being reformed as a football stadium, it was operated by Club Athletico Paulistano.\n\nHistory\nThe stadium was inaugurated in 1892, as a cycling stadium. It was opened as a football stadium on October 18, 1901, when a São Paulo State combined team and a Rio de Janeiro State drew 1–1. The first football game between clubs was played on May 8, 1902, when São Paulo Athletic beat Paulistano 4–0. Charles Miller scored that game's first goal. The last game played at the Velódromo was a game between a São Paulo State combined team and a Rio de Janeiro State combined team. São Paulo State won the game 8–0. Velódromo Paulistano was demolished in 1916.\n\nReferences\n\nDefunct football venues in Brazil\nSports venues demolished in 1916" ]
[ "Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons.", "Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8.", "During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8).", "At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time.", "His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team.", "In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its \"Tidal Wave Defense\", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams.", "During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU.", "Young instead chose BYU. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing.", "He also added 544 yards rushing. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year.", "The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl.", "Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft.", "Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team.", "He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers.", "1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL.", "Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express.", "Young was convinced, and signed with the Express. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve.", "After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game.", "He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles.", "Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season.", "The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum.", "The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash.", "Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs.", "In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity.", "However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express.", "NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL.", "Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier.", "Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter.", "They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana.", "Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively.", "The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory.", "Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10.", "In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings.", "On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss.", "The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl.", "Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions.", "While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots.", "On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10.", "The 49ers lost the game 13–10. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record.", "Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered.", "After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again.", "It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating.", "Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991.", "The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono.", "It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery.", "In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory.", "Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win.", "On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team.", "The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns.", "Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record.", "After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys.", "The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided.", "He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons.", "He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback.", "However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season.", "But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating.", "But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5).", "By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round.", "The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989.", "1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four.", "They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series.", "After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game.", "Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines.", "But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs.", "They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28.", "After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories.", "The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards.", "Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history.", "The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009).", "He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground.", "Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season.", "For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997.", "In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36).", "However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called \"The Catch II\".", "In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called \"The Catch II\". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18.", "Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career.", "Young was plagued by concussions throughout his career. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome.", "Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire.", "Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits.", "In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen.", "He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns.", "A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times.", "He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history.", "He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det.", "NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No.", "(10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005.", "He was enshrined August 7, 2005. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande \"Grit\" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.)", "Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director.", "After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's \"Real Cougar\" advertising campaign, which featured the individuals telling an actual cougar about being a \"real cougar\". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers...", "Cougar: (growls) Young: Lawyers... Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode \"Are You Ready for Some Football?\"", "He also made a guest appearance as himself in the Dharma & Greg episode \"Are You Ready for Some Football?\" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014).", "He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode \"Just Call Me Angel\". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance.", "Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them.", "In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide.", "He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande \"Grit\" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959.", "He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children.", "According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans" ]
[ "Steve Young", "Montana's backup: 1987-1990", "Did Steve Young play any notable games while a backup?", "Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0", "Did they win that game?", "41-0 victory.", "Did he play any other notable games?", "he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance", "Who were the 49ers playing in this game?", "Minnesota Vikings,", "When was this game being played?", "1987", "Was this game played at the 49ers' stadium or the Vikings' stadium?", "I don't know.", "Did the 49ers play well during the 1987 to 1990 period?", "The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss." ]
C_52dfda507a2f476c98e838aa6c80d9e5_1
Did they ever get to the Super Bowl while Steve Young was there?
8
Did Minnesota Vikings ever get to the Super Bowl while Steve Young was there?
Steve Young
Young played behind Montana his first several years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41-0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27-10. The 49ers still lost the game, but Young had a fairly good performance with 12/17 completions for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Minnesota Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24-21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. In 1989, he displayed his potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37-20 victory over the New England Patriots. In his four seasons as a backup, Young had thrown 23 touchdown passes and only six interceptions. He rushed for a career-high 102 yards on just eight carries vs. the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13-10. CANNOTANSWER
While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season,
Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its "Tidal Wave Defense", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called "The Catch II". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande "Grit" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's "Real Cougar" advertising campaign, which featured the individuals telling an actual cougar about being a "real cougar". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode "Are You Ready for Some Football?" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode "Just Call Me Angel". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande "Grit" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans
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[ "The 1994 season was the San Francisco 49ers' 45th in the National Football League, the 49th overall and their sixth under head coach George Seifert. This season was highlighted by a victory in Super Bowl XXIX. The championship made San Francisco the first team to win five Super Bowls. After losing to the Dallas Cowboys in the previous two conference championship games, the 49ers made significant acquisitions in the 1994 free agent market. This included the signing of two-sport star Deion Sanders and Cowboys linebacker Ken Norton, Jr.. Sanders had a major impact on the team's success, winning the NFL Defensive Player of the Year Award and recording six interceptions. The 49ers won their division, the NFC West, for the eighth time in nine seasons.\n\nQuarterback Steve Young had his best NFL season and won his second MVP award. Young set what was, at the time, the NFL record for highest passer rating in a season – 112.8. Cold Hard Football Facts states that Young's 1994 season is the second greatest passing season in NFL history, behind only Joe Montana's 1989 season.\n\nFor the third consecutive season, the 49ers met the Cowboys in the NFC Championship Game. From the mid-1980s until the latter 1990s, the AFC was widely regarded as the NFL's weaker conference. At the time of this conference championship game, AFC teams had lost the previous 10 Super Bowls in a row, starting with Super Bowl XIX after the 1984 season. All but two of those losses were by at least 10 points; five of them were by more than 20 points. As a result, the NFC Championship meeting between the Niners and Cowboys was dubbed by many as \"the real Super Bowl.\" The contest was one of the highest rated non-Super Bowl games in NFL history.\n\nThe 49ers beat the Cowboys and would go on to defeat the San Diego Chargers in Super Bowl XXIX. Young was named the game's MVP after throwing a record six touchdown passes.\n\nOffseason\n\nNFL Draft\n\nTraining Camp\nThe 1994 San Francisco 49ers season held training camp at Sierra College in Rocklin, California.\n\nPersonnel\n\nStaff\n\nRoster\n\nPre season\n\nSchedule\n\nGame officials\n\nRegular season\nIn 1994, after the retirements and departures of several stalwarts from the late 1980s and early 1990s teams, the 49ers spent large amounts of money on the addition of several star free agent veterans. The revamp focused mainly on defense, where six new starters including Ken Norton, Jr., Gary Plummer, Rickey Jackson, and Deion Sanders were implemented, all with the ultimate goal in mind of dethroning the Dallas Cowboys. Said safety Merton Hanks, \"Those players came in on one and two-year deals and they understood, 'if we do not get it done this year this organization is going to blow itself up.'\" Additionally, several rookie players made key contributions to the team, some becoming season-long starters. This included defensive tackle Bryant Young, fullback William Floyd, and linebacker Lee Woodall. The 49ers started slowly early in the season. They defeated the Raiders in a game where Jerry Rice broke the NFL record for career touchdowns, but followed with a 24–17 loss to the Kansas City Chiefs, led by former 49ers quarterback Joe Montana.\n\nDespite victories over the Rams and Saints, the 49ers offensive line was struggling, having lost four starters to injury, and in Week 5 the Niners were crushed 40–8 by the Eagles. Following the Eagles game, a poll conducted on local sports radio station KNBR showed that an overwhelming majority of 49er fans wanted head coach George Seifert fired.\n\nThe game against the Eagles was a turning point for the 49ers despite being a lopsided loss. Steve Young was benched for Elvis Grbac abruptly during a series in the 3rd quarter. Soon after, Young was livid on the sidelines, shouting profanities at head coach George Seifert. Young later admitted \"I was looking for a fistfight,\" and would later say that this incident caused his teammates to respond better to his leadership, as they saw how much he cared about winning (\"It galvanized the guys behind Steve,\" said Brent Jones).\n\nThe following week in Detroit, the 49ers trailed the Lions 7–0. After throwing a pass, Young was hit, picked up, and driven into the ground by three Lions defenders. After the hit, Young was screaming with his face dark red in color. He crawled most of the way off of the field before refusing help from the trainers as he limped the remaining way off the field. He miraculously returned to the field two plays later (NFL rules state that after trainers attend to an injured player, that player must leave the field for at least one play – Elvis Grbac came in for that one play and threw an incompletion) to lead the 49ers to a 27–21 victory.\n\nThe team rallied around Young to win 10 straight games, including a 21–14 victory over the two-time defending Super Bowl champion Cowboys. During that span, the 49ers' average margin of victory was nearly 20 points per game; they broke 35 points scored seven times, four times breaking 40 points scored.\n\nThrowback uniforms \nDuring the 1994 season, many NFL teams wore \"throwback uniforms\" for occasional games (after week 2 of the season) to celebrate the NFL's 75th anniversary (a corresponding diamond 75th Anniversary patch was also worn by all teams). The 49ers chose to wear a version of their 1955 uniforms as throwbacks. This design featured sans-serif block numerals that were outlined and shadowed in black. White pants with thinner red-black-red striping were also worn, along with the old striped red socks (the team later reverted to their regular solid red socks after receiving permission from the NFL to wear the uniforms starting from Week 10 until Super Bowl XXIX). The team's regular 1989–95 gold helmet was worn with this uniform, as there was no logo on the 1955 helmet.\n\nThe team first donned the 1955 throwback uniforms during a week 3 match against the Los Angeles Rams and the following week at home versus the Saints. Both games ended in victory (coincidentally, these were also the first two games Deion Sanders played with the 49ers after signing as a free-agent after week 2). The team then suffered an embarrassing 40–8 loss to the Philadelphia Eagles at home wearing their regular red uniforms with gold pants. (Football statistics site Football Outsiders calculates this 49ers loss to be the second-most lopsided football game they'd tracked from 1994 to 2008.)\n\nFor the subsequent three games until their bye week, the team again was scheduled to play games wearing the throwback uniforms with white pants and blockshadow numerals, and all three games resulted in wins. During the following weeks the 49ers embarked on a 10-game winning streak. The team, prompted both by the superstition of coach George Seifert, and the preference of players, petitioned the NFL to wear the throwback uniforms for the rest of the season. The league granted the request and the switch to solid red socks after the bye week marked this occurrence. In all, the team went 15–1 (including the playoffs) wearing the 1955/1994 throwback uniforms. The only loss occurred during the regular season finale at Minnesota, with the team wearing white jerseys and resting most of their starters for the playoffs. Meanwhile, the 49ers went undefeated wearing the red jerseys of the throwback uniform. After winning Super Bowl XXIX however, the team was compelled to revert to wearing its regular 1964-style uniforms (1991 revised design) for the following 1995 season. One year later, the throwback design strongly influenced the 49ers to redesign their uniform set. In 1996, the team revealed a new helmet and uniform design featuring a darker red, shadowed numbers, black accents, and white pants. In 1998, the team changed the pants to a gold color and wore these uniforms through the 2008 season. The 49ers brought back the 1994 white throwback uniform design as an alternate set for the 2018 season. The 1994 red throwback jerseys were brought back by the team as an alternate uniform for the 2021 season, the 49ers franchise's 75th anniversary.\n\nSchedule\n\nGame summaries\n\nWeek 1 vs. Los Angeles Raiders\n\nThe Niners led wire to wire as Steve Young opened with two touchdowns. Jerry Rice’s 69-yard score set an NFL record for career touchdowns.\n\nWeek 2 at Kansas City Chiefs\n\nThis was the much-hyped match between Steve Young and Joe Montana, Young's predecessor as the 49ers' quarterback. Montana threw two touchdowns and a two-point conversion. Young clawed the Niners to a 14–7 lead but was then sacked for a safety; the Niners also fumbled twice while Young threw two picks. San Francisco sports bars airing the game saw viewers overwhelmingly cheer for Montana's Chiefs over Young and the Niners.\n\nWeek 3 at Los Angeles Rams\n\nThis became the final game between the 49ers and Rams in Los Angeles until 2016.\n\nWeek 4 vs. New Orleans Saints\n\nWeek 5 vs. Philadelphia Eagles\n\nSteve Young was benched after going 11 of 23 with two interceptions and getting sacked for a safety by William Fuller; Elvis Grbac completed four of eight passes and was sacked twice. The Eagles outgained the Niners in yardage 437 to 189. This was the second worst loss by an eventual Super Bowl champion in NFL history.\n\nWeek 6 at Detroit Lions\n\nThe Lions jumped to a 14–0 lead on a Brett Perriman touchdown catch and a nine-yard score from Barry Sanders. Young was knocked out for one play with a pinched nerve in his leg; he came back in despite heavy pain and rallied the Niners to 27 unanswered points.\n\nWeek 7 at Atlanta Falcons\n\nEx-Falcon Deion Sanders returned to the Georgia Dome and ran back a 93-yard interception for a touchdown. Steve Young threw four touchdowns while Jeff George threw four interceptions; it was the second six-turnover game for the Falcons that season.\n\nWeek 8 vs. Tampa Bay Buccaneers\n\nFacing the team with which he entered the NFL, Steve Young completed twenty passes for 255 yards and one score. Ricky Watters and William Floyd rushed for a combined three more touchdowns. In contrast Trent Dilfer completed just seven passes and was benched.\n\nWeek 9: Bye \n\nThe 1994 San Francisco 49ers season had a bye week, as did all of the NFC West. The team was granted permission from the NFL to wear throwback uniforms for the remainder of the season.\n\nWeek 10 at Washington Redskins\n\nWeek 11 vs. Dallas Cowboys\n\nThe 49ers posted their first win over the Cowboys since 1990. The game was tied 7–7 until the Niners scored in the final three minutes of the third quarter on a 57-yard Jerry Rice touchdown catch. Following an exchange of four consecutive punts, Troy Aikman was intercepted by Merton Hanks; the ensuing Niners drive took fifteen plays and ended on a Brent Jones touchdown catch just before the two-minute warning. A very late Cowboys touchdown was followed by an unsuccessful onside kick and Niners win.\n\nWeek 12 vs. Los Angeles Rams\n\nIn their last home meeting with the Rams as a Los Angeles team until 2016, the Niners blew a 21–6 lead and trailed 27–24; Jerry Rice fumbled with 6:05 to go but the Rams had to punt. Steve Young threw on seven of the next ten plays and connected with Rice for the go-ahead score with 1:56 to go; the Rams failed on 4th and 20 and the Niners were winners.\n\nWeek 13 at New Orleans Saints\n\nWeek 14 vs. Atlanta Falcons\n\nWeek 15 at San Diego Chargers\n\nIn the preview to Super Bowl XXIX, Steve Young threw two touchdown passes and Deion Sanders recorded a pick six as the 49ers never trailed.\n\nWeek 16 vs. Denver Broncos\n\nWeek 17 at Minnesota Vikings\n\nHaving secured the first playoff seed, the Niners started Steve Young and he completed all but one of thirteen passes before giving way to Elvis Grbac. Ricky Watters fumbled on San Francisco's second drive and the Vikings scored. Needing the game for the NFC Central division title, the Vikings won 21–14.\n\nGame officials\n\nStandings\n\nPlayoffs\n\nNotes:\n\n All times in Pacific Time Zone.\n\nNFC Divisional Playoff\n\nAfter a Brent Jones fumble on their first drive of the game, in which the Bears converted with a field goal by Kevin Butler, the 49ers went on to score 37 unanswered points to rout the Bears 44–15, including scoring 23 in the second quarter (Jones caught an eight-yard score in the second). The Bears would not score until the fourth quarter when the game was already out of reach. An endzone brawl erupted late in the second quarter following Steve Young's six-yard rushing score. Shaun Gayle of the Bears pushed Young to the dirt after the score; when Young threw the ball in the ground and in Gayle's face, a fight erupted.\n\nNFC Championship Game\n\nLooking to make a statement after being knocked out of the playoffs the previous two years by the Cowboys, the 49ers pounced on turnovers by the Cowboys on their first three possessions to start the game; San Francisco thus broke out to a 21–0 lead midway through the first quarter. It started with an interception by Eric Davis that was returned 44 yards for a touchdown on just the third play of the game; it was followed by a Michael Irvin fumble that set up a 29-yard screen pass by Steve Young to Ricky Watters for a touchdown, and then a fumble on the ensuing kickoff in which the 49ers converted with a one-yard touchdown run by William Floyd. The 49ers went into halftime up 31–14 after a 28-yard pass by Young to Jerry Rice. The Cowboys fought back in the 2nd half, but fell short and the 49ers won 38–28, advancing to their 5th Super Bowl. The Cowboys turned the ball over 5 times, which ended up being a major factor in the game. The 49ers also handed Troy Aikman his first ever loss as a starting quarterback in the post season. Young's victory came ironically with almost the same passer rating (84.7) he'd had in his 1992 championship loss to Dallas (84.6).\n\nSuper Bowl XXIX\n\nSteve Young set a Super Bowl record by throwing six touchdown passes in a game. The record had previously been held by his predecessor Joe Montana, who threw for a then-record five touchdowns in Super Bowl XXIV (ironically against one of San Diego's AFC West rivals).\n\n(*)The Chargers became the first team to have a successful two-point conversion in the Super Bowl. This was the first season in which the NFL allowed 2-point conversions (a rule in place in the American Football League in San Diego's first ten seasons), and the Chargers actually had two in the game.\n\nGame officials\n\nMedia\n\nPre season Local TV\n\nLocal Radio\n\n1995 AFC-NFC Pro Bowl\n\n Merton Hanks, FS, NFC Pro Bowlers\n Brent Jones, TE, NFC Pro Bowlers\n Tim McDonald, SS, NFC Pro Bowlers\n Bart Oates, C, NFC Pro Bowlers\n Jerry Rice, WR, NFC Pro Bowlers\n Deion Sanders, CB, NFC Pro Bowlers\n Jesse Sapolu, G, NFC Pro Bowlers\n Dana Stubblefield, DT, NFC Pro Bowlers\n Ricky Watters, RB, NFC Pro Bowlers\n Steve Young, QB, NFC Pro Bowlers\n\nAwards and honors\n Led NFL with 66 Touchdowns\n Led NFL with 505 points scored\n Jerry Rice, NFL leader, Receiving Yards (1,499)\n Jerry Rice, NFC Pro Bowl\n Deion Sanders, National Football League Defensive Player of the Year Award\n Deion Sanders, Newspaper Enterprise Association Defensive Player of the Year Award\n Deion Sanders, NFC Pro Bowl\n Bryant Young, Defensive End, UPI NFL-NFC Rookie of the Year\n Steve Young, led NFL, 35 Touchdown Passes\n Steve Young, NFL Passing Leader, 112.8 Passer Rating\n Steve Young, NFC Pro Bowl\n Steve Young, All-Pro selection\n Steve Young, Super Bowl XXIX MVP\n Steve Young, NFL MVP \n Steve Young, PFWA NFL MVP\n Steve Young, NEA NFL MVP\n Steve Young, UPI NFC Player of the Year\n Steve Young, Bert Bell Award\n\nMilestones\n Jerry Rice, 100 reception season (Rice finished the season with 112 receptions)\n Jerry Rice, 1,000-yard receiving season\n Jerry Rice surpasses Jim Brown's all time touchdown record of 126 in week one, scoring three touchdowns against the Los Angeles Raiders on Monday Night Football.\n\nReferences\n\nExternal links\n 49ers on Pro Football Reference\n\nSan Francisco 49ers seasons\nSan Francisco 49ers\nNFC West championship seasons\nNational Football Conference championship seasons\nSuper Bowl champion seasons\nSan\n1994 in San Francisco", "Super Bowl XXIX was an American football game between the American Football Conference (AFC) champion San Diego Chargers and the National Football Conference (NFC) champion San Francisco 49ers to decide the National Football League (NFL) champion for the 1994 season. The 49ers defeated the Chargers by the score of 49–26, becoming the first team to win five Super Bowl championships. The game was played on January 29, 1995 at Joe Robbie Stadium in Miami, Florida.\n\nThis game is regarded as 49ers quarterback Steve Young's final leap out of the shadow of his predecessor, Joe Montana, who had won four Super Bowls with the 49ers (in 1981, 1984, 1988, and 1989), two with Young as the backup quarterback. With Young at the helm, and a defense consisting of several veteran free agents who joined the team during the previous offseason, San Francisco finished the regular season with a league-best 13–3 record, and led the league in total points scored (505). The Chargers, on the other hand, were regarded as a \"Cinderella\" team, and advanced to their first Super Bowl after posting an 11–5 regular-season record and overcoming halftime deficits in both of their playoff wins.\n\nThis was the first Super Bowl in which both teams scored in all four quarters. The combined aggregate score of 75 points and the ten total touchdowns both remain Super Bowl records. Still, the 49ers controlled most of the game, with Young completing touchdown passes in each of the 49ers' first two drives. The Chargers were able to cut the deficit late in the first quarter, 14–7, on a 13-play, 78-yard drive, but could not slow down San Francisco afterwards. Young was named the Super Bowl MVP, throwing a Super Bowl-record six touchdown passes, and completing 24 out of 36 passes for 325 yards.\n\nDespite the predicted blowout (18½ points is the second largest margin a team has been favored by in a Super Bowl), the fact that San Diego did not have as much national appeal nor a relatively large core fan base, and two teams from California playing, which could have significantly diminished interest along the East Coast, the telecast of the game on ABC still had a Nielsen rating of 41.3.\n\nBackground\nNFL owners voted to award Super Bowl XXIX to Miami, Florida during a meeting on May 23, 1991. This was the seventh time that Miami hosted the game.\n\nSan Diego Chargers\n\nThe Chargers were the biggest surprise of the 1994 season, with very few expecting them to even reach the playoffs, let alone the Super Bowl.\n\nSan Diego suffered losing seasons in the 1980s until former Washington Redskins general manager Bobby Beathard joined the team in 1990. Beathard decided to rebuild the Chargers using the same model that he used to build the Redskins into Super Bowl contenders during the 1980s – a powerful running game built around big linemen, a passing game that helped sustain extremely long drives, and a bending but steady defense. After former Georgia Tech head coach Bobby Ross was hired by the Chargers in 1992, the team won the AFC West with an 11–5 regular season record and won an opening round playoff game against Kansas City. But in 1993, they slumped back to 8–8 and did not reach the postseason.\n\nBefore the start of the 1994 season, San Diego was not expected to do well because they had so many newcomers via the draft and free agency; the Chargers ended up with 22 new players on their roster, and 10 of them became starters. However, they ended up winning their first six regular season games en route to an 11–5 record, the AFC West championship, and the #2 AFC playoff seed. The Chargers went into the final game of the season against the Pittsburgh Steelers needing a win to get the #2 seed (a loss would have given that spot to the Miami Dolphins), which came with a first-round bye and a home game in the divisional round of the playoffs. Backup quarterback Gale Gilbert, subbing for injured starter Stan Humphries, led the Chargers to a come-from-behind 37–34 win, with John Carney kicking a game-winning field goal in the game's final seconds.\n\nThe Chargers' offense was led by quarterback Stan Humphries, who was the Redskins' backup to Mark Rypien during the 1991 season, when they won Super Bowl XXVI. During the 1994 season for San Diego, Humphries completed 264 out of 453 attempts for 3,209 yards and 17 touchdowns, with 12 interceptions. Wide receiver Mark Seay was the team's leading receiver with 58 receptions for 645 yards and 6 touchdowns. Wide receiver Tony Martin had 50 catches for 885 yards and 7 touchdowns, wide receiver Shawn Jefferson recorded 43 catches for 627 yards and 3 touchdowns, and tight end Alfred Pupunu had 21 receptions for 214 yards and 2 touchdowns.\n\nRunning back Natrone Means led the team in rushing with 1,350 yards and 12 touchdowns. He also recorded 39 receptions for 235 yards, and was named to the Pro Bowl. Third-down back Ronnie Harmon was also a big contributor, catching 58 passes for 615 yards and a touchdown. Meanwhile, the Chargers' special teams was also a major threat with Andre Coleman, who returned 49 kickoffs for 1,293 yards (26.4 average yards per return) and 2 touchdowns.\n\nThe Chargers had an excellent defensive line, anchored by Pro Bowl defensive end Leslie O'Neal, who led the team with 12.5 sacks and forced four fumbles, defensive tackle Chris Mims, who recorded 11 sacks, and Shawn Lee, who added 6.5 sacks and a fumble recovery. Their linebacking corps was led by Junior Seau, who was a Pro Bowl selection for the fourth consecutive year, recording 123 tackles, 5.5 sacks, and 3 fumble recoveries. Defensive back Stanley Richard was a major weapon in the secondary, recording 4 interceptions, 224 return yards, and 2 touchdowns. Defensive back Darrien Gordon was also a major asset to the team, recording 4 interceptions and 32 return yards, while also adding another 475 yards and 2 touchdowns returning punts. Safety Rodney Harrison was a rookie on the team.\n\nChargers backup quarterback Gale Gilbert became the first player to be a member of five consecutive Super Bowl teams. He had been a third-string quarterback for the Buffalo Bills, who had won AFC Championships in the four previous seasons (1990–1993).\n\nSan Francisco 49ers\n\nFrom the 1988 to the 1993 seasons, the 49ers played in five out of six NFC Championship Games, winning Super Bowls XXIII and XXIV. But after head coach George Seifert's team lost two consecutive NFC Championship games to the Dallas Cowboys in 1992 and 1993, San Francisco brought in several veteran free agents to strengthen their defense. Among the players signed were defensive linemen Richard Dent (the MVP of Super Bowl XX), Charles Mann, Rhett Hall, and Rickey Jackson; linebackers Ken Norton Jr. and Gary Plummer; and cornerback Deion Sanders.\n\nThe free agents enabled the 49ers to jump from the 18th-ranked defense in the league to the 8th, and to jump from the league's 16th-best defense against the run to the 2nd. Pro Bowl defensive lineman Dana Stubblefield led the team with 8.5 sacks. Rookie defensive tackle Bryant Young was also a big threat to opposing quarterbacks and rushers, recording 42 tackles, 6 sacks, and a fumble recovery. Behind them, Norton played very effectively at the middle linebacker position, leading the team with 77 tackles and recording an interception. Pro Bowl safety Merton Hanks led the team with 7 interceptions for 93 return yards, while Sanders had 6 interceptions for 303 return yards and 3 touchdowns, earning him the NFL Defensive Player of the Year Award. His 303 return yards was the third-highest total in NFL history, while his touchdown returns of 74, 93, and 90 yards made him the first player ever to have two 90-yard interception returns in one season. Pro Bowl safety Tim McDonald was also a big contributor, recording 2 interceptions for 79 yards and a touchdown.\n\nThe 49ers' offense was led by quarterback Steve Young, who replaced future Hall of Famer Joe Montana as the starter in 1991 and 1992 due to injuries. After Young led the league in passing in both seasons, Montana was traded to the Kansas City Chiefs, leaving Young as the undisputed starter in 1993. But even with his impressive passing statistics, Young was criticized as \"not being able to win the big games\" as Montana had done in leading the 49ers to Super Bowl victories in XVI, XIX, XXIII, and XXIV. It also didn't help that the team had lost to Montana's Chiefs 24–17 during the regular season.\n\nStill, Young again led the league in passing during the 1994 regular season with a passer rating of 112.8, breaking Montana's record for the highest regular season rating in NFL history. Young recorded 324 out of 461 completions for 3,969 yards, 35 touchdowns, and just 10 interceptions. He also had 58 rushes for 293 yards and 7 touchdowns, and earned the NFL Most Valuable Player Award.\n\nWith Young at the helm, the 49ers led the league in total points scored (505) and helped them earn a league best 13–3 regular season record. Pro Bowl running back Ricky Watters was the team's leading rusher with 877 yards and 6 touchdowns, while also recording 66 receptions for 719 yards and 5 touchdowns. Rookie fullback William Floyd was the team's second-leading rusher with 305 yards and 6 touchdowns, while also having 19 receptions for 145 yards. The team's leading receiver was Pro Bowl wide receiver Jerry Rice, who had 112 catches for 1,499 yards and 13 touchdowns, while also gaining 93 yards and two more touchdowns rushing the ball. Receiver John Taylor was also a reliable target, catching 41 passes for 531 yards and 5 touchdowns. Pro Bowl tight end Brent Jones added 49 receptions for 670 yards and 9 touchdowns. The offensive line was led by Pro Bowl center Bart Oates, another offseason free agent pickup, and Pro Bowl guard Jesse Sapolu.\n\nRunning back Dexter Carter had a standout season as a returner on special teams, gaining a combined total of 1,426 yards and a touchdown returning both punts and kickoffs.\n\nPlayoffs\n\nChargers\nIn the AFC Divisional Playoffs, the Chargers managed to overcome a 21–6 halftime deficit to defeat the Miami Dolphins, 22–21. In the first half, San Diego was limited to only two John Carney field goals, while Miami quarterback Dan Marino threw for over 180 yards and 3 touchdowns. However, the Chargers dominated the Dolphins in the second half, limiting their offense to just 16 plays. In the third quarter, after the Chargers were stopped on fourth and goal at the 1-yard line, Chargers defensive lineman Reuben Davis tackled Dolphins running back Bernie Parmalee in the end zone for a safety. San Diego then took the ensuing free kick and marched 54 yards to score on Means's 24-yard touchdown run. Then with time running out, Humphries threw an 8-yard touchdown pass to wide receiver Mark Seay, giving his team a one-point lead. The Dolphins, aided by a pass interference call, responded with a drive to the Chargers' 31-yard line, but kicker Pete Stoyanovich's potential game-winning 48-yard field goal attempt sailed far to the right of the goal posts and sealed San Diego's stirring win.\n\nSan Diego then faced the Pittsburgh Steelers in the AFC Championship Game. Once again, the Chargers fell behind early as the Steelers built up a 13–3 halftime lead, but Humphries fooled the Steelers secondary with a 43-yard play-action touchdown pass to a wide open tight end Alfred Pupunu. The Chargers then took a 17–13 lead when Martin beat the Steelers secondary (particularly a badly overmatched Tim McKyer) down the right sideline for a 43-yard touchdown reception. On their final drive, the Steelers advanced to the San Diego 3-yard line, but Chargers linebacker Dennis Gibson sealed the victory on fourth down by deflecting quarterback Neil O'Donnell's pass intended for running back Barry Foster to turn the ball back over to San Diego. Just like the 49ers in the NFC title game, the Chargers advanced to the Super Bowl despite the fact that their opponent had outgained them in many key statistical categories such as total plays (80–47), total offensive yards (415–226), and time of possession (37:13–22:47).\n\n49ers\nThe 49ers first defeated the Chicago Bears, 44–15, in the NFC Divisional Playoffs. Although Chicago scored first with a field goal, San Francisco scored 37 unanswered points to put the game out of reach by the end of the third quarter. Floyd scored three rushing touchdowns, while Young rushed for a touchdown and threw for another.\n\nSan Francisco then defeated their nemesis, the Dallas Cowboys, 38–28, in the NFC Championship Game. Expected to be a close game, the 49ers converted 3 Dallas turnovers into 21 points in the first quarter. On the third play of the game, cornerback Eric Davis returned an interception from Cowboys quarterback Troy Aikman for a touchdown. Wide receiver Michael Irvin lost a fumble on Dallas' next drive, setting up Young's 29-yard touchdown pass to Watters. Then Cowboys returner Kevin Williams lost a fumble on the ensuing kickoff, and it was recovered by kicker Doug Brien at Dallas' 35-yard line. Several plays later, Floyd scored on a 1-yard touchdown run to give San Francisco a 21–0 lead less than 8 minutes into the game. With the score 24–14 in the closing minutes of the first half, Aikman threw 3 straight incompletions, and a short punt by the Cowboys set up Young's 28-yard touchdown completion to Rice with 8 seconds remaining in the first half. The Cowboys eventually cut their deficit to 38–28 with a touchdown run by Emmitt Smith and Aikman's 10-yard touchdown pass to Irvin in the final period, but they were unable to score again. Although the Cowboys outgained the 49ers in total offensive yards (451–294), Aikman broke an NFC Championship Game record with 380 yards passing, and Irvin also broke an NFC Championship Game record with 192 receiving yards, Dallas was ultimately unable to overcome their first-quarter turnovers.\n\nSuper Bowl pregame news\nEntering Super Bowl XXIX, most sports writers and fans thought the Chargers had absolutely no chance of defeating the 49ers. San Francisco was on track, winning 12 of its last 13 games (with their only loss in that span coming against the Minnesota Vikings in a meaningless regular season finale at Minnesota), including their playoff victories. Many people also thought that the NFC Championship Game between the 49ers and the Cowboys was \"the real Super Bowl\", because those two teams were commonly viewed as vastly superior to any AFC team. Furthermore, San Francisco defeated San Diego, 38–15, during the regular season. As a result, the 49ers entered the game favored to win by points, surpassed only by the 19½ points spread by Baltimore Colts that were favored over the New York Jets in Super Bowl III more than two decades prior.\n\nMany also speculated that Super Bowl XXIX would be the least watched game in Super Bowl history. In addition, the Chargers did not have as large of a core fan base when compared to the Chiefs, the Dolphins, or the Steelers. (This prediction ultimately turned out to be false. Although Super Bowl XXIX was viewed by 125.2 million people and had a Nielsen rating of 41.3, Super Bowl XXVI three years earlier was seen by 119.7 million viewers and recorded a 40.3 rating.)\n\nThis was the seventh Super Bowl to be played in Miami, at the time tying both New Orleans, Louisiana and the Greater Los Angeles area for hosting the Super Bowl the most times. It remains the only Super Bowl played between teams that play their home games in the same state (although Super Bowl XXV was played between the New York Giants and the Buffalo Bills, two teams representing areas of New York, the Giants play their home games in New Jersey).\n\nBroadcasting\nThe game was broadcast in the United States by ABC, with play-by-play announcer Al Michaels and color commentators Frank Gifford and Dan Dierdorf. Lynn Swann (Chargers sideline) and Lesley Visser (49ers sideline) served as sideline reporters. During that Super Bowl, Visser became the first woman assigned to a Super Bowl sideline. Visser had previously become the first woman sportscaster to cover the Vince Lombardi Trophy presentation ceremony, when she covered Super Bowl XXVI for CBS. Brent Musburger hosted all the Super Bowl XXIX pregame (2 hours), halftime, and postgame events with the help of then-ABC Sports analyst Dick Vermeil, Musburger's regular color commentator on ABC's college football telecasts, and then-New York Jets quarterback Boomer Esiason. This would be the final Super Bowl hosted by Musburger, as all subsequent Super Bowls on ABC were hosted by ESPN's Chris Berman following the Disney purchase of ABC (which included ESPN), and the subsequent integration of ESPN and ABC Sports (now ESPN on ABC). Also, the trophy presentation for this game was the last to be held in the winning team's locker room, as all subsequent Vince Lombardi Trophy presentations would be held on the field.\n\nThis was the last Super Bowl broadcast by the Monday Night Football broadcast team of Michaels, Gifford and Dierdorf. This was the broadcast team for Monday Night Football from 1987 to 1997. They also worked ABC's coverage of Super Bowls XXII and XXV. This would also be the last Super Bowl aired on ABC until the 1999 season (when Al Michaels called the game with Boomer Esiason).\n\nOn the Tuesday prior to the Super Bowl, the ABC sitcom Full House aired an episode called \"Super Bowl Fun Day\" involving two main characters actually at the game. (Full House was set in San Francisco, and this was the only time during the show's run that the 49ers advanced to a Super Bowl aired on ABC.) A week earlier, the Seinfeld episode \"The Label Maker\" involved Jerry trying to give away his tickets to the game. He eventually decided to go, but unfortunately was stuck sitting next to Newman. Two days after the Super Bowl, the game was the main plot feature of an episode of the ABC sitcom Home Improvement, \"Super Bowl Fever\", in which Jill was sick with the flu while Tim and his buddies tried to watch the game.\n\nThirty-second television advertisements for Super Bowl XXIX averaged $1.15 million in costs, the first time that Super Bowl ads exceeded the $1 million mark.\n\nThis Super Bowl aired in over 150 countries worldwide. It was simulcast in Canada on CTV and TVA (in French), in Mexico on Televisa's Canal 5, in Germany on Tele 5, in Australia on the ABC, in the Philippines on the GMA Network and later aired in the United Kingdom on Channel 4.\n\nFollowing the game ABC premiered the television drama Extreme starring James Brolin; this was the last series to premiere following the Super Bowl until Family Guy premiered following Super Bowl XXXIII and is one of only four in the last 14 years to premiere following a Super Bowl (joining Family Guy, its spinoff American Dad!, and Undercover Boss which premiered following Super Bowl XLIV), since the networks have preferred to have new episodes of established shows to catch as much of the post-game audience as possible.\n\nThis Super Bowl would later be featured on NFL's Greatest Games under the title Exercise in Excellence. The Super Bowl highlight film on which the episode was based was the only Super Bowl highlight film to be narrated by Harry Kalas.\n\nEntertainment\n\nPregame ceremonies\nThe pregame show held before the game featured country music singer Hank Williams Jr., who performed his theme song for Monday Night Football, which was based on his single \"All My Rowdy Friends Are Coming Over Tonight\".\n\nActress and singer Kathie Lee Gifford (Frank Gifford's wife) later sang the national anthem. She was accompanied by then-Miss America Heather Whitestone who signed the anthem for the hearing impaired.\n\nTo honor the NFL's 75th season, four former players all Hall of Fame members, who were named to the league's 75th Anniversary All-Time Team joined the coin toss ceremony: Otto Graham, Joe Greene, Ray Nitschke, and Gale Sayers.\n\nA special 75th anniversary logo was painted at midfield. Each player also wore a patch on his jersey with the same logo; the 75th anniversary patch was worn by all players league-wide during the 1994 season. During the regular season, teams also wore \"throwback\" jerseys for selected games. The 49ers wore their throwbacks (which paid tribute to the 1957 Niners) for most of the season, this game included.\n\nHalftime show\nThe halftime show was titled \"Indiana Jones and the Temple of the Forbidden Eye\" and was produced by Disney to promote their Indiana Jones Adventure attraction at Disneyland that opened later that year. The show featured actors playing Indiana Jones and his girlfriend Marion Ravenwood who were raiding the Vince Lombardi Trophy from the Temple of the Forbidden Eye. The show also had performances by singers Tony Bennett and Patti LaBelle, jazz trumpeter Arturo Sandoval, and the Miami Sound Machine. The show ended with everybody singing \"Can You Feel The Love Tonight\", the song featured in Disney's (which later acquired ABC) 1994 film The Lion King. The dancers on the field were members of the Coral Gables Senior High marching band.\n\nThis halftime show also had a connection with past ABC programming: the first two Indiana Jones films had their broadcast premieres on ABC, and the network aired a TV series, The Young Indiana Jones Chronicles, from 1992 to 1993 (actually serving as the lead-in to Monday Night Football at one point).\n\nRadio\nThe game was broadcast on nationwide radio by CBS with play-by-play announcer Jack Buck and color commentator Hank Stram. Jim Hunter hosted all of the events. Locally, Super Bowl XXIX was broadcast by XTRA-AM in San Diego with Lee \"Hacksaw\" Hamilton and Jim Laslavic and by KGO-AM in San Francisco with Joe Starkey and Wayne Walker.\n\nGame summary\n\nFirst quarter\nOn the opening kickoff, a 15-yard face-mask penalty on Chargers linebacker Doug Miller gave San Francisco the ball at their own 41-yard line. Then on the third play of the drive, 49ers quarterback Steve Young threw a 44-yard touchdown pass to Jerry Rice. The 49ers became the second team to take the opening kickoff and score a touchdown on that first drive (the first being the Miami Dolphins in Super Bowl VIII), and also set a new Super Bowl record for the fastest touchdown (later broken by the Chicago Bears' Devin Hester in Super Bowl XLI). After forcing the Chargers to punt, the 49ers advanced 79 yards in four plays, with Young rushing for 21 yards and then throwing a 51-yard touchdown pass to running back Ricky Watters to give San Francisco a 14–0 lead less than 5 minutes into the 1st quarter, and set a Super Bowl record for the fastest second touchdown scored by a team.\n\nThe Chargers responded on their ensuing possession, marching 78 yards in 13 plays and taking more than 7 minutes off the clock. Running back Natrone Means finished the drive with a 1-yard touchdown run to cut San Diego's deficit to 14–7. However, the 49ers quickly countered after the ensuing kickoff, driving 70 yards in 10 plays. Rice started off the drive with a 19-yard reception and 10-yard run on a reverse play, while Young added a 12-yard completion to John Taylor and a 15-yard scramble.\n\nSecond quarter\nYoung eventually finished the drive with his third touchdown pass, this one from five yards out to fullback William Floyd five plays into the 2nd quarter.\n\nLater in the quarter, Chargers punter Bryan Wagner's 40-yard punt from his own 9-yard line gave the 49ers the ball at the San Diego 49. San Francisco then marched on a 9-play drive to score on Young's fourth touchdown pass, an 8-yard toss to Watters with 4:44 left in the half, making the score 28–7. The Chargers then took the ensuing kickoff and drove 62 yards from their own 25-yard line to the San Francisco 13, featuring a 33-yard gain on a screen pass from Stan Humphries to Eric Bieniemy, San Diego's longest play of the game. But after three incomplete passes, one of which was a perfectly thrown Humphries pass that Mark Seay dropped in the end zone, they were forced to settle for kicker John Carney's 31-yard field goal, cutting their deficit to 28–10.\n\nA 33-yard completion from Young to tight end Brent Jones helped the 49ers reach the San Diego 29-yard line on their next possession, but Young's third-down pass to Jones was overthrown, and rookie kicker Doug Brien missed a 47-yard field goal attempt. The Chargers then drove to their own 46-yard line, but 49ers defensive back Eric Davis intercepted Humphries' third-down pass in the end zone with 10 seconds left in the half, and the score remained 28–10 at halftime. The Chargers' 18-point halftime deficit ended up being the closest scoring margin they would reach for the rest of the game.\n\nThird quarter\nLeading 28–10 in the 3rd quarter, the 49ers added 14 more points. The Chargers were forced to punt after three plays on the opening drive of the second half, and Dexter Carter returned the ball 11 yards to his own 38-yard line. Young subsequently completed three consecutive passes for 53 yards on a 7-play, 62-yard drive that ended with Watters' third touchdown on a 9-yard run. After a 33-yard kickoff return by Andre Coleman, the Chargers advanced to the San Francisco 33-yard line, but they turned the ball over on downs when Humphries' fourth-down pass was broken up by Davis. After the turnover, Young led his team on a 10-play, 67-yard drive, aided by a 22-yard pass interference penalty against Darrien Gordon on third and 14, to score on his fifth touchdown pass, a 15-yard completion to Rice. The Chargers' only highlight of the 3rd quarter was when Coleman returned the ensuing kickoff 98 yards for a touchdown. Then, wide receiver Mark Seay caught a pass for a successful two-point conversion (the first in Super Bowl history; the rule had been adopted by the NFL at the start of the season), but it only cut the deficit to 42–18.\n\nThe 49ers were forced to punt on their next drive, but San Diego ended up turning the ball over on downs when Means was tackled for a 4-yard loss on a fourth down and 1 from their own 37-yard line.\n\nFourth quarter\nSix plays later, Young threw his record-setting sixth touchdown pass to Rice with 13:49 remaining in the game to make the score 49–18. The Chargers responded with a 13-play, 59-yard drive to get to the San Francisco 7-yard line, but 49ers defensive back Deion Sanders intercepted backup quarterback Gale Gilbert's fourth-down pass in the end zone. After two San Francisco punts and another interception (defensive back Toi Cook picked off a pass from Humphries on the 49ers 28), the Chargers scored the final points of the game with a 30-yard touchdown pass from Humphries to wide receiver Tony Martin and another two-point conversion to make the score 49–26. San Francisco recovered the ensuing onside kick and ran time off the clock before punting to the San Diego 7. San Diego drove to the San Francisco 35 before time ran out, and the game ended in a 49ers victory.\n\nAt the end of the game, Young showed his jubilation at finally being able to win \"the big one\" while accepting the MVP trophy. \"There were times when this was hard! But this is the greatest feeling in the world! No one — no one! — can ever take this away from us! No one, ever! It's ours!\" Young and his teammates were equally enthusiastic in the locker room afterwards. \"We're part of history,\" said guard Jesse Sapolu. \"This is probably the best offense people will see in their lifetimes.\" \"Is this great or what?\" Young added. \"I mean, I haven't thrown six touchdown passes in a game in my life. Then I throw six in the Super Bowl! Unbelievable.\"\n\nRice caught 10 passes for 149 yards and 3 touchdowns, tying his own record for most touchdown receptions in a Super Bowl, and becoming the first player ever to do it twice. He also recorded 10 rushing yards. Watters rushed for 47 yards and a touchdown, while also catching 3 passes for 61 yards and two touchdowns. Means, who rushed for 1,350 yards in the regular season, was held to just 33 yards in the game. Humphries finished 24 out of 49 for 275 yards and one touchdown, with two interceptions. Seay was the Chargers' top receiver with 7 receptions for 75 yards, while Ronnie Harmon added 8 catches for 68 yards. Defensive end Raylee Johnson had two sacks. Coleman's 8 kickoff returns for 244 yards and a touchdown set the following Super Bowl records: most kickoff returns in a Super Bowl, most kickoff return yards in a Super Bowl, and most combined net yards gained in a Super Bowl.\n\nThis was the first Super Bowl to have two players each score three touchdowns. Rice matched his Super Bowl XXIV performance with his three touchdown catches. Watters also had three touchdowns, matching Roger Craig's three touchdowns (two receiving and one rushing) in Super Bowl XIX. Watters also became the second running back to catch two touchdown passes in a game, matching Craig.\n\nKen Norton Jr. became the first player to win three straight Super Bowls, although as a member of two teams. Norton was a member of the Cowboys teams who won Super Bowls XXVII and XXVIII. Deion Sanders became the first player to play in both a Super Bowl and a World Series, playing in the 1992 World Series with the Atlanta Braves.\n\nChargers quarterback Gale Gilbert became the first player to be a member of five straight Super Bowl teams. Gilbert was a member of the Bills who played in four straight Super Bowls (XXV–XXVIII). Gilbert was on the losing team in all five Super Bowl games.\n\nThe 49ers' spectacular performance led to their offensive coordinator, Mike Shanahan, and defensive coordinator, Ray Rhodes, earning head coaching positions in 1995 for the Denver Broncos and the Philadelphia Eagles, respectively. Bobby Ross became the second coach, after Jimmy Johnson in Super Bowl XXVII, to lead a team to a college football national championship (Georgia Tech in 1990) and a Super Bowl. One year later, Barry Switzer would join Johnson as the only head coaches to win championships in both NCAA Division I-A (now FBS) college football and the NFL.\n\nBox score\n\nFinal statistics\nSources: NFL.com Super Bowl XXIX, Super Bowl XXIX Play Finder SF, Super Bowl XXIX Play Finder SD, USA Today Super Bowl XXIX Play by Play\n\nStatistical comparison\n\nIndividual statistics\n\n1Completions/attempts\n2Carries\n3Longest gain\n4Receptions\n5Times targeted\n\nRecords Set\nThe following records were set in Super Bowl XXIX, according to the official NFL.com boxscore and the Pro-Football-Reference.com game summary. Some records have to meet NFL minimum number of attempts to be recognized. The minimums are shown (in parenthesis).\n\n † This category includes rushing, receiving, interception returns, punt returns, kickoff returns, and fumble returns.\n\nTurnovers are defined as the number of times losing the ball on interceptions and fumbles.\n\nStarting lineups\nSource:\n\nOfficials\n Referee: Jerry Markbreit #9 fourth Super Bowl (XVII, XXI, XXVI)\n Umpire: Ron Botchan #110 third Super Bowl (XX, XXVII)\n Head Linesman: Ron Phares #10 second Super Bowl (XVII)\n Line Judge: Ron Baynes #56 first Super Bowl\n Back Judge: Tim Millis #80 first Super Bowl\n Side Judge: Tom Fincken #47 first Super Bowl\n Field Judge: Jack Vaughan #93 third Super Bowl (XX, XXV)\n Alternate Referee: Gerald Austin #34 (side judge for XXIV; later referee for XXXI and XXXV)\n Alternate Umpire: Rex Stuart #103\n\nJerry Markbreit became the first official to serve as referee in four Super Bowls, a record that still stands.\n\nAftermath\nAs of the 2020 season, this is the only Super Bowl played between teams based in the same state.\n\nAs for the Chargers, the implications of their defeat were worse in hindsight. This remains the only Super Bowl the Chargers have ever played in. Including the pre AFL-NFL merger, it is the 3rd championship game that the Chargers have lost. The AFL Championship in 1963 remains to this day as the only major sports championship the city of San Diego has won (and also the longest championship drought for any city that has at least two major sports franchises), so even though they were heavy underdogs, the loss still had a great significance. The Chargers would also not win another playoff game since then until the 2007 season, when they reached the AFC Championship, but lost to the then 18-0 New England Patriots, 21–12. Super Bowl XXIX would be their only appearance while playing in San Diego, before they moved to Los Angeles following the 2016 season.\n\nNotable deaths from 1994 Chargers team\nIn addition, eight players from the 1994 Chargers Super Bowl team have died prior to reaching age 45. They include:\n\n David Griggs: died in a traffic collision in 1995 at age 28\n Rodney Culver: died in the crash of ValuJet Flight 592 in 1996 at age 26\n Doug Miller: killed by lightning strikes in 1998 at age 28\n Chris Mims: died of heart attack in 2008 at age 38\n Curtis Whitley: died from a drug overdose in 2008 at age 39\n Lewis Bush: died from cardiac arrest in 2011 at age 42\n Shawn Lee: died in 2011 from cardiac arrest at age 44\n Junior Seau: committed suicide with a firearm in 2012 at age 43\n\nNotes\n\nReferences\n\nSuper Bowl 029\nSan Francisco 49ers postseason\nSan Diego Chargers postseason\n1994 National Football League season\n1995 in American football\n1995 in sports in Florida\n1990s in Miami\n1995 in American television\n1995 in American sports\nJanuary 1995 sports events in the United States\nSports competitions in Miami" ]
[ "Jon Steven Young (born October 11, 1961) is an American former professional football quarterback who played in the National Football League (NFL) for 15 seasons, primarily with the San Francisco 49ers. He also played for the Tampa Bay Buccaneers. Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons.", "Prior to his NFL career, he was a member of the Los Angeles Express in the United States Football League (USFL) for two seasons. Young played college football for Brigham Young University (BYU), setting school and NCAA records en route to being runner-up for the 1983 Heisman Trophy. Young was named the AP's NFL Most Valuable Player in 1992 and 1994, and was the MVP of Super Bowl XXIX. During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8.", "During his 1994 MVP campaign, he set a new NFL record for passer rating at 112.8. He is a member of the College Football Hall of Fame and the Pro Football Hall of Fame. Young was an extremely efficient passer – leading the league in passer rating a record six times, and completion percentage and yards per attempt five times. At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8).", "At the time of his retirement, he had the highest passer rating among NFL quarterbacks with at least 1,500 passing attempts (96.8). As of the end of the 2020 season, he is ranked tenth all-time in passer rating, and is ranked fourth highest amongst retired players, behind only Drew Brees, Tom Brady, and Tony Romo. His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time.", "His 43 career rushing touchdowns are second among quarterbacks, while his 4,239 rushing yards ranks fifth all time. Early years Born in Salt Lake City, Utah, Young attended Greenwich High School in Greenwich, Connecticut, where he played quarterback on its Cardinals football team. He earned 1978 All-FCIAC West Division First Team honors in his junior year, his first year as a starter. In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team.", "In his senior year he rushed for 13 touchdowns and earned All-FCIAC West Division First Team honors, and was named to the CIAC All-State team. In the rush-first option offense run by Greenwich he completed only 41 percent of his throws for 1,220 yards, but ran the ball 267 times for 1,928 yards. On Thanksgiving Day in November 1979, Greenwich lost to Darien High School, known for its \"Tidal Wave Defense\", 17–0. During his senior year, he was co-captain of the football, basketball and baseball teams.", "During his senior year, he was co-captain of the football, basketball and baseball teams. In basketball, he averaged 15 points a game. In baseball, he hit .384 and played center field when he wasn't pitching. He was 5–1 and threw a 3–0 no-hitter against New Canaan High School. College football Young was heavily recruited by the University of North Carolina. Coach Dick Crum was enamored by Young's running ability, and wanted him to run his option offense. Young instead chose BYU.", "Young instead chose BYU. Young instead chose BYU. Initially, he struggled at throwing the ball, and BYU's coaching staff considered switching him to defensive back because of his athleticism. However, he worked hard to improve his passing skills and eventually succeeded record-setting Jim McMahon as BYU's starting QB. Young's senior season (1983) was spectacular. He passed for 3,902 yards and 33 touchdowns in the regular season, and his 71.3% completion percentage set an NCAA single-season record. He also added 544 yards rushing.", "He also added 544 yards rushing. He also added 544 yards rushing. With Young at quarterback, BYU set an NCAA record by averaging 584.2 yards of total offense per game, with 370.5 of those yards coming from Young's passing and rushing. The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year.", "The Cougars finished the year with an impressive 11–1 record; Young was named a unanimous All-American and received the Davey O'Brien National Quarterback Award, which recognizes the nation's best collegiate quarterback each year. He also finished second in voting for the Heisman Trophy, behind Nebraska running back Mike Rozier. Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl.", "Young capped his college career by scoring the game-winning touchdown on a pass from the halfback in BYU's 21–17 victory over Missouri in the 1983 Holiday Bowl. Young finished his college career with 592 pass completions for 7,733 yards and 56 touchdowns, along with 1,048 yards and 18 touchdowns rushing. He was enshrined in the College Football Hall of Fame in 2001. Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft.", "Professional football USFL Los Angeles Express Young was selected by the Los Angeles Express in the first round (11th overall) of the 1984 USFL Draft. He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team.", "He signed a record ten-year, $40 million contract with the Express in He agreed to take his payment in the form of an annuity paid out over forty years to help the fledgling team. It was taken for granted that Young would be the first pick in the 1984 NFL Draft, and that he would be selected by the Cincinnati Bengals, who were three years removed from the Super Bowl and had landed the No. 1 pick in a trade with the then-moribund Tampa Bay Buccaneers.", "1 pick in a trade with the then-moribund Tampa Bay Buccaneers. However, the Bengals still had Ken Anderson as their quarterback and planned to have Young sit behind Anderson for the 1984 season before possibly taking over in 1985. Young found that prospect unappealing, which opened the door for the Express. Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL.", "Express general manager Don Klosterman told Young that if he signed with the Express, his head coach would be John Hadl, a former All-Pro quarterback who had shepherded John Elway through his first year in the NFL. Klosterman also told Young that Hall of Fame coach Sid Gillman, who had been hired as a consultant, would tutor him on how to be a pro quarterback. Young was convinced, and signed with the Express.", "Young was convinced, and signed with the Express. Young was convinced, and signed with the Express. At the time, it was another huge signing by the fledgling league, which had already succeeded in signing both the reigning Heisman Trophy winner, running back Mike Rozier of Nebraska; and the previous winner, Georgia running back Herschel Walker. After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve.", "After missing the first six games of his rookie season while taking some college classes in order to graduate on time, Young started the final twelve. He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game.", "He had a respectable year, highlighted by becoming the first pro football player ever to pass for 300 yards and rush for 100 in a single game. Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles.", "Despite being surrounded with talent which included such future NFL players as Jojo Townsell, Mel Gray, and Kevin Nelson, and making the playoffs in Young's first season, the Express was never able to create a sustaining fan base in Los Angeles. Late in the season, The New York Times published an investigation of owner J. William Oldenburg's finances that suggested Oldenburg was not as well off as he claimed. The FBI had been investigating Oldenburg since the middle of the season.", "The FBI had been investigating Oldenburg since the middle of the season. A week after the Times article, Oldenburg stopped paying the Express' bills, forcing the league to draw on the team's emergency line of credit to keep it going through the playoffs. Houston Gamblers minority partner Jay Roulier stepped in to buy the team, only to be pushed out when it emerged that he too had misrepresented his net worth. The league took control of the team and cut expenditures to the bare minimum.", "The league took control of the team and cut expenditures to the bare minimum. The other teams made contributions to keep the Express going through the season – enough to meet payroll, but not much else. Under the circumstances, the 1985 season rapidly became a fiasco. Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash.", "Before one game, the team bus driver refused to drive the Express to their final home game – which had been moved to Los Angeles Pierce College in the San Fernando Valley – unless he was paid up front in cash. Young contributed some money, as did the team trainer, and the driver took them to the game. In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs.", "In the season finale at Orlando, Young had to line up at tailback because a rash of injuries had left the Express without any healthy running backs. The owners had refused to allocate any money to allow the Express to replace injured players. It was reported that Young had insured the contract and would still be paid until 2027. However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity.", "However, a 1985 Los Angeles Times article stated that he received a $1.4 million settlement on the annuity. The league ceased operations in 1986 after losing most of its claims in an antitrust suit against the NFL, with its top talent absorbed by the NFL in a dispersal draft conducted in the aftermath. NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express.", "NFL Tampa Bay Buccaneers Young grew increasingly dissatisfied with the disarray surrounding the Express. Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL.", "Just a week before what proved to be the last USFL title game, Young gave the USFL an ultimatum – find a new owner for the Express, or allow him to buy out his contract and go to the NFL. Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier.", "Soon after the league decided to suspend the Express's operations for the 1986 season, Young bought out his Express contract and signed with the Tampa Bay Buccaneers, who had made him the first pick in a supplemental draft of USFL and CFL players a year earlier. By this time, the Bucs were in the midst of what would be 12 consecutive 10-loss seasons. They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter.", "They posted identical 2–14 records in Young's two seasons with them, going 3–16 with him as a starter. Young threw for only 11 touchdowns with 21 interceptions while completing fewer than 55% of his passes. San Francisco 49ers The Buccaneers selected University of Miami quarterback Vinny Testaverde first overall in the 1987 NFL Draft because Young was deemed a bust. Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana.", "Young was traded to the San Francisco 49ers on April 24, 1987 to serve as a backup to Joe Montana. 49ers coach Bill Walsh was impressed by Young's natural abilities, and believed his lackluster numbers were primarily due to the lack of talent around him in Tampa Bay. The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively.", "The Buccaneers received second and fourth round draft picks in the trade, which they used to draft Miami linebacker Winston Moss, and Arizona State wide receiver Bruce Hill, respectively. Montana's backup: 1987–1990 Young played behind Montana for four years, but shone as a backup. Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory.", "Substituting for an injured Montana, early in the first quarter of a 1987 game against the Chicago Bears, he threw four touchdown passes in a 41–0 victory. In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10.", "In their 1987 divisional playoff game against the Minnesota Vikings, he replaced Montana in the second half after the team fell behind 27–10. The 49ers still lost the game, but Young had a good performance, completing 12 of 17 pass attempts for 158 yards and a touchdown, with one interception, while also leading San Francisco in rushing with 72 yards and a touchdown on six carries. On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings.", "On October 30, 1988, Young ran for a 49-yard, game-winning touchdown against the Vikings. He started the game out with a 73-yard touchdown pass to John Taylor, after Montana went down with an injury. The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss.", "The play earned the 49ers a 24–21 victory and a bit of revenge on the Vikings for their previous season's playoff loss. The win turned out to be crucial, as without it the 49ers would have finished the season 9–7 and missed the playoffs, as two other teams in their division, the Los Angeles Rams and New Orleans Saints, had 10–6 records. Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl.", "Instead, the 49ers won their division, earned the #2 playoff seed, and went on to win the Super Bowl. In 1989, he displayed potential to become the team's starter in the future. While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions.", "While Montana won the NFL MVP award and led the team to victory in Super Bowl XXIV, Young still had a good season, completing 69% of his passes for 1,001 yards and eight touchdowns, with only three interceptions. On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots.", "On October 22, 1989, he posted a perfect passer rating of 158.3 when he completed 11 of 12 passes for 188 yards and three touchdown passes in a 37–20 victory over the New England Patriots. He rushed for a career-high 102 yards on just eight carries against the New Orleans Saints on December 23, 1990, making him only the second 49ers quarterback to rush for at least 100 yards in a single game. The 49ers lost the game 13–10.", "The 49ers lost the game 13–10. The 49ers lost the game 13–10. In his four seasons as a backup, Young threw 23 touchdown passes and only six interceptions. 1991 season Following an injury to Montana's elbow in the 1990 NFC Championship Game, which forced him to miss the entire 1991 season, Young got his chance to lead the 49ers. He got off to a rough start. Midway through the season, the 49ers found themselves struggling with a 4–4 record.", "Midway through the season, the 49ers found themselves struggling with a 4–4 record. In the ninth game of the season, after throwing a franchise-record 97-yard touchdown pass to Taylor, Young suffered a knee injury and was replaced by backup quarterback Steve Bono. After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered.", "After a loss in that game and the next, Bono led the 49ers to five consecutive victories, playing so well that coach George Seifert decided to keep him in the starting lineup after Young had recovered. It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again.", "It wasn't until late in the 15th game of the season, after Bono went down with an injury of his own, that Young got to play again. Young then closed out the season by throwing for 338 yards and three touchdowns and also rushing for 63 yards and another touchdown in a 52–14 win over the Chicago Bears in a Monday Night Football game at Candlestick Park. Young finished the season with an NFL best 101.8 passer rating.", "Young finished the season with an NFL best 101.8 passer rating. Despite missing five full games and most of a sixth, he still threw for 2,517 yards and 17 touchdowns with only 8 interceptions. But despite Young's strong season, the season for the team was widely regarded as a disappointment. The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991.", "The 49ers had slipped from a 14–2 record in the previous season to a 10–6 record in 1991. While 10 wins is usually enough to make the playoffs, this time it was not, and San Francisco ended up not playing in the postseason for the first time since 1982. It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono.", "It was thought by many that Young's days as the 49ers starter were numbered due to the impending return of Montana from the injury to his right elbow, and some observers said the 49ers should trade Young and keep Montana and Bono. However, the trade never happened. 1992 season: first MVP By the start of the 1992 season, it appeared that Young's starting job was in serious peril. In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery.", "In addition to having to compete with Bono, Montana appeared to be close to recovering from his elbow tendon surgery. San Francisco came close to trading Young to the Los Angeles Raiders, but no deal was finalized and it turned out that Montana would not recover in time to start in the opening game. Montana would not return until the final game of the 1992 season, a Monday Night home game against the Detroit Lions. Montana played the entire second half of that final game and guided the 49ers to victory.", "Montana played the entire second half of that final game and guided the 49ers to victory. Young ended up as San Francisco's starting quarterback, but once again got off to a rough start. On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win.", "On the fifth play of the opening game at the Giants, he suffered a concussion and was replaced by Bono, who threw two touchdown passes while leading the 49ers to a 31–14 win. The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team.", "The following week, San Francisco lost 34–31 to the Buffalo Bills, despite a career-high 449 passing yards and three touchdowns from Young, in a game that for the first time in NFL history had zero punts from either team. Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns.", "Young recovered and led the 49ers on a five-game winning streak, capped off by a 56–17 win over the Atlanta Falcons in which Young passed for 399 yards and three touchdowns. After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record.", "After missing most of the next game (a 24–14 loss to the Cardinals) with the flu, he led San Francisco to victory in all of their remaining games of the season, giving the team a 14–2 record. He went on to throw for 227 yards and 2 touchdowns, and rush for 73 yards, in a 20–13 divisional playoff win over the Washington Redskins. The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys.", "The 49ers lost the NFC title game, however, 30–20 against the eventual Super Bowl champion Dallas Cowboys. Young threw for 313 yards, completing 71.4% of his passes while passing for one touchdown and rushing for another. He also threw two interceptions, but the final one came with the outcome of the game already decided.", "He also threw two interceptions, but the final one came with the outcome of the game already decided. Young finished the season with 3,465 passing yards and 537 rushing yards, along with an NFL-best 25 touchdown passes and 107.0 passer rating, earning him the NFL Most Valuable Player Award and his first selection to the Pro Bowl. He was the first quarterback ever to record a triple-digit rating in consecutive seasons.", "He was the first quarterback ever to record a triple-digit rating in consecutive seasons. Many credit Young's turnaround to the mentoring of the 49ers' new offensive coordinator Mike Shanahan, who worked with Young on combining his running skill with on-the-move passing decisions. 1993 season Before the start of the 1993 season, team owner Eddie DeBartolo Jr. announced that he wanted Montana to resume his role as starting quarterback for the 49ers. However, a rift in the locker room had developed, with players split on whom they wanted at quarterback.", "However, a rift in the locker room had developed, with players split on whom they wanted at quarterback. In the spring of 1993, at Montana's request, San Francisco traded Montana to the Kansas City Chiefs. Young was now the 49ers' undisputed starter, and would remain so for the rest of his career. But once again, he had a rough start to the season.", "But once again, he had a rough start to the season. Over the first four games of 1993, Young, who was hindered by a swollen thumb on his throwing hand, threw eight interceptions, more than he had thrown during the entire 1992 season. But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating.", "But after his thumb healed, Young went on an incredible streak over a span of seven games, throwing 16 touchdown passes with only 2 interceptions and a 122.2 passer rating. By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5).", "By the end of the year, Young set franchise records for most passing yards (4,023), and consecutive passes thrown without an interception (189), (later eclipsed by Alex Smith in 2012) while leading the NFL in touchdown passes (29) and passer rating (101.5). The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round.", "The team slipped to a 10–6 record, but advanced to the NFC championship game again by blowing out the New York Giants 44–3 in the divisional round. However, once again they were defeated by the Dallas Cowboys, this time 38–21. 1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989.", "1994 season: second MVP and Super Bowl run After several key free agent signings including All-Pro cornerback Deion Sanders and NFL Draft selections, the 49ers looked to win their first Super Bowl since 1989. They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four.", "They started fast, beating the Los Angeles Raiders 44–14 on the strength of four touchdown passes from Young, one of four games during the regular season in which he had at least four. After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series.", "After a loss in a much-anticipated game to Joe Montana and the Kansas City Chiefs, the 49ers won their next two games before losing to the Philadelphia Eagles 40–8 at Candlestick Park, a game in which Young was eventually benched in the middle of an offensive series. Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game.", "Although head coach George Seifert later said he only pulled Young because he was getting manhandled by the Eagles' defense, Young had had enough of being scapegoated for 49er shortfalls and loudly (and visibly) lambasted Seifert over his decision while standing on the sideline during the game. But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines.", "But the game was considered a turning point in the season; from there, Young led the team to 10 consecutive wins, by an average of 20 points, before losing the meaningless finale against the Vikings in which Young completed his first 12 of 13 attempts before going to the sidelines. They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs.", "They finished an NFL best 13–3, securing home-field advantage throughout the NFC playoffs. The 49ers had the number-one offense in the NFL, and were so dominant that Seifert often took Young out of games early if he felt that the 49ers had an insurmountable lead at the time. After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28.", "After an easy 44–15 victory over the Chicago Bears in the divisional round of the playoffs, the 49ers jumped out to a 31–14 halftime lead over the Dallas Cowboys in the NFC Championship Game, holding on to win 38–28. Young threw for two touchdowns, while adding 47 yards and another touchdown on the ground. As a result, he went to his first Super Bowl as a starting quarterback. The 49ers were heavy favorites to become the first team with five Super Bowl victories.", "The 49ers were heavy favorites to become the first team with five Super Bowl victories. On the strength of a six-touchdown performance that surpassed the previous Super Bowl record of five, owned by the man Young replaced, Joe Montana, Steve Young was named the MVP of Super Bowl XXIX, as the 49ers defeated the San Diego Chargers, 49–26. Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards.", "Young also threw for 325 yards and rushed for 49 yards, making him the first player ever to finish a Super Bowl as the game's leader in both rushing and passing yards. The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history.", "The victory capped off an incredible year for Young, who had one of the best seasons by a quarterback in NFL history. He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009).", "He threw for 3,969 yards, a then-franchise record 35 touchdown passes with only 10 interceptions, completed 70.3 percent of his passes – the highest completion percentage of the 1990s, third all-time, and at the time, the best completion percentage by any quarterback with more than 400 attempts (later eclipsed by Drew Brees in 2009). Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground.", "Additionally, Young broke Joe Montana's single-season mark with a then-record 112.8 passer rating, and also once again demonstrated his great scrambling ability, accumulating another 289 yards and 7 touchdowns on the ground. For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season.", "For his record-breaking season performances, Young was awarded his second AP NFL MVP award, becoming the 7th player in NFL history to win both league and Super Bowl MVP honors in the same season. Later years and injuries In the three years following Super Bowl XXIX, the 49ers would be eliminated each year by Brett Favre and the Green Bay Packers, twice in San Francisco. In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997.", "In addition to the early playoff exits, Young suffered a series of injuries that forced him to miss several games from 1995 to 1997. Young entered the 1998 season at age 37 and some began to wonder if his skills would diminish because of his history of injuries and a general decline in his game due to age. However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36).", "However, he silenced all critics once again, putting up career numbers in passing yards (4,170) and passing touchdowns (36). The 49ers finally beat Favre and the Packers in an NFC wild card game that year, as Young threw the winning touchdown to wide receiver Terrell Owens with three seconds remaining to win the game 30–27. In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called \"The Catch II\".", "In reference to Dwight Clark's legendary catch against the Dallas Cowboys in the 1981 NFC championship game, Owens's grab was called \"The Catch II\". A week later, however, Garrison Hearst broke his ankle on the 49ers' first play from scrimmage. Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18.", "Without the threat of a running game, Young threw three interceptions (the last one a Hail Mary pass with under 30 seconds remaining in the game) and the 49ers were defeated by the Atlanta Falcons 20–18. Over that span of seasons from 1995 to 1998, Young led the NFL in passer rating twice (in 1996 and 1997), and led the NFL with 36 touchdown passes in 1998. The 1999 season would turn out to be Young's last in the NFL. Young was plagued by concussions throughout his career.", "Young was plagued by concussions throughout his career. Young was plagued by concussions throughout his career. During a Week 3 Monday Night Football game against the Arizona Cardinals, Young was violently sacked by Cardinals cornerback Aeneas Williams on a blitz. Running back Lawrence Phillips was supposed to pick up Williams, but missed. Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome.", "Young was knocked out of the game with a concussion, and didn't return again for the rest of the season due to symptoms of post-concussion syndrome. The concussion he suffered against the Cardinals was reportedly his second in a season that was only three weeks old, and the seventh (at least) of his career. Following the season, the 49ers told him that he would be released if he did not retire.", "Following the season, the 49ers told him that he would be released if he did not retire. Although Young was offered a job as the starting quarterback of the Denver Broncos (where his former offensive coordinator, Mike Shanahan, was the head coach), he retired because of his repeated concussions. In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits.", "In a 2013 Frontline interview, Young said that, partially based upon their own experiences, he and many retired players are increasingly concerned about repeated concussions and subconcussive hits. He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen.", "He is particularly concerned about certain positions that take frequent hits, such as running backs and linemen. Career statistics and records USFL career NFL career Records and legacy Although Young did not become the 49ers' starter until his 8th NFL season, and he played a full season only three times (all consecutively) during his 15-year career, Young had a significant impact on the NFL. A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns.", "A two-time league MVP, he completed 2,667 of 4,149 passes for 33,124 yards and 232 touchdowns, with 107 interceptions, and 43 rushing touchdowns. His 96.8 career passer rating is the sixth highest in NFL history and second highest among retired players, behind Tony Romo; his 4,239 rushing yards are the fourth most ever gained by a quarterback, behind Michael Vick, Cam Newton, and Randall Cunningham. He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times.", "He was the NFL's top rated passer in six different seasons and led the league in touchdown passes four times. In 20 postseason games, he threw 20 touchdown passes with only 13 interceptions, and scored 8 touchdowns on the ground. In his stint with the San Francisco 49ers, Young passed for 29,907 yards, 221 touchdowns, and 86 interceptions, with a passer rating of 101.4, highest in franchise history. He was also sacked 290 times, also most in franchise history.", "He was also sacked 290 times, also most in franchise history. NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det.", "NFL records Tenth highest passer rating, career, including active players – 96.8 Fourth highest passer rating, career, retired players only – 96.8 Eighth highest career completion percentage, retired players – 64.3% Most times led the league in passer rating, career – 6 (tied w/ Sammy Baugh) Most consecutive times led the league in passer rating – 4 (1991–94) One of seven QBs to lead the league in touchdown passes 4 times (tied with Johnny Unitas, Brett Favre, Peyton Manning, Tom Brady, Drew Brees, and Len Dawson) Most passes attempted, playoff game – 65 vs. Green Bay, 1995 Most TD passes, playoff game – 6 (tied w/Daryle Lamonica & Tom Brady) Most TD passes in one Super Bowl – 6 Most rushing yards by a QB, postseason career – 594 Most rushing touchdowns by a QB, postseason career – 8 49ers records Highest completion percentage (20+ Atts) (Game): vs Detroit (10/20/91), 90.0 Most average yards per attempt (20+ Atts) (Game): vs Detroit (12/19/93), 15.39 Most touchdown passes (season): 36 (1998) Best completion percentage (season): 70.3 (1994) Best passer rating (season): 112.8 (1994) Most 300-yard passing games (season): 7 (1998) Best passer rating (career): 101.4 Most average yards per attempt (career): 8.20 Most consecutive games with a touchdown pass: 18, at Det. (10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No.", "(10/9/94) to vs. StL (11/26/95) note: (DNP in 5 games in 1995) Best completion percentage (career): 65.8 Most rushing touchdowns by a quarterback (career): 43 In 1999, he was ranked No. 63 on The Sporting News list of the 100 Greatest Football Players. Young was elected to the Pro Football Hall of Fame on February 5, 2005; he was the first left-handed quarterback to be so honored. He was enshrined August 7, 2005.", "He was enshrined August 7, 2005. He was enshrined August 7, 2005. His induction speech was given by his father, LeGrande \"Grit\" Young. The San Francisco 49ers had his No. 8 jersey retired during a halftime ceremony against the New England Patriots on October 5, 2008. He was the 11th player in team history to receive this honor. He is also the only 49er in team history to wear No. 8. Post-football Business career In 1994, Young received a Juris Doctor (J.D.)", "Post-football Business career In 1994, Young received a Juris Doctor (J.D.) from BYU's J. Reuben Clark Law School. In 2000, Young spoke at the Republican National Convention. In 2007, Young co-founded Huntsman Gay Global Capital (HGGC), with billionaire industrialist Jon M. Huntsman and former Bain Capital executive Robert C. Gay. After being involved in business ventures with the private equity firm, he has continued to serve as a managing director.", "After being involved in business ventures with the private equity firm, he has continued to serve as a managing director. In 2011, Young was one of several notable BYU athletes and coaches who appeared in the school's \"Real Cougar\" advertising campaign, which featured the individuals telling an actual cougar about being a \"real cougar\". In one of the ads, Young poked fun at himself: Young: I love BYU so much I even got my law degree here. Cougar: (growls) Young: Lawyers...", "Cougar: (growls) Young: Lawyers... Cougar: (growls) Young: Lawyers... I know. Acting career Young has both performed dramatic roles and appeared as himself in a limited acting career. He appeared in one episode of Frasier and one episode of Lois & Clark: The New Adventures of Superman (cast as Lois' former high school football quarterback boyfriend, Joe Maloy). He also made a guest appearance as himself in the Dharma & Greg episode \"Are You Ready for Some Football?\"", "He also made a guest appearance as himself in the Dharma & Greg episode \"Are You Ready for Some Football?\" encouraging Dharma, the team's Number One Fan. In 1995, Young appeared as himself in the Season 6, Episode 12 episode of Beverly Hills, 90210. He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014).", "He also made cameo appearances in the LDS comedy The Singles Ward (2002) and in a season 5 episode of BYUtv's Studio C (2014). Young also made a guest appearance as himself in season 8 of the NBC comedy series Wings in the episode \"Just Call Me Angel\". Young was originally offered a part in the 1998 movie There's Something About Mary, but turned the role down. He was replaced by Brett Favre. Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance.", "Philanthropy Young serves as a National Advisor to ASCEND: A Humanitarian Alliance. This non-profit organization plans expeditions to African and South American countries to provide life skills mentoring with sustainable solutions in education, enterprise, health and simple technology. In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them.", "In 1993, Young founded a charitable foundation known as the Forever Young Foundation, which serves children facing significant physical, emotional, and financial challenges by providing academic, athletic, and therapeutic opportunities otherwise unavailable to them. Young also serves as the national spokesman for an organization founded by former Save Darfur Coalition executive director and founder, David Rubenstein. He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide.", "He began his affiliation with the organization in 2009, when he became the honorary league commissioner for their charitable dodgeball tournaments held on college campuses nationwide. Personal life Young is a great-great-great-nephew of Brigham Young, second president of The Church of Jesus Christ of Latter-day Saints for whom BYU is named. His father, LeGrande \"Grit\" Young, played football at BYU in the late 1950s. He led the school in scoring in 1955 and in rushing and total offense in 1959.", "He led the school in scoring in 1955 and in rushing and total offense in 1959. Steve Young's younger brothers, Mike and Tom, both played quarterback at BYU after Steve, but neither received much playing time. Young has been married to Barbara Graham since 2000. They have two sons and two daughters. According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children.", "According to A Football Life: As his playing career ended before his eldest child was born, he wrote his autobiography QB: My Life Behind the Spiral initially as a private memoir for his children. See also Bay Area Sports Hall of Fame List of NCAA major college football yearly passing leaders List of NCAA major college football yearly total offense leaders List of NFL quarterbacks who have posted a perfect passer rating References External links 1961 births All-American college football players American color commentators American football quarterbacks American male television actors American philanthropists Brigham Young University alumni BYU Cougars football players College Football Hall of Fame inductees Greenwich High School alumni J. Reuben Clark Law School alumni Latter Day Saints from California Latter Day Saints from Connecticut Latter Day Saints from Utah Living people Los Angeles Express players National Conference Pro Bowl players National Football League Most Valuable Player Award winners National Football League Offensive Player of the Year Award winners National Football League players with retired numbers Players of American football from Connecticut Players of American football from Salt Lake City Pro Football Hall of Fame inductees Richards–Young family San Francisco 49ers players Sportspeople from Greenwich, Connecticut Super Bowl MVPs Tampa Bay Buccaneers players Utah Republicans" ]
[ "Foo Fighters", "The Colour and the Shape (1996-1997)" ]
C_44cfa9f1a9614dc1970959a59917acbd_1
What is the colour and the shape
1
What is "The colour and the shape"
Foo Fighters
After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER
second album.
Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)
true
[ "Neptosternus ceylonicus is a species of beetle. Its holotype was found in Sri Lanka. The specimens were captured in running water or when flying towards light in the evening.\n\nDescription\nThis species resembles other smaller or medium-sized species of Neptosternus. It may be recognized by the size, fairly widely oval shape of its body, the colour-patterns of pronotum and elytra, and the shape of the penis in the males. Its length is between , while its breadth is between . It shape is elongate and oval, moderately convex dorsally; and its upper surface shining. Its head and antennae are yellowish in colour, with fine and remote punctation on the head. It also has a reticulate surface. The pronotum is yellowish with a narrow transverse slightly darker band in the middle, and an anterior submarginal row of punctures that are irregular.\n\nReferences\n\nExternal links\nITIS entry\n\nDytiscidae\nBeetles described in 1990", "Tsuga sieboldii, also called the southern Japanese hemlock, or in Japanese, simply tsuga (栂), is a conifer native to the Japanese islands of Honshū, Kyūshū, Shikoku and Yakushima. In Europe and North America the tree is sometimes used as an ornamental and has been in cultivation since 1861.\n\nDescription\nThe tree is often multiple-stemmed from the base and the dense crown is broadly conical and pointed. The bark is a dark pink-grey in colour. It is smooth with horizontal folds when the tree is young, but later cracks into squares and become flaky. The glabrous shoots are a pale shining buff, but they may vary to white or pale brown. The base of the petiole is red-brown. The leaves are densely set in irregular flat rows. They are broad and stubby in comparison to other species of the genus Tsuga, and they vary in length from 0.7 cm to 2 cm long by about 0.2 cm wide. They are blunt with notched tips and shiny dark green above. The underside of the leaves has two broad, dull white stomatal bands. The buds are narrow based and ovoid, dark orange in colour. Their scales are convex.\n\nThe staminate (i.e. male) flowers are terminal on weak shoots. They are very small at only 2 mm, globular in shape and cherry-red in colour. The pistillate flowers are slightly larger at 5 mm, purple in colour and nodding ovoid in shape. The deep dark brown cones are pendulous and ovoid-conic in shape. The tips are blunt and they measure about 2.3 cm long by 1.3 cm wide. Their scales are flat topped.\n\nReferences\n\nsieboldii\nTrees of Japan\nEndemic flora of Japan" ]
[ "Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times.", "Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear.", "Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl.", "Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999).", "Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material.", "It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl.", "Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer.", "History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was \"in awe\" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994.", "Nirvana disbanded after the death of Cobain in 1994. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: \"I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do.\"", "I thought that I would rather do what no one expected me to do.\" Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on \"X-Static\", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback.", "He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people.", "He hoped the name would lead listeners to assume the music was made by several people. He said later: \"Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world.\" The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album.", "Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt \"really natural\" for them to work together, but would have been \"weird\" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate.", "Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4.", "Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt.", "Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, \"This Is a Call\", was released in June 1995, and its debut album Foo Fighters was released the next month. \"I'll Stick Around,\" \"For All the Cows,\" and \"Big Me\" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August.", "The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements.", "While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band.", "Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997.", "Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles \"Monkey Wrench\", \"Everlong\", \"My Hero\", and \"Walking After You\". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl.", "Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of \"Walking After You\" for The X-Files and A320 for Godzilla. A B-side from the \"My Hero\" single, \"Dear Lover,\" appeared in the horror film Scream 2.", "A B-side from the \"My Hero\" single, \"Dear Lover,\" appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang!", "However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, \"in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't.\" Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day.", "Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including \"Learn to Fly\", the band's first to reach the US Billboard Hot 100.", "The album spawned several singles, including \"Learn to Fly\", the band's first to reach the US Billboard Hot 100. Other singles included \"Stacked Actors,\" \"Generator,\" \"Next Year,\" and \"Breakout.\" Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a \"key man clause\" that allowed them to leave the label upon Gersh's departure.", "Given Grohl's history with Gersh, Foo Fighters' contract had included a \"key man clause\" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name.", "After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album.", "Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well.", "Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was \"extraordinarily irresponsible behavior\" because \"there is no doubt about the link between HIV and AIDS in the respected scientific community.\" Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans.", "Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor.", "In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's \"Have a Cigar,\" which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead.", "In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album \"just didn't sound right\" and the band had no confidence it would sell very well.", "After spending four months in a Los Angeles studio, the album \"just didn't sound right\" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely.", "Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together.", "Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015.", "The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included \"All My Life,\" \"Times Like These,\" \"Low,\" and \"Have It All.\" The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals.", "The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm.", "For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using \"Times Like These\" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, \"There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense.\"", "However, in 2004, upon learning that George W. Bush's presidential campaign was using \"Times Like These\" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, \"There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense.\" Grohl attended several Kerry rallies and occasionally performed solo acoustic sets.", "Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band.", "Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun.", "The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album.", "Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006.", "In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You.", "While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles.", "In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August.", "The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running).", "Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band.", "At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song.", "The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins).", "On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted \"Welcome to the greatest fucking day of my whole entire life!\".", "As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted \"Welcome to the greatest fucking day of my whole entire life!\". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011).", "After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions.", "While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light).", "Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests.", "In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six.", "The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again.", "Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality.", "The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career.", "The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama.", "On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones.", "They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church.", "In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon.", "It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote.", "On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site.", "Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida.", "The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day.", "On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as \"pretty fucking fun\". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album.", "Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico.", "On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8.", "On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town.", "Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans.", "The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13.", "Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall.", "The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012.", "On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8.", "On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March.", "It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played \"Everlong\", which Letterman said had significant meaning for him after his open-heart surgery in 2000.", "The show ended with a montage of Letterman highlights while the Foo Fighters played \"Everlong\", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg.", "On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates.", "As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3.", "The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary.", "Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy.", "The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers.", "The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011.", "Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus.", "Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: \"For the millionth time, we're not breaking up. And nobody's going fucking solo!\"", "And nobody's going fucking solo!\" And nobody's going fucking solo!\" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single \"Run\" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group.", "The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin.", "Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017.", "The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances.", "In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, \"We've kind of shelved it for now to figure out exactly when it's going to happen.\" Starting in November 2020, promotion for the album ramped up.", "Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: \"Shame Shame\", \"No Son of Mine\", and \"Waiting on a War\". In January, the band performed at the US Presidential Inauguration of Joe Biden.", "In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees.", "For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's \"Shadow Dancing\", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band.", "On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana.", "They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: \"Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down.\" Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana \"liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose.\"", "Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana \"liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose.\" Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument.", "He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, \"I could hear the song in my head before it was finished.\" Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as \"his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock.\" The band members meld melodic and heavy elements.", "The band members meld melodic and heavy elements. The band members meld melodic and heavy elements. Grohl noted in 1997, \"We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural.\"", "So it is just natural.\" So it is just natural.\" Grohl said in 2005, \"I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life.\" Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound.", "Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others.", "Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo.", "These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014.", "They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5.", "On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category.", "They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang!", "References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)" ]
[ "Foo Fighters", "The Colour and the Shape (1996-1997)", "What is the colour and the shape", "second album." ]
C_44cfa9f1a9614dc1970959a59917acbd_1
What singles did the album have?
2
What singles did the album "The colour and the shape" have?
Foo Fighters
After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes with him to Los Angeles, intending to finish up his vocal and guitar parts. While there, Grohl realized that he was not happy with how the mixes were turning out, and changed William Goldsmith's "drum tracks with his own for all but two songs." During the L.A. sessions, Grohl had played drums on the songs. Unhappy with Goldsmith's drumming, Grohl removed it from the recordings and re-recorded the drum tracks. As Goldsmith was about to come down to L.A. to find out why he wasn't being called upon to re-record his parts, he called Mendel from Seattle inquiring if he should make the trip. Grohl then called Goldsmith saying, "Dude, don't come down here, I'm recording some of the drum tracks". Shocked by this, Goldsmith met up with Mendel in Seattle and repeated Grohl's claim to be re-recording "some" of the tracks. Mendel asked, "Is that what he told you?"; Goldsmith affirmed it, and Mendel stated, "No, man, he did them all". Grohl explained that he'd wanted the drums to sound a certain way on the album. He wanted Goldsmith to play for the tour even though it would not be his drumming but Grohl's on the album. Feeling betrayed, Goldsmith left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins to see if he could recommend anybody. Grohl was surprised when Hawkins volunteered his own services as drummer. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You" Pat Smear announced to the rest of the group that he wanted to leave the band claiming exhaustion and burnout but agreed to stay with the band until a replacement could be found for him. Four months later in September 1997 at the MTV Video Music Awards, Smear simultaneously announced to the public his departure from the band and introduced his replacement, Grohl's former Scream bandmate Franz Stahl. Stahl toured with the band for the next few months, and appeared on two tracks that the band recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and "A320" for Godzilla. A B-side from the "My Hero" single, "Dear Lover", appeared in the horror film Scream 2. The tour for The Colour and the Shape album included a main stage performance at the 1998 Glastonbury Festival and culminated with a performance at the 1998 Reading Festival, both in England. CANNOTANSWER
The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You"
Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was "in awe" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: "I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do." Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on "X-Static", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people. He said later: "Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world." The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt "really natural" for them to work together, but would have been "weird" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, "This Is a Call", was released in June 1995, and its debut album Foo Fighters was released the next month. "I'll Stick Around," "For All the Cows," and "Big Me" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles "Monkey Wrench", "Everlong", "My Hero", and "Walking After You". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of "Walking After You" for The X-Files and A320 for Godzilla. A B-side from the "My Hero" single, "Dear Lover," appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, "in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't." Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including "Learn to Fly", the band's first to reach the US Billboard Hot 100. Other singles included "Stacked Actors," "Generator," "Next Year," and "Breakout." Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a "key man clause" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was "extraordinarily irresponsible behavior" because "there is no doubt about the link between HIV and AIDS in the respected scientific community." Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's "Have a Cigar," which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album "just didn't sound right" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included "All My Life," "Times Like These," "Low," and "Have It All." The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using "Times Like These" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, "There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense." Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted "Welcome to the greatest fucking day of my whole entire life!". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as "pretty fucking fun". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played "Everlong", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: "For the millionth time, we're not breaking up. And nobody's going fucking solo!" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single "Run" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, "We've kind of shelved it for now to figure out exactly when it's going to happen." Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: "Shame Shame", "No Son of Mine", and "Waiting on a War". In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's "Shadow Dancing", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: "Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down." Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana "liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose." Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, "I could hear the song in my head before it was finished." Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as "his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock." The band members meld melodic and heavy elements. Grohl noted in 1997, "We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural." Grohl said in 2005, "I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life." Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)
true
[ "What You Need is the tenth studio album by American contemporary R&B singer Stacy Lattisaw, released October 17, 1989 via Motown Records. It did not chart on the Billboard 200, but it peaked at #16 on the Billboard R&B chart. It was also Lattisaw's final album before she retired from the music industry.\n\nFour singles were released from the album: \"What You Need\", \"Where Do We Go from Here\", \"Dance for You\" and \"I Don't Have the Heart\". \"Where Do We Go from Here\" was the most successful single from the album, peaking at #1 on the Billboard R&B singles chart in 1990.\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nNotes\n\nReferences\n\nExternal links\n \n \n\n1989 albums\nStacy Lattisaw albums\nAlbums produced by Timmy Regisford\nMotown albums", "\"Loving You\" is a song written by Jerry Leiber and Mike Stoller and performed by Elvis Presley featuring The Jordanaires. It reached No. 15 on the U.S. country chart, #20 on the U.S. pop chart, and #24 on the UK Singles Chart in 1957. It was featured on his 1957 album Loving You. It was featured in Presley's 1957 movie Loving You.\n\nThe single's A-side, \"(Let Me Be Your) Teddy Bear\" reached No. 1 on the U.S. pop, country, and R&B charts and #3 on the UK Singles Chart in 1957.\n\nOther versions\nDuane Eddy released a version of the song on his 1958 album Have 'Twangy' Guitar Will Travel.\nChubby Checker and Dee Dee Sharp released a version of the song on their 1962 album Down to Earth.\nThe Righteous Brothers released a version of the song on their 1965 album Back to Back.\nBilly Fury released a version of the song as a single in 1967, but it did not chart.\nFrançoise Hardy released a version of the song as the B-side to her 1968 single \"Will You Love Me Tomorrow\".\nNat Stuckey released a version of the song as a single in 1968, but it did not chart.\nAnita Harris released a version of the song as a single in 1969, but it did not chart.\nThe Dave Clark Five released a version of the song as a single as part of a medley in 1971, but it did not chart.\nDonna Fargo featuring The Jordanaires released a version of the song on her 1977 album Shame on Me.\nPaul McCartney released a version of the song on his 1992 album What a Mean Fiddler.\nThe Platters released a version of the song on their 1998 album Selection of the Platters.\n\nReferences\n\n1957 songs\n1957 singles\n1967 singles\n1968 singles\n1969 singles\n1971 singles\nSongs written by Jerry Leiber and Mike Stoller\nElvis Presley songs\nDuane Eddy songs\nChubby Checker songs\nDee Dee Sharp songs\nThe Righteous Brothers songs\nBilly Fury songs\nFrançoise Hardy songs\nNat Stuckey songs\nThe Dave Clark Five songs\nDonna Fargo songs\nPaul McCartney songs\nThe Platters songs\nRCA Records singles\nRCA Victor singles\nCBS Records singles" ]
[ "Foo Fighters are an American rock band formed in 1994 in Seattle, Washington. The band was founded by former Nirvana drummer Dave Grohl as a one-man project following the dissolution of Nirvana after the suicide of Kurt Cobain. The group took its name from foo fighter, a nickname coined by Allied aircraft pilots for UFOs and other aerial phenomena. Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times.", "Over the course of their career, Foo Fighters have won 12 Grammy Awards, including Best Rock Album four times. They were inducted into the Rock and Roll Hall of Fame in 2021, their first year of eligibility. Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear.", "Prior to the release of Foo Fighters' 1995 debut album Foo Fighters, which featured Grohl as the only official member, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both formerly of Sunny Day Real Estate, as well as Nirvana touring guitarist Pat Smear. The band began with performances in Portland, Oregon. Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl.", "Goldsmith quit during the recording of their second album The Colour and the Shape (1997); most of the drum parts were re-recorded by Grohl. Smear departed soon afterward but appeared as a guest with the band frequently from 2005; he rejoined in 2010. Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999).", "Smear and Goldsmith were replaced by Franz Stahl and Taylor Hawkins; Stahl was fired before the recording of the group's third album, There Is Nothing Left to Lose (1999). The band briefly continued as a trio until Chris Shiflett joined on guitar after the completion of There Is Nothing Left to Lose. Foo Fighters released their fourth album, One by One, in 2002. It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material.", "It was followed with the two-disc In Your Honor (2005), which was split between acoustic songs and heavier material. Foo Fighters released their sixth album, Echoes, Silence, Patience & Grace, in 2007. For Foo Fighters' seventh studio album, Wasting Light (2011), produced by Butch Vig, Smear returned as a full member. Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl.", "Sonic Highways (2014) was released as the soundtrack to the television miniseries directed by Grohl. Concrete and Gold (2017) was the second Foo Fighters album to reach number one in the United States and their first studio album to feature longtime session and touring keyboardist Rami Jaffee as a full member. In 2021, the band released their tenth album, Medicine at Midnight. History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer.", "History Background and first demos (1990–1994) In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band; he was \"in awe\" of the songs written by frontman Kurt Cobain. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992. Nirvana disbanded after the death of Cobain in 1994.", "Nirvana disbanded after the death of Cobain in 1994. Nirvana disbanded after the death of Cobain in 1994. Grohl received offers to work with various artists; press rumors indicated he might join Pearl Jam, and he almost accepted a position as drummer in Tom Petty and the Heartbreakers. Grohl later said: \"I was supposed to just join another band and be a drummer the rest of my life. I thought that I would rather do what no one expected me to do.\"", "I thought that I would rather do what no one expected me to do.\" Grohl instead entered Robert Lang Studios in October 1994 to record 15 of his own songs. With the exception of a guitar part on \"X-Static\", played by Greg Dulli of the Afghan Whigs, Grohl played every instrument and sang every vocal. He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback.", "He completed an album's worth of material in five days and handed out cassette copies of the sessions to his friends for feedback. Grohl hoped to stay anonymous and release the recordings in a limited run under the name Foo Fighters, taken from foo fighter, a World War II term for unidentified flying objects. He hoped the name would lead listeners to assume the music was made by several people.", "He hoped the name would lead listeners to assume the music was made by several people. He said later: \"Had I actually considered this to be a career, I probably would have called it something else, because it's the stupidest fucking band name in the world.\" The demo tape circulated in the industry, creating interest among record labels. Formation and debut album (1994–1995) Grohl formed a band to support the album.", "Formation and debut album (1994–1995) Grohl formed a band to support the album. He spoke to Nirvana bassist Krist Novoselic about joining the group, but they decided against it; Grohl said it would have felt \"really natural\" for them to work together, but would have been \"weird\" for the others and place more pressure on Grohl. Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate.", "Instead, Grohl recruited bassist Nate Mendel and drummer William Goldsmith, both of the recently disbanded Seattle group Sunny Day Real Estate. Nirvana touring guitarist Pat Smear joined as second guitarist. Grohl licensed the album to Capitol Records, releasing it on his new label, Roswell Records. Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4.", "Foo Fighters made their live public debut on February 23, 1995, at the Jambalaya Club in Arcata, California, followed by performances at Satyricon in Portland on March 3 and the Velvet Elvis in Seattle on March 4. The show on March 3 had been part of a benefit gig for the investigation of the rape and murder of Gits singer Mia Zapata. Grohl refused to do interviews or tour large venues to promote the album. Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt.", "Foo Fighters undertook their first major tour in the spring of 1995, opening for Mike Watt. The band's first single, \"This Is a Call\", was released in June 1995, and its debut album Foo Fighters was released the next month. \"I'll Stick Around,\" \"For All the Cows,\" and \"Big Me\" were released as subsequent singles. The band spent the following months on tour, including their first appearance at the Reading Festival in England in August.", "The band spent the following months on tour, including their first appearance at the Reading Festival in England in August. The Colour and the Shape (1996–1997) After touring through the spring of 1996, Foo Fighters entered Bear Creek Studio in Woodinville, Washington, with producer Gil Norton to record its second album. While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements.", "While Grohl once again wrote all the songs, the rest of the band collaborated on the arrangements. With the sessions nearly complete, Grohl took the rough mixes to Los Angeles, intending to finish his vocal and guitar parts. While there, Grohl realized that he was not happy with the drumming and replaced most of Goldsmith's drum tracks with his own. Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band.", "Though Grohl hoped that Goldsmith would still play on the tour, Goldsmith felt betrayed and left the band. In need of a replacement for Goldsmith, Grohl contacted Alanis Morissette's touring drummer Taylor Hawkins for a recommendation. Grohl was surprised when Hawkins volunteered himself. Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997.", "Hawkins made his debut with the group in time for the release of its second album, The Colour and the Shape, in May 1997. The album included the singles \"Monkey Wrench\", \"Everlong\", \"My Hero\", and \"Walking After You\". Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl.", "Smear left Foo Fighters in 1997, citing exhaustion and burnout, and was replaced by Grohl's former Scream bandmate Franz Stahl. Stahl toured with Foo Fighters for the next few months and appeared on two tracks recorded for movie soundtracks, a re-recording of \"Walking After You\" for The X-Files and A320 for Godzilla. A B-side from the \"My Hero\" single, \"Dear Lover,\" appeared in the horror film Scream 2.", "A B-side from the \"My Hero\" single, \"Dear Lover,\" appeared in the horror film Scream 2. The tour for The Colour and the Shape album in 1998 included performances at Glastonbury Festival (on the main stage) and the Reading Festival. There Is Nothing Left to Lose (1998–2001) In 1998, Foo Fighters traveled to Grohl's home state of Virginia to write their third album. However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang!", "However, Grohl and Stahl were unable to co-operate as songwriters; Grohl told Kerrang! in 1999, \"in those few weeks it just seemed like the three of us were moving in one direction and Franz wasn't.\" Grohl was distraught over the decision to fire Stahl as the two had been friends since childhood. Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day.", "Shortly after that, Mendel called Grohl to say he was quitting to reunite with Sunny Day Real Estate, only to reverse his decision the next day. The remaining trio of Grohl, Mendel, and Hawkins spent several months recording the band's third album, There Is Nothing Left to Lose, in Grohl's home studio. The album spawned several singles, including \"Learn to Fly\", the band's first to reach the US Billboard Hot 100.", "The album spawned several singles, including \"Learn to Fly\", the band's first to reach the US Billboard Hot 100. Other singles included \"Stacked Actors,\" \"Generator,\" \"Next Year,\" and \"Breakout.\" Before the release of the album, Capitol Records president Gary Gersh was forced out of the label. Given Grohl's history with Gersh, Foo Fighters' contract had included a \"key man clause\" that allowed them to leave the label upon Gersh's departure.", "Given Grohl's history with Gersh, Foo Fighters' contract had included a \"key man clause\" that allowed them to leave the label upon Gersh's departure. They left Capitol and signed with RCA, who later acquired the rights to the band's Capitol albums. After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name.", "After recording There Is Nothing Left to Lose was completed, the band auditioned a number of potential guitarists and settled on Chris Shiflett, who performed with Me First and the Gimme Gimmes and California punk band No Use for a Name. Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album.", "Shiflett initially joined as a touring guitarist but achieved full-time status prior to the recording of the group's fourth album. In January 2000, Nate Mendel led a benefit concert in Hollywood for AIDS denialist group Alive & Well AIDS Alternatives with a speech by founder Christine Maggiore and free copies of her self-published book, What If Everything You Thought You Knew About AIDS Was Wrong? Additionally, the band's official website featured a section devoted to Alive & Well.", "Additionally, the band's official website featured a section devoted to Alive & Well. Sandra Thurman, then director of the Office of National AIDS Policy stated this was \"extraordinarily irresponsible behavior\" because \"there is no doubt about the link between HIV and AIDS in the respected scientific community.\" Links and references to Alive & Well were removed from the band's website by March 2003. Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans.", "Around 2001, Foo Fighters established a relationship with rock band Queen as the band (particularly Grohl and Hawkins) were fans. In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor.", "In March of that year, Grohl and Hawkins inducted them into the Rock and Roll Hall of Fame and joined them to perform the 1976 classic, Tie Your Mother Down, with Hawkins playing drums alongside Roger Taylor. Guitarist Brian May added a guitar track to Foo Fighters' second cover of Pink Floyd's \"Have a Cigar,\" which appeared on the soundtrack to the movie Mission: Impossible 2. In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead.", "In 2002, guitarist May contributed guitar work to Tired of You and an outtake called Knucklehead. The bands have performed together on several occasions since, including VH1 Rock Honors and Foo Fighters' headlining concert in Hyde Park. One by One (2001–2004) Near the end of 2001, the band reconvened to record its fourth album. After spending four months in a Los Angeles studio, the album \"just didn't sound right\" and the band had no confidence it would sell very well.", "After spending four months in a Los Angeles studio, the album \"just didn't sound right\" and the band had no confidence it would sell very well. With the album not reaching their expectations amid much infighting, Grohl spent some time helping Queens of the Stone Age complete their 2002 album Songs for the Deaf. Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely.", "Once that album was finished and touring had started for both Foo Fighters and Queens of the Stone Age, the band was on the verge of breaking up entirely. Grohl reunited with Hawkins, Shiflett, and Mendel to play the Coachella Festival, alternating days with Queens of the Stone Age. Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together.", "Hawkins and Grohl talked about resuming work on One by One and after a very satisfying performance the following day, they agreed to stay together. The group re-recorded nearly all of the album (save Tired of You) in a ten-day stretch at Grohl's home studio in Alexandria, Virginia, the following month. The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015.", "The original version of One by One, referred to by the band as Million Dollar Demos, has never been released in its entirety although seven tracks were leaked online in 2012 and 2015. The album was released in October 2002 under the title One by One. Singles from the album included \"All My Life,\" \"Times Like These,\" \"Low,\" and \"Have It All.\" The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals.", "The tour for the album included a headline performance at the 2002 Reading and Leeds Festivals. For most of its history, the band chose to stay away from the political realm.", "For most of its history, the band chose to stay away from the political realm. However, in 2004, upon learning that George W. Bush's presidential campaign was using \"Times Like These\" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, \"There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense.\"", "However, in 2004, upon learning that George W. Bush's presidential campaign was using \"Times Like These\" at rallies, Grohl decided to lend his public support to John Kerry's campaign, saying, \"There's no way of stopping the president playing your songs, so I went out and played it for John Kerry's people instead, where I thought the message would kinda make more sense.\" Grohl attended several Kerry rallies and occasionally performed solo acoustic sets.", "Grohl attended several Kerry rallies and occasionally performed solo acoustic sets. The entire band joined Grohl for a performance in Arizona coinciding with one of the presidential debates. In Your Honor (2005–2006) Having spent a year and a half touring behind One by One, Grohl did not want to rush into recording another Foo Fighters record. Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band.", "Initially Grohl intended to write acoustic material by himself but eventually the project involved the entire band. To record its fifth album, the band shifted to Los Angeles and built a recording studio, dubbed Studio 606 West. Grohl insisted that the album be divided into two discs–one full of rock songs, the other featuring acoustic tracks. In Your Honor was released in June 2005. The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun.", "The album's singles included Best of You, DOA, Resolve, and No Way Back/Cold Day in the Sun. During September and October 2005, the band toured with Weezer on what was billed as the Foozer Tour. Foo Fighters played a headline performance at the 2005 Reading and Leeds Festivals. On June 17, 2006, Foo Fighters performed their largest non-festival headlining concert to date at London's Hyde Park. Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album.", "Motörhead's Lemmy joined the band on stage to sing Shake Your Blood from Dave Grohl's Probot album. As a surprise performance, Brian May and Roger Taylor of Queen appeared to play part of We Will Rock You as a lead in to Tie Your Mother Down. In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006.", "In further support of In Your Honor, the band organized a short acoustic tour for the summer of 2006. Members who had performed with them in late 2005 appeared, such as Pat Smear, Petra Haden on violin and backing vocals, Drew Hester on percussion, and Rami Jaffee of The Wallflowers on keyboard and piano. While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You.", "While much of the setlist focused on In Your Honors acoustic half, the band also used the opportunity to play lesser-known songs, such as Ain't It The Life, Floaty, and See You. The band also performed Marigold, a Pocketwatch-era song that was best known as a Nirvana B side. In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles.", "In November 2006, the band released their first ever live CD, Skin and Bones, featuring fifteen performances captured over a three-night stint in Los Angeles. Echoes, Silence, Patience & Grace and Greatest Hits (2007–2009) For the follow-up to In Your Honor, the band recruited The Colour and the Shape producer Gil Norton. Echoes, Silence, Patience & Grace was released on September 25, 2007. The album's first single, The Pretender, was issued to radio in early August.", "The album's first single, The Pretender, was issued to radio in early August. In mid-to-late 2007 The Pretender topped Billboard's Modern Rock chart for a record 19 weeks. The second single, Long Road to Ruin, was released in December 2007, supported by a music video directed by longtime collaborator Jesse Peretz (formerly of the Lemonheads). Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running).", "Other singles included Let It Die and Cheer Up, Boys (Your Make Up Is Running). In October 2007, Foo Fighters started their world tour in support of the album. The band performed shows throughout the United States, Canada, Europe, Australia, New Zealand, and Asia, including headlining the Virgin Mobile Festival in Baltimore on August 9. At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band.", "At the European MTV Music Awards in 2007, Pat Smear confirmed his return to the band. Echoes, Silence, Patience & Grace was nominated for five Grammy Awards in 2008. Foo Fighters went home with Best Rock Album and Best Hard Rock Performance (for The Pretender). The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song.", "The album was also nominated for Album of the Year, while The Pretender was also nominated for Record of the Year and Best Rock Song. On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins).", "On June 7, 2008, the band played Wembley Stadium, London, and was joined by Jimmy Page and John Paul Jones of Led Zeppelin to play Rock and Roll (with Grohl on drums and Hawkins on vocals) and Ramble On (sung by Grohl, drums by Hawkins). As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted \"Welcome to the greatest fucking day of my whole entire life!\".", "As Page and Jones left the stage before a final encore of Best Of You, an ecstatic Grohl shouted \"Welcome to the greatest fucking day of my whole entire life!\". Throughout the tour for Echoes, Silence, Patience & Grace, Foo Fighters had been writing and practicing new songs at sound checks. After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011).", "After Foo Fighters had completed this tour in September 2008, they recorded 13 new songs in studio 606, shortly after announcing a hiatus from touring (which would last until January 2011). These sessions likely lasted from late 2008 – early 2009. While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions.", "While the members of Foo Fighters had initially planned for their new album (composed of songs from this recording session) to have come out in 2009 with almost no touring support, they ultimately decided to shelve most of the songs from these sessions. Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light).", "Three of these songs were later released — Wheels and Word Forward (on their 2009 compilation album, Greatest Hits); and a newly recorded version of Rope (which ended up making the final cut of Wasting Light). In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests.", "In order to promote their greatest hits album, Foo Fighters performed an online show at studio 606 in October 2009 during which the band took fan requests. Wasting Light (2010–2012) In August 2010, the band began recording their seventh studio album with producer Butch Vig, who had previously produced the two new tracks for the band's Greatest Hits album. The album was recorded in Dave Grohl's garage using only analog equipment. The album won five Grammys and was nominated for six.", "The album won five Grammys and was nominated for six. The recording was analog to tape and used no computers, not even to mix or master. Vig said in an interview with MTV that the album was entirely analog until post-mastering. Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again.", "Pat Smear was present in many photos posted by Grohl on Twitter and a press release in December confirmed Smear played on every track on the album and was considered a core member of the band once again. The first single from Wasting Light, Rope, was released to radio in February 2011. On April 16, 2011, Foo Fighters released an album of covers, Medium Rare, as a limited-edition vinyl for Record Store Day. The promotion for the album has been highly praised for its originality.", "The promotion for the album has been highly praised for its originality. Wasting Light debuted at number one on the Billboard 200 chart, becoming the band's first album to do so. Other singles for the album included Walk, Arlandria, These Days, and Bridge Burning. Alongside Wasting Lights release, Foo Fighters released a rockumentary, directed by Academy Award-winner James Moll. The film, titled Back and Forth, chronicles the band's career.", "The film, titled Back and Forth, chronicles the band's career. Then current and past members, and producer Butch Vig, tell the story of the band through interviews. After debuting on March 15, 2011, at the SXSW festival in Austin, Texas, it was released on DVD three months later. On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama.", "On May 21, 2011, Foo Fighters headlined the middle day of the Hangout Music Festival in Gulf Shores, Alabama. On June 4, 2011, they played a surprise set at the 2011 KROQ Weenie Roast. They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones.", "They also headlined two sold-out shows at the Milton Keynes National Bowl on July 2 and 3, joined on stage by artists such as Alice Cooper, Seasick Steve, and John Paul Jones. They headlined the final night at the 20th anniversary of Lollapalooza in Chicago's Grant Park on August 7, 2011, performing part of their set in a driving rainstorm. In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church.", "In September 2011 before a show in Kansas City, the band performed a parody song in front of a protest by the Westboro Baptist Church. It mocked the church's opposition to homosexuality and was performed in the same faux-trucker garb that was seen in the band's Hot Buns promotional video. It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon.", "It was announced on September 28, 2011, that Foo Fighters would be performing during the closing ceremony of Blizzard Entertainment's annual video game convention, BlizzCon. On August 27, 2012, Foo Fighters ended their European tour with a headline performance at Reading and Leeds Festival. On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote.", "On September 5, the band performed a show at the Fillmore in Charlotte, North Carolina, as a benefit for Rock the Vote. The show, which occurred at the same time as the 2012 Democratic National Convention in Charlotte, was announced only two weeks prior. Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site.", "Tickets to the 2000-person capacity venue sold out in under 60 seconds, setting a record for the site. The band set another personal record during the show itself, being the longest that the band had played to date at just under 3.5 hours with a setlist of 36 songs. On September 21, the band headlined the Music Midtown Festival in Atlanta, Georgia. The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida.", "The following evening, they headlined the DeLuna Festival in Pensacola Beach, Florida. On September 29, the band performed at the Global Citizens' Festival before embarking on a break. Sonic Highways (2013–2015) Despite initially announcing a break after supporting Wasting Light, Grohl stated in January 2013 that the band had started writing material for an eighth studio album. On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day.", "On February 20, 2013, at the Brit Awards, Grohl said he was resuming work on the album the following day. On September 6, 2013, Shiflett posted a photo to his Instagram account that indicated 13 songs were being recorded and later described it as \"pretty fucking fun\". Rami Jaffee has recorded parts for three songs, one of which was In the Way. Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album.", "Butch Vig, who worked with the band on Wasting Light, confirmed via Twitter in late August 2013 that he was producing the album. The band confirmed that it would end its hiatus by playing two shows in Mexico City on December 11 and 13. On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico.", "On October 31, a video appeared on the official Foo Fighters YouTube channel showing a motorcyclist, later revealed to be Erik Estrada, delivering each of the band members an invitation to play in Mexico. On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8.", "On January 16, 2014, a picture was posted to Foo Fighters' Facebook page with several master tapes labeled LP 8. On May 15, it was announced that the album would be released in November and that the Foo Fighters would commemorate the album and their 20th anniversary with an HBO TV series directed by Grohl titled Sonic Highways. Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town.", "Eight songs were written and recorded in eight studios in eight different American cities with video capturing the history and feel of each town. On July 30, Butch Vig revealed that the Foo Fighters had finished recording and mixing the album and that it was slated to be released a month after the premiere of the TV show. In June 2014, the band agreed to play a show in Richmond, Virginia, that was entirely crowd-funded by fans on the website Tilt.com. The show took place on September 17 before 1,500 fans.", "The show took place on September 17 before 1,500 fans. The band played 23 songs over the course of two and a half hours. Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13.", "Foo Fighters announced their tour would include performances in Cape Town on December 10 and Johannesburg on December 13. The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall.", "The band played three performances under the alias The Holy Shits in September 2014; the first at the Concorde 2 club in Brighton, England, where Grohl invited lead singer Jay Apperley of the tribute band UK Foo Fighters on stage to sing, followed by the House of Vans and the Islington Assembly Hall. On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012.", "On September 14, 2014, the band performed at the closing ceremony of the Invictus Games, their first official show in England since closing Reading Festival in 2012. They closed out the 2014 VooDoo Music and Arts Festival in New Orleans on November 2, 2014, in a two and a half hour performance that included an appearance from New Orleans native Trombone Shorty, who played This is a Call with the band. On August 8, the band released a short clip of their latest work, titled 8.", "On August 8, the band released a short clip of their latest work, titled 8. On August 11, the band announced that the new album would be titled Sonic Highways and released on November 10, 2014. An international tour, dubbed the Sonic Highways World Tour, followed with performances in South Africa in December and South America in January 2015. It continued to Australia and New Zealand in February and March.", "It continued to Australia and New Zealand in February and March. On May 20, 2015, the Foo Fighters were the final musical act to perform on Late Show with David Letterman, continuing their long association with the host as he wrapped up his 33-year career in late night television. The show ended with a montage of Letterman highlights while the Foo Fighters played \"Everlong\", which Letterman said had significant meaning for him after his open-heart surgery in 2000.", "The show ended with a montage of Letterman highlights while the Foo Fighters played \"Everlong\", which Letterman said had significant meaning for him after his open-heart surgery in 2000. The band postponed their international tour to make the appearance; the tour resumed on May 24, with a performance at Radio 1's Big Weekend in Norwich, England. On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg.", "On June 12, Grohl fell from the stage in Gothenburg, Sweden, during the group's second song, breaking his leg. The band continued playing while Grohl received medical attention, who then returned to the stage to finish the last two hours of the band's set from a chair while a medic tended to his leg. After the concert, Grohl was flown to London for surgery, requiring six metal pins to stabilize the fracture. As a result of the injury, the band canceled its remaining European tour dates.", "As a result of the injury, the band canceled its remaining European tour dates. In July, one thousand Italian fans held the Rockin' 1000 gathering in Cesena, Italy, performing Learn to Fly and asking Foo Fighters to come play in the town. The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3.", "The performance video went viral and impressed Grohl, resulting in the band appearing in Cesena on November 3. Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary.", "Saint Cecilia EP and Concrete and Gold (2015–2019) The Foo Fighters planned to follow their international tour with a North American tour to promote Sonic Highways, beginning with a special Fourth of July event in Washington, D.C., that would commemorate the band's 20th anniversary. The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy.", "The all-day event was to be held at Washington's RFK Stadium featuring performances by Joan Jett and the Blackhearts, Heart, LL Cool J, Gary Clark Jr., and Buddy Guy. Dave Grohl's injury initially led to speculation that the band would drop out of the event but they later confirmed they would perform; however, the injury did prevent them from headlining the 2015 Glastonbury Festival. The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers.", "The band performed for 48,000 people with Grohl in a custom-built moving throne which he claimed to have designed himself while on painkillers. Beginning with the show on July 4, the Foo Fighters re-branded the North American tour as the Broken Leg Tour. The band continued to use the name at later North American performances. Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011.", "Prior to their August 21 concert at the Sprint Center in Kansas City, Missouri, the band rickrolled protesting members of the Westboro Baptist Church, as they had also done in 2011. On November 23, 2015, a surprise release following a month-long countdown clock on the Foo Fighters' website revealed the free EP Saint Cecilia, including a single of the same name. Alongside its release, Grohl announced that the band would be going on an indefinite hiatus.", "Alongside its release, Grohl announced that the band would be going on an indefinite hiatus. In response to growing rumors of the band breaking up, the band released a mockumentary video in March 2016 portraying Grohl leaving the band to pursue an electronic music career and Nick Lachey (formerly of 98 Degrees) becoming the group's new singer, ending with: \"For the millionth time, we're not breaking up. And nobody's going fucking solo!\"", "And nobody's going fucking solo!\" And nobody's going fucking solo!\" In May 2016, Shiflett stated that the band still had no particular plans for reforming but assured that it would happen eventually. Grohl announced that the band would spend much of 2017 recording their ninth studio album. On June 1, 2017, their new single \"Run\" was released. Run topped the US Billboard Mainstream Rock Songs chart the following month. The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group.", "The band confirmed touring keyboardist Rami Jaffee was officially the sixth member of the group. On June 20, 2017, the band announced that their new album, Concrete and Gold, would be released in September. On August 23, 2017, The Sky Is a Neighborhood was released as the second single and topped the Mainstream Rock chart. The Line was released in promotion of the album and later as the third single in 2018. Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin.", "Concrete and Gold was officially released on September 15, 2017, produced by Greg Kurstin. The album is noted as deriving influence from Pink Floyd, Led Zeppelin, and The Beatles. Concrete and Gold also features Justin Timberlake on vocals for Make It Right, Shawn Stockman of Boyz II Men on backing vocals for the song Concrete and Gold, and Paul McCartney on the drums for Sunday Rain. The band began touring in June 2017, including headlining the Glastonbury Festival 2017.", "The band began touring in June 2017, including headlining the Glastonbury Festival 2017. The tour in support of Concrete and Gold was extended to October 2018. Medicine at Midnight and induction into Rock and Roll Hall of Fame (2019–present) In October 2019, the band announced that they were recording their tenth studio album based on demos by Grohl. In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances.", "In November 2019, the band began releasing a series of EPs under the umbrella name of the Foo Files, largely consisting of previously released B sides and live performances. By February 2020, Grohl announced that the new album was complete but by May, it was delayed indefinitely because of the COVID-19 pandemic, saying, \"We've kind of shelved it for now to figure out exactly when it's going to happen.\" Starting in November 2020, promotion for the album ramped up.", "Starting in November 2020, promotion for the album ramped up. Its title, Medicine at Midnight, and release date, February 5, 2021, were announced. The band released three singles ahead of the album: \"Shame Shame\", \"No Son of Mine\", and \"Waiting on a War\". In January, the band performed at the US Presidential Inauguration of Joe Biden.", "In January, the band performed at the US Presidential Inauguration of Joe Biden. On February 10, 2021, Foo Fighters were announced as one of the 2021 Rock and Roll Hall of Fame nominees in their first year of eligibility as their debut album had been released 25 years prior. On May 12, 2021, Foo Fighters were announced as one of 6 performer inductees. For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees.", "For Record Store Day on July 17, 2021, the Foo Fighters released an album of disco covers, Hail Satin, under the name Dee Gees. The album contains four Bee Gees covers, a cover of Andy Gibb's \"Shadow Dancing\", plus five live versions of Medicine at Midnight tracks. On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band.", "On December 2, 2021, a video was uploaded to the band's YouTube, which announced Studio 666, a rock and roll comedy horror film starring the members of the band. The trailer was released on January 11, 2022, and has a release date of February 25. Musical style and legacy Foo Fighters have been described as grunge, alternative rock, post-grunge, and hard rock. They were initially compared to Grohl's previous group, Nirvana.", "They were initially compared to Grohl's previous group, Nirvana. Grohl acknowledged that Kurt Cobain was an influence on his songwriting: \"Through Kurt, I saw the beauty of minimalism and the importance of music that's stripped down.\" Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana \"liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose.\"", "Foo Fighters also used the technique of shifting between quiet verses and loud choruses, which Grohl said was influenced by the members of Nirvana \"liking The Knack, Bay City Rollers, Beatles, and ABBA as much as we liked Flipper and Black Flag, I suppose.\" Writing and recording songs for their first album by himself, Grohl intended for the guitar riffs to be as rhythmic as possible. He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument.", "He approached the guitar in a similar manner to his drumming, assigning various drum parts to strings on the instrument. This allowed him to piece together songs easily; he said, \"I could hear the song in my head before it was finished.\" Once Grohl assembled a full band, the members assisted in song arrangements. Pitchfork described Grohl and the band as \"his generation's answer to Tom Petty—a consistent hit machine pumping out working-class rock.\" The band members meld melodic and heavy elements.", "The band members meld melodic and heavy elements. The band members meld melodic and heavy elements. Grohl noted in 1997, \"We all love music, whether it's the Beatles or Queen or punk rock. I think the lure of punk rock was the energy and immediacy; the need to thrash stuff around. But at the same time, we're all suckers for a beautiful melody, you know? So it is just natural.\"", "So it is just natural.\" So it is just natural.\" Grohl said in 2005, \"I love being in a rock band, but I don't know if I necessarily wanna be in an alternative rock band from the 1990s for the rest of my life.\" Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound.", "Grohl noted that the band's acoustic tour was an attempt to broaden the group's sound. Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others.", "Band membersCurrent members Dave Grohl – lead vocals, guitar (1994–present) Pat Smear – guitar (1995–1997, 2010–present; session/touring member 2005–2010), backing vocals (1995–1997) Chris Shiflett – guitar, backing vocals (1999–present) Nate Mendel – bass (1995–present) Taylor Hawkins – drums, percussion, backing vocals (1997–present) Rami Jaffee – keyboard, piano (2017–present; session/touring member 2005–2017)Former members Franz Stahl – guitar, backing vocals (1997–1999) William Goldsmith – drums, percussion (1995–1997) Timeline DiscographyStudio albums''' Foo Fighters (1995) The Colour and the Shape (1997) There Is Nothing Left to Lose (1999) One by One (2002) In Your Honor (2005) Echoes, Silence, Patience & Grace (2007) Wasting Light (2011) Sonic Highways (2014) Concrete and Gold (2017) Medicine at Midnight (2021) Awards and nominations Foo Fighters first received a Grammy Award for their music video for Learn to Fly in 2000, and they have won ten others. These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo.", "These include four Grammys in the Best Rock Album category for There Is Nothing Left to Lose, One by One, Echoes, Silence, Patience & Grace and Wasting Light, and three awards for Best Hard Rock Performance for the songs All My Life, The Pretender and White Limo. The band also received three Kerrang! Awards. At the 2011 MTV Video Music Awards, the band won Best Rock Video for Walk. They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014.", "They won the Radio Contraband Major Label Artist of the Year in 2011 and 2014. The band won Song of the Year for Something From Nothing and Album of the Year for Sonic Highways both in 2014. On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5.", "On February 12, 2012, the band performed at the 54th Annual Grammy Awards playing Walk along with the remix version of Rope, featuring deadmau5. The band was nominated for six Grammy Awards, including Album of the Year, Best Rock Performance, Best Hard Rock/Metal Performance, Best Rock Song, Best Rock Album and Best Long Form Music Video (for Back and Forth''). They won five of the six, losing only to Adele in the Album of the Year category.", "They won five of the six, losing only to Adele in the Album of the Year category. In 2021, Foo Fighters were inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. In 2021, the band was announced as recipients of the first-ever global icon award at the 2021 MTV Video Music Awards. References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang!", "References External links Alternative rock groups from Washington (state) American post-grunge musical groups Grunge musical groups Brit Award winners Grammy Award winners Hard rock musical groups from Washington (state) Kerrang! Awards winners Musical groups established in 1994 Musical groups from Seattle NME Awards winners Nirvana (band) RCA Records artists Articles which contain graphical timelines Late Show with David Letterman 1994 establishments in Washington (state)" ]
[ "Bobby Robson", "International playing career" ]
C_f615186a82b8421aacb4ca18fca24b42_0
Where did Robson play internationally?
1
Where did Robson play internationally?
Bobby Robson
During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER
Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.
Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham
true
[ "Alexander Lawrie Robson (February 7, 1898 – January 27, 1974) was a Scottish-Canadian professional golfer.\n\nRobson was born in Edinburgh, Scotland. Having moved to Canada, he had a successful tournament career, highlighted by winning the Canadian PGA Championship in 1932, and finishing as runner-up in the Canadian Open in 1933. He also won the Millar Trophy, originally awarded for the Ontario PGA Match Play championship and later the Canadian PGA Match Play, on six occasions.\n\nIn 1934, as recognition for his consistently good play, Robson was invited to compete in the inaugural Masters Tournament but he was unable to play. In 2008 he was inducted into the Ontario Golf Hall of Fame.\n\nRobson served as the head professional at several golf clubs in Ontario, most notably at Islington Golf Club in Etobicoke for many years until 1939, when he moved to Kawartha Golf & Country Club in Peterborough where he remained for 25 years.\n\nProfessional wins\n 1931 Millar Trophy\n 1932 Canadian PGA Championship, Millar Trophy\n 1934 Millar Trophy\n 1935 Ontario Open, Millar Trophy\n 1936 Millar Trophy\n 1939 Millar Trophy\n\nReferences\n\nCanadian male golfers\nScottish emigrants to Canada\nScottish male golfers\nGolfing people from Ontario\nGolfers from Edinburgh\nSportspeople from Peterborough, Ontario\n1898 births\n1974 deaths", "Laura Robson (born 21 January 1994) is a British tennis player. She debuted on the ITF Junior Circuit in 2007, and a year later won the Junior Wimbledon championships at the age of 14. As a junior, she also twice reached the final of the girls' singles tournament at the Australian Open, in 2009 and 2010. She won her first tournament on the ITF Women's Circuit in November 2008.\n\nIn singles tennis, Robson was the first British woman since Samantha Smith at Wimbledon in 1998 to reach the fourth round of a Grand Slam tournament, doing so at the 2012 US Open and the 2013 Wimbledon Championships. At the 2012 Guangzhou Women's Open, Robson became the first British woman since Jo Durie in 1990 to reach a WTA Tour final, where she lost to Hsieh Su-wei. She was named WTA Newcomer of the Year for 2012 and reached a career-high singles ranking of world No. 27 the following year.\n\nIn doubles, she won a silver medal in the mixed-doubles competition at the 2012 London Olympics playing with Andy Murray, with whom she also reached the 2010 Hopman Cup final. She has a career-high doubles ranking of No. 82 (July 2013).\n\nRobson suffered from various injuries throughout the 2014 and 2015 seasons, notably to her left (and dominant) wrist for which she underwent surgery in April 2014, resulting in multiple prolonged absences from the WTA Tour. She dropped out of the world rankings in early 2015, returning at No. 906 in July 2015. After returning to full-time tennis in January 2016 post-injury, Robson struggled with form and has not returned to the top 150 in singles tennis. In July 2018, she underwent hip surgery, and has been inactive on the WTA Tour ever since.\n\nEarly life and junior career\nRobson was born on 21 January 1994 in Melbourne, the third child of Australian parents Andrew, an oil executive with Royal Dutch Shell, and Kathy Robson, a sports coach and former professional basketball player. Robson and her family moved from Melbourne to Singapore when she was 18 months old, where she attended Tanglin Trust School and then to the United Kingdom when she was six.\n\nAccording to her parents, she began playing tennis \"as soon as she could hold a tennis racquet\", and after being encouraged by them, she entered a junior tennis academy at age seven. She signed with management company Octagon when she was ten, with Adidas at age 11, and also signed a racquet deal with Wilson Sporting Goods.\n\nAfter working with several coaches, including the head of the Lawn Tennis Association Carl Maes, she chose coach Martijn Bok in 2007. Bok said later that although Robson \"had trouble staying emotionally under control\", he \"saw right away...a lot of potential in Laura.\" Robson also began training at the National Tennis Centre, under the guidance of Bok, Maes, and the head of women's tennis at the centre, Nigel Sears, while taking school lessons at home.\n\nRobson's first tournament on the Junior ITF Circuit was in 2007. She went from the qualifying draw of the tournament to the quarterfinals, and reached the final of two other tournaments, and won her first title in October. In the first half of 2008, she reached the finals of three tournaments, but was also eliminated before the third round in three straight tournaments.\n\nRobson competed in her first junior Grand Slam at the Wimbledon girls' event, as an unseeded player. As the youngest player in the tournament, she beat top seed Melanie Oudin on her way to the finals where she defeated third seed Noppawan Lertcheewakarn. Her victory made her the first British player to win the girls' event since Annabel Croft in 1984, and the British media described her as the \"new darling\" of British tennis, and the \"Queen of Wimbledon\".\n\nAfter a brief period on the main tour, Robson returned to junior competition but was knocked out in the second round of a tournament in December. In the same month she played her final junior tournament of 2008, the Orange Bowl, where she had to retire in the third round with a stomach strain. At the end of the year, she was shortlisted for the BBC Young Sports Personality of the Year, but lost out to Paralympic swimmer Eleanor Simmonds.\n\nAfter recovering from her injury, Robson entered the junior tournament of the 2009 Australian Open, where she was seeded fifth. In the semifinals she faced a replay of her Wimbledon final, against top seed Tara Flanagan, whom she beat in straight sets to reach her second Grand Slam junior final. Facing third seed Ksenia Pervak from Russia, Robson was defeated in straight sets. She later attributed her loss to Pervak's greater consistency, and her coach Bok said that \"everybody has to be patient\". After the tournament, Robson started to train with Gil Reyes, the former trainer of Andre Agassi. She was also named the MCC Young Sportswoman of the Year. She claimed the top ranking of ITF Junior Tour in April, despite not playing for two months because of shin splints. \n\nAt the French Open, Robson was the top seed in the junior's competition, but was defeated in round two by Sandra Zaniewska. Robson was the defending champion at Wimbledon, but she fell in the second round to Quirine Lemoine.\n\nDue to her focusing on her senior career, Robson entered the US Open unseeded. In the first round, she beat Ons Jabeur of Tunisia. She then faced the seventh seed Lauren Embree of the United States and beat her in three sets. She went on to face the 12th seed, Tamaryn Hendler, who she defeated in straight sets. Robson then beat Lauren Davis in the quarterfinals. In her semifinal, she faced Yana Buchina of Russia. Due to rain delay, both quarter- and semifinals were played on the same day. Therefore, the semifinal followed the quarterfinal match. Despite starting strongly, Robson tired, losing the match in three sets.\n\nAt the junior singles at the 2010 Australian Open, Robson was unseeded and defeated Belinda Woolcock, Yulia Putintseva, and Cristina Dinu to reach the quarterfinals. In the last eight, she easily overcame American Ester Goldfeld to move through to her fourth junior Grand Slam semifinal where she defeated Kristýna Plíšková of the Czech Republic. She was defeated by Kristýna's twin sister Karolína in the final. In the Wimbledon junior singles she reached the semifinals, losing to Sachie Ishizu of Japan.\n\nProfessional career\n\n2008\nFollowing her victory at Wimbledon, Robson made her debut on the ITF Women's Circuit circuit at a $10k tournament in Limoges, France. She won two matches to qualify for the main draw of the tournament, as well as her first-round match, before having to retire with a shoulder injury in the second round against the second seed Marina Melnikova.\n\nRobson was then given a wildcard into the main draw of the $75k event in Shrewsbury. After beating 2007 Wimbledon girls' singles champion Urszula Radwańska and fourth seed Tzipi Obziler, Robson lost to second seed Maret Ani in three sets in the semifinals. She was given another wildcard into the $50k in Barnstaple, but was defeated in three sets in her first round match against the seventh seed Angelique Kerber, who later said that it was \"unbelievable how she's playing\".\n\nHer first match on the WTA Tour was courtesy of a wildcard into the Luxembourg Open. She lost in the first round against world No. 42, Iveta Benešová. Returning to the ITF Circuit, Robson entered as the fifth seed in a $10k event held in Sunderland, Tyne and Wear. After beating third seed Laura-Ioana Andrei in the quarterfinals, she also beat fellow Brits Tara Moore and Samantha Vickers in straight sets to win her first ITF title at the age of 14 years and 9 months.\n\n2009\nRobson returned to the junior circuit for the first half of 2009. On 9 June, Wimbledon announced that Robson received a wildcard for the singles event. She faced former world No. 5 and 2002 Wimbledon quarterfinalist, Daniela Hantuchová, in the first round but lost despite being a break up in the second set. With Georgie Stoop she also entered into the doubles tournament, progressing to the second round before losing to 16th seeds, Svetlana Kuznetsova and Amélie Mauresmo.\n\nIn August 2009, Robson received also a wildcard into the US Open qualifying. She defeated Stéphanie Foretz in the first round in straight sets, and went on to beat Anikó Kapros of Hungary. In the final round, she lost to Eva Hrdinová, after leading 4–1 in the third set.\n\nOn 17 October, Robson entered the qualifying draw at the Luxembourg Open. In the first round, she defeated world No. 180, Zuzana Ondrášková, and in the second Julia Görges, the world No. 79. In the final round of qualifying, she lost to Maria Elena Camerin. On 10 November, Robson beat Yuliya Beygelzimer in the first round of the Minsk ITF event. She defeated Tetyana Arefyeva in the second round but was defeated in the quarterfinals by Vitalia Diatchenko.\n\n2010\n\nRobson began the season playing with Andy Murray in the Hopman Cup, as part of Britain's first team in the tournament since 1992. She lost her opening match to Yaroslava Shvedova of Kazakhstan. Later in the day she won the mixed-doubles match against Kazakhstan, partnering with Murray to secure a win. Robson was defeated by Germany's Sabine Lisicki but won the mixed doubles against Germany. Robson and Murray defeated Russia to advance to the finals. Despite her first win of the tournament against world No. 26, María José Martínez Sánchez, Robson and Murray lost to Spain's Martínez Sánchez and Tommy Robredo in a very close match.\n\nRobson was granted a wildcard in the qualifying draw for the women's singles of the Australian Open. In her first match, she defeated Sophie Ferguson of Australia. In her second match, she lost to Michaëlla Krajicek. Robson, however, received a wildcard into the main draw of the doubles, partnering Sally Peers. They defeated Jill Craybas and Abigail Spears to set up a second-round clash with the 12th seeds Chuang Chia-jung and Květa Peschke, who they beat in straight sets. Peers and Robson won their third-round clash with Vera Dushevina and Anastasia Rodionova to advance to the quarterfinals, before falling to the No. 15 seeds, Maria Kirilenko and Agnieszka Radwańska.\n\nAfter the Australian Open, Robson did not play again until the start of April. In her third tournament back, she made the semifinal losing to Edina Gallovits of the ITF event in Dothan, after having to qualify for the main draw. She also played in the doubles, and after reaching the quarterfinals, she reached a career high of No. 102 for doubles. She followed this up with a quarterfinal appearance in Charlottesville losing to Anastasiya Yakimova.\n\nShe then qualified for the main draw of the Aegon Classic in Edgbaston, after receiving a wildcard for the qualifying. She beat Nina Bratchikova and Vitalia Diatchenko. Robson then went on to win her first-ever match on the WTA Tour, after her opponent Stefanie Vögele retired during the second set of their first-round match. She lost to the third seed Yanina Wickmayer in the second round. She also received a wildcard for the Rosmalen Open but was beaten by Dominika Cibulková in the first round.\n\nShe received a wildcard for Wimbledon, and faced fourth seed Jelena Janković to whom she lost in two sets. Robson's next senior level competition was a GB Pro-Series event at Woking. Seeded seventh, her first senior seeding, she reached the quarterfinals. Her next competitive match did not come till the end of August 2010, when she entered the qualifying tournament for the US Open. In the first round she shocked second seed Jelena Dokić. She beat Vesna Manasieva, but lost in the third round to Nuria Llagostera Vives.\n\nOn 21 September, Robson announced that she was to split with her coach Martijn Bok, as Bok was unwilling to meet her more demanding 2011 tour schedule.\n\nRobson next competed in the Pan Pacific Open. She beat world No. 57, Anastasija Sevastova, in the first round of qualifying and reached the main draw by beating world No. 100, Simona Halep. She was defeated in the first round of the main draw by the experienced 31-year-old player Gréta Arn.\n\n2011\nFor 2011, Robson hired a new coach, Frenchman Patrick Mouratoglou, and moved her working base to Paris. Her season was disrupted by injury at the Hopman Cup and she did not compete in a tournament until March 2011; her comeback was then delayed for a further month by an injury in her second competition. Returning again at the end of April 2011, Robson's best performance to date came at the $50k tournament at Indian Harbor Beach, Florida, where she reached the semifinals. Robson split from Mouratoglou just before Wimbledon. She then won her first match at a Grand Slam tournament as she defeated Angelique Kerber, but lost to Maria Sharapova in the second round.\n\nAt the US Open, Robson won her three qualifying matches to advance into the main draw. In the first round of the main draw, she was leading when her opponent, Ayumi Morita, retired from the match. She was then beaten by Anabel Medina Garrigues.\n\n2012: First WTA final, Olympic mixed doubles silver medalist\n\nRobson came through three rounds of qualifying at the Australian Open, beating Melanie Oudin, Anna Floris and Olga Savchuk to advance to the main draw for the first time. She lost to 13th seed Jelena Janković in the first round.\n\nRobson was selected for the first time in her career to be a member of British Fed Cup team to play in the Europe/Africa Group-1 match at Eilat, Israel, on 1–4 February 2012. In the group stages she played doubles with Heather Watson, defeating pairs from Portugal, Netherlands and Israel in the group stages. Robson and Watson did not need to play the play-off match against Austria as Anne Keothavong and Elena Baltacha won their singles rubbers, and the 2–0 lead qualified the team for a place in the World Group-II promotion play-off in April 2012.\n\nRobson lost in the third round of qualifying for the 2012 French Open at Roland Garros. However, she got a place in the first round of the main draw as a lucky loser when Sílvia Soler Espinosa withdrew, but then lost her first-round match to Anabel Medina Garrigues.\n\nAfter a second round showing at the Birmingham Classic (lost to Marina Erakovic), Robson came through qualifying at the Eastbourne International. She reached the second round before losing to Ekaterina Makarova. However, the result helped Robson break into the top 100 for the first time in her career. In the first round of Wimbledon, Robson lost to Francesca Schiavone in three sets.\n\nImmediately after Wimbledon, Robson entered the Palermo Open where she reached her first ever WTA Tour semifinal. After beating the world No. 240, Valentyna Ivakhnenko, for the loss of just one game in the first round, she shocked the No. 2 seed and world No. 27, Roberta Vinci, in straight sets to reach her first ever WTA quarterfinal. She continued her good form in the quarterfinal, where she emerged victorious against No. 5 seed, Carla Suárez Navarro, in three sets. However, her run came to an end when she lost in the semifinals to Barbora Záhlavová-Strýcová in three sets. Robson then received a wildcard to enter the main draw of the Swedish Open but lost her first match against Medina Garrigues.\n\nShe received a late place into the women's singles at the 2012 Olympics due to the withdrawal of Croatian Petra Martić. In her first-round match, she beat the world No. 22, Lucie Šafářová, in straight sets, setting up a second round encounter with Maria Sharapova. She lost to the Russian world No. 3 in a tightly contested match. She also competed in the doubles competition with Heather Watson, losing in the first round to the German pairing of Angelique Kerber and Sabine Lisicki. She then received a wildcard entry into the mixed doubles with Andy Murray. They were drawn against Czech pair Lucie Hradecká and Radek Štěpánek in the first round and won in three sets. In the second round, the pair beat the Australian duo of Lleyton Hewitt and Samantha Stosur, and reached the final by beating Germans Sabine Lisicki and Christopher Kas, where they were beaten by the Belarusian pair Victoria Azarenka and Max Mirnyi.\n\nRobson had direct entry to the main draw of the US Open from her WTA ranking, where she defeated Samantha Crawford in the first round. In the second she defeated former US Open champion Kim Clijsters in Clijsters' final singles match before her retirement. Robson consequently reached the third round of a Grand Slam tournament for the first time in her career and joined Serena Williams, Lindsay Davenport, Venus Williams, Amélie Mauresmo and Justine Henin as one of the only six people to beat Clijsters at the US Open championships, and the first player to beat her there since 2003. She followed up her performance with her first victory over a top-ten player, beating ninth seed Li Na in the third round, in three sets. Robson became the first female British tennis player to reach this stage of a Grand Slam tournament since Samantha Smith reached the fourth round of Wimbledon 14 years previously, but she was defeated by defending champion Stosur, ending her best run at a Grand Slam tournament to date.\n\nHer next appearance was at the Guangzhou Open where she beat the then world No. 22, Zheng Jie, and the No. 3 seed Sorana Cîrstea on the way to her first WTA Tour final against Hsieh Su-wei. This was the first WTA singles final for any British woman since Jo Durie in 1990. Robson was eventually defeated, having saved five championship points in the second set and despite taking a 3–0 lead in the third set. The result pushed her ranking inside the top 70 for the first time.\n\nRobson qualified for the main draw of the China Open after defeating Garbiñe Muguruza and Johanna Larsson and reached the second round but she lost to Lourdes Domínguez Lino in straight sets. At the Japan Open in Osaka, she was seeded eighth, the first time in her career she had been seeded at a WTA tournament. She reached the quarterfinals before losing to Chang Kai-chen in three sets, but the result ensured that she finished the year with a ranking of 53.\n\nIn October, Robson was nominated for the Sports Journalists' Association Sportswoman of the Year. In November, along with Heather Watson, won \"Young Sportswoman of the Year\" at the 2012 Sunday Times Sportswomen of the Year Awards. Robson was also nominated for \"WTA Newcomer of the Year\" and William Hill \"Sportswoman of the Year\" in November, winning the former award.\n\n2013: Career-high ranking\n\nAt the start of the year, Robson had reached the top 50 for the first time in her career. She followed this with her first victory at the Australian Open with a convincing straight sets victory over Melanie Oudin. In the second round she played former Wimbledon champion, and fellow left-hander, Petra Kvitová. Robson came back after losing the first set to beat Kvitová in a three-hour match, to set up a third-round meeting with Sloane Stephens. After stopping for several shoulder treatments, Robson was eventually beaten in two sets. After the Australian Open, Robson played six matches in Fed Cup competition that saw Great Britain earn a World Group II play-off spot against Argentina. Following this success, she went on to lose two successive matches, losing to Daniela Hantuchová in Doha and to wildcard Yulia Putintseva in Dubai.\n\nAt Indian Wells, Robson lost her first-round match against Sofia Arvidsson in three sets. Her next tournament was at Miami. In the singles, Robson reached the second round before losing to Alizé Cornet. In the doubles Laura Robson was given a wildcard to play with Lisa Raymond. The pair reached the final, beating the world No. 1 pairing of Sara Errani and Roberta Vinci, in straight sets in the semifinals, before losing to Nadia Petrova and Katarina Srebotnik.\n\nRobson was seeded 16th at Charleston and reached the second round before losing to Eugenie Bouchard in three sets. At the Katowice Open, Robson was seeded eighth, but lost in the first round to Lourdes Domínguez Lino.\n\nRobson represented Great Britain in the Fed Cup World Group II play-off against Argentina. After Johanna Konta lost her opening rubber to Paula Ormaechea, Robson easily won her first match over Florencia Molinero. Robson lost her second match against Paula Ormaechea in three sets.\n\nAfter several first-round defeats at the start to the European clay-court season, Robson defeated world No. 4, Agnieszka Radwańska, in the second round of the Madrid Open. She subsequently lost to former world No. 1, Ana Ivanovic, in the next round, having led 5–2 in the final set. Robson then made her debut at the Italian Open where she defeated Venus Williams in the first round but subsequently lost to her sister, world No. 1 and eventual champion, Serena Williams, in the second round. At the French Open Robson was beaten in the first round by former world No. 1, Caroline Wozniacki, in straight sets.\n\nTo begin the grass-court season, Robson entered the Birmingham Classic where she was seeded seventh. Despite the seeding, she lost in straight sets to the eventual champion Daniela Hantuchová. She then participated in the Eastbourne International. In the first round, she faced Yuliya Beygelzimer in which she won in straight sets. In the second round, she lost to Caroline Wozniacki in straight sets for the second time in a row.\n\nIn the first round of Wimbledon, she was drawn against the No. 10 seed Maria Kirilenko, whom she beat in straight sets. She beat world No. 117, Mariana Duque, in the second round on Centre Court. In the third round, she came from a set down to beat Marina Erakovic to progress to the last 16 where she was beaten by Kaia Kanepi. Her performance pushed her up to 27 in the world, the first Briton in the top 30 since Jo Durie in 1987.\n\nRobson started her US Open Series campaign on 30 July 2013 at the Southern California Open in Carlsbad being drawn against Ayumi Morita, whom she beat having come back from a set down in two hours and 40 minutes. Laura moved into the second round faced with the world No. 7 Petra Kvitová from Czech Republic but lost in straight sets putting an end to her Southern California Open.\n\nTo start the Canadian Open in Toronto, Robson was due to play Yanina Wickmayer on 5 August 2013 in her opening match, but had to pull out due to a wrist injury. The same injury also led to her pulling out of the tournament in Cincinnati, however her ranking of No. 32 meant that she would be seeded at a Grand Slam tournament for the first time in her career, entering the US Open as the 30th seed.\n\nAt the US Open, Robson returned after intensive rehab on her wrist injury and began her campaign against Spain's Lourdes Domínguez Lino, whom she had lost to twice previously. After winning a scrappy first set, Robson powered through the second at love. In the second round, she faced world No. 75 Caroline Garcia, and won in two tight sets. She then fell in straight sets in the next round to Li Na in the same place they had played last year, where Robson had won. The fifth seed Li powered 11 aces to beat her 12-year younger opponent, Robson in straight sets. After a break of around three weeks, Robson returned to action at the Guangzhou Open, a tournament in which she was a finalist the previous year. She started strongly, with straight sets wins over qualifier Jovana Jakšić in the first round, and Zheng Saisai in the second round. She subsequently lost to another Chinese player in Zheng Jie, despite taking the first set 6–1.\n\nIn October 2013, it was announced that Miles Maclagan's coaching partnership with Laura had ended and that she would be taking a couple of weeks out and starting the search for a new coach.\n\n2014–15: Wrist injury, extended absence\nRobson started her 2014 season at the Hobart International, where she had to retire in her first round match against Yanina Wickmayer due to a left wrist injury. Her wrist continued to affect her at the Australian Open, where Kirsten Flipkens defeated her in straight sets. After taking three-months rest from the tour, Robson underwent surgery on her left wrist in April. The surgery forced her to miss the French Open, Wimbledon and the US Open, and although Robson initially hoped to be playing by the end of the season, she only started training in October, and did not play again in 2014.\n\nRobson did not enter the Australian Open in 2015 and subsequently left the WTA rankings, having not competed for 12 months. Robson planned to return at the $25k tournament at Surprise, Arizona, but delayed her return and did not enter another ITF event in February. She declined a wildcard into the qualifying event of the Miami Masters in March. Her agent Eisenbund stated that she had not suffered a setback, and was \"closer and closer\" to a return.\n\nAfter an absence of a year and a half, Robson's first competitive match was at the qualifying draw of the Eastbourne International in June. She lost to top-seed Daria Gavrilova, in straight sets. Robson was granted a wildcard to compete at Wimbledon, but she was defeated in the first round by Evgeniya Rodina.\n\nIn July 2015, she played at the $50k event in Granby and won a tough three-set match over second seed Naomi Osaka. However, she lost her next match to American qualifier Ellie Halbauer. Robson also reached the final in doubles partnering Erin Routliffe. In Gatineau, she retired from her first-round match, generating fear that her wrist injury had returned, but Robson said that she had been hampered by a stomach strain she had suffered during practice.\n\n2016: Return to tennis, struggle with form\nAfter receiving some further surgery on her wrist at the end of 2015, Robson took some more time off from tennis and subsequently missed the Australian Open. She started off the year playing some American Challenger events, with limited success. She made her return to WTA events by using her protected ranking to enter Indian Wells. Here she made a reasonable effort in her first round but lost to Magdaléna Rybáriková who subsequently went on to reach the quarterfinals of the event. She also received a wildcard entry into the main draw of Miami and used her protected ranking to enter into the qualifying of Charleston but lost in the first round at both events.\n\nRobson later won her first WTA match since her injury in 2013 by beating Klára Koukalová, 6–2, 6–3 in the qualifying of Stuttgart. However, she lost her next match in qualifying to Océane Dodin in straight sets. She also claimed her first main-draw WTA victory since 2013 in Rabat by defeating local wildcard Ghita Benhadi in straight sets. However, she later lost her next match to Tímea Babos.\n\nRobson also used her protected ranking to enter Premier clay events in Madrid and Rome, where she lost her first round matches to Victoria Azarenka and Christina McHale, respectively. She had put on a promising display against Azarenka, but was unable to convert 8 out of nine breakpoints, allowing Azarenka to clinch victory in straight sets. Robson was awarded a wildcard into Wimbledon for a second year, but was defeated in 69 minutes by Angelique Kerber in the first round in an error-strewn performance.\nIn August Robson won a second tier ITF tournament in USA. She was then given a wildcard entry to the 2016 US Open qualifying tournament. Straight-set victories over Jang Su-jeong, Isabella Shinikova and Tatjana Maria gained her entry to the main draw of the tournament, losing in the first round to fellow Brit Naomi Broady, 7–6, 3–6, 4–6.\n\nPost-US Open, Robson lost in the first round in four out of six ITF tournaments, including a loss to a player ranked 1048.\n\n2017: Continued struggle with form\nRobson began her 2017 season at the Auckland, but lost in the first round of qualifying to Tereza Martincová. At the Australian Open, she also lost in the first round of qualifying to Amandine Hesse, in straight sets. She then played in the $60k tournament at Andrézieux-Bouthéon and reached the quarterfinals, before losing in straight sets to Amra Sadiković. Between the end of January and the beginning of May, Robson reached three quarterfinals on the ITF Circuit. Robson won the biggest title of her career at a $60k tournament in Kurume, Fukuoka, defeating fellow Briton Katie Boulter in straight sets. The tournament win moved her up 80 places in the ranking, causing her to reach the top 200 for the first time since 2014.\n\nAt the beginning of her grass-court season, Robson played the $100k event in Surbiton, but lost in the first round to Marina Erakovic. She then played at Nottingham, but fell to Julia Boserup in the first round. She reached the second round of the Ilkley $100k event before falling to Maryna Zanevska in three sets. She received a wildcard for Wimbledon, but lost in the first round to Brazil's Beatriz Haddad Maia.\n\nShe continued to struggle with form throughout the latter half of the season post-Wimbledon, losing eleven matches and winning just seven on the ITF Circuit, including a loss in the first round of the qualifying draw at the US Open to world No. 311, Alla Kudryavtseva.\n\n2018: Hip surgery\nRobson was unable to play in the Australian Open qualifying draw as her ranking – at 230 – remained too low to gain direct entry. She did, however, play in the first round of the women's doubles draw with CoCo Vandeweghe, which they lost in straight sets. The following week, she lost in the first round of the Burnie International to world No. 415, Jennifer Elie, but won the doubles title partnering Vania King.\n\nIn March, Robson teamed up with Fanny Stollár to win the doubles at the ITF event in Yokohama.\nIn July 2018, she underwent hip surgery.\n\n2019: Return, further hip problems\nAfter eight months recovering from surgery, Robson returned to tennis on 12 February at the $60k in Shrewsbury, losing to Kathinka von Deichmann, in three sets. Robson's world ranking at this point was 511. She then entered the Bolton $25k qualifying tournament in April, and reached round two before falling to Tara Moore, in straight sets. The following week, Robson entered the $25k Sunderland qualifying and beat Ellie Tsimbilakis, in straight sets, and Alicia Barnett in the match tiebreaker to qualify for the main draw. This was her first main-draw appearance after her comeback. She won her first-round match in a tight three-setter but eventually fell to fellow Brit and top seed Harriet Dart, after having to retire before the second set. However, this injury was not considered serious, and Robson stated she planned to play some tournaments in about two weeks time.\n\nIn spite of this, Robson was not to play again for the rest of the year and announced in December that she had decided to have another operation on her hip.\n\nPlaying style\nRobson plays left-handed, with a two-handed backhand. One of her strengths is her \"dominant\" serve. She has a strong game from the back of the court and is also noted for having an aggressive forehand return. However, she has been criticised for having \"poor lateral movement\", as well as an inconsistent second serve, resulting in a considerable number of double faults. She has been praised for showing \"extraordinary poise\", and having \"the attitude and technique required of a leading player\". Commentator Simon Reed said that she \"has every tool she needs\", and former Grand Slam champion Pat Cash called her \"a special talent\" who \"seems to have all the attributes to progress\". Former WTA player Ana Ivanovic said that Robson \"hits the ball really, really hard\", former top British player Samantha Smith said that \"she doesn't have any weaknesses at all\", and Serena Williams stated that Robson is an \"all-around good player\". Robson's favourite surface to play on is grass and her favourite shot is her forehand down the line.\n\nCareer statistics\n\nOlympic Games\n\nMixed doubles final: 1 (runner-up)\n\nGrand Slam tournament performance timelines\n\nSingles\n\nJunior Grand Slam finals\n\nSingles: 3 (1–2)\n\nReferences\n\nExternal links\n\n \n \n \n\n1994 births\nLiving people\nSportswomen from Victoria (Australia)\nBritish female tennis players\nAustralian emigrants to England\nCitizens of the United Kingdom through descent\nBritish expatriates in France\nWimbledon junior champions\nGrand Slam (tennis) champions in girls' singles\nHopman Cup competitors\nTennis players at the 2012 Summer Olympics\nOlympic tennis players of Great Britain\nOlympic silver medallists for Great Britain\nOlympic medalists in tennis\nMedalists at the 2012 Summer Olympics\nTennis players from Melbourne" ]
[ "Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals.", "He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup.", "After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004.", "His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto.", "He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C.", "Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018).", "From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, \"My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later.", "I am going to die sooner rather than later. I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute.\" He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner.", "When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes.", "Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level.", "Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract.", "In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward.", "Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, \"Newcastle made no appreciable effort to secure [my] signature.\" He also thought he stood a better chance of breaking into the first team at Fulham.", "He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football.", "Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\".", "He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time.", "The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons.", "Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary.", "However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary.", "Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\"", "Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\" Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\".", "He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad.", "The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.", "International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956.", "However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe.", "His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory.", "Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match.", "However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium.", "Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament.", "He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, \"I never played for England again... my international career was unfulfilled.\" His place in the England team was taken by Bobby Moore.", "His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C.", "He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches.", "Fulham were struggling with 16 points from 24 matches. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station.", "He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton.", "He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final.", "However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar.", "His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\".", "About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football.", "During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren.", "His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road.", "In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987.", "On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold.", "England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach.", "On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager.", "On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico.", "The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker.", "Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later.", "England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage.", "However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\"", "Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\" Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams.", "Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches.", "England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany.", "Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\"", "Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\" Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup.", "Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1.", "Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles.", "Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as \"a culture shock\" but felt \"a sense of adventure\".", "Robson described the move as \"a culture shock\" but felt \"a sense of adventure\". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, \"An English pro accepts the manager's decision. After every match here, the substitutes come and visit me.\"", "After every match here, the substitutes come and visit me.\" Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted \"in some matches he would be scintillating\". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons.", "Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager.", "Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in \"a terrible state\". He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent.", "He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager.", "Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17.", "Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons.", "The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995.", "Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club.", "A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment.", "Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup.", "One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\".", "Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\". The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season.", "The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season.", "PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999.", "Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal.", "Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge.", "In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season.", "Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season.", "However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille.", "At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room.", "Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season.", "Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005.", "Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: \"I'm here to say goodbye—maybe not goodbye but farewell.\" In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations.", "In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players.", "The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\".", "On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park.", "Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour.", "He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time.", "Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's \"Best Pub Side\" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004.", "He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed.", "Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease.", "After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England.", "The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests.", "In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million.", "At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn.", "Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\".", "Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\". UEFA president Michel Platini said, \"He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being.\" Gary Lineker said, \"It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country.", "He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game.\" Former Prime Minister of the United Kingdom Tony Blair described Robson as a \"real Geordie gentleman\". According to the then-Prime Minister Gordon Brown, Robson \"epitomised everything that is great about football in this country\". His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones.", "His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph.\" Robson's funeral, a private family ceremony, took place on 5 August 2009.", "Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage.", "One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football.", "Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\".", "In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\".", "Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement.", "Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006.", "In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\".", "On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham.", "On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to \"individuals who have dedicated their talents to the good of the game\". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death.", "The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the \"gentlemanly qualities he showed throughout his career as a player and coach\". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season.", "All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand.", "At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle.", "In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work.", "The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health.", "With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as \"The best President we never had\". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer.", "In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City.", "On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim.", "In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal.", "Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C.", "Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C.", "players Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C.", "managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham" ]
[ "Bobby Robson", "International playing career", "Where did Robson play internationally?", "Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956." ]
C_f615186a82b8421aacb4ca18fca24b42_0
Where else did he play after 1956?
2
Other than playing in South Africa in 1956, where else did Robson play after 1956?
Bobby Robson
During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER
his debut in a November 1957 victory against France,
Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham
true
[ "Robert Else (17 November 1876 – 16 September 1955) was an English first-class cricketer who played for Derbyshire in 1901 and 1903.\n\nElse was born at Lea, Holloway, Derbyshire, the son of John Else and his wife Henrietta Lowe. His father was a bobbin maker and in 1881 they were all living with his grandparents at the Old Hat Factory in Wirksworth. Else made his debut for Derbyshire in May 1901 against Surrey, when his scores were 1 and 2. He played again that season against the South Africans when he opened the batting scoring a duck in the first innings and surviving the whole of the second innings for 6 not out. He did not play again until July 1903 when against London County he took a wicket and made his top score of 28. He played his last two matches in 1903 and made little impression in them.\n\nElse was a left-hand batsman and played ten innings in five first-class matches with an average of 7.3 and a top score of 28. He bowled fifteen overs and took 1 first-class wicket for 61 runs in total.\n\nElse died at Broomhill, Sheffield, Yorkshire at the age of 78.\n\nReferences\n\n1876 births\n1955 deaths\nDerbyshire cricketers\nEnglish cricketers\nPeople from Dethick, Lea and Holloway", "Fredrick Else (31 March 193320 July 2015) was an English footballer, who played as a goalkeeper. Else gained over 600 professional appearances in his career playing for three clubs, Preston North End, Blackburn Rovers and Barrow.\n\nClub career\nElse was born in Golborne near Wigan on 31 March 1933. Whilst on national service in the north-east he played for amateur club Axwell Park Colliery Welfare in the Derwent Valley League. He attracted the attention of Football League teams and signed as a junior for Preston North End in 1951, and as a professional in 1953. He made his debut for Preston against Manchester City in 1954, but was restricted to 14 appearances over his first three seasons. He eventually became first choice, displacing George Thompson, and played 238 times for North End. During this time Preston's most successful season came in 1957–58, when the club finished as runners up in Division One.\n\nThe 1960–61 season ended in relegation for Preston and Else was sold to neighbours Blackburn Rovers for £20,000. Else became a first choice for Blackburn straight away and played 221 times for the club. A collarbone injury in 1964–65 resulted in a period out of the game, though Else returned to regain the goalkeeper's jersey at Blackburn. Nonetheless the team were relegated the following season and Else was released. During the summer of 1966 Else signed with Barrow of the Fourth Division. Else became part of Barrow's most successful team, with the side winning promotion to the Third Division in his first season there. Else was Barrow's first choice keeper for the entire period that they were in the third division, and played 148 league matches for the club. He retired from football after Barrow's relegation in 1970 following a leg infection. His final season included a brief stint as caretaker manager at Barrow.\n\nHonours\n Football League Division One Runner-up 1957–1958\n Football League Division Four Promotion 1966–1967\n\nInternational career\nElse has been described by fans of the clubs that he played for as one of the best English goalkeepers never to win a full international cap. He did, however, make one appearance for the England B team in 1957 against Scotland B, as well as participating in a Football Association touring side of 1961.\n\nPersonal life and death\nElse met his wife Marjorie in 1949 in Douglas on the Isle of Man. They married when Else was 22 and Marjorie 20, on 29 October 1955, a Saturday morning. The wedding was held in Marjorie's home town of Blackpool and the date was chosen so that the couple could marry in the morning and Else could then travel either to Deepdale, to play for Preston North End's reserve team, or to Bloomfield Road where Preston's first team was due to be playing Blackpool F.C. In the event Else was selected for the reserves and the couple had to travel by bus to Preston.\n\nAfter retiring from football, Else remained in Barrow-in-Furness, becoming a geography and maths teacher at a local secondary school. He retired from teaching in 1999 and moved to Cyprus, though still attended some Barrow matches. Else died in Barrow-in-Furness on 20 July 2015, aged 82.\n\nReferences\n\n2015 deaths\n1933 births\nBarrow A.F.C. managers\nBarrow A.F.C. players\nBlackburn Rovers F.C. players\nPreston North End F.C. players\nPeople from Golborne\nEnglish footballers\nAssociation football goalkeepers\nSchoolteachers from Cumbria\nEnglish Football League players\nEngland B international footballers\nEnglish football managers" ]
[ "Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals.", "He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup.", "After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004.", "His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto.", "He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C.", "Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018).", "From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, \"My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later.", "I am going to die sooner rather than later. I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute.\" He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner.", "When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes.", "Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level.", "Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract.", "In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward.", "Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, \"Newcastle made no appreciable effort to secure [my] signature.\" He also thought he stood a better chance of breaking into the first team at Fulham.", "He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football.", "Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\".", "He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time.", "The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons.", "Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary.", "However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary.", "Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\"", "Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\" Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\".", "He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad.", "The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.", "International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956.", "However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe.", "His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory.", "Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match.", "However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium.", "Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament.", "He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, \"I never played for England again... my international career was unfulfilled.\" His place in the England team was taken by Bobby Moore.", "His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C.", "He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches.", "Fulham were struggling with 16 points from 24 matches. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station.", "He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton.", "He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final.", "However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar.", "His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\".", "About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football.", "During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren.", "His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road.", "In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987.", "On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold.", "England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach.", "On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager.", "On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico.", "The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker.", "Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later.", "England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage.", "However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\"", "Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\" Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams.", "Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches.", "England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany.", "Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\"", "Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\" Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup.", "Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1.", "Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles.", "Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as \"a culture shock\" but felt \"a sense of adventure\".", "Robson described the move as \"a culture shock\" but felt \"a sense of adventure\". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, \"An English pro accepts the manager's decision. After every match here, the substitutes come and visit me.\"", "After every match here, the substitutes come and visit me.\" Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted \"in some matches he would be scintillating\". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons.", "Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager.", "Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in \"a terrible state\". He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent.", "He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager.", "Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17.", "Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons.", "The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995.", "Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club.", "A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment.", "Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup.", "One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\".", "Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\". The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season.", "The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season.", "PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999.", "Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal.", "Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge.", "In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season.", "Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season.", "However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille.", "At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room.", "Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season.", "Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005.", "Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: \"I'm here to say goodbye—maybe not goodbye but farewell.\" In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations.", "In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players.", "The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\".", "On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park.", "Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour.", "He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time.", "Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's \"Best Pub Side\" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004.", "He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed.", "Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease.", "After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England.", "The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests.", "In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million.", "At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn.", "Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\".", "Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\". UEFA president Michel Platini said, \"He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being.\" Gary Lineker said, \"It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country.", "He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game.\" Former Prime Minister of the United Kingdom Tony Blair described Robson as a \"real Geordie gentleman\". According to the then-Prime Minister Gordon Brown, Robson \"epitomised everything that is great about football in this country\". His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones.", "His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph.\" Robson's funeral, a private family ceremony, took place on 5 August 2009.", "Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage.", "One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football.", "Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\".", "In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\".", "Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement.", "Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006.", "In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\".", "On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham.", "On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to \"individuals who have dedicated their talents to the good of the game\". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death.", "The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the \"gentlemanly qualities he showed throughout his career as a player and coach\". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season.", "All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand.", "At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle.", "In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work.", "The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health.", "With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as \"The best President we never had\". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer.", "In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City.", "On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim.", "In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal.", "Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C.", "Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C.", "players Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C.", "managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham" ]
[ "Bobby Robson", "International playing career", "Where did Robson play internationally?", "Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.", "Where else did he play after 1956?", "his debut in a November 1957 victory against France," ]
C_f615186a82b8421aacb4ca18fca24b42_0
Who was he playing for in 1957?
3
Who was Robson playing for in 1957?
Bobby Robson
During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER
the England national team,
Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham
true
[ "William Hoare (23 October 1868 – 16 December 1954) was an Australian cricketer. He played fourteen first-class matches for Queensland from 1892-93 to 1902-03.\n\nCricket career\nAs of 1883 Hoare was playing for Unions cricket club in Brisbane. In 1884 he moved to Gregorys club, and in 1886 he played for Windsor club. In 1887 he played for a combined team representing the clubs competing in Brisbane Junior Cricket against a combined Dinmore and Goodna side. In 1888 he played for Nelson cricket club. \n\nBy early 1890 he was playing for Pembroke cricket club in the Southern Queensland Cricket Union competition, but he moved to the South Brisbane Cricket Club later in the year. By 1893 he was playing for Graziers' Cricket Club. In March 1893 he was selected for a practice match between two Queensland sides played to decide who would represent the state in its inaugural first-class match against New South Wales and took 7 for 19, a performance which earned him selection in the first-class game in March.\n\nWhen Brisbane electoral cricket was established in 1897 Hoare played for the Woolloongabba club in the new competition.\n\nSee also\n List of Queensland first-class cricketers\n\nReferences\n\nExternal links\n \n\n1868 births\n1954 deaths\nAustralian cricketers\nQueensland cricketers\nCricketers from Brisbane", "Mathias Haarup (born 10 February 1996) is a Danish footballer who plays as a right-back or left-back for Hobro IK in the Danish 1st Division.\n\nClub career\n\nEarly career\nAt the age of four, Haarup started playing for local club Havndal Udbyneder IF, where he was coached by his own father, who began working for the club. He later signed for Hobro IK at the age of 12, where he had many friends from the talent-team. At this time, Haarup was playing as a forward. His last youth destination was Randers FC, which he joined at the age of 14. At this time, he was already involved with the first team.\n\nRanders Freja\nIn 2015, Haarup was promoted to the Denmark Series team of Randers FC, because he became too old for playing for the U19 team and was not deemed good enough for the first team squad. Though, he was also training and playing for the reserve team of Randers. In 2016, he became the captain of the Denmark Series team.\n\nIn December 2016, Haarup went on a trial at Skive IK, without getting offered any contract at the end.\n\nBrabrand IF\nOn 24 December 2016, Haarup signed for Danish 2nd Division club, Brabrand IF. He played 12 games for the club, before leaving in the summer 2017. This was announced by Brabrand IF in June 2016. He was playing as a winger during his time in Brabrand.\n\nHobro IK\nAfter playing in the Denmark Series and a half year in the Danish 2nd Division, he finally reached the top league, after re-signing for newly-promoted Danish Superliga club Hobro IK on 21 June 2017.\n\nHaarup got his debut for Hobro IK on 14 August 2017. He started on the bench, but replaced Danny Olsen in the 89th minute in a 1-1 draw against AaB in the Danish Superliga.\n\nReferences\n\nExternal links\n \n Mathias Haarup at Hobro IK\n\n1996 births\nLiving people\nDanish footballers\nAssociation football defenders\nDanish Superliga players\nDanish 2nd Division players\nHobro IK players\nBrabrand IF players\nPeople from Aarhus\nRanders FC players" ]
[ "Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals.", "He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup.", "After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004.", "His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto.", "He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C.", "Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018).", "From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, \"My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later.", "I am going to die sooner rather than later. I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute.\" He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner.", "When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes.", "Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level.", "Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract.", "In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward.", "Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, \"Newcastle made no appreciable effort to secure [my] signature.\" He also thought he stood a better chance of breaking into the first team at Fulham.", "He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football.", "Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\".", "He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time.", "The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons.", "Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary.", "However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary.", "Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\"", "Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\" Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\".", "He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad.", "The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.", "International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956.", "However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe.", "His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory.", "Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match.", "However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium.", "Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament.", "He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, \"I never played for England again... my international career was unfulfilled.\" His place in the England team was taken by Bobby Moore.", "His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C.", "He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches.", "Fulham were struggling with 16 points from 24 matches. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station.", "He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton.", "He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final.", "However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar.", "His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\".", "About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football.", "During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren.", "His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road.", "In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987.", "On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold.", "England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach.", "On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager.", "On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico.", "The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker.", "Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later.", "England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage.", "However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\"", "Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\" Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams.", "Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches.", "England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany.", "Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\"", "Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\" Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup.", "Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1.", "Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles.", "Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as \"a culture shock\" but felt \"a sense of adventure\".", "Robson described the move as \"a culture shock\" but felt \"a sense of adventure\". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, \"An English pro accepts the manager's decision. After every match here, the substitutes come and visit me.\"", "After every match here, the substitutes come and visit me.\" Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted \"in some matches he would be scintillating\". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons.", "Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager.", "Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in \"a terrible state\". He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent.", "He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager.", "Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17.", "Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons.", "The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995.", "Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club.", "A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment.", "Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup.", "One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\".", "Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\". The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season.", "The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season.", "PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999.", "Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal.", "Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge.", "In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season.", "Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season.", "However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille.", "At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room.", "Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season.", "Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005.", "Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: \"I'm here to say goodbye—maybe not goodbye but farewell.\" In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations.", "In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players.", "The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\".", "On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park.", "Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour.", "He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time.", "Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's \"Best Pub Side\" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004.", "He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed.", "Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease.", "After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England.", "The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests.", "In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million.", "At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn.", "Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\".", "Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\". UEFA president Michel Platini said, \"He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being.\" Gary Lineker said, \"It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country.", "He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game.\" Former Prime Minister of the United Kingdom Tony Blair described Robson as a \"real Geordie gentleman\". According to the then-Prime Minister Gordon Brown, Robson \"epitomised everything that is great about football in this country\". His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones.", "His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph.\" Robson's funeral, a private family ceremony, took place on 5 August 2009.", "Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage.", "One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football.", "Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\".", "In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\".", "Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement.", "Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006.", "In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\".", "On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham.", "On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to \"individuals who have dedicated their talents to the good of the game\". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death.", "The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the \"gentlemanly qualities he showed throughout his career as a player and coach\". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season.", "All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand.", "At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle.", "In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work.", "The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health.", "With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as \"The best President we never had\". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer.", "In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City.", "On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim.", "In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal.", "Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C.", "Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C.", "players Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C.", "managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham" ]
[ "Bobby Robson", "International playing career", "Where did Robson play internationally?", "Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.", "Where else did he play after 1956?", "his debut in a November 1957 victory against France,", "Who was he playing for in 1957?", "the England national team," ]
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Which team did he play for longest?
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Which team did Robson play for longest?
Bobby Robson
During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4-0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9-3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. CANNOTANSWER
England
Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, "My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute." He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, "Newcastle made no appreciable effort to secure [my] signature." He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as "a nice club, a social club...", but "never... a serious, championship-challenging club". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, "In all my time as a footballer, I didn't win a thing." Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it "was a chance too good to miss". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the "push and run" approach to the game, a precursor to "total football", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, "I never played for England again... my international career was unfulfilled." His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline "Robson sacked" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: "We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous "Hand of God" goal and the "Goal of the Century" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, "In the name of Allah, go." Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, "[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made." Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as "a culture shock" but felt "a sense of adventure". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, "An English pro accepts the manager's decision. After every match here, the substitutes come and visit me." Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted "in some matches he would be scintillating". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in "a terrible state". He described the club's president as a "loose cannon" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA "C" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as "Bobby Five-O" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, "as a trainer without doubt [Robson] is one of the greatest in the world". The 1997–98 season saw Robson moved "upstairs" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, "[I]t was miles below the going rate," but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: "I'm here to say goodbye—maybe not goodbye but farewell." In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as "international football consultant". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's "Best Pub Side" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a "great friend, a wonderful individual and tremendous football man". UEFA president Michel Platini said, "He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being." Gary Lineker said, "It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game." Former Prime Minister of the United Kingdom Tony Blair described Robson as a "real Geordie gentleman". According to the then-Prime Minister Gordon Brown, Robson "epitomised everything that is great about football in this country". His friend, the broadcaster Michael Parkinson, said, "Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph." Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for "services to football". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being "the proudest moment of my life". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of "his contribution as both player and manager in a career spanning more than half a century". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to "individuals who have dedicated their talents to the good of the game". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the "gentlemanly qualities he showed throughout his career as a player and coach". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as "The best President we never had". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C. players Fulham F.C. managers Ipswich Town F.C. managers Knights Bachelor La Liga managers Newcastle United F.C. managers People from Sacriston Primeira Liga managers English Football League managers Premier League managers PSV Eindhoven managers Sporting CP managers UEFA Cup winning managers UEFA Euro 1988 managers United Soccer Association players Vancouver Royals players West Bromwich Albion F.C. players English expatriate sportspeople in the Netherlands English expatriate sportspeople in Portugal English expatriate sportspeople in Spain English Football League players English Football League representative players Association football forwards BBC Sports Personality Lifetime Achievement Award recipients Deaf association football players Deaf people from England People from Langley Park, County Durham
true
[ "The Labour Day Classic (, branded as Mark's Labour Day Weekend for sponsorship reasons) is a week of the Canadian Football League (CFL) schedule played over the Labour Day weekend (which includes the first Monday in September). Labour Day weekend, roughly 12 or 13 weeks into the CFL season, is known for its matchups that do not change from year to year, unlike other \"rivalry\" weeks of the CFL schedule. Labour Day weekend is also one of typically two weeks (the Thanksgiving Day Classic being the other) in the CFL schedule that the league plays on a Monday. Mark's is the presenting sponsor of the event as of 2014.\n\nThe current weekend matchups involve the Winnipeg Blue Bombers visiting the Saskatchewan Roughriders on the Sunday and on Labour Day itself, the Hamilton Tiger-Cats play at home against the Toronto Argonauts, while the Edmonton Elks visit the Calgary Stampeders. The Montreal Alouettes would normally play against the Ottawa Redblacks on the Thursday or Friday, but after both teams were given a bye week in 2019, the rivalry would be further diminished in 2020 with a scheduled Ottawa vs BC Lions matchup on the weekend. The BC Lions have no geographic rival and would typically have a bye on Labour Day.\n\nHistory\nThe Labour Day Classic began in 1949 and pre-dates the founding of the CFL by nine years. The matchups have remained mostly the same throughout history, except during Montreal and Ottawa's periods of hiatus or due to scheduling conflicts.\n\nDuring the early 1980s, the Montreal Concordes played the Hamilton Tiger-Cats and the remaining three teams (Toronto, Ottawa and BC) rotated each year. Ottawa and BC faced each other during the late 1980s and early 1990s while the league had no team in Montreal.\n\nBecause Ottawa had no active team from 1997–2001 and 2006–2013, the Alouettes usually played the Lions during those seasons, creating a \"coast-to-coast\" rivalry.\n\nDue to the COVID-19 pandemic in Canada, the entire 2020 CFL season was cancelled and therefore no Labour Day weekend games were played for the first time in CFL history.\n\nHamilton \nDue to scheduling conflicts, the Tiger-Cats temporarily revived its rivalry with the current incarnation of the Alouettes in the Labour Day game for the 2011 season; the change in opponents led Hamilton to dub the game the Labour Day Classique in reference to Montreal's francophone community. While in 2011, this automatically resulted in Toronto and BC facing each other.\n\nIn 2013, the Tiger-Cats' did not host a game on Labour Day for only the second time in franchise history (the first being 1995). It was also the first time that they did not host a game on that weekend. Because Ivor Wynne Stadium was demolished to make way for the new Tim Hortons Field, the team played out of Alumni Stadium in Guelph. The University of Guelph Gryphons (along with most Ontario University Athletics teams) were playing that same day, so the Tiger-Cats could not host the game. To make up for it, the Toronto at Hamilton matchup was played in the Thanksgiving Day Classic.\n\nFor the 2016 contest, to avoid any further conflicts with OUA games, the CFL moved the Toronto/Hamilton matchup to prime time Labour Day evening. That year, the OUA's McMaster Marauders football team moved its Labour Day matchup with the Toronto Varsity Blues football squad to Tim Hortons Field, creating a doubleheader with a series of concerts in-between games. This was moved back to a 1pm start in 2019.\n\nRelated events \nAlthough not directly associated with the Labour Day Classic, the week after Labour Day often has a repeat match-up of the Bombers vs Roughriders (see Banjo Bowl), Stampeders vs Eskimos (see Battle of Alberta), and Tiger-Cats vs Argonauts (a rivalry which began in 1873), with home field advantage now to the team that did not have it during the Labour Day weekend.\n\nAs the league has been increasing in popularity in recent years, print ads for the Labour Day Classic try to evoke the tradition of watching Canadian football on the last weekend of summer. Slogans include \"Long Live the Rivalries\" and \"Watch the Team You Love Play the Team You Love to Hate\". Some of the teams wear special third jerseys or throwback uniforms if they play at home.\n\nCurrent matchups\n\nEdmonton vs Calgary\n\nLongest Winning Streak (Edmonton): 7 (1950-1961)\nLongest Winning Streak (Stampeders): 8 (2012-2019)\n\nDid not play in the following years: 1954–1958, 1964–1968, 1973, 1981, 2020\n\nWinnipeg vs Saskatchewan\nIn the week following the Winnipeg vs Saskatchewan Labour Day Classic matchup, the two teams rematch annually in the Banjo Bowl.\n\nLongest winning streak (Roughriders): 11 (2005–2015)\nLongest winning streak (Blue Bombers): 4 (1978–1982)\n\nDid not play the following years: 1955–1960, 1964–1969, 1971, 1973, 1976, 1981, 2020\n\nToronto vs Hamilton\nThe Toronto—Hamilton Classic is one of the components of the Harold Ballard Trophy, an award given to the winner of the season series between the Tiger-Cats and Argonauts. The trophy is named after Harold Ballard, who owned the Tiger-Cats for much of the 1980s and owned Maple Leaf Sports & Entertainment for most of that time. A trophy has been awarded to the winner of the series since 1979.\n\nThe Toronto—Hamilton contest is officially known as Football Day in Hamilton and has its own presenting sponsor, WeatherTech Canada. Since the opening of Tim Hortons Field, Football Day in Hamilton has consisted of a Tiger-Cats game as well as a concert and either a McMaster Marauders football or a Hamilton Hurricanes (CJFL) matinée.\n\nLongest Winning Streak (Tiger-Cats): 7 (2014-2021)\nLongest Winning Streak (Argonauts): 3 (1994-1997, 2006-2008)\n\nDid not play the following years: 1962, 1965–1966, 1969–1970, 1972–1974, 1976–1977, 1979, 1981–1986, 1990, 1995, 2011, 2013, 2020\n\nOttawa vs Montreal\n\nLongest Winning Streak (Ottawa): 8 (1961-2003)\nLongest Winning Streak (Montreal): 7 (1954-1960)\n\nDid not play in following years: 1950–1951, 1962, 1964–1966, 1968–1970, 1972–1974, 1976–1977, 1979–1986, 2002, 2015, 2019, 2020\nNotes\nNo Montreal team 1987–1995\nNo Ottawa team 1997–2001, 2006–2013\n\nOther matchups\n\nBC vs Montreal\n\nBC vs Ottawa\n\nMontreal vs Hamilton\nHamilton has played and hosted the Labour Day Classic against Montreal (aka Labour Day Classique) nine times in CFL history. According to a Hamilton Spectator article, 2011 marked 25 years since Montreal had battled Hamilton in this Classic at home. In previous years, Montreal has played as either the Alouettes or Concordes. The Classique has been a notoriously one-sided rivalry; Hamilton is undefeated in the Labour Day series, and Montreal is winless, with their best result being a tie in the first Classique in 1962.\n\nReferences\n\nCanadian Football League\nCanadian football in Alberta\nCanadian football in Ontario\nCanadian football in Saskatchewan\nRecurring sporting events established in 1949\nSeptember events\nSport in Calgary\nSport in Hamilton, Ontario\nSport in Regina, Saskatchewan\nSports rivalries in Canada\n1949 establishments in Canada", "Joseph Michaels was an American soccer player. He made three appearances for United States men's national soccer team between 1937 and 1947.\n\nMichaels first played for the national team in a 7-3 loss to Mexico on September 19, 1937. His second game was another blowout loss, 5-1, to Mexico six days later. The U.S. did not play an international game for nearly ten years. In 1947, Michaels club team, Ponta Delgada S.C. won both the National Challenge Cup and National Amateur Cup. Based on these result, the U.S. Soccer Federation selected Ponta Delgada to represent the United States at the 1947 NAFC Championship. Consequently, Michaels played in the July 20, 1947, 5-2 loss to Cuba. This gave Michaels the U.S. record for the longest gap between national team games, nine years, nine months and twenty-four days.\n\nReferences\n\nExternal links\nJoseph Michaels' profile at worldfootball.net\n\nAmerican soccer players\nUnited States men's international soccer players\nPonta Delgada S.C. players\nYear of birth missing\nYear of death missing\n\nAssociation footballers not categorized by position" ]
[ "Sir Robert William Robson (18 February 1933 – 31 July 2009) was an English footballer and football manager. His career included periods playing for and later managing the England national team and being a UEFA Cup-winning manager at Ipswich Town. Robson's professional playing career as an inside forward spanned nearly 20 years, during which he played for three clubs: Fulham, West Bromwich Albion, and, briefly, Vancouver Royals. He also made 20 appearances for England, scoring four goals.", "He also made 20 appearances for England, scoring four goals. After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup.", "After his playing career, he found success as both a club and international manager, winning league championships in both the Netherlands and Portugal, earning trophies in England and Spain, and taking England to the semi-finals of the 1990 FIFA World Cup, which remained the national team's best run in a World Cup since 1966 until they reached the semi-finals of the 2018 World Cup. His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004.", "His last management role was as a mentor to the manager of the Republic of Ireland national team, while his final official club job was at boyhood club Newcastle United, whom he left in 2004. He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto.", "He held several managerial positions outside of England, most notably one year at Barcelona in 1996–97, as well as stints at PSV, Sporting CP and Porto. Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C.", "Robson was created a Knight Bachelor in 2002, was inducted as a member of the English Football Hall of Fame in 2003, and was the honorary president of Ipswich Town F.C. From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018).", "From 1991 onwards, he suffered recurrent medical problems with cancer, and in March 2008, put his name and efforts into the Sir Bobby Robson Foundation, a cancer research charity which has so far raised over £12 million (March 2018). In August 2008, his lung cancer was confirmed to be terminal; he said, \"My condition is described as static and has not altered since my last bout of chemotherapy... I am going to die sooner rather than later.", "I am going to die sooner rather than later. I am going to die sooner rather than later. But then everyone has to go sometime and I have enjoyed every minute.\" He died just under a year later. Early life Bobby Robson was born in Sacriston, County Durham, the fourth of five sons of Philip and Lilian Robson (née Watt). When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner.", "When he was a few months old, Robson's family moved to the nearby village of Langley Park where his father was a coal miner. Their two-bedroom house had no bath and an outside toilet. As a boy, he was often taken by his father to watch Newcastle United play at St James' Park on Saturday afternoons, requiring a 34-mile round trip. Robson described Jackie Milburn and Len Shackleton as his childhood heroes.", "Robson described Jackie Milburn and Len Shackleton as his childhood heroes. Both played for Newcastle in the inside-forward position, the position Robson would later assume during his playing career. Robson attended Langley Park primary school and then Waterhouses secondary modern school, after failing his eleven-plus but the headmaster did not allow the school football team to join a league. Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level.", "Instead, he began to play for Langley Park Juniors on Saturday mornings at age 11, and by the time he was 15, he was representing the club at under-18 level. Robson played football whenever he possibly could but left school aged 15 to start work as an electrician's apprentice for the National Coal Board in the Langley Park colliery. In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract.", "In May 1950, Bill Dodgin, the manager of Fulham, made a personal visit to the Robson household to offer Bobby a professional contract. Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward.", "Despite being offered a contract by nearby Middlesbrough, the offer made by Dodgin was too attractive to turn down, so he signed for Fulham and moved to London, playing as a wing half and inside forward. Robson had also interested his beloved Newcastle, but he opted to join Fulham as, in his opinion, \"Newcastle made no appreciable effort to secure [my] signature.\" He also thought he stood a better chance of breaking into the first team at Fulham.", "He also thought he stood a better chance of breaking into the first team at Fulham. Robson suffered from partial deafness in one ear, which rendered him ineligible to be called up for national service. Playing career Club playing career Although Robson had signed professionally, his father insisted he continue to work as an electrician. He spent the day working at the Festival of Britain site and trained three nights a week at Fulham. Eventually, this took its toll on Robson and he gave up his trade for full-time professional football.", "Eventually, this took its toll on Robson and he gave up his trade for full-time professional football. In 1950, Robson made his first-team debut for Fulham, recently promoted to the First Division, in a match against Sheffield Wednesday. He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\".", "He came to regard Fulham as \"a nice club, a social club...\", but \"never... a serious, championship-challenging club\". Indeed, he and Fulham were relegated from the top-flight in the 1951–52 season, but he made his return to the First Division, four years later, when he signed for Vic Buckingham's West Bromwich Albion in March 1956. The transfer fee of £25,000 was a club record for West Brom at the time.", "The transfer fee of £25,000 was a club record for West Brom at the time. He made his West Brom debut in a 4–0 home defeat to Manchester City on 10 March 1956. In 1957–58, he was the club's top league goalscorer; his tally of 24 goals included four in a 5–1 win against Burnley. Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons.", "Often playing as a midfielder, he went on to play 257 matches and score 61 goals for West Brom, and he captained the team for the 1960–61 and 1961–62 seasons. However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary.", "However, in August 1962, he returned to Fulham after a disagreement with West Brom vice-chairman Jim Gaunt over his salary. The ongoing dispute over both minimum and maximum wages in the game, instigated by Robson's teammate Jimmy Hill and the Professional Footballers' Association, combined with the birth of Robson's second son, prompted Robson to demand a higher salary. Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary.", "Gaunt refused to negotiate Robson's contract, so Robson placed a transfer request and was sold to Fulham for £20,000 in a deal which doubled his salary. Soon after Robson joined Fulham, the club sold Alan Mullery and Rodney Marsh, meaning Robson's chances of securing any significant honour there were substantially reduced. Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\"", "Robson himself stated, \"In all my time as a footballer, I didn't win a thing.\" Despite press reports of interest from Arsenal, and the offer of a player-manager role by Southend United, Robson left Fulham in 1967 and accepted a three-year deal with Canada's Vancouver Royals. He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\".", "He was to be player-manager in their inaugural 1968 season in the North American Soccer League (NASL) and believed it \"was a chance too good to miss\". He began scouting and holding tryout camps for the new team in the Fall of 1967. The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad.", "The position proved difficult; a long-distance joint-ownership agreement gave the Hungarian footballer Ferenc Puskás control over the San Francisco section of the squad, while Robson took care of the Vancouver squad. Robson was dissatisfied by this situation and when, in January 1968, Fulham offered him a contract as their manager, he accepted the position at Craven Cottage. International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956.", "International playing career During his first spell at Fulham, Robson participated in two ambassadorial Football Association tours in the West Indies in 1955 and South Africa in 1956. However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956.", "However, it was during his time at West Bromwich Albion that he graduated to the full England squad, with his first call-up in 1956. His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe.", "His manager, Vic Buckingham, advocated the \"push and run\" approach to the game, a precursor to \"total football\", and playing this, Robson graduated to the full England squad in 1956, It was also at West Brom when Robson met future England international and assistant coach Don Howe. Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory.", "Robson went on to make 20 appearances for the England national team, making his debut in a November 1957 victory against France, scoring twice in a 4–0 victory. Although he made a successful debut, he was dropped for England's next match, against Scotland, in favour of Bobby Charlton. However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match.", "However, Robson was selected for the 1958 FIFA World Cup squad, ahead of Nat Lofthouse and Stanley Matthews, but returned from host nation Sweden disappointed after England were defeated by the Soviet Union in a group play-off match. Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium.", "Following the World Cup, Robson became an established member of the England squad, enjoying considerable success in a period between October 1960 and March 1961 when he played in six England victories, including scoring a goal in the record 9–3 defeat of Scotland at Wembley Stadium. He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament.", "He was selected for the 1962 World Cup finals in Chile, but an injury to his ankle sustained in a pre-tournament friendly against a Chilean club side ruled him out of most of the tournament. As Robson recalled, \"I never played for England again... my international career was unfulfilled.\" His place in the England team was taken by Bobby Moore.", "His place in the England team was taken by Bobby Moore. Managerial career Early club management In 1959, the then England manager and the Football Association (FA) director of coaching, Walter Winterbottom, suggested to Robson that he take a coaching course at Lilleshall. He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C.", "He obtained coaching qualifications during his second spell at Fulham, and coached Oxford University A.F.C. Robson made his debut as a manager in January 1968 at his former club Fulham, against Macclesfield Town, then in the Cheshire County League, in the third round of the FA Cup. Fulham were struggling with 16 points from 24 matches.", "Fulham were struggling with 16 points from 24 matches. Fulham were struggling with 16 points from 24 matches. Despite the acquisition of the young Malcolm Macdonald, Robson could not save the club from relegation to the Second Division, and he left them in November with the club sitting eighth in the Second Division. He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station.", "He discovered he had been sacked not from the club itself, but from the headline \"Robson sacked\" on an Evening Standard placard outside Putney station. He moved on to Ipswich Town in 1969 and it was there that he established his reputation as a successful manager, supported by the club chairman John Cobbold and then later by his brother Patrick Cobbold. He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton.", "He won the vacant job at the Suffolk club after a chance encounter with Town director Murray Sangster while scouting at Portman Road for Chelsea manager Dave Sexton. After four mediocre seasons, Robson led Ipswich to fourth place in the First Division and success in the Texaco Cup in the 1972–73 season. In the following nine seasons, Ipswich finished lower than sixth place in the First Division only once, in the 1977–78 season. However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final.", "However, that season was a success with a 1–0 victory over Arsenal in the FA Cup final. His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar.", "His reign at Ipswich lasted 13 years, during which time the club twice finished as League runners-up, and made regular appearances in European competitions, capturing the UEFA Cup in 1981 with a 5–4 aggregate victory over Dutch side AZ 67 Alkmaar. About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\".", "About that team, Robson said: \"We played with two strikers, no wingers, Eric Gates sitting off the front two, two semi-wide midfield players in Arnold Muhren and Frans Thijssen and Johnny Wark sitting in the holding role\". During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football.", "During his 13-year tenure, he brought in only 14 players from other clubs, most notably Allan Hunter, Bryan Hamilton and Paul Mariner, relying instead on players developed through Ipswich's youth programmes, including Terry Butcher, George Burley, John Wark, Mick Mills, Colin Viljoen, Alan Brazil, Trevor Whymark, Brian Talbot, Kevin Beattie and Eric Gates, who all went on to play international football. His imports included Dutch players Frans Thijssen and Arnold Mühren.", "His imports included Dutch players Frans Thijssen and Arnold Mühren. Robson was not a tactical genius but he showed a talent for developing new players, with his good interpersonal skills, caring attitude, hard work and enthusiasm helping them to achieve their best. In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road.", "In 2002, in recognition of his achievements with the club, a life-size statue of Robson was unveiled opposite the Cobbold Stand of Ipswich Town's ground, Portman Road. On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987.", "On 7 July 2006, Robson was named as honorary president of Ipswich Town Football Club, the first since Lady Blanche Cobbold who had died in 1987. England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold.", "England manager Robson's achievements with Ipswich earned him a job offer from the Football Association for the position of national coach, and he declined an offer of a ten-year contract extension and increased salary from Ipswich director Patrick Cobbold. On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach.", "On 7 July 1982, two days after England were knocked out of the 1982 World Cup, he succeeded Ron Greenwood as coach of the England national team, selecting former West Bromwich Albion teammate Don Howe as his chief coach. Robson's first match in charge saw immediate controversy, as he dropped Kevin Keegan for the match against Denmark. On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager.", "On 21 September 1983, Robson suffered his only loss in the 28 qualifying matches he was to undertake as England manager. The defeat, again to Denmark, ultimately led to England's failure to qualify for the 1984 European Championships and resulted in Robson offering to resign in favour of Brian Clough. The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico.", "The resignation was rejected by FA chairman Bert Millichip (primarily down to his and the FA's disdain for Clough), and Robson went on to lead the England team to qualify for the 1986 World Cup in Mexico. England began the competition poorly and captain Bryan Robson was injured with a recurrence of a dislocated shoulder. Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker.", "Bobby Robson changed the team's tactics for the final match of the first round, selecting Peter Beardsley ahead of Mark Hateley as a striking partner for Gary Lineker. The team won its next two matches, against Poland and Paraguay, 3–0, and qualified for the quarter-finals. England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later.", "England were defeated in the last eight by Argentina with a brace of goals from Diego Maradona, the infamous \"Hand of God\" goal and the \"Goal of the Century\" he scored five minutes later. Robson was unimpressed by Maradona's claim of divine intervention: Robson's England dropped only one point in qualifying for Euro 1988, which included an 8–0 victory over Turkey. However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage.", "However, this was followed by failure at the tournament itself, held in West Germany, where England were eliminated in the group stage. They finished bottom of their group, succumbing to defeats against the Republic of Ireland, the eventual winners, the Netherlands, and the eventual runners-up, the Soviet Union. Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\"", "Robson was vilified by the British press, and after a draw in a friendly with Saudi Arabia, one newspaper demanded, \"In the name of Allah, go.\" Again Robson submitted his resignation, and again it was rejected by Millichip (again Brian Clough is often cited as a reason). Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams.", "Robson led England without conceding a goal through the six-match qualification for the 1990 World Cup where they were one of six seeded teams. Again they were placed in a group with the Netherlands and the Republic of Ireland, with Egypt the fourth side. As in the 1986 World Cup, Robson was denied the service of his captain, Bryan Robson, who suffered an achilles tendon injury which prevented him playing in the latter stages of the tournament. England topped their qualifying group, accumulating four points from their three matches.", "England topped their qualifying group, accumulating four points from their three matches. However, their progress was not without controversy. England changed formation from their traditional 4–4–2 to 5–3–2 incorporating a sweeper, with some sources suggesting this was due to player revolt after the 1–1 draw in the first match with the Republic of Ireland. Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany.", "Robson denied this claim: This was followed by victories over Belgium and Cameroon in the knock-out stages, to set up a semi-final with West Germany. England lost the match on a penalty shoot-out, after the score had been tied at 1–1 following extra time. Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\"", "Robson said afterwards, \"[N]ot a day goes by when [he] does not think about the semi-final and other choices [he] might have made.\" Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup.", "Robson was the second coach, after Alf Ramsey, to take England to a World Cup semi-final, and the first coach to do so on foreign soil, an achievement not equalled until Gareth Southgate's team reached the semi-finals of the 2018 World Cup. Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1.", "Robson's final game in charge of England was the third-place play off against hosts Italy, which England lost 2-1. Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles.", "Continental management Before the 1990 World Cup, the FA told Robson it would not renew his contract as England manager, so he moved on to the Netherlands to coach PSV Eindhoven, succeeding manager Guus Hiddink, who had left the team after leading them to the 1987–88 European Cup victory and four consecutive Eredivisie titles. PSV sought a manager capable of instilling discipline into a fractious squad, much as Hiddink had done previously. Robson described the move as \"a culture shock\" but felt \"a sense of adventure\".", "Robson described the move as \"a culture shock\" but felt \"a sense of adventure\". News of Robson's new position in the Netherlands became public before the start of the 1990 World Cup, leading to tabloid stories impugning Robson's patriotism; he sued Today for calling him a traitor. The Dutch penchant for tactical debate surprised Robson. In an interview with Voetbal International, he lamented, \"An English pro accepts the manager's decision. After every match here, the substitutes come and visit me.\"", "After every match here, the substitutes come and visit me.\" Another of his challenges at PSV was handling the Brazilian international Romário. Robson became frustrated with the Brazilian's work ethic, although admitted \"in some matches he would be scintillating\". Robson arranged showdown talks with Romário, with Frank Arnesen, Robson's assistant, acting as a translator. The talks proved unsuccessful, with Romário unwilling to change his lifestyle. Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons.", "Despite this, PSV won the Eredivisie in both the 1990–91 and 1991–92 seasons. However, the team did not make the progress expected by the board in European competitions and Robson was informed he would be leaving the club at the end of the 1991–92 season. Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager.", "Robson moved to Sporting CP in July 1992, where his Portuguese interpreter was a young José Mourinho, future Porto, Chelsea, Internazionale, Real Madrid, Manchester United, Tottenham Hotspur and Roma manager. Robson guided the club to a third-place finish in his first season in charge while admitting the club was in \"a terrible state\". He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent.", "He described the club's president as a \"loose cannon\" who frequently signed players without Robson's consent. Robson was sacked in December 1993 with the club sitting at the top of the league table. Club president Sousa Cintra cited the club's early exit from the UEFA Cup, at the hands of Casino Salzburg, as the reason for his dismissal. Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager.", "Sporting CP's rivals Porto quickly hired Robson, with Mourinho appointed as his assistant manager. Living in the same apartment block at the time was another future Porto, Chelsea and Tottenham Hotspur manager, the young André Villas-Boas, who, aged 16, introduced himself to Robson. Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17.", "Robson subsequently appointed Villas-Boas to work in the Porto observation department and helped him gain his UEFA \"C\" coaching badge in Scotland, despite him technically being ineligible as he was aged 17. Porto were in a poor state when Robson arrived and the average attendance had dwindled to 10,000. The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons.", "The club promptly went on to beat Robson's former club, Sporting CP, in the Taça de Portugal final, following that achievement with successive League titles in the 1994–95 and 1995–96 seasons. Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995.", "Such was the impact of Robson at Porto, he became known to the locals as \"Bobby Five-O\" in honour of the number of matches Porto won 5–0, and he signed a new contract with the club in 1995. Suffering from malignant melanoma and missing the first few months of the 1995–96 season, Robson still successfully led Porto in defence of their league title. A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club.", "A phone call during the summer of 1996 from Barcelona vice-president Joan Gaspart to discuss Luís Figo resulted in an offer of employment with the Spanish club. Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment.", "Robson took over in July 1996, where again his assistant was Mourinho; Robson had made Mourinho's move with him to the Camp Nou a condition of his employment. One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup.", "One of the key decisions Robson made during his brief tenure at Barcelona was the US$19.5 million signing of Ronaldo, who was influential in a season when Barcelona won the Copa del Rey, Supercopa de España and European Cup Winners' Cup. Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\".", "Robson himself was voted European Manager of the Year for 1996–97, while Ronaldo stated, \"as a trainer without doubt [Robson] is one of the greatest in the world\". The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season.", "The 1997–98 season saw Robson moved \"upstairs\" to the general manager position, with Louis van Gaal taking over as manager, but Robson stayed in this position for only one season before returning to manage PSV on a short-term deal for the 1998–99 season. PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season.", "PSV missed out on the league title, finishing third behind Feyenoord and Willem II, but Robson still led the club to victory in the Johan Cruyff Shield and also qualification for the UEFA Champions League on the last day of the season. Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999.", "Return to England After Robson's contract expired, he returned to England to take up a position in the Football Association's technical department, but following the resignation of Ruud Gullit at Newcastle United, Robson moved to St James' Park in September 1999. Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal.", "Robson was disappointed with the club's opening salary offer, stating, \"[I]t was miles below the going rate,\" but negotiated a one-year, £1 million deal. In Robson's first home match in charge, bottom-placed Newcastle faced second bottom Sheffield Wednesday, thrashing them 8–0. In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge.", "In his first season in charge, 1999–2000, Robson led the club to an 11th-place finish, with 14 wins from his 32 matches in charge. In late 2000, following the resignation of ex-Magpies boss Kevin Keegan as England manager, the FA asked Newcastle club chairman Freddy Shepherd to permit Robson to take over in a part-time caretaker capacity, but the request was refused. Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season.", "Robson guided Newcastle from bottom of the Premier League to a fourth-place finish in the 2001–02 season. The following season, Newcastle finished third, ensuring qualification for the UEFA Champions League for the second consecutive year. However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season.", "However, Robson was unable to guide Newcastle through the Champions League qualifying rounds, and the club was dropped to participate in the UEFA Cup for the 2003–04 season. At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille.", "At the end of the 2003–04 season, Newcastle finished fifth in the table, five points short of the Champions League qualifying fourth place but reached the semi-finals of the UEFA Cup before losing to Marseille. Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room.", "Robson held the Newcastle post until 30 August 2004, when he was dismissed by Freddy Shepherd, after a poor start to the Premier League season and alleged discontent in the dressing room. Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season.", "Robson's dismissal followed publication of his off the record observation of his disappointment that only 5,000 fans stayed to see the traditional lap of honour made by the players at St James' Park at the end of the previous season. However, he remains held in the highest esteem by the fans; he was granted the Freedom of the City of Newcastle upon Tyne on 2 March 2005. Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005.", "Robson's autobiography, entitled Bobby Robson: Farewell but not Goodbye was released in 2005. The title is based on one of his quotes upon leaving the England job in 1990: \"I'm here to say goodbye—maybe not goodbye but farewell.\" In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations.", "In the book, Robson was critical of Shepherd, claiming that while manager he was denied information regarding the players' contracts and transfer negotiations. He also criticised Shepherd and the club's deputy chairman Douglas Hall, for their focus on the first team and St James' Park, causing them to neglect less glamorous issues, such as the training ground, youth development and talent scouts. The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players.", "The club's training ground was later blamed by Graeme Souness, Robson's successor, for a series of injuries to first team players. Football consultant for Republic of Ireland and retirement On 7 June 2005, Robson declined the invitation to become director of football of Heart of Midlothian because he wanted to stay in the Newcastle area. On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\".", "On 13 January 2006, Steve Staunton was appointed manager of the Republic of Ireland national team, with Robson named in a support role as \"international football consultant\". Robson stepped down from his role of consultant on 17 November 2007 following the nation's final match in their unsuccessful qualifying campaign for Euro 2008. Robson was a former vice president of the League Managers Association, a non-executive role. Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park.", "Life outside football Personal life Robson met Elsie Gray on a trip back to his parents' home in Langley Park. Gray was a student nurse, and later a teacher. They were married on 25 June 1955 with Fulham teammate Tom Wilson as Robson's best man. After 1991, Robson was repeatedly diagnosed as suffering from cancer. He had several operations and in 2006 was operated on for a brain tumour.", "He had several operations and in 2006 was operated on for a brain tumour. This, on occasion, affected his work; while at Porto, for example, Robson suffered from malignant melanoma, which resulted in his missing the first few months of the 1995–96 season. On 17 October 2006, it was revealed that Robson had been given the all-clear and was set to see out his contract as consultant to the Irish team. Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time.", "Robson revealed on 7 May 2007 he had been diagnosed with cancer for the fifth time. On 17 May 2008, Robson was the guest of honour at the 2008 FA Cup Final at Wembley Stadium when Portsmouth defeated Cardiff City 1–0. He presented the trophy to the victorious captain, Sol Campbell. Other activities Robson made a number of product endorsements, including an appearance in Carlsberg's \"Best Pub Side\" television commercial. He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004.", "He also acted as a pundit for ITV during the 2002 World Cup and Euro 2004. Bobby Robson Foundation Robson defeated bowel cancer in 1992, a malignant melanoma in 1995, and a tumour in his right lung and a brain tumour, both in 2006. Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed.", "Treatment of these conditions had left him partially paralysed due to a stroke caused by the brain tumour, and also with a partially prosthetic upper jaw after the melanoma was surgically removed. His fifth diagnosis of cancer in 2007, consisting of cancerous nodules in both lungs, was diagnosed as terminal in February 2007, and as of December 2008, was being controlled through bouts of chemotherapy. After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease.", "After these experiences, and following his fifth diagnosis with cancer, Robson devoted the remaining years of his life to helping fight the disease. On 25 March 2008, he launched the Sir Bobby Robson Foundation. The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England.", "The Foundation raised over £1 million, which funded equipment for the Sir Bobby Robson Cancer Trials Research Centre, in the Freeman Hospital in Newcastle upon Tyne, and would go on to fund other cancer projects in the North East of England. In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests.", "In aid of the Foundation, Robson's 1990 World Cup semi-final 4–3 loss after penalties against West Germany was replayed on 26 July 2009 as the Sir Bobby Robson Trophy match at St James' Park, featuring players from the original 1990 World Cup squads and other special guests. Robson was given a guard of honour before the match, which finished 3–2 to the England side. At the time of Robson's death, the Foundation had raised £1.6 million.", "At the time of Robson's death, the Foundation had raised £1.6 million. Donations totalling £156,000 were received by the Foundation in the 18 days following his death, and on 15 October 2009, it was announced the Foundation had raised over £2 million, and that at the request of Robson's family, Alan Shearer would take over Robson's role as the Foundation's patron. It passed the £2.5 million mark in September 2010. Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn.", "Three other patrons were added in 2010, Steve Gibson, Mick Mills and Niall Quinn. Death On 31 July 2009, Robson died of lung cancer at his home in County Durham, aged 76, after a long battle with the disease. After the news of his death, leading figures from the world of football and politics paid tribute to him. Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\".", "Manchester United manager Sir Alex Ferguson called him a \"great friend, a wonderful individual and tremendous football man\". UEFA president Michel Platini said, \"He will be remembered not only for his playing career and his outstanding managerial career at both club and international level, but also because he was a truly warm and passionate human being.\" Gary Lineker said, \"It is a sad day and a great loss. He was a wonderful man and will be deeply missed by everybody in the country.", "He was a wonderful man and will be deeply missed by everybody in the country. I never played for a more enthusiastic man. He gave so much to the game.\" Former Prime Minister of the United Kingdom Tony Blair described Robson as a \"real Geordie gentleman\". According to the then-Prime Minister Gordon Brown, Robson \"epitomised everything that is great about football in this country\". His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones.", "His friend, the broadcaster Michael Parkinson, said, \"Robson will be remembered long after the present lot are old bones. By his decency, his humour, his love of the game's traditions and origins and confusion at what it had become, he made present day football look what it is – shabby by comparison. I can think of no more fitting epitaph.\" Robson's funeral, a private family ceremony, took place on 5 August 2009.", "Robson's funeral, a private family ceremony, took place on 5 August 2009. The location remained undisclosed at the request of his family until the funeral had taken place. It was later revealed to be Esh, County Durham. A thanksgiving service for Robson was held on 21 September 2009 at Durham Cathedral. One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage.", "One thousand invited guests attended the service, which was also broadcast live on national television, and to Newcastle United's St James' Park, Ipswich Town's Portman Road ground and Fulham's Craven Cottage. Robson was survived by his wife and their three sons: Andrew, Paul and Mark. Achievements Robson was awarded a number of honours for his contributions to football.", "Achievements Robson was awarded a number of honours for his contributions to football. In 1990, at the end of his eight-year reign as England manager, he was appointed a CBE in 1991 and in 2002, he was knighted; both awards were for services to football. In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\".", "In 2002 (during his time as Newcastle manager), the 69-year-old Robson was awarded the freedom of Newcastle upon Tyne and the UEFA President's Award for \"services to football\". He was inducted into the English Football Hall of Fame in 2003 in recognition of his impact as a manager. Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\".", "Following his time as Newcastle United manager in 2005, Robson was made an Honorary Freeman of Newcastle, which, in his autobiography, he described as being \"the proudest moment of my life\". Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement.", "Robson also won the 1992 Football Writers' Association Tribute Award for an outstanding contribution to the national game, and the 2001 British Sports Writers' Association Pat Besford Trophy for Outstanding Achievement. In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006.", "In 2005, he received a lifetime achievement award from the Sports Coach UK Awards, and was also awarded the Eircom International Personality of the Year in 2006. On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\".", "On 9 December 2007, Robson was awarded the Lifetime Achievement Award at the BBC's Sports Personality of the Year show in recognition of \"his contribution as both player and manager in a career spanning more than half a century\". On 5 May 2008, during the 30th anniversary celebrations of Ipswich Town's 1978 FA Cup win, Robson was granted the Freedom of Ipswich by the Lady Mayor. On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham.", "On 8 December 2008, he earned another such accolade when he was given the Freedom of the City of Durham. In March 2009, UEFA awarded Robson the Emerald UEFA Order of Merit award, awarded to \"individuals who have dedicated their talents to the good of the game\". The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death.", "The award was presented to Robson at St James' Park on 26 July 2009, prior to the Sir Bobby Robson Trophy match, and just five days before his death. Posthumous honours In December 2009, Robson was posthumously awarded the FIFA Fair Play Award, for the \"gentlemanly qualities he showed throughout his career as a player and coach\". All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season.", "All English football league matches held a one minute's applause in his memory at the beginning of the 2009–10 season. The Football League gave Newcastle United and Ipswich Town special dispensation to wear special commemorative kits for their Championship match on 26 September 2009 at Portman Road, in aid of Sir Bobby's Foundation. At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand.", "At half-time during this match, the North Stand of Portman Road was renamed the Sir Bobby Robson Stand. The first anniversary of Robson's death on 31 July 2010 was marked with a ceremony and pre-season friendly match at Newcastle's St James' Park, between two of his former clubs Newcastle United and PSV Eindhoven, involving Robson's PSV captain Stan Valckx presenting a PSV shirt to the club. In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle.", "In July 2010, plans were unveiled for a memorial garden to Robson to be built in Newcastle. It was to be created by the city council in partnership with the regeneration company NE1Ltd, and located on Gallowgate street close to the Newcastle United stadium St James' Park. Work began on the site in November 2010, which was completed by Spring 2011. The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work.", "The garden covers 400 square meters, and features a tiered seating area and sculpted stone plinths reflecting aspects of his life and work. The area also hosts 400 square metre memorial garden to Sir Bobby Robson. With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health.", "With a keen interest in cricket as well as football, Robson was to have replaced Mike Gatting as president of the Lord's Taverners charity and cricket club in 2007, but this was prevented by his ill-health. After his death, the club held a dinner in his honour, as \"The best President we never had\". In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer.", "In March 2011, the East Coast train operating company named one of its Class 91 electric locomotives Sir Bobby Robson, unveiled at Newcastle station by his widow Elsie and Alan Shearer. Similarly, in December 2011, the Port of Tyne Authority named its new work boat the Sir Bobby Robson. On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City.", "On 6 May 2012, a statue of Robson created by sculptor Tom Maley was unveiled at St James' Park before a 2–0 defeat to eventual champions Manchester City. On 16 July 2013, marking the 150th anniversary celebrations of the FA, the FA designated 10 August as the Sir Bobby Robson National Football Day, celebrated as a day to celebrate the national game. In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim.", "In 2018, Bobby Robson: More Than A Manager, a feature-length British film about Robson's career and cancer diagnosis, was released to critical acclaim. In September 2020 the Sir Bobby Robson School opened in Ipswich. The school will serve children aged 8–16 with social, emotional and mental health needs. Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal.", "Career statistics Club International Scores and results list England's goal tally first, score column indicates score after each Robson goal. Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career statistics) Further reading External links The Sir Bobby Robson Foundation 1933 births 2009 deaths 1986 FIFA World Cup managers 1990 FIFA World Cup managers 1958 FIFA World Cup players 1962 FIFA World Cup players Deaths from cancer in England Commanders of the Order of the British Empire Deaths from lung cancer English expatriate footballers English expatriate sportspeople in Canada English Football Hall of Fame inductees English football managers English expatriate football managers English footballers England international footballers England national football team managers Eredivisie managers Expatriate soccer players in Canada Expatriate football managers in the Netherlands Expatriate football managers in Portugal Expatriate football managers in Spain FC Barcelona managers FC Porto managers Association football people awarded knighthoods Fulham F.C.", "Managerial statistics Honours Manager Ipswich Town UEFA Cup: 1980–81 FA Cup: 1977–78 National Fives Tournament: 1977 Texaco Cup: 1972–73 PSV Eindhoven Eredivisie: 1990–91, 1991–92 Johan Cruyff Shield: 1998 Porto Primeira Divisão: 1994–95, 1995–96 Taça de Portugal: 1993–94 Supertaça Cândido de Oliveira: 1993, 1994 Barcelona Copa del Rey: 1996–97 Supercopa de España: 1996 European Cup Winners' Cup: 1996–97 Individual FWA Tribute Award: 1992 European Manager of the Year: 1996–97 Premier League Manager of the Month: February 2000, August 2000, December 2001, February 2002, January 2003, October 2003 UEFA President's Award: 2002 English Football Hall of Fame Inductee: 2003 PFA Merit Award: 2003 FAI International Football Awards – International Personality: 2006 BBC Sports Personality of the Year Lifetime Achievement Award: 2007 FIFA Fair Play Award: 2009 FIFA Order of Merit: 2009 UEFA Order of Merit: 2009 Ipswich Town Hall of Fame: Inductee 2009 See also List of longest managerial reigns in association football Bibliography References Sources (Career 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[ "Odissi", "Medieval era" ]
C_c50f120990f34e0cb4e97ecfbab870af_1
Was Odissi an acceptable form of dancing during the Medieval era?
1
Was Odissi an acceptable form of dancing during the Medieval era?
Odissi
The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER
The Buddhist icons, for example, are depicted as dancing gods and goddesses,
Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music
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[ "Laxmipriya Mohapatra (born 1928 - died 20 March 2021) was an Indian classical dancer, performing Odissi dance on stage and in films. Along with her husband, Kelucharan Mohapatra, she is credited with reviving Odissi dance in India, in the 1940s and 50s.\n\nCareer \nMohapatra was born in Khurda, Odisha, and was taught to dance by her mother, actress and dancer Tulasi Devi. At the age of seven, she began performing at the Annapurna Theatre in Puri, Odisha, and by the age of 17, was their star performer, drawing large crowds who attended her performances. She moved to Cuttack, where she met her husband, Kelucharan Mohapatra, a trained Odissi dancer who was at the time playing tabla, a classical form of percussion, as an accompaniment, for dance performances. In 1946, after training in Odissi with her husband, she performed the first solo Odissi dance on stage, which was considered a milestone in efforts to revive the classical dance form. She is also the first woman to perform the traditional form of Gotipua dance on stage. In addition to performing Odissi, she was trained in several traditional folk dance forms, and performed at Republic Day parades in India's capital, New Delhi, in the 1950s. She performed in a number of plays on stage, as well as in several Odia films, including Manika Jodi, Suryamukhi, Mala Jahna and Amadabata. \n\nWhen her husband, Kelucharan, became a dancer and choreographer, she retired in 1985 from professional dancing to support him. Along with him, she established and taught at Srjan, a well-known classical dance school in Bhubaneswar, Odisha. Their son, Ratikant Mohapatra, is also an Odissi dancer and choreographer. She taught a number of modern Odissi dancers, including Minati Mishra, Priyambada Mohanty Hejmadi, and Kumkum Mohanty. She died on 20 March 2021, at the age of 86, and was buried with state honors. in September 2021, a five-day Odissi festival was dedicated to her memory, and included Odissi performances by many of her former students.\n\nReferences \n\n1928 births\n2021 deaths\nOdissi dancers\nIndian dancers\nIndian female classical dancers\nDancers from Odisha\nPeople from Odisha\nPerformers of Indian classical dance\n20th-century Indian dancers\nPeople from Khordha district", "Saswat Joshi (born December 18, 1984) is an Indian classical dancer, choreographer, model and an exponent of the Odissi dancing style.\n\nEarly life and background\nSaswat Joshi was born in Titlagarh on 18 December 1984. Saswat started his journey as a dancer when he was five years old under the able guidance of Guru Prasanta Patnaik and Guru Shantanu Behera at his native village Titlagarh, Bolangir. He learned the basics of dance and postures of Odissi dance with great interest and dedication as a child artist.\n\nCareer\n\nAs an Odissi dancer\nSaswat started his professional Odissi training under Guru Padma Shri Kumkum Mohanty in 2000. He has been an exponent of Padma Bibhusan Guru Kelucharan Mohapatra Odissi style. Under the tutelage of Guru Padma Shri Ileana Citaristi, his dancing flourished into its perfection. He is the recipient of a national scholarship from Ministry of Culture Government of India. He did his Visharad from Chandigarh University and was awarded Sangeet Ratna from Rabindra Bharati University. He has performed in world's biggest museum of Asian painting Musée Guimet at Paris, France in 2012. He has given many lecture demonstrations of Odissi in various universities worldwide. He is the only male dancer who performed in front of world wonders Eiffel Tower, Paris, France; and The Colosseum, Rome, Italy.\n\nTo popularise Odissi as Indian classical dance, he traveled and performed Odissi in many European and Asian countries such as Italy, France, Hungary, Finland, Japan, South Korea, Thailand etc..\n\nHe had shared the stage with many international celebrities of dance like Carla Fracci, Luciana Savignano, Giuseppe Picone, Beppe Menegatti, Rossella Brescia and Luciano Mattia Cannito in a production called 'I Have a Dream' at Palermo city, Sicily of Insular Italy\n\nFilmography\nKoun Kitney Panee Mein by Nila Madhab Panda\nKranti Dhara by Himanshu Khatua\nChoreography consultancy in various Bollywood films\n\nAs a dance teacher\nSaswat is the founder of Lasyakala Institute of Performing Arts, where many new Odissi practitioners and talents are being shaped into their performing excellence. Under this banner Aekalavya Dance Festival is being organised every year to felicitate practitioners, experts and critics of Odissi.\n\nReferences\n\nExternal links\n\n\"Happy for Hope virtual event during COVID-19 lock down\"\nGhungroo Missing? short film released by Saswat Joshi\nChakaa Aakhii Short Film by Saswat Joshi, streaming now \n\n1984 births\nLiving people\nIndian dance teachers\nOdissi dancers\nIndian film choreographers\nIndian classical choreographers\nDancers from Odisha" ]
[ "Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism).", "Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule.", "It was suppressed under the British Rule. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule.", "The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature.", "Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance).", "Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release).", "An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment.", "Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White.", "Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.", "Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters.", "The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.", "Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri.", "More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE.", "The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots.", "The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE.", "Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites.", "Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE.", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi.", "According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text.", "This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance.", "However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures.", "Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha.", "This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi.", "The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.", "Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists.", "Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls.", "The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts.", "During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions.", "This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha.", "According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts.", "During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\".", "In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\". Christian missionaries launched the \"anti-dance movement\" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era.", "The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi.", "Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher.", "Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as \"Odissi\". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts.", "Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures).", "The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood.", "In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions.", "Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\".", "Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint.", "Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\".", "This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group).", "The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance.", "The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience.", "It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.", "This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual.", "The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana.", "Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth).", "Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva.", "It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end.", "This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry.", "The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language.", "Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire.", "The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”.", "Moksha in Hindu traditions means “spiritual liberation”. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties.", "These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection.", "Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances.", "The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways.", "Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference.", "Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act.", "Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika.", "There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.)", "These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.)", "Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the \"Abhinaya Darpana\" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari).", "The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition.", "The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs).", "The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles).", "The wrist is covered with Kankana (bangles). The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta.", "The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music.", "Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer.", "Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life.", "This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others.", "The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri.", "Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends.", "Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics.", "This style included martial arts, athletics and acrobatics. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties.", "Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad.", "In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis.", "He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event.", "In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event.", "This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom.", "Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. .", "Published by B. R. Rhythms, Delhi, 2010. . Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi.", "Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. .", "Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website.", ", Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music" ]
[ "Odissi", "Medieval era", "Was Odissi an acceptable form of dancing during the Medieval era?", "The Buddhist icons, for example, are depicted as dancing gods and goddesses," ]
C_c50f120990f34e0cb4e97ecfbab870af_1
Was Odissi popular form of dancing during the Medieval era?
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Was Odissi a popular form of dancing during the Medieval era?
Odissi
The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER
Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue
Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music
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[ "Laxmipriya Mohapatra (born 1928 - died 20 March 2021) was an Indian classical dancer, performing Odissi dance on stage and in films. Along with her husband, Kelucharan Mohapatra, she is credited with reviving Odissi dance in India, in the 1940s and 50s.\n\nCareer \nMohapatra was born in Khurda, Odisha, and was taught to dance by her mother, actress and dancer Tulasi Devi. At the age of seven, she began performing at the Annapurna Theatre in Puri, Odisha, and by the age of 17, was their star performer, drawing large crowds who attended her performances. She moved to Cuttack, where she met her husband, Kelucharan Mohapatra, a trained Odissi dancer who was at the time playing tabla, a classical form of percussion, as an accompaniment, for dance performances. In 1946, after training in Odissi with her husband, she performed the first solo Odissi dance on stage, which was considered a milestone in efforts to revive the classical dance form. She is also the first woman to perform the traditional form of Gotipua dance on stage. In addition to performing Odissi, she was trained in several traditional folk dance forms, and performed at Republic Day parades in India's capital, New Delhi, in the 1950s. She performed in a number of plays on stage, as well as in several Odia films, including Manika Jodi, Suryamukhi, Mala Jahna and Amadabata. \n\nWhen her husband, Kelucharan, became a dancer and choreographer, she retired in 1985 from professional dancing to support him. Along with him, she established and taught at Srjan, a well-known classical dance school in Bhubaneswar, Odisha. Their son, Ratikant Mohapatra, is also an Odissi dancer and choreographer. She taught a number of modern Odissi dancers, including Minati Mishra, Priyambada Mohanty Hejmadi, and Kumkum Mohanty. She died on 20 March 2021, at the age of 86, and was buried with state honors. in September 2021, a five-day Odissi festival was dedicated to her memory, and included Odissi performances by many of her former students.\n\nReferences \n\n1928 births\n2021 deaths\nOdissi dancers\nIndian dancers\nIndian female classical dancers\nDancers from Odisha\nPeople from Odisha\nPerformers of Indian classical dance\n20th-century Indian dancers\nPeople from Khordha district", "Sanjukta Panigrahi (24 August 1944 – 24 June 1997) was a dancer from India, who was the foremost exponent of Indian classical dance Odissi. Sanjukta was the first Odia woman to embrace this ancient classical dance at an early age and ensure its grand revival.\n\nIn recognition of her contribution to dancing and associated activities, she was honoured with one of India's highest civilian awards the, Padma Shri (1975). She is also recipient of the Sangeet Natak Akademi Award in 1976.\n\nApart from presenting Odissi performances in different parts of India, Sanjukta Panigrahi has been a part of Government's cultural delegation to different countries, including to the US and the Philippines (1969), United Kingdom (1983), Israel, Delphi International Festival in Greece (1989). She has also performed in France for eleven weeks, and participated there in the International Music Festival at Paris.\n\nEarly life and background\nPanigrahi was born in Berhampur, Ganjam District, Odisha state, to a traditional Brahmin family of Abhiram Mishra and Shakuntala Mishra.\n\nWhen she was a small child, she would start dancing intuitively to any rhythmic sound like the sound of chopping of vegetable or cutting of firewood. Her mother was from Baripada and belonged to a family, which had been patronising chhau folk dance for long. She recognised the talent in her daughter, and encouraged her despite some initial resistance from Abhiram Misra, Sanjukta's father. The reason for the resistance was the fact that in those days this form of dance was performed generally by temple dancing girls, called Maharis. Male dancers are called Gotipuas. These girls were like Devadasis in the temples of South India.\n\nTraining\nAt the initiative of her mother, she started to learn dance from Kelucharan Mohapatra at age of four. She was assessed to be the best child artist by the Bisuba Milan consecutively for three years during 1950–1953.\n\nIn one of her performances as six-year-old girl, she refused to leave the stage and continued to perform energetically even after the time was over. Her mother had to shout at and cajole her to stop dancing. At nine, she performed at annual festival of the Children's Little Theatre in Calcutta.\n\nShe won the first prize in International Children's Film Festival in 1952. Encouraged by her success, her parents decided to send her for better dance training, to Kalakshetra at Chennai. There she continued her lessons under the guidance of Rukmini Devi Arundale. For the next six years she stayed there, and eventually graduated with a Nrityapraveen diploma in Bharatnatyam with Kathakali as the second subject. After that, she toured many places in India and abroad, as a member of the 'Kalakshetra Ballet Troupe'.\n\nAt the age of 14, she returned to Odisha. The state government awarded her a scholarship to learn Kathak from Guru Hazarilal in Bharatiya Vidya Bhavan, Mumbai. However, she left the course and returned to Odisha to concentrate on Odissi.\n\nCareer\nThe initial years were very challenging for the Sanjukta and her husband, more in terms of eking out a living than anything else. Though things turned for the better, when in 1966, her guru Kelucharan Mahapatra was conferred with the Sangeet Natak Akademi Award, and she rendered an Odissi performance during the award ceremony in New Delhi. The audience was enthralled by her performance. She had made her mark at the national level, and from that point she did not look back.\n\nMeanwhile, her husband had emerged as a fine vocalist, and also started rendering music for her performances. In the coming decades, the Sanjukta-Raghunath duo enthralled the audience, even outlasting the Yamini-Jyothismathi duo, and were jointly awarded the Sangeet Natak Akademi Award in 1976.\n\nSanjukta later came to be known as Guru Kelucharan Mahapatra's greatest disciple, and they travelled the length and the breath of the India, performing together and popularising the almost lost dance form of Odissi, so much so that today, both are considered equal revivalists of the dance form.\n\nDance style\nSanjukta Panigrahi spent some time at the International School of Theatre Anthropology at Bologna, Italy in 1986, 1990 and 1992, teaching short courses and demonstrating Odissi dance to foreign students, further adding to its global popularity.\n\nSanjukta's forte was her Nritta, or pure dance, in which she was outstanding. Her great advantage was her musician husband, whose constant presence helped her finesse her abilities in this genre. In Abhinaya (interpretation of poetry), connoisseurs and critics were agreed on the fact that she more often than not veered towards jatra and melodrama.\n\nTogether with her musician husband, Sanjukta has left behind a rich repertoire of Odissi dance, both modern as well as classical, ranging from traditional numbers based on the Jayadeva's Gita Govinda to the padabalies of Surdas, Chaupais from the Ramacharitamanasa of Tulasidas and the songs of Vidyapati and Rabindranath Tagore, with piece-de-resistance being, the innovative Yugma-Dwanda: a sort of Jugalbandi between the dancer and the musician in Raga Bageshri, composed by Pandit Raghunath Panigrahi and the sublime, Moksha Mangalam which in time had become her personal signature, which she used to end her performances, on an ethereal note.\n\nIn the words of noted dance critic, Dr. Sunil Kothari, \"Sanjukta gave up Bharatnatyam and devoted her life to Odissi, putting her signature on the form.\"\n\nLater years \nShe continued to perform in most of the state functions. With her pioneering efforts, she brought forth an almost forgotten Odissi style of dancing to an important position in the dance repertory of India.\n\nShe died of cancer at the age of 52, on 24 June 1997.\n\nPersonal life\nAt Kalakshetra, Chennai, she had fallen in love with Raghunath Panigrahi, ten-year her senior, and a fine vocalist of Gita Govinda, who left a promising career in film music in Chennai, to provide vocal support in her performances. When she was 16 years of age, they got married and over a period of time had two sons.\n\nLegacy\nSanjukta left behind many accomplished students, including Dr. Chitra Krishnamurti, director of Nrityalaya (an Odissi school in Potomac) and Joyoti Das a resident of Melbourne, a devout disciple of her in Australia, the artistic director and teacher of Kalamandir School of Indian classical dances, dedicated to maintain the continuum of Sanjukta's Odissi style. Sanjukta Panigrahi is considered an embodiment of Guru Kelucharan Mahapatra's art.\n\nSanjukta Panigrahi Awards \nAfter her death, her husband Raghunath Panigrahi formed a trust in her name, 'Sanjukta Panigrahi Memorial Trust', in 1999, to promote the cause of Odissi dance. Since 2001, every year on her birth anniversary, the trust has been giving away scholarships to budding dancers, and awards excellence in the field of Odissi dance.\n\nQuotes \n \"I had two gurus, each with contradicting views. Rukmini Devi Arundale stressed technique while Guru Kelucharan Mohapatra insisted upon forgetting technique. I was confused. Much later I realized that with dedication and hard work, technique would follow automatically.\" As told to a disciple, Joyoti Das.\n \"Shakti [. . .] which is neither masculine nor feminine [. . .]. A performer of either sex is always Shakti, energy which creates.\"\n\nFilms on Sanjukta Panigrahi \n Encounter With the Gods: Odissi Dance With Sanjukta Panigrahi. 1999\n\nSee also\n Indian women in dance\n\nReferences\n\n Indra Gupta, India's 50 Most Illustrious Women New Delhi: Icon Publications, 2003.\n\nExternal links\n Jack Anderson, Dance: Sanjukta Panigrahi in The New York Times, 14 October 1984 accessed at 31 July 2006\n \n Sanjukta Panigrahi Images\nVideo links\n \n \n\n1944 births\n1997 deaths\nPeople from Ganjam district\nRecipients of the Sangeet Natak Akademi Award\nRecipients of the Padma Shri in arts\nOdissi dancers\nPerformers of Indian classical dance\nIndian classical choreographers\nTeachers of Indian classical dance\nKalakshetra Foundation alumni\nIndian women choreographers\nIndian choreographers\nDancers from Odisha\n20th-century Indian educators\n20th-century Indian dancers\n20th-century Indian women artists\nEducators from Odisha\nWomen artists from Odisha\nWomen educators from Odisha\nIndian female classical dancers\n20th-century women educators" ]
[ "Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism).", "Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule.", "It was suppressed under the British Rule. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule.", "The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature.", "Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance).", "Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release).", "An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment.", "Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White.", "Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.", "Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters.", "The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.", "Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri.", "More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE.", "The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots.", "The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE.", "Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites.", "Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE.", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi.", "According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text.", "This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance.", "However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures.", "Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha.", "This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi.", "The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.", "Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists.", "Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls.", "The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts.", "During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions.", "This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha.", "According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts.", "During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\".", "In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\". Christian missionaries launched the \"anti-dance movement\" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era.", "The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi.", "Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher.", "Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as \"Odissi\". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts.", "Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures).", "The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood.", "In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions.", "Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\".", "Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint.", "Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\".", "This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group).", "The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance.", "The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience.", "It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.", "This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual.", "The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana.", "Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth).", "Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva.", "It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end.", "This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry.", "The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language.", "Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire.", "The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”.", "Moksha in Hindu traditions means “spiritual liberation”. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties.", "These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection.", "Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances.", "The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways.", "Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference.", "Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act.", "Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika.", "There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.)", "These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.)", "Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the \"Abhinaya Darpana\" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari).", "The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition.", "The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs).", "The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles).", "The wrist is covered with Kankana (bangles). The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta.", "The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music.", "Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer.", "Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life.", "This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others.", "The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri.", "Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends.", "Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics.", "This style included martial arts, athletics and acrobatics. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties.", "Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad.", "In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis.", "He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event.", "In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event.", "This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom.", "Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. .", "Published by B. R. Rhythms, Delhi, 2010. . Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi.", "Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. .", "Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website.", ", Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music" ]
[ "Odissi", "Medieval era", "Was Odissi an acceptable form of dancing during the Medieval era?", "The Buddhist icons, for example, are depicted as dancing gods and goddesses,", "Was Odissi popular form of dancing during the Medieval era?", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue", "Was there a popular Odissi dancer in this era?", "I don't know." ]
C_c50f120990f34e0cb4e97ecfbab870af_1
Is there anything significant about Odissi dancing in the Medieval era?
4
Is there anything significant about Odissi dancing in the Medieval era?
Odissi
The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER
Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era,
Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music
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[ "Sujata Mohapatra (born 27 June 1968) is an Indian classical dancer and teacher of Odissi dancing style.\n\nEarly life and background\nSujata Mohapatra was born in Balasore in 1968. She started learning Odissi at an early age from Guru Sudhakar Sahu.\n\nSujata Mohapatra came to Bhubaneshwar, Odisha, in 1987 to further her training under Padma Vibhushan Guru Kelucharan Mohapatra at Odissi Research Center in Bhubaneshwar. She married Ratikant Mohapatra, son of Guru Kelucharan Mohapatra. Her daughter Preetisha Mohapatra is also an Odissi dancer.\n\nCareer\n\nSujata Mohapatra started dancing Odissi classical and folk dance with Sahu's dance troupe in programs across Odisha. Under the tutelage of Kelucharan Mohapatra, her dance style evolved, and she was groomed to become one of the foremost Odissi dancers of her generation. Sujata Mohapatra performs in India, and other countries, as a soloist and a leading member of the Srjan Dance Troupe, founded by her father-in-law.\n\nSujata Mohapatra is actively involved in teaching Odissi. She is the Principal of 'Srjan' (Odissi Nrityabasa), a prime Odissi Dance Institution founded by MGuru Kelucharan Mohapatra She holds a master's degree in Oriya Literature from Utkal University, and has done research work at the Odissi Research Centre, Bhubaneshwar.\n\nIn July 2011, she opened an Odissi Institute - Guru Keerti Srjan, in her hometown, Balasore.\n\nAwards\n\n Central Sangeet Natak Akademi Award, 2017\n Nritya Choodamani from Krishna Gana Sabha, Chennai, 2014 \n Mahari Award, Pankaj Charan Odissi Research Foundation\n 2nd Sanjukta Panigrahi Award, Chitra Krishnamurthi from Washington D.C.\n Aditya Birla Kala Kiran Award, Mumbai\n Raaza Foundation Award, Delhi\n Hope of India, 2001\n Nritya Ragini, Puri, 2002\n Baisakhi Award\n Prana Natta Samman\n Abhi Nandika, Puri, 2004\n Bhimeswar Pratikha Samman, 2004\n Raaza Puruskar, 2008\n Top Grade Artist of Doordarshan Outstanding Category Artist in ICCR\n\nSee also\n Video on India Video\n Indian women in dance\n\nReferences\n\nExternal links\n\n1968 births\nLiving people\nPeople from Balasore district\nOdissi dancers\nIndian female classical dancers\nPerformers of Indian classical dance\nIndian classical choreographers\nIndian women choreographers\nIndian choreographers\nDancers from Odisha\n20th-century Indian dancers\n20th-century Indian women artists\nWomen artists from Odisha", "Saswat Joshi (born December 18, 1984) is an Indian classical dancer, choreographer, model and an exponent of the Odissi dancing style.\n\nEarly life and background\nSaswat Joshi was born in Titlagarh on 18 December 1984. Saswat started his journey as a dancer when he was five years old under the able guidance of Guru Prasanta Patnaik and Guru Shantanu Behera at his native village Titlagarh, Bolangir. He learned the basics of dance and postures of Odissi dance with great interest and dedication as a child artist.\n\nCareer\n\nAs an Odissi dancer\nSaswat started his professional Odissi training under Guru Padma Shri Kumkum Mohanty in 2000. He has been an exponent of Padma Bibhusan Guru Kelucharan Mohapatra Odissi style. Under the tutelage of Guru Padma Shri Ileana Citaristi, his dancing flourished into its perfection. He is the recipient of a national scholarship from Ministry of Culture Government of India. He did his Visharad from Chandigarh University and was awarded Sangeet Ratna from Rabindra Bharati University. He has performed in world's biggest museum of Asian painting Musée Guimet at Paris, France in 2012. He has given many lecture demonstrations of Odissi in various universities worldwide. He is the only male dancer who performed in front of world wonders Eiffel Tower, Paris, France; and The Colosseum, Rome, Italy.\n\nTo popularise Odissi as Indian classical dance, he traveled and performed Odissi in many European and Asian countries such as Italy, France, Hungary, Finland, Japan, South Korea, Thailand etc..\n\nHe had shared the stage with many international celebrities of dance like Carla Fracci, Luciana Savignano, Giuseppe Picone, Beppe Menegatti, Rossella Brescia and Luciano Mattia Cannito in a production called 'I Have a Dream' at Palermo city, Sicily of Insular Italy\n\nFilmography\nKoun Kitney Panee Mein by Nila Madhab Panda\nKranti Dhara by Himanshu Khatua\nChoreography consultancy in various Bollywood films\n\nAs a dance teacher\nSaswat is the founder of Lasyakala Institute of Performing Arts, where many new Odissi practitioners and talents are being shaped into their performing excellence. Under this banner Aekalavya Dance Festival is being organised every year to felicitate practitioners, experts and critics of Odissi.\n\nReferences\n\nExternal links\n\n\"Happy for Hope virtual event during COVID-19 lock down\"\nGhungroo Missing? short film released by Saswat Joshi\nChakaa Aakhii Short Film by Saswat Joshi, streaming now \n\n1984 births\nLiving people\nIndian dance teachers\nOdissi dancers\nIndian film choreographers\nIndian classical choreographers\nDancers from Odisha" ]
[ "Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism).", "Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule.", "It was suppressed under the British Rule. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule.", "The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature.", "Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance).", "Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release).", "An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment.", "Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White.", "Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.", "Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters.", "The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.", "Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri.", "More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE.", "The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots.", "The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE.", "Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites.", "Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE.", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi.", "According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text.", "This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance.", "However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures.", "Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha.", "This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi.", "The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.", "Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists.", "Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls.", "The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts.", "During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions.", "This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha.", "According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts.", "During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\".", "In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\". Christian missionaries launched the \"anti-dance movement\" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era.", "The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi.", "Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher.", "Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as \"Odissi\". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts.", "Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures).", "The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood.", "In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions.", "Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\".", "Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint.", "Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\".", "This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group).", "The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance.", "The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience.", "It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.", "This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual.", "The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana.", "Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth).", "Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva.", "It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end.", "This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry.", "The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language.", "Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire.", "The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”.", "Moksha in Hindu traditions means “spiritual liberation”. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties.", "These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection.", "Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances.", "The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways.", "Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference.", "Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act.", "Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika.", "There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.)", "These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.)", "Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the \"Abhinaya Darpana\" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari).", "The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition.", "The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs).", "The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles).", "The wrist is covered with Kankana (bangles). The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta.", "The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music.", "Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer.", "Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life.", "This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others.", "The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri.", "Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends.", "Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics.", "This style included martial arts, athletics and acrobatics. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties.", "Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad.", "In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis.", "He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event.", "In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event.", "This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom.", "Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. .", "Published by B. R. Rhythms, Delhi, 2010. . Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi.", "Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. .", "Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website.", ", Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music" ]
[ "Odissi", "Medieval era", "Was Odissi an acceptable form of dancing during the Medieval era?", "The Buddhist icons, for example, are depicted as dancing gods and goddesses,", "Was Odissi popular form of dancing during the Medieval era?", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue", "Was there a popular Odissi dancer in this era?", "I don't know.", "Is there anything significant about Odissi dancing in the Medieval era?", "Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era,", "Was Odissi a good source of income for the performers?", "I don't know." ]
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Were there anyone in the Medieval who did not like this form of dancing?
6
Was there anyone in the Medieval era who did not like the Odissi form of dancing?
Odissi
The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER
were revered as auspicious to religious services.
Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music
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[ "The dancing plague of 1518, or dance epidemic of 1518, was a case of dancing mania that occurred in Strasbourg, Alsace (modern-day France), in the Holy Roman Empire from July 1518 to September 1518. Somewhere between 50 and 400 people took to dancing for days.\n\nEvents \nThe outbreak began in July 1518 when a woman began to dance fervently in a street in Strasbourg. By early September, the outbreak began to subside.\n\nHistorical documents, including \"physician notes, cathedral sermons, local and regional chronicles, and even notes issued by the Strasbourg city council\" are clear that the victims danced; it is not known why. Historical sources agree that there was an outbreak of dancing after a single woman started dancing, a group of mostly young women joined in, and the dancing did not seem to die down. It lasted for such a long time that it attracted the attention of the Strasbourg magistrate and bishop, and some number of doctors ultimately intervened, putting the afflicted in a hospital.\n\nEvents similar to this are said to have occurred throughout the medieval age including 11th century in Kölbigk Saxony, where it was believed to be the cause of demonic possession or divine judgment. In 15th century Apulia Italy, a woman was bitten by a tarantula, the venom making her dance convulsively. The only way to cure the bite was to \"shimmy\" and to have the right sort of music available, which was an accepted remedy by scholars like Athanasius Kircher.\n\nContemporaneous explanations included demonic possession and overheated blood.\n\nVeracity of deaths\nControversy exists over whether people ultimately danced to their deaths. Some sources claim that for a period the plague killed around fifteen people per day, but the sources of the city of Strasbourg at the time of the events did not mention the number of deaths, or even if there were fatalities. There do not appear to be any sources contemporaneous to the events that make note of any fatalities.\n\nThe main source for the claim is John Waller, who has written several journal articles on the subject, and the book A Time to Dance, a Time to Die: The Extraordinary Story of the Dancing Plague of 1518. The sources cited by Waller that mention deaths were all from later accounts of the events. There is also uncertainty around the identity of the initial dancer (either an unnamed woman or \"Frau Troffea\") and the number of dancers involved (somewhere between 50 and 400). Of the six chronicle accounts, four support Lady Troffea as the first dancer.\n\nModern theories\n\nFood poisoning \nSome believe the dancing could have been brought on by food poisoning caused by the toxic and psychoactive chemical products of ergot fungi (ergotism), which grows commonly on grains (such as rye) used for baking bread. Ergotamine is the main psychoactive product of ergot fungi; it is structurally related to the drug lysergic acid diethylamide (LSD-25) and is the substance from which LSD-25 was originally synthesized. The same fungus has also been implicated in other major historical anomalies, including the Salem witch trials.\n\nIn The Lancet, John Waller argues that \"this theory does not seem tenable, since it is unlikely that those poisoned by ergot could have danced for days at a time. Nor would so many people have reacted to its psychotropic chemicals in the same way. The ergotism theory also fails to explain why virtually every outbreak occurred somewhere along the Rhine and Moselle rivers, areas linked by water but with quite different climates and crops\".\n\nStress-induced mass hysteria \nThis could have been a florid example of psychogenic movement disorder happening in mass hysteria or mass psychogenic illness, which involves many individuals suddenly exhibiting the same bizarre behavior. The behavior spreads rapidly and broadly in an epidemic pattern. This kind of comportment could have been caused by elevated levels of psychological stress, caused by the ruthless years (even by the rough standards of the early modern period) the people of Alsace were suffering.\n\nWaller speculates that the dancing was \"stress-induced psychosis\" on a mass level, since the region where the people danced was riddled with starvation and disease, and the inhabitants tended to be superstitious. Seven other cases of dancing plague were reported in the same region during the medieval era.\n\nThis psychogenic illness could have created a chorea (from the Greek khoreia meaning \"to dance\"), a situation comprising random and intricate unintentional movements that flit from body part to body part. Diverse choreas (St. Vitus' dance, St. John's dance, and tarantism) were labeled in the Middle Ages referring to the independent epidemics of \"dancing mania\" that happened in central Europe, particularly at the time of the plague.\n\nSee also\n Sydenham's chorea\n Tanganyika laughter epidemic\n\nReferences\n\nBibliography\n\nFurther reading\n\nExternal links\n \"Dancing death\" by John Waller. BBC News. 12 September 2008.\n \"Strasbourg 1518\" (dance-theatre production) by Borderline Arts Ensemble. New Zealand Festival of the Arts. 12 March 2020.\n \"Strasbourg 1518\" (short film) by Jonathan Glazer. BBC. 20 July 2020. \n\n1518\n1518 in Europe\n16th-century health disasters\nHealth disasters in France\nAilments of unknown cause\nPlague\nHistory of Strasbourg\nMass hysteria\nRetrospective diagnosis", "Dancing mania (also known as dancing plague, choreomania, St. John's Dance, tarantism and St. Vitus' Dance) was a social phenomenon that occurred primarily in mainland Europe between the 14th and 17th centuries. It involved groups of people dancing erratically, sometimes thousands at a time. The mania affected adults and children who danced until they collapsed from exhaustion and injuries. One of the first major outbreaks was in Aachen, in the Holy Roman Empire (in modern-day Germany), in 1374, and it quickly spread throughout Europe; one particularly notable outbreak occurred in Strasbourg in 1518 in Alsace, also in the Holy Roman Empire (now France).\n\nAffecting thousands of people across several centuries, dancing mania was not an isolated event, and was well documented in contemporary reports. It was nevertheless poorly understood, and remedies were based on guesswork. Often musicians accompanied dancers, due to a belief that music would treat the mania, but this tactic sometimes backfired by encouraging more to join in. There is no consensus among modern-day scholars as to the cause of dancing mania.\n\nThe several theories proposed range from religious cults being behind the processions to people dancing to relieve themselves of stress and put the poverty of the period out of their minds. It is speculated to have been a mass psychogenic illness, in which physical symptoms with no known physical cause are observed to affect a group of people, as a form of social influence.\n\nDefinition\n\"Dancing mania\" is derived from the term \"choreomania\", from the Greek choros (dance) and mania (madness), and is also known as \"dancing plague\". The term was coined by Paracelsus, and the condition was initially considered a curse sent by a saint, usually St. John the Baptist or St. Vitus, and was therefore known as \"St. Vitus' Dance\" or \"St. John's Dance\". Victims of dancing mania often ended their processions at places dedicated to that saint, who was prayed to in an effort to end the dancing; incidents often broke out around the time of the feast of St. Vitus.\n\nSt. Vitus' Dance was diagnosed, in the 17th century, as Sydenham chorea. Dancing mania has also been known as epidemic chorea and epidemic dancing. A disease of the nervous system, chorea is characterized by symptoms resembling those of dancing mania, which has also rather unconvincingly been considered a form of epilepsy.\n\nOther scientists have described dancing mania as a \"collective mental disorder\", \"collective hysterical disorder\" and \"mass madness\".\n\nOutbreaks\nThe earliest-known outbreak of dancing mania occurred in the 7th century, and it reappeared many times across Europe until about the 17th century, when it stopped abruptly. One of the earliest-known incidents occurred sometime in the 1020s in Bernburg, where 18 peasants began singing and dancing around a church, disturbing a Christmas Eve service.\n\nFurther outbreaks occurred during the 13th century, including one in 1237 in which a large group of children travelled from Erfurt to Arnstadt (about ), jumping and dancing all the way, in marked similarity to the legend of the Pied Piper of Hamelin, a legend that originated at around the same time. Another incident, in 1278, involved about 200 people dancing on a bridge over the River Meuse resulting in its collapse. Many of the survivors were restored to full health at a nearby chapel dedicated to St. Vitus. The first major outbreak of the mania occurred between 1373 and 1374, with incidents reported in England, Germany and the Netherlands.\n\nOn 24 June 1374, one of the biggest outbreaks began in Aachen, before spreading to other places such as Cologne, Flanders, Franconia, Hainaut, Metz, Strasbourg, Tongeren, Utrecht, and regions and countries such as Italy and Luxembourg. Further episodes occurred in 1375 and 1376, with incidents in France, Germany and Netherlands, and in 1381 there was an outbreak in Augsburg. Further incidents occurred in 1418 in Strasbourg, where people fasted for days and the outbreak was possibly caused by exhaustion. In another outbreak, in 1428 in Schaffhausen, a monk danced to death and, in the same year, a group of women in Zurich were reportedly in a dancing frenzy.\n\nAnother of the biggest outbreaks occurred in July 1518, in Strasbourg (see Dancing plague of 1518), where a woman began dancing in the street and between 50 and 400 people joined her. Further incidents occurred during the 16th century, when the mania was at its peak: in 1536 in Basel, involving a group of children; and in 1551 in Anhalt, involving just one man. In the 17th century, incidents of recurrent dancing were recorded by professor of medicine Gregor Horst, who noted:\n\nDancing mania appears to have completely died out by the mid-17th century. According to John Waller, although numerous incidents were recorded, the best documented cases are the outbreaks of 1374 and 1518, for which there is abundant contemporary evidence.\n\nCharacteristics\nThe outbreaks of dancing mania varied, and several characteristics of it have been recorded. Generally occurring in times of hardship, up to tens of thousands of people would appear to dance for hours, days, weeks, and even months.\n\nWomen have often been portrayed in modern literature as the usual participants in dancing mania, although contemporary sources suggest otherwise. Whether the dancing was spontaneous, or an organized event, is also debated. What is certain, however, is that dancers seemed to be in a state of unconsciousness, and unable to control themselves.\n\nIn his research into social phenomena, author Robert Bartholomew notes that contemporary sources record that participants often did not reside where the dancing took place. Such people would travel from place to place, and others would join them along the way. With them they brought customs and behaviour that were strange to the local people. Bartholomew describes how dancers wore \"strange, colorful attire\" and \"held wooden sticks\".\n\nRobert Marks, in his study of hypnotism, notes that some decorated their hair with garlands. However, not all outbreaks involved foreigners, and not all were particularly calm. Bartholomew notes that some \"paraded around naked\" and made \"obscene gestures\". Some even had sexual intercourse. Others acted like animals, and jumped, hopped and leaped about.\n\nThey hardly stopped, and some danced until they broke their ribs and subsequently died. Throughout, dancers screamed, laughed, or cried, and some sang. Bartholomew also notes that observers of dancing mania were sometimes treated violently if they refused to join in. Participants demonstrated odd reactions to the color red; in A History of Madness in Sixteenth-Century Germany, Midelfort notes they \"could not perceive the color red at all\", and Bartholomew reports \"it was said that dancers could not stand... the color red, often becoming violent on seeing [it]\".\n\nBartholomew also notes that dancers \"could not stand pointed shoes\", and that dancers enjoyed their feet being hit. Throughout, those affected by dancing mania suffered from a variety of ailments, including chest pains, convulsions, hallucinations, hyperventilation, epileptic fits, and visions. In the end, most simply dropped down, overwhelmed with exhaustion. Midelfort, however, describes how some ended up in a state of ecstasy. Typically, the mania was contagious but it often struck small groups, such as families and individuals.\n\nTarantism \n\nIn Italy, a similar phenomenon was tarantism, in which the victims were said to have been poisoned by a tarantula or scorpion. Its earliest-known outbreak was in the 13th century, and the only antidote known was to dance to particular music to separate the venom from the blood. It occurred only in the summer months. As with dancing mania, people would suddenly begin to dance, sometimes affected by a perceived bite or sting and were joined by others, who believed the venom from their own old bites was reactivated by the heat or the music. Dancers would perform a tarantella, accompanied by music which would eventually \"cure\" the victim, at least temporarily.\n\nSome participated in further activities, such as tying themselves up with vines and whipping each other, pretending to sword fight, drinking large amounts of wine, and jumping into the sea. Some died if there was no music to accompany their dancing. Sufferers typically had symptoms resembling those of dancing mania, such as headaches, trembling, twitching and visions.\n\nAs with dancing mania, participants apparently did not like the color black, and women were reported to be most affected. Unlike dancing mania, tarantism was confined to Italy and southern Europe. It was common until the 17th century, but ended suddenly, with only very small outbreaks in Italy until as late as 1959.\n\nA study of the phenomenon in 1959 by religious history professor Ernesto de Martino revealed that most cases of tarantism were probably unrelated to spider bites. Many participants admitted that they had not been bitten, but believed they were infected by someone who had been, or that they had simply touched a spider. The result was mass panic, with a \"cure\" that allowed people to behave in ways that were, normally, prohibited at the time. Despite their differences, tarantism and dancing mania are often considered synonymous.\n\nReactions\n\nAs the real cause of dancing mania was unknown, many of the treatments for it were simply hopeful guesses, although some did seem effective. The 1374 outbreak occurred only decades after the Black Death, and was treated in a similar fashion: dancers were isolated, and some were exorcised. People believed that the dancing was a curse brought about by St. Vitus; they responded by praying and making pilgrimages to places dedicated to St. Vitus.\n\nPrayers were also made to St. John the Baptist, who some believed also caused the dancing. Others claimed to be possessed by demons, or Satan, therefore exorcisms were often performed on dancers. Bartholomew notes that music was often played while participants danced, as that was believed to be an effective remedy, and during some outbreaks musicians were even employed to play. Midelfort describes how the music encouraged others to join in, however, and thus effectively made things worse, as did the dancing places that were sometimes set up.\n\nTheories\nNumerous hypotheses have been proposed for the causes of dancing mania, and it remains unclear whether it was a real illness or a social phenomenon. One of the most prominent theories is that victims suffered from ergot poisoning, which was known as St. Anthony's fire in the Middle Ages. During floods and damp periods, ergots were able to grow and affect rye and other crops. Ergotism can cause hallucinations and convulsions, but cannot account for the other strange behaviour most commonly identified with dancing mania.\n\nOther theories suggest that the symptoms were similar to encephalitis, epilepsy, and typhus, but as with ergotism, those conditions cannot account for all symptoms.\n\nNumerous sources discuss how dancing mania, and tarantism, may have simply been the result of stress and tension caused by natural disasters around the time, such as plagues and floods. Hetherington and Munro describe dancing mania as a result of \"shared stress\"; people may have danced to relieve themselves of the stress and poverty of the day, and in so doing, attempted to become ecstatic and see visions.\n\nAnother popular theory is that the outbreaks were all staged, and the appearance of strange behaviour was due to its unfamiliarity. Religious cults may have been acting out well-organised dances, in accordance with ancient Greek and Roman rituals. Despite being banned at the time, these rituals could be performed under the guise of uncontrollable dancing mania. Justus Hecker, a 19th-century medical writer, described it as a kind of festival, where a practice known as \"the kindling of the Nodfyr\" was carried out. This involved jumping through fire and smoke, in an attempt to ward off disease. Bartholomew notes how participants in this ritual would often continue to jump and leap long after the flames had gone.\n\nIt is certain that many participants of dancing mania were psychologically disturbed, but it is also likely that some took part out of fear, or simply wished to copy everyone else. Sources agree that dancing mania was one of the earliest-recorded forms of mass hysteria, and describe it as a \"psychic epidemic\", with numerous explanations that might account for the behaviour of the dancers. It has been suggested that the outbreaks may have been due to cultural contagion triggered, in times of particular hardship, by deeply rooted popular beliefs in the region regarding angry spirits capable of inflicting a \"dancing curse\" to punish their victims.\n\nSee also\n Dance marathon\n Ee ja nai ka, a cultural practice in 19th-century Japan with some similarities\n\nReferences\n\nFurther reading\n Dancing Mania, by Leah Esterianna & Richard the Poor of Ely\n\nExternal links\n\n \n\nAilments of unknown cause\nMania\nHistory of mental health\nRenaissance dance\nMass hysteria\nMedieval events\nMedieval health disasters\nHealth disasters in Germany\nDance in Europe" ]
[ "Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism).", "Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule.", "It was suppressed under the British Rule. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule.", "The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature.", "Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance).", "Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release).", "An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment.", "Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White.", "Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.", "Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters.", "The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.", "Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri.", "More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE.", "The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots.", "The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE.", "Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites.", "Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE.", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi.", "According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text.", "This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance.", "However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures.", "Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha.", "This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi.", "The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.", "Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists.", "Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls.", "The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts.", "During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions.", "This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha.", "According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts.", "During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\".", "In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\". Christian missionaries launched the \"anti-dance movement\" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era.", "The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi.", "Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher.", "Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as \"Odissi\". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts.", "Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures).", "The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood.", "In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions.", "Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\".", "Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint.", "Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\".", "This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group).", "The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance.", "The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience.", "It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.", "This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual.", "The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana.", "Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth).", "Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva.", "It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end.", "This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry.", "The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language.", "Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire.", "The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”.", "Moksha in Hindu traditions means “spiritual liberation”. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties.", "These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection.", "Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances.", "The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways.", "Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference.", "Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act.", "Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika.", "There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.)", "These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.)", "Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the \"Abhinaya Darpana\" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari).", "The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition.", "The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs).", "The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles).", "The wrist is covered with Kankana (bangles). The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta.", "The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music.", "Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer.", "Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life.", "This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others.", "The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri.", "Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends.", "Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics.", "This style included martial arts, athletics and acrobatics. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties.", "Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad.", "In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis.", "He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event.", "In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event.", "This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom.", "Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. .", "Published by B. R. Rhythms, Delhi, 2010. . Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi.", "Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. .", "Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website.", ", Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music" ]
[ "Odissi", "Medieval era", "Was Odissi an acceptable form of dancing during the Medieval era?", "The Buddhist icons, for example, are depicted as dancing gods and goddesses,", "Was Odissi popular form of dancing during the Medieval era?", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue", "Was there a popular Odissi dancer in this era?", "I don't know.", "Is there anything significant about Odissi dancing in the Medieval era?", "Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era,", "Was Odissi a good source of income for the performers?", "I don't know.", "Were there anyone in the Medieval who did not like this form of dancing?", "were revered as auspicious to religious services." ]
C_c50f120990f34e0cb4e97ecfbab870af_1
In what arenas were you able to witness the Odissi performers in the Medieval era?
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In what arenas were you able to witness the Odissi performers in the Medieval era?
Odissi
The Buddhist, Jain and Hindu archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses - such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanas mentioned in NatyaShastra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakasha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannath temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. CANNOTANSWER
Odissi was performed in the temples by the dancers called Maharis,
Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style="background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, "Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...", and then attacked them as idol-worshipping prostitutes who expressed their devotion with "airy gyrations". Christian missionaries launched the "anti-dance movement" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as "Odissi". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to "strive to suggest, reveal or re-create the infinite, divine self", and art is considered as "the supreme means of realizing the Universal Being". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to "expressions of personal artistic excellence as ritualized spiritual articulations". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the "Abhinaya Darpana" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of "visualized music", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music
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[ "Laxmipriya Mohapatra (born 1928 - died 20 March 2021) was an Indian classical dancer, performing Odissi dance on stage and in films. Along with her husband, Kelucharan Mohapatra, she is credited with reviving Odissi dance in India, in the 1940s and 50s.\n\nCareer \nMohapatra was born in Khurda, Odisha, and was taught to dance by her mother, actress and dancer Tulasi Devi. At the age of seven, she began performing at the Annapurna Theatre in Puri, Odisha, and by the age of 17, was their star performer, drawing large crowds who attended her performances. She moved to Cuttack, where she met her husband, Kelucharan Mohapatra, a trained Odissi dancer who was at the time playing tabla, a classical form of percussion, as an accompaniment, for dance performances. In 1946, after training in Odissi with her husband, she performed the first solo Odissi dance on stage, which was considered a milestone in efforts to revive the classical dance form. She is also the first woman to perform the traditional form of Gotipua dance on stage. In addition to performing Odissi, she was trained in several traditional folk dance forms, and performed at Republic Day parades in India's capital, New Delhi, in the 1950s. She performed in a number of plays on stage, as well as in several Odia films, including Manika Jodi, Suryamukhi, Mala Jahna and Amadabata. \n\nWhen her husband, Kelucharan, became a dancer and choreographer, she retired in 1985 from professional dancing to support him. Along with him, she established and taught at Srjan, a well-known classical dance school in Bhubaneswar, Odisha. Their son, Ratikant Mohapatra, is also an Odissi dancer and choreographer. She taught a number of modern Odissi dancers, including Minati Mishra, Priyambada Mohanty Hejmadi, and Kumkum Mohanty. She died on 20 March 2021, at the age of 86, and was buried with state honors. in September 2021, a five-day Odissi festival was dedicated to her memory, and included Odissi performances by many of her former students.\n\nReferences \n\n1928 births\n2021 deaths\nOdissi dancers\nIndian dancers\nIndian female classical dancers\nDancers from Odisha\nPeople from Odisha\nPerformers of Indian classical dance\n20th-century Indian dancers\nPeople from Khordha district", "Nandita Behera (née Pattnaik) is an Odissi dance instructor and founder of Odissi Dance Circle in Cerritos, California. A student of Guru Kelucharan Mohapatra and Guru Gangadhar Pradhan, Nandita Behera has been teaching Odissi in California for the past twenty years. She was awarded Sringaramanai by Sur Singar Samsad Bombay and is also a recipient of the National Scholarship for Dance in India.\n\nSee also \n Dance in India\n Indian classical dance\n\nReferences\n\nExternal links\nWebsite for Odissi Dance Circle\n\n1957 births\nLiving people\nArtists from Bhubaneswar\nOdissi dancers\nIndian female classical dancers\nPerformers of Indian classical dance\nIndian emigrants to the United States\nDancers from Odisha" ]
[ "Odissi (), also referred to as Orissi in older literature, is a major ancient Indian classical dance that originated in the Hindu temples of Odisha – an eastern coastal state of India. Odissi, in its history, was performed predominantly by women, and expressed religious stories and spiritual ideas, particularly of Vaishnavism. Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism).", "Odissi performances have also expressed ideas of other traditions such as those related to Hindu gods Shiva and Surya, as well as Hindu goddesses (Shaktism). The theoretical foundations of Odissi trace to the ancient Sanskrit text Natya Shastra, its existence in antiquity evidenced by the dance poses in the sculptures of Odissi Hindu temples, and archeological sites related to Hinduism (Sanatana Dharma), Buddhism and Jainism. It was suppressed under the British Rule.", "It was suppressed under the British Rule. It was suppressed under the British Rule. The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule.", "The suppression was protested by the Indians, followed by its revival, reconstruction and expansion since India gained independence from the colonial rule. Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature.", "Odissi is traditionally a dance-drama genre of performance art, where the artist(s) and musicians play out a story, a spiritual message or devotional poem from the Hindu texts, using symbolic costumes, body movement, abhinaya (expressions) and mudras (gestures and sign language) set out in ancient Sanskrit literature. Classical Odia literature & the Gitagovinda set to traditional Odissi music are used for the abhinaya. Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance).", "Odissi is learnt and performed as a composite of basic dance motif called the Bhangas (symmetric body bends, stance). It involves lower (footwork), mid (torso) and upper (hand and head) as three sources of perfecting expression and audience engagement with geometric symmetry and rhythmic musical resonance. An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release).", "An Odissi performance repertoire includes invocation, nritta (pure dance), nritya (expressive dance), natya (dance drama) and moksha (dance climax connoting freedom of the soul and spiritual release). Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment.", "Traditional Odissi exists in two major styles, the first perfected by women and focussed on solemn, spiritual temple dance (maharis); the second perfected by boys dressed as girls (gotipuas) which diversified to include athletic and acrobatic moves, and were performed from festive occasions in temples to general folksy entertainment. Modern Odissi productions by Indian artists have presented a diverse range of experimental ideas, culture fusion, themes and plays. Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White.", "Odissi was the only Indian dance form present in Michael Jackson's 1991 hit single Black or White. History The foundations of Odissi are found in Natya Shastra, the ancient Hindu Sanskrit text of performance arts. The basic dance units described in Natyashastra, all 108 of them, are identical to those in Odissi. Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.", "Natya Shastra is attributed to the ancient scholar Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters.", "The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.", "Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures. The Natya Shastra refers to four vrittis (methods of expressive delivery) in vogue – Avanti, Dakshinatya, Panchali and Odra-Magadhi; of these, the Odra refers to Odisha. More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri.", "More direct historical evidence of dance and music as an ancient performance art are found in archaeological sites such as caves and in temple carvings of Bhubaneswar, Konark and Puri. The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE.", "The Manchapuri cave in Udayagiri shows carvings of dance and musicians, and this has been dated to the time of Jain king Kharavela in the first or second century BCE. The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots.", "The Hathigumpha inscriptions, also dated to the same ruler, mention music and dance: <blockquote style=\"background-color:none;margin-right:5em;margin-left:0em;border-left:solid 6px #FFE0BB;padding:1.0em\"> (he [the king]) versed in the science of the Gandharvas (i.e., music), entertains the capital with the exhibition of dapa, dancing, singing and instrumental music and by causing to be held festivities and assemblies (samajas)...</p> — Hathigumpha inscription, Line 5, ~ 2nd–1st century BCE </blockquote> The musical tradition of Odisha also has ancient roots. Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE.", "Archeologists have reported the discovery of 20-key, carefully shaped polished basalt lithophone in Sankarjang, the highlands of Odisha, which is dated to about 1000 BCE. Medieval era The Hindu, Jain and Buddhist archaeological sites in Odisha state, particularly the Assia range of hills show inscriptions and carvings of dances that are dated to the 6th to 9th century CE. Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites.", "Important sites include the Ranigumpha in Udaygiri, and various caves and temples at Lalitgiri, Ratnagiri and Alatgiri sites. The Buddhist icons, for example, are depicted as dancing gods and goddesses, with Haruka, Vajravarahi, and Marichi in Odissi-like postures. Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE.", "Historical evidence, states Alexandra Carter, shows that Odissi Maharis (Hindu temple dancers) and dance halls architecture (nata-mandap) were in vogue at least by the 9th century CE. According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi.", "According to Kapila Vatsyayan, the Kalpasutra of Jainism, in its manuscripts discovered in Gujarat, includes classical Indian dance poses – such as the Samapada, the Tribhangi and the Chuaka of Odissi. This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text.", "This, states Vatsyayan, suggests that Odissi was admired or at least well known in distant parts of India, far from Odisha in the medieval era, to be included in the margins of an important Jain text. However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance.", "However, the Jain manuscripts use the dance poses as decorative art in the margins and cover, but do not describe or discuss the dance. Hindu dance texts such as the Abhinaya Chandrika and Abhinaya Darpana provide a detailed description of the movements of the feet, hands, the standing postures, the movement and the dance repertoire. It includes illustrations of the Karanãs mentioned in NãtyaShãstra. Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures.", "Similarly, the illustrated Hindu text on temple architecture from Odisha, the Shilpaprakãsha, deals with Odia architecture and sculpture, and includes Odissi postures. Actual sculptures that have survived into the modern era and panel reliefs in Odia temples, dated to be from the 10th to 14th century, show Odissi dance. This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha.", "This is evidenced in Jagannatha temple in Puri, as well as other temples of Vaishnavism, Shaivism, Shaktism and Vedic deities such as Surya (Sun) in Odisha. There are several sculptures of dancers and musicians in Konark Sun Temple and Brahmeswara Temple in Bhubaneswar. The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi.", "The composition of the poetic texts by 8th century Shankaracharya and particularly of divine love inspired Gitagovinda by 12th century Jayadeva influenced the focus and growth of modern Odissi. Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services.", "Odissi was performed in the temples by the dancers called Maharis, who played out these spiritual poems and underlying religious plays, after training and perfecting their art of dance starting from an early age, and who were revered as auspicious to religious services. Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists.", "Mughal and British period After 12th-century, Odia temples, monasteries and nearby institutions such as the Puspagiri in eastern Indian subcontinent came under waves of attacks and ransacking by Muslim armies, a turmoil that impacted all arts and eroded the freedoms previously enjoyed by performance artists. The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls.", "The official records of Sultan Firuz Shah Tughlaq's invasion in Odisha (13601361 CE), for example, describe the destruction of the Jagannath temple as well as numerous other temples, defacing of dancing statues, and ruining of dance halls. This led to a broad decline in Odissi and other religious arts, but there were some benevolent rulers in this period who supported arts particularly through performances at courts. During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts.", "During the Sultanate and Mughal era of India, the temple dancers were moved to entertain the Sultan's family and courts. They became associated with concubinage to the nobility. The Odissi dance likely expanded in the 17th century, states Alexandra Carter, under King Ramachandradeva's patronage. This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions.", "This expansion integrated martial arts (akhanda) and athletics into Odissi dance, by engaging boys and youth called Gotipuas, as a means to physically train the young for the military and to resist foreign invasions. According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha.", "According to Ragini Devi, historical evidence suggests that the Gotipuas tradition was known and nurtured in the 14th century, by Raja of Khordha. During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts.", "During the British Raj, the officials of the colonial government ridiculed the temple traditions, while Christian missionaries launched a sustained attack on the moral outrage of sensuousness of Odissi and other Hindu temple dance arts. In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\".", "In 1872, a British civil servant named William Hunter watched a performance at the Jagannatha temple in Puri, then wrote, \"Indecent ceremonies disgraced the ritual, and dancing girls with rolling eyes put the modest worshipper to the blush...\", and then attacked them as idol-worshipping prostitutes who expressed their devotion with \"airy gyrations\". Christian missionaries launched the \"anti-dance movement\" in 1892, to ban all such dance forms. The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era.", "The dancers were frequently stigmatized as prostitutes by Europeans during the colonial era. In 1910, the British colonial government in India banned temple dancing, and the dance artists were reduced to abject poverty from the lack of any financial support for performance arts, combined with stereotyping stigma. Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi.", "Post-independence The temple dance ban and the cultural discrimination during the colonial rule marshaled a movement by Hindus to question the stereotypes and to revive the regional arts of India, including Odissi. Due to these efforts, the classical Indian dances witnessed a period of renaissance and reconstruction, which gained momentum particularly after Indians gained their freedom from colonialism. Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher.", "Odissi, along with several other major Indian dances gained recognition after efforts by many scholars and performers in the 1950s, particularly by Kavichandra Kalicharan Pattanayak, an Oriya poet, dramatist and researcher. Pattanayak is also credited with naming the dance form as \"Odissi\". Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts.", "Repertoire Odissi, in the classical and medieval period has been, a team dance founded on Hindu texts. This drama-dance involved women (Maharis) enacting a spiritual poem or a religious story either in the inner sanctum of a Hindu temple, or in the Natamandira attached to the temple. The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures).", "The Odissi performing Maharis combined pure dance with expression, to play out and communicate the underlying text through abhinaya (gestures). The performance art evolved to include another aspect, wherein teams of boys – dressed as girls – called Gotipuas expanded the Odissi repertoire, such as by adding acrobatics and athletic moves, and they performed both near the temples and open fairs for general folksy entertainment. In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood.", "In the Indian tradition, many of the accomplished gotipuas became the gurus (teachers) in their adulthood. Modern Odissi is a diversified performance art, men have joined the women, and its reconstruction since the 1950s have added new plays and aspects of other Indian dances. Love is a universal theme and one of the paradigmatic values in Indian religions.", "Love is a universal theme and one of the paradigmatic values in Indian religions. This theme is expressed through sensuous love poems and metaphors of sexual union in Krishna-related literature, and as longing eros (Shringara) in its dance arts such as in Odissi, from the early times. Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\".", "Hinduism, states Judith Hanna, encourages the artist to \"strive to suggest, reveal or re-create the infinite, divine self\", and art is considered as \"the supreme means of realizing the Universal Being\". Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint.", "Physical intimacy is not something considered as a reason for shame, rather considered a form of celebration and worship, where the saint is the lover and the lover is the saint. This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\".", "This aspect of Odissi dancing has been subdued in the modern post-colonial reconstructions, states Alexandra Carter, and the emphasis has expanded to \"expressions of personal artistic excellence as ritualized spiritual articulations\". The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group).", "The traditional Odissi repertoire, like all classical Indian dances, includes Nritta (pure dance, solo), Nritya (dance with emotions, solo) and Natya (dramatic dance, group). These three performance aspects of Odissi are described and illustrated in the foundational Hindu texts, particularly the Natya Shastra, Abhinaya Darpana and the 16th-century Abhinaya Chandrika by Maheshwara Mahapatra of Odisha. The Nritta performance is abstract, fast and rhythmic aspect of the dance.", "The Nritta performance is abstract, fast and rhythmic aspect of the dance. The viewer is presented with pure movement in Nritta, wherein the emphasis is the beauty in motion, form, speed, range and pattern. This part of the repertoire has no interpretative aspect, no telling of story. It is a technical performance, and aims to engage the senses (prakriti) of the audience.", "It is a technical performance, and aims to engage the senses (prakriti) of the audience. The Nritya is slower and expressive aspect of the dance that attempts to communicate feelings, storyline particularly with spiritual themes in Hindu dance traditions. In a nritya, the dance-acting expands to include silent expression of words through the sign language of gestures and body motion set to musical notes. This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer.", "This part of a repertoire is more than sensory enjoyment, it aims to engage the emotions and mind of the viewer. The Natyam is a play, typically a team performance, but can be acted out by a solo performer where the dancer uses certain standardized body movements to indicate a new character in the underlying story. A Natya incorporates the elements of a Nritya. The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual.", "The Mokshya is a climatic pure dance of Odissi, aiming to highlight the liberation of soul and serenity in the spiritual. Odissi dance can be accompanied by both northern Indian (Hindustani) and southern Indian (Carnatic) music, though mainly, recitals are in Odia and Sanskrit language in the Odissi music tradition. Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana.", "Sequence Traditional Odissi repertoire sequence starts with an invocation called Mangalacharana. A shloka (hymn) in praise of a God or Goddess is sung, such as to Jagannath (an avatar of Vishnu), the meaning of which is expressed through dance. Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth).", "Mangalacharana is followed by Pushpanjali (offering of flowers) and Bhumi Pranam (salutation to mother earth). The invocation also includes Trikhandi Pranam or the three-fold salutation – to the Devas (gods), to the Gurus (teachers) and to the Lokas or Rasikas (fellow dancers and audience). The next sequential step in an Odissi performance is Batu, also known as Battu Nrutya or Sthayee Nrutya or Batuka Bhairava. It is a fast pace, pure dance (nritta) performed in the honor of Shiva.", "It is a fast pace, pure dance (nritta) performed in the honor of Shiva. There is no song or recitation accompanying this part of the dance, just rhythmic music. This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end.", "This pure dance sequence in Odissi builds up to a Pallavi which is often slow, graceful & lyrical movements of the eyes, neck, torso & feet & slowly builds in a crescendo to climax in a fast tempo at the end. The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry.", "The nritya follows next, and consists of Abhinaya, or an expressional dance which is an enactment of a song or poetry. The dancer(s) communicate the story in a sign language, using mudras (hand gestures), bhavas (enacting mood, emotions), eye and body movement. The dance is fluid, graceful and sensual. Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language.", "Abhinaya in Odissi is performed to verses recited in Sanskrit or Odia language. Most common are Abhinayas on Oriya songs or Sanskrit Ashthapadis or Sanskrit stutis like Dasavatar Stotram (depicting the ten incarnations of Lord Vishnu) or Ardhanari Stotram (half man, half woman form of the divine). Many regionally performed Abhinaya compositions are based on the Radha-Krishna theme. The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire.", "The Astapadis of the Radha-Krishna love poem Gita Govinda written by Jayadeva are usually performed in Odisha, as part of the dance repertoire. The natya part, or dance drama, is next in sequence. Usually Hindu mythologies, epics and legendary dramas are chosen as themes. A distinctive part of the Odissi tradition is the inclusion of Moksha (or Mokshya) finale in the performance sequence. This the concluding item of a recital. Moksha in Hindu traditions means “spiritual liberation”.", "Moksha in Hindu traditions means “spiritual liberation”. Moksha in Hindu traditions means “spiritual liberation”. This dance movement traditionally attempts to convey a sense of spiritual release and soul liberation, soaring into the realm of pure aesthetics. Movement and pose merge in a fast pace pure dance climax. Basic moves and mudras The basic unit of Odissi are called bhangas. These are made up of eight belis, or body positions and movements, combined in many varieties.", "These are made up of eight belis, or body positions and movements, combined in many varieties. Motion is uthas (rising or up), baithas (sitting or down) or sthankas (standing). The gaits or movement on the dance floor is called chaalis, with movement tempo linked to emotions according to the classical Sanskrit texts. Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection.", "Thus, for example, burhas or quick pace suggest excitement, while a slow confused pace suggests dejection. For aesthetics, movement is centered on a core, a point in space or floor, and each dancer has her imaginary square of space, with spins and expression held within it. The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances.", "The foot movement or pada bhedas too have basic dance units, and Odissi has six of these, in contrast to four found in most classical Indian dances. The three primary dance positions in Odissi are: Samabhanga – the square position, with weight equally placed on the two legs, spine straight, arms raised up with elbows bent. Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways.", "Abhanga – the body weight shifts from side to side, due to deep leg bends, while the feet and knees are turned outwards, and one hip extending sideways. Tribhanga – is an S-shaped three-fold bending of body, with torso deflecting in one direction while the head and hips deflecting in the opposite direction of torso. Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference.", "Further, the hands and legs frame the body into a composite of two squares (rectangle), providing an aesthetic frame of reference. This is described in the ancient Sanskrit texts, and forms of it are found in other Hindu dance arts, but tribhanga postures developed most in and are distinctive to Odissi, and they are found in historic Hindu temple reliefs. Mudras or Hastas are hand gestures which are used to express the meaning of a given act.", "Mudras or Hastas are hand gestures which are used to express the meaning of a given act. Like all classical dances of India, the aim of Odissi is in part to convey emotions, mood and inner feelings in the story by appropriate hand and facial gestures. There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika.", "There are 63 Hastas in modern Odissi dance, and these have the same names or structure as those in the pan-Indian Hindu texts, but most closely matching those in the Abhinaya Chandrika. These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.)", "These are subdivided into three, according to the traditional texts: Asamyukta Hasta – Single hand Mudras – 28 Prakar (gestures, for instance to communicate a salute, prayer, embrace, energy, bond, swing, carriage, shell, arrow, holding a thing, wheel, and so on.) Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.)", "Samyukta Hasta – Double hand Mudras – 24 Prakar (gestures, for instance to indicate a flag, flower, type of bird or animal, moon, action like grasping, and so on.) Nrutya Hasta – “Pure Dance” Mudras The Mudra system is derived from the \"Abhinaya Darpana\" by Nandikeshavara and the ancient Natya Shastra of Bharata Muni. Costumes The Odissi dancers are colorfully dressed with makeup and jewellery. The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari).", "The Saree worn by Odissi dancers are brightly coloured, and usually of local silk (Pattasari). It is worn with pleats, or may have a pleat tailor stitched in front, to allow maximum flexibility during the footwork. These sarees have traditional prints of Odisha with regional designs and embellishments, and may be the Sambalpuri Saree and Bomkai Saree. The jewellery includes silver pieces, a metal favored in regional tradition.", "The jewellery includes silver pieces, a metal favored in regional tradition. The hair is tied up, and typically drawn into an elaborate bun resembling a Hindu temple spire, and decorated with Seenthi. Their hairstyle may contain a moon shaped crest of white flowers, or a reed crown called Mukoot with peacock feathers (symbolism for Lord Krishna). The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs).", "The dancers forehead is marked with Tikka, and adorned with various jewelry such as the Allaka (head piece on which the tikka hangs). The eyes are ringed with Kajal (black eyeliner). Ear covers called Kapa or ear rings decorate the sides of the head, while necklace adorns the neck. The dancer wears a pair of armlets also called Bahichudi or Bajuband, on the upper arm. The wrist is covered with Kankana (bangles).", "The wrist is covered with Kankana (bangles). The wrist is covered with Kankana (bangles). At the waist they wear an elaborate belt which ties down one end of the Sari. The ankles are decorated with a leather piece on top of which are bells (ghungroo). The dancer's palms and soles may be painted with red coloured dye called the Alta.", "The dancer's palms and soles may be painted with red coloured dye called the Alta. Modern Odissi male performers wear dhoti – a broadcloth tied around waist, pleated for movement, and tucked between legs; usually extends to knee or lower. Upper body is bare chested, and a long thin folded translucent sheet wrapping over one shoulder and usually tucked below a wide belt. Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music.", "Music and instruments Odissi dance is accompanied by the traditional classical music of the state of Odisha, Odissi music. The primary Odissi ragas are Kalyana, Nata, Shree Gowda, Baradi, Panchama, Dhanashri, Karnata, Bhairavee and Shokabaradi. Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer.", "Odissi dance, states Ragini Devi, is a form of \"visualized music\", wherein the Ragas and Raginis, respectively the primary and secondary musical modes, are integrated by the musicians and interpreted through the dancer. Each note is a means, has a purpose and with a mood in classical Indian music, which Odissi accompanies to express sentiments in a song through Parija. This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life.", "This is true whether the performance is formal, or less formal as in Nartana and Natangi used during festive occasions and the folksy celebration of life. An Odissi troupe comes with musicians and musical instruments. The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others.", "The orchestra consists of various regional musical instruments, such as the Mardala (barrel drum), harmonium, flute, sitar, violin, cymbals held in fingers and others. Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri.", "Styles The Odissi tradition existed in three schools: Mahari, Nartaki, and Gotipua: Maharis were Oriya devadasis or temple girls, their name deriving from Maha (great) and Nari (girl), or Mahri (chosen) particularly those at the temple of Jagganath at Puri. Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends.", "Early Maharis performed Nritta (pure dance) and Abhinaya (interpretation of poetry) dedicated to various Hindu gods and goddesses, as well as Puranic mythologies and Vedic legends. Later, Maharis especially performed dance sequences based on the lyrics of Jayadev's Gita Govinda. This style is more sensuous and closer to the classical Sanskrit texts on dance, music and performance arts. Gotipuas were boys dressed up as girls and taught the dance by the Maharis. This style included martial arts, athletics and acrobatics.", "This style included martial arts, athletics and acrobatics. This style included martial arts, athletics and acrobatics. Gotipuas danced to these compositions outside the temples and fairgrounds as folksy entertainment. Nartaki dance took place in the royal courts, where it was prevalent before the British period. Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties.", "Schools, training and recognition Odissi maestros and performers Kelucharan Mohapatra, Pankaj Charan Das, Deba Prasad Das and Raghunath Dutta were the four major gurus who revived Odissi in the late forties and early fifties. Sanjukta Panigrahi was a leading disciple of Kelucharan Mohapatra who popularized Odissi by performing in India and abroad. In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad.", "In the mid-sixties, three other disciples of Kelucharan Mohapatra, Kumkum Mohanty and Sonal Mansingh, were known for their performances in India and abroad. Laximipriya Mohapatra performed a piece of Odissi abhinaya in the Annapurna Theatre in Cuttack in 1948, a show upheld as the first classical Odissi dance performance after its contemporary revival. Guru Mayadhar Raut played a pivotal role in giving Odissi dance its classical status. He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis.", "He introduced Mudra Vinyoga in 1955 and Sancharibhava in the Odissi dance items, and portrayed Shringara Rasa in Gita Govinda Ashthapadis. His notable compositions include Pashyati Dishi Dishi and Priya Charu Shile, composed in 1961. Schools IIT Bhubaneswar Odissi has been included in Indian Institute of Technology Bhubaneswar's BTech syllabus since 2015 as the first Indian national technical institute to introduce any classical dance in syllabus. In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event.", "In Guinness World records Guinness World Records has acknowledged the feat of the largest congregation of Odissi dancers in a single event. 555 Odissi dancers performed at the event hosted on 23 December 2011, in the Kalinga stadium, Bhubaneswar, Odisha. The dancers performed the Mangalacharan, Battu, Pallavi, Abhinay and Mokshya dance items from the Odissi repertoire. More than 1000 Odissi dancers performed at the World Cultural Festival 12 March 2016. This is till date the largest congregation of Odissi dancers in a single event.", "This is till date the largest congregation of Odissi dancers in a single event. Odissi Centre at Oxford University An Odissi dance centre has been opened from January 2016, at the University of Oxford. Known as Oxford Odissi Centre, it is an initiative of the Odissi dancer and choreographer Baisali Mohanty who is also a post-graduate scholar at the University of Oxford. Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom.", "Beside holding regular Odissi dance classes at its institution, the Oxford Odissi Centre also conducts Odissi dance workshops at other academic institutions in the United Kingdom. See also Indian classical dance Ghungroo Odissi music Gotipua References Bibliography Odissi : What, Why and How… Evolution, Revival and Technique, by Madhumita Raut. Published by B. R. Rhythms, Delhi, 2007. . Odissi Yaatra: The Journey of Guru Mayadhar Raut, by Aadya Kaktikar (ed. Madhumita Raut). Published by B. R. Rhythms, Delhi, 2010. .", "Published by B. R. Rhythms, Delhi, 2010. . Published by B. R. Rhythms, Delhi, 2010. . Odissi Dance, by Dhirendranath Patnaik. Published by Odisha Sangeet Natak Akademi, 1971. Odissi – The Dance Divine, by Ranjana Gauhar and Dushyant Parasher. Published by Niyogi Books, 2007. . Odissi, Indian Classical Dance Art: Odisi Nritya, by Sunil Kothari, Avinash Pasricha. Marg Publications, 1990. . Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi.", "Perspectives on Odissi Theatre, by Ramesh Prasad Panigrahi, Odisha Sangeet Natak Akademi. Published by Odisha Sangeet Natak Akademi, 1998. Abhinaya-chandrika and Odissi dance, by Maheshwar Mahapatra, Alekha Chandra Sarangi, Sushama Kulshreshthaa, Maya Das. Published by Eastern Book Linkers, 2001. . Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. .", "Rethinking Odissi, by Dinanath Pathy. Published by Harman Pub. House, 2007. . House, 2007. . , Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website.", ", Table of Contents External links Odissi solo performance: Nitisha Nanda, Arabhi Pallav, New Delhi 2013 Odissi group dance: Megh Pallavi, Vancouver 2014 Maryam Shakiba – Odissi Dance – Manglacharan Ganesh Vandana Pushkar 2014 Odissi links at the Open Directory Odissi schools, Classical Indian Dance Portal The annotated Odissi Dance Archive on Pad.ma History of Odissi and Geeta Govinda JN Dhar, Orissa Review Bharat Bhavan, a Kerala-based Department of Culture information website. Arts of Odisha Odia culture Jayadeva Classical dance genres of India Hindu temple dance Odissi dancers Odissi music Artforms based on Odissi music" ]
[ "Enya", "2008-present: And Winter Came... and Dark Sky Island" ]
C_ca2198202da140e28165132567967682_1
Can you provide me with a little information on And Winter Came..and Dark Sky Island?
1
Can you provide me with a little information on And Winter Came..and Dark Sky Island by Enya?
Enya
Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER
seventh studio album, And Winter Came....
Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers
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[ "Dark Sky Island is the eighth studio album by Irish singer, songwriter, and musician Enya, released on 20 November 2015 by Warner Bros. Records. After the release of her previous album, And Winter Came... (2008), Enya was unsure of her next career move so she decided to take a break from music, which lasted three years. In the spring of 2012 she started to write and record new material for a new album with her longtime collaborators, producer and arranger Nicky Ryan and his wife, lyricist Roma Ryan. Enya gained inspiration for the title track and the album from the 2011 designation of Sark in the Channel Islands as a dark-sky preserve and a collection of Roma Ryan's poems on islands.\n\nDark Sky Island received positive reviews from critics and was a commercial success upon release. It peaked at No. 4 in the UK Albums Chart, Enya's highest position on the chart since Paint the Sky with Stars (1997), and No. 8 on the Billboard 200 in the United States. Elsewhere, it reached the top five in nine countries. A deluxe edition features three additional tracks. Enya promoted the album with a worldwide media tour that included performances of some songs from the album. Dark Sky Island was nominated for a Grammy Award for Best New Age Album.\n\nBackground and recording\nFollowing the release of her winter-themed album And Winter Came... (2008), Enya was unsure on her next career move. Among the options she considered was to take a \"proper break\" away from activity, which she decided to do and lasted three years. She felt it was needed for herself and her music. During this period she released her second greatest hits album, The Very Best of Enya (2009) and spent time travelling, including visits to Ireland, Australia and France, where she bought a new home on its southern coast and renovated it. Enya also caught up with her longtime collaborators, producer and arranger Nicky Ryan and his wife, lyricist Roma Ryan, to discuss ideas on the next album and when to start work. At one meeting, Roma presented Enya with a collection of poems she had written about islands, one of which was about Sark in the English Channel, and spoke about its designation as the first island to become a dark-sky preserve in 2011. Enya was inspired by the idea to start writing new music, but had to wait until renovation work was complete at Aigle Studio, the Ryans' home studio in Killiney, County Dublin. In May 2011, Ryan announced that work on a new album had started, early plans for which included orchestral and choral arrangements recorded at Abbey Road Studios in London that never came into fruition. In the spring of 2012, Enya felt the time was right to start recording. Enya said the album has an underlying theme of journeys: \"Journeys to the island; through the length of a lifetime; through history, through emotions; and journeys across great oceans\", yet denies it is a concept album.\n\nThe album was recorded from 2012 to 2015. Enya and the Ryans adopted their usual method of writing and recording for Dark Sky Island. The process began with Enya working alone, recording ideas in the form of basic melodies or sketches of ideas on the piano. She would arrive at the studio at 10 a.m. and work until around 6 p.m. and have weekends off. Enya is a self-described \"very slow writer\" and did not give herself a deadline to have a set number of songs complete by. At times when a strong enough idea had not arrived after some weeks, Nicky would encourage her to continue. She added: \"It's a day closer to writing and finding what I'm trying to say and express within the music.\" After a collection of ideas have been put down Enya would present them to Nicky and Roma \"to see [whether] they understand what I'm trying to say [...] to see, emotionally, that they sense what the song is about. And then we know we have a song for the album.\" The album's eleven tracks, plus three bonus tracks, were all the songs that Enya had written in the three-year period.\n\nSongs\n\nThe title track was the first to be written. \"The Humming...\" is a song \"that muses on the cycle of the universe and how change affects everything\". While Enya was working on the music, there was a part that she started to hum to and decided to keep the section as the humming part. She had read a story that Roma had given her about the earliest sound in the universe was a humming sound, which Nicky said was around forty-seven octaves below the lowest piano key\". The sound was inaudible to humans until scientists took the information picked up by the Planck space telescope and reproduced it through audio compression and pitch alteration, which created a humming sound and gave the track a fitting title.\n\n\"So I Could Find My Way\" is set in waltz time and composed in the key of D major. Enya described the melody as \"very emotional\". The song is dedicated to Nicky Ryan's deceased mother Mona and its subject of \"a mother moving on\" is \"something quite universal ... You think about what she left behind in your life. That's what you'll always remember. What her stories were, what she was hoping for you; hoping you'd find your way\".\n\n\"Even in the Shadows\" features a double bass played by Irish rock and jazz musician Eddie Lee. Lee was a member of Those Nervous Animals from Sligo, Ireland who were label mates, under the Tara Music label, of the Brennan family band Clannad in the 1980s; Enya was a member of Clannad from 1980 to 1982.\n\nThere are two songs on the album that feature lyrics in Loxian, a language created by Roma Ryan, for the first time since Amarantine (2005). These songs in particular focus on the \"intergalactic theme\" and otherworldly and futuristic tales Roma Ryan uses Loxian for, along with the non-Loxian \"Astra et Luna\".\n\n\"Echoes in Rain\" is in a minor scale, specifically F-sharp minor, and has a \"marching rhythm celebrating a journey's end\". The song includes a piano-based bridge similar to Enya's solo piano tracks on her earlier albums. Enya's vocals span two octaves from B2 to E5. The lyrics describe the feelings of a long journey home, travelling through night and through day, with the verses detailing how the surroundings and emotions change throughout the journey. It was the final song written for the album.\n\n\"I Could Never Say Goodbye\" is an Irish lament with \"a sparse, hymnal arrangement\".\n\n\"Sancta Maria\" blends synthesizers and classical instrumentation.\n\nPromotion\nThe album was announced by Enya on her website in September 2015. The title, first single and track listing were announced on 7 October 2015. Along with standard and deluxe editions on digital formats, a vinyl edition was made available, making Dark Sky Island Enya's first vinyl release since her self-titled album's re-release in 1992.\n\nIn the weeks preceding Dark Sky Islands release, Enya's various official social media accounts posted interviews with Enya and her lyricist Roma Ryan, previews for the album, exclusive photos and 'behind the scenes' moments, lyric and regular music videos, and information on iTunes' exclusive early releases of the album's songs. This is the first use of social media to promote Enya's music as well as using it for giving fans exclusive, official information and content. Embarking upon the promotional trip for Dark Sky Island, Enya herself initially promoted the album in Britain and Ireland, being interviewed for The Irish Times, before guesting on Lorraine and on BBC Radio 4's BBC Front Row on 19 November 2015, and on other major radio shows like The Chris Evans Breakfast Show on BBC Radio 2 and Gerry Kelly's show on BBC Radio Ulster upon the album's release day. She then promoted the album worldwide with interviews in Japan and the US on news and morning television. On 13 December 2015, Enya gave a surprise performance at the Universal Studios Japan Christmas Show in Osaka, Japan, of two songs—\"Orinoco Flow\" and \"Echoes in Rain\". She called it a \"surprise gift\" to the Japanese fans, and complimented the \"spectacular\" celebrations of that day. On 18 January 2016, Enya was interviewed by Russell Davies on BBC Radio 2's The Art of Artists. On 2 March 2016, Enya was interviewed by Simon Mayo on BBC Radio 2's Simon Mayo Drivetime after guesting on This Morning. To promote the album in the United States, Enya performed \"Echoes in Rain\" on Live! with Kelly and Michael, \"Even in the Shadows\" on Good Day New York and was interviewed on HuffPost Live. On 7 April 2016, Enya performed \"Echoes in Rain\" at the 2016 ECHO Awards.\n\nRelease\nDark Sky Island was released on CD and as a digital download on 20 November 2015. It was released on LP on 18 December 2015.\n\nTwo promotional singles from the album were released. \"So I Could Find My Way\" was released digitally on 30 October 2015. Its music video, released on 6 November, features Enya performing in the Chapel Royal Church in Dublin with a female string ensemble and choir. \"The Humming...\" was released digitally on 13 November with an accompanying lyric video released the same day.\n\nDark Sky Island entered the UK Albums Chart at No. 4, Enya's highest-charting album there since Paint the Sky with Stars (1997). In the United States, Dark Sky Island debuted at number 8 on the Billboard 200, with 48,000 equivalent album units; it sold 46,000 copies in its first week of release.\n\nDark Sky Island ended 2015 as the 40th best selling album of the year with sales of 900,000 copies worldwide.\n\nReception\n{{Album ratings\n| AOTY = 64/100\n| ADM = 6.7/10\n| MC = 78/100\n| rev1 = AllMusic\n| rev1score = \n| rev2 = Evening Standard\n| rev2score = \n| rev3 = Fort Worth Star-Telegram\n| rev3score = \n| rev4 = The Guardian\n| rev4score = \n| rev5 = The Irish Times\n| rev5score = \n| rev6 = Música Nueva\n| rev6score = \n| rev7 = Newsday\n| rev7score = B+\n| rev8 = Pitchfork| rev8score = 7.1/10\n}}Dark Sky Island received mostly positive reviews from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 78, which indicates \"generally favorable reviews\", based on 8 reviews. In his review for AllMusic, Timothy Monger rated the album four stars out of five. He wrote the album \"has all the thematic and sonic hallmarks typical of an Enya release but with significantly more highlights than on her two prior works\" and highlights \"The Humming\" as \"one of the strongest tracks she's produced in decades and resembles a dark cousin to 1991's masterwork 'Caribbean Blue'\". He summarised the album \"does manage to harness some of the power and creativity of Enya's early days and pairs it with both the confidence and shadows of age\". In the Evening Standard, John Aizlewood gave the album the same rating, calling it \"magnificent in every sense\" with \"songs built up with layer upon layer of vocals ... layer upon layer of instrumentation and layer upon layer of luxurious, uplifting, undeniably spiritual warmth\".\n\nSiobhan Kane of The Irish Times rated the album four stars out of five, praising Enya's vocal power \"that manages to be both frail and strong\" on \"So I Could Find My Way\", and summarised the album as \"nourishing and immersive\". Brad Nelson in his review for Pitchfork, likened the album to \"being embraced by air\" and said with \"some confidence\" that Dark Sky Island was Enya's best album since The Memory of Trees (1995), released almost twenty years prior; he gave a positive review and score of 7.1 out of 10. He praised Enya for \"drifting somewhat from her aesthetic\" and highlighted \"Even in the Shadows\" as a prime example and consequently called it \"one of the best [songs] on the album\".\n\nTrack listing\nAll music by Enya, lyrics by Roma Ryan, all songs produced by Nicky Ryan.\n\nPersonnel\nCredits are adapted from the album's 2015 liner notes.\n\nMusicians\nEnya – vocals, instrumentation, mixer\nEddie Lee – double bass on \"Even in the Shadows\"\n\nProduction\nRoma Ryan – lyrics, Loxian language, font\nNicky Ryan – arrangement, engineer, mixer, album sleeve conception\nDick Beetham – mastering at 360 Mastering in Hastings\nDaniel Polley – digital advisor, technician\nSimon Fowler – album sleeve conception, photography\nRichard Welland – booklet layout\nMichael Whitham – commissioner\n\nCharts\n\nWeekly charts\n\nThe album also peaked at number one on the Billboard'' Top New Age Albums chart for ten consecutive weeks after its release.\n\nYear-end charts\n\nCertifications and sales\n\n!scope=\"row\"| South Korea\n|\n|925\n|-\n\nRelease history\n\nReferences\n\nEnya albums\n2015 albums\nWarner Music Group albums", "\"Pretty Little Dutch Girl\" is a children's nursery rhyme, clapping game and jump-rope rhyme. \tIt has a Roud Folk Song Index number of 12986.\n\nLyrics\nThe lyrics of the song vary considerably. British versions of this rhyme differ significantly, perhaps because many of the allusions in the rhyme were unknown to British children at the time. Common versions include:\n\nI am a pretty little Dutch girl,\nAs pretty as I can be, be, be,\nAnd all the boys in the baseball team\nGo crazy over me, me, me.\n\nMy boy friend’s name is Fatty,\nHe comes from the Senoratti,\nWith turned-up toes and a pimple on his nose,\nAnd this is how the story goes:\n\nVariation 1\n\nI am a pretty little Dutch girl\nAs pretty as I can be\nAnd all the boys in the neighborhood\nAre crazy over me\n\nMy boyfriend's name is Mello\nHe comes from the land of Jello\nWith pickles for his toes and a cherry for his nose\nAnd that's the way my story goes\n\nVariation 2\n\nI am a pretty little Dutch girl,\nAs pretty as pretty can be,\nAnd all the boys around the block \nGo crazy over me.\n\nMy boyfriend's name is Billy,\nHe comes from good ole Philly,\nWith a cherry on his nose\nAnd ten fat toes,\nAnd that's the way my story goes.\n\nMy boyfriend gave me peaches,\nMy boyfriend gave me pears,\nMy boyfriend gave me fifty cents\nAnd kissed me on the stairs.\n\nI gave him back his peaches,\nI gave him back his pears,\nI gave him back his fifty cents \nAnd kicked....him....down.....the.....stairs!\n\nVariation 3\n\nI am a pretty little Dutch girl,\nAs pretty as I can be.\nand all the boys in the neighborhood\ncome chasing after me me me.\n\nMy boyfriend's name is Tony,\nhe comes from the land of bologna,\nwith a pickle on his nose and 3 sore toes\nand that's the way the story goes!\n\nOne day he gave me peaches, \none day he gave me pears,\none day he gave me 50 cents \nand took me to the fair!\n\nAfter the fair was over,\nI asked him to take me home,\nhe ran off with another girl \nand left me all alone!\n\nI gave him back his peaches.\nI gave him back his pears.\nI gave him back his 50 cents,\nand kicked him down the stairs!\n\nVariation 4\n\nI am a pretty little Dutch girl\nAs pretty as pretty can be.\nAnd all the boys around the block\nGo crazy over me.\n\nI hate to do the dishes\nI hate to do the chores\nBut I love to kiss my boyfriend\nBehind the kitchen door.\n\nOne day while I was walking\nI heard my boyfriend talking\nTo a pretty little girl\nwith strawberry curls\n\nand this is what he said:\nI L-O-V-E love you\nAll the T-I-M-E time\nAnd I will K-I-S-S kiss you\nIn the D-A-R-K dark.\n\nVariation 5 (Western Canada, 1960s)\n\nI am a pretty little Dutch girl,\nAs pretty as pretty can be, be, be,\nAnd all the boys on the baseball team\nare chasing after me, me, me.\n\nMy father came from England,\nMy mother came from France, France, France.\nMy boyfriend came from the USA\nto teach me how to dance, dance, dance.\n\nMy boyfriend gave me apples,\nMy boyfriend gave me pears, pears, pears.\nMy boyfriend gave me fifty cents\nand kissed me up the stairs, stairs, stairs.\n\nI gave him back his apples,\nI gave him back his pears, pears, pears.\nI gave him back his fifty cents \nand kicked him down the stairs, stairs, stairs.\n\n...with a pickle on his nose and 3 sore toes,\nthat's the way it goes, goes, goes.\n\nVariation 6\nI am a pretty little Dutch girl\nAs pretty as pretty can be\nAnd all the boys around my block\nGo crazy over me!\n\nI had a boyfriend, Patty\nWho comes from Cincinnati\nWith 48 toes and a pickle on his nose\nAnd this is the way my story goes...\n\nOne day when I was walkin'\nI heard my boyfriend talkin'\nTo a pretty little girl with a strawberry curls\nAnd this is what he said to her...\n\nI L-O-V-E, love you\nto K-I-S-S, kiss you\nyes K-I-S-S, kiss you in \nthe D-A-R-K dark boom boom!\n\nVariation 7\n\nI am a pretty little Dutch girl\nAs pretty as pretty can be\nand all the boys in my hometown \nare crazy over me\n\nMy boyfriend's name is Chico\nhe came from Puerto Rico \nwith a rubber nose\nand 28 toes\nand this is how my story goes\n\nOne day as I was walking \nI heard my Chico talking\nto a pretty little girl\nwith strawberry curls\nand this is what he said to her\n\nI L-O-V-E love you\nI K-I-S-S kiss you\nI K-I-S-S kiss you \nin the D-A-R-K dark dark dark\n\nVariation 8\n\nI am a pretty little Dutch girl,\nAs pretty as can be, be, be,\nAnd all the boys on the baseball team,\nGo crazy after me, me, me!\nOne day they gave me peaches,\nOne day they gave me pears, pears, pears,\nOne days they gave me 50 cents and took me to the fair, fair, fair.\nAnd when the fair was over,\nI asked them to take me home, home, home,\nThey said they had another date and left me all alone, lone, lone.\nI gave them back their peaches,\nI gave them back their pears, pears, pears,\nI gave them back their 50 cents and kicked them down the stairs, stairs, stairs!\n\nVariation 9 (Northwest England, 2010s)\n\nMy boyfriend gave me an apple \nMy boyfriend gave me a pear\nMy boyfriend gave me a kiss on the lips, and he threw me down the stairs\n\nI gave him back his apple\nI gave him back his pear\nI gave him back kiss on the lips, and I threw him down the stairs\n\nI threw him over London\nI threw him over France\nI threw him over the football pitch, and he lost his underpants\n\nHis underpants were yellow\nHis underpants were green\nHis underpants were black and white, and smelt like rotten cheese\n\nVariation 10 (Austin, Texas 1960s) Given the actions that went with this, people assume this went through music halls.\n\nI am a pretty little Dutch girl\nAs pretty as pretty can be \nAnd all the boys around the block\nAre crazy over me.\n\nMy boyfriend's name is Harry.\nHe comes from Paris, France\nWith turned up toes and a pimple on his nose\nAnd this is the way my story goes.\n\nMy boyfriend gave me apples,\nMy boyfriend gave me pears.\nMy boyfriend gave me fifty cents \nAnd took me to the fair.\n\nOne day as I was walking\nI heard my boyfriend talking\nTo a pretty little girl with a strawberry curl\nand this is what he said to her:\n\nI L-O-V-E, love you.\nI K-I-S-S, kiss you.\nI K-I-S-S, kiss you \nOn your F-A-C-E, face, face, face.\n\nI gave him back his apples\nI gave him back his pears\nI gave him back his fifty cents\nAnd threw him down the stairs.\n\nI threw him over London.\nI threw him over France.\nI threw him over [substitute wherever here]\nAnd he lost his underpants.\n\nI have a little brother.\nHis name is Tiny Tim\nI put him in the bathtub \nTo see if he could swim\n\nHe drank up all the water\nHe ate up all the soap\nHe tried to eat the bathtub \nBut it wouldn't go down his throat\n\nOh, Suzy called the doctor, \nOh, Suzy called the nurse,\nOh, Suzy called the lady\nWith the alligator purse.\n\nin walked the doctor, \nIn walked the nurse,\nIn walked the lady\nWith the alligator purse.\n\nOut walked the doctor, \nOut walked the nurse,\nOut walked the lady \nWith the alligator purse.\n\nMy boyfriend's name is Harry.\nHe comes from Paris, France\nWith turned up toes and a pimple on his nose\nAnd this is the way my story goes.\n\nVariation 11\n\nI am a pretty little Dutch girl,\nAs pretty as can be,\nAnd all the boys around the block are crazy over me, me, me.\nMy boyfriend's name is Chaim,\nHe comes from yerushalayim\nWith a pickle up his nose and three black toes,\nAnd this is how my story goes.\n\nOne day when I was walking,\nI saw my boyfriend talking\nTo a pretty little girl with a strawberry curl\nAnd this is what he said to her:\nI L-O-V-E love you,\nI K-I-S-S kiss you.\nAnd he fell in the lake,\nAnd he swallowed a snake,\nAnd he came out with a bellyache.\n\nVariation 12 (Long Island, NY, 1970s - a clapping game)\nI am a pretty little Dutch girl,\nAs pretty as pretty can be,\nAnd all the boys around my block go crazy over me.\nMy boyfriend's name is Larry\nHe comes from Cincinnati\nWith his forty-two toes and a pickle in his nose\nAnd this is what he said to me:\n\"I L-O-V-E love you\nI K-I-S-S kiss you\nI K-I-S-S kiss you on your \nF-A-C-E, F-A-C-E, F-A-C-E, face, face, face!\"\n\nVariation 13 (from Australia)\nI am a pretty little Dutch girl,\nas pretty as pretty can be be be.\nAnd all the boys in the baseball team,\ngo crazy over me me me.\n\nMy boyfriends name is Steven, \nHe comes from New Zealand.\nWith five fat toes and a pimple on his nose,\nAnd this is how my story goes.\n\nOne day when I was walking,\nI heard my boyfriend talking. \nTo a pretty little girl with strawberry curls,\nand this is what he said to her:\n\"I LOVE love you and I KISS kiss you\"\nSo jump in the lake and swallow a snake,\nand come out with a belly ache.\n\nVariation 14 (from Tóg Sos CD, Ireland 2003)\nI am a pretty little Dutch girl,\nAs pretty as I can be, be, be,\nAnd all the boys in the baseball team\nGo crazy over me, me, me.\n\nMy boyfriend’s name is Johnny,\nHe comes from Cincinnati,\nWith forty-eight toes and a pickle up his nose,\nAnd this is how my story goes.\n\nOne day I went out walking,\nAnd I heard my boyfriend talking\nTo a pretty little girl with strawberry curls\nAnd this is what he said to her...\n\"I L-O-V-E love you,\nI K-I-S-S kiss you,\"\nSo I jumped in a lake and swallowed a snake\nAnd now I have a bellyache!\n\nVariation 15 (from USA, East Coast Early 2000s)\nI am a pretty little Dutch girl,\nAs pretty, as pretty as can be\nAnd all the boys in the baseball team\nGo crazy over me, me, me.\n\nMy boyfriend’s name is Tommy,\nHe comes from Salami,\nWith a pickle up his nose,\nAnd 55 toes\nAnd that's the way my story goes!\n\nStory told within the song\nThe rhyme (and at least some of its variants) tells the story of an extremely beautiful girl (of Dutch descent, hence the song's title) who is popular with boys (particularly around the neighborhood, block or the whole town) and has a rather unattractive boyfriend; some versions mention that the boyfriend dumps the pretty Dutch girl in favor of an even prettier girl. The Dutch girl is often depicted from illustration to illustration wearing traditional Dutch clothing, complete with ribbon-adorned long braids in her hair, wooden shoes and (occasionally exaggerated) Dutch cap.\n\nOrigins and distribution\nThe origins of the rhyme are obscure. The tune of the song is similar to \"A Sailor Went to Sea\" and \"Miss Suzie Had A Steamboat\" (though some notes are removed to account for the double-syllable words \"pretty\" and \"little\", and some notes are added in). The earliest record found so far is for New York around 1940. It seems to have spread over the US by the 1950s and reached Britain in 1959, where it was taken up very quickly across the country to become one of the most popular skipping rhymes among girls.\n\nUse in children's media\nIn the Wee Sing Video Series video Grandpa's Magical Toys, the song is represented and sung by a blonde-haired Barbie-like doll in Dutch traditional costume aptly named \"Dutch Girl\" (played by Jacqueline \"Jacque\" Drew) that enjoys jump-roping and is very concerned about the red ribbons tying her long braids together; she even gets very emotional when those ribbons come undone (she prefers them to be straight), but the three shrunken children in the movie (named Peter, David and Sara) talk her out of her moping and convince her that her then-straight ribbons aren't the reason why she played with them. Convinced, she then wears her ribbons undone throughout the rest of the movie, and her dress seem to be falling apart by the movie's end. She even says that Pretty Little Dutch Girl is \"my [her] song\" when she is introduced to the three kids, and she also has a tendency to prattle.\n(5:01)\n\nIn the 1977 Australian animated film Dot and the Kangaroo, two hopping mice near the end of the waterhole scene sang a song about a bushgirl who is pretty to the tune of Pretty Little Dutch Girl after they see Dot touching the bandicoot and scaring it and made the bandicoot jump in the waterhole where Dot laughs on what she did and the hopping mice laugh as well, so they did the same thing Dot did. One of the hopping mice pushed the other one into the waterhole.\n\nNotes\n\nExternal links\nVarious parody versions and original text\n\nEnglish children's songs\nAmerican folk songs\nTraditional children's songs\nClapping games\nSkipping rhymes\nAmerican nursery rhymes\nSongs about the Netherlands\nYear of song unknown\nSongwriter unknown" ]
[ "Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the \"Queen of New Age\", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals.", "Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist.", "She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh.", "Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label.", "She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single \"Orinoco Flow\". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000).", "This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks.", "Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015).", "Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide.", "A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001).", "She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language.", "It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how \"Eithne\" is pronounced in her native Ulster dialect of Irish; \"Ní Bhraonáin\" translates to \"daughter of Brennan\". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck.", "Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there.", "Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as \"very quiet and happy.\" At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg.", "She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. \"I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over.\"", "This one big book of scales, practising them over and over.\" When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\"", "She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\" Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming \"a piano teacher sort of person. I never thought of myself composing or being on stage.\"", "I never thought of myself composing or being on stage.\" Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator.", "Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards.", "In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan.", "Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music.", "Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music. She was just not sure of how to go about it\". This sparked discussions between the two on layering vocal tracks to create a \"choir of one\", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen.", "During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, \"It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing\". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\".", "Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted.", "Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden.", "After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for \"eagle\", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music.", "The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\".", "Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne.", "During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label.", "Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes.", "She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\"", "Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\" Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers.", "Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984).", "Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, \"The Frog Prince\" and \"Dreams\"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture.", "Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought \"Eithne\" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\".", "Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project.", "She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted.", "Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music.", "Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States.", "In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was \"a cowardly thing for them to do\". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart.", "The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. \"I Want Tomorrow\" was released as Enya's first single. \"Boadicea\" was sampled by The Fugees on their 1996 song \"Ready or Not\"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million.", "The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on \"Never Get Old\". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\".", "Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label.", "He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music.", "Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music.\" Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988.", "With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989.", "Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, \"Orinoco Flow\", was the last song written for the album.", "Its lead single, \"Orinoco Flow\", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. \"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks.", "\"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States.", "By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, \"I kept thinking, 'Would this have gone on Watermark? Is it as good?'", "Is it as good?' Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right.\" Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States.", "Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. \"Caribbean Blue\", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States.", "By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons.", "In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork.", "In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995.", "The album was released in November 1995. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, \"Anywhere Is\", reached number seven in the United Kingdom. The second, \"On My Way Home\", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP.", "In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997.", "A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\"", "In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\" She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album.", "She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, \"Paint the Sky with Stars\" and \"Only If...\". Released in November 1997, the album was a worldwide commercial success, reaching No.", "Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. \"Only If...\" was released as a single in 1997. Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\"", "Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\" 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998.", "1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States.", "The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\".", "In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001.", "The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date.", "The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, \"Wild Child\", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide.", "A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson.", "In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks.", "Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya.", "After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\".", "Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\". In 2002, Enya released \"May It Be\" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002.", "Enya undertook additional studio projects in 2001 and 2002. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country.", "The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means \"everlasting\".", "Roma said the title means \"everlasting\". Roma said the title means \"everlasting\". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on \"Water Shows the Hidden Heart\". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs.", "After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang \"Less Than a Pearl\" and \"The River Sings\" in the same way. Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another.", "Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. \"Sumiregusa (Wild Violet)\" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums.", "It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, \"Amarantine\", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition.", "A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, \"Christmas Secrets\" and \"The Magic of the Night\". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway.", "In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track \"My!", "The track \"My! The track \"My! My! Time Flies! \", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since \"I Want Tomorrow\" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No.", "6 in the UK and No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks.", "In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date.", "Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date. In 2013, \"Only Time\" was used in the \"Epic Split\" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\".", "The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan.", "Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs.", "A Deluxe Edition features three additional songs. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed \"Orinoco Flow\" and \"Echoes in Rain\" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years.", "In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang \"Adeste Fideles\", \"Oiche Chiúin\", and \"The Spirit of Christmas Past\". On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary.", "On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano.", "Musical style Enya's vocal range is mezzo-soprano. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as \"the classics\", church music, and \"Irish reels and jigs\" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist.", "Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the \"Wall of Sound\" technique that Phil Spector pioneered, wanted to explore the idea of \"the multivocals\" for which her music became known. According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered.", "According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers.", "Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was \"Enya\".", "When asked what genre she would classify her music, her reply was \"Enya\". Nicky Ryan commented on the new age comments: \"Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison.\" The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish.", "The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons.", "She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang \"May It Be\" in English and Tolkien's fictional language Quenya, and sang \"Aníron\" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax.", "Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits.", "At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. \"If I did that\", she said, \"I'd have to call it a day\". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home.", "During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express \"feeling much more directly\" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs.", "After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song.", "Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives.", "In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\".", "Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\". Enya also explained that the time put into her studio albums causes her to \"run overtime\", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage.", "She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide.", "In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound.", "Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album.", "Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing.", "In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's.", "In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony.", "In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises.", "In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: \"The music is what sells.", "Enya is known for keeping a private lifestyle, saying: \"The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it\". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me...", "In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this\". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\".", "A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\". She declares herself as \"more spiritual than religious... I derive from religion what I enjoy.\" In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction.", "In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings.", "In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France.", "In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall.", "In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref.", "Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref.", "|- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope=\"row\" rowspan=\"3\"|1989 |rowspan=\"3\"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope=\"row\"|1990 | \"Orinoco Flow\" | BMI Award for Citation of Achievement | |- !scope=\"row\"|1992 |rowspan=\"3\"|Enya |rowspan=\"2\"|Brit Award for Best International Solo Artist | |- !scope=\"row\" rowspan=\"3\"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | \"Book of Days\" | Golden Raspberry Award for Worst Original Song | |- !scope=\"row\" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope=\"row\"|2001 | rowspan=\"4\"| \"May It Be\" | Critics' Choice Movie Award for Best Song | |- !scope=\"row\"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope=\"row\"|2002 | Golden Globe Award for Best Original Song | |- !scope=\"row\"|2002 | Academy Award for Best Original Song | |- !scope=\"row\" rowspan=\"4\"|2002 | rowspan=\"2\"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|\"Only Time\" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope=\"row\" rowspan=\"1\"|2003 | rowspan=\"1\"|BMI Award for Citation of Achievement | |- !scope=\"row\" rowspan=\"3\"|2004 | rowspan=4|\"I Don't Wanna Know\" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope=\"row\"|2005 | BMI Award for Citation of Achievement | |- !scope=\"row\"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers" ]
[ "Enya", "2008-present: And Winter Came... and Dark Sky Island", "Can you provide me with a little information on And Winter Came..and Dark Sky Island?", "seventh studio album, And Winter Came...." ]
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Enya
Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER
seventh studio album,
Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers
true
[ "Universal Classics and Jazz (UCJ) is the name of two record label divisions of the Universal Music Group record company.\n\nCurrent divisions\n\nUCJ Germany\nUniversal Music Classics & Jazz (Germany) is a division of Universal Music Germany and is marketed under websites called Klassik Akzente and Jazz Echo.\n\nUCJ Japan (a.k.a. UM-CLJZ) \nThis Universal Music Japan subsidiary formerly operated as two separate labels: Universal Classics and Universal Jazz.\n\nOn 2013, Universal Music Japan merged the two labels into one. The label name is now Universal Classics and Jazz (UM-CLJZ).\n\nDefunct divisions\n\nUCJ (UK)\n\nUniversal Classics and Jazz was a division of the Universal Music Group based in London, United Kingdom. The UCJ roster included Jamie Cullum, Aled Jones, Nicola Benedetti and Katherine Jenkins.\n\nAt the time that Katherine Jenkins was signed to the label in 2003, she had signed the then-largest record deal in United Kingdom classical recording history, reportedly worth £1 million.\n\nThe label group was dismantled in 2011 with the restructuring of Universal Music UK's classical operations, as well Universal Music Group International's greater restructuring of its classical labels. The dismantling of UCJ ensued the revival of Decca Records in the UK, under the instigation of Max Hole, the newly appointed Chief operating officer (COO) of Universal Music Group International.\n\nReferences\n\nExternal links\n – official site (UK)\n – official site (JP)\n\nKlassikakzente\nJazzEcho\n\nBritish record labels\nGerman record labels\nJazz record labels\nClassics", "Swarobanjo (also spelled as Swarbenjo or Swarbanjo) is a Rajshahi based Bengali 'folk fusion' music group formed in 2014. The group is known for its folk music, original musical ideas, the use of indigenous musical instruments in concerts, and live performances. In 2014, Swarbanjo started performing as a music group with Yamin Iskra Rahman, Maisha, Ragib Niaz Rafi, and Asif Hasan Niloy, students of Rajshahi University. The group is open for others to join as a member. In 2015, they released their debut album 'Gan Bajna'. They later released 'Hawar Chithi' in 2016 and several other solo songs.\n\nHistory \nYamin Iskra Rahman, the main initiator of the formation of Swarobanjo, has been practicing music since childhood. In 2014, he studied law at Rajshahi University and practiced piano, tabla, and Hawaiian guitar. At that time, the writer Sadat Hossain wrote a song titled 'Boy of the Last Bench' on his Facebook and opened it for others to make music on it. Iskra sings Rafi's song and holds it in his ventricular voice. Through this song, they started performing as a music group. The group first performed directly to the university and various crowds under the name Nikhil Bangla Ukulele Sangha. The band's name was later changed to a more appropriate name. On the advice of former member Raunak Hassan Rono, the group unanimously adopted the name Swarbanjo. Swarbanjo released their first studio album in 2015 titled 'Gan Bajna' since the formation. Their second album 'Hawar Chithi' came in 2016. In 2016, the group performed at the Dhaka International Folk Music Festival, which is the group's first performance in an international event.\n\nFeatures \nThe group distributes their albums free of charge under the Creative Commons license rather than the commercial release.\n\nMembers \n\nSwarobanjo's group membership is open to everyone, although some members perform regularly for the group.\n\nNotes\n\nReferences\n\nBengali musical groups\nWorld music groups\nMusical groups established in 2014\nBangladeshi folk music groups\nBangladeshi folk rock groups\nBangladeshi indie folk groups\nMusical groups from Rajshahi" ]
[ "Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the \"Queen of New Age\", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals.", "Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist.", "She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh.", "Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label.", "She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single \"Orinoco Flow\". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000).", "This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks.", "Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015).", "Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide.", "A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001).", "She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language.", "It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how \"Eithne\" is pronounced in her native Ulster dialect of Irish; \"Ní Bhraonáin\" translates to \"daughter of Brennan\". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck.", "Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there.", "Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as \"very quiet and happy.\" At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg.", "She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. \"I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over.\"", "This one big book of scales, practising them over and over.\" When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\"", "She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\" Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming \"a piano teacher sort of person. I never thought of myself composing or being on stage.\"", "I never thought of myself composing or being on stage.\" Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator.", "Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards.", "In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan.", "Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music.", "Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music. She was just not sure of how to go about it\". This sparked discussions between the two on layering vocal tracks to create a \"choir of one\", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen.", "During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, \"It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing\". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\".", "Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted.", "Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden.", "After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for \"eagle\", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music.", "The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\".", "Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne.", "During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label.", "Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes.", "She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\"", "Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\" Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers.", "Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984).", "Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, \"The Frog Prince\" and \"Dreams\"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture.", "Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought \"Eithne\" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\".", "Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project.", "She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted.", "Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music.", "Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States.", "In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was \"a cowardly thing for them to do\". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart.", "The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. \"I Want Tomorrow\" was released as Enya's first single. \"Boadicea\" was sampled by The Fugees on their 1996 song \"Ready or Not\"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million.", "The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on \"Never Get Old\". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\".", "Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label.", "He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music.", "Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music.\" Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988.", "With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989.", "Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, \"Orinoco Flow\", was the last song written for the album.", "Its lead single, \"Orinoco Flow\", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. \"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks.", "\"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States.", "By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, \"I kept thinking, 'Would this have gone on Watermark? Is it as good?'", "Is it as good?' Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right.\" Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States.", "Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. \"Caribbean Blue\", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States.", "By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons.", "In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork.", "In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995.", "The album was released in November 1995. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, \"Anywhere Is\", reached number seven in the United Kingdom. The second, \"On My Way Home\", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP.", "In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997.", "A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\"", "In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\" She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album.", "She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, \"Paint the Sky with Stars\" and \"Only If...\". Released in November 1997, the album was a worldwide commercial success, reaching No.", "Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. \"Only If...\" was released as a single in 1997. Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\"", "Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\" 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998.", "1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States.", "The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\".", "In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001.", "The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date.", "The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, \"Wild Child\", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide.", "A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson.", "In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks.", "Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya.", "After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\".", "Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\". In 2002, Enya released \"May It Be\" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002.", "Enya undertook additional studio projects in 2001 and 2002. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country.", "The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means \"everlasting\".", "Roma said the title means \"everlasting\". Roma said the title means \"everlasting\". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on \"Water Shows the Hidden Heart\". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs.", "After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang \"Less Than a Pearl\" and \"The River Sings\" in the same way. Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another.", "Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. \"Sumiregusa (Wild Violet)\" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums.", "It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, \"Amarantine\", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition.", "A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, \"Christmas Secrets\" and \"The Magic of the Night\". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway.", "In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track \"My!", "The track \"My! The track \"My! My! Time Flies! \", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since \"I Want Tomorrow\" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No.", "6 in the UK and No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks.", "In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date.", "Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date. In 2013, \"Only Time\" was used in the \"Epic Split\" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\".", "The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan.", "Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs.", "A Deluxe Edition features three additional songs. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed \"Orinoco Flow\" and \"Echoes in Rain\" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years.", "In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang \"Adeste Fideles\", \"Oiche Chiúin\", and \"The Spirit of Christmas Past\". On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary.", "On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano.", "Musical style Enya's vocal range is mezzo-soprano. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as \"the classics\", church music, and \"Irish reels and jigs\" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist.", "Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the \"Wall of Sound\" technique that Phil Spector pioneered, wanted to explore the idea of \"the multivocals\" for which her music became known. According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered.", "According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers.", "Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was \"Enya\".", "When asked what genre she would classify her music, her reply was \"Enya\". Nicky Ryan commented on the new age comments: \"Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison.\" The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish.", "The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons.", "She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang \"May It Be\" in English and Tolkien's fictional language Quenya, and sang \"Aníron\" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax.", "Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits.", "At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. \"If I did that\", she said, \"I'd have to call it a day\". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home.", "During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express \"feeling much more directly\" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs.", "After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song.", "Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives.", "In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\".", "Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\". Enya also explained that the time put into her studio albums causes her to \"run overtime\", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage.", "She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide.", "In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound.", "Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album.", "Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing.", "In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's.", "In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony.", "In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises.", "In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: \"The music is what sells.", "Enya is known for keeping a private lifestyle, saying: \"The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it\". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me...", "In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this\". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\".", "A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\". She declares herself as \"more spiritual than religious... I derive from religion what I enjoy.\" In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction.", "In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings.", "In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France.", "In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall.", "In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref.", "Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref.", "|- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope=\"row\" rowspan=\"3\"|1989 |rowspan=\"3\"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope=\"row\"|1990 | \"Orinoco Flow\" | BMI Award for Citation of Achievement | |- !scope=\"row\"|1992 |rowspan=\"3\"|Enya |rowspan=\"2\"|Brit Award for Best International Solo Artist | |- !scope=\"row\" rowspan=\"3\"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | \"Book of Days\" | Golden Raspberry Award for Worst Original Song | |- !scope=\"row\" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope=\"row\"|2001 | rowspan=\"4\"| \"May It Be\" | Critics' Choice Movie Award for Best Song | |- !scope=\"row\"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope=\"row\"|2002 | Golden Globe Award for Best Original Song | |- !scope=\"row\"|2002 | Academy Award for Best Original Song | |- !scope=\"row\" rowspan=\"4\"|2002 | rowspan=\"2\"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|\"Only Time\" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope=\"row\" rowspan=\"1\"|2003 | rowspan=\"1\"|BMI Award for Citation of Achievement | |- !scope=\"row\" rowspan=\"3\"|2004 | rowspan=4|\"I Don't Wanna Know\" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope=\"row\"|2005 | BMI Award for Citation of Achievement | |- !scope=\"row\"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers" ]
[ "Enya", "2008-present: And Winter Came... and Dark Sky Island", "Can you provide me with a little information on And Winter Came..and Dark Sky Island?", "seventh studio album, And Winter Came....", "Is this the name of a music group?", "seventh studio album," ]
C_ca2198202da140e28165132567967682_1
What was all involved in the making of this album?
3
What was all involved in the making of the album And Winter Came... and Dark Sky Island?
Enya
Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER
Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead.
Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers
true
[ "Myriam is the second studio album by Myriam. On her website it is also called \"Myriam: Lo que Soy, lo que Pretendo y lo que Fui\" (Myriam: What I Am, What I Pretend and What I Was) making reference to the lyrics of the album's first single \"Hasta El Limite\". It includes eleven songs with the collaboration of Tiziano Ferro, Leonel (ex Sin Bandera). Again Myriam co-wrote a song along with Estrella. In this album Myriam brought a more fresh concept, almost 100% pop genre with a little touches of flamenco. It was released in July, 2004.\n\nAlbum information\nIt was recorded in Argentina and the producer was Cachorro López who had also worked with Julieta Venegas. Myriam's career was at a low point, as she was being criticized for her third place in Desafio de Estrellas, but all that was eclipsed by the success of this album. \"Hasta el Limite\" was the first single from the album; it was Myriam's first song with a promotional video, and stayed in the charts for more than 6 months. The second single was \"Porque Soy Mujer\" which was written by Myriam and her ex-classmate Estrella.\n\nThe album was a commercial success. Within two weeks of the launch date it reached gold status in Mexico, and sold more than 200,000 copies certificating 2× Platinum. The album was a Latin success in USA selling gold status, 50,000 copies.\n\nTrack listing\n\nReferences\n\n2003 albums\nMyriam Montemayor Cruz albums", "Time to Think is the Debut studio album by British pop singer-songwriter Sarah Whatmore. It was released in the United Kingdom on 23 March 2009. It features the singles \"Smile\" (in collaboration with Greg Fitzgerald) and \"Undefined\".\n\nIt was only the first album that Pop Idol participant Sarah Whatmore had released, as the release of her planned debut album in 2003 was cancelled. This was in spite of the success of singles \"When I Lost You\" and \"Automatic\", which both reached the top 10 in the UK Singles Chart.\n\nProduction and writing\nIn an interview for Digital Spy, Sarah talked about the recording of her new album and why it had taken her so long to release new material. She said \"The album is full of beautiful, classic-sounding songs that won't date because everything on there is quite real.\" She went on to say \"I've been involved in terms of melody, lyrics and creating the sound I wanted for the album, which is lots of piano and real strings.\" She also told the Daily Mirror that she had written over 200 songs in preparing for the album.\n\nWhen asked about the reason why her debut album was never released, she said \"The album was all finished and ready to go, we'd released the first two singles and we couldn't decide on a third single. Then the song 'Toxic' came through the door and, for like two days, I was going to do it. But then obviously Britney got it and I was like, 'You know what, I want to go and write and see what I come up with myself'.\" She said that Simon Fuller had remained as her manager since her Pop Idol appearance and was involved in the production of the album. She was also uncertain about whether she would be able to get back into the music industry.\n\nTrack listing\n\nReferences \n\n2009 debut albums\nSarah Whatmore albums\n19 Recordings albums" ]
[ "Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the \"Queen of New Age\", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals.", "Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist.", "She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh.", "Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label.", "She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single \"Orinoco Flow\". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000).", "This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks.", "Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015).", "Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide.", "A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001).", "She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language.", "It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how \"Eithne\" is pronounced in her native Ulster dialect of Irish; \"Ní Bhraonáin\" translates to \"daughter of Brennan\". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck.", "Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there.", "Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as \"very quiet and happy.\" At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg.", "She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. \"I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over.\"", "This one big book of scales, practising them over and over.\" When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\"", "She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\" Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming \"a piano teacher sort of person. I never thought of myself composing or being on stage.\"", "I never thought of myself composing or being on stage.\" Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator.", "Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards.", "In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan.", "Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music.", "Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music. She was just not sure of how to go about it\". This sparked discussions between the two on layering vocal tracks to create a \"choir of one\", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen.", "During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, \"It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing\". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\".", "Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted.", "Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden.", "After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for \"eagle\", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music.", "The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\".", "Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne.", "During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label.", "Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes.", "She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\"", "Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\" Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers.", "Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984).", "Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, \"The Frog Prince\" and \"Dreams\"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture.", "Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought \"Eithne\" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\".", "Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project.", "She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted.", "Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music.", "Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States.", "In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was \"a cowardly thing for them to do\". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart.", "The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. \"I Want Tomorrow\" was released as Enya's first single. \"Boadicea\" was sampled by The Fugees on their 1996 song \"Ready or Not\"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million.", "The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on \"Never Get Old\". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\".", "Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label.", "He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music.", "Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music.\" Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988.", "With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989.", "Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, \"Orinoco Flow\", was the last song written for the album.", "Its lead single, \"Orinoco Flow\", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. \"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks.", "\"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States.", "By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, \"I kept thinking, 'Would this have gone on Watermark? Is it as good?'", "Is it as good?' Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right.\" Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States.", "Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. \"Caribbean Blue\", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States.", "By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons.", "In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork.", "In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995.", "The album was released in November 1995. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, \"Anywhere Is\", reached number seven in the United Kingdom. The second, \"On My Way Home\", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP.", "In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997.", "A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\"", "In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\" She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album.", "She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, \"Paint the Sky with Stars\" and \"Only If...\". Released in November 1997, the album was a worldwide commercial success, reaching No.", "Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. \"Only If...\" was released as a single in 1997. Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\"", "Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\" 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998.", "1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States.", "The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\".", "In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001.", "The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date.", "The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, \"Wild Child\", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide.", "A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson.", "In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks.", "Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya.", "After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\".", "Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\". In 2002, Enya released \"May It Be\" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002.", "Enya undertook additional studio projects in 2001 and 2002. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country.", "The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means \"everlasting\".", "Roma said the title means \"everlasting\". Roma said the title means \"everlasting\". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on \"Water Shows the Hidden Heart\". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs.", "After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang \"Less Than a Pearl\" and \"The River Sings\" in the same way. Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another.", "Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. \"Sumiregusa (Wild Violet)\" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums.", "It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, \"Amarantine\", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition.", "A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, \"Christmas Secrets\" and \"The Magic of the Night\". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway.", "In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track \"My!", "The track \"My! The track \"My! My! Time Flies! \", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since \"I Want Tomorrow\" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No.", "6 in the UK and No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks.", "In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date.", "Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date. In 2013, \"Only Time\" was used in the \"Epic Split\" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\".", "The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan.", "Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs.", "A Deluxe Edition features three additional songs. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed \"Orinoco Flow\" and \"Echoes in Rain\" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years.", "In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang \"Adeste Fideles\", \"Oiche Chiúin\", and \"The Spirit of Christmas Past\". On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary.", "On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano.", "Musical style Enya's vocal range is mezzo-soprano. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as \"the classics\", church music, and \"Irish reels and jigs\" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist.", "Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the \"Wall of Sound\" technique that Phil Spector pioneered, wanted to explore the idea of \"the multivocals\" for which her music became known. According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered.", "According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers.", "Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was \"Enya\".", "When asked what genre she would classify her music, her reply was \"Enya\". Nicky Ryan commented on the new age comments: \"Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison.\" The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish.", "The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons.", "She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang \"May It Be\" in English and Tolkien's fictional language Quenya, and sang \"Aníron\" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax.", "Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits.", "At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. \"If I did that\", she said, \"I'd have to call it a day\". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home.", "During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express \"feeling much more directly\" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs.", "After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song.", "Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives.", "In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\".", "Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\". Enya also explained that the time put into her studio albums causes her to \"run overtime\", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage.", "She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide.", "In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound.", "Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album.", "Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing.", "In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's.", "In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony.", "In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises.", "In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: \"The music is what sells.", "Enya is known for keeping a private lifestyle, saying: \"The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it\". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me...", "In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this\". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\".", "A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\". She declares herself as \"more spiritual than religious... I derive from religion what I enjoy.\" In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction.", "In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings.", "In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France.", "In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall.", "In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref.", "Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref.", "|- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope=\"row\" rowspan=\"3\"|1989 |rowspan=\"3\"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope=\"row\"|1990 | \"Orinoco Flow\" | BMI Award for Citation of Achievement | |- !scope=\"row\"|1992 |rowspan=\"3\"|Enya |rowspan=\"2\"|Brit Award for Best International Solo Artist | |- !scope=\"row\" rowspan=\"3\"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | \"Book of Days\" | Golden Raspberry Award for Worst Original Song | |- !scope=\"row\" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope=\"row\"|2001 | rowspan=\"4\"| \"May It Be\" | Critics' Choice Movie Award for Best Song | |- !scope=\"row\"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope=\"row\"|2002 | Golden Globe Award for Best Original Song | |- !scope=\"row\"|2002 | Academy Award for Best Original Song | |- !scope=\"row\" rowspan=\"4\"|2002 | rowspan=\"2\"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|\"Only Time\" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope=\"row\" rowspan=\"1\"|2003 | rowspan=\"1\"|BMI Award for Citation of Achievement | |- !scope=\"row\" rowspan=\"3\"|2004 | rowspan=4|\"I Don't Wanna Know\" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope=\"row\"|2005 | BMI Award for Citation of Achievement | |- !scope=\"row\"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers" ]
[ "Enya", "2008-present: And Winter Came... and Dark Sky Island", "Can you provide me with a little information on And Winter Came..and Dark Sky Island?", "seventh studio album, And Winter Came....", "Is this the name of a music group?", "seventh studio album,", "What was all involved in the making of this album?", "Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead.", "Is her winter-themed album popular?", "reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011." ]
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What did she do after this success?
5
What did Enya do after her winter-themed album became a success?
Enya
Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER
After promoting And Winter Came..., Enya took an extended break from writing and recording music.
Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers
true
[ "Kim Na-young (; born December 31, 1991) is a South Korean singer who gained immense popularity through social media exposure on New Year's Eve 2015, when her single \"What If It Was Going\" topped Melon's (South Korea's biggest music streaming site) music charts, holding the top place for five days, and high spots on other streaming sites. She has recorded several soundtracks, including \"Once Again\" for Descendants of the Sun.\n\nMusic career \n\nShe debuted as a singer in 2012, after which she took the unusual route of busking in the Hongdae area, where a video clip of her singing on a cold winter night went viral and attracted over 1 million views.\n\nShe has had a few TV appearances and was a contestant on Mnet's Superstar K in 2013, but did not reach the finals. From her appearance on Superstar K, her singing skills were noticed in the K-pop industry and she did a 2014 original soundtrack for a Korean drama.\n\nNew Year's Eve 2015 viral success \n\nHer sudden rise in popularity, without being known much by mainstream media, occurred with the release of the viral video clip \"What If It Was Going\" and was called remarkable. Social media experts said the video's reception, which \"spread like wildfire among young trendsetters,\" was because \"mobile oriented social networks are changing the traditional routes to success for singers.\" She called the success, which coincided on her birthday, December 31, an unforgettable birthday gift.\n\nDescendants of the Sun OST\n\nShe has recorded a number of soundtracks, including those for The Girl Who Sees Smells, Orange Marmalade and Bubble Gum. In March 2016, she and Mad Clown collaborated for a well received OST \"Once Again\" for Descendants of the Sun, and used as background music when the drama's leading roles flashed back to old memories.\n\n2019: First music show win\nOn June 23, 2019, she received her first music show win on SBS' Inkigayo with her single \"To Be Honest\".\n\n2020: Do You Like Brahms? \nOn September 21, 2020, the original soundtrack Kim sang titled \"Dream\" was released for the South Korean television series Do You Like Brahms? as the sixth part.\n\nDiscography\n\nStudio albums\n\nSingles\n\nSoundtrack appearances\n\nFilmography\n\nTelevision shows\n\nReferences\n\nExternal links\n (in Korean)\n\n1991 births\nLiving people\nSouth Korean contemporary R&B singers\nSeoul Institute of the Arts alumni\n21st-century South Korean singers\n21st-century South Korean women singers", "Dead Funny is a 1994 independent drama film directed by John Feldman. It stars Elizabeth Peña as Vivian Saunders, a woman who comes home from work and finds her boyfriend Reggie Barker (Andrew McCarthy) pinned to her kitchen table with a long knife.\n\nPlot\nVivian Saunders (Elizabeth Peña) comes home one day to an unusual surprise: her boyfriend Reggie Barker (Andrew McCarthy) is lying on the kitchen table with a large sword sticking out of his body. At first Vivian thinks this must be some sort of joke, but she discovers that Reggie is indeed dead, and as she calls her best friend Louise (Paige Turco) to figure out what might have happened and what to do, it occurs to her that she blacked out after too much wine the night before and isn't sure what she did before she passed out. After a few phone calls, Vivian's women's support group arrives, and what to do about Reggie soon takes second place to what Vivian should do for herself.\n\nCast\nElizabeth Peña as Vivian Saunders\nAndrew McCarthy as Reggie Barker\nPaige Turco as Louise\nBlanche Baker as Barbara\nAllison Janney as Jennifer\nAdelle Lutz as Mari\nNovella Nelson as Frances\nLisa Jane Persky as Sarah\nMichael Mantell as Harold\nKen Kensei as Yoshi\nBai Ling as Norriko\n\nRelease\nThis film has only been released on VHS and LaserDisc format.\n\nReception\nDavid Nusair of DVD Talk negatively reviewed the film, saying \"By the time we find out what really happened to McCarthy's character, it's impossible to care.\" Time Out also negatively reviewed the film, writing \"How did it happen? Who did it? Who cares? Probably not Feldman who seems more interested in shooting his actresses' naked thighs.\" The New York Times stated that Dead Funny \"tries so hard to be ingeniously tricky and ambiguous that it ends up outsmarting itself\".\n\nVariety positively reviewed the film, praising Peña's performance.\n\nReferences\n\nExternal links\n\n \n\n1994 films\nAmerican drama films\nAmerican independent films\nAmerican films\n1994 drama films\nEnglish-language films" ]
[ "Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the \"Queen of New Age\", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals.", "Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist.", "She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh.", "Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label.", "She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single \"Orinoco Flow\". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000).", "This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks.", "Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015).", "Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide.", "A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001).", "She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language.", "It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how \"Eithne\" is pronounced in her native Ulster dialect of Irish; \"Ní Bhraonáin\" translates to \"daughter of Brennan\". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck.", "Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there.", "Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as \"very quiet and happy.\" At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg.", "She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. \"I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over.\"", "This one big book of scales, practising them over and over.\" When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\"", "She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\" Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming \"a piano teacher sort of person. I never thought of myself composing or being on stage.\"", "I never thought of myself composing or being on stage.\" Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator.", "Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards.", "In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan.", "Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music.", "Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music. She was just not sure of how to go about it\". This sparked discussions between the two on layering vocal tracks to create a \"choir of one\", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen.", "During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, \"It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing\". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\".", "Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted.", "Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden.", "After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for \"eagle\", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music.", "The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\".", "Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne.", "During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label.", "Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes.", "She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\"", "Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\" Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers.", "Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984).", "Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, \"The Frog Prince\" and \"Dreams\"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture.", "Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought \"Eithne\" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\".", "Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project.", "She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted.", "Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music.", "Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States.", "In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was \"a cowardly thing for them to do\". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart.", "The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. \"I Want Tomorrow\" was released as Enya's first single. \"Boadicea\" was sampled by The Fugees on their 1996 song \"Ready or Not\"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million.", "The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on \"Never Get Old\". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\".", "Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label.", "He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music.", "Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music.\" Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988.", "With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989.", "Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, \"Orinoco Flow\", was the last song written for the album.", "Its lead single, \"Orinoco Flow\", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. \"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks.", "\"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States.", "By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, \"I kept thinking, 'Would this have gone on Watermark? Is it as good?'", "Is it as good?' Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right.\" Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States.", "Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. \"Caribbean Blue\", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States.", "By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons.", "In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork.", "In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995.", "The album was released in November 1995. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, \"Anywhere Is\", reached number seven in the United Kingdom. The second, \"On My Way Home\", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP.", "In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997.", "A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\"", "In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\" She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album.", "She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, \"Paint the Sky with Stars\" and \"Only If...\". Released in November 1997, the album was a worldwide commercial success, reaching No.", "Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. \"Only If...\" was released as a single in 1997. Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\"", "Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\" 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998.", "1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States.", "The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\".", "In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001.", "The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date.", "The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, \"Wild Child\", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide.", "A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson.", "In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks.", "Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya.", "After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\".", "Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\". In 2002, Enya released \"May It Be\" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002.", "Enya undertook additional studio projects in 2001 and 2002. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country.", "The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means \"everlasting\".", "Roma said the title means \"everlasting\". Roma said the title means \"everlasting\". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on \"Water Shows the Hidden Heart\". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs.", "After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang \"Less Than a Pearl\" and \"The River Sings\" in the same way. Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another.", "Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. \"Sumiregusa (Wild Violet)\" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums.", "It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, \"Amarantine\", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition.", "A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, \"Christmas Secrets\" and \"The Magic of the Night\". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway.", "In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track \"My!", "The track \"My! The track \"My! My! Time Flies! \", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since \"I Want Tomorrow\" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No.", "6 in the UK and No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks.", "In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date.", "Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date. In 2013, \"Only Time\" was used in the \"Epic Split\" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\".", "The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan.", "Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs.", "A Deluxe Edition features three additional songs. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed \"Orinoco Flow\" and \"Echoes in Rain\" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years.", "In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang \"Adeste Fideles\", \"Oiche Chiúin\", and \"The Spirit of Christmas Past\". On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary.", "On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano.", "Musical style Enya's vocal range is mezzo-soprano. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as \"the classics\", church music, and \"Irish reels and jigs\" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist.", "Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the \"Wall of Sound\" technique that Phil Spector pioneered, wanted to explore the idea of \"the multivocals\" for which her music became known. According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered.", "According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers.", "Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was \"Enya\".", "When asked what genre she would classify her music, her reply was \"Enya\". Nicky Ryan commented on the new age comments: \"Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison.\" The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish.", "The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons.", "She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang \"May It Be\" in English and Tolkien's fictional language Quenya, and sang \"Aníron\" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax.", "Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits.", "At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. \"If I did that\", she said, \"I'd have to call it a day\". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home.", "During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express \"feeling much more directly\" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs.", "After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song.", "Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives.", "In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\".", "Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\". Enya also explained that the time put into her studio albums causes her to \"run overtime\", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage.", "She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide.", "In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound.", "Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album.", "Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing.", "In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's.", "In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony.", "In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises.", "In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: \"The music is what sells.", "Enya is known for keeping a private lifestyle, saying: \"The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it\". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me...", "In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this\". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\".", "A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\". She declares herself as \"more spiritual than religious... I derive from religion what I enjoy.\" In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction.", "In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings.", "In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France.", "In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall.", "In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref.", "Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref.", "|- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope=\"row\" rowspan=\"3\"|1989 |rowspan=\"3\"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope=\"row\"|1990 | \"Orinoco Flow\" | BMI Award for Citation of Achievement | |- !scope=\"row\"|1992 |rowspan=\"3\"|Enya |rowspan=\"2\"|Brit Award for Best International Solo Artist | |- !scope=\"row\" rowspan=\"3\"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | \"Book of Days\" | Golden Raspberry Award for Worst Original Song | |- !scope=\"row\" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope=\"row\"|2001 | rowspan=\"4\"| \"May It Be\" | Critics' Choice Movie Award for Best Song | |- !scope=\"row\"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope=\"row\"|2002 | Golden Globe Award for Best Original Song | |- !scope=\"row\"|2002 | Academy Award for Best Original Song | |- !scope=\"row\" rowspan=\"4\"|2002 | rowspan=\"2\"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|\"Only Time\" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope=\"row\" rowspan=\"1\"|2003 | rowspan=\"1\"|BMI Award for Citation of Achievement | |- !scope=\"row\" rowspan=\"3\"|2004 | rowspan=4|\"I Don't Wanna Know\" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope=\"row\"|2005 | BMI Award for Citation of Achievement | |- !scope=\"row\"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers" ]
[ "Enya", "2008-present: And Winter Came... and Dark Sky Island", "Can you provide me with a little information on And Winter Came..and Dark Sky Island?", "seventh studio album, And Winter Came....", "Is this the name of a music group?", "seventh studio album,", "What was all involved in the making of this album?", "Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead.", "Is her winter-themed album popular?", "reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011.", "What did she do after this success?", "After promoting And Winter Came..., Enya took an extended break from writing and recording music." ]
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What did she focus on during her break?
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What did Enya focus on during her break after promoting And Winter Came...?
Enya
Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album and DVD, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aniron". In 2013, "Only Time" was used in an advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name references the island of Sark, where it became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. The new album was promoted with the premiere in October 2015 of its lead single, "Echoes in Rain", on Ken Bruce's radio show and with the release in the same month of the single as a digital download. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Raidio Teilifis Eireann Christmas special Christmas Carols from Cork, marking her first appearance on Irish television in a decade. She sang "Adeste Fideles" and "Oiche Chiuin" as well as her own carol composition "The Spirit of Christmas Past". CANNOTANSWER
She spent her time resting, visiting family in Australia, and renovating her new home in the south of France.
Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the "Queen of New Age", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single "Orinoco Flow". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, "Only Time", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for "May It Be", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how "Eithne" is pronounced in her native Ulster dialect of Irish; "Ní Bhraonáin" translates to "daughter of Brennan". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as "very quiet and happy." At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. "I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over." When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: "It was devastating to be torn away from such a large family, but it was good for my music." Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming "a piano teacher sort of person. I never thought of myself composing or being on stage." Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was "fiercely independent ... intent on playing her own music. She was just not sure of how to go about it". This sparked discussions between the two on layering vocal tracks to create a "choir of one", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, "It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being "somebody in the background". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore "with no particular definite future", or live with him and Roma in Artane, Dublin "and see what happens, musically", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for "eagle", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was "An Taibhse Uaighneach", Irish for "The Lonely Ghost". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, "An Ghaoth Ón Ghrian", Irish for "The Solar Wind", and "Miss Clare Remembers", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she "was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over." Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, "The Frog Prince" and "Dreams"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought "Eithne" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as "we weren't part of it at the end". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named "The March of the Celts", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was "a cowardly thing for them to do". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. "I Want Tomorrow" was released as Enya's first single. "Boadicea" was sampled by The Fugees on their 1996 song "Ready or Not"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on "Never Get Old". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it "every night before I went to bed". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: "Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music." Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, "Orinoco Flow", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. "Orinoco Flow" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, "I kept thinking, 'Would this have gone on Watermark? Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right." Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. "Caribbean Blue", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, "Anywhere Is", reached number seven in the United Kingdom. The second, "On My Way Home", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing "Oíche Chiúin", an Irish-language version of "Silent Night", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, "trying to select the obvious ones, the hits, and others." She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a "best of" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, "Paint the Sky with Stars" and "Only If...". Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. "Only If..." was released as a single in 1997. Enya described the album as "like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking." 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, "Only Time", surged after the song was widely used during radio and television coverage of the events, leading to its description as "a post-September 11 anthem". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of "Only Time" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, "Wild Child", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore "imagined her voice" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed "Aníron (Theme for Aragorn and Arwen)" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and "May It Be", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create "a seamless sound". In 2002, Enya released "May It Be" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means "everlasting". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on "Water Shows the Hidden Heart". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang "Less Than a Pearl" and "The River Sings" in the same way. Roma worked on the language further, creating a "culture and history" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. "Sumiregusa (Wild Violet)" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, "Amarantine", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, "Christmas Secrets" and "The Magic of the Night". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track "My! My! Time Flies!", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since "I Want Tomorrow" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of "Aníron" and a DVD compiling most of her music videos to date. In 2013, "Only Time" was used in the "Epic Split" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using "Only Time". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed "Orinoco Flow" and "Echoes in Rain" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang "Adeste Fideles", "Oiche Chiúin", and "The Spirit of Christmas Past". On 4 November 2021, a Shepherd Moons "watch party" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as "the classics", church music, and "Irish reels and jigs" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the "Wall of Sound" technique that Phil Spector pioneered, wanted to explore the idea of "the multivocals" for which her music became known. According to Enya, "Angeles" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was "Enya". Nicky Ryan commented on the new age comments: "Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison." The music video to "Caribbean Blue" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental "Lothlórien" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang "May It Be" in English and Tolkien's fictional language Quenya, and sang "Aníron" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. "If I did that", she said, "I'd have to call it a day". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express "feeling much more directly" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered "Fallen Embers" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write "two or three songs" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she "did not see eye to eye" initially as the label imagined her performing on stage "with a piano ... maybe two or three synthesiser players and that's it". Enya also explained that the time put into her studio albums causes her to "run overtime", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record "all the hits" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed "Anywhere Is" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed "May It Be" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: "The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: "I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and "gone the route I wanted to go". She declares herself as "more spiritual than religious... I derive from religion what I enjoy." In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|"Orinoco Flow" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | "May It Be" | Best Song Written for Visual Media | |- | rowspan="2"|2007 | "Drifting" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan="2"|2001 | rowspan="7"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope="row" rowspan="3"|1989 |rowspan="3"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope="row"|1990 | "Orinoco Flow" | BMI Award for Citation of Achievement | |- !scope="row"|1992 |rowspan="3"|Enya |rowspan="2"|Brit Award for Best International Solo Artist | |- !scope="row" rowspan="3"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | "Book of Days" | Golden Raspberry Award for Worst Original Song | |- !scope="row" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope="row"|2001 | rowspan="4"| "May It Be" | Critics' Choice Movie Award for Best Song | |- !scope="row"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope="row"|2002 | Golden Globe Award for Best Original Song | |- !scope="row"|2002 | Academy Award for Best Original Song | |- !scope="row" rowspan="4"|2002 | rowspan="2"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|"Only Time" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope="row" rowspan="1"|2003 | rowspan="1"|BMI Award for Citation of Achievement | |- !scope="row" rowspan="3"|2004 | rowspan=4|"I Don't Wanna Know" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope="row"|2005 | BMI Award for Citation of Achievement | |- !scope="row"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers
true
[ "Ebba Wieder (born 13 July 1998) is a Swedish footballer who plays as a midfielder.\n\nVittsjö GIK announced on 14 April 2021 that she is taking an indefinite break from football to focus on her mental health.\n\nHonours \nRosengård\nWinner\n Damallsvenskan (3): 2013, 2014, 2015\n Svenska Supercupen: 2015/2016, 2016/2017, 2017/2018\n\nReferences\n\nExternal links \n \n \n \n (archive)\n \n\n1998 births\nLiving people\nSwedish women's footballers\nFC Rosengård players\nDamallsvenskan players\nWomen's association football midfielders", "Lil Kim Season is the fourth mixtape by American rapper Lil' Kim, released on March 28, 2016, by I.R.S Records.\n\nBackground \nLil' Kim first announced on Hot 97 at the Hot 4 The Holidays concert that she was releasing an album in 2016 and she had a meeting with her former record label Atlantic Records to Negotiate a deal. A few days later Kim released That Bitch (Remix) a freestyle of Omarion's I'm Up on December 8 as a teaser for new music on the way. News broke in early February that Bryant McKinnie is going to be a part of Kim's 5th album what she still being recorded and act as A&R for the TBA album instead of producing. On February 13 news broke out that Maino and Kim have been in the studio working on a Freestyle of Panda by Desiigner the freestyle was released on the 16 on Lil' Kim SoundCloud page as promo for her single #Mine featuring Kevin Gates. Kim released #Mine on February 18 as a Buzz single for her 5th album. On March 9, 2016, Lil' Kim and Maino released a joint single called I Did it for Brooklyn produced by Don Corleon and Mad Cheeta to pay homage and respect for the 19th anniversary passing of The Notorious B.I.G. Kim's late mentor and her hometown Brooklyn. On March 10, 2016, Lil' Kim previewed a clean version of her Summer Sixteen freestyle by Drake on Funkmaster flex's interview. Lil' Kim released the dirty version of the Summer Sixteen freestyle on March 15. The mixtape was first announced on March 24, 2016, via her Instagram page. Lil' Kim did an interview with Billboard a few hours before her mixtape was released, telling Billboard that she stepped away from recording new songs to tend to her daughter Royal Reign. \"For a long time, my focus was my baby\", she says. \"I wasn't thinking about music at all, and my focus was just raising my baby. Now that she's 19 months and she's going to be two this summer, she's motivating me to do music again.\"\n\nCritical reception \nLil Kim Season received mixed to positive reviews from critics. Jen Yamato a writer from The Daily Beast wrote, \"If anything, Lil Kim Season indicates that Kim's got her sights set on returning in a big way—and that she's collecting collaborators who might help her achieve it.\"\n\nTrack listing \n\nNote\n The mixtape version of \"#Mine\" is shorter than the single version.\n\nCharts \nThe promotional single \"#Mine\" charted at number 20 on the Billboard Rap Digital Songs list and sold over 25,000 copies to date.\n\nReferences \n\n \n \n\n2016 mixtape albums\nLil' Kim albums" ]
[ "Enya Patricia Brennan ( ; born 17 May 1961) is an Irish singer, songwriter and musician, known for pioneering modern Celtic and New-age music. Regarded as the \"Queen of New Age\", Enya is the best-selling Irish solo artist in history, and second-best-selling overall behind U2. Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals.", "Born into a musical family and raised in the Irish-speaking area of Gweedore, County Donegal, Enya began her music career when she joined her family's Celtic folk band Clannad in 1980 on keyboards and backing vocals. She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist.", "She left the group in 1982 with their manager and producer Nicky Ryan to pursue a solo career, with Ryan's wife Roma Ryan as her lyricist. Enya developed her sound over the following four years with multitracked vocals and keyboards with elements of new age, Celtic, classical, church, world, pop, and Irish folk. Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh.", "Thus far, she has sung in ten languages, most notably English, Irish Gaelic (Gaeilge), Latin, and Welsh. Enya's first projects as a solo artist included soundtrack work for The Frog Prince (1984) and the 1987 BBC documentary series The Celts, which was released as her debut album, Enya (1987). She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label.", "She signed with Warner Music UK, which granted her artistic freedom and minimal interference from the label. The commercial and critical success of Watermark (1988) propelled her to worldwide fame, helped by the UK number one and international hit single \"Orinoco Flow\". This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000).", "This was followed by the multi-million-selling albums Shepherd Moons (1991), The Memory of Trees (1995), and A Day Without Rain (2000). Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks.", "Sales of the latter and its lead single, \"Only Time\", surged in the United States following its use in the media coverage of the September 11 attacks. Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015).", "Following Amarantine (2005) and And Winter Came... (2008), Enya took a four-year career hiatus before she resumed in 2012 and released her eighth studio album, Dark Sky Island (2015). Enya's discography has sold 26.5 million certified albums in the United States and an estimated 75 million records worldwide, making her one of the best-selling music artists of all time. A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide.", "A Day Without Rain (2000) remains the best-selling new-age album, with an estimated 16 million copies sold worldwide. Enya has won numerous awards, including seven World Music Awards, four Grammy Awards for Best New Age Album, and an Ivor Novello Award. She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001).", "She was nominated for an Academy Award and a Golden Globe Award for \"May It Be\", written for The Lord of the Rings: The Fellowship of the Ring (2001). Early life Eithne Pádraigín Ní Bhraonáin was born on 17 May 1961 in Dore, a settlement in the parish of Gweedore, in County Donegal. It is a Gaeltacht region where Irish is the primary language.", "It is a Gaeltacht region where Irish is the primary language. Her name is anglicised as Enya Patricia Brennan, where Enya is the phonetic spelling of how \"Eithne\" is pronounced in her native Ulster dialect of Irish; \"Ní Bhraonáin\" translates to \"daughter of Brennan\". The sixth of nine children, Enya was born into a Roman Catholic family of musicians. Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck.", "Her father, Leo Brennan, was the leader of the Slieve Foy Band, an Irish showband, and ran Leo's Tavern in Meenaleck. Her mother, Máire Brennan (née Duggan), who has distant Spanish roots whose ancestors settled on Tory Island, was an amateur musician who played in Leo's band and taught music at Gweedore Community School. Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there.", "Enya's maternal grandfather Aodh was the headmaster of the primary school in Dore, and her grandmother was a teacher there. Aodh was also the founder of the Gweedore Theatre company. Enya described her upbringing as \"very quiet and happy.\" At age three, she took part in her first singing competition at the annual Feis Ceoil music festival. She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg.", "She took part in pantomimes at Gweedore Theatre and sang with her siblings in her mother's choir at St Mary's church in Derrybeg. She learned English at primary school and began piano lessons at age four. \"I had to do school work and then travel to a neighbouring town for piano lessons, and then more school work. I ... remember my brothers and sisters playing outside ... and I would be inside playing the piano. This one big book of scales, practising them over and over.\"", "This one big book of scales, practising them over and over.\" When Enya turned eleven, her grandfather paid for her education at a strict convent boarding school in Milford run by nuns of the Loreto order, where she developed a taste for classical music, art, Latin and watercolour painting. She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\"", "She said: \"It was devastating to be torn away from such a large family, but it was good for my music.\" Enya left the school at 17 and studied classical music in college for one year, with the aim of becoming \"a piano teacher sort of person. I never thought of myself composing or being on stage.\"", "I never thought of myself composing or being on stage.\" Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator.", "Career 1980–1985: Clannad and early solo career In 1970, several members of Enya's family formed Clannad, a Celtic folk band who later acquired Nicky Ryan as their manager, sound engineer, and producer, and his future wife, Roma Ryan, as tour manager and administrator. In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards.", "In 1980, after her year at college, Enya decided against pursuing music at university and accepted Ryan's invitation to join the group as he wanted to expand their sound with an additional vocalist and introducing keyboards. Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan.", "Enya performed an uncredited role their sixth studio album, Crann Úll (1980), with a line-up of siblings Máire, Pól, and Ciarán Brennan, and twin uncles Noel and Pádraig Duggan. She became an official member by the time their follow-up, Fuaim (1981), was released, and is photographed with the band on the front cover. Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music.", "Nicky maintained it was never his intention to make Enya a permanent member, and saw she was \"fiercely independent ... intent on playing her own music. She was just not sure of how to go about it\". This sparked discussions between the two on layering vocal tracks to create a \"choir of one\", a concept inspired by the Wall of Sound technique by producer Phil Spector that interested them both. During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen.", "During a Clannad tour in 1982, Nicky called for a band meeting to address internal issues that had arisen. He added, \"It was short and only required a vote, I was a minority of one and lost. Roma and I were out. This left the question of what happened with Enya. I decided to stand back and say nothing\". Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\".", "Enya chose to leave with the Ryans and pursue a solo career as she felt confined in the group, and disliked being \"somebody in the background\". This caused some friction between the two parties at first, but they settled their differences. Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted.", "Nicky suggested to Enya that either she return to Gweedore \"with no particular definite future\", or live with him and Roma in Artane, Dublin \"and see what happens, musically\", which she accepted. After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden.", "After their bank denied them a loan, Enya sold her saxophone and gave piano lessons for income and the Ryans used what they could afford from their savings to build a recording facility in a shed in their garden. They named it Aigle Studio, after the French word for \"eagle\", and rented it out to musicians to help recoup the costs. The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music.", "The trio formed a musical partnership, with Nicky as Enya's producer and arranger and Roma her lyricist, and established their music company, Aigle Music. In the following two years, Enya developed her technique and composition by listening to recordings of her reciting pieces of classical music, and repeated the process until she started to improvise sections and develop her own arrangements. Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\".", "Her first composition was \"An Taibhse Uaighneach\", Irish for \"The Lonely Ghost\". During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne.", "During this time Enya played the synthesiser on Ceol Aduaidh (1983) by Mairéad Ní Mhaonaigh and Frankie Kennedy, and performed with the duo and Mhaonaigh's brother Gearóid in their short lived group, Ragairne. Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label.", "Enya's first solo endeavour arrived in 1983 when she recorded two piano instrumentals, \"An Ghaoth Ón Ghrian\", Irish for \"The Solar Wind\", and \"Miss Clare Remembers\", at Windmill Lane Studios in Dublin which were released on Touch Travel (1984), a limited release cassette of music from various artists on the Touch label. She is credited as Eithne Ní Bhraonáin on its liner notes.", "She is credited as Eithne Ní Bhraonáin on its liner notes. After several months of preparation, Enya's first live solo performance took place on 23 September 1983 at the National Stadium in Dublin, which was televised for RTÉ's music show Festival Folk. Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\"", "Niall Morris, a musician who worked with her during this time, recalled she \"was so nervous she could barely get on stage, and she cowered behind the piano until the gig was over.\" Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers.", "Morris assisted Enya in the production of a demo tape, playing additional keyboards to her compositions, which Roma thought would suit accompanying visuals and sent it to various film producers. Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984).", "Among them was David Puttnam, who liked the tape and offered Enya to compose the soundtrack to his upcoming romantic comedy film, The Frog Prince (1984). Enya scored nine pieces for the film but they were later rearranged and orchestrated against her wishes by Richard Myhill, except for two that she sang on, \"The Frog Prince\" and \"Dreams\"; the words to the latter were penned by Charlie McGettigan. Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture.", "Film editor Jim Clark said the rearrangements were necessary as Enya found it difficult to compose to picture. Released in 1985, the album is the first commercial release that credits her as Enya, after Nicky Ryan thought \"Eithne\" would be too difficult for non-Irish people to pronounce correctly and suggested the phonetic spelling of her name. Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\".", "Enya looked back on the film as a good career move, but a disappointing one as \"we weren't part of it at the end\". She then sang on three tracks on Ordinary Man (1985) by Christy Moore. 1985–1989: The Celts and Watermark In 1985, producer Tony McAuley asked Enya to contribute a track for a six-part BBC television documentary series The Celts. She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project.", "She had already written a Celtic-influenced song named \"The March of the Celts\", and submitted it to the project. Each episode was to feature a different composer at first, but director David Richardson liked her track so much, he had Enya score the entire series. Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted.", "Enya recorded 72 minutes of music at Aigle Studio and the BBC studios in Wood Lane, London without recording to picture, though she was required to portray certain themes and ideas that the producers wanted. Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music.", "Unlike The Frog Prince, she worked with little interference which granted her freedom to establish her sound that she would adopt throughout her future career, signified by layered vocals, keyboard-oriented music, and percussion with elements of Celtic, classical, church and folk music. In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States.", "In March 1987, two months before The Celts aired, a 40-minute selection of Enya's score was released as her debut solo album, Enya, by BBC Records in the United Kingdom and by Atlantic Records in the United States. The latter promoted it with a new-age imprint on the packaging, which Nicky later thought was \"a cowardly thing for them to do\". The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart.", "The album gained enough public attention to reach number 8 on the Irish Albums Chart and number 69 on the UK Albums Chart. \"I Want Tomorrow\" was released as Enya's first single. \"Boadicea\" was sampled by The Fugees on their 1996 song \"Ready or Not\"; the group neither sought permission nor gave credit, and Enya took legal action. The group subsequently gave her credit and paid a fee worth around $3 million.", "The group subsequently gave her credit and paid a fee worth around $3 million. Later in 1987, Enya appeared on Sinéad O'Connor's debut album The Lion and the Cobra, reciting Psalm 91 in Irish on \"Never Get Old\". Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\".", "Several weeks after the release of Enya, Enya secured a recording contract with Warner Music UK after Rob Dickins, the label's chairman and a fan of Clannad, took a liking to Enya and found himself playing it \"every night before I went to bed\". He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label.", "He then met Enya and the Ryans at a chance meeting at the Irish Recorded Music Association award ceremony in Dublin, and learned Enya had entered negotiations with a rival label. Dickins seized the opportunity and signed her to Warner Music with a deal worth £75,000, granting her wish to write and record with artistic freedom, minimal interference from the label, and without set deadlines to finish albums. Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music.", "Dickins said: \"Sometimes you sign an act to make money, and sometimes you sign an act to make music. This was clearly the latter ... I just wanted to be involved with this music.\" Enya then left Atlantic and signed with the Warner-led Geffen Records to handle her American distribution. With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988.", "With the green-light to produce a new studio album, Enya recorded Watermark from June 1987 to April 1988. It was initially recorded in analogue at Aigle Studio before Dickins requested to have it re-recorded digitally at Orinoco Studios in Bermondsey, London. Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989.", "Watermark was released in September 1988 and became an unexpected hit, reaching number 5 in the United Kingdom and number 25 on the Billboard 200 in the United States following its release there in January 1989. Its lead single, \"Orinoco Flow\", was the last song written for the album.", "Its lead single, \"Orinoco Flow\", was the last song written for the album. It was not intended to be a single at first, but Enya and the Ryans chose it after Dickins asked for a single from them several times as a joke, knowing Enya's music was not made for the Top 40 chart. Dickins and engineer Ross Cullum are referenced in the songs' lyrics. \"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks.", "\"Orinoco Flow\" became an international top 10 hit and was number one in the United Kingdom for three weeks. The new-found success propelled Enya to international fame and she received endorsement deals and offers to use her music in television commercials. She spent one year travelling worldwide to promote the album which increased her exposure through interviews, appearances, and live performances. By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States.", "By 1996, Watermark had sold in excess of 1.2 million copies in the United Kingdom and 4 million in the United States. 1989–1997: Shepherd Moons and The Memory of Trees After promoting Watermark, Enya purchased new recording equipment and started work on her next album, Shepherd Moons. She found the success of Watermark caused a considerable amount of pressure when it came to writing new songs, adding, \"I kept thinking, 'Would this have gone on Watermark? Is it as good?'", "Is it as good?' Is it as good?' Eventually I had to forget about this and start on a blank canvas and just really go with what felt right.\" Enya wrote songs based on several ideas, including entries from her diary, the Blitz in London, and her grandparents. Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States.", "Shepherd Moons was released in November 1991, her first album released under Warner-led Reprise Records in the United States. It became a greater commercial success than Watermark, reaching number one in the UK for one week and number 17 in the United States. \"Caribbean Blue\", its lead single, charted at number thirteen in the United Kingdom. By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States.", "By 1997, the album had reached multi-platinum certification for selling in excess of 1.2 million copies in the United Kingdom and 5 million in the United States. In 1991, Warner Music released a collection of five Enya music videos as Moonshadows for home video. In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons.", "In 1993, Enya won her first Grammy Award for Best New Age Album for Shepherd Moons. Soon after, Enya and Nicky entered discussions with Industrial Light & Magic, founded by George Lucas, regarding an elaborate stage lighting system for a proposed concert tour, but nothing came out of the meetings. In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork.", "In November 1992, Warner had obtained the rights to Enya and re-released the album as The Celts with new artwork. It surpassed its initial sale performance, reaching number 10 in the United Kingdom and reached platinum certification in the United States in 1996 for one million copies shipped. After travelling worldwide to promote Shepherd Moons, Enya started to write and record her fourth album, The Memory of Trees. The album was released in November 1995.", "The album was released in November 1995. The album was released in November 1995. It peaked at number five in the United Kingdom and number nine in the United States, where it sold over 3 million copies. Its lead single, \"Anywhere Is\", reached number seven in the United Kingdom. The second, \"On My Way Home\", reached number twenty-six in the same country. In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP.", "In late 1994, Enya put out an extended play of Christmas music titled The Christmas EP. Enya was offered to compose the score for Titanic, but declined. A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997.", "A recording of her singing \"Oíche Chiúin\", an Irish-language version of \"Silent Night\", appeared on the charity album A Very Special Christmas 3, released in benefit of the Special Olympics in October 1997. In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\"", "In early 1997, Enya began to select tracks for her first compilation album, \"trying to select the obvious ones, the hits, and others.\" She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album.", "She chose to work on the collection following the promotional tour for The Memory of Trees as she felt it was the right time in her career, and that her contract with WEA required her to release a \"best of\" album. The set, named Paint the Sky with Stars: The Best of Enya, features two new tracks, \"Paint the Sky with Stars\" and \"Only If...\". Released in November 1997, the album was a worldwide commercial success, reaching No.", "Released in November 1997, the album was a worldwide commercial success, reaching No. 4 in the UK and No. 30 in the US, where it went on to sell over 4 million copies. \"Only If...\" was released as a single in 1997. Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\"", "Enya described the album as \"like a musical diary ... each melody has a little story and I live through that whole story from the beginning ... your mind goes back to that day and what you were thinking.\" 1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998.", "1998–2007: A Day Without Rain and Amarantine Enya started work on her fifth studio album, titled A Day Without Rain, in mid-1998. In a departure from her previous albums she incorporated the use of a string section into her compositions, something that was not a conscious decision at first, but Enya and Nicky Ryan agreed it complemented the songs that were being written. The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States.", "The album was released in November 2000, and reached number 6 in the United Kingdom and an initial peak of number 17 in the United States. In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\".", "In the aftermath of the 11 September attacks, sales of the album and its lead single, \"Only Time\", surged after the song was widely used during radio and television coverage of the events, leading to its description as \"a post-September 11 anthem\". The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001.", "The exposure caused A Day Without Rain to outperform its original chart performance to peak at number 2 on the Billboard 200, and the release of a maxi single containing the original and a pop remix of \"Only Time\" in November 2001. Enya donated its proceeds in aid of the International Association of Firefighters. The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date.", "The song topped the Billboard Hot Adult Contemporary Tracks chart and went to number 10 on the Hot 100 singles, Enya's highest charting US single to date. A second single, \"Wild Child\", was released in December 2001. A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide.", "A Day Without Rain remains Enya's biggest seller, with 7 million copies sold in the US and the most sold new-age album of all time with an estimated 13 million copies sold worldwide. In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson.", "In 2001, Enya agreed to write and perform on two tracks for the soundtrack of The Lord of the Rings: The Fellowship of the Ring (2001) at the request of director Peter Jackson. Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks.", "Its composer Howard Shore \"imagined her voice\" as he wrote the film's score, making an uncommon exception to include another artist in one of his soundtracks. After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya.", "After flying to New Zealand to observe the filming and to watch a rough cut of the film, Enya returned to Ireland and composed \"Aníron (Theme for Aragorn and Arwen)\" with lyrics by Roma in J. R. R. Tolkien's fictional Elvish language Sindarin, and \"May It Be\", sung in English and another Tolkien language, Quenya. Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\".", "Shore then based his orchestrations around Enya's recorded vocals and themes to create \"a seamless sound\". In 2002, Enya released \"May It Be\" as a single which earned her an Academy Award nomination for Best Original Song. She performed the song live at the 74th Academy Awards ceremony with an orchestra in March 2002, and later cited the moment as a career highlight. Enya undertook additional studio projects in 2001 and 2002.", "Enya undertook additional studio projects in 2001 and 2002. Enya undertook additional studio projects in 2001 and 2002. The first was work on the soundtrack to the Japanese romantic film Calmi Cuori Appassionati (2001) which was subsequently released as Themes from Calmi Cuori Appassionati (2001). The album is formed of tracks spanning her career from Enya to A Day Without Rain with two B-sides. The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country.", "The album went to number 2 in Japan, and became Enya's second to sell one million copies in the country. November 2002 saw the release of Only Time – The Collection, a box set of 51 tracks recorded through her career which received a limited release of 200,000 copies. In September 2003, Enya returned to Aigle Studio to start work on her sixth studio album, Amarantine. Roma said the title means \"everlasting\".", "Roma said the title means \"everlasting\". Roma said the title means \"everlasting\". The album marks the first instance of Enya singing in Loxian, a fictional language created by Roma that came about when Enya was working on \"Water Shows the Hidden Heart\". After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs.", "After numerous attempts to sing the song in English, Irish and Latin, Roma suggested a new language based on some of the sounds Enya would sing along to when developing her songs. It was a success, and Enya sang \"Less Than a Pearl\" and \"The River Sings\" in the same way. Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another.", "Roma worked on the language further, creating a \"culture and history\" behind it surrounding the Loxian people who are of another planet, questioning the existence of life on another. \"Sumiregusa (Wild Violet)\" is sung in Japanese. Amarantine was a global success, reaching number 6 on the Billboard 200 and number 8 in the UK. It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums.", "It has sold over 1 million certified copies in the US, a considerable drop in sales in comparison to her previous albums. Enya dedicated the album to BBC producer Tony McAuley, who had commissioned Enya to write the soundtrack to The Celts, following his death in 2003. The lead single, \"Amarantine\", was released in December 2005. A Christmas Special Edition was released in 2006, followed by a Deluxe Edition.", "A Christmas Special Edition was released in 2006, followed by a Deluxe Edition. In 2006, Enya released Sounds of the Season: The Enya Holiday Collection, a Christmas-themed EP released exclusively in the US following an exclusive partnership with the NBC network and the Target department store chain. It includes two new songs, \"Christmas Secrets\" and \"The Magic of the Night\". In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway.", "In June 2007, Enya received an honorary doctorate from the National University of Ireland, Galway. A month later, she received one from the University of Ulster. 2008–present: And Winter Came..., Dark Sky Island, and future Enya continued to write music with a winter and Christmas theme for her seventh studio album, And Winter Came.... Initially she intended to make an album of seasonal songs and hymns set for a release in late 2007, but decided to produce a winter-themed album instead. The track \"My!", "The track \"My! The track \"My! My! Time Flies! \", a tribute to the late Irish guitarist Jimmy Faulkner, incorporates a guitar solo performed by Pat Farrell, the first use of a guitar on an Enya album since \"I Want Tomorrow\" from Enya. The lyrics also include atypical pop-culture references, such as to The Beatles' famous photo shoot for the cover of Abbey Road. Upon its release in November 2008, And Winter Came... reached No. 6 in the UK and No.", "6 in the UK and No. 6 in the UK and No. 8 in the US and sold almost 3.5 million copies worldwide by 2011. After promoting And Winter Came..., Enya took an extended break from writing and recording music. She spent her time resting, visiting family in Australia, and renovating her new home in the south of France. In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks.", "In March 2009, her first four studio albums were reissued in Japan in the Super High Material CD format with bonus tracks. Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date.", "Her second compilation album, The Very Best of Enya, was released in November 2009 and features songs from 1987 to 2008, including a previously unreleased version of \"Aníron\" and a DVD compiling most of her music videos to date. In 2013, \"Only Time\" was used in the \"Epic Split\" advertisement by Volvo Trucks starring Jean-Claude Van Damme who does the splits while suspended between two lorries. The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\".", "The video went viral, leading to numerous parodies of the commercial uploaded to YouTube also using \"Only Time\". The attention resulted in the song peaking at No. 43 on the Billboard Hot 100 singles chart. In 2012, Enya returned to the studio to record her eighth album, Dark Sky Island. Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan.", "Its name refers to the island of Sark, which became the first island to be designated a dark-sky preserve, and a series of poems on islands by Roma Ryan. Upon its release on 20 November 2015, Dark Sky Island went to No. 4 in the UK, Enya's highest charting studio album there since Shepherd Moons went to No. 1, and to No. 8 in the US. A Deluxe Edition features three additional songs.", "A Deluxe Edition features three additional songs. A Deluxe Edition features three additional songs. Enya completed a promotional tour of the UK and Europe, the US and Japan. During her visit to Japan, Enya performed \"Orinoco Flow\" and \"Echoes in Rain\" at the Universal Studios Japan Christmas show in Osaka. In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years.", "In December 2016, Enya appeared on the Irish television show Christmas Carols from Cork, marking her first Irish television appearance in over seven years. She sang \"Adeste Fideles\", \"Oiche Chiúin\", and \"The Spirit of Christmas Past\". On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary.", "On 4 November 2021, a Shepherd Moons \"watch party\" video was uploaded to Enya's official YouTube channel to commemorate the album's 30th anniversary. In his introductory message, Nicky Ryan said that Roma, Enya, and he used the downtime from the COVID-19 pandemic to renovate Aigle Studio, and install new recording equipment and instruments. When this is complete, Enya will begin working on new music. Musical style Enya's vocal range is mezzo-soprano.", "Musical style Enya's vocal range is mezzo-soprano. Musical style Enya's vocal range is mezzo-soprano. She has cited her musical foundations as \"the classics\", church music, and \"Irish reels and jigs\" with a particular interest in Sergei Rachmaninoff, a favourite composer of hers. She has an autographed picture of him in her home. Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist.", "Since 1982, she has recorded her music with Nicky Ryan as producer and arranger and his wife Roma Ryan as lyricist. While in Clannad, Enya chose to work with Nicky as the two shared an interest in vocal harmonies, and Ryan, influenced by The Beach Boys and the \"Wall of Sound\" technique that Phil Spector pioneered, wanted to explore the idea of \"the multivocals\" for which her music became known. According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered.", "According to Enya, \"Angeles\" from Shepherd Moons has roughly 500 vocals recorded individually and layered. Enya performs all vocals and the majority of instruments in her songs apart from musicians to play percussion, guitar, uilleann pipes, cornet, and double bass. Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers.", "Her early works including Watermark feature numerous keyboards, including the Yamaha KX88 Master, Yamaha DX7, Oberheim Matrix, Akai S900, Roland D-50, and Roland Juno-60, the latter a particular favourite of hers. Numerous critics and reviewers classify Enya's albums as new age music and she has won four Grammy Awards in the category. However, Enya does not classify her music as part of the genre. When asked what genre she would classify her music, her reply was \"Enya\".", "When asked what genre she would classify her music, her reply was \"Enya\". Nicky Ryan commented on the new age comments: \"Initially it was fine, but it's really not new age. Enya plays a whole lot of instruments, not just keyboards. Her melodies are strong and she sings a lot. So I can't see a comparison.\" The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish.", "The music video to \"Caribbean Blue\" and the art work to The Memory of Trees feature adapted works from artist Maxfield Parrish. Enya has sung in ten languages in her career, including English, Irish, Latin, Welsh, Spanish, French and Japanese. She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons.", "She has recorded music influenced by works from fantasy author J. R. R. Tolkien, including the instrumental \"Lothlórien\" from Shepherd Moons. For The Lord of the Rings: The Fellowship of the Ring, she sang \"May It Be\" in English and Tolkien's fictional language Quenya, and sang \"Aníron\" in another of Tolkien's fictional languages, Sindarin. Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax.", "Her albums Amarantine and Dark Sky Island include songs sung in Loxian, a fictional language created by Roma, that has no official syntax. Its vocabulary was formed by Enya singing the song's notes to which Roma wrote their phonetic spelling. Enya adopted a composing and songwriting method that has deviated little throughout her career. At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits.", "At the start of the recording process for an album she enters the studio, forgetting about her previous success, fame, and songs of hers that became hits. \"If I did that\", she said, \"I'd have to call it a day\". She then develops ideas on the piano, keeping note of any arrangement that can be worked on further. During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home.", "During her time writing, Enya works a five-day week, takes weekends off, and does not work on her music at home. With Irish as her first language, Enya initially records her songs in Irish as she can express \"feeling much more directly\" than English. After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs.", "After a period of time, Enya presents her ideas to Nicky to discuss what pieces work best, while Roma works in parallel to devise a lyric to the songs. Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song.", "Enya considered \"Fallen Embers\" from A Day Without Rain a perfect time when the lyrics reflect as to how she felt while writing the song. In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives.", "In 2008, she newly discovered her tendency to write \"two or three songs\" during the winter months, work on the arrangements and lyrics the following spring and summer, and then work on the next couple of songs when autumn arrives. Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\".", "Live performances Enya says that Warner Music and she \"did not see eye to eye\" initially as the label imagined her performing on stage \"with a piano ... maybe two or three synthesiser players and that's it\". Enya also explained that the time put into her studio albums causes her to \"run overtime\", leaving little time to plan for other such projects. She also expressed the difficulty in recreating her studio-oriented sound for the stage.", "She also expressed the difficulty in recreating her studio-oriented sound for the stage. In 1996, Ryan said Enya had received an offer worth almost £500,000 to perform a concert in Japan. In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide.", "In 2016, Enya spoke about the prospect of a live concert when she revealed talks with the Ryans during her three-year break after And Winter Came... (2008) to perform a show at the Metropolitan Opera House in New York City that would be simulcast to cinemas worldwide. Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound.", "Before such an event could happen, Nicky suggested that she enter a studio and record \"all the hits\" live with an orchestra and choir to see how they would sound. Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album.", "Enya has sung with live and lip synching vocals on various talk and music shows, events, and ceremonies throughout her career, usually during her worldwide press tours for each album. In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing.", "In December 1995, she performed \"Anywhere Is\" at a Christmas concert at Vatican City with Pope John Paul II in attendance, who met and thanked her for performing. In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's.", "In April 1996, Enya performed the same song during her surprise appearance at the fiftieth birthday celebration for Carl XVI Gustaf, the King of Sweden and a fan of Enya's. In 1997, Enya participated in a live Christmas Eve broadcast in London and flew to County Donegal afterwards to join her family for their annual midnight Mass choral performance, in which she participates each year. In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony.", "In March 2002, she performed \"May It Be\" with an orchestra at the year's Academy Awards ceremony. Enya and her sisters performed as part of the local choir Cor Mhuire in July 2005 at St. Mary's church in Gweedore during the annual Earagail Arts Festival. Personal life Since the 1980s, Enya has attracted the attention of several stalkers. In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises.", "In 1996, an Italian man who was seen in Dublin wearing a photograph of Enya around his neck stabbed himself outside her parents' pub after being ejected from the premises. In 1991, a minor planet first discovered in 1978, 6433 Enya, was named after her. In 2017, a newly discovered species of fish, Leporinus enyae, found in the Orinoco River drainage area, was also named after her. Enya is known for keeping a private lifestyle, saying: \"The music is what sells.", "Enya is known for keeping a private lifestyle, saying: \"The music is what sells. Not me, or what I stand for ... that's the way I've always wanted it\". She is not married and is a surrogate aunt to the Ryans' two daughters. In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me...", "In 1991, she said: \"I'm afraid of marriage because I'm afraid someone might want me because of who I am instead of because they loved me... I wouldn't go rushing into anything unexpected, but I do think a great deal about this\". A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\".", "A relationship she had with one man ended in 1997, around the time when she considered taking time out of music to have a family but found she was putting pressure on herself over the matter and \"gone the route I wanted to go\". She declares herself as \"more spiritual than religious... I derive from religion what I enjoy.\" In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction.", "In 1997, Enya bought a Victorian Grade A listed castellated mansion in Killiney, County Dublin for IR£2.5 million at auction. Formerly known as Victoria Castle and Ayesha Castle, she renamed it Manderley Castle after the house from the novel Rebecca by Daphne du Maurier. In all, she spent seven years renovating her property and also installing considerable security measures. In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings.", "In 2005, Enya spent around £250,000 on security improvements, covering gaps in the castle's outer wall and installing bollards and iron railings. In October of that year, two people broke into the home; one attacked and tied up one of her housekeepers and left with several of Enya's items after she had raised the alarm in her safe room. In 2009, during her three-year break from music, Enya purchased a home in southern France.", "In 2009, during her three-year break from music, Enya purchased a home in southern France. In 2006, Enya ranked third in a list of the wealthiest Irish entertainers with an estimated fortune of £75 million, and was number 95 in the Sunday Times Rich List of the richest 250 Irish people. In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall.", "In the 2016 edition, which listed its top 50 Music Millionaires of Britain and Ireland, she emerged as the richest female singer with a fortune of £91 million and ranked number 28 overall. Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref.", "Awards and nominations Billboard Music Awards |- | rowspan=4|2001 | rowspan=2|Enya | Top Billboard 200 Artist - Female | |- | Top New Age Artist | |- | rowspan=3|A Day Without Rain | Top Internet Album | |- | rowspan=2|Top New Age Album | |- | rowspan=3|2002 | |- | rowspan=2|Enya | Top New Age Artist | |- | Top Adult Contemporary Artist | Grammy Awards |- | rowspan=2|1990 | rowspan=2|\"Orinoco Flow\" | Best New Age Performance | |- | Best Music Video | |- | 1993 | Shepherd Moons | rowspan=3|Best New Age Album | |- | 1997 | The Memory of Trees | |- | 2002 | A Day Without Rain | |- | 2003 | \"May It Be\" | Best Song Written for Visual Media | |- | rowspan=\"2\"|2007 | \"Drifting\" | Best Pop Instrumental Performance | |- | Amarantine | rowspan=2|Best New Age Album | |- | 2017 | Dark Sky Island | IFPI Hong Kong Top Sales Music Awards !Ref. |- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref.", "|- | 2001 | A Day Without Rain | Top 10 Best Sales Foreign Albums | | Japan Gold Disc Awards |- | 1990 | Enya | New Artist of the Year | |- | 1998 | Paint the Sky with Stars | Best 3 Albums | |- | 2001 | A Day Without Rain | International Pop Album of the Year | |- | 2002 | Themes from Calmi Cuori Appassionati | Best 3 Albums | |- | 2006 | Amarantine | International Album of the Year | World Music Awards |- | rowspan=\"2\"|2001 | rowspan=\"7\"| Enya | World's Best Selling Irish Artist | |- | rowspan=2|World's Best Selling New Age Artist | |- | rowspan=3|2002 | |- | World's Best Selling Female Artist | |- | rowspan=3|World's Best Selling Irish Artist | |- | 2003 | |- | 2006 | Žebřík Music Awards !Ref. |- | 1993 | rowspan=3|Enya | rowspan=3|Best International Female | | |- | 1997 | | |- | 2005 | | Other Awards |- !scope=\"row\" rowspan=\"3\"|1989 |rowspan=\"3\"|Enya | Brit Award for Best International Artist | |- | Brit Award for Best International Female | |- | IRMA Award for Best Female Irish Artist | |- !scope=\"row\"|1990 | \"Orinoco Flow\" | BMI Award for Citation of Achievement | |- !scope=\"row\"|1992 |rowspan=\"3\"|Enya |rowspan=\"2\"|Brit Award for Best International Solo Artist | |- !scope=\"row\" rowspan=\"3\"|1993 | |- | IRMA Award for Best Female Irish Artist | |- | \"Book of Days\" | Golden Raspberry Award for Worst Original Song | |- !scope=\"row\" rowspan=1|1998 | Enya, Nicky Ryan, and Roma Ryan | Ivor Novello Award for International Achievement | |- !scope=\"row\"|2001 | rowspan=\"4\"| \"May It Be\" | Critics' Choice Movie Award for Best Song | |- !scope=\"row\"|2001 | Broadcast Film Critics Association for Best Original Song | |- !scope=\"row\"|2002 | Golden Globe Award for Best Original Song | |- !scope=\"row\"|2002 | Academy Award for Best Original Song | |- !scope=\"row\" rowspan=\"4\"|2002 | rowspan=\"2\"| Enya | American Music Award for Favorite Adult Contemporary Artist | |- | Golden Plate Award of the American Academy of Achievement | |- | rowspan=3|\"Only Time\" | ECHO Award for Best Single of the Year (International) | |- | BDSCertified Spin Awards – 300,000 Spins | |- !scope=\"row\" rowspan=\"1\"|2003 | rowspan=\"1\"|BMI Award for Citation of Achievement | |- !scope=\"row\" rowspan=\"3\"|2004 | rowspan=4|\"I Don't Wanna Know\" | Vibe Award for R&B Song of the Year | |- | MOBO Award for Best Single | |- | MOBO Award for Best Ringtone | |- !scope=\"row\"|2005 | BMI Award for Citation of Achievement | |- !scope=\"row\"|2016 | Dark Sky Island | ECHO Award for Best Female of the Year (International) | |- |} Discography Studio albums Enya (1987) (reissued in 1992 as The Celts) Watermark (1988) Shepherd Moons (1991) The Memory of Trees (1995) A Day Without Rain (2000) Amarantine (2005) And Winter Came... (2008) Dark Sky Island (2015) See also Honorific nicknames in popular music List of ambient music artists List of artists who reached number one on the UK Singles Chart List of best-selling music artists List of highest-certified music artists in the United States References Sources External links 1961 births 20th-century Irish women singers 21st-century Irish women singers Celtic fusion musicians Clannad members Grammy Award winners Irish women composers Irish folk singers Irish-language singers Irish mezzo-sopranos Irish pianists Irish pop singers Irish women singer-songwriters Ivor Novello Award winners Latin-language singers Living people Musicians from County Donegal New-age musicians People from Dalkey People from Gweedore Warner Music Group artists Women in electronic music World Music Awards winners People from Killiney 20th-century women composers 21st-century women composers" ]
[ "Hillary Clinton", "Early life and education" ]
C_8b166a2b96a4446b96aec0b2fd24bb06_1
Where did Clinton grow up?
1
Where did Hillary Clinton grow up?
Hillary Clinton
Hillary Diane Rodham was born on October 26, 1947, at Edgewater Hospital in Chicago, Illinois. Clinton was raised in a United Methodist family that first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish and Welsh descent. Clinton has two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools that she attended in Park Ridge. She participated swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told a story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council, the school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year, but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then new Maine South High School, where she was a National Merit Finalist and was voted, "most likely to succeed". She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career, and her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. Rodham was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. CANNOTANSWER
first lived in Chicago.
Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted "most likely to succeed." She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this "Rockefeller Republican"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as "a mind conservative and a heart liberal". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, "Children Under the Law", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a "terrible case". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, "it showed that I was still me". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name "Hillary Clinton", or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged "causing pain in my marriage". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song "Stand by Your Man". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article "The Lady Macbeth of Little Rock", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents" or sometimes use the Arkansas label "Billary". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into "imaginary discussions" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul"; that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called "sad and painful". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, "it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the "Travelgate" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a "vast right-wing conspiracy". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met." Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House "not only dead broke, but in debt". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky "was an adult". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired "The Star-Spangled Banner" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a "listening tour" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she "got it wrong" and the vote in support had been a "mistake". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief." In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: "I'm in and I'm in to win." No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president "needs to stop". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal "Afghanistan surge", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a "reset button" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the "build back better" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was "stable", to a stance that there needed to be an "orderly transition [to] a democratic participatory government", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called "convening power" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, "Gay rights are human rights", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be "America's Pacific century", a declaration that was part of the Obama administration's "pivot to Asia". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed "smart power" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the "Hillary Doctrine", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that "Clinton's endurance is legendary".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate "talking points" after the attack, Clinton responded with the much-quoted rejoinder, "With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator." In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and "never should have been transmitted via an unclassified personal system". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called "born classified" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails "contained classified State Department information when originated". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, "I never sent or received any classified material—they are retroactively classifying it." On July 2, 2016, Clinton stated: "Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified." On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were "up-classified" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small "c" in parentheses, described as "portion markings" by Comey. He also said it was possible Clinton was not "technically sophisticated" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was "possible that hostile actors gained access to Secretary Clinton's personal email account". He added that "[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information". Nevertheless, Comey asserted that "no reasonable prosecutor" would bring criminal charges in this case, despite the existence of "potential violations of the statutes regarding the handling of classified information". The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was "no persuasive evidence of systemic, deliberate mishandling of classified information". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while "There has never been a better time in history to be born a woman ... this data shows just how far we still have to go." The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been "extremely careless" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: "We owe him an open mind and a chance to lead." Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, "I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future." In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from "the woods" and become politically active again. However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is "dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called "a disastrous bill" and a "shameful failure of policy & morality by GOP". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby "prevent him from being able to use them to bomb innocent people and drop sarin gas on them". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter "doesn't work" when pursuing important negotiations. "Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position". Negotiations with North Korea should not take place without "a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change." While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was "a con" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a "historic mistake". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a "threat" to the country's standing in the world; an "illegitimate president", despite having won the election; and a "corrupt human tornado". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster "another Jim Crow relic". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled "American Democracy Is In Crisis". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, "deliberate, fair, and fearless" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled "A National Security Reckoning". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled "Trump should be impeached. But that alone won’t remove white supremacy from America." was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that "the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment "will be an incredible advocate for Queen's" who can act as an "inspirational role model". However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, "Clinton was one of the most liberal members during her time in the Senate." Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the "Left Liberal" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called "optimistic" and "wide-ranging". Basing her economic philosophy on inclusive capitalism, Clinton proposed a "clawback" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an "exit tax" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as "the gold standard" of trade deals. She supports the U.S. Export-Import Bank and holds that "any trade deal has to produce jobs and raise wages and increase prosperity and protect our security". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit "unaccountable money" in politics. In July 2016, she "committed" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported "equal pay for equal work", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a "fair share surcharge". Clinton supported the Affordable Care Act and would have added a "public option" that competed with private insurers and enabled people "50 or 55 and up" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship "s at its heart a family issue", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border "should be sent back." She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, "The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core." On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later "regretted". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, "America can't ever be neutral when it comes to Israel's security and survival." Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: "I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them." In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: "Do all the good you can, by all the means you can, in all the ways you can." Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found "a virtual cottage industry" of "anti-Clinton literature" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?: Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including "The Hillary Shimmy Song", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled "Love Her", "Hate Her". Mother Jones titled its profile of her "Harpy, Hero, Heretic: Hillary". Following Clinton's "choked up moment" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: "I'm not a natural politician, in case you haven't noticed." Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni
true
[ "Standing Up for Love is a 1977 studio album released by the American female vocal group The Three Degrees. Having enjoyed a successful three year streak with Philadelphia International Records (PIR), the group signed a one-album contract with Epic Records (a subsidiary of CBS Records) in late 1976. The resulting album coincided with the departure of founding group member Fayette Pinkney, and the return of former member Helen Scott.\n\nThe album received its first issue onto CD, with an expanded edition in April 2012 by Funky Town Grooves USA\n\nTrack listing\n\nSide A:\n \"Standing Up for Love\" (George Clinton) - 5.15\n \"What I Did for Love\" (from the musical A Chorus Line) (Ed Kleban, Marvin Hamlisch) - 3.41\n \"Just Leave Me Alone\" (Robert Galbraith) - 5.41\n \"Macaroni Man\" (Jimmy Jules) - 3.42 \n \"Gee Baby (I'm Sorry)\" (Richard Barrett) - 2.54\n\nSide B:\n \"People with Feeling\" (T. Rakes, Russ Faith) - 4.41\n \"In Love We Grow\" (Dennis Belfield) - 3.57\n \"We're All Alone\" (William Royce Scaggs) - 3.41\n \"Standing Up for Love (Reprise)\" (George Clinton) - 2.29\n\nCD Track Listing Expanded Edition 2012\n\n \"Standing Up For Love\"\n \"What I Did For Love\" (from the musical A Chorus Line)* \n \"Just Leave Me Alone\" \n \"Macaroni Man\"* \n \"Gee Baby (I'm Sorry)\"*\n \"People With Feeling\" \n \"In Love We Grow\" \n \"We're All Alone\" \n \"Standing Up For Love\" (Reprise)\n\nBonus Tracks\n\n \"Toast of Love\" - Single Version - Non Album* \n \"Do It (Use Your Mind)\" - Single Version* \n \"Standing Up For Love\" - Single Version\n\nPersonnel\n Sheila Ferguson - vocals\n Valerie Holiday - vocals\n Helen Scott - vocals\n Fayette Pinkney - vocals*\n\n1977 albums\nThe Three Degrees albums\nAlbums produced by Brad Shapiro\nAlbums recorded at Sigma Sound Studios\nEpic Records albums", "Clinton Moore (born 24 April 1988 in Bundaberg, Queensland) is a freestyle motocross rider from Australia. He is the current Red Bull X Fighters World Tour Champion winning the last event of the year in Abu Dhabi.\n\nPersonal life and career\nClinton Moore first started riding a dirt bike when he was a little kid, using the acres around the farm to develop his bike skills. This was when he realized he wanted to grow up to be a FMX rider. Moore originally got into the sport when his older sister's boyfriend lent him tapes of Freestyle Motocross riders.\nMoore participated in X-Games 2010 in freestyle where he finished in fourth place. Moore also made his Red Bull X-Fighters debut that year in London where he finished in dead last at eighth place. In 2015 Moore made his first career win in Red Bull X Fighters where he won against Levi Sherwood 3-2 in the finals in Mexico City.\n\nReferences \n\n http://www.redbullxfighters.com/en_US/athlete/clinton-moore Retrieved 2015-05-27.\n http://rockstarenergy.com/actionsports/fmx/clinton-moore Retrieved 2015-05-27.\n https://web.archive.org/web/20150528015622/http://nitrocircus.com/riders/clinton-moore/ Retrieved 2015-05-27.\n\nExternal links \n \n \n\n1988 births\nLiving people\nPeople from Bundaberg\nAustralian motocross riders\nX Games athletes\nFreestyle motocross riders" ]
[ "Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party.", "A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973.", "Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year.", "She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress.", "In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage.", "Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007.", "She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries.", "In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack.", "She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015.", "Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016.", "Clinton made a second presidential run in 2016. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups.", "Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago.", "She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony.", "She had two younger brothers, Hugh and Tony. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout.", "She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society.", "She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that \"you are really stupid if you think a girl can be elected president\". For her senior year, she and other students were transferred to the then-new Maine South High School.", "For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted \"most likely to succeed.\" She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender.", "Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election.", "She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall.", "Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science.", "Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this \"Rockefeller Republican\"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position.", "She later stepped down from this position. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as \"a mind conservative and a heart liberal\". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it.", "In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty.", "Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States.", "A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the \"Wellesley in Washington\" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach.", "Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's \"veiled\" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter.", "Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science.", "In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes.", "After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year.", "She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action.", "Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973).", "During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor.", "She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor.", "Edelman later became a significant mentor. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein.", "During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school.", "Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his.", "He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, \"Children Under the Law\", was published in the Harvard Educational Review.", "In late 1973, her first scholarly article, \"Children Under the Law\", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that \"child citizens\" were \"powerless individuals\" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field.", "The article became frequently cited in the field. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal.", "In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future.", "By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision.", "After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, \"I chose to follow my heart instead of my head\". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state.", "He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades.", "She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge.", "As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a \"terrible case\". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt.", "In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold.", "Her motivation was threefold. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, \"it showed that I was still me\". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter.", "In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court.", "She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles \"Children's Policies: Abandonment and Neglect\" in 1977 and \"Children's Rights: A Legal Perspective\" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted.", "The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, \"Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate.\" Historian Garry Wills would later describe her as \"one of the more important scholar-activists of the last two decades\".", "Historian Garry Wills would later describe her as \"one of the more important scholar-activists of the last two decades\". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund.", "In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job.", "From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979.", "Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm.", "In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal.", "At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982.", "Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name \"Hillary Clinton\", or sometimes \"Mrs. Bill Clinton\", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name.", "During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size.", "In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy.", "In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there.", "She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a \"rainmaker\" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges.", "She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups.", "From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991.", "She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time.", "Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law.", "TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices.", "She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump.", "According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers.", "Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged \"causing pain in my marriage\". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song \"Stand by Your Man\".", "During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song \"Stand by Your Man\". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered.", "In retrospect, she admitted they were ill-considered. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would \"get two for the price of one\", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article \"The Lady Macbeth of Little Rock\", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth.", "At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House.", "She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones.", "Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency.", "Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of \"two for the price of one\" led opponents to refer derisively to the Clintons as \"co-presidents\" or sometimes use the Arkansas label \"Billary\".", "Bill Clinton's campaign promise of \"two for the price of one\" led opponents to refer derisively to the Clintons as \"co-presidents\" or sometimes use the Arkansas label \"Billary\". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into \"imaginary discussions\" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures.", "From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's \"politics of meaning\" to overcome what she saw as America's \"sleeping sickness of the soul\"; that would lead to a willingness \"to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium\".", "Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's \"politics of meaning\" to overcome what she saw as America's \"sleeping sickness of the soul\"; that would lead to a willingness \"to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium\". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform.", "Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan.", "The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as \"Hillarycare\" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times.", "Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors.", "Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections.", "Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use \"Hillarycare\" as a pejorative label for similar plans by others.", "Opponents of universal health care would continue to use \"Hillarycare\" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law.", "She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome.", "She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did.", "When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again.", "A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called \"sad and painful\".", "This caused a rift with Edelman that Hillary later called \"sad and painful\". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care.", "In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000).", "These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon.", "Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan.", "A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy.", "The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, \"it is no longer acceptable to discuss women's rights as separate from human rights\".", "She declared, \"it is no longer acceptable to discuss women's rights as separate from human rights\". Delegates from over 180 countries heard her say: \"If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all.\" In doing so, she resisted both internal administration and Chinese pressure to soften her remarks.", "In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries.", "She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995.", "In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady.", "The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses.", "The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank.", "She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been.", "The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury.", "On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing.", "After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as \"Travelgate\", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas.", "Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as \"Travelgate\", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true.", "The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made \"factually false\" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her.", "The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made \"factually false\" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery.", "The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the \"Travelgate\" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called \"Filegate\".", "An outgrowth of the \"Travelgate\" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called \"Filegate\". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter.", "The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence.", "During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies.", "In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording.", "Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate.", "Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a \"vast right-wing conspiracy\". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband.", "She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage.", "Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions.", "They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been.", "In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to \"a love that has persisted for decades\" and add: \"No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met.\"", "Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met.\" Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House \"not only dead broke, but in debt\". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office.", "The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky \"was an adult\".", "In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky \"was an adult\". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000).", "Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites.", "She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired \"The Star-Spangled Banner\" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled \"Talking It Over\" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world.", "It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums.", "Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II.", "She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look.", "These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000.", "Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000.", "U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999.", "Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public.", "Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager.", "Bill de Blasio was Clinton's campaign manager. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a \"listening tour\" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector.", "Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million.", "Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history.", "She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History.", "Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term.", "Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging.", "She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state.", "Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001.", "Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government.", "Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there.", "After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain.", "Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay \"until the job is done\" was also misguided, as it gave Iraqis \"an open-ended invitation not to take care of themselves\". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal.", "Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she \"got it wrong\" and the vote in support had been a \"mistake\".", "By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she \"got it wrong\" and the vote in support had been a \"mistake\". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003.", "Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album.", "Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas.", "In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage.", "In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a \"progressive infrastructure\" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004.", "Looking to establish a \"progressive infrastructure\" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging.", "Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance.", "The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties.", "Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008.", "Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful).", "Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush.", "In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it.", "In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, \"I think that the reports that you provide to us really require a willing suspension of disbelief.\"", "She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, \"I think that the reports that you provide to us really require a willing suspension of disbelief.\" In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture.", "Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25.", "It passed the Senate 74–25. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: \"I'm in and I'm in to win.\"", "On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: \"I'm in and I'm in to win.\" No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president.", "No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million.", "Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors.", "Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents.", "At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary.", "Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection.", "It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days.", "The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans.", "Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states.", "She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president \"needs to stop\".", "Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president \"needs to stop\". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy.", "The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules.", "But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes.", "There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular.", "On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare.", "Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee.", "Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner.", "By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record.", "Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4.", "Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013.", "The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state.", "On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a \"difficult and exciting adventure\". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative.", "As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton.", "Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day.", "Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: \"We have a lot of damage to repair.\"", "First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: \"We have a lot of damage to repair.\" She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions.", "She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee.", "Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through \"civilian power\" as a cost-effective way of responding to international challenges and defusing crises.", "It called for the U.S. leading through \"civilian power\" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women.", "A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal \"Afghanistan surge\", recommending 40,000 troops and no public deadline for withdrawal.", "In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal \"Afghanistan surge\", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal.", "She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a \"reset button\" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian.", "The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations.", "In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015.", "In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president.", "Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise.", "Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it.", "Chinese officials reacted negatively towards it. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage.", "In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant.", "In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the \"build back better\" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly.", "In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was \"stable\", to a stance that there needed to be an \"orderly transition [to] a democratic participatory government\", to a condemnation of violence against the protesters.", "Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was \"stable\", to a stance that there needed to be an \"orderly transition [to] a democratic participatory government\", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments.", "Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power.", "As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya.", "This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution.", "Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration).", "The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called \"convening power\" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate.", "The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan.", "During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader.", "Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.)", "(All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, \"Gay rights are human rights\", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955.", "The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be \"America's Pacific century\", a declaration that was part of the Obama administration's \"pivot to Asia\".", "She also said the 21st century would be \"America's Pacific century\", a declaration that was part of the Obama administration's \"pivot to Asia\". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria.", "The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets.", "The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus.", "In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery.", "The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed \"smart power\" as the strategy for asserting U.S. leadership and values.", "Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed \"smart power\" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach.", "As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action.", "In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide.", "And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the \"Hillary Doctrine\", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state.", "Moreover, in a formulation that became known as the \"Hillary Doctrine\", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility.", "In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that \"Clinton's endurance is legendary\".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age.", "The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013.", "Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State.", "She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans.", "Ambassador, J. Christopher Stevens and three other Americans. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events.", "The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter.", "On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence.", "It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack.", "Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded.", "Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate \"talking points\" after the attack, Clinton responded with the much-quoted rejoinder, \"With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make?", "What difference at this point does it make? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator.\" In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack.", "The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee.", "On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines.", "The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state.", "Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements.", "Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi.", "The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and \"never should have been transmitted via an unclassified personal system\".", "In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and \"never should have been transmitted via an unclassified personal system\". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems.", "They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such.", "Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called \"born classified\" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department.", "The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails \"contained classified State Department information when originated\". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked.", "In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, \"I never sent or received any classified material—they are retroactively classifying it.\"", "In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, \"I never sent or received any classified material—they are retroactively classifying it.\" On July 2, 2016, Clinton stated: \"Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified.\" On July 5, 2016, the FBI concluded its investigation.", "On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification.", "Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were \"up-classified\" to make them Confidential; the information in those had not been classified at the time the e-mails were sent.", "Separate from those, about 2,000 additional e-mails were \"up-classified\" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small \"c\" in parentheses, described as \"portion markings\" by Comey. He also said it was possible Clinton was not \"technically sophisticated\" enough to understand what the three classified markings meant.", "He also said it was possible Clinton was not \"technically sophisticated\" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was \"possible that hostile actors gained access to Secretary Clinton's personal email account\".", "Comey acknowledged that it was \"possible that hostile actors gained access to Secretary Clinton's personal email account\". He added that \"[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information\".", "He added that \"[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information\". Nevertheless, Comey asserted that \"no reasonable prosecutor\" would bring criminal charges in this case, despite the existence of \"potential violations of the statutes regarding the handling of classified information\". The FBI recommended that the Justice Department decline to prosecute.", "The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails.", "On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July.", "On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over.", "In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was \"no persuasive evidence of systemic, deliberate mishandling of classified information\".", "In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was \"no persuasive evidence of systemic, deliberate mishandling of classified information\". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013.", "She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies.", ", the book has sold about 280,000 copies. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while \"There has never been a better time in history to be born a woman ... this data shows just how far we still have to go.\"", "Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while \"There has never been a better time in history to be born a woman ... this data shows just how far we still have to go.\" The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state.", "The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions.", "There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity.", "For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only.", "The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure.", "She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn.", "The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont.", "Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them.", "In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers.", "Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort.", "These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout.", "She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee.", "By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47.", "By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party.", "Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party.", "Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails.", "In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been \"extremely careless\" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards.", "This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election.", "Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech.", "Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: \"We owe him an open mind and a chance to lead.\"", "The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: \"We owe him an open mind and a chance to lead.\" Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base.", "Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate.", "She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams).", "(Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders.", "On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea.", "Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, \"I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future.\"", "The morning of the inauguration Clinton wrote on her Twitter account, \"I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future.\" In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor.", "In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019.", "In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD).", "In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN.", "Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from \"the woods\" and become politically active again. However, the following month she confirmed she would not seek public office again.", "However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is \"dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election\".", "In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is \"dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election\". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called \"a disastrous bill\" and a \"shameful failure of policy & morality by GOP\".", "During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called \"a disastrous bill\" and a \"shameful failure of policy & morality by GOP\". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby \"prevent him from being able to use them to bomb innocent people and drop sarin gas on them\".", "In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby \"prevent him from being able to use them to bomb innocent people and drop sarin gas on them\". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August.", "On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York.", "On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter \"doesn't work\" when pursuing important negotiations.", "Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter \"doesn't work\" when pursuing important negotiations. \"Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position\".", "\"Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position\". Negotiations with North Korea should not take place without \"a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change.\"", "Negotiations with North Korea should not take place without \"a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change.\" While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was \"a con\" for underfunding domestic programs.", "While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was \"a con\" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a \"historic mistake\".", "On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a \"historic mistake\". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a \"threat\" to the country's standing in the world; an \"illegitimate president\", despite having won the election; and a \"corrupt human tornado\".", "On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a \"threat\" to the country's standing in the world; an \"illegitimate president\", despite having won the election; and a \"corrupt human tornado\". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation.", "Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster \"another Jim Crow relic\". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch.", "A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies.", "As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened.", "The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny.", "In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled \"American Democracy Is In Crisis\".", "In September 2018, The Atlantic published an article written by Clinton titled \"American Democracy Is In Crisis\". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, \"deliberate, fair, and fearless\" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled \"A National Security Reckoning\".", "In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled \"A National Security Reckoning\". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled \"Trump should be impeached. But that alone won’t remove white supremacy from America.\" was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election.", "In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour.", "Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast.", "Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran.", "Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that \"the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence\".", "Commenting on taking up the position, she said that \"the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence\". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment \"will be an incredible advocate for Queen's\" who can act as an \"inspirational role model\". However, her inauguration was protested by some students.", "However, her inauguration was protested by some students. However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative.", "National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator.", "A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign.", "The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative.", "Total average = 75 liberal, 20 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, \"Clinton was one of the most liberal members during her time in the Senate.\" Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015.", "Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the \"Left Liberal\" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances.", "Based on her stated positions from the 1990s to the present, On the Issues places her in the \"Left Liberal\" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative).", "Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called \"optimistic\" and \"wide-ranging\".", "In March 2016, Clinton laid out a detailed economic plan, which The New York Times called \"optimistic\" and \"wide-ranging\". Basing her economic philosophy on inclusive capitalism, Clinton proposed a \"clawback\" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an \"exit tax\" on companies that move their headquarters out of America to pay a lower tax rate overseas.", "Basing her economic philosophy on inclusive capitalism, Clinton proposed a \"clawback\" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an \"exit tax\" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as \"the gold standard\" of trade deals.", "Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as \"the gold standard\" of trade deals. She supports the U.S. Export-Import Bank and holds that \"any trade deal has to produce jobs and raise wages and increase prosperity and protect our security\". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others.", "As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit \"unaccountable money\" in politics. In July 2016, she \"committed\" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision.", "In July 2016, she \"committed\" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported \"equal pay for equal work\", to address current shortfalls in how much women are paid to do the same jobs men do.", "She supported \"equal pay for equal work\", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a \"fair share surcharge\". Clinton supported the Affordable Care Act and would have added a \"public option\" that competed with private insurers and enabled people \"50 or 55 and up\" to buy into Medicare.", "Clinton supported the Affordable Care Act and would have added a \"public option\" that competed with private insurers and enabled people \"50 or 55 and up\" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage.", "In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade.", "In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News).", "In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship \"s at its heart a family issue\", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States.", "Clinton held that allowing undocumented immigrants to have a path to citizenship \"s at its heart a family issue\", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border \"should be sent back.\" She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States.", "She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, \"The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time.", "It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core.\"", "And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core.\" On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later \"regretted\". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad.", "She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, \"America can't ever be neutral when it comes to Israel's security and survival.\"", "She has told the American Israel Public Affairs Committee, \"America can't ever be neutral when it comes to Israel's security and survival.\" Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: \"I think we should have been more willing to confront Assad.", "In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: \"I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them.\" In 2000, Clinton advocated for the elimination of the electoral college.", "In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning.", "She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: \"Do all the good you can, by all the means you can, in all the ways you can.\" Cultural and political image Over a hundred books and scholarly works have been written about Clinton.", "Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found \"a virtual cottage industry\" of \"anti-Clinton literature\" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?", "Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped? : Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband).", ": Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her.", "When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable \"bogeyman\" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives.", "Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, \"Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society.\" She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady.", "She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including \"The Hillary Shimmy Song\", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise.", "She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled \"Love Her\", \"Hate Her\". Mother Jones titled its profile of her \"Harpy, Hero, Heretic: Hillary\".", "Mother Jones titled its profile of her \"Harpy, Hero, Heretic: Hillary\". Following Clinton's \"choked up moment\" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse.", "Following Clinton's \"choked up moment\" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, \"brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics\".", "Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, \"brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics\". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure.", "Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever.", "By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: \"I'm not a natural politician, in case you haven't noticed.\"", "In March 2016, she acknowledged that: \"I'm not a natural politician, in case you haven't noticed.\" Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording.", "Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003).", "Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies.", "The book has sold about 280,000 copies. The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press.", "With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni" ]
[ "Hillary Clinton", "Early life and education", "Where did Clinton grow up?", "first lived in Chicago." ]
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Where did she live after Chicago?
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Where did Hillary Clinton live after Chicago?
Hillary Clinton
Hillary Diane Rodham was born on October 26, 1947, at Edgewater Hospital in Chicago, Illinois. Clinton was raised in a United Methodist family that first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish and Welsh descent. Clinton has two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools that she attended in Park Ridge. She participated swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told a story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council, the school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year, but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then new Maine South High School, where she was a National Merit Finalist and was voted, "most likely to succeed". She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career, and her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. Rodham was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the U.S. presidential election of 1964. Rodham's early political development was shaped most by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. CANNOTANSWER
Chicago suburb of Park Ridge.
Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that "you are really stupid if you think a girl can be elected president". For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted "most likely to succeed." She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this "Rockefeller Republican"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as "a mind conservative and a heart liberal". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the "Wellesley in Washington" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's "veiled" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, "Children Under the Law", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that "child citizens" were "powerless individuals" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, "I chose to follow my heart instead of my head". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a "terrible case". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, "it showed that I was still me". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles "Children's Policies: Abandonment and Neglect" in 1977 and "Children's Rights: A Legal Perspective" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, "Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate." Historian Garry Wills would later describe her as "one of the more important scholar-activists of the last two decades". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name "Hillary Clinton", or sometimes "Mrs. Bill Clinton", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a "rainmaker" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged "causing pain in my marriage". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song "Stand by Your Man". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would "get two for the price of one", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article "The Lady Macbeth of Little Rock", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of "two for the price of one" led opponents to refer derisively to the Clintons as "co-presidents" or sometimes use the Arkansas label "Billary". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into "imaginary discussions" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's "politics of meaning" to overcome what she saw as America's "sleeping sickness of the soul"; that would lead to a willingness "to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as "Hillarycare" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use "Hillarycare" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called "sad and painful". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, "it is no longer acceptable to discuss women's rights as separate from human rights". Delegates from over 180 countries heard her say: "If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all." In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as "Travelgate", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made "factually false" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the "Travelgate" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called "Filegate". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a "vast right-wing conspiracy". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to "a love that has persisted for decades" and add: "No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met." Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House "not only dead broke, but in debt". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky "was an adult". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired "The Star-Spangled Banner" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled "Talking It Over" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a "listening tour" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay "until the job is done" was also misguided, as it gave Iraqis "an open-ended invitation not to take care of themselves". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she "got it wrong" and the vote in support had been a "mistake". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a "progressive infrastructure" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, "I think that the reports that you provide to us really require a willing suspension of disbelief." In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: "I'm in and I'm in to win." No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president "needs to stop". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a "difficult and exciting adventure". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: "We have a lot of damage to repair." She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through "civilian power" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal "Afghanistan surge", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a "reset button" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the "build back better" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was "stable", to a stance that there needed to be an "orderly transition [to] a democratic participatory government", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called "convening power" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, "Gay rights are human rights", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be "America's Pacific century", a declaration that was part of the Obama administration's "pivot to Asia". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed "smart power" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the "Hillary Doctrine", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that "Clinton's endurance is legendary".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate "talking points" after the attack, Clinton responded with the much-quoted rejoinder, "With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator." In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and "never should have been transmitted via an unclassified personal system". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called "born classified" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails "contained classified State Department information when originated". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, "I never sent or received any classified material—they are retroactively classifying it." On July 2, 2016, Clinton stated: "Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified." On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were "up-classified" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small "c" in parentheses, described as "portion markings" by Comey. He also said it was possible Clinton was not "technically sophisticated" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was "possible that hostile actors gained access to Secretary Clinton's personal email account". He added that "[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information". Nevertheless, Comey asserted that "no reasonable prosecutor" would bring criminal charges in this case, despite the existence of "potential violations of the statutes regarding the handling of classified information". The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was "no persuasive evidence of systemic, deliberate mishandling of classified information". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while "There has never been a better time in history to be born a woman ... this data shows just how far we still have to go." The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been "extremely careless" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: "We owe him an open mind and a chance to lead." Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, "I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future." In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from "the woods" and become politically active again. However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is "dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called "a disastrous bill" and a "shameful failure of policy & morality by GOP". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby "prevent him from being able to use them to bomb innocent people and drop sarin gas on them". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter "doesn't work" when pursuing important negotiations. "Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position". Negotiations with North Korea should not take place without "a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change." While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was "a con" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a "historic mistake". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a "threat" to the country's standing in the world; an "illegitimate president", despite having won the election; and a "corrupt human tornado". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster "another Jim Crow relic". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled "American Democracy Is In Crisis". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, "deliberate, fair, and fearless" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled "A National Security Reckoning". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled "Trump should be impeached. But that alone won’t remove white supremacy from America." was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that "the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment "will be an incredible advocate for Queen's" who can act as an "inspirational role model". However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, "Clinton was one of the most liberal members during her time in the Senate." Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the "Left Liberal" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called "optimistic" and "wide-ranging". Basing her economic philosophy on inclusive capitalism, Clinton proposed a "clawback" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an "exit tax" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as "the gold standard" of trade deals. She supports the U.S. Export-Import Bank and holds that "any trade deal has to produce jobs and raise wages and increase prosperity and protect our security". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit "unaccountable money" in politics. In July 2016, she "committed" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported "equal pay for equal work", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a "fair share surcharge". Clinton supported the Affordable Care Act and would have added a "public option" that competed with private insurers and enabled people "50 or 55 and up" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship "s at its heart a family issue", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border "should be sent back." She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, "The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core." On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later "regretted". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, "America can't ever be neutral when it comes to Israel's security and survival." Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: "I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them." In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: "Do all the good you can, by all the means you can, in all the ways you can." Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found "a virtual cottage industry" of "anti-Clinton literature" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?: Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable "bogeyman" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, "Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society." She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including "The Hillary Shimmy Song", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled "Love Her", "Hate Her". Mother Jones titled its profile of her "Harpy, Hero, Heretic: Hillary". Following Clinton's "choked up moment" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, "brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: "I'm not a natural politician, in case you haven't noticed." Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni
true
[ "\"She's Not Just a Pretty Face\" is a song recorded by Canadian country-pop singer Shania Twain. It was the fourth country single, and sixth overall, from her fourth studio album Up!. The song was written by Twain And her then-husband Robert John \"Mutt\" Lange. Twain had announced that \"Nah!\" would be the next single after \"Forever and for Always\", but \"She's Not Just a Pretty Face\" was released instead. It became Twain's 15th top ten single on Billboard Country. The song was originally to be released to the UK as a pop single on March 24, 2004, but that plan was cancelled. It was, however, released to Eastern Europe as the fourth single, where it did reasonably well in some countries. The song debuted in North America on October 6, 2003. Despite reaching the top ten, the song was excluded from Twain's 2004 Greatest Hits album. It was nominated for Best Female Country Vocal Performance at the 2005 Grammy Awards. The song was performed on highly rated TV shows, such as The Oprah Winfrey Show, the 2003 Country Music Awards, and the 2003 Billboard Music Awards, all helping it land in the top ten. Twain also performed \"She's Not Just a Pretty Face\" on her Up! Tour.\n\nComposition \nThe song is performed in the key of E major in common time with a tempo of 100 beats per minute. Twain's vocals span from B3 to C5 in the song.\n\nCritical reception\nBillboard magazine called the song an \"ultra-lightweight country-girl power anthem\" and said that it's \"exquisite country pop\".\n\nMusic video\nThe music video for \"She's Not Just a Pretty Face\" was taken directly from Twain's 2003 Up! Live in Chicago special. It was filmed on July 27, 2003 and released on October 24, 2003. Directing credit is given to Beth McCarthy Miller. The video is the first of two live videos taken from the special, the next one is \"It Only Hurts When I'm Breathing\". It is generally believed a live video was issued to promote the release of the DVD, a few weeks later. The video is available on select CD singles, and the performance can be seen on the Up! Live in Chicago DVD.\n\nChart performance \n\"She's Not Just a Pretty Face\" debuted on the Billboard Hot Country Singles & Tracks chart the week of October 11, 2003 at number 55. The single spent 20 weeks on the chart and climbed to a peak position of number nine on January 10, 2004, where it remained for one week. \"She's Not Just a Pretty Face\" became Twain's 15th top ten single and 20th (fifth consecutive) top 20 single. It also peaked at number 56 on the Billboard Hot 100 and Hot 100 Airplay chart.\n\nTrack listings\nThese are the formats for major releases.\n\nEurope CD Maxi\n\"She's Not Just a Pretty Face\" (Red) - 3:49\n\"Thank You Baby!\" (Live in Chicago) - 4:01\n\"When You Kiss Me\" (Live in Chicago) - 4:08\nEnhanced: \"She's Not Just a Pretty Face\" (Live in Chicago) - Music Video\n\nEurope CD Single\n\"She's Not Just a Pretty Face\" (Red) - 3:49\n\"Forever And For Always\" (Live in Chicago) - 4:03\n\nAudio versions\nRed Album Version (3:48)\nGreen Album Version (3:48)\nBlue Album Version (3:39)\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nRelease history\n\nReferences\n\n2003 singles\n2002 songs\nShania Twain songs\nSongs written by Robert John \"Mutt\" Lange\nSong recordings produced by Robert John \"Mutt\" Lange\nSongs written by Shania Twain\nMercury Records singles\nMercury Nashville singles", "Sylvia E. Perez (born November 17, 1961) is an American news anchor. Based in Chicago, Perez currently anchors the weekday editions and special segments of Good Day Chicago on WFLD-TV (FOX 32) since October 2016. From 1989 until 2013, Perez co–anchored the 11AM newscast on Chicago's WLS-TV (ABC 7) alongside Linda Yu. Perez was also the station's \"Healthbeat\" reporter covering daily health and medical investigative stories for the 4PM and 10PM newscasts.\n\nCareer\nA graduate of the University of Oklahoma School of Journalism, Perez began her career in 1983. Prior to joining ABC7, Sylvia worked in Houston and Amarillo, Texas. She also worked in Oklahoma where she won several awards for her reporting. Sylvia's interest in medical reporting came when she worked at KPRC-TV in Houston, where she also became the weekend co-anchor. She still does that while in Chicago. Ms Perez is the youngest of five children, and an \"army brat,\" the highlight of her career came when covering the 50th anniversary of Pearl Harbor. There she followed an Illinois veteran back to Hawaii to visit the where his brother and many other American war heroes died.\n\nPerez first joined ABC 7 in June 1989. On June 20, 2013, Sylvia was released from WLS-TV after 24 years with the station because they decided to cancel the 11am newscast. The 11am news she anchored with Linda Yu was cancelled in September in favor of Windy City Live (WCL), which moved to the timeslot after Live with Kelly and Michael moved to the 9am slot from WGN-TV. In September 2016, media critic Robert Feder announced on his blog that Perez had been hired to anchor the weekend morning newscasts on WFLD-TV. Perez also reports for the daily 9 p.m. newscast.\n\nOther ventures and personal\nAfter leaving ABC7, Perez formed her own production company, Sylvia Perez Productions, where she offers video training, media coaching and other media services to non-profits around the Chicago area. Perez currently resides in the suburbs of Chicago with her husband Daniel Blasdell. In March 2016, Perez put her Hinsdale, Illinois mansion back on the market for $1.95 million dollars, previously selling the property for $2.4 million in 2013. Perez purchased the home in 2006.\n\nReferences\n\nTelevision anchors from Chicago\nTelevision anchors from Houston\n1961 births\nLiving people" ]
[ "Hillary Diane Clinton ( Rodham; born October 26, 1947) is an American politician, diplomat, lawyer, writer, and public speaker who served as the 67th United States secretary of state from 2009 to 2013, as a United States senator from New York from 2001 to 2009, and as first lady of the United States from 1993 to 2001 as the wife of President Bill Clinton. A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party.", "A member of the Democratic Party, she was the party's nominee for president in the 2016 presidential election, becoming the first woman to win a presidential nomination by a major U.S. political party. Clinton won the popular vote in the election, making her the first woman to do so. However, she lost the Electoral College vote and thereby lost the presidential election. Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973.", "Raised in the Chicago suburb of Park Ridge, Rodham graduated from Wellesley College in 1969 and earned a Juris Doctor from Yale Law School in 1973. After serving as a congressional legal counsel, she moved to Arkansas and married future president Bill Clinton in 1975; the two had met at Yale. In 1977, Clinton co-founded Arkansas Advocates for Children and Families. She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year.", "She was appointed the first female chair of the Legal Services Corporation in 1978 and became the first female partner at Little Rock's Rose Law Firm the following year. The National Law Journal twice listed her as one of the hundred most influential lawyers in America. Clinton was the first lady of Arkansas from 1979 to 1981 and again from 1983 to 1992. As the first lady of the United States, Clinton advocated for healthcare reform. In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress.", "In 1994, her major initiative—the Clinton health care plan—failed to gain approval from Congress. In 1997 and 1999, Clinton played a leading role in advocating the creation of the State Children's Health Insurance Program, the Adoption and Safe Families Act, and the Foster Care Independence Act. Clinton advocated for gender equality at the 1995 UN conference on women. Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage.", "Her marital relationship came under public scrutiny during the Lewinsky scandal, which led her to issue a statement that reaffirmed her commitment to the marriage. In 2000, Clinton was elected as the first female senator from New York and became the first First lady to simultaneously hold elected office, and then the first former First lady to serve in the Senate. She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007.", "She was re-elected in 2006 and chaired the Senate Democratic Steering and Outreach Committee from 2003 to 2007. During her Senate tenure, Clinton advocated for medical benefits for first responders whose health was damaged in the September 11 attacks. She supported the resolution authorizing the Iraq War in 2002 but opposed the surge of U.S. troops in 2007. In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries.", "In 2008, Clinton ran for president but was defeated by eventual winner Barack Obama in the Democratic primaries. Clinton was U.S. secretary of state in the first term of the Obama administration from 2009 to 2013. During her tenure, Clinton established the Quadrennial Diplomacy and Development Review. She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack.", "She responded to the Arab Spring by advocating military intervention in Libya but was harshly criticized by Republicans for the failure to prevent or adequately respond to the 2012 Benghazi attack. Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015.", "Clinton helped to organize a diplomatic isolation and a regime of international sanctions against Iran in an effort to force it to curtail its nuclear program; this effort eventually led to the multinational JCPOA nuclear agreement in 2015. Her use of a private email server when she was Secretary of State was the subject of intense scrutiny; while no charges were filed against Clinton, the email controversy was the single most covered topic during the 2016 presidential election. Clinton made a second presidential run in 2016.", "Clinton made a second presidential run in 2016. Clinton made a second presidential run in 2016. After winning the Democratic nomination, she ran in the general election with Virginia senator Tim Kaine as her running mate. Clinton lost the presidential election to Republican opponent Donald Trump in the Electoral College despite winning a plurality of the popular vote. Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups.", "Following her loss, she wrote her third memoir, What Happened, and launched Onward Together, a political action organization dedicated to fundraising for progressive political groups. Since January 2020, she has been the chancellor of Queen's University Belfast in Belfast, Northern Ireland. Early life and education Early life Hillary Diane Rodham was born on October 26, 1947, at Edgewater Medical Center in Chicago, Illinois. She was raised in a United Methodist family who first lived in Chicago.", "She was raised in a United Methodist family who first lived in Chicago. When she was three years old, her family moved to the Chicago suburb of Park Ridge. Her father, Hugh Rodham, was of English and Welsh descent, and managed a small but successful textile business, which he had founded. Her mother, Dorothy Howell, was a homemaker of Dutch, English, French Canadian (from Quebec), Scottish, and Welsh descent. She had two younger brothers, Hugh and Tony.", "She had two younger brothers, Hugh and Tony. She had two younger brothers, Hugh and Tony. As a child, Rodham was a favorite student among her teachers at the public schools she attended in Park Ridge. She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout.", "She participated in swimming and softball and earned numerous badges as a Brownie and a Girl Scout. She has often told the story of being inspired by U.S. efforts during the Space Race and sending a letter to NASA around 1961 asking what she could do to become an astronaut, only to be informed that women were not being accepted into the program. She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society.", "She attended Maine East High School, where she participated in the student council and school newspaper and was selected for the National Honor Society. She was elected class vice president for her junior year but then lost the election for class president for her senior year against two boys, one of whom told her that \"you are really stupid if you think a girl can be elected president\". For her senior year, she and other students were transferred to the then-new Maine South High School.", "For her senior year, she and other students were transferred to the then-new Maine South High School. There she was a National Merit Finalist and was voted \"most likely to succeed.\" She graduated in 1965 in the top five percent of her class. Rodham's mother wanted her to have an independent, professional career. Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender.", "Her father, who was otherwise a traditionalist, felt that his daughter's abilities and opportunities should not be limited by gender. She was raised in a politically conservative household, and she helped canvass Chicago's South Side at age 13 after the very close 1960 U.S. presidential election. She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election.", "She saw evidence of electoral fraud (such as voting list entries showing addresses that were empty lots) against Republican candidate Richard Nixon, and later volunteered to campaign for Republican candidate Barry Goldwater in the 1964 election. Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall.", "Rodham's early political development was shaped mostly by her high school history teacher (like her father, a fervent anti-communist), who introduced her to Goldwater's The Conscience of a Conservative and by her Methodist youth minister (like her mother, concerned with issues of social justice), with whom she saw and afterwards briefly met, civil rights leader Martin Luther King Jr. at a 1962 speech in Chicago's Orchestra Hall. Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science.", "Wellesley College years In 1965, Rodham enrolled at Wellesley College, where she majored in political science. During her first year, she was president of the Wellesley Young Republicans. As the leader of this \"Rockefeller Republican\"-oriented group, she supported the elections of moderate Republicans John Lindsay to mayor of New York City and Massachusetts attorney general Edward Brooke to the United States Senate. She later stepped down from this position.", "She later stepped down from this position. She later stepped down from this position. In 2003, Clinton would write that her views concerning the civil rights movement and the Vietnam War were changing in her early college years. In a letter to her youth minister at that time, she described herself as \"a mind conservative and a heart liberal\". In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it.", "In contrast to the factions in the 1960s that advocated radical actions against the political system, she sought to work for change within it. By her junior year, Rodham became a supporter of the antiwar presidential nomination campaign of Democrat Eugene McCarthy. In early 1968, she was elected president of the Wellesley College Government Association, a position she held until early 1969. Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty.", "Following the assassination of Martin Luther King Jr., Rodham organized a two-day student strike and worked with Wellesley's black students to recruit more black students and faculty. In her student government role, she played a role in keeping Wellesley from being embroiled in the student disruptions common to other colleges. A number of her fellow students thought she might some day become the first female president of the United States.", "A number of her fellow students thought she might some day become the first female president of the United States. To help her better understand her changing political views, Professor Alan Schechter assigned Rodham to intern at the House Republican Conference, and she attended the \"Wellesley in Washington\" summer program. Rodham was invited by moderate New York Republican representative Charles Goodell to help Governor Nelson Rockefeller's late-entry campaign for the Republican nomination. Rodham attended the 1968 Republican National Convention in Miami Beach.", "Rodham attended the 1968 Republican National Convention in Miami Beach. However, she was upset by the way Richard Nixon's campaign portrayed Rockefeller and by what she perceived as the convention's \"veiled\" racist messages, and she left the Republican Party for good. Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter.", "Rodham wrote her senior thesis, a critique of the tactics of radical community organizer Saul Alinsky, under Professor Schechter. Years later, while she was the first lady, access to her thesis was restricted at the request of the White House and it became the subject of some speculation. The thesis was later released. In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science.", "In 1969, she graduated with a Bachelor of Arts, with departmental honors in political science. After some fellow seniors requested that the college administration allow a student speaker at commencement, she became the first student in Wellesley College history to speak at the event. Her address followed that of the commencement speaker, Senator Edward Brooke. After her speech, she received a standing ovation that lasted seven minutes.", "After her speech, she received a standing ovation that lasted seven minutes. She was featured in an article published in Life magazine, because of the response to a part of her speech that criticized Senator Brooke. She also appeared on Irv Kupcinet's nationally syndicated television talk show as well as in Illinois and New England newspapers. She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year.", "She was asked to speak at the 50th anniversary convention of the League of Women Voters in Washington, D.C., the next year. That summer, she worked her way across Alaska, washing dishes in Mount McKinley National Park and sliming salmon in a fish processing cannery in Valdez (which fired her and shut down overnight when she complained about unhealthy conditions). Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action.", "Yale Law School and postgraduate studies Rodham then entered Yale Law School, where she was on the editorial board of the Yale Review of Law and Social Action. During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973).", "During her second year, she worked at the Yale Child Study Center, learning about new research on early childhood brain development and working as a research assistant on the seminal work, Beyond the Best Interests of the Child (1973). She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor.", "She also took on cases of child abuse at Yale–New Haven Hospital, and volunteered at New Haven Legal Services to provide free legal advice for the poor. In the summer of 1970, she was awarded a grant to work at Marian Wright Edelman's Washington Research Project, where she was assigned to Senator Walter Mondale's Subcommittee on Migratory Labor. There she researched various migrant workers' issues including education, health and housing. Edelman later became a significant mentor.", "Edelman later became a significant mentor. Edelman later became a significant mentor. Rodham was recruited by political advisor Anne Wexler to work on the 1970 campaign of Connecticut U.S. Senate candidate Joseph Duffey. Rodham later crediting Wexler with providing her first job in politics. In the spring of 1971, she began dating fellow law student Bill Clinton. During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein.", "During the summer, she interned at the Oakland, California, law firm of Treuhaft, Walker and Burnstein. The firm was well known for its support of constitutional rights, civil liberties and radical causes (two of its four partners were current or former Communist Party members); Rodham worked on child custody and other cases. Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school.", "Clinton canceled his original summer plans and moved to live with her in California; the couple continued living together in New Haven when they returned to law school. The following summer, Rodham and Clinton campaigned in Texas for unsuccessful 1972 Democratic presidential candidate George McGovern. She received a Juris Doctor degree from Yale in 1973, having stayed on an extra year to be with Clinton. He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his.", "He first proposed marriage to her following graduation, but she declined, uncertain if she wanted to tie her future to his. Rodham began a year of postgraduate study on children and medicine at the Yale Child Study Center. In late 1973, her first scholarly article, \"Children Under the Law\", was published in the Harvard Educational Review.", "In late 1973, her first scholarly article, \"Children Under the Law\", was published in the Harvard Educational Review. Discussing the new children's rights movement, the article stated that \"child citizens\" were \"powerless individuals\" and argued that children should not be considered equally incompetent from birth to attaining legal age, but instead that courts should presume competence on a case-by-case basis, except when there is evidence otherwise. The article became frequently cited in the field.", "The article became frequently cited in the field. The article became frequently cited in the field. Marriage, family, legal career and first ladyship of Arkansas From the East Coast to Arkansas During her postgraduate studies, Rodham was staff attorney for Edelman's newly founded Children's Defense Fund in Cambridge, Massachusetts, and as a consultant to the Carnegie Council on Children. In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal.", "In 1974, she was a member of the impeachment inquiry staff in Washington, D.C., and advised the House Committee on the Judiciary during the Watergate scandal. Under the guidance of Chief Counsel John Doar and senior member Bernard W. Nussbaum, Rodham helped research procedures of impeachment and the historical grounds and standards for it. The committee's work culminated with the resignation of President Richard Nixon in August 1974. By then, Rodham was viewed as someone with a bright political future.", "By then, Rodham was viewed as someone with a bright political future. Democratic political organizer and consultant Betsey Wright moved from Texas to Washington the previous year to help guide Rodham's career. Wright thought Rodham had the potential to become a future senator or president. Meanwhile, boyfriend Bill Clinton had repeatedly asked Rodham to marry him, but she continued to demur. After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision.", "After failing the District of Columbia bar exam and passing the Arkansas exam, Rodham came to a key decision. As she later wrote, \"I chose to follow my heart instead of my head\". She thus followed Clinton to Arkansas, rather than staying in Washington, where career prospects were brighter. He was then teaching law and running for a seat in the U.S. House of Representatives in his home state.", "He was then teaching law and running for a seat in the U.S. House of Representatives in his home state. In August 1974, Rodham moved to Fayetteville, Arkansas, and became one of only two female faculty members in the School of Law at the University of Arkansas, Fayetteville. Early Arkansas years At the university, Rodham taught classes in criminal law. She was considered a rigorous teacher who was tough with her grades.", "She was considered a rigorous teacher who was tough with her grades. Rodham became the first director of a new legal aid clinic at the school, where she secured support from the local bar association and gained federal funding. As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge.", "As a court-appointed lawyer, Rodham was required to act as defense counsel to a man accused of raping a 12-year-old girl; after her request to be relieved of the assignment failed, Rodham used an effective defense and counseled her client to plead guilty to a lesser charge. She has called the trial a \"terrible case\". During her time in Fayetteville, Rodham and several other women founded the city's first rape crisis center. In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt.", "In 1974, Bill Clinton lost an Arkansas congressional race, facing incumbent Republican John Paul Hammerschmidt. Rodham and Bill Clinton bought a house in Fayetteville in the summer of 1975 and she agreed to marry him. The wedding took place on October 11, 1975, in a Methodist ceremony in their living room. A story about the marriage in the Arkansas Gazette indicated that she decided to retain the name Hillary Rodham. Her motivation was threefold.", "Her motivation was threefold. Her motivation was threefold. She wanted to keep the couple's professional lives separate, avoid apparent conflicts of interest, and as she told a friend at the time, \"it showed that I was still me\". The decision upset both mothers, who were more traditional. In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter.", "In 1976, Rodham temporarily relocated to Indianapolis to work as an Indiana state campaign organizer for the presidential campaign of Jimmy Carter. In November 1976, Bill Clinton was elected Arkansas attorney general, and the couple moved to the state capital of Little Rock. In February 1977, Rodham joined the venerable Rose Law Firm, a bastion of Arkansan political and economic influence. She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court.", "She specialized in patent infringement and intellectual property law while working pro bono in child advocacy; she rarely performed litigation work in court. Rodham maintained her interest in children's law and family policy, publishing the scholarly articles \"Children's Policies: Abandonment and Neglect\" in 1977 and \"Children's Rights: A Legal Perspective\" in 1979. The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted.", "The latter continued her argument that children's legal competence depended upon their age and other circumstances and that in serious medical rights cases, judicial intervention was sometimes warranted. An American Bar Association chair later said, \"Her articles were important, not because they were radically new but because they helped formulate something that had been inchoate.\" Historian Garry Wills would later describe her as \"one of the more important scholar-activists of the last two decades\".", "Historian Garry Wills would later describe her as \"one of the more important scholar-activists of the last two decades\". Conservatives said her theories would usurp traditional parental authority, would allow children to file frivolous lawsuits against their parents, and exemplified critical legal studies run amok. In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund.", "In 1977, Rodham cofounded Arkansas Advocates for Children and Families, a state-level alliance with the Children's Defense Fund. Later that year, President Jimmy Carter (for whom Rodham had been the 1976 campaign director of field operations in Indiana) appointed her to the board of directors of the Legal Services Corporation. She held that position from 1978 until the end of 1981. From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job.", "From mid-1978 to mid-1980, she was the chair of that board, the first woman to hold the job. During her time as chair, funding for the corporation was expanded from $90 million to $300 million; subsequently, she successfully fought President Ronald Reagan's attempts to reduce the funding and change the nature of the organization. Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979.", "Following her husband's November 1978 election as governor of Arkansas, Rodham became that state's first lady in January 1979. She would hold that title for twelve nonconsecutive years (1979–81, 1983–92). Clinton appointed his wife to be the chair of the Rural Health Advisory Committee the same year, where she secured federal funds to expand medical facilities in Arkansas's poorest areas without affecting doctors' fees. In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm.", "In 1979, Rodham became the first woman to be made a full partner in Rose Law Firm. From 1978 until they entered the White House, she had a higher salary than her husband. During 1978 and 1979, while looking to supplement their income, Rodham engaged in the trading of cattle futures contracts; an initial $1,000 investment generated nearly $100,000 when she stopped trading after ten months. At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal.", "At this time, the couple began their ill-fated investment in the Whitewater Development Corporation real estate venture with Jim and Susan McDougal. Both of these became subjects of controversy in the 1990s. On February 27, 1980, Rodham gave birth to the couple's only child, a daughter whom they named Chelsea. In November 1980, Bill Clinton was defeated in his bid for re-election. Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982.", "Later Arkansas years Two years after leaving office, Bill Clinton returned to his job as governor of Arkansas after winning the election of 1982. During her husband's campaign, Hillary began to use the name \"Hillary Clinton\", or sometimes \"Mrs. Bill Clinton\", to assuage the concerns of Arkansas voters; she also took a leave of absence from Rose Law to campaign for him full-time. During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name.", "During her second stint as the first lady of Arkansas, she made a point of using Hillary Rodham Clinton as her name. She was named chair of the Arkansas Education Standards Committee in 1983, where she sought to reform the state's court-sanctioned public education system. In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size.", "In one of the Clinton governorship's most important initiatives, she fought a prolonged but ultimately successful battle against the Arkansas Education Association to establish mandatory teacher testing and state standards for curriculum and classroom size. It became her introduction into the politics of a highly visible public policy effort. In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy.", "In 1985, she introduced Arkansas's Home Instruction Program for Preschool Youth, a program that helps parents work with their children in preschool preparedness and literacy. She was named Arkansas Woman of the Year in 1983 and Arkansas Mother of the Year in 1984. Clinton continued to practice law with the Rose Law Firm while she was the first lady of Arkansas. She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there.", "She earned less than the other partners, as she billed fewer hours but still made more than $200,000 in her final year there. The firm considered her a \"rainmaker\" because she brought in clients, partly thanks to the prestige she lent it and to her corporate board connections. She was also very influential in the appointment of state judges.", "She was also very influential in the appointment of state judges. Bill Clinton's Republican opponent in his 1986 gubernatorial re-election campaign accused the Clintons of conflict of interest because Rose Law did state business; the Clintons countered the charge by saying that state fees were walled off by the firm before her profits were calculated. From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups.", "From 1982 to 1988, Clinton was on the board of directors, sometimes as chair, of the New World Foundation, which funded a variety of New Left interest groups. From 1987 to 1991, she was the first chair of the American Bar Association's Commission on Women in the Profession, created to address gender bias in the legal profession and induce the association to adopt measures to combat it. She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991.", "She was twice named by The National Law Journal as one of the 100 most influential lawyers in America—in 1988 and 1991. When Bill Clinton thought about not running again for governor in 1990, Hillary Clinton considered running. Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time.", "Private polls were unfavorable, however, and in the end he ran and was re-elected for the final time. Clinton was chairman of the board of the Children's Defense Fund and on the board of the Arkansas Children's Hospital's Legal Services (1988–92) In addition to her positions with nonprofit organizations, she also held positions on the corporate board of directors of TCBY (1985–92), Wal-Mart Stores (1986–92) and Lafarge (1990–92). TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law.", "TCBY and Wal-Mart were Arkansas-based companies that were also clients of Rose Law. Clinton was the first female member on Wal-Mart's board, added following pressure on chairman Sam Walton to name a woman to it. Once there, she pushed successfully for Wal-Mart to adopt more environmentally friendly practices. She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices.", "She was largely unsuccessful in her campaign for more women to be added to the company's management and was silent about the company's famously anti-labor union practices. According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump.", "According to Dan Kaufman, awareness of this later became a factor in her loss of credibility with organized labor, helping contribute to her loss in the 2016 election, where slightly less than half of union members voted for Donald Trump. Bill Clinton presidential campaign of 1992 Clinton received sustained national attention for the first time when her husband became a candidate for the 1992 Democratic presidential nomination. Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers.", "Before the New Hampshire primary, tabloid publications printed allegations that Bill Clinton had engaged in an extramarital affair with Gennifer Flowers. In response, the Clintons appeared together on 60 Minutes, where Bill denied the affair, but acknowledged \"causing pain in my marriage\". This joint appearance was credited with rescuing his campaign. During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song \"Stand by Your Man\".", "During the campaign, Hillary made culturally disparaging remarks about Tammy Wynette's outlook on marriage as described in her classic song \"Stand by Your Man\". Later in the campaign, she commented she could have chosen to be like women staying home and baking cookies and having teas, but wanted to pursue her career instead. The remarks were widely criticized, particularly by those who were, or defended, stay-at-home mothers. In retrospect, she admitted they were ill-considered.", "In retrospect, she admitted they were ill-considered. In retrospect, she admitted they were ill-considered. Bill said that in electing him, the nation would \"get two for the price of one\", referring to the prominent role his wife would assume. Beginning with Daniel Wattenberg's August 1992 The American Spectator article \"The Lady Macbeth of Little Rock\", Hillary's own past ideological and ethical record came under attack from conservatives. At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth.", "At least twenty other articles in major publications also drew comparisons between her and Lady Macbeth. First Lady of the United States (1993–2001) When Bill Clinton took office as president in January 1993, Hillary Rodham Clinton became the first lady. Her press secretary reiterated she would be using that form of her name. She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House.", "She was the first in this role to have a postgraduate degree and her own professional career up to the time of entering the White House. She was also the first to have an office in the West Wing of the White House in addition to the usual first lady offices in the East Wing. She was part of the innermost circle vetting appointments to the new administration. Her choices filled at least eleven top-level positions and dozens more lower-level ones.", "Her choices filled at least eleven top-level positions and dozens more lower-level ones. After Eleanor Roosevelt, Clinton was regarded as the most openly empowered presidential wife in American history. Some critics called it inappropriate for the first lady to play a central role in public policy matters. Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency.", "Supporters pointed out that Clinton's role in policy was no different from that of other White House advisors, and that voters had been well aware she would play an active role in her husband's presidency. Bill Clinton's campaign promise of \"two for the price of one\" led opponents to refer derisively to the Clintons as \"co-presidents\" or sometimes use the Arkansas label \"Billary\".", "Bill Clinton's campaign promise of \"two for the price of one\" led opponents to refer derisively to the Clintons as \"co-presidents\" or sometimes use the Arkansas label \"Billary\". The pressures of conflicting ideas about the role of a first lady were enough to send Hillary Clinton into \"imaginary discussions\" with the also-politically active Eleanor Roosevelt. From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures.", "From the time she came to Washington, Hillary also found refuge in a prayer group of the Fellowship that featured many wives of conservative Washington figures. Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's \"politics of meaning\" to overcome what she saw as America's \"sleeping sickness of the soul\"; that would lead to a willingness \"to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium\".", "Triggered in part by the death of her father in April 1993, she publicly sought to find a synthesis of Methodist teachings, liberal religious political philosophy and Tikkun editor Michael Lerner's \"politics of meaning\" to overcome what she saw as America's \"sleeping sickness of the soul\"; that would lead to a willingness \"to remold society by redefining what it means to be a human being in the twentieth century, moving into a new millennium\". Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform.", "Health care and other policy initiatives In January 1993, President Clinton named Hillary to chair a task force on National Health Care Reform, hoping to replicate the success she had in leading the effort for Arkansas education reform. Unconvinced regarding the merits of the North American Free Trade Agreement (NAFTA), she privately urged that passage of health care reform be given higher priority. The recommendation of the task force became known as the Clinton health care plan.", "The recommendation of the task force became known as the Clinton health care plan. This was a comprehensive proposal that would require employers to provide health coverage to their employees through individual health maintenance organizations. Its opponents quickly derided the plan as \"Hillarycare\" and it even faced opposition from some Democrats in Congress. Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times.", "Some protesters against the proposed plan became vitriolic and during a July 1994 bus tour to rally support for the plan, Clinton wore a bulletproof vest at times. Failing to gather enough support for a floor vote in either the House or the Senate (although Democrats controlled both chambers), the proposal was abandoned in September 1994. Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors.", "Clinton later acknowledged in her memoir that her political inexperience partly contributed to the defeat but cited many other factors. The first lady's approval ratings, which had generally been in the high-50 percent range during her first year, fell to 44 percent in April 1994 and 35 percent by September 1994. Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections.", "Republicans made the Clinton health care plan a major campaign issue of the 1994 midterm elections. They saw a net gain of 54 seats in the House election and eight in the Senate election, winning control of both; many analysts and pollsters found the plan to be a major factor in the Democrats' defeat, especially among independent voters. The White House subsequently sought to downplay Clinton's role in shaping policy. Opponents of universal health care would continue to use \"Hillarycare\" as a pejorative label for similar plans by others.", "Opponents of universal health care would continue to use \"Hillarycare\" as a pejorative label for similar plans by others. Along with senators Ted Kennedy and Orrin Hatch, Clinton was a force behind the passage of the State Children's Health Insurance Program in 1997. This federal bill gave state support to children whose parents could not provide them health coverage. She conducted outreach efforts on behalf of enrolling children in the program once it became law.", "She conducted outreach efforts on behalf of enrolling children in the program once it became law. She promoted nationwide immunization against childhood diseases and encouraged older women to get a mammogram for breast cancer screening, with coverage provided by Medicare. She successfully sought to increase research funding for prostate cancer and childhood asthma at the National Institutes of Health. She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome.", "She worked to investigate reports of an illness that affected veterans of the Gulf War, which became known as the Gulf War syndrome. Enactment of welfare reform was a major goal of Bill Clinton's presidency. When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did.", "When the first two bills on the issue came from a Republican-controlled Congress lacking protections for people coming off welfare, however, Hillary urged him to veto the bills, which he did. A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again.", "A third version came up during his 1996 general election campaign that restored some of the protections but cut the scope of benefits in other areas; critics, including her past mentor Edelman, urged her to get the president to veto it again. But she decided to support the bill, which became the Welfare Reform Act of 1996, as the best political compromise available. This caused a rift with Edelman that Hillary later called \"sad and painful\".", "This caused a rift with Edelman that Hillary later called \"sad and painful\". Together with Attorney General Janet Reno, Clinton helped create the Office on Violence Against Women at the Department of Justice. In 1997, she initiated and shepherded the Adoption and Safe Families Act, which she regarded as her greatest accomplishment as the first lady. In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care.", "In 1999, she was instrumental in the passage of the Foster Care Independence Act, which doubled federal monies for teenagers aging out of foster care. As First Lady of the United States, Clinton was the host for various White House conferences. These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000).", "These included one on Child Care (1997), on Early Childhood Development and Learning (1997), and on Children and Adolescents (2000). She also hosted the first-ever White House Conference on Teenagers (2000), and the first-ever White House Conference on Philanthropy (1999). Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon.", "Clinton traveled to 79 countries during this time, breaking the record for most-traveled first lady previously held by Pat Nixon. She did not hold a security clearance or attend National Security Council meetings, but played a role in U.S. diplomacy attaining its objectives. A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan.", "A March 1995 five-nation trip to South Asia, on behest of the U.S. State Department, without her husband, sought to improve relations with India and Pakistan. Clinton was troubled by the plight of women she encountered, but found a warm response from the people of the countries she visited, and gained a better relationship with the American press corps. The trip was a transformative experience for her and presaged her eventual career in diplomacy.", "The trip was a transformative experience for her and presaged her eventual career in diplomacy. In a September 1995 speech before the Fourth World Conference on Women in Beijing, Clinton argued forcefully against practices that abused women around the world and in the People's Republic of China itself. She declared, \"it is no longer acceptable to discuss women's rights as separate from human rights\".", "She declared, \"it is no longer acceptable to discuss women's rights as separate from human rights\". Delegates from over 180 countries heard her say: \"If there is one message that echoes forth from this conference, let it be that human rights are women's rights and women's rights are human rights, once and for all.\" In doing so, she resisted both internal administration and Chinese pressure to soften her remarks.", "In doing so, she resisted both internal administration and Chinese pressure to soften her remarks. The speech became a key moment in the empowerment of women and years later women around the world would recite Clinton's key phrases. During the late 1990s, she was one of the most prominent international figures to speak out against the treatment of Afghan women by the Taliban. She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries.", "She helped create Vital Voices, an international initiative sponsored by the U.S. to encourage the participation of women in the political processes of their countries. It and Clinton's own visits encouraged women to make themselves heard in the Northern Ireland peace process. In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995.", "In 1997, Clinton returned to Northern Ireland to deliver the inaugural Joyce McCartan lecture at the University of Ulster in honour of the community campaigner she had met during her visit in Belfast in 1995. Whitewater and other investigations Clinton was a subject of several investigations by the United States Office of the Independent Counsel, committees of the U.S. Congress, and the press. The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady.", "The Whitewater controversy was the focus of media attention from its publication in a New York Times report during the 1992 presidential campaign and throughout her time as the first lady. The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses.", "The Clintons had lost their late-1970s investment in the Whitewater Development Corporation; at the same time, their partners in that investment, Jim and Susan McDougal operated Madison Guaranty, a savings and loan institution that retained the legal services of Rose Law Firm and may have been improperly subsidizing Whitewater losses. Madison Guaranty later failed, and Clinton's work at Rose was scrutinized for a possible conflict of interest in representing the bank before state regulators her husband had appointed. She said she had done minimal work for the bank.", "She said she had done minimal work for the bank. Independent counsels Robert Fiske and Kenneth Starr subpoenaed Clinton's legal billing records; she said she did not know where they were. After a two-year search, the records were found in the first lady's White House book room and delivered to investigators in early 1996. The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been.", "The delayed appearance of the records sparked intense interest and another investigation concerning how they surfaced and where they had been. Clinton's staff attributed the problem to continual changes in White House storage areas since the move from the Arkansas Governor's Mansion. On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury.", "On January 26, 1996, Clinton became the first spouse of a U.S. president to be subpoenaed to testify before a federal grand jury. After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing.", "After several Independent Counsels had investigated, a final report was issued in 2000 that stated there was insufficient evidence that either Clinton had engaged in criminal wrongdoing. Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as \"Travelgate\", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas.", "Scrutiny of the May 1993 firings of the White House Travel Office employees, an action that became known as \"Travelgate\", began with charges that the White House had used audited financial irregularities in the Travel Office operation as an excuse to replace the staff with friends from Arkansas. The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true.", "The 1996 discovery of a two-year-old White House memo led to the investigation being focused on whether Clinton had orchestrated the firings and whether the statements she made to investigators about her role in the firings were true. The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made \"factually false\" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her.", "The 2000 final Independent Counsel report concluded she was involved in the firings and that she had made \"factually false\" statements, but that there was insufficient evidence that she knew the statements were false or knew that her actions would lead to firings, to prosecute her. In March 1994, newspaper reports revealed that Clinton had earned spectacular profits from cattle futures trading in 1978–79. The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery.", "The press made allegations that Clinton had engaged in a conflict of interest and disguised a bribery. Several individuals analyzed her trading records, but no formal investigation was made and she was never charged with any wrongdoing. An outgrowth of the \"Travelgate\" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called \"Filegate\".", "An outgrowth of the \"Travelgate\" investigation was the June 1996 discovery of improper White House access to hundreds of FBI background reports on former Republican White House employees, an affair that some called \"Filegate\". Accusations were made that Clinton had requested these files and she had recommended hiring an unqualified individual to head the White House Security Office. The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter.", "The 2000 final Independent Counsel report found no substantial or credible evidence that Clinton had any role or showed any misconduct in the matter. In early 2001, a controversy arose over gifts that were sent to the White House; there was a question whether the furnishings were White House property or the Clintons' personal property. During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence.", "During the last year of Bill Clinton's time in office, those gifts were shipped to the Clintons' private residence. It Takes a Village release and tour In 1996, Clinton presented a vision for American children in the book It Takes a Village: And Other Lessons Children Teach Us. In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies.", "In January 1996, she went on a ten-city book tour and made numerous television appearances to promote the book, although she was frequently hit with questions about her involvement in the Whitewater and Travelgate controversies. The book spent 18 weeks on the New York Times Best Seller List that year, including three weeks at number one. By 2000, it had sold 450,000 copies in hardcover and another 200,000 in paperback. Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording.", "Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Response to Lewinsky scandal In 1998, the Clintons' private concerns became the subject of much speculation when investigations revealed the president had engaged in an extramarital affair with 22-year-old White House intern Monica Lewinsky. Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate.", "Events surrounding the Lewinsky scandal eventually led to the impeachment of the president by the House of Representatives; he was later acquitted by the senate. When the allegations against her husband were first made public, Hillary Clinton stated that the allegations were part of a \"vast right-wing conspiracy\". She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband.", "She characterized the Lewinsky charges as the latest in a long, organized, collaborative series of charges by Bill's political enemies rather than any wrongdoing by her husband. She later said she had been misled by her husband's initial claims that no affair had taken place. After the evidence of President Clinton's encounters with Lewinsky became incontrovertible, she issued a public statement reaffirming her commitment to their marriage. Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage.", "Privately, she was reported to be furious at him and was unsure if she wanted to remain in the marriage. The White House residence staff noticed a pronounced level of tension between the couple during this period. Public reaction varied. Women variously admired her strength and poise in private matters that were made public. They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions.", "They sympathized with her as a victim of her husband's insensitive behavior and criticized her as being an enabler to her husband's indiscretions. They also accused her of cynically staying in a failed marriage as a way of keeping or even fostering her own political influence. In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been.", "In the wake of the revelations, her public approval ratings shot upward to around 70 percent, the highest they had ever been. In her 2003 memoir, she would attribute her decision to stay married to \"a love that has persisted for decades\" and add: \"No one understands me better and no one can make me laugh the way Bill does. Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met.\"", "Even after all these years, he is still the most interesting, energizing, and fully alive person I have ever met.\" Issues that surrounded the Lewinsky scandal left Bill Clinton with substantial legal bills. In 2014, Hillary said that she and Bill had left the White House \"not only dead broke, but in debt\". The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office.", "The statement may have been literally accurate but ignored the potentially enormous earning power of ex-presidents who give paid speeches after leaving office. The couple would also have the ability to secure loans from banks. In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky \"was an adult\".", "In October 2018, Hillary stated in an interview on CBS News Sunday Morning that Bill was right to not resign from office, and that Bill's affair with Lewinsky did not constitute an abuse of power because Lewinsky \"was an adult\". Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000).", "Other books and initiatives Other books published by Clinton when she was the first lady include Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) and An Invitation to the White House: At Home with History (2000). In 2001, she wrote an afterword to the children's book Beatrice's Goat. She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites.", "She was the founding chair of Save America's Treasures, a nationwide effort matching federal funds with private donations to preserve and restore historic items and sites. This included the flag that inspired \"The Star-Spangled Banner\" and the First Ladies National Historic Site in Canton, Ohio. She also published a weekly syndicated newspaper column titled \"Talking It Over\" from 1995 to 2000. It focused on her experiences and those of women, children and families she met during her travels around the world.", "It focused on her experiences and those of women, children and families she met during her travels around the world. Traditional duties She was head of the White House Millennium Council and hosted Millennium Evenings, a series of lectures that discussed futures studies, one of which became the first live simultaneous webcast from the White House. Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums.", "Clinton also created the first White House Sculpture Garden, located in the Jacqueline Kennedy Garden, which displayed large contemporary American works of art loaned by museums. In the White House, Clinton placed donated handicrafts of contemporary American artisans, such as pottery and glassware, on rotating display in the state rooms. She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II.", "She oversaw the restoration of the Blue Room to be historically authentic to the period of James Monroe, and the Map Room to how it looked during World War II. Working with Arkansas interior decorator Kaki Hockersmith over an eight-year period, she oversaw extensive, privately funded redecoration efforts around the building, often trying to make it look brighter. These included changing of the Treaty Room and a presidential study to have a 19th-century look.", "These included changing of the Treaty Room and a presidential study to have a 19th-century look. Overall the redecoration brought mixed notices, with Victorian furnishings for the Lincoln Sitting Room being criticized the most. Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000.", "Clinton hosted many large-scale events at the White House, including a state dinner for visiting Chinese dignitaries, a New Year's Eve celebration at the turn of the 21st century, and a state dinner honoring the bicentennial of the White House in November 2000. U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000.", "U.S. Senate (2001–2009) 2000 U.S. Senate election When New York's long-serving U.S. senator Daniel Patrick Moynihan announced his retirement in November 1998, several prominent Democratic figures, including Representative Charles Rangel of New York, urged Clinton to run for his open seat in the Senate election of 2000. Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999.", "Once she decided to run, the Clintons purchased a home at 15 Old House Lane in Chappaqua, New York, north of New York City, in September 1999. She became the first wife of the president of the United States to be a candidate for elected office. Initially, Clinton expected to face Rudy Giuliani—the mayor of New York City—as her Republican opponent in the election. Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public.", "Giuliani withdrew from the race in May 2000 after being diagnosed with prostate cancer and matters related to his failing marriage became public. Clinton then faced Rick Lazio, a Republican member of the U.S. House of Representatives who represented New York's 2nd congressional district. Throughout the campaign, opponents accused Clinton of carpetbagging, because she had never resided in New York State or participated in the state's politics before the 2000 Senate race. Bill de Blasio was Clinton's campaign manager.", "Bill de Blasio was Clinton's campaign manager. Bill de Blasio was Clinton's campaign manager. She began her drive to the U.S. Senate by visiting all 62 counties in the state, in a \"listening tour\" of small-group settings. She devoted considerable time in traditionally Republican Upstate New York regions. Clinton vowed to improve the economic situation in those areas, promising to deliver 200,000 jobs to the state over her term. Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector.", "Her plan included tax credits to reward job creation and encourage business investment, especially in the high-tech sector. She called for personal tax cuts for college tuition and long-term care. The contest drew national attention. During a September debate, Lazio blundered when he seemed to invade Clinton's personal space by trying to get her to sign a fundraising agreement. Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million.", "Their campaigns, along with Giuliani's initial effort, spent a record combined $90 million. Clinton won the election on November 7, 2000, with 55 percent of the vote to Lazio's 43 percent. She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history.", "She was sworn in as U.S. senator on January 3, 2001, and as George W. Bush was still 17 days away from being inaugurated as president after winning the 2000 presidential election, that meant from January 3–20, she simultaneously held the titles of First Lady and Senator – a first in U.S. history. Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History.", "Publisher Simon & Schuster paid Clinton a near-record advance of $8 million in December 2000 for her autobiography, released in 2003, as Living History. First term Because Bill Clinton's term as president did not end until 17 days after she was sworn in, upon entering the Senate, Clinton became the first and so far only first lady to serve as a senator and first lady concurrently. Clinton maintained a low public profile and built relationships with senators from both parties when she started her term.", "Clinton maintained a low public profile and built relationships with senators from both parties when she started her term. She forged alliances with religiously inclined senators by becoming a regular participant in the Senate Prayer Breakfast. She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging.", "She sat on five Senate committees: Committee on Budget (2001–02), Committee on Armed Services (2003–09), Committee on Environment and Public Works (2001–09), Committee on Health, Education, Labor and Pensions (2001–09) and Special Committee on Aging. She was also a member of the Commission on Security and Cooperation in Europe (2001–09). Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state.", "Following the September 11 terrorist attacks, Clinton sought to obtain funding for the recovery efforts in New York City and security improvements in her state. Working with New York's senior senator, Chuck Schumer, she was instrumental in securing $21 billion in funding for the World Trade Center site's redevelopment. She subsequently took a leading role in investigating the health issues faced by 9/11 first responders. Clinton voted for the USA Patriot Act in October 2001.", "Clinton voted for the USA Patriot Act in October 2001. In 2005, when the act was up for renewal, she expressed concerns with the USA Patriot Act Reauthorization Conference Report regarding civil liberties. In March 2006, she voted in favor of the USA PATRIOT Improvement and Reauthorization Act of 2005 that had gained large majority support. Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government.", "Clinton strongly supported the 2001 U.S. military action in Afghanistan, saying it was a chance to combat terrorism while improving the lives of Afghan women who suffered under the Taliban government. Clinton voted in favor of the October 2002 Iraq War Resolution, which authorized President George W. Bush to use military force against Iraq. After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there.", "After the Iraq War began, Clinton made trips to Iraq and Afghanistan to visit American troops stationed there. On a visit to Iraq in February 2005, Clinton noted that the insurgency had failed to disrupt the democratic elections held earlier and that parts of the country were functioning well. Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain.", "Observing that war deployments were draining regular and reserve forces, she co-introduced legislation to increase the size of the regular U.S. Army by 80,000 soldiers to ease the strain. In late 2005, Clinton said that while immediate withdrawal from Iraq would be a mistake, Bush's pledge to stay \"until the job is done\" was also misguided, as it gave Iraqis \"an open-ended invitation not to take care of themselves\". Her stance caused frustration among those in the Democratic Party who favored quick withdrawal.", "Her stance caused frustration among those in the Democratic Party who favored quick withdrawal. Clinton supported retaining and improving health benefits for reservists and lobbied against the closure of several military bases, especially those in New York. She used her position on the Armed Services Committee to forge close relationships with a number of high-ranking military officers. By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she \"got it wrong\" and the vote in support had been a \"mistake\".", "By 2014 and 2015 Clinton had fully reversed herself on the Iraq War Resolution, saying she \"got it wrong\" and the vote in support had been a \"mistake\". Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003.", "Clinton voted against President Bush's two major tax cut packages, the Economic Growth and Tax Relief Reconciliation Act of 2001 and the Jobs and Growth Tax Relief Reconciliation Act of 2003. Simon & Schuster released Living History: The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album.", "Clinton's audio recording of the book earned her a nomination for the Grammy Award for Best Spoken Word Album. Clinton voted against the 2005 confirmation of John Roberts as chief justice of the United States and the 2006 confirmation of Samuel Alito to the U.S. Supreme Court, filibustering the latter. In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas.", "In 2005, Clinton called for the Federal Trade Commission to investigate how hidden sex scenes showed up in the controversial video game Grand Theft Auto: San Andreas. Along with senators Joe Lieberman and Evan Bayh, she introduced the Family Entertainment Protection Act, intended to protect children from inappropriate content found in video games. In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage.", "In 2004 and 2006, Clinton voted against the Federal Marriage Amendment that sought to prohibit same-sex marriage. Looking to establish a \"progressive infrastructure\" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004.", "Looking to establish a \"progressive infrastructure\" to rival that of American conservatism, Clinton played a formative role in conversations that led to the 2003 founding of former Clinton administration chief of staff John Podesta's Center for American Progress, shared aides with Citizens for Responsibility and Ethics in Washington, founded in 2003 and advised the Clintons' former antagonist David Brock's Media Matters for America, created in 2004. Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging.", "Following the 2004 Senate elections, she successfully pushed new Democratic Senate leader Harry Reid to create a Senate war room to handle daily political messaging. 2006 reelection campaign In November 2004, Clinton announced she would seek a second Senate term. She easily won the Democratic nomination over opposition from antiwar activist Jonathan Tasini. The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance.", "The early frontrunner for the Republican nomination, Westchester County District Attorney Jeanine Pirro, withdrew from the contest after several months of poor campaign performance. Clinton's eventual opponent in the general election was Republican candidate John Spencer, a former mayor of Yonkers. Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties.", "Clinton won the election on November 7, 2006, with 67 percent of the vote to Spencer's 31 percent, carrying all but four of New York's sixty-two counties. Her campaign spent $36 million for her reelection, more than any other candidate for Senate in the 2006 elections. Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008.", "Some Democrats criticized her for spending too much in a one-sided contest, while some supporters were concerned she did not leave more funds for a potential presidential bid in 2008. In the following months, she transferred $10 million of her Senate funds toward her presidential campaign. Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful).", "Second term Clinton opposed the Iraq War troop surge of 2007, for both military and domestic political reasons (by the following year, she was privately acknowledging the surge had been successful). In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush.", "In March of that year, she voted in favor of a war-spending bill that required President Bush to begin withdrawing troops from Iraq by a deadline; it passed almost completely along party lines but was subsequently vetoed by Bush. In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it.", "In May, a compromise war funding bill that removed withdrawal deadlines but tied funding to progress benchmarks for the Iraqi government passed the Senate by a vote of 80–14 and would be signed by Bush; Clinton was one of those who voted against it. She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, \"I think that the reports that you provide to us really require a willing suspension of disbelief.\"", "She responded to General David Petraeus's September 2007 Report to Congress on the Situation in Iraq by saying, \"I think that the reports that you provide to us really require a willing suspension of disbelief.\" In March 2007, in response to the dismissal of U.S. attorneys controversy, Clinton called on Attorney General Alberto Gonzales to resign. Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture.", "Regarding the high-profile, hotly debated immigration reform bill known as the Comprehensive Immigration Reform Act of 2007, Clinton cast several votes in support of the bill, which eventually failed to gain cloture. As the financial crisis of 2007–08 reached a peak with the liquidity crisis of September 2008, Clinton supported the proposed bailout of the U.S. financial system, voting in favor of the $700 billion law that created the Troubled Asset Relief Program, saying it represented the interests of the American people. It passed the Senate 74–25.", "It passed the Senate 74–25. It passed the Senate 74–25. In 2007, Clinton and Virginia senator Jim Webb called for an investigation into whether the body armor issued to soldiers in Iraq was adequate. 2008 presidential campaign Clinton had been preparing for a potential candidacy for U.S. president since at least early 2003. On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: \"I'm in and I'm in to win.\"", "On January 20, 2007, she announced via her website the formation of a presidential exploratory committee for the United States presidential election of 2008, stating: \"I'm in and I'm in to win.\" No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president.", "No woman had ever been nominated by a major party for the presidency, and no first lady had ever run for president. When Bill Clinton became president in 1993, a blind trust was established; in April 2007, the Clintons liquidated the blind trust to avoid the possibility of ethical conflicts or political embarrassments as Hillary undertook her presidential race. Later disclosure statements revealed the couple's worth was now upwards of $50 million.", "Later disclosure statements revealed the couple's worth was now upwards of $50 million. They had earned over $100 million since 2000—most of it coming from Bill's books, speaking engagements and other activities. Throughout the first half of 2007, Clinton led candidates competing for the Democratic presidential nomination in opinion polls for the election. Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors.", "Senator Barack Obama of Illinois and former senator John Edwards of North Carolina were her strongest competitors. The biggest threat to her campaign was her past support of the Iraq War, which Obama had opposed from the beginning. Clinton and Obama both set records for early fundraising, swapping the money lead each quarter. At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents.", "At the end of October, Clinton fared poorly in her debate performance against Obama, Edwards, and her other opponents. Obama's message of change began to resonate with the Democratic electorate better than Clinton's message of experience. In the first vote of 2008, she placed third in the January3 Iowa Democratic caucus behind Obama and Edwards. Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary.", "Obama gained ground in national polling in the next few days, with all polls predicting a victory for him in the New Hampshire primary. Clinton gained a surprise win there on January 8, narrowly defeating Obama. It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection.", "It was the first time a woman had won a major American party's presidential primary for the purposes of delegate selection. Explanations for Clinton's New Hampshire comeback varied but often centered on her being seen more sympathetically, especially by women, after her eyes welled with tears and her voice broke while responding to a voter's question the day before the election. The nature of the contest fractured in the next few days.", "The nature of the contest fractured in the next few days. Several remarks by Bill Clinton and other surrogates, and a remark by Hillary Clinton concerning Martin Luther King Jr. and Lyndon B. Johnson, were perceived by many as, accidentally or intentionally, limiting Obama as a racially oriented candidate or otherwise denying the post-racial significance and accomplishments of his campaign. Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans.", "Despite attempts by both Hillary and Obama to downplay the issue, Democratic voting became more polarized as a result, with Clinton losing much of her support among African Americans. She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states.", "She lost by a two-to-one margin to Obama in the January 26, South Carolina primary, setting up, with Edwards soon dropping out, an intense two-person contest for the twenty-two February5 Super Tuesday states. Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president \"needs to stop\".", "Bill Clinton had made more statements attracting criticism for their perceived racial implications late in the South Carolina campaign, and his role was seen as damaging enough to her that a wave of supporters within and outside of the campaign said the former president \"needs to stop\". The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy.", "The South Carolina campaign had done lasting damage to Clinton, eroding her support among the Democratic establishment and leading to the prized endorsement of Obama by Ted Kennedy. On Super Tuesday, Clinton won the largest states, such as California, New York, New Jersey and Massachusetts, while Obama won more states; they almost evenly split the total popular vote. But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules.", "But Obama was gaining more pledged delegates for his share of the popular vote due to better exploitation of the Democratic proportional allocation rules. The Clinton campaign had counted on winning the nomination by Super Tuesday and was unprepared financially and logistically for a prolonged effort; lagging in Internet fundraising as Clinton began loaning money to her campaign. There was continuous turmoil within the campaign staff, and she made several top-level personnel changes.", "There was continuous turmoil within the campaign staff, and she made several top-level personnel changes. Obama won the next eleven February contests across the country, often by large margins and took a significant pledged delegate lead over Clinton. On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular.", "On March 4, Clinton broke the string of losses by winning in Ohio among other places, where her criticism of NAFTA, a major legacy of her husband's presidency, helped in a state where the trade agreement was unpopular. Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare.", "Throughout the campaign, Obama dominated caucuses, for which the Clinton campaign largely ignored and failed to prepare. Obama did well in primaries where African Americans or younger, college-educated, or more affluent voters were heavily represented; Clinton did well in primaries where Hispanics or older, non-college-educated, or working-class white voters predominated. Behind in delegates, Clinton's best hope of winning the nomination came in persuading uncommitted, party-appointed superdelegates. Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee.", "Following the final primaries on June 3, 2008, Obama had gained enough delegates to become the presumptive nominee. In a speech before her supporters on June 7, Clinton ended her campaign and endorsed Obama. By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner.", "By campaign's end, Clinton had won 1,640 pledged delegates to Obama's 1,763; at the time of the clinching, Clinton had 286 superdelegates to Obama's 395, with those numbers widening to 256 versus 438 once Obama was acknowledged the winner. Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record.", "Clinton and Obama each received over 17 million votes during the nomination process with both breaking the previous record. Clinton was the first woman to run in the primary or caucus of every state and she eclipsed, by a very wide margin, Congresswoman Shirley Chisholm's 1972 marks for most votes garnered and delegates won by a woman. Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4.", "Clinton gave a passionate speech supporting Obama at the 2008 Democratic National Convention and campaigned frequently for him in fall 2008, which concluded with his victory over McCain in the general election on November 4. Clinton's campaign ended up severely in debt; she owed millions of dollars to outside vendors and wrote off the $13 million that she lent it herself. The debt was eventually paid off by the beginning of 2013.", "The debt was eventually paid off by the beginning of 2013. Secretary of State (2009–2013) Nomination and confirmation In mid-November 2008, President-elect Obama and Clinton discussed the possibility of her serving as secretary of state in his administration. She was initially quite reluctant, but on November 20 she told Obama she would accept the position. On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state.", "On December 1, President-elect Obama formally announced that Clinton would be his nominee for secretary of state. Clinton said she did not want to leave the Senate, but that the new position represented a \"difficult and exciting adventure\". As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative.", "As part of the nomination and to relieve concerns of conflict of interest, Bill Clinton agreed to accept several conditions and restrictions regarding his ongoing activities and fundraising efforts for the William J. Clinton Foundation and the Clinton Global Initiative. The appointment required a Saxbe fix, passed and signed into law in December 2008. Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton.", "Confirmation hearings before the Senate Foreign Relations Committee began on January 13, 2009, a week before the Obama inauguration; two days later, the committee voted 16–1 to approve Clinton. By this time, her public approval rating had reached 65 percent, the highest point since the Lewinsky scandal. On January 21, 2009, Clinton was confirmed in the full Senate by a vote of 94–2. Clinton took the oath of office of secretary of state, resigning from the Senate later that day.", "Clinton took the oath of office of secretary of state, resigning from the Senate later that day. She became the first former first lady to be a member of the United States Cabinet. First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: \"We have a lot of damage to repair.\"", "First half of tenure Clinton spent her initial days as secretary of state telephoning dozens of world leaders and indicating that U.S. foreign policy would change direction: \"We have a lot of damage to repair.\" She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions.", "She advocated an expanded role in global economic issues for the State Department, and cited the need for an increased U.S. diplomatic presence, especially in Iraq where the Defense Department had conducted diplomatic missions. Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee.", "Clinton announced the most ambitious of her departmental reforms, the Quadrennial Diplomacy and Development Review, which establishes specific objectives for the State Department's diplomatic missions abroad; it was modeled after a similar process in the Defense Department that she was familiar with from her time on the Senate Armed Services Committee. The first such review was issued in late 2010. It called for the U.S. leading through \"civilian power\" as a cost-effective way of responding to international challenges and defusing crises.", "It called for the U.S. leading through \"civilian power\" as a cost-effective way of responding to international challenges and defusing crises. It also sought to institutionalize goals of empowering women throughout the world. A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women.", "A cause Clinton advocated throughout her tenure was the adoption of cookstoves in the developing world, to foster cleaner and more environmentally sound food preparation and reduce smoke dangers to women. In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal \"Afghanistan surge\", recommending 40,000 troops and no public deadline for withdrawal.", "In a 2009 internal debate regarding the War in Afghanistan, Clinton sided with the military's recommendations for a maximal \"Afghanistan surge\", recommending 40,000 troops and no public deadline for withdrawal. She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal.", "She prevailed over Vice President Joe Biden's opposition but eventually supported Obama's compromise plan to send an additional 30,000 troops and tie the surge to a timetable for eventual withdrawal. In March 2009, Clinton presented Russian Foreign Minister Sergey Lavrov with a \"reset button\" symbolizing U.S. attempts to rebuild ties with that country under its new president, Dmitry Medvedev. The photo op was remembered for a mistranslation into Russian.", "The photo op was remembered for a mistranslation into Russian. The policy, which became known as the Russian reset, led to improved cooperation in several areas during Medvedev's time in office. Relations would worsen considerably, however, following Vladimir Putin's return to the position in 2012. In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations.", "In October 2009, on a trip to Switzerland, Clinton's intervention overcame last-minute snags and saved the signing of an historic Turkish–Armenian accord that established diplomatic relations and opened the border between the two long-hostile nations. In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015.", "In Pakistan, she engaged in several unusually blunt discussions with students, talk show hosts and tribal elders, in an attempt to repair the Pakistani image of the U.S. Beginning in 2010, she helped organize a diplomatic isolation and international sanctions regime against Iran, in an effort to force curtailment of that country's nuclear program; this would eventually lead to the multinational Joint Comprehensive Plan of Action being agreed to in 2015. Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president.", "Clinton and Obama forged a good working relationship without power struggles; she was a team player within the administration and a defender of it to the outside and was careful that neither she nor her husband would upstage the president. Clinton formed an alliance with Secretary of Defense Gates as they shared similar strategic outlooks. Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise.", "Obama and Clinton both approached foreign policy as a largely non-ideological, pragmatic exercise. She met with him weekly but did not have the close, daily relationship that some of her predecessors had had with their presidents; moreover, certain key areas of policymaking were kept inside the White House or Pentagon. Nevertheless, the president had trust in her actions. In a prepared speech in January 2010, Clinton drew analogies between the Iron Curtain and the free and unfree Internet. Chinese officials reacted negatively towards it.", "Chinese officials reacted negatively towards it. Chinese officials reacted negatively towards it. The speech garnered attention as the first time a senior American official had clearly defined the Internet as a key element of American foreign policy. In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage.", "In July 2010, she visited South Korea, where she and Cheryl Mills worked to convince SAE-A, a large apparel subcontractor, to invest in Haiti despite the company's deep concerns about plans to raise the minimum wage. In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant.", "In the summer of 2010, the South Korean company signed a contract at the US State Department, ensuring that the Caracol Industrial Park would have a key tenant. This was part of the \"build back better\" program initiated by her husband, named UN Special Envoy to Haiti in 2009 after a tropical storm season caused $1 billion in damages to the island. In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly.", "In January 2011, Clinton traveled to Haiti in order to help pave the way for the election of Michel Martelly. Second half of tenure The 2011 Egyptian protests posed the most challenging foreign policy crisis yet for the Obama administration. Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was \"stable\", to a stance that there needed to be an \"orderly transition [to] a democratic participatory government\", to a condemnation of violence against the protesters.", "Clinton's public response quickly evolved from an early assessment that the government of Hosni Mubarak was \"stable\", to a stance that there needed to be an \"orderly transition [to] a democratic participatory government\", to a condemnation of violence against the protesters. Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments.", "Obama came to rely upon Clinton's advice, organization and personal connections in the behind-the-scenes response to developments. As Arab Spring protests spread throughout the region, Clinton was at the forefront of a U.S. response that she recognized was sometimes contradictory, backing some regimes while supporting protesters against others. As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power.", "As the Libyan Civil War took place, Clinton's shift in favor of military intervention aligned her with Ambassador to the UN Susan Rice and National Security Council figure Samantha Power. This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya.", "This was a key turning point in overcoming internal administration opposition from Defense Secretary Gates, security advisor Thomas E. Donilon and counterterrorism advisor John Brennan in gaining the backing for, and Arab and U.N. approval of, the 2011 military intervention in Libya. Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution.", "Secretary Clinton testified to Congress that the administration did not need congressional authorization for its military intervention in Libya, despite objections from some members of both parties that the administration was violating the War Powers Resolution. The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration).", "The State Department's legal advisor argued the same point when the Resolution's 60-day limit for unauthorized wars was passed (a view that prevailed in a legal debate within the Obama administration). Clinton later used U.S. allies and what she called \"convening power\" to promote unity among the Libyan rebels as they eventually overthrew the Gaddafi regime. The aftermath of the Libyan Civil War saw the country becoming a failed state. The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate.", "The wisdom of the intervention and interpretation of what happened afterward would become the subject of considerable debate. During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan.", "During April 2011, internal deliberations of the president's innermost circle of advisors over whether to order U.S. special forces to conduct a raid into Pakistan against Osama bin Laden, Clinton was among those who argued in favor, saying the importance of getting bin Laden outweighed the risks to the U.S. relationship with Pakistan. Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader.", "Following the completion of the mission on May2 resulting in bin Laden's death, Clinton played a key role in the administration's decision not to release photographs of the dead al-Qaeda leader. During internal discussions regarding Iraq in 2011, Clinton argued for keeping a residual force of up to 10,000–20,000 U.S. troops there. (All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.)", "(All of them ended up being withdrawn after negotiations for a revised U.S.–Iraq Status of Forces Agreement failed.) In a speech before the United Nations Human Rights Council in December 2011, Clinton said that, \"Gay rights are human rights\", and that the U.S. would advocate for gay rights and legal protections of gay people abroad. The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955.", "The same period saw her overcome internal administration opposition with a direct appeal to Obama and stage the first visit to Burma by a U.S. secretary of state since 1955. She met with Burmese leaders as well as opposition leader Aung San Suu Kyi and sought to support the 2011 Burmese democratic reforms. She also said the 21st century would be \"America's Pacific century\", a declaration that was part of the Obama administration's \"pivot to Asia\".", "She also said the 21st century would be \"America's Pacific century\", a declaration that was part of the Obama administration's \"pivot to Asia\". During the Syrian Civil War, Clinton and the Obama administration initially sought to persuade Syrian president Bashar al-Assad to engage popular demonstrations with reform. As government violence allegedly rose in August 2011, they called for him to resign from the presidency. The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria.", "The administration joined several countries in delivering non-lethal assistance to so-called rebels opposed to the Assad government and humanitarian groups working in Syria. During mid-2012, Clinton formed a plan with CIA Director David Petraeus to further strengthen the opposition by arming and training vetted groups of Syrian rebels. The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets.", "The proposal was rejected by White House officials who were reluctant to become entangled in the conflict, fearing that extremists hidden among the rebels might turn the weapons against other targets. In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus.", "In December 2012, Clinton was hospitalized for a few days for treatment of a blood clot in her right transverse venous sinus. Her doctors had discovered the clot during a follow-up examination for a concussion she had sustained when she fainted and fell nearly three weeks earlier, as a result of severe dehydration from a viral intestinal ailment acquired during a trip to Europe. The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery.", "The clot, which caused no immediate neurological injury, was treated with anticoagulant medication, and her doctors have said she has made a full recovery. Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed \"smart power\" as the strategy for asserting U.S. leadership and values.", "Overall themes Throughout her time in office (and mentioned in her final speech concluding it), Clinton viewed \"smart power\" as the strategy for asserting U.S. leadership and values. In a world of varied threats, weakened central governments and increasingly important nongovernmental entities, smart power combined military hard power with diplomacy and U.S. soft power capacities in global economics, development aid, technology, creativity and human rights advocacy. As such, she became the first secretary of state to methodically implement the smart power approach.", "As such, she became the first secretary of state to methodically implement the smart power approach. In debates over use of military force, she was generally one of the more hawkish voices in the administration. In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action.", "In August 2011 she hailed the ongoing multinational military intervention in Libya and the initial U.S. response towards the Syrian Civil War as examples of smart power in action. Clinton greatly expanded the State Department's use of social media, including Facebook and Twitter, to get its message out and to help empower citizens of foreign countries vis-à-vis their governments. And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide.", "And in the Mideast turmoil, Clinton particularly saw an opportunity to advance one of the central themes of her tenure, the empowerment and welfare of women and girls worldwide. Moreover, in a formulation that became known as the \"Hillary Doctrine\", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state.", "Moreover, in a formulation that became known as the \"Hillary Doctrine\", she viewed women's rights as critical for U.S. security interests, due to a link between the level of violence against women and gender inequality within a state, and the instability and challenge to international security of that state. In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility.", "In turn, there was a trend of women around the world finding more opportunities, and in some cases feeling safer, as the result of her actions and visibility. Clinton visited 112 countries during her tenure, making her the most widely traveled secretary of state (Time magazine wrote that \"Clinton's endurance is legendary\".) The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age.", "The first secretary of state to visit countries like Togo and East Timor, she believed that in-person visits were more important than ever in the virtual age. As early as March 2011, she indicated she was not interested in serving a second term as secretary of state should Obama be re-elected in 2012; in December 2012, following that re-election, Obama nominated Senator John Kerry to be Clinton's successor. Her last day as secretary of state was February 1, 2013.", "Her last day as secretary of state was February 1, 2013. Upon her departure, analysts commented that Clinton's tenure did not bring any signature diplomatic breakthroughs as some other secretaries of state had accomplished, and highlighted her focus on goals she thought were less tangible but would have more lasting effect. She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State.", "She has also been criticized for accepting millions in dollars in donations from foreign governments to the Clinton Foundation during her tenure as Secretary of State. Benghazi attack and subsequent hearings On September 11, 2012, the U.S. diplomatic mission in Benghazi, Libya, was attacked, resulting in the deaths of the U.S. Ambassador, J. Christopher Stevens and three other Americans.", "Ambassador, J. Christopher Stevens and three other Americans. Ambassador, J. Christopher Stevens and three other Americans. The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events.", "The attack, questions surrounding the security of the U.S. consulate, and the varying explanations given afterward by administration officials for what had happened became politically controversial in the U.S. On October 15, Clinton took responsibility for the question of security lapses saying the differing explanations were due to the inevitable fog of war confusion after such events. On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter.", "On December 19, a panel led by Thomas R. Pickering and Michael Mullen issued its report on the matter. It was sharply critical of State Department officials in Washington for ignoring requests for more guards and safety upgrades and for failing to adapt security procedures to a deteriorating security environment. It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence.", "It focused its criticism on the department's Bureau of Diplomatic Security and Bureau of Near Eastern Affairs; four State Department officials at the assistant secretary level and below were removed from their posts as a consequence. Clinton said she accepted the conclusions of the report and that changes were underway to implement its suggested recommendations. Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack.", "Clinton gave testimony to two congressional foreign affairs committees on January 23, 2013, regarding the Benghazi attack. She defended her actions in response to the incident, and while still accepting formal responsibility, said she had had no direct role in specific discussions beforehand regarding consulate security. Congressional Republicans challenged her on several points, to which she responded.", "Congressional Republicans challenged her on several points, to which she responded. In particular, after persistent questioning about whether or not the administration had issued inaccurate \"talking points\" after the attack, Clinton responded with the much-quoted rejoinder, \"With all due respect, the fact is we had four dead Americans. Was it because of a protest or was it because of guys out for a walk one night who decided that they'd they go kill some Americans? What difference at this point does it make?", "What difference at this point does it make? What difference at this point does it make? It is our job to figure out what happened and do everything we can to prevent it from ever happening again, Senator.\" In November 2014, the House Intelligence Committee issued a report that concluded there had been no wrongdoing in the administration's response to the attack. The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack.", "The House Select Committee on Benghazi was created in May 2014 and conducted a two-year investigation related to the 2012 attack. Its actions were often seen through the prism of domestic politics. This was especially the case in September 2015, when House majority leader Kevin McCarthy credited the Benghazi hearings with lowering Clinton's poll numbers, thereby contradicting the Republicans' previous talking points on the investigation. On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee.", "On October 22, 2015, Clinton testified at an all-day and nighttime session before the committee. The hearing included many heated exchanges between committee members and Clinton and among the committee members themselves. Clinton was widely seen as emerging largely unscathed from the hearing, because of what the media perceived as a calm and unfazed demeanor and a lengthy, meandering, repetitive line of questioning from the committee. The committee issued competing final reports in June 2016 that broke along partisan lines.", "The committee issued competing final reports in June 2016 that broke along partisan lines. The Republican report offered some new details about the attack but no new evidence of culpability by Clinton. Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state.", "Email controversy A controversy arose in March 2015, when the State Department's inspector general revealed that Clinton had used personal email accounts on a non-government, privately maintained server exclusively—instead of email accounts maintained on federal government servers—when conducting official business during her tenure as secretary of state. Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements.", "Some experts, officials, members of Congress and political opponents contended that her use of private messaging system software and a private server violated State Department protocols and procedures, and federal laws and regulations governing recordkeeping requirements. The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi.", "The controversy occurred against the backdrop of Clinton's 2016 presidential election campaign and hearings held by the House Select Committee on Benghazi. In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and \"never should have been transmitted via an unclassified personal system\".", "In a joint statement released on July 15, 2015, the inspector general of the State Department and the inspector general of the intelligence community said their review of the emails found information that was classified when sent, remained so at the time of their inspection and \"never should have been transmitted via an unclassified personal system\". They also stated unequivocally this classified information should never have been stored outside of secure government computer systems.", "They also stated unequivocally this classified information should never have been stored outside of secure government computer systems. Clinton had said over a period of months that she kept no classified information on the private server that she set up in her house. Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such.", "Government policy, reiterated in the nondisclosure agreement signed by Clinton as part of gaining her security clearance, is that sensitive information can be considered as classified even if not marked as such. After allegations were raised that some of the emails in question fell into the so-called \"born classified\" category, an FBI probe was initiated regarding how classified information was handled on the Clinton server. The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department.", "The New York Times reported in February 2016 that nearly 2,100 emails stored on Clinton's server were retroactively marked classified by the State Department. Additionally, the intelligence community's inspector general wrote Congress to say that some of the emails \"contained classified State Department information when originated\". In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked.", "In May 2016, the inspector general of the State Department criticized her use of a private email server while secretary of state, stating that she had not requested permission for this and would not have received it if she had asked. Clinton maintained she did not send or receive any emails from her personal server that were confidential at the time they were sent. In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, \"I never sent or received any classified material—they are retroactively classifying it.\"", "In a Democratic debate with Bernie Sanders on February 4, 2016, Clinton said, \"I never sent or received any classified material—they are retroactively classifying it.\" On July 2, 2016, Clinton stated: \"Let me repeat what I have repeated for many months now, I never received nor sent any material that was marked classified.\" On July 5, 2016, the FBI concluded its investigation.", "On July 5, 2016, the FBI concluded its investigation. In a statement, FBI director James Comey said: 110 e-mails in 52 e-mail chains have been determined by the owning agency to contain classified information at the time they were sent or received. Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification.", "Eight of those chains contained information that was Top Secret at the time they were sent; 36 chains contained Secret information at the time; and eight contained Confidential information, which is the lowest level of classification. Separate from those, about 2,000 additional e-mails were \"up-classified\" to make them Confidential; the information in those had not been classified at the time the e-mails were sent.", "Separate from those, about 2,000 additional e-mails were \"up-classified\" to make them Confidential; the information in those had not been classified at the time the e-mails were sent. Out of 30,000, three emails were found to be marked as classified, although they lacked classified headers and were marked only with a small \"c\" in parentheses, described as \"portion markings\" by Comey. He also said it was possible Clinton was not \"technically sophisticated\" enough to understand what the three classified markings meant.", "He also said it was possible Clinton was not \"technically sophisticated\" enough to understand what the three classified markings meant. The probe found Clinton used her personal email extensively while outside the United States, both sending and receiving work-related emails in the territory of sophisticated adversaries. Comey acknowledged that it was \"possible that hostile actors gained access to Secretary Clinton's personal email account\".", "Comey acknowledged that it was \"possible that hostile actors gained access to Secretary Clinton's personal email account\". He added that \"[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information\".", "He added that \"[although] we did not find clear evidence that Secretary Clinton or her colleagues intended to violate laws governing the handling of classified information, there is evidence that they were extremely careless in their handling of very sensitive, highly classified information\". Nevertheless, Comey asserted that \"no reasonable prosecutor\" would bring criminal charges in this case, despite the existence of \"potential violations of the statutes regarding the handling of classified information\". The FBI recommended that the Justice Department decline to prosecute.", "The FBI recommended that the Justice Department decline to prosecute. On July 6, 2016, U.S. Attorney General Loretta Lynch—who had met privately with Bill Clinton on June 27—confirmed that the probe into Clinton's use of private email servers would be closed without criminal charges. On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails.", "On October 28, 2016, Comey notified Congress that the FBI had begun looking into newly discovered Clinton emails. Law enforcement officials said that while investigating allegedly illicit text messages from Anthony Weiner, husband of Clinton aide Huma Abedin, to a 15-year-old girl in North Carolina, they discovered emails related to Clinton's private server on a laptop computer belonging to Weiner. On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July.", "On November 6, Comey notified Congress that the FBI had not changed the conclusion it had reached in July. The notification was later cited by Clinton as a factor in her loss in the 2016 presidential election. The emails controversy received more media coverage than any other topic during the 2016 presidential election. In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over.", "In September 2019, the State Department finished its internal review into 33,000 emails that Clinton had turned over. The investigation that began in 2016 found 588 violations of security procedures and found that Clinton's use of a personal email server increased the risk of compromising State Department information. In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was \"no persuasive evidence of systemic, deliberate mishandling of classified information\".", "In 91 cases, the culpability of sending classified information could be attributed to 38 people, but the review concluded there was \"no persuasive evidence of systemic, deliberate mishandling of classified information\". Clinton Foundation, Hard Choices, and speeches When Clinton left the State Department, she returned to private life for the first time in thirty years. She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013.", "She and her daughter joined her husband as named members of the Bill, Hillary & Chelsea Clinton Foundation in 2013. There she focused on early childhood development efforts, including an initiative called Too Small to Fail and a $600 million initiative to encourage the enrollment of girls in secondary schools worldwide, led by former Australian Prime Minister Julia Gillard. In 2014, Clinton published a second memoir, Hard Choices, which focused on her time as secretary of state. , the book has sold about 280,000 copies.", ", the book has sold about 280,000 copies. , the book has sold about 280,000 copies. Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while \"There has never been a better time in history to be born a woman ... this data shows just how far we still have to go.\"", "Clinton also led the No Ceilings: The Full Participation Project, a partnership with the Bill & Melinda Gates Foundation to gather and study data on the progress of women and girls around the world since the Beijing conference in 1995; its March 2015 report said that while \"There has never been a better time in history to be born a woman ... this data shows just how far we still have to go.\" The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state.", "The foundation began accepting new donations from foreign governments, which it had stopped doing while she was secretary of state. However, even though the Clinton Foundation had stopped taking donations from foreign governments, they continued to take large donations from foreign citizens who were sometimes linked to their governments. She began work on another volume of memoirs and made appearances on the paid speaking circuit. There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions.", "There she received $200,000–225,000 per engagement, often appearing before Wall Street firms or at business conventions. She also made some unpaid speeches on behalf of the foundation. For the fifteen months ending in March 2015, Clinton earned over $11 million from her speeches. For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity.", "For the overall period 2007–14, the Clintons earned almost $141 million, paid some $56 million in federal and state taxes and donated about $15 million to charity. , she was estimated to be worth over $30 million on her own, or $45–53 million with her husband. Clinton resigned from the board of the foundation in April 2015, when she began her presidential campaign. The foundation said it would accept new foreign governmental donations from six Western nations only.", "The foundation said it would accept new foreign governmental donations from six Western nations only. 2016 presidential campaign On April 12, 2015, Clinton formally announced her candidacy for the presidency in the 2016 election. She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure.", "She had a campaign-in-waiting already in place, including a large donor network, experienced operatives and the Ready for Hillary and Priorities USA Action political action committees and other infrastructure. Prior to her campaign, Clinton had claimed in an interview on NDTV in May 2012 that she would not seek the presidency again, but later wrote in her 2014 autobiography Hard Choices that she had not decided. The campaign's headquarters were established in the New York City borough of Brooklyn.", "The campaign's headquarters were established in the New York City borough of Brooklyn. Her campaign focused on: raising middle class incomes, establishing universal preschool, making college more affordable and improving the Affordable Care Act. Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont.", "Initially considered a prohibitive favorite to win the Democratic nomination, Clinton faced an unexpectedly strong challenge from democratic socialist Senator Bernie Sanders of Vermont. His longtime stance against the influence of corporations and the wealthy in American politics resonated with a dissatisfied citizenry troubled by the effects of income inequality in the U.S. and contrasted with Clinton's Wall Street ties. In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them.", "In the initial contest of the primaries season, Clinton only very narrowly won the Iowa Democratic caucuses, held February 1, over an increasingly popular Sanders — the first woman to win them. In the first primary, held in New Hampshire on February 9, she lost to Sanders by a wide margin. Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers.", "Sanders was an increasing threat in the next contest, the Nevada caucuses on February 20, but Clinton managed a five-percentage-point win, aided by final-days campaigning among casino workers. Clinton followed that with a lopsided victory in the South Carolina primary on February 27. These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort.", "These two victories stabilized her campaign and showed an avoidance of the management turmoil that harmed her 2008 effort. On March 1 Super Tuesday, Clinton won seven of eleven contests, including a string of dominating victories across the South buoyed, as in South Carolina, by African-American voters. She opened up a significant lead in pledged delegates over Sanders. She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout.", "She maintained this delegate lead across subsequent contests during the primary season, with a consistent pattern throughout. Sanders did better among younger, whiter, more rural and more liberal voters and states that held caucuses or where eligibility was open to independents. Clinton did better among older, black and Hispanic voter populations, and in states that held primaries or where eligibility was restricted to registered Democrats. By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee.", "By June 5, 2016, she had earned enough pledged delegates and supportive superdelegates for the media to consider her the presumptive nominee. On June 7, after winning most of the states in the final major round of primaries, Clinton held a victory rally in Brooklyn becoming the first woman to claim the status of presumptive nominee for a major American political party. By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47.", "By campaign's end, Clinton had won 2,219 pledged delegates to Sanders' 1,832; with an estimated 594 superdelegates compared to Sanders' 47. She received almost 17 million votes during the nominating process, as opposed to Sanders' 13 million. Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party.", "Clinton was formally nominated at the 2016 Democratic National Convention in Philadelphia on July 26, 2016, becoming the first woman to be nominated for president by a major U.S. political party. Her choice of vice presidential running mate, Senator Tim Kaine, was nominated by the convention the following day. Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party.", "Her opponents in the general election included Republican Donald Trump, Libertarian Gary Johnson and Jill Stein of the Green Party. Around the time of the convention, WikiLeaks released emails that suggested the DNC and the Clinton campaign tilted the primary in Clinton's favor. Clinton held a significant lead in national polls over Trump throughout most of 2016. In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails.", "In early July, Trump and Clinton were tied in major polls following the FBI's conclusion of its investigation into her emails. FBI Director James Comey concluded Clinton had been \"extremely careless\" in her handling of classified government material. In late July, Trump gained his first lead over Clinton in major polls following a three to four percentage point convention bounce at the Republican National Convention. This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards.", "This was in line with the average bounce in conventions since 2004, although it was toward the low side by historical standards. Following Clinton's seven percentage point convention bounce at the Democratic National Convention, she regained a significant lead in national polls at the start of August. In fall 2016, Clinton and Tim Kaine published Stronger Together, which outlined their vision for the United States. Clinton was defeated by Donald Trump in the November 8, 2016, presidential election.", "Clinton was defeated by Donald Trump in the November 8, 2016, presidential election. By the early morning hours of November 9, Trump had received 279 projected electoral college votes, with 270 needed to win; media sources proclaimed him the winner. Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech.", "Clinton then phoned Trump to concede and to congratulate him on his victory, whereupon Trump gave his victory speech. The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: \"We owe him an open mind and a chance to lead.\"", "The next morning Clinton made a public concession speech in which she acknowledged the pain of her loss, but called on her supporters to accept Trump as their next president, saying: \"We owe him an open mind and a chance to lead.\" Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base.", "Though Clinton lost the election by capturing only 232 electoral votes to Trump's 306, she won the popular vote by more than 2.8 million votes, or 2.1% of the voter base. She is the fifth presidential candidate in U.S. history to win the popular vote but lose the election. She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate.", "She won the most votes of any candidate who did not take office and the third-most votes of any candidate in history, though she did not have the greatest percentage win of a losing candidate. (Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams).", "(Andrew Jackson won the popular vote by 10.4% but lost to John Quincy Adams). On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders.", "On December 19, 2016, when electors formally voted, Clinton lost five of her initial 232 votes due to faithless electors, with three of her Washington votes being cast instead for Colin Powell, one being cast for Faith Spotted Eagle, and one in Hawaii being cast for Bernie Sanders. Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea.", "Post-2016 election activities In their respective roles as a former president and a former first lady, Bill and Hillary Clinton attended the inauguration of Donald Trump with their daughter, Chelsea. The morning of the inauguration Clinton wrote on her Twitter account, \"I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future.\"", "The morning of the inauguration Clinton wrote on her Twitter account, \"I'm here today to honor our democracy & its enduring values, I will never stop believing in our country & its future.\" In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor.", "In October 2017, Clinton was awarded an honorary doctorate from Swansea University, whose College of Law was renamed the Hillary Rodham Clinton School of Law in her honor. In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019.", "In October 2018, Hillary and Bill Clinton announced plans for a 13-city speaking tour in various cities in the United States and Canada between November 2018 and May 2019. Hillary was awarded an Honorary Doctorate in law (LLD) at Queen's University Belfast on October 10, 2018, after giving a speech on Northern Ireland and the impacts of Brexit at Whitla Hall, Belfast. In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD).", "In June 2018, Trinity College Dublin awarded her with an honorary doctorate (LLD). In September 2021 she was awarded an honorary doctorate of civil law by the University of Oxford. A package that contained a pipe bomb was sent to Clinton's home in Washington, D.C., on October 24, 2018. It was intercepted by the Secret Service. Similar packages were sent to several other Democratic leaders and to CNN.", "Similar packages were sent to several other Democratic leaders and to CNN. Political actions Clinton delivered a St. Patrick's Day speech in Scranton, Pennsylvania, on March 17, 2017. In it, alluding to reports that she had being seen taking walks in the woods around Chappaqua following her loss in the presidential election, Clinton indicated her readiness to emerge from \"the woods\" and become politically active again. However, the following month she confirmed she would not seek public office again.", "However, the following month she confirmed she would not seek public office again. She reiterated her comments in March 2019 and stated she would not run for president in 2020. In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is \"dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election\".", "In May 2017, Clinton announced the formation of Onward Together, a new political action committee that she wrote is \"dedicated to advancing the progressive vision that earned nearly 66 million votes in the last election\". During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called \"a disastrous bill\" and a \"shameful failure of policy & morality by GOP\".", "During 2017, she spoke out on a number of occasions against Republican plans to repeal the Affordable Care Act and replace it with the American Health Care Act, which she called \"a disastrous bill\" and a \"shameful failure of policy & morality by GOP\". In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby \"prevent him from being able to use them to bomb innocent people and drop sarin gas on them\".", "In response to the Khan Shaykhun chemical attack, Clinton said the U.S. should take out Bashar al-Assad's airfields and thereby \"prevent him from being able to use them to bomb innocent people and drop sarin gas on them\". On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August.", "On April 28, 2020, Clinton endorsed the presumptive Democratic nominee, former Vice President Joe Biden, for president in the 2020 election and she addressed the 2020 Democratic National Convention in August. On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York.", "On October 28, 2020, Clinton announced that she was on the 2020 Democratic slate of electors for the state of New York. After Biden and Kamala Harris won New York State, thereby electing the Democratic elector slate, Clinton and her husband served as members of the 2020 United States Electoral College and cast the first of the state's electoral votes for Biden and Harris. Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter \"doesn't work\" when pursuing important negotiations.", "Comments on President Trump On May 2, 2017, Clinton said Trump's use of Twitter \"doesn't work\" when pursuing important negotiations. \"Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position\".", "\"Kim Jong Un ... [is] always interested in trying to get Americans to come to negotiate to elevate their status and their position\". Negotiations with North Korea should not take place without \"a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change.\"", "Negotiations with North Korea should not take place without \"a broader strategic framework to try to get China, Japan, Russia, South Korea, to put the kind of pressure on the regime that will finally bring them to the negotiating table with some kind of realistic prospect for change.\" While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was \"a con\" for underfunding domestic programs.", "While delivering the commencement speech at her alma mater Wellesley College on May 26, Clinton asserted President Trump's 2018 budget proposal was \"a con\" for underfunding domestic programs. On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a \"historic mistake\".", "On June 1, when President Trump announced the withdrawal of the U.S. from the Paris Agreement, Clinton tweeted that it was a \"historic mistake\". On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a \"threat\" to the country's standing in the world; an \"illegitimate president\", despite having won the election; and a \"corrupt human tornado\".", "On September 29, 2019, in an interview with CBS News Sunday Morning, Clinton described Trump as a \"threat\" to the country's standing in the world; an \"illegitimate president\", despite having won the election; and a \"corrupt human tornado\". Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation.", "Comments on politics during the Biden administration In March 2021, Clinton voiced her support for the United States Senate to abolish the Senate filibuster if it proves necessary to do so in order to pass voting rights legislation. Clinton called the Senate filibuster \"another Jim Crow relic\". Writing career Clinton's third memoir, What Happened, an account of her loss in the 2016 election, was released on September 12, 2017. A book tour and a series of interviews and personal appearances were arranged for the launch.", "A book tour and a series of interviews and personal appearances were arranged for the launch. What Happened sold 300,000 copies in its first week, less than her 2003 memoir, Living History, but triple the first-week sales of her previous memoir, 2014's Hard Choices. Simon & Schuster announced that What Happened had sold more e-books in its first-week than any nonfiction e-book since 2010. As of December 10, 2017, the book had sold 448,947 hardcover copies.", "As of December 10, 2017, the book had sold 448,947 hardcover copies. An announcement was made in February 2017 that efforts were under way to render her 1996 book It Takes a Village as a picture book. Marla Frazee, a two-time winner of the Caldecott Medal, was announced as the illustrator. Clinton had worked on it with Frazee during her 2016 presidential election campaign. The result was published on the same day of publication as What Happened.", "The result was published on the same day of publication as What Happened. The book is aimed at preschool-aged children, although a few messages are more likely better understood by adults. In October 2019, The Book of Gutsy Women: Favorite Stories of Courage and Resilience, a book Clinton co-wrote with her daughter Chelsea, was published. In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny.", "In February 2021, Clinton announced that she was co-writing her first fiction book with Louise Penny. The book, a political mystery thriller, is titled State of Terror and was released in October 2021. Clinton has also written occasional op-eds in the years since her 2016 election defeat. In September 2018, The Atlantic published an article written by Clinton titled \"American Democracy Is In Crisis\".", "In September 2018, The Atlantic published an article written by Clinton titled \"American Democracy Is In Crisis\". In April 2019, The Washington Post published an op-ed by Clinton calling for congress to be, \"deliberate, fair, and fearless\" in responding to the Mueller Report. In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled \"A National Security Reckoning\".", "In their November/December 2020 issue, Foreign Affairs published a piece by Clinton titled \"A National Security Reckoning\". On January 11, 2021, following the January 6 storming of the United States Capitol, an op-ed by Clinton titled \"Trump should be impeached. But that alone won’t remove white supremacy from America.\" was published in The Washington Post. In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election.", "In July 2021, Democracy Docket published an op-ed by Clinton on Republican efforts to restrict voting following the 2020 presidential election. Media ventures Clinton collaborated with director Nanette Burstein on the documentary film Hillary, which was released on Hulu in March 2020. On September 29, 2020, Clinton launched an interview podcast in collaboration with iHeartRadio titled You and Me Both. Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour.", "Clinton is slated to be an executive producer of a drama series about the fight for women's suffrage in the United States titled The Woman's Hour. The series, based upon Elaine Weiss' book of the same name, will air on The CW. Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast.", "Chancellor of Queen's University Belfast On January 2, 2020, it was announced that Clinton would take up the position of Chancellor at Queen's University Belfast. Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran.", "Clinton became the 11th and first female chancellor of the university, filling the position that had been vacant since 2018 after the death of her predecessor, Thomas J. Moran. Commenting on taking up the position, she said that \"the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence\".", "Commenting on taking up the position, she said that \"the university is making waves internationally for its research and impact and I am proud to be an ambassador and help grow its reputation for excellence\". Queen's Pro-Chancellor Stephen Prenter said that Clinton on her appointment \"will be an incredible advocate for Queen's\" who can act as an \"inspirational role model\". However, her inauguration was protested by some students.", "However, her inauguration was protested by some students. However, her inauguration was protested by some students. Political positions Using her Senate votes, several organizations have attempted to measure Clinton's place on the political spectrum scientifically. National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative.", "National Journals 2004 study of roll-call votes assigned Clinton a rating of 30 on the political spectrum, relative to the Senate at the time, with a rating of1 being most liberal and 100 being most conservative. National Journals subsequent rankings placed her as the 32nd-most liberal senator in 2006 and 16th-most liberal senator in 2007. A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator.", "A 2004 analysis by political scientists Joshua D. Clinton of Princeton University and Simon Jackman and Doug Rivers of Stanford University found her likely to be the sixth-to-eighth-most liberal senator. The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign.", "The Almanac of American Politics, edited by Michael Barone and Richard E. Cohen, rated her votes from 2003 through 2006 as liberal or conservative, with 100 as the highest rating, in three areas: Economic, Social and Foreign. Averaged for the four years, the ratings are: Economic = 75 liberal, 23 conservative; Social = 83 liberal, 6 conservative; Foreign = 66 liberal, 30 conservative. Total average = 75 liberal, 20 conservative.", "Total average = 75 liberal, 20 conservative. Total average = 75 liberal, 20 conservative. According to FiveThirtyEights measure of political ideology, \"Clinton was one of the most liberal members during her time in the Senate.\" Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015.", "Organizations have also attempted to provide more recent assessments of Clinton after she reentered elective politics in 2015. Based on her stated positions from the 1990s to the present, On the Issues places her in the \"Left Liberal\" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances.", "Based on her stated positions from the 1990s to the present, On the Issues places her in the \"Left Liberal\" region on their two-dimensional grid of social and economic ideologies, with a social score of 80 on a scale of zero more-restrictive to 100 less-government stances, with an economic score of ten on a scale of zero more-restrictive to 100 less-government stances. Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative).", "Crowdpac, which does a data aggregation of campaign contributions, votes and speeches, gives her a 6.5L rating on a one-dimensional left-right scale from 10L (most liberal) to 10C (most conservative). In March 2016, Clinton laid out a detailed economic plan, which The New York Times called \"optimistic\" and \"wide-ranging\".", "In March 2016, Clinton laid out a detailed economic plan, which The New York Times called \"optimistic\" and \"wide-ranging\". Basing her economic philosophy on inclusive capitalism, Clinton proposed a \"clawback\" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an \"exit tax\" on companies that move their headquarters out of America to pay a lower tax rate overseas.", "Basing her economic philosophy on inclusive capitalism, Clinton proposed a \"clawback\" that would rescind tax relief and other benefits for companies that move jobs overseas; providing incentives for companies that share profits with employees, communities and the environment, rather than focusing on short-term profits to increase stock value and rewarding shareholders; increasing collective bargaining rights; and placing an \"exit tax\" on companies that move their headquarters out of America to pay a lower tax rate overseas. Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as \"the gold standard\" of trade deals.", "Clinton currently opposes the Trans-Pacific Partnership (TPP), though previously described it as \"the gold standard\" of trade deals. She supports the U.S. Export-Import Bank and holds that \"any trade deal has to produce jobs and raise wages and increase prosperity and protect our security\". As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others.", "As senator (2001–2009), her record on trade was mixed; she voted in favor of some trade agreements but not others. Given the climate of unlimited campaign contributions following the Supreme Court's Citizens United decision, Clinton called for a constitutional amendment to limit \"unaccountable money\" in politics. In July 2016, she \"committed\" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision.", "In July 2016, she \"committed\" to introducing a U.S. constitutional amendment that would result in overturning the 2010 Citizens United decision. On December 7, 2015, Clinton presented her detailed plans for regulating Wall Street financial activities in the New York Times. Accepting the scientific consensus on climate change, Clinton supports cap-and-trade, and opposed the Keystone XL pipeline. She supported \"equal pay for equal work\", to address current shortfalls in how much women are paid to do the same jobs men do.", "She supported \"equal pay for equal work\", to address current shortfalls in how much women are paid to do the same jobs men do. Clinton has explicitly focused on family issues and supports universal preschool. These programs would be funded by proposing tax increases on the wealthy, including a \"fair share surcharge\". Clinton supported the Affordable Care Act and would have added a \"public option\" that competed with private insurers and enabled people \"50 or 55 and up\" to buy into Medicare.", "Clinton supported the Affordable Care Act and would have added a \"public option\" that competed with private insurers and enabled people \"50 or 55 and up\" to buy into Medicare. On LGBT rights, she supports the right to same-sex marriage, a position that has changed throughout her political career. In 2000, she was against such marriages altogether. In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage.", "In 2006, she said only that she would support a state's decision to permit same-sex marriages, but opposed federally amending the Constitution to permit same-sex marriage. While running for president in 2007, she again reiterated her opposition to same-sex marriage, although expressed her support of civil unions. 2013 marked the first time that Clinton expressed support for a national right to same-sex marriage. In 2000, she was the first spouse of a US president to march in an LGBT pride parade.", "In 2000, she was the first spouse of a US president to march in an LGBT pride parade. In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News).", "In 2016, she was the first major-party presidential candidate ever to write an op-ed for an LGBT newspaper (Philadelphia Gay News). Clinton held that allowing undocumented immigrants to have a path to citizenship \"s at its heart a family issue\", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States.", "Clinton held that allowing undocumented immigrants to have a path to citizenship \"s at its heart a family issue\", and expressed support for Obama's Deferred Action for Parental Accountability (DAPA) program, which would allow up to five million undocumented immigrants to gain deferral of deportation and authorization to legally work in the United States. However, in 2014, Clinton stated that unaccompanied children crossing the border \"should be sent back.\" She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States.", "She opposed and criticized Trump's call to temporarily ban Muslims from entering the United States. Expressing support for Common Core she said, \"The really unfortunate argument that's been going on around Common Core, it's very painful because the Common Core started off as a bipartisan effort. It was actually nonpartisan. It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time.", "It wasn't politicized ... Iowa has had a testing system based on a core curriculum for a really long time. And you see the value of it, you understand why that helps you organize your whole education system. And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core.\"", "And a lot of states unfortunately haven't had that and so don't understand the value of a core, in this sense a Common Core.\" On foreign affairs, Clinton voted in favor of the Authorization for Use of Military Force Against Iraq in October 2002, a vote she later \"regretted\". She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad.", "She favored arming Syria's rebel fighters in 2012 and has called for the removal of Syrian president Bashar al-Assad. She supported the NATO bombing of Yugoslavia in 1999 and the NATO-led military intervention in Libya to oust former Libyan leader Muammar Gaddafi in 2011. Clinton is in favor of maintaining American influence in the Middle East. She has told the American Israel Public Affairs Committee, \"America can't ever be neutral when it comes to Israel's security and survival.\"", "She has told the American Israel Public Affairs Committee, \"America can't ever be neutral when it comes to Israel's security and survival.\" Clinton expressed support for Israel's right to defend itself during the 2006 Lebanon War and 2014 Israel–Gaza conflict. In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: \"I think we should have been more willing to confront Assad.", "In a 2017 interview, after a poison gas attack in Syria, Clinton said that she had favored more aggressive action against Bashar al-Assad: \"I think we should have been more willing to confront Assad. I really believe we should have and still should take out his air fields and prevent him from being able to use them to bomb innocent people and drop sarin gas on them.\" In 2000, Clinton advocated for the elimination of the electoral college.", "In 2000, Clinton advocated for the elimination of the electoral college. She promised to co-sponsor legislation that would abolish it, resulting in the direct election of the president. She reiterated her position against the Electoral College as she cast her vote as an elector in the electoral college for Joe Biden in 2020. Religious views Clinton has been a lifelong Methodist, and has been part of United Methodist Church congregations throughout her life. She has publicly discussed her Christian faith on several occasions, although seldom while campaigning.", "She has publicly discussed her Christian faith on several occasions, although seldom while campaigning. Professor Paul Kengor, author of God and Hillary Clinton: A Spiritual Life, has suggested that Clinton's political positions are rooted in her faith. She often expresses a maxim often attributed to John Wesley: \"Do all the good you can, by all the means you can, in all the ways you can.\" Cultural and political image Over a hundred books and scholarly works have been written about Clinton.", "Cultural and political image Over a hundred books and scholarly works have been written about Clinton. A 2006 survey by the New York Observer found \"a virtual cottage industry\" of \"anti-Clinton literature\" put out by Regnery Publishing and other conservative imprints. Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped?", "Some titles include Madame Hillary: The Dark Road to the White House, Hillary's Scheme: Inside the Next Clinton's Ruthless Agenda to Take the White House and Can She Be Stopped? : Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband).", ": Hillary Clinton Will Be the Next President of the United States Unless ... Books praising Clinton did not sell nearly as well (other than her memoirs and those of her husband). When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her.", "When she ran for Senate in 2000, several fundraising groups such as Save Our Senate and the Emergency Committee to Stop Hillary Rodham Clinton sprang up to oppose her. Don Van Natta found that Republican and conservative groups viewed her as a reliable \"bogeyman\" to mention in fundraising letters, on a par with Ted Kennedy, and the equivalent of Democratic and liberal appeals mentioning Newt Gingrich. Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives.", "Clinton has also been featured in the media and popular culture in a wide spectrum of perspectives. In 1995, writer Todd S. Purdum of The New York Times characterized Clinton as a Rorschach test, an assessment echoed at the time by feminist writer and activist Betty Friedan, who said, \"Coverage of Hillary Clinton is a massive Rorschach test of the evolution of women in our society.\" She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady.", "She has been the subject of many satirical impressions on Saturday Night Live, beginning with her time as the first lady. She has made guest appearances on the show herself, in 2008 and in 2015, to face-off with her doppelgängers. Jonathan Mann wrote songs about her including \"The Hillary Shimmy Song\", which went viral. She has often been described in the popular media as a polarizing figure, though some argue otherwise.", "She has often been described in the popular media as a polarizing figure, though some argue otherwise. In the early stages of her 2008 presidential campaign, a Time magazine cover showed a large picture of her with two checkboxes labeled \"Love Her\", \"Hate Her\". Mother Jones titled its profile of her \"Harpy, Hero, Heretic: Hillary\".", "Mother Jones titled its profile of her \"Harpy, Hero, Heretic: Hillary\". Following Clinton's \"choked up moment\" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse.", "Following Clinton's \"choked up moment\" and related incidents in the run-up to the January 2008 New Hampshire primary, both The New York Times and Newsweek found that discussion of gender's role in the campaign had moved into the national political discourse. Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, \"brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics\".", "Newsweek editor Jon Meacham summed up the relationship between Clinton and the American public by saying the New Hampshire events, \"brought an odd truth to light: though Hillary Rodham Clinton has been on the periphery or in the middle of national life for decades ... she is one of the most recognizable but least understood figures in American politics\". Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure.", "Once she became secretary of state, Clinton's image seemed to improve dramatically among the American public and become one of a respected world figure. Her favorability ratings dropped, however, after she left office and began to be viewed in the context of partisan politics once more. By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever.", "By September 2015, with her 2016 presidential campaign underway and beset by continued reports regarding her private email usage at the State Department, her ratings had slumped to some of her lowest levels ever. In March 2016, she acknowledged that: \"I'm not a natural politician, in case you haven't noticed.\"", "In March 2016, she acknowledged that: \"I'm not a natural politician, in case you haven't noticed.\" Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording.", "Electoral history 2000 Senate election 2006 Senate election 2008 presidential election 2016 presidential election Books and recordings It Takes a Village: And Other Lessons Children Teach Us (1996).Clinton received the Grammy Award for Best Spoken Word Album in 1997 for the book's audio recording. Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003).", "Dear Socks, Dear Buddy: Kids' Letters to the First Pets (1998) An Invitation to the White House: At Home with History (2000) Living History (Simon & Schuster, 2003). The book set a first-week sales record for a nonfiction work, went on to sell more than one million copies in the first month following publication, and was translated into twelve foreign languages. Hard Choices (2014). The book has sold about 280,000 copies.", "The book has sold about 280,000 copies. The book has sold about 280,000 copies. With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press.", "With Tim Kaine, Stronger Together (2016) What Happened (Simon & Schuster, 2017, in print, e-book, and audio read by the author) With Chelsea Clinton, The Book of Gutsy Women: Favorite Stories of Courage and Resilience (Simon & Schuster, 2019, in print, e-book, and audio) With Louise Penny, State of Terror is set to release on October 12, 2021, and be published by Simon & Schuster & St. Martin's Press. Ancestry See also 2016 United States presidential election timeline List of female United States Cabinet members Women in the United States Senate Notes References Citations Sources cited External links Official Clinton Foundation State Department Biography Media coverage Other Hillary Clinton's file at Politifact 1947 births Living people 2020 United States presidential electors 20th-century American lawyers 20th-century American non-fiction writers 20th-century American politicians 20th-century American women lawyers 20th-century American women politicians 20th-century American women writers 20th-century Methodists 21st-century American diplomats 21st-century American non-fiction writers 21st-century American politicians 21st-century American women politicians 21st-century American women writers 21st-century Methodists Activists from New York (state) American autobiographers American feminists American legal writers American memoirists American people of Dutch descent American people of English descent American people of French-Canadian descent American people of Scottish descent American people of Welsh descent American political writers American United Methodists American women activists American women diplomats American diplomats American women non-fiction writers American women's rights activists American women academics Arkansas Democrats Arkansas lawyers Articles containing video clips Candidates in the 2008 United States presidential election Candidates in the 2016 United States presidential election Chancellors of Queen's University Belfast Children's rights activists Bill Clinton College Republicans Democratic Party (United States) presidential nominees Democratic Party United States senators from New York (state) Directors of Walmart Family of Bill and Hillary Clinton Female candidates for President of the United States Female foreign ministers Female United States senators First Ladies and Gentlemen of Arkansas First Ladies of the United States Grammy Award winners Grand Crosses of the Order of Lakandula Illinois Republicans Intellectual property lawyers New York (state) Democrats Obama administration cabinet members People from Park Ridge, Illinois Politicians from Little Rock, Arkansas Politicians from Westchester County, New York Recipients of the Four Freedoms Award Recipients of the Order of the Cross of Terra Mariana, 1st Class Rodham family United States Secretaries of State United States senators from New York (state) University of Arkansas School of Law faculty Wellesley College alumni Women autobiographers Women heads of universities and colleges Women in New York (state) politics Women members of the Cabinet of the United States Writers from New York (state) Yale Law School alumni" ]
[ "Havelock Ellis", "Sexual impulse in youth" ]
C_55326ebad6b0415ea8430f68d8c986f4_1
What was his view on sexual impulse in the youth?
1
What was Havelock Ellis view on sexual impulse in the youth?
Havelock Ellis
Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER
book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity.
Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola
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[ "The World Association for Sexual Health (WAS) is an international umbrella organization representing sexological societies and sexologists worldwide. Founded in 1978 in Rome, Italy, the WAS main goal is to promote sexual health for all through sexological science. Since its beginning, the WAS has successfully sponsored 19 international congresses, the last one being held in Gothenburg, Sweden, from June 21 to June 25, 2009. The WAS was previously named World Association for Sexology, but changed its name in order to stress that sexology is a tool for achieving sexual health.\n\nMember societies \nFive prominent Regional Continental Federations are members of the WAS: The Asia and Oceania Federation of Sexology (AOFS), the European Federation of Sexology (EFS), the Latin American Federation of Sexology and Sexual Education (FLASSES), the North American Federation of Sexuality Organizations (NAFSO), and the African Federation for Sexual Health and Rights (AFSHR).\n\nWAS members also include more than 100 national and international sexological organizations, institutes and foundations. Among the sexological societies belonging to WAS, we can find: the International Academy of Sex Research, the Sexuality Information and Education Council of the United States (SIECUS), the Society for the Scientific Study of Sexuality (SSSS), the Society for the Advancement of Sexual Health, South Asia Institute for Human Sexuality (SAIHS), the American Association of Sex Educators, Counselors, & Therapists (AASECT) and the World Professional Association for Transgender Health (WPATH).\n\nWorld Sexual Health Day \nIn 2010, the WAS instituted September 4 as the World Sexual Health Day in an effort to increase social awareness about the role that sexuality plays in human health, and to promote the fact that sexual health is only attainable through sexual rights.\n\nThe theme of the 2010 World Sexual Health Day was \"Let's talk about it... an intergenerational discussion\", thus, activities around the world had the objective of creating dialogue between youth and adults about sexual health.\n\nMore than 25 countries joined the celebration, among them: Mexico, Venezuela, Colombia, Argentina, Puerto Rico, Sweden, Japan, Italy, Spain, Austria, etc.\n\nThe second World Sexual Health Day took place on September 4, 2011, with the theme \"Youth's sexual health: Shared rights and responsibilities\" in order to celebrate the beginning of the WAS Youth Initiative and the ending of the International Year of Youth.\n\nAnd the third one took place on September 4 (also throughout the month of September) with the theme of \"Celebrating diversity\". More than 40 countries participated.\n\nDeclaration of Sexual Rights \nThe Declaration of Sexual Rights was first proclaimed on the 13th World Congress of Sexology in Valencia 1997 and revised at the 14th World Congress of Sexology in Hong Kong 1999. The current version is from 2014.\n\nThis Declaration gave an influence on The Yogyakarta Principles, especially on the idea of each person's integrity, right to issues of sexuality, including the whole spectrum of sexual and reproductive health and rights.\n\nWork with the Pan American Health Organization \nThe Pan American Health Organization (an office of the World Health Organization) convened a Regional Consultation on sexual health in collaboration with WAS in Antigua Guatemala, Guatemala in May 2000. The consultation resulted in a document entitled: Promotion for Sexual Health. Recommendations for Action, in which a conceptual framework for the promotion of sexual health is developed.\n\nYouth initiative \nThe WAS established its youth initiative in an effort to contribute to youth's sexual health and sexual rights through a fuller participation of Youth in WAS governance, policies and activities. The WAS Youth Initiative was proposed and developed by a 22-year-old Mexican sexual health advocate and sexologist, Antón Castellanos Usigli, mentored by Esther Corona, WAS Executive Coordinator, making it an International Youth Initiative conceived by a young mind.\n\nThe WAS Youth Initiative Committee, was initially co-chaired by Antón Castellanos Usigli and Esther Corona, and composed of ten members belonging to Venezuela, Lebanon, Cuba, Chile, Sweden, Italy, Kenya, Australia and India is the organ within WAS that develops the Initiative. The Second World Sexual Health Day, which took place on September 4, 2011, celebrated young people's sexual health and rights because of the WAS Youth Initiative and the International Year of Youth. In 2020 the Chair of the Committee is Stefano Eleuteri.\n\nJournal\nThe official journal of the World Association for Sexual Health is the International Journal of Sexual Health, is a peer-reviewed academic journal that covers research on sexual health as a state of physical, emotional, mental, and social well-being.\n\nReferences\n\nExternal links \n \n WAS Universal Declaration of Sexual Rights\n WAS – Declaración de los Derechos Sexuales \n\nInternational medical and health organizations\nSex positivism\nHuman sexuality organizations", "\"The Impulse Economy: Understanding Mobile Shoppers and What Makes Them Buy\" is a book by Gary Schwartz that analyzes the evolution of mobile shopper behaviour. The book was first released in 2011 in the US and Canadian markets by Simon & Schuster, Atria imprint.\n\nThe Impulse Economy the first of a series of mobile marketing books published by Simon & Schuster. The second in the series FAST SHOPPER. SLOW STORE was published in 2012.\n\nThe Impulse Economy was the first NFC enabled \"smart book\". RFID stickers were placed on the cover of the book to allow book shopper with a NFC enabled phone to tap to instantly link to book information. Simon & Schuster calls this the first contactless book.\n\nThe online book abstract reads, \"We live in a world where our mobile devices have become extensions of ourselves. We depend on them for instant connections to entertainment, social media, news, and deals. The phone has become our ticket, loyalty card, and catchall wallet. Networks are faster, phones are smarter, and the mobile shopper is ready to spend money now. What can a business do to maximize the mobile buying power of the new impulse consumer?\"\n\nReferences\n\nExternal links \n Book excerpt: The Impulse Economy\n Author's website\n Publisher's website\n Author interview on retail and The Impulse Economy\n MSN interview on The Impulse Economy\n\nMarketing books\nE-commerce\nAtria Publishing Group books\n2011 non-fiction books" ]
[ "Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis.", "He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912.", "He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea.", "His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham.", "After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales.", "After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful.", "The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year.", "He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world.", "He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\"", "Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\" Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician.", "He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama.", "His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape.", "It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book.", "In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, \"'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it.\" In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud.", "Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness.", "She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena.", "Eonism Ellis studied what today are called transgender phenomena. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon.", "In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\".", "Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\". As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\".", "As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington.", "At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their \"open marriage\" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating.", "He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this \"undinism\". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics.", "Eugenics Ellis was a supporter of eugenics. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\".", "He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior.", "Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents.", "In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along.", "However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions.", "In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\"", "While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\" Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists.", "Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\".", "This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality.", "Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all.", "He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. \"If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation.", "He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable.", "Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. \"They are not (as is sometimes imagined) repressed.\" They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.", "Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four.", "These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V.", "Ellis then references G.V. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls.", "However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty.", "Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a \"wide range of genital and sexual aptitude\". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of \"more unsound heredity\" and/or hypersexual parents are \"more precociously excitable\". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation.", "Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to \"unshamed efforts at sexual self-manipulation witnessed among the insane\". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow.", "Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of \"sexual anesthesia\". Ellis also raises social concern over how auto-erotic tendencies affect marriages.", "Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them.", "Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection.", "In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations.", "Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in \"Hebrew and Mohammedan lands\". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours.", "Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\"", "Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\" Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound.", "Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men.", "In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race.", "From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks.", "He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'.", "Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized.", "In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice.", "While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient.", "Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ.", "However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that \"sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory.\" His opposition to such a system was not only rooted in morality.", "His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction.", "Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool.", "While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit.", "For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, \"the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\"", "It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London.", "He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise).", "He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish).", "The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member.", "Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939.", "Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A.", "Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol.", "Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.", "7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed. : James Hinton: Life in Nature (1931) ed.", ": James Hinton: Life in Nature (1931) ed. : Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed.", ": Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed.", "by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195).", "by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola" ]
[ "Havelock Ellis", "Sexual impulse in youth", "What was his view on sexual impulse in the youth?", "book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity." ]
C_55326ebad6b0415ea8430f68d8c986f4_1
How does he feel they experience it differently?
2
How does Havelock Ellis feel youth experience sexual impulse differently?
Havelock Ellis
Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER
sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,
Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola
true
[ "How Does It Feel may refer to:\n\nMusic\n\nAlbums\n How Does It Feel, a 1999 album by Nancy Sinatra\n How Does It Feel (MS MR album), a 2015 album by MS MR\n\nSongs\n \"How Does It Feel\" (Anita Baker song)\n \"How Does It Feel\" (Slade song)\n \"How Does It Feel (to be the mother of 1000 dead)?\", a controversial song by Crass\n \"How Does It Feel\", a song by Avril Lavigne from Under My Skin\n \"How Does It Feel\", a song by Candlebox from Into the Sun\n \"How Does It Feel\", a song by Keri Hilson from In a Perfect World...\n \"How Does It Feel\", a song by London Grammar from Californian Soil\n \"How Does It Feel\", a song by Men Without Hats from No Hats Beyond This Point\n \"How Does It Feel\", a song by M-22\n \"How Does It Feel?\", a song by Pharrell Williams from In My Mind\n \"How Does It Feel?\", a song by The Ronettes from Presenting the Fabulous Ronettes Featuring Veronica\n \"How Does It Feel\", a song by Toto from Isolation\n \"How Does It Feel\", a song by Westlife from Unbreakable – The Greatest Hits Vol. 1\n \"Untitled (How Does It Feel)\", a song by D'Angelo from Voodoo\n \"Like a Rolling Stone\", song by Bob Dylan from Highway 61 Revisited, best known for the line \"How does it feel?\"\n \"Blue Monday\" (New Order song), a song whose first line is \"How does it feel\"", "Hdif or HDIF may refer to:\n\nHow Does It Feel to Be Loved?, a London night club\nHow does it feel to be loved, which has numerous meanings\nHuman Development Innovation Fund, a DFID challenge fund" ]
[ "Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis.", "He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912.", "He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea.", "His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham.", "After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales.", "After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful.", "The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year.", "He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world.", "He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\"", "Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\" Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician.", "He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama.", "His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape.", "It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book.", "In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, \"'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it.\" In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud.", "Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness.", "She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena.", "Eonism Ellis studied what today are called transgender phenomena. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon.", "In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\".", "Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\". As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\".", "As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington.", "At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their \"open marriage\" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating.", "He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this \"undinism\". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics.", "Eugenics Ellis was a supporter of eugenics. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\".", "He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior.", "Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents.", "In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along.", "However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions.", "In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\"", "While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\" Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists.", "Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\".", "This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality.", "Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all.", "He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. \"If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation.", "He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable.", "Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. \"They are not (as is sometimes imagined) repressed.\" They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.", "Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four.", "These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V.", "Ellis then references G.V. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls.", "However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty.", "Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a \"wide range of genital and sexual aptitude\". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of \"more unsound heredity\" and/or hypersexual parents are \"more precociously excitable\". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation.", "Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to \"unshamed efforts at sexual self-manipulation witnessed among the insane\". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow.", "Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of \"sexual anesthesia\". Ellis also raises social concern over how auto-erotic tendencies affect marriages.", "Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them.", "Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection.", "In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations.", "Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in \"Hebrew and Mohammedan lands\". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours.", "Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\"", "Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\" Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound.", "Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men.", "In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race.", "From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks.", "He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'.", "Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized.", "In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice.", "While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient.", "Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ.", "However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that \"sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory.\" His opposition to such a system was not only rooted in morality.", "His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction.", "Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool.", "While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit.", "For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, \"the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\"", "It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London.", "He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise).", "He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish).", "The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member.", "Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939.", "Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A.", "Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol.", "Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.", "7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed. : James Hinton: Life in Nature (1931) ed.", ": James Hinton: Life in Nature (1931) ed. : Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed.", ": Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed.", "by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195).", "by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola" ]
[ "Havelock Ellis", "Sexual impulse in youth", "What was his view on sexual impulse in the youth?", "book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity.", "How does he feel they experience it differently?", "sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse," ]
C_55326ebad6b0415ea8430f68d8c986f4_1
Does he think that the youth are more sexually active than older people?
3
Does Havelock Ellis think that the youth are more sexually active than older people?
Havelock Ellis
Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER
He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered.
Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola
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[ "Sexually active life expectancy is the average number of years remaining for a person to be sexually active. This population-based indicator extends the concept of health expectancy to the measure of sexuality (via sexual activity). Calculation of sexually active life expectancy uses the age-specific prevalence data on sexual activity in conjunction with life table data on survival probabilities to partition the number of person-years into years with and without sexual activity, which is based on the Sullivan method. The Sullivan method's objective is to understand the change of health in a given population over time.\n\nStudies\nThe measure of sexually active life expectancy was introduced by Lindau and Gavrilova. Through their study of two cohorts, researchers Lindau and Gavrilova found that sexual activity, a good quality sex life, and interest in sex were associated with self rated health in a positive way. Their research focused on midlife and later life health. This included ages 27 to 74 years and 57 to 85 years. In their findings they concluded that a gender difference was present with increasing age. Evidence proved that men were more likely than women to be engaging in sexual activity. Men were also more likely to report that they were even interested in having sex and that they were having good quality sex . In addition, the research demonstrated that only 51.8% of women in a later stage of life reported being satisfied by their sexual life compared to 71.1% of men. Furthermore, their research showed that men in good or excellent health participated in regular sexual activity lived an extra five to seven years, and women in substantially good health lived three to six years longer. Even though the gender gap is evident, the research provides a clear association between health and sexual activity.\n\nA study of two large population-based U.S. surveys found that, on average, women expect fewer years of sexual activity, mainly due to prevalent widowhood among older women. This gender disparity is attenuated for people with a spouse or other intimate partner. The study also found that men tend to lose more years of sexually active life due to poor health.\n\nSexually active life expectancy is associated with self-reports of good health in both men and women. Sexuality has been identified as an important attribute to overall health and a marker of quality of life. Sexual desire has also been attributed to good health, good sexual functioning, positive sexual self-esteem, and a skillful partner. Physicians may find that sexually active life expectancy can be used as an incentive for patients to become (and stay) healthy. Institutional settings such as residential care facilities should focus on offering an accepting environment for sexually active older people.\n\nBarriers preventing sex \nAlthough people generalize that older adults do not participate in sex often, research shows that older people enjoy participating in a variety of sexual activities. Barriers, both physically and mentally, is an important factor that influences older adults' sexual activities. These barriers can be seen at the individual, societal, and structural level. Some barriers include: lack of privacy, availability of sexual partner, mental health, and the impact of prescriptions on sexual desires.\n\nAge-related barriers \nAge-related factors can be identified through the decline of health. This can include declining fitness and mobility levels. Biological changes, such as menopause for women, can cause an unpleasant experience during sex. This can include painful intercourse and a lack of sex drive, however, many women have reported that not having to worry about becoming pregnant made them enjoy sexual activity more. The presence of diseases such as arthritis, can also greatly affect a person's sexual activities, however, this is evident for any age range. Factors such as a decrease in self esteem, confidence, and cognitive function can prohibit an older person from participating in sex or romantic partnerships. Having to live in an assisted living home has also created a physical behavior. People are less likely to have the privacy that they want when they are surrounded by other elderly people and nurses.\n\nIntimate relationships within institutional settings (residential care) \nDue to the increasing ageist attitudes towards older people being sexually active, there is not many programs advocating for older people's sexuality. Employers of residential facilities see many problems with allowing older people to participate in sexual activities. Within institutional settings, segregation was found to be the main boundary between older people, assuming they were heterosexual, achieving sexual activities. Many buildings were designed to ensure that males and females were separated, usually by floors or specific wings of the building. Unless they could afford to, married couples were not able to stay with each other in residential care facilities. Creating a \"home\" environment is a key factor in an older person's well-being, especially since this facility may be the last place an older person resides in. Therefore, being open minded about residents' sexual life would be very beneficial to older people.\n\nLegal and ethical issues \nOne of the main reasons residential homes do not care to facilitate intimate relationships is because employees may have a hard time distinguishing a desired sexual partnership from an undesired one. The residential care faces possible issues if a resident is being taken advantage of especially if they are physically or mentally incapable to protect themselves. Facilities usually have a safeguarding and protection policy which monitors any relationship to prevent abuse.\n\nReferences\n\nFurther reading\n\nExternal links \n Calculate your sexually active life expectancy\n\nSexuality and age\nGerontology\nSurvival analysis", "Sexuality in older age concerns the sexual drive, sexual activity, interests, orientation, intimacy, self-esteem, behaviors, and overall sexuality of people in middle age and old age, and the social perceptions concerning sexuality in older age. Older people engage in a variety of sexual acts from time to time for a variety of reasons. Desire for intimacy does not disappear with age, yet there are many restrictions placed on the elderly preventing sexual expressions and discouraging the fulfillment of sexual needs. Sexuality in older age is often considered a taboo, yet it is considered to be quite a healthy practice; however, this stigma can affect how older individuals experience their sexuality. While the human body has some limits on the maximum age for reproduction, sexual activity can be performed or experienced well into the later years of life.\n\nPhysical changes\nBoth male and female libidos tend to decline with increasing age, and women tend to lose their libido faster than men. However, desire for sexual activity is not lost completely. Neither does it decrease for everyone. Menopause, a female biological process, has been linked to a loss of interest in sexual activity and to a desensitization of the genital area. In some cases, vaginal penetration can be painful for older women (see, for example, vaginismus). However, with the advent of hormone replacement therapy (HRT) treatments, the effects of menopause have lessened and women have more opportunities to continue experiencing an active sex life. Similarly, treatments for erectile dysfunction can make it possible for men to enjoy sexual activity again.\n\nHealth benefits\nIt has been suggested that an active sex life can increase longevity among the elderly. Positive sexual health in older age is slowly becoming more of a commonplace idea with the steady increase in the percentage of the older population. This population percentage increase requires placing more attention on the needs of this age group, including their ideas on sexual health, desires, and attitudes. This shift in attitudes and behaviors has combined with medical advances to prolong a sexually active life and change the landscape of aging sexuality.\n\nSexual health and expression reflects a physical, mental, and emotional need that affects individual health and intimacy quality for older couples’ relationships. Dr. Syme found that, \"Having a sexual partnership, with frequent sexual expression, having a good quality sex life, and being interested in sex have been found to be positively associated with health among middle-aged and older adults.\"\n\nThere are a number of associated health benefits with practicing positive sexual health. Positive sexual health often acts as a de-stressor promoting increased relaxation. Researchers also report health benefits detailing decreased pain sensitivity, improved cardiovascular health, lower levels of depression, increased self-esteem, and better relationship satisfaction. The former could also imply the consequences of negative sexual health and lack of sexual activity, such as depression, low self-esteem, increased frustration, and loneliness.\n\nHealth risks and education \nThere are already numerous health concerns linked primarily with aging, but when sex is added into consideration, this opens up discussion for many other related concerns. Sex and aging come with many challenges for the older population as well as their primary care providers. The task for these care providers is to accommodate to the changing needs of this older sexually active generation.\n\nCommon health conditions hindering older adults are illnesses such as cardiovascular disease, diabetes, degenerative and rheumatoid arthritis, stroke, cancer, kidney disease, and spinal cord injury. These conditions heavily impact individual sex lives. Separate from these are physical concerns related specifically to sexual health and bodily functions. Researchers gathered that, \"the most common concerns for older adult men include erectile dysfunction and premature climax, and older adult women most commonly report lack of desire, problems with vaginal lubrication, sexual pain, and inability to reach orgasm.\" Consideration of these aging-related health problems and sexual-related health problems together require primary care providers and professionals to be updated on the latest health findings and to know patients' needs and possible solutions.\n\nA major problem with improving education and seeking solutions for aging sexual health risks is the lack of verbal discussion on these matters from older individuals. \"Older adults often avoid seeking help for sexual concerns because of a lack of knowledge about their sexual problems, embarrassment or discomfort talking about sex, and stigma-related beliefs about older adults and sexuality in older age being inappropriate.\"\n\nAnother major problem with improving education and seeking solutions for aging sexual health risks was found after researchers looked at the readiness and training of 777 physicians and 452 nurse practitioners from the American Medical Association Masterfile. Researchers noted that amongst their representative sample there were reports of limited training in sexual health as a general topic. From this information, they assumed that \"training that is specific to older patient’s sexual health is limited, if available at all.\"\n\nThe purpose of the study was to test how knowledgeable U.S. primary care providers were on the topics of sexual health and sexuality in older age. The results of the study showcased that U.S. health care providers on average were less knowledgeable than U.S. graduate nursing students on the topics of sexual health and aging sexuality. In a comparison survey, it is also worth noting that they were reported less knowledgeable than Turkish physicians and U.S. Ob/Gyns. However, the group reported to be even less knowledgeable on aging sexuality than U.S. primary care providers consisted of nursing home staffs and older adult care workers. Educated health providers are needed to educate the general public and older adults (active and inactive) on sexual health and healthy expression.\n\nSexually transmitted infections (STDs/STIs) can also be prevalent in later life, despite common misconceptions that STDs only affect younger people and groups. There has been a steady increase in the number of STDs found in elderly individuals in nursing homes and other residential living communities, belying the perception that elderly people do not engage in sexual activity. Many men in older age do not believe they need to use protection, such as condoms, as they age, and their partners often feel likewise, so it can be difficult to stress the importance of continued use of protection for elderly couples. One of the main reasons they develop this opinion is because of the decreased risk of pregnancy, but they often fail to acknowledge that protection is necessary to prevent the circulation of STDs.\n\nSocial attitudes\n\nSex between elderly people is often treated as a taboo by society. Cultural norms dictated social opinions which painted older adults as being asexual creatures. This opinion was supported and replicated in the media by showing sex only being popular among youth. This attitude has gradually changed because a greater number of people are reaching 55 and above, and are remaining sexually active far into their senior years. \n\nBack in 1930, less than 6 percent of the U.S. population was over 65 years old. By 1950, the number was 8 percent. By 2015, that number has risen to almost 15 percent. Population experts at the U.S. Bureau of the Census expect the percentage to continue to rise dramatically during the next 20 years, eventually reaching 21 percent by 2050, which is more than one in five. The number of seniors in the United States and throughout the world continues to increase rapidly.\n\nWhile sexual activity itself is a sensitive topic due to its private nature, sexual activity between seniors is often treated with extra care. This attitude is especially common among younger people and it has been suggested that this may be caused by younger people's belief that the lust and ability to have sex diminishes once a perceived primary reason for sex is no longer present.\n\nEven though the topic may be taboo or denied, sexuality in older age has gained visibility in the media. Some sources promote \"active\" and \"healthy\" sexuality among the elderly, or address issues such as sexuality in retirement homes and assisted living facilities. These representations create in turn social injunctions that position sexual activity as a marker of fulfillment, a discourse already affecting younger people and amplified by various products, pills, and available medical treatments.\n\nResearch conducted in the social sciences changes the miserable depiction often made of elders' sexuality. Quantitative and qualitative studies show that sexual satisfaction can improve with age, and they present data such as the following. Half of women are sexually active into old age. Widows either stop any kind of sexual activity, find a new male partner, or choose not to reproduce the same kind of relationship where they take care of a man, instead entering into a nonresidential relationship with a man or in a relationship with another woman, for example. Women and gay men sustain the most pressure to live up to beauty ideals associated with youth. LGBT people suffer from invisibility in retirement homes and assisted-living facilities.\n\nRepresentation in film and television\nTo many, The Golden Girls was groundbreaking in its depiction of healthy active sexual lifestyles and frank sexual discussion among seniors.\n\nThe concept of active sexual relationships between older people has in recent years become a more mainstream topic. The film Something's Gotta Give, starring Jack Nicholson and Diane Keaton, explores the relationship that develops between two people in later life.\n\nThe HBO series Tell Me You Love Me has caused controversy by showing several explicit sex scenes involving two senior citizen actors on the show, Jane Alexander and David Selby. Presently old-aged sex is understood and increasingly accepted in society.\n\nOn a related topic, intergenerational relationships, also quite taboo, were the focus of the film Gerontophilia (between a very old and a very young man), and in the last years many TV shows represented \"cougars\" (middle age women with younger men), for example The Cougar and Cougar Town.\n\nThe Netflix original, Grace and Frankie, features Jane Fonda and Lily Tomlin as two elderly women recently divorced from their husbands seeking guidance through life with the help of each other. Not only does the show highlight their sexual quests and struggles with their new partners, it also mentions their new partnered business-seeking venture to encourage personal, private intimacy for women their age. The \"Ménage à Moi\", as they have it named, is a vibrator targeting elderly women to use for sexual satisfaction, and the show features the struggles surrounding marketing such a product.\n\nReferences\n\nSexuality and age\nOld age" ]
[ "Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis.", "He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912.", "He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea.", "His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham.", "After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales.", "After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful.", "The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year.", "He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world.", "He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\"", "Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\" Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician.", "He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama.", "His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape.", "It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book.", "In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, \"'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it.\" In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud.", "Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness.", "She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena.", "Eonism Ellis studied what today are called transgender phenomena. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon.", "In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\".", "Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\". As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\".", "As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington.", "At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their \"open marriage\" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating.", "He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this \"undinism\". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics.", "Eugenics Ellis was a supporter of eugenics. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\".", "He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior.", "Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents.", "In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along.", "However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions.", "In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\"", "While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\" Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists.", "Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\".", "This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality.", "Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all.", "He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. \"If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation.", "He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable.", "Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. \"They are not (as is sometimes imagined) repressed.\" They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.", "Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four.", "These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V.", "Ellis then references G.V. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls.", "However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty.", "Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a \"wide range of genital and sexual aptitude\". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of \"more unsound heredity\" and/or hypersexual parents are \"more precociously excitable\". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation.", "Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to \"unshamed efforts at sexual self-manipulation witnessed among the insane\". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow.", "Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of \"sexual anesthesia\". Ellis also raises social concern over how auto-erotic tendencies affect marriages.", "Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them.", "Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection.", "In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations.", "Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in \"Hebrew and Mohammedan lands\". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours.", "Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\"", "Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\" Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound.", "Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men.", "In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race.", "From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks.", "He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'.", "Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized.", "In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice.", "While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient.", "Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ.", "However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that \"sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory.\" His opposition to such a system was not only rooted in morality.", "His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction.", "Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool.", "While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit.", "For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, \"the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\"", "It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London.", "He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise).", "He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish).", "The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member.", "Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939.", "Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A.", "Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol.", "Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.", "7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed. : James Hinton: Life in Nature (1931) ed.", ": James Hinton: Life in Nature (1931) ed. : Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed.", ": Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed.", "by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195).", "by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola" ]
[ "Havelock Ellis", "Sexual impulse in youth", "What was his view on sexual impulse in the youth?", "book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity.", "How does he feel they experience it differently?", "sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,", "Does he think that the youth are more sexually active than older people?", "He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered." ]
C_55326ebad6b0415ea8430f68d8c986f4_1
Why did he come to this conclusion?
4
Why did Havelock Ellis come to youth are more sexually active than older people conclusion?
Havelock Ellis
Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER
However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child.
Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola
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[ "Start with Why: How Great Leaders Inspire Everyone to Take Action is a book by Simon Sinek.\n\nOverview\nThe book starts with comparing the two main ways to influence human behaviour: manipulation and inspiration. Sinek argues that inspiration is the more powerful and sustainable of the two. The book primarily discusses the significance of leadership and purpose to succeed in life and business. Sinek highlights the importance of taking the risk and going against the status-quo to find solutions to global problems. He believes leadership holds the key to inspiring a nation to come together and advance a common interest to make a nation, or the planet, a more civilised place. He turns to Dr. Martin Luther King Jr, John F Kennedy, Steve Jobs and the entire Apple culture as examples of how a purpose can be created to inspire a culture together, away from the manipulative society we live in today.\n\nThe golden circle\n\nSinek says people are inspired by a sense of purpose (or \"Why\"), and that this should come first when communicating, before \"How\" and \"What\". Sinek calls this triad the golden circle, a diagram of a bullseye (or concentric circles or onion diagram) with \"Why\" in the innermost circle (representing people's motives or purposes), surrounded by a ring labelled \"How\" (representing people's processes or methods), enclosed in a ring labelled \"What\" (representing results or outcomes). He speculates about the biological factors behind this structure, such as the limbic system.\n\nReception \nLindsay McGregor and Neel Doshi, co-authors of the book Primed to Perform: How to Build the Highest Performing Cultures Through the Science of Total Motivation, came to a similar conclusion: \"Why we work determines how well we work.\"\n\nKen Krogue, in a blog post for Forbes, argued that it is far more important, especially for salespeople, to find the right person (which Krogue called \"starting with Who\") before \"starting with Why\":\n\nSales \nAccording to NPD BookScan's mid-June 2016 to mid-June 2017 ranking of printed book sales, Start with Why ranked (without disclosing the geographical region) as the \"bestselling leadership book\" of that period, selling 171,000 paperback copies.\n\nSee also\n Five Ws\n Onion model\n In the 1970s Terry Borton popularized the triad \"What?\", \"So what?\", and \"Now what?\"\n The Infinite Game\n\nReferences\n\nBusiness books\n2009 non-fiction books", "Better Never to Have Been: The Harm of Coming into Existence is a 2006 book by South African philosopher David Benatar, best known for being associated with antinatalism and philosophical pessimism. The book was preceded by Benatar's 1997 paper \"Why It Is Better Never to Come into Existence\", where he expounded on what would eventually become the book's major concepts.\n\nSummary \nBetter Never to Have Been directly concerns Benatar's antinatalist philosophy: human beings are hurt by their parents when they are given birth to, and to bring them into existence is to thereby wrong them, meaning all human life is in a prolonged state of pain and harm as a result of being born. He writes towards this conclusion with two concepts: an asymmetry of pleasure and pain, and the concept that human beings have an unreliable assessment of life's quality. These concepts indicate not just what Benatar sees as the conflict ingrained in continued existence that leaves it without justification, but also the pain that is to be avoided by simply not existing. These conflicting factors become increasingly complicated as human beings continue to exist and thrive through generations, and to Benatar, this further serves as an indictment of willing human life: the sheer conflict ingrained in continued human existence, alongside it having no moral justification, leads to his conclusion that \"it would have been better not to have been born.\"\n\nAsymmetry of pleasure and pain \nBenatar writes that there is what he calls an asymmetry of pleasure and pain:\n the absence of pain is good, even if that good is not enjoyed by anyone, whereas\n the absence of pleasure is not bad unless there is somebody for whom this absence is a deprivation.\nHis reason for this concept is that the absence of pleasure is only harmful when pain is still present; to not exist at all and to thereby experience neither pleasure nor pain is the greater good. On the subject of childlessness, he further writes that \"the reason why we do not lament our failure to bring somebody into existence is because absent pleasures are not bad.\" As well as this, if pleasure is to be achieved through pain, it does not eclipse the pain that it came from; it instead further establishes this asymmetry between pleasure and pain, and yet again leads to Benatar's conclusion that it would be better to not give birth at all, which would continue the asymmetry.\n\nCritical reception \nIn his review, philosopher Yujin Nagasawa questioned why Benatar framed Better Never to Have Been as a positive thesis, rather than as a counter-intuitive philosophical puzzle. As a result, Nagasawa felt that he could not recommend the book to everyone. Bioethicist David DeGrazia published a rebuttal to Benatar's arguments in 2010; despite the disagreement with Benatar's position, DeGrazia commended the book, stating: \"I conclude with praise for his work and the intellectual virtues it embodies.\" In 2013, Benatar responded to critics of the book, in the paper \"Still Better Never to Have Been: A Reply to (More of) My Critics\".\n\nIn popular culture \nThe creator of True Detective, Nic Pizzolatto, has cited Better Never to Have Been as an influence on the creation of the character Rust Cohle.\n\nReferences \n\n2006 non-fiction books\nEnglish-language books\nEthics books\nOxford University Press books\nPhilosophy books\nWorks about antinatalism\nWorks about philosophical pessimism" ]
[ "Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis.", "He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912.", "He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea.", "His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham.", "After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales.", "After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful.", "The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year.", "He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world.", "He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\"", "Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\" Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician.", "He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama.", "His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape.", "It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book.", "In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, \"'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it.\" In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud.", "Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness.", "She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena.", "Eonism Ellis studied what today are called transgender phenomena. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon.", "In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\".", "Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\". As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\".", "As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington.", "At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their \"open marriage\" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating.", "He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this \"undinism\". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics.", "Eugenics Ellis was a supporter of eugenics. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\".", "He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior.", "Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents.", "In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along.", "However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions.", "In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\"", "While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\" Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists.", "Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\".", "This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality.", "Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all.", "He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. \"If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation.", "He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable.", "Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. \"They are not (as is sometimes imagined) repressed.\" They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.", "Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four.", "These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V.", "Ellis then references G.V. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls.", "However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty.", "Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a \"wide range of genital and sexual aptitude\". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of \"more unsound heredity\" and/or hypersexual parents are \"more precociously excitable\". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation.", "Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to \"unshamed efforts at sexual self-manipulation witnessed among the insane\". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow.", "Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of \"sexual anesthesia\". Ellis also raises social concern over how auto-erotic tendencies affect marriages.", "Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them.", "Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection.", "In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations.", "Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in \"Hebrew and Mohammedan lands\". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours.", "Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\"", "Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\" Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound.", "Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men.", "In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race.", "From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks.", "He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'.", "Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized.", "In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice.", "While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient.", "Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ.", "However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that \"sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory.\" His opposition to such a system was not only rooted in morality.", "His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction.", "Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool.", "While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit.", "For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, \"the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\"", "It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London.", "He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise).", "He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish).", "The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member.", "Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939.", "Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A.", "Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol.", "Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.", "7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed. : James Hinton: Life in Nature (1931) ed.", ": James Hinton: Life in Nature (1931) ed. : Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed.", ": Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed.", "by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195).", "by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola" ]
[ "Havelock Ellis", "Sexual impulse in youth", "What was his view on sexual impulse in the youth?", "book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity.", "How does he feel they experience it differently?", "sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,", "Does he think that the youth are more sexually active than older people?", "He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered.", "Why did he come to this conclusion?", "However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child." ]
C_55326ebad6b0415ea8430f68d8c986f4_1
Were the recalling of sensations more in females or males?
5
Were the recalling of sensations more in females or males?
Havelock Ellis
Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER
These authors provide cases for children of both sexes who have masturbated from the age of three or four.
Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola
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[ "Sexual selection in insects is about how sexual selection functions in insects. The males of some species have evolved exaggerated adornments and mechanisms for self-defense. These traits play a role in increasing male reproductive expectations by triggering male-male competition or influencing the female mate choice, and can be thought of as functioning on three different levels: individuals, colonies, and populations within an area.\n\nMale mating tactics \n\nThe amount of space accessible and the time both male and female usually determines the site of copulation. Many hymenopteran males constantly fly around specific sites, usually the tops of tall trees, summits, or along hedges, where approachable females are found as they can also be resources visited by females for the purpose of feeding. In honey bee the queens join the mating area alone and are then pursued by a dynamic swarm of males. Those located in the front of the line usually achieve reproduction success. A queen usually mates with twelve males on an average of two mating flights and stores the sperm throughout her entire lifetime. Colonies sustain many males but only a few queens, so only very few males are able to successfully mate with the queen.\n\nRoles \n\nMales can be choosier than females. As an offering, males are capable of providing nuptial gifts secretions, which can be more expensive than female reproductive investment, parental care, where the reproductive costs in males are higher than in females because they invest large quantities of resources and time after egg fertilization, and foraging and nesting sites to the females. Moreover, these factors decrease their subsequent male reproductive opportunities, and the availability of males. An example of male parental care can be found in belostomatid water bugs, where the male, after fertilizing the eggs, allows the female to glue her eggs onto his back. He broods them until the nymphs hatch 2–4 weeks later. The eggs are large and reduce the ability of the male to fertilize other females and catch prey, and increases its predation risk.\n\nFemales are usually in conflict over the acquisition of resources and also tend to compete for male provided resources, thus generating a sex role reversal. Females compete to monopolize parental care, and displace rivals with claspers that appear to be specialized in keeping their hold on males, avoiding takeover attempts by other females.\n\nCharacteristics \n\nMale-to-male competition for access to females and for resources that the females require for themselves and their offspring is common and can explain the morphological phenotypic traits and behaviors, such as large body size, weapons, territoriality, and early sexual maturation that increase their possibilities of gaining access to the females. In many social insects, larger males are more competitive and tend to monopolize females or the resources that they need. In bees, females may choose males who are faster, more agile, or more persistent fliers. Sequestering of females and forced copulation may also favor large male size. Males with longer horns and mandibles can use them to fight, or for take over attempts when rivals are copulating. In beetle species, the male horns can be as long as the male's body. Early sexually mature males can start their reproductive life before the rest of the male population. Under scramble competition to inseminate females, the early matured males are smaller but can be favored in some cases where courtship occurs on the ground and attain the highest reproductive success. Thus, in the fly Drosophila suboscura, smaller males are better than large males at tracking females during the courtship dance.\n\nThe effect of mating on female fitness may vary depending upon the kind of benefit that the females receive from males through of their choices. Direct benefits include nutritional resources to be used by females, donation of foods to mates, males offering prey to the female, seen in scorpion flies and dance flies. Several orthopteran species, butterflies, flies, and beetle males can donate secretions or nutritional substances to the females which are transferred in the ejaculate or produced by male glands which can contribute to increase female fecundity. In the green-veined white (Pieris napi), a virgin male can transfer an ejaculate containing 14% nitrogen by dry mass. Females utilize the nutrients transferred from the male in order to increase their nutrients. These nutrients essentially contribute to ensure successful egg production. A positive relationship between the amount of ejaculate material received and lifetime reproductive output, as male-transferred material increases female longevity. In some insect species, males can donate some body parts to females such as the leg spurs or the fleshy hindwings of jumped-winged crickets, or they may be completely cannibalized, as occurs in mantis and some dipterous, as well as in some Arachnida scorpions and spider species.\n\nSexual pheromones \n\nSexual pheromones are defined as odors and are one of the prevalent ways in which social male insects find females to mate with. They can be produced in either males or females. The central roles of pheromones are to trigger behavioral interactions between the two sexes. Ultimately, this brings the sexes together for mating purposes. In addition, females discriminate against mates by the judgment of their sex pheromones. Courtship pheromones are issued in many cases by males. In the queen butterfly Danaus gilippus and the Arctic moth Utetheisa ornatrix, the chemical stimulation of the female is necessary for male mating success.\n\nAcoustic and visual signals \n\nIn species such as the Coleopteran family Lampyridae, the males fly in the darkness and emit a species-species specific pattern of light flashes, which are answered by perching receptive females. The color and temporal variation of the flash contribute to the success in attracting females. Acoustic signals are produced by many groups including several orthopteran species, neuropterida, cicadas, flies, cave planthroppers, leaf hoppers, and tree hoppers. In crickets and other Orthopeterans, loudness and/or uninterrupted songs often attract more females. In other insects, females may choose a mate in relation to aspects of his songs. In any case, it is possible that females compare the songs of several males before making a choice.\n\nFemale calling syndrome occurs when female social insects emit a typical call to the males in close proximity to their natal nests. Males that are attracted by the callings fly extensively in pursuit of potential mates. Their gasters raise and stings start to protrude. The venom glands are a basis of a chemical male attractant. In Xenomyrmex floridanus, the queen's venom glands and gasters both attracted males and prompted copulation.\n\nReferences \n\nSexual selection\nInsect behavior", "Polygynandry is a mating system in which both males and females have multiple mating partners during a breeding season. In sexually reproducing diploid animals, different mating strategies are employed by males and females, because the cost of gamete production is lower for males than it is for females. The different mating tactics employed by males and females are thought to be the outcome of stochastic reproductive conflicts both ecologically and socially.\n\nReproductive conflicts in animal societies may arise because individuals are not genetically identical and have different optimal strategies for maximizing their fitness; and often it is found that reproductive conflicts generally arise due to dominance hierarchy in which all or a major part of reproduction is monopolized by only one individual. In the wasp Polistes carolina, the dominant queen amongst female wasps is determined by whoever arrives at the nest first rather than the largest foundress, who is expected to be the best at fighting (wasp). In a study of the bird Prunella collaris, the close proximity and sharing of ranges on the mountain tops of the French Pyrenees led to a polygynandrous mating system, where two to four males would mate with a range of two to four females within the same vicinity.\n\nPolygynandry is another way to describe a multi-male and multi-female polygamous mating system. When females have multiple mating partners, it is known as polyandry, and when males have multiple mating partners, it is known as polygyny; and each sex has their benefits in being promiscuous. Females, especially those with genetically 'inferior' social partners, have the chance to increase the genetic quality of their offspring, while males are able to fertilize the eggs of many other mates. Essentially, the ideal mating behavior for males is to be promiscuous rather than monogamous (when they only have one mating partner), because this leads to multiple offspring, and these males monopolize their female partners by physically preventing them from copulating with other males. On the other hand, females benefit through polyandry, as they have more sired offspring.\n\nBenefits of multiple mating in females \n\nOftentimes females mate voluntarily with more than one male. Mating with several males reduces the risk of females having unfertilized eggs because one male may not have enough sperm to fertilize all her eggs. In dark-eyed juncos, a female mates with more than one male because oftentimes, her social partner is of lower genetic quality than other potential sperm donors. The females voluntarily mate with other males besides their mate because she sees the potential to improve her offspring viability and sexual attractiveness. Females may also mate with several males for genetic benefits such as genetic diversity among her offspring due to the variety of sperm available to her. In song birds, extra-pair matings occur because females are able to sneak away from their home territories to solicit to other males. When female song birds seek extra-male partners, they sexually select males with colorful plumage more elaborate than those of their social partner. Studies show that female song birds that have less plumage partners most actively seek extra-pair matings, furthermore males with the most developed traits—such as longer tails or brighter plumage survive better. Thus, when female song birds have multiple mating partners, they are increasing the genetic quality of their offspring.\n\nTo a female, multiple mating means an increase number of young that a female can produce, and oftentimes this also means an increase number of young they have to take care of. In order to ensure the safety and wellbeing of her offspring, females may have multiple mating partners in order to gain more resources from males for herself and her offspring. In dark-eyed juncos, dunnocks, and Galapagos hawks, mating with multiple males increases the amount of care a female can gain for her offspring. Oftentimes multiple mates allow females to have more sired offspring and the paternity of the offspring typically falls outside of the biological parents—meaning a different male may look after another male's offspring.\n\nBenefits of multiple mating in males \nMales can potentially fertilize eggs at a much faster rate than females can produce them, meaning a male can best increase his reproductive success by finding and fertilizing as many different females as possible. In Drosophila melanogaster, the reproductive success of males increased with the number of matings, but for females there was no direct relationship with number of mates and number of offspring produced. When males have multiple mating partners, they sometimes have to share parentage of the offspring, reducing the genetic value of the offspring to him and thus reduces the relative benefit of staying to help. When paternity is shared between multiple males, males are expected to be less likely to stay in order to help the female care for the offspring because there is little benefit in staying to help raise the other offspring when there are other males present.\n\nAlthough males are able to increase their reproductive success faster than females by being able to fertilize eggs faster than females can produce them, males also at a disadvantage when it comes to mating because of sexual selection. Females usually choose males that are 'charming' and those who display sexual ornaments. In a study of long-tailed widowbirds, males with longer tails were sexually selected over those with shorter and less impressive tails. In birds such as the red-collared widowbird, males who display their sexual ornament during courtship are generally paired up faster and attract more females than males who display shorter tails during courtship. Males are often sexually selected based on their physical characteristics and what they have to 'offer', for example, male peacocks with flamboyant colored tails are sexually selected over those with dull and less elaborate tails. Sexual selection of males by females also leads to male-male competition. Unlike females who invest a lot prior to mating, males do not invest as much when generating their sperm, however this increases competition amongst males for female investment. High mating competition also means a greater variance in male success—the best competitors will have better success in mating than those who fail to mate. The best competitors will less likely be inclined to care for their offspring upon mating because they have the ability to produce offspring elsewhere. Males with the greatest size, strength, or best developed weapons achieve the greatest mating success. In other cases, males may have a higher reproductive success if they have better access to resources than other competitors. For instance, female hanging flies mate with a male only if he provides a large insect for her to eat during copulation and North American bullfrogs protect ponds and small lakes where females come to lay their eggs.\n\nTaxonomic references\n\nAmphibia \nThe various mating tactics are found in a broad number of taxa. In amphibians such as Salamandrina perspicillata, multiple paternity is a consequence of females mating with multiple males. As of now, all species in the suborder Salamandroidea have shown to employ polyandrous mating strategies by females. In a study of a population of Salamandrina perspicillata, multiple paternity occurs as a pervasive reproductive strategy under natural conditions and it is seen that in these species, when males mated with two females, they sired offspring who were inversely related with their genetic similarity to the female. Females in this species practiced polygynandry in order to increase genetic variability among her offspring by choosing mates that were genetically different from themselves. Unlike other studies of polygynandry where the females had multiple mating partners in order to gain resources from the male, in the study of Salamandrina perspicillata, multiple paternity did not provide a genetic indirect benefit to the offspring. This, resulted in a cost/benefit mechanism in which the gained benefit of multiple mating counterbalanced the negative effect of the number of mates on offspring heterozygosity. Females choosing mates that are genetically different from themselves were also seen in Ichtyosauria alpestris and Lissotriton vulgaris, where in a two-male mating system, the less-related males were preferred by the females. And like the case of Salamandrina perspicillata, there were no indirect genetic benefits gained from having multiple mating partners.\n\nPycnogonids (sea spider) \nIn Ammothea hilgendorfi, a sea spider species, fertilization occurs as a female transfers her eggs to a male who holds them with ovigers, a specialized pair of legs and fertilizes the eggs externally. The males glue the eggs into clusters and carries the eggs on his ovigers until they hatch. The personal cost to males for providing a prolonged care for the young is seen to be a significant parental investment because parental assurance is thought to be substantial for post-zygotic investment. A high level of paternity assurance is Ammothea hilgendorfi, suggests that reduced foraging ability, increased predation risk, and lower mobility exist. An experimental study of Ammothea hilgendorfi showed that although males mate with multiple females, males do not mix egg batches from different dams. The eggs held in clusters by a male hatched in a close time frame, indicating that males mated with different females within a short time span.\n\nMultiple mating by female pycnogonids are possible since a recently mated female often retains unused mature eggs in one or more femora, which allows her to mate with additional partners. In species with external fertilization and male parental care, females are able to distribute her clutch amongst different males and by doing so the female increases the likelihood that at least some of her offspring will receive indirect genetic benefits and/or extensive parental care from a quality provider.\n\nHymenoptera \n\nThe reproductive females of social Hymenoptera—wasps, bees, and ants—mate with multiple partners. These females are called queens, to distinguish them from the non-reprodutive females that tend the colony and do not mate.\n\nA honey bee queen ideally mates with about a dozen drones (males) in her nuptial flight. The sperm of matings are stored in a special reservoir, called the spermatheca, for the life of the queen—which can be several years.\n\nMaintenance \nAlthough promiscuity is said to benefit both males and females, there has not yet been sufficient data to support the fact that promiscuity benefits females. In a study of dark-eyed juncos, the offspring produced by extra-pair males were neither better nor worse than the offspring of their male social partners. However, the study of dark-eyed juncos did reveal more sired offspring in promiscuous females than monogamous females. In a study of female water striders, the results showed that multiple matings can become costly to the female—especially since a lot of time and energy is invested in producing an egg. Not only were extra matings costly, but there was no support for any genetic benefits from having multiple mating partners. Instead, the results from the experiment showed that egg production and egg hatching success were the highest when the number of partners were kept at a minimum.\n\nOn the other hand, studies have shown that males have had a higher reproductive success than females when they were polygynandrous. When compared to female chimpanzees, male chimpanzees had a better ratio of number of matings and number of offspring produced. Not only did studies show a higher reproductive success, but Columbian ground squirrels exhibited a significant male-biased sexual size and body mass, suggesting male-male competition. Male-male competition means sexual dimorphism amongst the males and this means females are able to sexually select males based on the sexual ornaments they display.\n\nOverall, studies have shown that polygynandry benefits males more than it benefits females. When polygynandry is observed in different species, males most often have the upper hand—meaning males benefit more from polygynandry than do females. Females generally seek multiple mating partners in order to increase benefits for their offspring, whether it be by gaining physical resources for their offspring or by providing their offspring with healthier genes that are fit for survival. On the other hand, in most cases males generally have multiple mating partners in order to obtain as much offspring as they can during their lifespan and they are able to achieve this easier than females because in most cases, males are not parentally involved in caring and raising their offspring.\n\nReferences\n\nExternal links \n \n\nMating systems" ]
[ "Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis.", "He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912.", "He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea.", "His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham.", "After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales.", "After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful.", "The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year.", "He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world.", "He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\"", "Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\" Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician.", "He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama.", "His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape.", "It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book.", "In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, \"'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it.\" In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud.", "Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness.", "She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena.", "Eonism Ellis studied what today are called transgender phenomena. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon.", "In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\".", "Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\". As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\".", "As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington.", "At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their \"open marriage\" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating.", "He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this \"undinism\". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics.", "Eugenics Ellis was a supporter of eugenics. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\".", "He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior.", "Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents.", "In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along.", "However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions.", "In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\"", "While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\" Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists.", "Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\".", "This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality.", "Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all.", "He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. \"If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation.", "He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable.", "Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. \"They are not (as is sometimes imagined) repressed.\" They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.", "Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four.", "These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V.", "Ellis then references G.V. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls.", "However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty.", "Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a \"wide range of genital and sexual aptitude\". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of \"more unsound heredity\" and/or hypersexual parents are \"more precociously excitable\". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation.", "Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to \"unshamed efforts at sexual self-manipulation witnessed among the insane\". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow.", "Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of \"sexual anesthesia\". Ellis also raises social concern over how auto-erotic tendencies affect marriages.", "Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them.", "Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection.", "In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations.", "Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in \"Hebrew and Mohammedan lands\". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours.", "Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\"", "Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\" Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound.", "Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men.", "In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race.", "From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks.", "He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'.", "Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized.", "In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice.", "While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient.", "Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ.", "However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that \"sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory.\" His opposition to such a system was not only rooted in morality.", "His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction.", "Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool.", "While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit.", "For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, \"the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\"", "It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London.", "He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise).", "He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish).", "The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member.", "Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939.", "Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A.", "Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol.", "Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.", "7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed. : James Hinton: Life in Nature (1931) ed.", ": James Hinton: Life in Nature (1931) ed. : Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed.", ": Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed.", "by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195).", "by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola" ]
[ "Havelock Ellis", "Sexual impulse in youth", "What was his view on sexual impulse in the youth?", "book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity.", "How does he feel they experience it differently?", "sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,", "Does he think that the youth are more sexually active than older people?", "He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered.", "Why did he come to this conclusion?", "However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child.", "Were the recalling of sensations more in females or males?", "These authors provide cases for children of both sexes who have masturbated from the age of three or four.", "Who were the other authors?", "I don't know." ]
C_55326ebad6b0415ea8430f68d8c986f4_1
Did he have any thoughts on the hereditary of sexual excitement?
7
Did Havelock Ellis have any thoughts on the hereditary of sexual excitement?
Havelock Ellis
Dr. Havelock Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse,'" he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded that of girls. Dr. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children experience are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude." Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable." CANNOTANSWER
Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.
Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, "In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range." Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, "'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it." In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female "sexual inverts" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be "a remarkably common anomaly", and "next in frequency to homosexuality among sexual deviations", and categorized it as "among the transitional or intermediate forms of sexuality". As in the Freudian tradition, Ellis postulated that a "too close attachment to the mother" may encourage eonism, but also considered that it "probably invokes some defective endocrine balance". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their "open marriage" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this "undinism". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be "lower races". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as "we have scarcely yet realized how subtle and far-reaching hereditary influences are." Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being "misunderstood, ridiculed, and regarded as a fad". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. "If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as "reflex signs of irritation" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. "They are not (as is sometimes imagined) repressed." They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a "wide range of genital and sexual aptitude". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of "more unsound heredity" and/or hypersexual parents are "more precociously excitable". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to "unshamed efforts at sexual self-manipulation witnessed among the insane". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of "sexual anesthesia". Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in "Hebrew and Mohammedan lands". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, "On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small." Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that "sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory." His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, "the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.: James Hinton: Life in Nature (1931) ed.: Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola
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[ "An intrusive thought is an unwelcome, involuntary thought, image, or unpleasant idea that may become an obsession, is upsetting or distressing, and can feel difficult to manage or eliminate. When such thoughts are associated with obsessive-compulsive disorder (OCD), depression, body dysmorphic disorder (BDD), and sometimes attention-deficit hyperactivity disorder (ADHD), the thoughts may become paralyzing, anxiety-provoking, or persistent. Intrusive thoughts may also be associated with episodic memory, unwanted worries or memories from OCD, post-traumatic stress disorder, other anxiety disorders, eating disorders, or psychosis. Intrusive thoughts, urges, and images are of inappropriate things at inappropriate times, and generally have aggressive, sexual, or blasphemous themes.\n\nDescription\n\nGeneral\nMany people experience the type of bad or unwanted thoughts that people with more troubling intrusive thoughts have, but most people can dismiss these thoughts. For most people, intrusive thoughts are a \"fleeting annoyance\". Psychologist Stanley Rachman presented a questionnaire to healthy college students and found that virtually all said they had these thoughts from time to time, including thoughts of sexual violence, sexual punishment, \"unnatural\" sex acts, painful sexual practices, blasphemous or obscene images, thoughts of harming elderly people or someone close to them, violence against animals or towards children, and impulsive or abusive outbursts or utterances. Such thoughts are universal among humans, and have \"almost certainly always been a part of the human condition\".\n\nWhen intrusive thoughts occur with obsessive-compulsive disorder (OCD), patients are less able to ignore the unpleasant thoughts and may pay undue attention to them, causing the thoughts to become more frequent and distressing. The suppression of intrusive thoughts often cause these thoughts to become more intense and persistent. The thoughts may become obsessions that are paralyzing, severe, and constantly present, these might involve topics such as violence, sex, or religious blasphemy, among others. Distinguishing them from normal intrusive thoughts experienced by many people, the intrusive thoughts associated with OCD may be anxiety provoking, irrepressible, and persistent.\n\nHow people react to intrusive thoughts may determine whether these thoughts will become severe, turn into obsessions, or require treatment. Intrusive thoughts can occur with or without compulsions. Carrying out the compulsion reduces the anxiety, but makes the urge to perform the compulsion stronger each time it recurs, reinforcing the intrusive thoughts. According to Lee Baer, suppressing the thoughts only makes them stronger, and recognizing that bad thoughts do not signify that one is truly evil is one of the steps to overcoming them. There is evidence of the benefit of acceptance as an alternative to the suppression of intrusive thoughts. In one particular study, those instructed to suppress intrusive thoughts experienced more distress after suppression, while patients instructed to accept the bad thoughts experienced decreased discomfort. These results may be related to underlying cognitive processes involved in OCD. However, accepting the thoughts can be more difficult for persons with OCD.\n\nThe possibility that most patients suffering from intrusive thoughts will ever act on those thoughts is low. Patients who are experiencing intense guilt, anxiety, shame, and are upset over these thoughts are very different from those who actually act on them. The history of violent crime is dominated by those who feel no guilt or remorse; the very fact that someone is tormented by intrusive thoughts and has never acted on them before is an excellent predictor that they will not act upon the thoughts. Patients who are not troubled or shamed by their thoughts, do not find them distasteful, or who have actually taken action, might need to have more serious conditions such as psychosis or potentially criminal behaviors ruled out. According to Lee Baer, a patient should be concerned that intrusive thoughts are dangerous if the person does not feel upset by the thoughts, or rather finds them pleasurable; has ever acted on violent or sexual thoughts or urges; hears voices or sees things that others do not see; or feels uncontrollable irresistible anger.\n\nAggressive thoughts\nIntrusive thoughts may involve violent obsessions about hurting others or themselves. They can be related to primarily obsessional obsessive compulsive disorder. These thoughts can include harming a child; jumping from a bridge, mountain, or the top of a tall building; urges to jump in front of a train or automobile; and urges to push another in front of a train or automobile. Rachman's survey of healthy college students found that virtually all of them had intrusive thoughts from time to time, including:\n causing harm to elderly people\n imagining or wishing harm upon someone close to oneself\n impulses to violently attack, hit, harm or kill a person, small child, or animal\n impulses to shout at or abuse someone, or attack and violently punish someone, or say something rude, inappropriate, nasty, or violent to someone.\n\nThese thoughts are part of being human, and need not ruin the quality of life. Treatment is available when the thoughts are associated with OCD and become persistent, severe, or distressing.\n\nA variant of aggressive intrusive thoughts is L'appel du vide, or the call of the void. Sufferers of L'appel du vide generally describe the condition as manifesting in certain situations, normally as a wish or brief desire to jump from a high location.\n\nSexual thoughts\nSexual obsession involves intrusive thoughts or images of \"kissing, touching, fondling, oral sex, anal sex, intercourse, and rape\" with \"strangers, acquaintances, parents, children, family members, friends, coworkers, animals and religious figures\", involving \"heterosexual or homosexual content\" with persons of any age.\n\nCommon sexual themes for intrusive thoughts for men involve “(a) having sex in a public place, (b) people I come in contact with being naked, and (c) engaging in a sexual act with someone who is unacceptable to me because they have authority over me.” While common sexual intrusive thoughts for women are (a) having sex in a public place, (b) engaging in a sexual act with someone who is unacceptable to me because they have authority over me, and (c) being sexually victimized.\n\nLike other unwanted intrusive thoughts or images, most people have some inappropriate sexual thoughts at times, but people with OCD may attach significance to the unwanted sexual thoughts, generating anxiety and distress. The doubt that accompanies OCD leads to uncertainty regarding whether one might act on the intrusive thoughts, resulting in self-criticism or loathing.\n\nOne of the more common sexual intrusive thoughts occurs when an obsessive person doubts their sexual identity. As in the case of most sexual obsessions, sufferers may feel shame and live in isolation, finding it hard to discuss their fears, doubts, and concerns about their sexual identity.\n\nA person experiencing sexual intrusive thoughts may feel shame, \"embarrassment, guilt, distress, torment, fear of acting on the thought or perceived impulse, and doubt about whether they have already acted in such a way.\" Depression may be a result of the self-loathing that can occur, depending on how much the OCD interferes with daily functioning or causes distress. Their concern over these thoughts may cause them to scrutinize their bodies to determine if the thoughts result in feelings of arousal. However, focusing their attention on any part of the body can result in feelings in that body part, hence doing so may decrease confidence and increase fear about acting on the urges. Part of the treatment of sexual intrusive thoughts involves therapy to help sufferers accept intrusive thoughts and stop trying to reassure themselves by checking their bodies. This arousal within the body parts is due to conditioned physiological responses in the brain, which do not respond to the subject of the sexual intrusive thought but rather to the fact that a sexual thought is occurring at all and thus engage an automatic response (research indicates that the correlation between what the genitalia regard as \"sexually relevant\" and what the brain regards as \"sexually appealing\" only correlates 50% of the time in men and 10% of the time in women). This means that an arousal response does not necessarily indicate that the person desires what they are thinking about. However, rational thinking processes attempt to explain this reaction and OCD causes people to attribute false meaning and importance to these physiological reactions in an attempt to make sense of them. Sufferers can also experience heightened anxiety caused by \"forbidden\" images or simply by discussing the matter which can then also cause physiological arousal, such as sweating, increased heart rate and some degree of tumescence or lubrication. This is often misinterpreted by the sufferer as an indication of desire or intent, when it is in fact not.\n\nReligious thoughts\n\nBlasphemous thoughts are a common component of OCD, documented throughout history; notable religious figures such as Martin Luther and Ignatius of Loyola were known to be tormented by intrusive, blasphemous or religious thoughts and urges. Martin Luther had urges to curse God and Jesus, and was obsessed with images of \"the Devil's behind.\" St. Ignatius had numerous obsessions, including the fear of stepping on pieces of straw forming a cross, fearing that it showed disrespect to Christ. A study of 50 patients with a primary diagnosis of obsessive-compulsive disorder found that 40% had religious and blasphemous thoughts and doubts—a higher, but not statistically significantly different number than the 38% who had the obsessional thoughts related to dirt and contamination more commonly associated with OCD. One study suggests that the content of intrusive thoughts may vary depending on culture, and that blasphemous thoughts may be more common in men than in women.\n\nAccording to Fred Penzel, a New York psychologist, some common religious obsessions and intrusive thoughts are:\n sexual thoughts about God, saints, and religious figures\n bad thoughts or images during prayer or meditation\n thoughts of being possessed\n fears of sinning or breaking a religious law or performing a ritual incorrectly\n fears of omitting prayers or reciting them incorrectly\n repetitive and intrusive blasphemous thoughts\n urges or impulses to say blasphemous words or commit blasphemous acts during religious services.\n\nSuffering can be greater and treatment complicated when intrusive thoughts involve religious implications; patients may believe the thoughts are inspired by Satan, and may fear punishment from God or have magnified shame because they perceive themselves as sinful. Symptoms can be more distressing for sufferers with strong religious convictions or beliefs.\n\nBaer believes that blasphemous thoughts are more common in Catholics and evangelical Protestants than in other religions, whereas Jews or Muslims tend to have obsessions related more to complying with the laws and rituals of their faith, and performing the rituals perfectly. He hypothesizes that this is because what is considered inappropriate varies among cultures and religions, and intrusive thoughts torment their sufferers with whatever is considered most inappropriate in the surrounding culture.\n\nAge factors \nAdults under the age of 40 seem to be the most affected by intrusive thoughts. Individuals in this age range tend to be less experienced at coping with these thoughts, and the stress and negative affect induced by them. Younger adults also tend to have stressors specific to that period of life that can be particularly challenging especially in the face of intrusive thoughts. Although, when introduced with an intrusive thought, both age groups immediately look for ways to reduce the recurrence of the thoughts.\n\nThose in middle adulthood (40-60) have the highest prevalence of OCD and therefore seem to be the most susceptible to the anxiety and negative emotions associated with intrusive thought. Middle adults are in a unique position because they have to struggle with both the stressors of early and late adulthood. They may be more vulnerable to intrusive thought because they have more topics to relate to. Even with this being the case, middle adults are still better at coping with intrusive thoughts than early adults, although it takes them longer at first to process an intrusive thought. Older adults tend to see the intrusive thought more as a cognitive failure rather than a moral failure in opposition to young adults. They have a harder time suppressing the intrusive thoughts than young adults causing them to experience higher stress levels when dealing with these thoughts.\n\nIntrusive thoughts appear to occur at the same rate across the lifespan, however, older adults seem to be less negatively affected than younger adults. Older adults have more experience in ignoring or suppressing strong negative reactions to stress.\n\nAssociated conditions\nIntrusive thoughts are associated with OCD or OCPD, but may also occur with other conditions such as post-traumatic stress disorder, clinical depression, postpartum depression, generalized anxiety disorder and anxiety. One of these conditions is almost always present in people whose intrusive thoughts reach a clinical level of severity. A large study published in 2005 found that aggressive, sexual, and religious obsessions were broadly associated with comorbid anxiety disorders and depression. The intrusive thoughts that occur in a schizophrenic episode differ from the obsessional thoughts that occur with OCD or depression in that the intrusive thoughts of schizophrenics are false or delusional beliefs (i.e. held by the schizophrenic individual to be real and not doubted, as is typically the case with intrusive thoughts) .\n\nPost-traumatic stress disorder\nThe key difference between OCD and post-traumatic stress disorder (PTSD) is that the intrusive thoughts of PTSD sufferers are of content relating to traumatic events that actually happened to them, whereas OCD sufferers have thoughts of imagined catastrophes. PTSD patients with intrusive thoughts have to sort out violent, sexual, or blasphemous thoughts from memories of traumatic experiences. When patients with intrusive thoughts do not respond to treatment, physicians may suspect past physical, emotional, or sexual abuse. If a person who has experienced trauma practices looks for the positive outcomes, it is suggested they will experience less depression and higher self well-being. While a person may experience less depression for benefit finding, they may also experience an increased amount of intrusive and/or avoidant thoughts.\n\nOne study looking at women with PTSD found that intrusive thoughts were more persistent when the individual tried to cope by using avoidance-based thought regulation strategies. Their findings further support that not all coping strategies are helpful in diminishing the frequency of intrusive thoughts.\n\nDepression\nPeople who are clinically depressed may experience intrusive thoughts more intensely, and view them as evidence that they are worthless or sinful people. The suicidal thoughts that are common in depression must be distinguished from intrusive thoughts, because suicidal thoughts—unlike harmless sexual, aggressive, or religious thoughts—can be dangerous.\n\nNon-depressed individuals have been shown to have a higher activation in the dorsolateral prefrontal cortex, which is the area of the brain that primarily functions in cognition, working memory, and planning, while attempting to suppress intrusive thoughts. This activation decreases in people at risk of or currently diagnosed with depression. When the intrusive thoughts re-emerge, non depressed individuals also show higher activation levels in the anterior cingulate cortices, which functions in error detection, motivation, and emotional regulation, than their depressed counterparts.\n\nRoughly 60% of depressed individuals report experiencing bodily, visual, or auditory perceptions along with their intrusive thoughts. There is a correlation with experiencing those sensations with intrusive thoughts and more intense depressive symptoms as well as the need for heavier treatment.\n\nPostpartum depression and OCD\nUnwanted thoughts by mothers about harming infants are common in postpartum depression. A 1999 study of 65 women with postpartum major depression by Katherine Wisner et al. found the most frequent aggressive thought for women with postpartum depression was causing harm to their newborn infants. A study of 85 new parents found that 89% experienced intrusive images, for example, of the baby suffocating, having an accident, being harmed, or being kidnapped.\n\nSome women may develop symptoms of OCD during pregnancy or the postpartum period. Postpartum OCD occurs mainly in women who may already have OCD, perhaps in a mild or undiagnosed form. Postpartum depression and OCD may be comorbid (often occurring together). And though physicians may focus more on the depressive symptoms, one study found that obsessive thoughts did accompany postpartum depression in 57% of new mothers.\n\nWisner found common obsessions about harming babies in mothers experiencing postpartum depression include images of the baby lying dead in a casket or being eaten by sharks; stabbing the baby; throwing the baby down the stairs; or drowning or burning the baby (as by submerging it in the bathtub in the former case or throwing it in the fire or putting it in the microwave in the latter). Baer estimates that up to 200,000 new mothers with postpartum depression each year may develop these obsessional thoughts about their babies; and because they may be reluctant to share these thoughts with a physician or family member, or suffer in silence out of fear they could be \"crazy\", their depression can worsen.\n\nIntrusive fears of harming immediate children can last longer than the postpartum period. A study of 100 clinically depressed women found that 41% had obsessive fears that they might harm their child, and some were afraid to care for their children. Among non-depressed mothers, the study found 7% had thoughts of harming their child—a rate that yields an additional 280,000 non-depressed mothers in the United States with intrusive thoughts about harming their children.\n\nTreatment\nTreatment for intrusive thoughts is similar to treatment for OCD. Exposure and response prevention therapy—also referred to as habituation or desensitization—is useful in treating intrusive thoughts. Mild cases can also be treated with cognitive behavioral therapy, which helps patients identify and manage the unwanted thoughts.\n\nExposure therapy\nExposure therapy is the treatment of choice for intrusive thoughts. According to Deborah Osgood-Hynes, Psy.D. Director of Psychological Services and Training at the MGH/McLean OCD Institute, \"In order to reduce a fear, you have to face a fear. This is true of all types of anxiety and fear reactions, not just OCD.\" Because it is uncomfortable to experience bad thoughts and urges, shame, doubt or fear, the initial reaction is usually to do something to make the feelings diminish. By engaging in a ritual or compulsion to diminish the anxiety or bad feeling, the action is strengthened via a process called negative reinforcement—the mind learns that the way to avoid the bad feeling is by engaging in a ritual or compulsions. When OCD becomes severe, this leads to more interference in life and continues the frequency and severity of the thoughts the person sought to avoid.\n\nExposure therapy (or exposure and response prevention) is the practice of staying in an anxiety-provoking or feared situation until the distress or anxiety diminishes. The goal is to reduce the fear reaction, learning to not react to the bad thoughts. This is the most effective way to reduce the frequency and severity of the intrusive thoughts. The goal is to be able to \"expose yourself to the thing that most triggers your fear or discomfort for one to two hours at a time, without leaving the situation, or doing anything else to distract or comfort you.\" Exposure therapy will not eliminate intrusive thoughts—everyone has bad thoughts—but most patients find that it can decrease their thoughts sufficiently that intrusive thoughts no longer interfere with their lives.\n\nCognitive behavioral therapy\nCognitive behavioral therapy (CBT) is a newer therapy than exposure therapy, available for those unable or unwilling to undergo exposure therapy. Cognitive therapy has been shown to be useful in reducing intrusive thoughts, but developing a conceptualization of the obsessions and compulsions with the patient is important. One of the strategies sometimes used in Cognitive Behavioral Theory is mindfulness exercises. These include practices such as being aware of the thoughts, accepting the thoughts without judgement for them, and “being larger than your thoughts.”\n\nMedication\nAntidepressants or antipsychotic medications may be used for more severe cases if intrusive thoughts do not respond to cognitive behavioral or exposure therapy alone. Whether the cause of intrusive thoughts is OCD, depression, or post-traumatic stress disorder, the selective serotonin reuptake inhibitor (SSRI) drugs (a class of antidepressants) are the most commonly prescribed. Intrusive thoughts may occur in persons with Tourette syndrome (TS) who also have OCD; the obsessions in TS-related OCD are thought to respond to SSRI drugs as well.\n\nAntidepressants that have been shown to be effective in treating OCD include fluvoxamine (trade name Luvox), fluoxetine (Prozac), sertraline (Zoloft), paroxetine (Paxil), citalopram (Celexa), and clomipramine (Anafranil). Although SSRIs are known to be effective for OCD in general, there have been fewer studies on their effectiveness for intrusive thoughts. A retrospective chart review of patients with sexual symptoms treated with SSRIs showed the greatest improvement was in those with intrusive sexual obsessions typical of OCD. A study of ten patients with religious or blasphemous obsessions found that most patients responded to treatment with fluoxetine or clomipramine. Women with postpartum depression often have anxiety as well, and may need lower starting doses of SSRIs; they may not respond fully to the medication, and may benefit from adding cognitive behavioral or response prevention therapy.\n\nPatients with intense intrusive thoughts that do not respond to SSRIs or other antidepressants may be prescribed typical and atypical neuroleptics including risperidone (trade name Risperdal), ziprasidone (Geodon), haloperidol (Haldol), and pimozide (Orap).\n\nStudies suggest that therapeutic doses of inositol may be useful in the treatment of obsessive thoughts.\n\nEpidemiology\nA 2007 study found that 78% of a clinical sample of OCD patients had intrusive images. Most people who suffer from intrusive thoughts have not identified themselves as having OCD, because they may not have what they believe to be classic symptoms of OCD, such as handwashing. Yet, epidemiological studies suggest that intrusive thoughts are the most common kind of OCD worldwide; if people in the United States with intrusive thoughts gathered, they would form the fourth-largest city in the US, following New York City, Los Angeles, and Chicago.\n\nThe prevalence of OCD in every culture studied is at least 2% of the population, and the majority of those have obsessions, or bad thoughts, only; this results in a conservative estimate of more than 2 million sufferers in the United States alone (as of 2000). One author estimates that one in 50 adults have OCD and about 10–20% of these have sexual obsessions. A recent study found that 25% of 293 patients with a primary diagnosis of OCD had a history of sexual obsessions.\n\nSee also\n\n \n Internal monologue\n The Imp of the Perverse\n Shoulder angel\n Tourette syndrome\n Earworm\n\nNotes\n\nReferences\n\nBibliography\n\nFurther reading\n\nExternal links \n\nSymptoms and signs of mental disorders\nCognition", "Robert Jesse Stoller (December 15, 1924 – September 6, 1991), was an American Professor of Psychiatry at UCLA Medical School and a researcher at the UCLA Gender Identity Clinic. He was born in Crestwood, New York, and died in Los Angeles, California. He had psychoanalytic training at the Los Angeles Psychoanalytic Society and Institute from 1953 to 1961 with analysis by Hanna Fenichel.\n\nHe was the author of nine books, the co-author of three others, and the publisher of over 115 articles. \n\nStoller is known for his theories concerning the development of gender identity and the dynamics of sexual excitement. In Sex and Gender (1968), Stoller articulates a challenge to Freud's belief in biological bisexuality. Drawing on his extensive research with transsexuals and new advances in the science of sex, Stoller advances his belief in \"Primary Femininity,\" the initial orientation of both biological tissue and psychological identification toward feminine development. This early, non-conflictual phase contributes to a feminine core gender identity in both boys and girls unless a masculine force is present to interrupt the symbiotic relationship with the mother.\n\nStoller identifies three components in the formation of core gender identity, an innate and immutable sense of maleness or femaleness usually consolidated by the second year of life: \nBiological and hormonal influences;\nSex assignment at birth and \nEnvironmental and psychological influences with effects similar to imprinting.\n\nStoller asserts that threats to core gender identity are like threats to sense of self and result in the defenses known as the perversions. \n\nIn his most notable contribution, Perversion (1975), Stoller attempts to illuminate the dynamics of sexual perversion and normalize it. Stoller suggests that perversion inevitably entails an expression of unconscious aggression in the form of revenge against a person who, in early years, made some form of threat to the child's core gender identity, either in the form of overt trauma or through the frustrations of the Oedipal conflict.\n\nIn Sexual Excitement (1979), Stoller finds the same perverse dynamics at work in all sexual excitement on a continuum from overt aggression to subtle fantasy. In focusing on the unconscious fantasy, and not the behavior, Stoller provides a way of analyzing the mental dynamics of sexuality, what he terms \"erotics,\" while simultaneously de-emphasizing the pathology of any particular form of behavior. Stoller does not consider homosexuality as a monolithic behavior but rather as a range of sexual styles as diverse as heterosexuality. Many of Stoller's books, like Splitting (1973), are devoted to the documentation of the interviews on which he based his research.\n\nStoller died in a traffic accident near his home.\n\nSelected publications\nStoller, Robert; Sex and Gender: On the Development of Masculinity and Femininity, Science House, New York City (1968) 383 p.\nStoller, Robert; Sex and Gender: the Transsexual Experiment, Hogarth Press, (1968) 328 p.\nStoller, Robert; Splitting: A Case of Female Masculinity, Quadrangle, New York, (1973) 395 p. \nStoller, Robert; Perversion: The Erotic Form of Hatred, Pantheon, New York, (1975), 240 p.\nStoller, Robert; Sexual Excitement: Dynamics of Erotic Life, Pantheon, New York (1979), 281 p.\nStoller, Robert; Observing the Erotic Imagination, Yale University Press, New Haven, (1985), 228 p.\nStoller, Robert; Pain & Passion. A Psychoanalyst Explores the World of S & M, Plenum Press, New York, (1991), 306p.\nHerdt, Gilbert, & Robert. J. Stoller, Intimate Communications: Erotics and the Study of Culture, New York, Columbia University Press (1990), 467 p.\n\nReferences\n\nAmerican psychoanalysts\nAmerican ethnographers\nAmerican sexologists\nGender studies academics\nDavid Geffen School of Medicine at UCLA faculty\n1924 births\n1991 deaths\nUniversity of California, San Francisco alumni\nTransgender studies academics\nAnalysands of Hanna Fenichel" ]
[ "Henry Havelock Ellis (2 February 1859 – 8 July 1939) was an English physician, eugenicist, writer, progressive intellectual and social reformer who studied human sexuality. He co-wrote the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, as well as on transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis.", "He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912.", "He supported eugenics and served as one of 16 vice-presidents of the Eugenics Society from 1909 to 1912. Early life and career Ellis, son of Edward Peppen Ellis and Susannah Mary Wheatley, was born in Croydon, Surrey (now part of Greater London). He had four sisters, none of whom married. His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea.", "His father was a sea captain, his mother the daughter of a sea captain, and many other relatives lived on or near the sea. When he was seven his father took him on one of his voyages, during which they called at Sydney, Australia; Callao, Peru; and Antwerp, Belgium. After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham.", "After his return, Ellis attended the French and German College near Wimbledon, and afterward attended a school in Mitcham. In April 1875, Ellis sailed on his father's ship for Australia; soon after his arrival in Sydney, he obtained a position as a master at a private school. After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales.", "After the discovery of his lack of training, he was fired and became a tutor for a family living a few miles from Carcoar, New South Wales. He spent a year there and then obtained a position as a master at a grammar school in Grafton, New South Wales. The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful.", "The headmaster had died and Ellis carried on at the school for that year, but was unsuccessful. At the end of the year, he returned to Sydney and, after three months' training, was given charge of two government part-time elementary schools, one at Sparkes Creek, near Scone, New South Wales, and the other at Junction Creek. He lived at the school house on Sparkes Creek for a year.", "He lived at the school house on Sparkes Creek for a year. He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world.", "He wrote in his autobiography, \"In Australia, I gained health of body, I attained peace of soul, my life task was revealed to me, I was able to decide on a professional vocation, I became an artist in literature; these five points covered the whole activity of my life in the world. Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\"", "Some of them I should doubtless have reached without the aid of the Australian environment, scarcely all, and most of them I could never have achieved so completely if chance had not cast me into the solitude of the Liverpool Range.\" Medicine and psychology Ellis returned to England in April 1879. He had decided to take up the study of sex and felt his first step must be to qualify as a physician.", "He had decided to take up the study of sex and felt his first step must be to qualify as a physician. He studied at St Thomas's Hospital Medical School, now part of King's College London, but never had a regular medical practice. His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama.", "His training was aided by a small legacy and also income earned from editing works in the Mermaid Series of lesser known Elizabethan and Jacobean drama. He joined The Fellowship of the New Life in 1883, meeting other social reformers Eleanor Marx, Edward Carpenter and George Bernard Shaw. The 1897 English translation of Ellis's book Sexual Inversion, co-authored with John Addington Symonds and originally published in German in 1896, was the first English medical textbook on homosexuality. It describes male homosexual relations as well as adolescent rape.", "It describes male homosexual relations as well as adolescent rape. Ellis wrote the first objective study of homosexuality, as he did not characterise it as a disease, immoral, or a crime. The work assumes that same-sex love transcended age taboos as well as gender taboos. The first edition of the book was bought-out by the executor of Symond's estate, who forbade any mention of Symonds in the second edition. In 1897 a bookseller was prosecuted for stocking Ellis's book.", "In 1897 a bookseller was prosecuted for stocking Ellis's book. Although the term homosexual is attributed to Ellis, he wrote in 1897, \"'Homosexual' is a barbarously hybrid word, and I claim no responsibility for it.\" In fact, the word homosexual was coined in 1868 by the Hungarian author Karl-Maria Kertbeny. Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud.", "Ellis may have developed psychological concepts of autoerotism and narcissism, both of which were later developed further by Sigmund Freud. Ellis's influence may have reached Radclyffe Hall, who would have been about 17 years old at the time Sexual Inversion was published. She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness.", "She later referred to herself as a sexual invert and wrote of female \"sexual inverts\" in Miss Ogilvy Finds Herself and The Well of Loneliness. When Ellis bowed out as the star witness in the trial of The Well of Loneliness on 14 May 1928, Norman Haire was set to replace him but no witnesses were called. Eonism Ellis studied what today are called transgender phenomena.", "Eonism Ellis studied what today are called transgender phenomena. Eonism Ellis studied what today are called transgender phenomena. Together with Magnus Hirschfeld, Havelock Ellis is considered a major figure in the history of sexology to establish a new category that was separate and distinct from homosexuality. Aware of Hirschfeld's studies of transvestism, but disagreeing with his terminology, in 1913 Ellis proposed the term sexo-aesthetic inversion to describe the phenomenon. In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon.", "In 1920 he coined the term eonism, which he derived from the name of a historical figure, the Chevalier d'Éon. Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\".", "Ellis explained: Ellis found eonism to be \"a remarkably common anomaly\", and \"next in frequency to homosexuality among sexual deviations\", and categorized it as \"among the transitional or intermediate forms of sexuality\". As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\".", "As in the Freudian tradition, Ellis postulated that a \"too close attachment to the mother\" may encourage eonism, but also considered that it \"probably invokes some defective endocrine balance\". Marriage In November 1891, at the age of 32, and reportedly still a virgin, Ellis married the English writer and proponent of women's rights Edith Lees. From the beginning, their marriage was unconventional, as Edith Lees was openly lesbian. At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington.", "At the end of the honeymoon, Ellis went back to his bachelor rooms in Paddington. She lived at Fellowship House. Their \"open marriage\" was the central subject in Ellis's autobiography, My Life. Ellis reportedly had an affair with Margaret Sanger. According to Ellis in My Life, his friends were much amused at his being considered an expert on sex. Some knew that he reportedly suffered from impotence until the age of 60. He then discovered that he could become aroused by the sight of a woman urinating.", "He then discovered that he could become aroused by the sight of a woman urinating. Ellis named this \"undinism\". After his wife died, Ellis formed a relationship with a French woman, Françoise Lafitte. Eugenics Ellis was a supporter of eugenics.", "Eugenics Ellis was a supporter of eugenics. Eugenics Ellis was a supporter of eugenics. He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\".", "He served as vice-president to the Eugenics Education Society and wrote on the subject, among others, in The Task of Social Hygiene: In his early writings, it was clear that Ellis concurred with the notion that there was a system of racial hierarchies, and that non-western cultures were considered to be \"lower races\". Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior.", "Before explicitly talking about eugenic topics, he used the prevalence of homosexuality in these 'lower races' to indicate the universality of the behavior. In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents.", "In his work, Sexual Inversions, where Ellis presented numerous cases of homosexuality in Britain, he was always careful to mention the race of the subject and the health of the person's 'stock', which included their neuropathic conditions and the health of their parents. However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along.", "However, Ellis was clear to assert that he did not feel that homosexuality was an issue that eugenics needed to actively deal with, as he felt that once the practice was accepted in society, those with homosexual tendencies would comfortably choose not to marry, and thus would cease to pass the 'homosexual heredity' along. In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions.", "In a debate in the Sociological Society, Ellis corresponded with noted eugenicist Francis Galton, who was presenting a paper in support of marriage restrictions. While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\"", "While Galton analogized eugenics to breeding domesticated animals, Ellis felt that a greater sense of caution was needed before applying the eugenic regulations to populations, as \"we have scarcely yet realized how subtle and far-reaching hereditary influences are.\" Instead, because unlike domesticated animals, humans were in charge of who they mated with, Ellis argued that a greater emphasis was needed on public education about how vital this issue was. Ellis thus held much more moderate views than many contemporary eugenicists.", "Ellis thus held much more moderate views than many contemporary eugenicists. In fact, Ellis also fundamentally disagreed with Galton's leading ideas that procreation restrictions were the same as marriage restrictions. Ellis believed that those who should not procreate should still be able to gain all the other benefits of marriage, and to not allow that was an intolerable burden. This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\".", "This, in his mind, was what led to eugenics being \"misunderstood, ridiculed, and regarded as a fad\". Throughout his life, Ellis was both a member and later a council member of the Eugenics Society. Moreover, he played a role on the General Committee of the First International Eugenics Congress. Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality.", "Sexual impulse in youth Ellis' 1933 book, Psychology of Sex, is one of the many manifestations of his interest in human sexuality. In this book, he goes into vivid detail of how children can experience sexuality differently in terms of time and intensity. He mentions that it was previously believed that, in childhood, humans had no sex impulse at all.", "He mentions that it was previously believed that, in childhood, humans had no sex impulse at all. \"If it is possible to maintain that the sex impulse has no normal existence in early life, then every manifestation of it at that period must be 'perverse, he adds. He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation.", "He continues by stating that, even in the early development and lower function levels of the genitalia, there is a wide range of variation in terms of sexual stimulation. He claims that the ability of some infants producing genital reactions, seen as \"reflex signs of irritation\" are typically not vividly remembered. Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable.", "Since the details of these manifestations are not remembered, there is no possible way to determine them as pleasurable. However, Ellis claims that many people of both sexes can recall having agreeable sensations with the genitalia as a child. \"They are not (as is sometimes imagined) repressed.\" They are, however, not usually mentioned to adults. Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience.", "Ellis argues that they typically stand out and are remembered for the sole contrast of the intense encounter to any other ordinary experience. Ellis claims that sexual self-excitement is known to happen at an early age. He references authors like Marc, Fonssagrives, and Perez in France who published their findings in the nineteenth century. These early ages are not strictly limited to ages close to puberty as can be seen in their findings. These authors provide cases for children of both sexes who have masturbated from the age of three or four.", "These authors provide cases for children of both sexes who have masturbated from the age of three or four. Ellis references Robie's findings that boys' first sex feelings appear between the ages of five and fourteen. For girls, this age ranges from eight to nineteen. For both sexes, these first sexual experiences arise more frequently during the later years as opposed to the earlier years. Ellis then references G.V.", "Ellis then references G.V. Ellis then references G.V. Hamilton's studies that found twenty percent of males and fourteen percent of females have pleasurable experiences with their sex organs before the age of six. This is only supplemented by Ellis' reference to Katharine Davis' studies, which found that twenty to twenty-nine percent of boys and forty-nine to fifty-one percent of girls were masturbating by the age of eleven. However, in the next three years after, boys' percentages exceeded those of girls.", "However, in the next three years after, boys' percentages exceeded those of girls. Ellis also contributed to the idea of varying levels of sexual excitation. He asserts it is a mistake to assume all children are able to experience genital arousal or pleasurable erotic sensations. He proposes cases where an innocent child is led to believe that stimulation of the genitalia will result in a pleasurable erection. Some of these children may fail and not be able to experience this either pleasure or an erection until puberty.", "Some of these children may fail and not be able to experience this either pleasure or an erection until puberty. Ellis concludes, then, that children are capable of a \"wide range of genital and sexual aptitude\". Ellis even considers ancestry as contributions to different sexual excitation levels, stating that children of \"more unsound heredity\" and/or hypersexual parents are \"more precociously excitable\". Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation.", "Auto-eroticism Ellis' views of auto-eroticism were very comprehensive, including much more than masturbation. Auto-eroticism, according to Ellis, includes a wide range of phenomena. Ellis states in his 1897 book Studies in the Psychology of Sex, that auto-eroticism ranges from erotic day-dreams, marked by a passivity shown by the subject, to \"unshamed efforts at sexual self-manipulation witnessed among the insane\". Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow.", "Ellis also argues that auto-erotic impulses can be heightened by bodily processes like menstrual flow. During this time, he says, women, who would otherwise not feel a strong propensity for auto-eroticism, increase their masturbation patterns. This trend is absent, however, in women without a conscious acceptance of their sexual feelings and in a small percentage of women suffering from a sexual or general ailment which result in a significant amount of \"sexual anesthesia\". Ellis also raises social concern over how auto-erotic tendencies affect marriages.", "Ellis also raises social concern over how auto-erotic tendencies affect marriages. He goes on to tying auto-eroticism to declining marriage rates. As these rates decline, he concludes that auto-eroticism will only increase in both amount and intensity for both men and women. Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them.", "Therefore, he states, this is an important issue to both the moralist and physician to investigate psychological underpinnings of these experiences and determine an attitude toward them. Smell Ellis believed that the sense of smell, although ineffective at long ranges, still contributes to sexual attraction, and therefore, to mate selection. In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection.", "In his 1905 book, Sexual selection in man, Ellis makes a claim for the sense of smell in the role of sexual selection. He asserts that while we have evolved out of a great necessity for the sense of smell, we still rely on our sense of smell with sexual selection. The contributions that smell makes in sexual attraction can even be heightened with certain climates. Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations.", "Ellis states that with warmer climates come a heightened sensitivity to sexual and other positive feelings of smell among normal populations. Because of this, he believes people are often delighted by odors in the East, particularly in India, in \"Hebrew and Mohammedan lands\". Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours.", "Ellis then continues by describing the distinct odours in various races, noting that the Japanese race has the least intense of bodily odours. Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\"", "Ellis concludes his argument by stating, \"On the whole, it may be said that in the usual life of man odours play a not inconsiderable part and raise problems which are not without interest, but that their demonstrable part in actual sexual selection is comparatively small.\" Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound.", "Views on women and birth control Ellis favoured feminism from a eugenic perspective, feeling that the enhanced social, economic, and sexual choices that feminism provided for women would result in women choosing partners who were more eugenically sound. In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men.", "In his view, intelligent women would not choose, nor be forced to marry and procreate with feeble-minded men. Ellis viewed birth control as merely the continuation of an evolutionary progression, noting that natural progress has always consisted of increasing impediments to reproduction, which lead to a lower quantity of offspring, but a much higher quality of them. From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race.", "From a eugenic perspective, birth control was an invaluable instrument for the elevation of the race. However, Ellis noted that birth control could not be used randomly in a way that could have a detrimental impact by reducing conception, but rather needed to be used in a targeted manner to improve the qualities of certain 'stocks'. He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks.", "He observed that it was unfortunately the 'superior stocks' who had knowledge of and used birth control while the 'inferior stocks' propagated without checks. Ellis' solution to this was a focus on contraceptives in education, as this would disseminate the knowledge in the populations that he felt needed them the most. Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'.", "Ellis argued that birth control was the only available way of making eugenic selection practicable, as the only other option was wide-scale abstention from intercourse for those who were 'unfit'. Views on sterilization Ellis was strongly opposed to the idea of castration for eugenic purposes. In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized.", "In 1909, regulations were introduced at the Cantonal Asylum in Bern, which allowed those deemed 'unfit' and with strong sexual inclinations to be mandatorily sterilized. In a particular instance, several men and women, including epileptics and paedophiles, were castrated, some of whom voluntarily requested it. While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice.", "While the results were positive, in that none of the subjects were found guilty of any more sexual offences, Ellis remained staunchly opposed to the practice. His view on the origin of these inclinations was that sexual impulses do not reside in the sexual organs, but rather they persist in the brain. Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient.", "Moreover, he posited that the sexual glands provided an important source of internal secretions vital for the functioning of the organism, and thus their removal could greatly injure the patient. However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ.", "However, already in his time, Ellis was witness to the rise of vasectomies and ligatures of the Fallopian tubes, which performed the same sterilization without removing the whole organ. In these cases, Ellis was much more favourable, yet still maintaining that \"sterilization of the unfit, if it is to be a practical and humane measure commanding general approval, must be voluntary on the part of the person undergoing it, and never compulsory.\" His opposition to such a system was not only rooted in morality.", "His opposition to such a system was not only rooted in morality. Rather, Ellis also considered the practicality of the situation, hypothesizing that if an already mentally unfit man is forced to undergo sterilization, he would only become more ill-balanced, and would end up committing more anti-social acts. Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction.", "Though Ellis was never at ease with the idea of forced sterilizations, he was willing to find ways to circumvent that restriction. His focus was on the social ends of eugenics, and as a means to it, Ellis was in no way against 'persuading' 'volunteers' to undergo sterilization by withdrawing Poor Relief from them. While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool.", "While he preferred to convince those he deemed unfit using education, Ellis supported coercion as a tool. Furthermore, he supported adding ideas about eugenics and birth control to the education system in order to restructure society, and to promote social hygiene. For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit.", "For Ellis, sterilization seemed to be the only eugenic instrument that could be used on the mentally unfit. In fact, in his publication The Sterilization of the Unfit, Ellis argued that even institutionalization could not guarantee the complete prevention of procreation between the unfit, and thus, \"the burdens of society, to say nothing of the race, are being multiplied. It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\"", "It is not possible to view sterilization with enthusiasm when applied to any class of people…but what, I ask myself, is the practical alternative?\" Psychedelics Ellis was among the pioneering investigators of psychedelic drugs and the author of one of the first written reports to the public about an experience with mescaline, which he conducted on himself in 1896. He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London.", "He consumed a brew made of 3 Echinocacti (peyote) in the afternoon of Good Friday alone in his apartment in Temple, London. During the experience, lasting for about 24 hours, he noted a plethora of extremely vivid, complex, colourful, pleasantly smelling hallucinations, consisting both of abstract geometrical patterns and definite objects such as butterflies and other insects. He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise).", "He published the account of the experience in The Contemporary Review in 1898 (Mescal: A New Artificial Paradise). The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish).", "The title of the article alludes to an earlier work on the effects of mind-altering substances, an 1860 book Les Paradis artificiels by French poet Charles Baudelaire (containing descriptions of experiments with opium and hashish). Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member.", "Ellis was so impressed with the aesthetic quality of the experience that he gave some specimens of peyote to the Irish poet W. B. Yeats, a member of the Hermetic Order of the Golden Dawn, an organisation of which another mescaline researcher, Aleister Crowley, was also a member. Later life and death Ellis resigned from his position of Fellow of the Eugenics Society over their stance on sterilization in January 1931. Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939.", "Ellis spent the last year of his life at Hintlesham, Suffolk, where he died in July 1939. He is buried in Golders Green Crematorium, in North London. Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A.", "Works The Criminal (1890) The New Spirit (1890) The Nationalisation of Health (1892) Man and Woman: A Study of Secondary and Tertiary Sexual Characteristics (1894) (revised 1929) translator: Germinal (by Zola) (1895) (reissued 1933) with J.A. Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol.", "Symonds Studies in the Psychology of Sex (1897–1928) six volumes (listed below) Affirmations (1898) The Nineteenth Century (1900) A Study of British Genius (1904) The Soul of Spain (1908) The Problem of Race-Regeneration (1911) The World of Dreams (1911) (new edition 1926) The Task of Social Hygiene (1912) The Philosophy of Conflict (1919) On Life and Sex: Essays of Love and Virtue (1921) Little Essays of Love and Virtue (1922) Sonnets, with Folk Songs from the Spanish (1925) Eonism and Other Supplementary Studies (1928) Studies in the Psychology of Sex Vol. 7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed.", "7 (1928) The Art of Life (1929) (selected and arranged by Mrs. S. Herbert) More Essays of Love and Virtue (1931) ed. : James Hinton: Life in Nature (1931) ed.", ": James Hinton: Life in Nature (1931) ed. : Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed.", ": Imaginary Conversations and Poems: A Selection, by Walter Savage Landor (1933) Chapman (1934) My Confessional (1934) Questions of Our Day (1934) From Rousseau to Proust (1935) Selected Essays (1936) Poems (1937) (selected by John Gawsworth; pseudonym of T. Fytton Armstrong) Love and Marriage (1938) (with others) Sex Compatibility in Marriage (1939) From Marlowe to Shaw (1950) (ed. by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed.", "by J. Gawsworth) The Genius of Europe (1950) Sex and Marriage (1951) (ed. by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195).", "by J. Gawsworth) The Unpublished Letters of Havelock Ellis to Joseph Ishill (1954) References Bibliography Further reading (U.S. title) External links Havelock Ellis papers (MS 195). Manuscripts and Archives, Yale University Library Henry Havelock Ellis papers from the Historic Psychiatry Collection, Menninger Archives, Kansas Historical Society 1859 births 1939 deaths 19th-century English non-fiction writers 20th-century English non-fiction writers Alumni of King's College London Alumni of St Thomas's Hospital Medical School British sexologists English eugenicists English psychologists People from Croydon Psychedelic drug advocates British relationships and sexuality writers Medical writers on LGBT topics British social reformers Transgender studies academics Victorian writers Translators of Émile Zola" ]
[ "David Frost", "That Was the Week That Was (TW3)" ]
C_217351d2fd5a4a9bb19386d270564876_1
What was David Frost job?
1
What was David Frost job?
David Frost
Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER
Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was,
Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople
true
[ "Rodney David Wingfield (6 June 1928 – 31 July 2007) was an English author and radio dramatist. He is best remembered for creating the character of Detective Inspector Jack Frost, who was later played by Sir David Jason in A Touch of Frost.\n\nEarly life\nRodney David Wingfield was born in Hackney, east London in 1928. He was educated at the Coopers' Company School and during the Second World War was evacuated to Frome, Somerset. Wingfield was exempted from National Service due to poor eyesight and had various office jobs in the East End before joining the Petrofina oil company. His first radio play, Our West Ladyton Branch was accepted by the BBC in 1968 and two more were then commissioned, at which point Wingfield resigned from his job.\n\nInspector Frost\nIn 1972, Macmillan Publishers invited him to write a book, and he wrote Frost at Christmas. This was rejected and not published until the early 1980s in Canada. Wingfield had originally planned to kill Frost in the first book, but he was persuaded instead to leave it as an open ending. Following this, two more Frost books were written: A Touch of Frost and Night Frost. In 1977 Frost appeared in a radio play called Three Days of Frost, in which Frost was played by Leslie Sands, a friend of Wingfield's. The books were first published in the United Kingdom in early 1989, and in 1992 Frost first appeared on television in A Touch of Frost, played by David Jason. Wingfield was never enthusiastic about the TV adaptation of his detective, once saying he had nothing against David Jason but \"he just isn't my Frost\".\n\nHard Frost was published in 1995, followed by Winter Frost in 1999. Wingfield did not enjoy writing books, and much preferred writing radio scripts. In 20 years he wrote over 40 radio mystery plays, but stopped in 1988, with Hate Mail, due to the decline of radio and the success of his Frost books. As well as the many mystery plays, Wingfield also penned a comedy radio series, The Secret Life of Kenneth Williams, starring Kenneth Williams as a secret agent. Wingfield was a very private man, always avoiding book launches and publishing parties, and being rarely photographed.\n\nOther\nIn 1982 Leslie Sands played Sergeant Fowler in Wingfield's BBC radio thriller Outbreak of Fear, a murder mystery set in the West Country.\n\nIn 1987 Bob Peck starred in the Wingfield BBC radio drama Deadfall, about a demolition man whose past catches up with him.\n\nThe 'winkle' postcard (sent by Inspector Frost) is most probably based on a Donald McGill seaside postcard.\n\nAfter a dispute with the BBC in 1984 he submitted a number of radio plays under the pseudonym \"Arthur Jefferson\", (the real name of Stan Laurel) one such play being The Killing Season broadcast in six-parts that same year and starring Sean Barrett, Michael Jenner, John Hollis, and Allan Cuthbertson; the serial was essentially a palimpsest of his earlier serial Outbreak of Fear. The final of his non-Inspector Frost radio plays was Hate Mail broadcast in 1988.\n\nLater years\nIn 2002, R. D. Wingfield was diagnosed with prostate cancer. At about the same time he started writing the sixth, and final, Frost book, A Killing Frost. His wife, Phyllis Patten, whom he married in 1952, died in 2004. They had a son, Phillip. The cancer killed Wingfield in 2007, and A Killing Frost was published on 7 April 2008. All the books are now available in E-book format.\n\nIn 2011, the first of four new Frost books was published with the approval of the Wingfield family. The books — First Frost, Fatal Frost, Morning Frost, and Frost at Midnight — are published under the name James Henry. In the case of First Frost, this pseudonym refers to James Gurbutt and Henry Sutton, but for the others it refers to Gurbutt only.\n\nBibliography\n\nInspector Frost novels\n Frost at Christmas (1984)\n A Touch of Frost (1987)\n Night Frost (1992)\n Hard Frost (1995)\n Winter Frost (1999)\n A Killing Frost (2008)\n\nReferences\n\n1928 births\n2007 deaths\nEnglish crime fiction writers\nEnglish radio writers\nPeople from Hackney Central\nEnglish male novelists\n20th-century English novelists\n20th-century English male writers\n21st-century English novelists\n21st-century English male writers\nWriters from London", "Wilfred Frost (born 7 August 1985) is a financial news anchor for CNBC.\nWednesday, February 16, 2022 was his last day co-anchoring Closing Bell on CNBC.\n\nEarly life and education\nFrost is the son of Sir David Frost, an interviewer and television host, and Lady Carina Fitzalan-Howard, a daughter of the 17th Duke of Norfolk. Frost attended the University of Oxford and graduated with a degree in Politics, Philosophy, and Economics.\n\nCareer\nAfter graduating, Frost worked for Newton Investment Management in London for 5 years. In 2011, after attending a weekend-long media-training program in London, he left his job to pursue a career in broadcasting.\n\nIn 2014, Frost joined CNBC as the co-anchor of Worldwide Exchange, first from London and beginning in 2016, from the United States.\n\nIn 2018, Frost became co-anchor of Closing Bell. On February 3rd, 2022 Frost announced his departure from Closing Bell to begin working with Sky News in London in March 2022. Frost will remain with Comcast as an NBC/CNBC contributor.\n\nPersonal life\nFrost's parents owned Michelmersh Court, 21-acre estate in the south of England. There, he met Margaret Thatcher, John Major, Tony Blair, David Cameron, and George H. W. Bush.\n\nIn 2015, Frost's older brother, Miles, died from hypertrophic cardiomyopathy. His father had the same condition when he died as discovered in autopsy but it was not what his father died of in 2013. In response, he and his younger brother, George, created the Miles Frost Fund, which works to raise awareness of and increase testing for this hereditary heart condition. Wilfred underwent hypertrophic cardiomyopathy screening and tested negative.\n\nHe is the godson of John Cleese.\n\nReferences\n\nLiving people\n1985 births\nBritish broadcast news analysts\nTelevision personalities from London\nCNBC people\nNBC News people" ]
[ "Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television.", "His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983.", "He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012.", "From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014.", "His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John \"W. J.\" Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters.", "Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete.", "While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School.", "Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham.", "For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird.", "He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. \"The first time I stepped into a television studio\", he once remembered, \"it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world.\"", "Talking to the camera seemed the most natural thing in the world.\" According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike.", "Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for \"that wonderfully silly voice\" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings.", "Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel.", "That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme.", "The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost \"the bubonic plagiarist\". The new satirical magazine Private Eye also mocked him at this time.", "The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed.", "At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage.", "Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended.", "An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.", "In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family.", "Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme.", "Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial.", "His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, \"Hello, good evening and welcome\", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967.", "Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered \"highbrow\" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence.", "A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had \"risen without a trace.\" He was involved in the station's early years as a presenter.", "He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon.", "On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963.", "Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be.", "For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was \"an arrogant bastard, [and] a bloody bugger\". In the late 1960s Frost began an intermittent involvement in the film industry.", "In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella.", "In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time.", "American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams.", "From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship.", "In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman.", "Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman. Ali remarked, \"Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind.\" In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast.", "In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as \"checkbook journalism\". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\".", "Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\".", "Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\".", "Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\". Nixon replied: \"Well, when the president does it, that means that it is not illegal\", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran.", "Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran.", "The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings.", "He was dismissed after only three weeks because of poor ratings. It seems he was \"considered too high-brow for the show's low-brow format.\" After 1980 Frost was one of the \"Famous Five\" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable \"highbrow\" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992.", "Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1.", "For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006.", "Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri.", "Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country.", "In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire.", "In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush).", "Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation.", "He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity \"Wellbeing for Women\".", "He was also recognized for his contributions to the women's charity \"Wellbeing for Women\". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977.", "Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles.", "The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score.", "It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing.", "It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled \"The World According To Frost\", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women.", "Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley.", "He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire.", "They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015.", "Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner.", "On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: \"He could be—and certainly was with me—both a friend and a fearsome interviewer.\" Michael Grade commented: \"He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\"", "He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\" Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968).", "Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay.", "With Antony Jay. With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) \"I Gave Them a Sword\": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007.", "Reissued as Frost/Nixon in 2007. Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire?", "Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople" ]
[ "David Frost", "That Was the Week That Was (TW3)", "What was David Frost job?", "Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was," ]
C_217351d2fd5a4a9bb19386d270564876_1
In what country was That was the week that was been produce?
2
In what country was "That was the week that was" been produce?
David Frost
Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER
Britain
Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople
true
[ "Queensland Country Life is a newspaper published in Queensland, Australia, since 1935. It focuses on rural news.\n\nHistory\nThe Queensland Country Life newspaper is the second of that name. The first newspaper was published from 1900 to 1910 and is unrelated to the current newspaper.\n\nThe Queensland Country Life newspaper was first published on 25 July 1935. In its first issue, it described itself as a subsidiary of a New South Wales newspaper Country Life and that it incorporated the Grazier's Review and was the official organ of the:\n United Graziers' Association of Queensland\n Brisbane Wool Selling Brokers' Association\n Brisbane Fat Stock and Produce Brokers' Association\n\nThe newspaper is published once a week.\n\nDigitisation \nThe paper has been digitised as part of the Australian Newspapers Digitisation Program of the National Library of Australia.\n\nSee also\n List of newspapers in Australia\n\nReferences\n\nExternal links\n \n \n\nNewspapers published in Queensland\n1935 establishments in Australia\nNewspapers on Trove", "\"What Ifs\" is a song recorded by American country music singer Kane Brown featuring Lauren Alaina for his self-titled debut album. The song was released with the album through RCA Nashville and was serviced to radio as the second single on February 6, 2017.\n\nBackground\nThe song was written by Brown with Matt McGinn and Jordan Schmidt. The song is about a couple where the question \"what if\" is asked repeatedly about what would happen in their relationship. It features a duet with Lauren Alaina, a school friend from Lakeview Fort Oglethorpe High School when he was living in Fort Oglethorpe, Georgia. According to Brown, the song was initially not intended to be a duet, he said: \"Once we decided on adding a woman to \"What Ifs,\" I knew that I wanted Lauren to sing it, and, of course, she killed it.\" According to Brown, another song was going to be used in the album, however, he was asked so much about \"What Ifs\" on social media that it was then decided that the song should be included in the album.\n\nComposition\nThe song is in the key of G minor with a moderately fast tempo of approximately 126 beats per minute. It follows the chord progression Gm-B-F. Brown's vocals range from F-B.\n\nChart performance\n\"What Ifs\" sold 6,000 downloads in the US the week the album was released on December 2, 2016, allowing it to chart at number 37 on the US Hot Country Songs chart. The song first entered the US Country Airplay chart for the week of March 4, 2017 at number 60. It reached number one on Hot Country Songs in October 2017, ending the record breaking 34-week reign of Sam Hunt's \"Body Like a Back Road\". The song is the first number one on the chart for both Brown and Alaina. The following week, for the chart dated October 28, 2017, \"What Ifs\" stayed at number one, as well as topping the Country Airplay and Country Streaming Songs charts, becoming Alaina's second number one on the former chart after her solo single, \"Road Less Traveled\", topped the chart earlier in the year. Together with the release of the deluxe edition of the album which also reached number on Top Country Albums, and another number one for a new track \"Heaven\" on digital sales, Brown became the first artist to have simultaneous number ones on all five main country charts.\n\nThe single became the third most-consumed country song of 2017, with 1,551,000 units including streams (599,000 in pure sales) sold in the year. As of January 2019, the single has sold 889,000 copies in the US. On September 29, 2020, the single was certified septuple platinum by the Recording Industry Association of America (RIAA) for combined sales and streaming equivalent units of over seven million units in the United States.\n\nMusic video\nThe official music video for the song was directed by P.R. Brown and produced by Steve Lamar. The video was filmed along the Californian coast at The Inn at Newport Ranch, a resort and cattle ranch to the north of San Francisco. It features Brown and his duet partner Lauren Alaina singing along the coast. It was released on May 14, 2017. An earlier lyric video was first released on May 4, 2017, and shows Brown and Alaina cruising down a road.\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nDecade-end charts\n\nCertifications\n\nReferences\n\n \n\n2016 songs\n2017 singles\nKane Brown songs\nLauren Alaina songs\nMale–female vocal duets\nRCA Records Nashville singles\nSong recordings produced by Dann Huff\nSongs written by Kane Brown\nSongs written by Matt McGinn (songwriter)\nSongs written by Jordan Schmidt" ]
[ "Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television.", "His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983.", "He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012.", "From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014.", "His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John \"W. J.\" Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters.", "Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete.", "While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School.", "Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham.", "For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird.", "He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. \"The first time I stepped into a television studio\", he once remembered, \"it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world.\"", "Talking to the camera seemed the most natural thing in the world.\" According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike.", "Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for \"that wonderfully silly voice\" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings.", "Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel.", "That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme.", "The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost \"the bubonic plagiarist\". The new satirical magazine Private Eye also mocked him at this time.", "The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed.", "At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage.", "Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended.", "An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.", "In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family.", "Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme.", "Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial.", "His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, \"Hello, good evening and welcome\", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967.", "Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered \"highbrow\" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence.", "A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had \"risen without a trace.\" He was involved in the station's early years as a presenter.", "He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon.", "On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963.", "Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be.", "For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was \"an arrogant bastard, [and] a bloody bugger\". In the late 1960s Frost began an intermittent involvement in the film industry.", "In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella.", "In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time.", "American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams.", "From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship.", "In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman.", "Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman. Ali remarked, \"Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind.\" In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast.", "In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as \"checkbook journalism\". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\".", "Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\".", "Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\".", "Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\". Nixon replied: \"Well, when the president does it, that means that it is not illegal\", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran.", "Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran.", "The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings.", "He was dismissed after only three weeks because of poor ratings. It seems he was \"considered too high-brow for the show's low-brow format.\" After 1980 Frost was one of the \"Famous Five\" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable \"highbrow\" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992.", "Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1.", "For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006.", "Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri.", "Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country.", "In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire.", "In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush).", "Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation.", "He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity \"Wellbeing for Women\".", "He was also recognized for his contributions to the women's charity \"Wellbeing for Women\". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977.", "Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles.", "The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score.", "It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing.", "It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled \"The World According To Frost\", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women.", "Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley.", "He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire.", "They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015.", "Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner.", "On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: \"He could be—and certainly was with me—both a friend and a fearsome interviewer.\" Michael Grade commented: \"He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\"", "He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\" Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968).", "Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay.", "With Antony Jay. With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) \"I Gave Them a Sword\": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007.", "Reissued as Frost/Nixon in 2007. Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire?", "Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople" ]
[ "David Frost", "That Was the Week That Was (TW3)", "What was David Frost job?", "Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was,", "In what country was That was the week that was been produce?", "Britain", "Was it successful?", "The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme." ]
C_217351d2fd5a4a9bb19386d270564876_1
Was it published to other country?
4
Was "That was the week that was" published to other country aside from Britain?
David Frost
Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER
An American version of TW3 ran after the original British series had ended.
Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople
true
[ "Dominika Eristavi (), pen name Gandegili, (1864–1929) was a prominent Georgian writer and translator.\n\nBiography\n\nDominika Eristavi was born on 28 October 1864 in the Vani district. Her first poem titled \"ბარათაშვილის ნეშთის გადმოსვენების გამო\" (Baratashvili's Remains to be Reburied) was published in 1893 in the journal Iveria. She went on to contribute poetry and prose to a wide variety of periodicals and newspapers. Thanks to her competence in the Georgian language, in 1904 she was appointed editor of the magazine Nobati. In 1914, she was one of the founding members of the Georgian Women's Society. Her ability as a storyteller was recognized when her short story Marine was published in 1897.\nEristavi also translated literary works by authors including Heinrich Heine, Ivan Turgenev and Maxim Gorky.\n\nUnder the pen-name Gandegili she published a collection of poems and short stories in 1910 and another collection of poems in 1918.\n\nShe was a strong defender of women's rights. Criticizing the absence of women at a meeting of cultural societies in 1916, she commented: \"Georgian women have never failed to reveal if not higher at least equal capabilities with men in any field, but the meeting of cultural societies does not prove to be cultural enough to allocate a dignified place to a Georgian woman whom our ancestors appreciated much more than our contemporaries.\"\n\nDominika Eristavi died in Tbilisi on 24 January 1929.\n\nReferences \n\n1864 births\n1929 deaths\nWomen writers from Georgia (country)\nPeople from Samegrelo-Zemo Svaneti\n19th-century poets from Georgia (country)\n20th-century poets from Georgia (country)\n20th-century women writers from Georgia (country)\n19th-century women writers from Georgia (country)\nTranslators from Georgia (country)\nPoets from Georgia (country)\n19th-century translators\n20th-century translators", "Larry Koon (April 26, 1946 - December 30, 2012) was a published author and newspaper columnist who specialized in antiques and collectibles. Koon was born April 26, 1946 in Ripley, West Virginia, where he was also raised. Koon wrote several books on antiques and collectibles, and was the first to write a book on specialized auction markets. Koon also wrote a weekly antiques column for The Marietta Times. His column also appeared in A Woman's View Magazine and other publications around the country. Koon died December 30, 2012.\n\nBibliography\nNorth American Auction Markets, published 1997 by Gordons Art Reference,\nPrice Guide to Lee Middleton Dolls, published by Hobby House, Grantsville. Maryland\nPrice Guide to Annalee Dolls, published by Portfolio Press, New York\nPrice Guide to Stickley Brothers Furniture, published by Collector Books, Paducah, Ky\nPrice Guide to Roycroft Furniture, published by Collector Books, Paducah, Ky\nStickley Brothers Furniture, Identification and Value Guide\n\nReferences \n\n1956 births\nAmerican non-fiction writers\n2012 deaths\nPeople from Ripley, West Virginia" ]
[ "Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television.", "His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983.", "He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012.", "From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014.", "His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John \"W. J.\" Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters.", "Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete.", "While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School.", "Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham.", "For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird.", "He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. \"The first time I stepped into a television studio\", he once remembered, \"it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world.\"", "Talking to the camera seemed the most natural thing in the world.\" According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike.", "Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for \"that wonderfully silly voice\" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings.", "Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel.", "That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme.", "The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost \"the bubonic plagiarist\". The new satirical magazine Private Eye also mocked him at this time.", "The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed.", "At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage.", "Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended.", "An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.", "In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family.", "Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme.", "Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial.", "His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, \"Hello, good evening and welcome\", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967.", "Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered \"highbrow\" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence.", "A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had \"risen without a trace.\" He was involved in the station's early years as a presenter.", "He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon.", "On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963.", "Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be.", "For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was \"an arrogant bastard, [and] a bloody bugger\". In the late 1960s Frost began an intermittent involvement in the film industry.", "In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella.", "In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time.", "American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams.", "From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship.", "In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman.", "Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman. Ali remarked, \"Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind.\" In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast.", "In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as \"checkbook journalism\". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\".", "Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\".", "Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\".", "Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\". Nixon replied: \"Well, when the president does it, that means that it is not illegal\", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran.", "Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran.", "The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings.", "He was dismissed after only three weeks because of poor ratings. It seems he was \"considered too high-brow for the show's low-brow format.\" After 1980 Frost was one of the \"Famous Five\" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable \"highbrow\" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992.", "Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1.", "For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006.", "Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri.", "Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country.", "In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire.", "In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush).", "Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation.", "He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity \"Wellbeing for Women\".", "He was also recognized for his contributions to the women's charity \"Wellbeing for Women\". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977.", "Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles.", "The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score.", "It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing.", "It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled \"The World According To Frost\", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women.", "Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley.", "He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire.", "They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015.", "Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner.", "On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: \"He could be—and certainly was with me—both a friend and a fearsome interviewer.\" Michael Grade commented: \"He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\"", "He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\" Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968).", "Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay.", "With Antony Jay. With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) \"I Gave Them a Sword\": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007.", "Reissued as Frost/Nixon in 2007. Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire?", "Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople" ]
[ "David Frost", "That Was the Week That Was (TW3)", "What was David Frost job?", "Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was,", "In what country was That was the week that was been produce?", "Britain", "Was it successful?", "The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme.", "Was it published to other country?", "An American version of TW3 ran after the original British series had ended.", "How successful did it get?", "I don't know." ]
C_217351d2fd5a4a9bb19386d270564876_1
Did he get other shows that was popular?
6
Besides "That was the week that was", did David Frost get other shows that was popular?
David Frost
Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER
1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.
Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople
true
[ "Celebrity Coach Trip 1 was the first series of Celebrity Coach Trip which was filmed from 6 to 20 September 2010 and began airing on 8 November 2010. The series featured a variety of celebrity couples on a 10-day tour, the couples get to vote off the other couples that they do not get along with. On the last day of the coach trip the remaining couples vote for the couple that they want to win the £1000 prize for charity. The first day of the coach trip started in Prague and the last day of the trip ended in Venice. Tour guide Brendan Sheerin, narrator Dave Vitty, coach driver Paul Donald and the MT09 MTT registration all returned for this series, which aired on Channel 4.\n\nVoting System\nThe Voting system on this series was:\n Days 1 to 4 was a yellow card\n Days 5 to 9 an automatic red card\n\nContestants\n Indicates the couple were aboard the coach\n Indicates the couple were immune from votes\n Indicates that the couple were voted as the most popular couple and won series \n Indicates that the couple were voted as the second most popular couple \n Indicates that the couple were voted as the third most popular couple\n Indicates the couple got a yellow card\n Indicates the couple got a red card\n\nVoting history\n\n Indicates that the couple received the most votes and received a yellow card\n Indicates that the couple received the most votes and were red carded off the trip\n Indicates that it was the couple's first vote meaning they could not be voted for\n Indicates that the couple were voted as the most popular couple and won series\n Indicates that the couple were voted as the second most popular couple\n Indicates that the couple were voted as the third most popular couple\n\nThe trip by day\n\nReferences\n\n2010 British television seasons\nCoach Trip series\nTelevision shows set in Austria\nTelevision shows set in the Czech Republic\nTelevision shows set in Germany\nTelevision shows set in Italy", "Coach Trip 4 was the fourth series of Coach Trip in the United Kingdom which that was filmed between 7 September and 27 October 2009, and began airing on Monday 15 February 2010. The length of this series was longer than the previous or future instalments, increased from 30 to 50 days for a tour centred on European, Mediterranean, North African and West Asian countries on a coach like series 1, 2 and 3 attempting to vote off the least popular couples. Tour guide Brendan Sheerin, coach driver Paul Donald and narrator David Quantick all returned for this series, which aired on Channel 4. MT09 MTT was the registration number plate.\n\nContestants\n\nVoting history\n\n Indicates that the couple received the most votes and received a yellow card\n Indicates that the couple were red carded off the trip\n Indicates that the couple were removed from the coach\n Indicates that the couple left the coach due to other reasons than being voted off or being removed from the coach\n Indicates that it was the couple's first vote meaning they could not be voted for\n Indicates that the couple did not take part in the vote, meaning they could neither vote nor be voted for\n Indicates that the couple received a special treat due to being voted as the most popular couple\n Indicates that the couple were voted as the most popular couple and won series\n Indicates that the couple were voted as the second most popular couple\n Indicates that the couple were voted as the third most popular couple\n Indicates that the couple were voted as the fourth most popular couple\n\nNotes\n\nNo timekeepers in series\n\nThe Trip Day-by-Day\n\nReferences\n\n2010 British television seasons\nCoach Trip series\nPortsmouth\nTelevision shows set in Austria\nTelevision shows set in Bulgaria\nTelevision shows set in Croatia\nTelevision shows set in France\nTelevision shows set in Greece\nTelevision shows set in Hampshire\nTelevision shows set in Italy\nTelevision shows set in Serbia\nTelevision shows set in Slovenia\nTelevision shows set in Switzerland\nTelevision shows set in Tunisia\nTelevision shows set in Turkey" ]
[ "Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television.", "His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983.", "He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012.", "From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014.", "His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John \"W. J.\" Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters.", "Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete.", "While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School.", "Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham.", "For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird.", "He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. \"The first time I stepped into a television studio\", he once remembered, \"it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world.\"", "Talking to the camera seemed the most natural thing in the world.\" According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike.", "Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for \"that wonderfully silly voice\" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings.", "Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel.", "That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme.", "The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost \"the bubonic plagiarist\". The new satirical magazine Private Eye also mocked him at this time.", "The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed.", "At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage.", "Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended.", "An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.", "In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family.", "Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme.", "Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial.", "His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, \"Hello, good evening and welcome\", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967.", "Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered \"highbrow\" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence.", "A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had \"risen without a trace.\" He was involved in the station's early years as a presenter.", "He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon.", "On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963.", "Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be.", "For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was \"an arrogant bastard, [and] a bloody bugger\". In the late 1960s Frost began an intermittent involvement in the film industry.", "In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella.", "In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time.", "American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams.", "From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship.", "In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman.", "Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman. Ali remarked, \"Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind.\" In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast.", "In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as \"checkbook journalism\". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\".", "Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\".", "Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\".", "Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\". Nixon replied: \"Well, when the president does it, that means that it is not illegal\", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran.", "Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran.", "The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings.", "He was dismissed after only three weeks because of poor ratings. It seems he was \"considered too high-brow for the show's low-brow format.\" After 1980 Frost was one of the \"Famous Five\" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable \"highbrow\" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992.", "Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1.", "For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006.", "Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri.", "Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country.", "In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire.", "In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush).", "Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation.", "He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity \"Wellbeing for Women\".", "He was also recognized for his contributions to the women's charity \"Wellbeing for Women\". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977.", "Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles.", "The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score.", "It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing.", "It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled \"The World According To Frost\", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women.", "Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley.", "He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire.", "They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015.", "Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner.", "On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: \"He could be—and certainly was with me—both a friend and a fearsome interviewer.\" Michael Grade commented: \"He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\"", "He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\" Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968).", "Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay.", "With Antony Jay. With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) \"I Gave Them a Sword\": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007.", "Reissued as Frost/Nixon in 2007. Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire?", "Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople" ]
[ "David Frost", "That Was the Week That Was (TW3)", "What was David Frost job?", "Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was,", "In what country was That was the week that was been produce?", "Britain", "Was it successful?", "The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme.", "Was it published to other country?", "An American version of TW3 ran after the original British series had ended.", "How successful did it get?", "I don't know.", "Did he get other shows that was popular?", "1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.", "Did he get a partner on his job?", "I don't know." ]
C_217351d2fd5a4a9bb19386d270564876_1
Are there any other interesting aspects about this article?
8
Aside from television special, are there any other interesting aspects about David Frost, That Was the Week That Was (TW3)?
David Frost
Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, alias TW3 after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962-63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the United States during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. CANNOTANSWER
Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook.
Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John "W. J." Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. "The first time I stepped into a television studio", he once remembered, "it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world." According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for "that wonderfully silly voice" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost "the bubonic plagiarist". The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a "heavier" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of "trial by television" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, "Hello, good evening and welcome", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered "highbrow" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had "risen without a trace." He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was "an arrogant bastard, [and] a bloody bugger". In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before "The Rumble in the Jungle" with George Foreman. Ali remarked, "Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind." In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as "checkbook journalism". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as "the first fourth network". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, "I let the American people down and I have to carry that burden with me for the rest of my life". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides "it's in the best interests of the nation or something". Nixon replied: "Well, when the president does it, that means that it is not illegal", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings. It seems he was "considered too high-brow for the show's low-brow format." After 1980 Frost was one of the "Famous Five" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable "highbrow" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity "Wellbeing for Women". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled "The World According To Frost", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: "He could be—and certainly was with me—both a friend and a fearsome interviewer." Michael Grade commented: "He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival." Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) "I Gave Them a Sword": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople
true
[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]
[ "Sir David Paradine Frost (7 April 1939 – 31 August 2013) was a British television host, journalist, comedian and writer. He rose to prominence during the satire boom in the United Kingdom when he was chosen to host the satirical programme That Was the Week That Was in 1962. His success on this show led to work as a host on American television.", "His success on this show led to work as a host on American television. He became known for his television interviews with senior political figures, among them the Nixon interviews with President Richard Nixon in 1977 which were adapted into a stage play and film. Frost interviewed all eight British prime ministers serving between 1964 and 2016 and all seven American presidents in office between 1969 and 2008. He was one of the people behind the launch of ITV station TV-am in 1983.", "He was one of the people behind the launch of ITV station TV-am in 1983. He was the inaugural host of the US newsmagazine programme Inside Edition. He hosted the Sunday morning interview programme Breakfast with Frost for the BBC from 1993 to 2005, and spent two decades as host of Through the Keyhole. From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012.", "From 2006 to 2012, he hosted the weekly programme Frost Over the World on Al Jazeera English, and the weekly programme The Frost Interview from 2012. He received the BAFTA Fellowship from the British Academy of Film and Television Arts in 2005 and the Lifetime Achievement Award at the Emmy Awards in 2009. Frost died on 31 August 2013, aged 74, on board the cruise ship , where he had been engaged as a speaker. His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014.", "His memorial stone was unveiled in Poets' Corner of Westminster Abbey in March 2014. Early life David Paradine Frost was born in Tenterden, Kent, on 7 April 1939, the son of a Methodist minister of Huguenot descent, the Rev. Wilfred John \"W. J.\" Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters.", "Paradine Frost, and his wife, Mona (Aldrich); he had two elder sisters. While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete.", "While living in Gillingham, Kent, he was taught in the Bible class of the Sunday school at his father's church (Byron Road Methodist) by David Gilmore Harvey, and subsequently started training as a Methodist local preacher, which he did not complete. Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School.", "Frost attended Barnsole Road Primary School in Gillingham, St Hugh's School, Woodhall Spa, Gillingham Grammar School and finally – while residing in Raunds, Northamptonshire – Wellingborough Grammar School. Throughout his school years he was an avid football and cricket player, and was offered a contract with Nottingham Forest F.C. For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham.", "For two years before going to university he was a lay preacher, following his witnessing of an event presided over by Christian evangelist Billy Graham. Frost studied at Gonville and Caius College, Cambridge, from 1958, graduating with a Third in English. He was editor of both the university's student paper, Varsity, and the literary magazine Granta. He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird.", "He was also secretary of the Footlights Drama Society, which included actors such as Peter Cook and John Bird. During this period Frost appeared on television for the first time in an edition of Anglia Television's Town And Gown, performing several comic characters. \"The first time I stepped into a television studio\", he once remembered, \"it felt like home. It didn't scare me. Talking to the camera seemed the most natural thing in the world.\"", "Talking to the camera seemed the most natural thing in the world.\" According to some accounts, Frost was the victim of snobbery from the group with which he associated at Cambridge, which has been confirmed by Barry Humphries. Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike.", "Christopher Booker, while asserting that Frost's one defining characteristic was ambition, commented that he was impossible to dislike. According to satirist John Wells, Old Etonian actor Jonathan Cecil congratulated Frost around this time for \"that wonderfully silly voice\" he used while performing, but then discovered that it was Frost's real voice. After leaving university, Frost became a trainee at Associated-Rediffusion. Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings.", "Meanwhile, having already gained an agent, Frost performed in cabaret at the Blue Angel nightclub in Berkeley Square, London during the evenings. That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel.", "That Was the Week That Was Frost was chosen by writer and producer Ned Sherrin to host the satirical programme That Was the Week That Was, or TW3, after Frost's flatmate John Bird suggested Sherrin should see his act at The Blue Angel. The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme.", "The series, which ran for less than 18 months during 1962–63, was part of the satire boom in early 1960s Britain and became a popular programme. The involvement of Frost in TW3 led to an intensification of the rivalry with Peter Cook who accused him of stealing material and dubbed Frost \"the bubonic plagiarist\". The new satirical magazine Private Eye also mocked him at this time.", "The new satirical magazine Private Eye also mocked him at this time. Frost visited the U.S. during the break between the two series of TW3 in the summer of 1963 and stayed with the producer of the New York City production of Beyond The Fringe. Frost was unable to swim, but still jumped into the pool, and nearly drowned until he was saved by Peter Cook. At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed.", "At the memorial service for Cook in 1995, Alan Bennett recalled that rescuing Frost was the one regret Cook frequently expressed. For the first three editions of the second series in 1963, the BBC attempted to limit the team by scheduling repeats of The Third Man television series after the programme, thus preventing overruns. Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage.", "Frost took to reading synopses of the episodes at the end of the programme as a means of sabotage. After the BBC's Director General Hugh Greene instructed that the repeats should be abandoned, TW3 returned to being open-ended. More sombrely, on 23 November 1963, a tribute to the assassinated President John F. Kennedy, an event which had occurred the previous day, formed an entire edition of That Was the Week That Was. An American version of TW3 ran after the original British series had ended.", "An American version of TW3 ran after the original British series had ended. Following a pilot episode on 10 November 1963, the 30-minute US series, also featuring Frost, ran on NBC from 10 January 1964 to May 1965. In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC.", "In 1985, Frost produced and hosted a television special in the same format, That Was the Year That Was, on NBC. After TW3 Frost fronted various programmes following the success of TW3, including its immediate successor, Not So Much a Programme, More a Way of Life, which he co-chaired with Willie Rushton and poet P. J. Kavanagh. Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family.", "Screened on three evenings each week, this series was dropped after a sketch was found to be offensive to Catholics and another to the British royal family. More successful was The Frost Report, broadcast between 1966 and 1967. The show launched the television careers of John Cleese, Ronnie Barker, and Ronnie Corbett, who appeared together in the Class sketch. Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme.", "Frost signed for Rediffusion, the ITV weekday contractor in London, to produce a \"heavier\" interview-based show called The Frost Programme. Guests included Oswald Mosley and Rhodesian premier Ian Smith. His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial.", "His memorable dressing-down of insurance fraudster Emil Savundra, regarded as the first example of \"trial by television\" in the UK, led to concern from ITV executives that it might affect Savundra's right to a fair trial. Frost's introductory words for his television programmes during this period, \"Hello, good evening and welcome\", became his catchphrase and were often mimicked. Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967.", "Frost was a member of a successful consortium, including former executives from the BBC, that bid for an ITV franchise in 1967. This became London Weekend Television, which began broadcasting in July 1968. The station began with a programming policy that was considered \"highbrow\" and suffered launch problems with low audience ratings and financial problems. A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence.", "A September 1968 meeting of the Network Programme Committee, which made decisions about the channel's scheduling, was particularly fraught, with Lew Grade expressing hatred of Frost in his presence. Frost, according to Kitty Muggeridge in 1967, had \"risen without a trace.\" He was involved in the station's early years as a presenter.", "He was involved in the station's early years as a presenter. On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon.", "On 20 and 21 July 1969, during the British television Apollo 11 coverage, he presented David Frost's Moon Party for LWT, a ten-hour discussion and entertainment marathon from LWT's Wembley Studios, on the night Neil Armstrong walked on the moon. Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963.", "Two of his guests on this programme were British historian A. J. P. Taylor and entertainer Sammy Davis, Jr. Around this time Frost interviewed Rupert Murdoch whose recently acquired Sunday newspaper, the News of the World, had just serialised the memoirs of Christine Keeler, a central figure in the Profumo scandal of 1963. For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be.", "For the Australian publisher, this was a bruising encounter, although Frost said that he had not intended it to be. Murdoch confessed to his biographer Michael Wolff that the incident had convinced him that Frost was \"an arrogant bastard, [and] a bloody bugger\". In the late 1960s Frost began an intermittent involvement in the film industry.", "In the late 1960s Frost began an intermittent involvement in the film industry. Setting up David Paradine Ltd in 1966, he part-financed The Rise and Rise of Michael Rimmer (1970), in which the lead character was based partly on Frost, and gained an executive producer credit. In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella.", "In 1976, Frost was the executive producer of the British musical film The Slipper and the Rose, retelling the story of Cinderella. Frost was the subject of This Is Your Life in January 1972 when he was surprised by Eamonn Andrews at London's Quaglino's restaurant. American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time.", "American career from 1968 to 1980 In 1968, he signed a contract worth £125,000 to appear on American television in his own show on three evenings each week, the largest such arrangement for a British television personality at the time. From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams.", "From 1969 to 1972, Frost kept his London shows and fronted The David Frost Show on the Group W (U.S. Westinghouse Corporation) television stations in the U.S. His 1970 TV special, Frost on America, featured guests such as Jack Benny and Tennessee Williams. In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship.", "In a declassified transcript of a 1972 telephone call between Frost and Henry Kissinger, President Nixon's national security advisor and secretary of state, Frost urged Kissinger to call chess Grandmaster Bobby Fischer and urge him to compete in that year's World Chess Championship. During this call, Frost revealed that he was working on a novel. Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman.", "Frost interviewed heavyweight boxer Muhammad Ali in 1974 at his training camp in Deer Lake, Pennsylvania before \"The Rumble in the Jungle\" with George Foreman. Ali remarked, \"Listen David, when I meet this man, if you think the world was surprised when Nixon resigned, wait till I whip Foreman's behind.\" In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast.", "In 1977, the Nixon Interviews, which were five 90-minute interviews with former U.S. President Richard Nixon, were broadcast. Nixon was paid $600,000 plus a share of the profits for the interviews, which had to be funded by Frost himself after the U.S. television networks turned down the programme, describing it as \"checkbook journalism\". Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\".", "Frost's company negotiated its own deals to syndicate the interviews with local stations across the U.S. and internationally, creating what Ron Howard described as \"the first fourth network\". Frost taped around 29 hours of interviews with Nixon over four weeks. Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\".", "Nixon, who had previously avoided discussing his role in the Watergate scandal that had led to his resignation as president in 1974, expressed contrition saying, \"I let the American people down and I have to carry that burden with me for the rest of my life\". Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\".", "Frost asked Nixon whether the president could do something illegal in certain situations such as against antiwar groups and others if he decides \"it's in the best interests of the nation or something\". Nixon replied: \"Well, when the president does it, that means that it is not illegal\", by definition. Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran.", "Following the 1979 Iranian Revolution, Frost was the last person to interview Mohammad Reza Pahlavi, the deposed Shah of Iran. The interview took place on Contadora Island in Panama in January 1980, and was broadcast by the American Broadcasting Company in the U.S. on 17 January. The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran.", "The Shah talks about his wealth, his illness, the SAVAK, the torture during his reign, Khomeini, his threat of extradition to Iran and draws a summary of the current situation in Iran. Frost was an organiser of the Music for UNICEF Concert at the United Nations General Assembly in 1979. Ten years later, he was hired as the anchor of new American tabloid news program Inside Edition. He was dismissed after only three weeks because of poor ratings.", "He was dismissed after only three weeks because of poor ratings. It seems he was \"considered too high-brow for the show's low-brow format.\" After 1980 Frost was one of the \"Famous Five\" who launched TV-am in February 1983; however, like LWT in the late 1960s, the station began with an unsustainable \"highbrow\" approach. Frost remained a presenter after restructuring. Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992.", "Frost on Sunday began in September 1983 and continued until the station lost its franchise at the end of 1992. Frost had been part of an unsuccessful consortium, CPV-TV, with Richard Branson and other interests, which had attempted to acquire three ITV contractor franchises prior to the changes made by the Independent Television Commission in 1991. After transferring from ITV, his Sunday morning interview programme Breakfast with Frost ran on the BBC from January 1993 until 29 May 2005. For a time it ran on BSB before moving to BBC 1.", "For a time it ran on BSB before moving to BBC 1. Frost hosted Through the Keyhole, which ran on several UK channels from 1987 until 2008 and also featured Loyd Grossman. Produced by his own production company, the programme was first shown in prime time and on daytime television in its later years. Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006.", "Frost worked for Al Jazeera English, presenting a live weekly hour-long current affairs programme, Frost Over The World, which started when the network launched in November 2006. The programme regularly made headlines with interviewees such as Tony Blair, President Omar al-Bashir of Sudan, Prime Minister Benazir Bhutto of Pakistan and President Daniel Ortega of Nicaragua. The programme was produced by the former Question Time editor and Independent on Sunday journalist Charlie Courtauld. Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri.", "Frost was one of the first to interview the man who authored the Fatwa on Terrorism, Muhammad Tahir-ul-Qadri. During his career as a broadcaster, Frost became one of Concorde's most frequent fliers, having flown between London and New York an average of 20 times per year for 20 years. In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country.", "In 2007, Frost hosted a discussion with Libya's leader Muammar Gaddafi as part of the Monitor Group's involvement in the country. In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire.", "In June 2010, Frost presented Frost on Satire, an hour-long BBC Four documentary looking at the history of television satire. Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush).", "Achievements Frost was the only person to have interviewed all eight British prime ministers serving between 1964 and 2016 (Harold Wilson, Edward Heath, James Callaghan, Margaret Thatcher, John Major, Tony Blair, Gordon Brown, and David Cameron) and all seven U.S. presidents in office between 1969 and 2008 (Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H. W. Bush, Bill Clinton, and George W. Bush). He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation.", "He was a patron and former vice-president of the Motor Neurone Disease Association charity, as well as being a patron of the Alzheimer's Research Trust, Hearing Star Benevolent Fund, East Anglia's Children's Hospices, the Home Farm Trust and the Elton John AIDS Foundation. He was also recognized for his contributions to the women's charity \"Wellbeing for Women\".", "He was also recognized for his contributions to the women's charity \"Wellbeing for Women\". After having been in television for 40 years, Frost was estimated to be worth £200 million by the Sunday Times Rich List in 2006, a figure he considered a significant overestimate in 2011. The valuation included the assets of his main British company and subsidiaries, plus homes in London and the country. Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977.", "Frost/Nixon Frost/Nixon was originally a play written by Peter Morgan, developed from the interviews that Frost had conducted with Richard Nixon in 1977. Frost/Nixon was presented as a stage production in London in 2006 and on Broadway in 2007. Frank Langella won a Leading Actor Tony Award for his portrayal of Nixon; the play also received nominations for Best Play and Best Direction. The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles.", "The play was adapted into a Hollywood motion picture entitled Frost/Nixon and starring Michael Sheen as Frost and Langella as Nixon, both reprising their stage roles. The film was released in 2008 and directed by Ron Howard. It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score.", "It was nominated for five Golden Globe Awards, winning none: Best Motion Picture-Drama, Best Director-Drama, Best Actor-Drama (Langella), Best Screenplay, and Best Original Score. It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing.", "It was also nominated for five Academy Awards, again winning none: Best Picture, Best Actor (Langella), Best Director, Best Adapted Screenplay, and Best Film Editing. In February 2009, Frost was featured on the Australian Broadcasting Corporation's international affairs programme Foreign Correspondent in a report titled \"The World According To Frost\", reflecting on his long career and portrayal in the film Frost/Nixon. Personal life Frost was known for several relationships with high-profile women.", "Personal life Frost was known for several relationships with high-profile women. In the mid-1960s, he dated British actress Janette Scott, between her marriages to songwriter Jackie Rae and singer Mel Tormé; in the early 1970s he was engaged to American actress Diahann Carroll; between 1972 and 1977 he had a relationship with British socialite Caroline Cushing; in 1981, he married Lynne Frederick, widow of Peter Sellers, but they divorced the following year. He also had an 18-year intermittent affair with American actress Carol Lynley.", "He also had an 18-year intermittent affair with American actress Carol Lynley. On 19 March 1983, Frost married Lady Carina Fitzalan-Howard, daughter of the 17th Duke of Norfolk. Three sons were born to the couple over the next five years. His second son, Wilfred Frost, followed in his father's footsteps and currently works as an anchor at CNBC. They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire.", "They lived for many years in Chelsea, London, and kept a weekend home at Michelmersh Court in Hampshire. Death On 31 August 2013, Frost was aboard the Cunard cruise ship when he died of a heart attack at the age of 74. Cunard said that the vessel had left Southampton for a ten-day cruise in the Mediterranean, ending in Rome. A post-mortem found that Frost had hypertrophic cardiomyopathy. Frost's son, Miles, died from the same condition at the age of 31 in 2015.", "Frost's son, Miles, died from the same condition at the age of 31 in 2015. A funeral service was held at Holy Trinity Church in Nuffield, Oxfordshire, on 12 September 2013, after which he was interred in the church's graveyard. On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner.", "On 13 March 2014, a memorial service was held at Westminster Abbey, at which Frost was honoured with a memorial stone in Poets' Corner. Tributes British Prime Minister David Cameron paid tribute, saying: \"He could be—and certainly was with me—both a friend and a fearsome interviewer.\" Michael Grade commented: \"He was kind of a television renaissance man. He could put his hand to anything. He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\"", "He could turn over Richard Nixon or he could win the comedy prize at the Montreux Golden Rose festival.\" Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968).", "Selected awards and honours 1970: Officer of the Order of the British Empire (OBE) 1970: Honorary Doctor of Laws degree of Emerson College 1993: Knight Bachelor 1994: Honorary doctoral degree of the University of Sussex 2000: Golden Plate Award of the American Academy of Achievement 2005: Fellowship of the British Academy of Film and Television Arts BAFTA 2009: Honorary Doctor of Letters degree of the University of Winchester 2009: Lifetime Achievement Award at the Emmy Awards Bibliography Non-fiction How to Live Under Labour – or at Least Have as Much Chance as Anyone Else (1964) To England with Love (1968). With Antony Jay.", "With Antony Jay. With Antony Jay. The Presidential Debate, 1968: David Frost talks with Vice-President Hubert H. Humphrey (and others) (1968). The Americans (1970) Billy Graham Talks with David Frost (1972) Whitlam and Frost: The Full Text of Their TV Conversations Plus Exclusive New Interviews (1974) \"I Gave Them a Sword\": Behind the Scenes of the Nixon Interviews (1978). Reissued as Frost/Nixon in 2007.", "Reissued as Frost/Nixon in 2007. Reissued as Frost/Nixon in 2007. David Frost's Book of Millionaires, Multimillionaires, and Really Rich People (1984) The World's Shortest Books (1987) An Autobiography. Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire?", "Part 1: From Congregations to Audiences (1993) With Michael Deakin and illustrated by Willie Rushton I Could Have Kicked Myself: David Frost's Book of the World's Worst Decisions (1982) Who Wants to Be a Millionaire? (1983) If You'll Believe That (1986) With Michael Shea The Mid-Atlantic Companion, or, How to Misunderstand Americans as Much as They Misunderstand Us (1986) The Rich Tide: Men, Women, Ideas and Their Transatlantic Impact (1986) References External links BBC News Profile of David Frost TV Cream on David Frost TV Cream on Paradine Productions 1939 births 2013 deaths Al Jazeera people Alumni of Gonville and Caius College, Cambridge BAFTA fellows BBC newsreaders and journalists British broadcast news analysts British reporters and correspondents British television producers English comedians English game show hosts English memoirists English Methodists English satirists English social commentators English political writers English television personalities English television talk show hosts International Emmy Founders Award winners Knights Bachelor Officers of the Order of the British Empire People educated at Gillingham Grammar School, Kent People educated at St Hugh's School, Woodhall Spa People from Raunds People from Tenterden People from Test Valley People from Wellingborough People who died at sea Primetime Emmy Award winners 20th-century British businesspeople" ]
[ "Martha and the Vandellas", "Motown major hit years (1962-1968)" ]
C_1183ad7f6a684fc28b80ad594e48035d_0
What happened during motown major hit years?
1
What happened to Martha and the Vandellas during motown major hit years (1962-1968)?
Martha and the Vandellas
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team,
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit
true
[ "Take Two is a duet album by Motown label mates Marvin Gaye and Kim Weston, released August 25, 1966 on the Motown's Tamla label. The album was titled after its most successful selection, the Top 5 R&B/Top 20 Pop hit \"It Takes Two\", which was to this point Gaye's most successful duet with another singer. The album also featured the modest hit \"What Good Am I Without You?\".\n\nShortly after this album was released, Weston left Motown in a dispute over royalties (coincidentally, Mary Wells had departed from Motown two years prior after also recording a duets album - Together - with Gaye). Weston's replacement as Gaye's duet partner was Tammi Terrell, who recorded several successful hit singles with Gaye during the late 1960s.\n\nTrack listing\n\nSide one\n\"It Takes Two\" (Sylvia Moy, William \"Mickey\" Stevenson) - 3:00\n\"I Love You, Yes I Do\" (Henry Glover, Sally Nix) - 2:22\n\"Baby I Need Your Loving\" (Holland-Dozier-Holland) - 3:14\n\"It's Got to Be a Miracle (This Thing Called Love)\" (Vernon Bullock, Moy, Stevenson) - 3:31\n\"Baby Say Yes\" (Stevenson, Kim Weston) - 3:16\n\"What Good Am I Without You\" (Alphonso Higdon, Stevenson) - 2:55\n\nSide two\n\"'Til There Was You\" (Meredith Willson) - 2:28\n\"Love Fell on Me\" (Moy, Stevenson) - 2:29\n\"Secret Love\" (Sammy Fain, Paul Francis Webster) - 2:48\n\"I Want You 'Round\" (William \"Smokey\" Robinson, Stevenson) - 2:27\n\"Heaven Sent You, I Know\" (Bullock, Moy, Stevenson) - 3:05\n\"When We're Together\" (Bullock, Moy) - 2:40\n\nPersonnel\nMarvin Gaye - vocals\nKim Weston - vocals\nThe Andantes - backing vocals (tracks 2, 3, 5, 6, 8, 11, 12)\nThe Spinners - backing vocals (track 10)\nThe Funk Brothers - instrumentation\n\n1966 albums\nMarvin Gaye albums\nTamla Records albums\nAlbums produced by Harvey Fuqua\nAlbums produced by Smokey Robinson\nAlbums produced by William \"Mickey\" Stevenson\nAlbums recorded at Hitsville U.S.A.\nVocal duet albums", "\"What's So Good About Goodbye\" was a 1961 hit single recorded by R&B group The Miracles for Motown Records' Tamla label, later included on their 1962 album I'll Try Something New. The single was the Miracles’ second Top 40 Pop hit, peaking at number 35 on the Billboard Hot 100 in the United States during the winter of 1962, and a Top 20 R&B hit as well, peaking at number 16 on Billboard's R&B singles chart.\n\nWritten by Miracles lead singer Smokey Robinson, \"What's So Good About Goodbye\" explores a relationship on the verge of breakup. This song, particularly Miracles member Marv Tarplin's guitar licks, proved a major influence on The Beatles, and inspired their song \"Ask Me Why\". Its B-side, \"I've Been Good To You\", was also a hit, charting at number 103 in the U.S. It too was an influence on The Beatles, most notably shown on their 1968 recording “Sexy Sadie”. Both songs were performed on the group's first live album, The Miracles Recorded Live on Stage. \"What's So Good About Goodbye\" was later covered by The Temptations (and included on their 1965 album The Temptations Sing Smokey), The Jackson 5 (Unreleased from 1969), rock band Quix*o*tic, and Canadian group Giant Sunflower.\n\nPersonnel\nSmokey Robinson - lead vocals\nClaudette Rogers Robinson - background vocals\nPete Moore - background vocals\nRonnie White - background vocals\nBobby Rogers - background vocals\nMarv Tarplin - guitar\n The Funk Brothers - instrumentation\n\nReferences\n\nExternal links\n \n [http://motownjunkies.wordpress.com/2010/04/29/144/ The Miracles: \"What's So Good About Goodbye\" - Song review from the \" Motown Junkies\" website]\n\nThe Miracles songs\nSongs written by Smokey Robinson\nTamla Records singles\n1961 singles\n1962 singles\nSong recordings produced by Berry Gordy\n1961 songs" ]
[ "Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint.", "The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single.", "The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul.", "During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100.", "Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis.", "History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.", "One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped.", "In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their \"There He Is (At My Door)\" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown.", "Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions.", "Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals.", "Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\".", "That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract.", "Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas.", "After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name.", "As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\".", "Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, \"Heat Wave\", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled \"Heat Wave\". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963.", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.", "Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, \"Live Wire\" and \"In My Lonely Room\" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, \"Dancing in the Street\", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964.", "21 on the UK Singles Chart in 1964. 21 on the UK Singles Chart in 1964. In 1969, \"Dancing in the Street\" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history.", "The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts.", "Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!.", "The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby.", "On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled.", "Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles.", "Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.", "In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970.", "That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems.", "However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these \"fights\" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois.", "Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success.", "During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success. \"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s.", "\"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad.", "Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was \"I Can't Dance to That Music You're Playing\", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it \"close to home\". In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK.", "In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, \"I Should Be Proud\", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group.", "The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side \"Love, Guess Who\" was played instead, however the group reached the top 20 that year in the UK with a reissue of \"Jimmy Mack\". In 1971, the group scored a top 11 hit in the UK with \"Forget Me Not\". later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation).", "later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. \"Bless You\" reached number thirty-three in the UK giving the group two big hits that year in England. .", ". . \"Bless You\" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group.", "It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.", "After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career.", "The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.", "Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian.", "After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight.", "Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer.", "In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience.", "That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances.", "During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called \"Step Into My Shoes.\" Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts.", "Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as \"The Original Vandellas.\" Reeves, with her sisters Lois and Delphine Reeves, tour as \"Martha Reeves and the Vandellas.\" From 2005 to 2009, Reeves held the eighth seat of Detroit's city council.", "From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors.", "A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\".", "In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her \"Murphy Brown\" series. The group's picture was displayed prominently in Murphy's office.", "The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, \". . .I'm not Martha, and you ain't no Vandella.\" The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit.", "The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' \"Dancing in the Street\" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation.", "In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003.", "They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame.", "In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\"", "Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\" Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout!", "Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live!", "(1966) Martha and the Vandellas Live! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.", "(1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted.", "They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003.", "They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006.", "They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website.", "References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit" ]
[ "Martha and the Vandellas", "Motown major hit years (1962-1968)", "What happened during motown major hit years?", "Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team," ]
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What happened after that?
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What happened to Martha and the Vandellas after striking gold with the second album release?
Martha and the Vandellas
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER
It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit
true
[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy" ]
[ "Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint.", "The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single.", "The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul.", "During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100.", "Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis.", "History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.", "One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped.", "In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their \"There He Is (At My Door)\" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown.", "Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions.", "Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals.", "Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\".", "That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract.", "Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas.", "After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name.", "As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\".", "Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, \"Heat Wave\", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled \"Heat Wave\". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963.", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.", "Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, \"Live Wire\" and \"In My Lonely Room\" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, \"Dancing in the Street\", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964.", "21 on the UK Singles Chart in 1964. 21 on the UK Singles Chart in 1964. In 1969, \"Dancing in the Street\" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history.", "The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts.", "Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!.", "The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby.", "On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled.", "Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles.", "Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.", "In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970.", "That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems.", "However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these \"fights\" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois.", "Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success.", "During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success. \"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s.", "\"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad.", "Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was \"I Can't Dance to That Music You're Playing\", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it \"close to home\". In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK.", "In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, \"I Should Be Proud\", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group.", "The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side \"Love, Guess Who\" was played instead, however the group reached the top 20 that year in the UK with a reissue of \"Jimmy Mack\". In 1971, the group scored a top 11 hit in the UK with \"Forget Me Not\". later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation).", "later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. \"Bless You\" reached number thirty-three in the UK giving the group two big hits that year in England. .", ". . \"Bless You\" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group.", "It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.", "After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career.", "The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.", "Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian.", "After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight.", "Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer.", "In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience.", "That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances.", "During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called \"Step Into My Shoes.\" Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts.", "Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as \"The Original Vandellas.\" Reeves, with her sisters Lois and Delphine Reeves, tour as \"Martha Reeves and the Vandellas.\" From 2005 to 2009, Reeves held the eighth seat of Detroit's city council.", "From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors.", "A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\".", "In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her \"Murphy Brown\" series. The group's picture was displayed prominently in Murphy's office.", "The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, \". . .I'm not Martha, and you ain't no Vandella.\" The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit.", "The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' \"Dancing in the Street\" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation.", "In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003.", "They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame.", "In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\"", "Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\" Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout!", "Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live!", "(1966) Martha and the Vandellas Live! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.", "(1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted.", "They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003.", "They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006.", "They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website.", "References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit" ]
[ "Martha and the Vandellas", "Motown major hit years (1962-1968)", "What happened during motown major hit years?", "Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team,", "What happened after that?", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "Can you tell me how long did it stay on the charts?", "I don't know." ]
C_1183ad7f6a684fc28b80ad594e48035d_0
What were some of their major hits?
4
What were some of Martha and the Vandellas major hits?
Martha and the Vandellas
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER
Their second hit, "Heat Wave", became a phenomenal record for the group,
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit
true
[ "Now That's What I Call Classic Rock Hits is one of many genre-themed compilation albums from the Now! series in the United States, this one focusing on popular classic rock songs from the 1970s. It was released on May 1, 2012.\n\nTrack listing\n\nReception\n\nIn his review for Allmusic, Gregory Heaney says \"the Now series delivers a dose of good ol' classic rock with Now That's What I Call Classic Rock Hits,\" which \"gathers some of rock's most enduring crossover hits.\" Now That's What I Call Classic Rock Hits is \"an album that achieves its primary goal of being able to please most of the people most of the time with a wide-ranging selection of hits that should fit into most anyone's definition of classic rock.\"\n\nReferences\n\nExternal links\n Official U.S. Now That's What I Call Music website\n\n2012 compilation albums\nClassic Rock Hits\nEMI Records compilation albums", "Greatest Hits 1982–1989 is the third greatest hits album, and twentieth album overall, by the American band Chicago, released by Full Moon/Reprise Records on November 21, 1989. Spanning from Chicago 16 in 1982 to Chicago 19 in 1988, the set includes founding vocalist Peter Cetera and his successor Jason Scheff. It includes a remix of \"What Kind of Man Would I Be?\".\n\nA variation titled The Heart of... Chicago was issued in countries outside North America, with similar artwork but a different track list including four songs originally released on the Columbia record label.\n\nTrack listing Greatest Hits 1982–1989 \n\"Hard to Say I'm Sorry/Get Away\" (Peter Cetera, David Foster, Robert Lamm) – 5:07\n\"Look Away\" (Diane Warren) – 4:03\n\"Stay the Night\" (Cetera, Foster) – 3:49\n\"Will You Still Love Me?\" (Foster, Tom Keane, Richard Baskin) – 5:43\n\"Love Me Tomorrow\" (Cetera, Foster) – 5:06\n\"What Kind of Man Would I Be?\" (Remix) (Jason Scheff, Chas Sandford, Bobby Caldwell) – 4:14\n\"You're the Inspiration\" (Cetera, Foster) – 3:50\n\"I Don't Wanna Live Without Your Love\" (Warren, Albert Hammond) – 3:52\n\"Hard Habit to Break\" (Steve Kipner, Jon Parker) – 4:44\n\"Along Comes a Woman\" (Cetera, Mark Goldenberg) – 4:16\n\"If She Would Have Been Faithful...\" (Kipner, Randy Goodrum) – 3:53\n\"We Can Last Forever\" (Scheff, John Dexter) – 3:44\n\nUnlike the two previous Greatest Hits releases, all of the songs were released in their album lengths, except \"What Kind of Man Would I Be?\". Some US copies on vinyl, and possibly CD copies as well, list \"Along Comes a Woman\" but actually contain \"Remember the Feeling\" (originally the flipside of \"Hard Habit to Break\").\n\nTrack listing The Heart of... Chicago\n\nCharts\n\nWeekly charts\n\nCertifications\n\nGreatest Hits 1982–1989\n\nThe Heart of... Chicago\n\nSingles\n\nReferences\n\n1989 greatest hits albums\nAlbums produced by David Foster\nAlbums produced by Ron Nevison\nChicago (band) compilation albums" ]
[ "Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint.", "The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single.", "The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul.", "During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100.", "Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis.", "History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.", "One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped.", "In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their \"There He Is (At My Door)\" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown.", "Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions.", "Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals.", "Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\".", "That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract.", "Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas.", "After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name.", "As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\".", "Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, \"Heat Wave\", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled \"Heat Wave\". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963.", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.", "Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, \"Live Wire\" and \"In My Lonely Room\" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, \"Dancing in the Street\", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964.", "21 on the UK Singles Chart in 1964. 21 on the UK Singles Chart in 1964. In 1969, \"Dancing in the Street\" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history.", "The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts.", "Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!.", "The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby.", "On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled.", "Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles.", "Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.", "In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970.", "That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems.", "However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these \"fights\" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois.", "Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success.", "During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success. \"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s.", "\"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad.", "Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was \"I Can't Dance to That Music You're Playing\", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it \"close to home\". In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK.", "In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, \"I Should Be Proud\", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group.", "The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side \"Love, Guess Who\" was played instead, however the group reached the top 20 that year in the UK with a reissue of \"Jimmy Mack\". In 1971, the group scored a top 11 hit in the UK with \"Forget Me Not\". later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation).", "later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. \"Bless You\" reached number thirty-three in the UK giving the group two big hits that year in England. .", ". . \"Bless You\" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group.", "It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.", "After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career.", "The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.", "Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian.", "After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight.", "Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer.", "In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience.", "That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances.", "During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called \"Step Into My Shoes.\" Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts.", "Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as \"The Original Vandellas.\" Reeves, with her sisters Lois and Delphine Reeves, tour as \"Martha Reeves and the Vandellas.\" From 2005 to 2009, Reeves held the eighth seat of Detroit's city council.", "From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors.", "A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\".", "In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her \"Murphy Brown\" series. The group's picture was displayed prominently in Murphy's office.", "The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, \". . .I'm not Martha, and you ain't no Vandella.\" The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit.", "The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' \"Dancing in the Street\" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation.", "In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003.", "They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame.", "In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\"", "Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\" Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout!", "Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live!", "(1966) Martha and the Vandellas Live! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.", "(1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted.", "They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003.", "They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006.", "They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website.", "References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit" ]
[ "Martha and the Vandellas", "Motown major hit years (1962-1968)", "What happened during motown major hit years?", "Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team,", "What happened after that?", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "Can you tell me how long did it stay on the charts?", "I don't know.", "What were some of their major hits?", "Their second hit, \"Heat Wave\", became a phenomenal record for the group,", "Were they popular among a lot of people?", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (" ]
C_1183ad7f6a684fc28b80ad594e48035d_0
What other things took place after that?
6
What other things took place after Martha and the Vandellas received a Grammy Award nomination?
Martha and the Vandellas
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER
The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit
true
[ "2015 China Open may means one of these things below:\n2015 China Open (snooker), a tournament that took place between April and March.\n2015 China Open (tennis), a tournament that took place in October.", "¿Qué hubiera pasado si...? (in English, What would have happened if...?) is a counterfactual history Argentine book written by Rosendo Fraga. The book speculates on how would the History of Argentina have developed if certain key events did not take place or had happened in a different way.\n\nDescription\nAmong other things, the book speculates what would have happened if the viceroyalty of the Río de la Plata wasn't created, if the British invasions of the Río de la Plata did not fail, if José de San Martín had obeyed the Supreme Directors and returned with the Army of the Andes to fight Artigas instead of taking the independentist war to Peru, if the Conquest of the Desert did not take place, if the different coup d'états that took place in Argentina did not happen or were defeated, and if Argentina had obtained the sovereignty of the Malvinas. Each chapter starts with a basic premise but speculates as well on related possibilities that could have influenced changes: for example, the one on San Martin questions as well what would have happened if the government of Chile fell, if a Spanish task force arrived to take Buenos Aires, and what stance could have the caudillos taken in those hypothetic scenarios.\n\nReferences\n\nExternal links\n Interview with Rosendo Fraga about the book \n\nArgentine books\nAlternate history anthologies" ]
[ "Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint.", "The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single.", "The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul.", "During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100.", "Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis.", "History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.", "One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped.", "In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their \"There He Is (At My Door)\" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown.", "Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions.", "Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals.", "Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\".", "That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract.", "Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas.", "After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name.", "As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\".", "Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, \"Heat Wave\", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled \"Heat Wave\". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963.", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.", "Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, \"Live Wire\" and \"In My Lonely Room\" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, \"Dancing in the Street\", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964.", "21 on the UK Singles Chart in 1964. 21 on the UK Singles Chart in 1964. In 1969, \"Dancing in the Street\" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history.", "The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts.", "Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!.", "The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby.", "On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled.", "Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles.", "Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.", "In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970.", "That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems.", "However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these \"fights\" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois.", "Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success.", "During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success. \"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s.", "\"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad.", "Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was \"I Can't Dance to That Music You're Playing\", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it \"close to home\". In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK.", "In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, \"I Should Be Proud\", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group.", "The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side \"Love, Guess Who\" was played instead, however the group reached the top 20 that year in the UK with a reissue of \"Jimmy Mack\". In 1971, the group scored a top 11 hit in the UK with \"Forget Me Not\". later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation).", "later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. \"Bless You\" reached number thirty-three in the UK giving the group two big hits that year in England. .", ". . \"Bless You\" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group.", "It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.", "After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career.", "The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.", "Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian.", "After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight.", "Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer.", "In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience.", "That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances.", "During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called \"Step Into My Shoes.\" Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts.", "Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as \"The Original Vandellas.\" Reeves, with her sisters Lois and Delphine Reeves, tour as \"Martha Reeves and the Vandellas.\" From 2005 to 2009, Reeves held the eighth seat of Detroit's city council.", "From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors.", "A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\".", "In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her \"Murphy Brown\" series. The group's picture was displayed prominently in Murphy's office.", "The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, \". . .I'm not Martha, and you ain't no Vandella.\" The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit.", "The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' \"Dancing in the Street\" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation.", "In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003.", "They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame.", "In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\"", "Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\" Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout!", "Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live!", "(1966) Martha and the Vandellas Live! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.", "(1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted.", "They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003.", "They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006.", "They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website.", "References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit" ]
[ "Martha and the Vandellas", "Motown major hit years (1962-1968)", "What happened during motown major hit years?", "Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team,", "What happened after that?", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "Can you tell me how long did it stay on the charts?", "I don't know.", "What were some of their major hits?", "Their second hit, \"Heat Wave\", became a phenomenal record for the group,", "Were they popular among a lot of people?", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (", "What other things took place after that?", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland" ]
C_1183ad7f6a684fc28b80ad594e48035d_0
Did they go on to continue to be successful?
7
Did Martha and the Vandellas go on to continue to be successful after the second Top Ten single "Quicksand" was released?
Martha and the Vandellas
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER
and reached number eight pop in the late fall of 1963.
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit
true
[ "PBS Kids Go! is a former television brand that was used by PBS for programs aimed at older children up to 5th grade, in contrast to the kindergarten and preschool-level PBS Kids. It was primarily broadcast on PBS stations during the afternoon hours on weekdays. It debuted on October 11, 2004, and was discontinued on October 7, 2013.\n\nHistory\nThe PBS Kids Go! programming block was launched on October 11, 2004 upon the premiere of brand new programs Maya & Miguel and Postcards from Buster, with the purpose of making older children watch and appreciate PBS Kids educational programming, as it was found that only preschoolers and kindergarteners were watching PBS Kids. With the discontinuation of the original PBS Kids Channel (a revived version has been launched as of January 16, 2017) in favor of PBS Kids Sprout in 2005, PBS Kids Go! continued its run on PBS.\n\nIn April 2006, PBS announced that, in October 2006, a 24-hour digital multicast network called PBS Kids Go! Channel would be launched with additional content. Slated were several programming blocks, an evening Go! family block targeted at both children and their families, a Spanish language-programming block, \"PBS Kids Vayan!\" and a school block. KidsWorld Sports, HIT Entertainment’s Wishbone reruns, and Kratts’ Creatures were planned as exclusive programs for the network. These exclusive shows plus those from the PBS block would total seven hours of original programming. At this time, PBS planned on adding one or two new series per year. The network was to be fee-based, allowing those stations that subscript to place the network's exclusive programs on their analog channel if they order. A branded interactive club was also part of the plan, with stations working it into their existing club or starting a new club and branding it how they would like to.\n\nWith only one third of PBS stations affiliating with the network and half needed on July 6, 2006, the network was withdrawn. PBS left open the possibility to re-offer the network. Stations found that the sliding scale licensing fees were too high for what little exclusive programming they received, especially after spending additional funds for the PBS HD feed.\n\nOn August 7, 2013, PBS announced that the PBS Kids Go! brand would be discontinued, with the Go! programming rebranded into a new universal branding design across all of PBS's children's programming. The redesign was introduced two months later on October 7, 2013 with the launch of Peg + Cat. PBS considered the nine year long effort to age up its overall audience with the Go! effort to be successful, negating the need to continue it further. After the shutdown, all shows that premiered before the launch of the PBS Kids Go! block returned back to the main PBS Kids block after nearly a decade, and all shows that premiered during the PBS Kids Go! block were permanently moved to the main PBS Kids block, all airing with PBS Kids branding, with the exception of Maya & Miguel, and nearly all references to PBS Kids Go! were removed.\n\nProgramming\n 1 Premiered before the launch of PBS Kids Go!\n 2 Only aired as reruns\n\nFormer programming\n\nOriginal programming\n\nWeb series\n\nShorts\nPBS Kids Go! aired shorts, usually right before the end credits of Cyberchase and Maya & Miguel, right after the end credits of Animalia, and during breaks between episode pairs of Arthur, to fill time during long-form programming. These include Go! Figure, WordGirl, Oh Noah, Space Race, A Word From Us Kids, and other miscellaneous shorts featuring live-action kids talking about things they do; about their families' heritage; or other topics with Maya (Candi Milo) or Miguel (Nika Futterman) doing a voiceover.\n\nWriting and illustrating contest\n\nIn 2009, PBS launched the first contest called PBS Kids Go! Writers Contest to continue the annual writing and illustrating competition for children in kindergarten through 3rd grade, which started in 1995 as the Reading Rainbow Young Writers and Illustrators Contest. In 2014, it was renamed to PBS Kids Writers Contest.\n\nSee also\n PBS\n PBS Kids\n\nReferences\n\nTelevision programming blocks in the United States\nPBS original programming\nPBS Kids\nPBS Kids shows\n2004 establishments in California\n2013 disestablishments in California", "This is a list of episodes for the American animated television series Metalocalypse, which was formerly aired on Adult Swim. The series is produced by Williams Street Studios and animated by Titmouse, Inc.\n\nMetalocalypse made its Adult Swim Video debut on August 4, 2006, with its television debut two days later. The release date for the Season One DVD in the United States was October 2, 2007, one week after the release of The Dethalbum. The Metalocalypse Season One DVD was also released in DVD Region 4, on December 5, 2007. Season Two began September 23, two days prior to the release of The Dethalbum (the deluxe edition of which features the first episode of Season Two). On December 2, 2008, Season Two was released on DVD. On November 9, 2010, Season Three was released on DVD and Blu-ray. The Season Four DVD/Blu-ray was released on October 30, 2012. On October 27, 2013 a one-hour rock-opera special premiered on Adult Swim, entitled Metalocalypse: The Doomstar Requiem.\n\nA total of 62 episodes of Metalocalypse aired, concluding the series.\n\nSeries overview\n\nEpisodes\n\nSeason 1 (2006)\n\nSeason 2 (2007–2008)\n\nSeason 3 (2009–2010)\n\nSeason 4 (2012)\n\nSpecial\n\nFuture\nIn April 2014, in an interview on Steve Agee: Uhhh podcast, Brendon Small confirmed that a fifth and final season was in pre-production. Small was originally waiting on Adult Swim for an appropriate budget in order to end the show the way he wants rather than rushing it. But after pitching the idea for the finale to the network, they turned it down, stating that they did not have the budget for it.\n\nIn October 2015, Brendon Small announced a month-long social media campaign entitled \"Metalocalypse Now\" as an attempt to gather fan support to have Hulu and Adult Swim co-finance the final season of Metalocalypse. At the time it was thought to be successful, the finale to be titled: Metalocalypse: The Army of the Doomstar – The Final Chapter, and would be a miniseries on Hulu Plus.\n\nIn May 2016, Brendon Small said in an interview that he is \"all but finished making Dethklok records\" due to Adult Swim declining to continue with the final season despite popular support of the continuation. Small stated that as a result of the \"Metalocalypse Now\" campaign, financial backers had come forward to fund the Metalocalypse finale, but Adult Swim ultimately did not want to go forward and make a finale. Small stated that he does have plans to eventually finish the Metalocalypse story, but he cannot say how.\n\nOn May 12, 2021, Adult Swim announced a direct-to-video film is in development and will be released on home video and digital followed by streaming on HBO Max 90 days after along with a broadcast premiere on the channel.\n\nNotes\n The airing of season 2 was suspended for six months between November 18, 2007 and May 18, 2008. The bumper for the episode \"Cleanso\" stated: \"Next is the last new Metalocalypse of the year. It's taking a break 'til 2008. After all, the holidays are brutal enough, so you metal fiends will have to make do with the old eps or the CD, or go back to college and catch the tour before it runs out.\" Season 2 was relaunched on April 6, 2008, starting with \"Dethwedding\".\n Each episode of season 3 is 21 minutes long, season 4 returned to the 11 minute runtime.\n\nReferences\n\nGeneral references\n\nExternal links\n \n\nList\nLists of American adult animated television series episodes" ]
[ "Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint.", "The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single.", "The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul.", "During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100.", "Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis.", "History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.", "One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped.", "In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their \"There He Is (At My Door)\" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown.", "Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions.", "Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals.", "Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\".", "That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract.", "Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas.", "After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name.", "As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\".", "Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, \"Heat Wave\", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled \"Heat Wave\". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963.", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.", "Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, \"Live Wire\" and \"In My Lonely Room\" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, \"Dancing in the Street\", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964.", "21 on the UK Singles Chart in 1964. 21 on the UK Singles Chart in 1964. In 1969, \"Dancing in the Street\" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history.", "The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts.", "Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!.", "The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby.", "On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled.", "Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles.", "Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.", "In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970.", "That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems.", "However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these \"fights\" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois.", "Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success.", "During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success. \"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s.", "\"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad.", "Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was \"I Can't Dance to That Music You're Playing\", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it \"close to home\". In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK.", "In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, \"I Should Be Proud\", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group.", "The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side \"Love, Guess Who\" was played instead, however the group reached the top 20 that year in the UK with a reissue of \"Jimmy Mack\". In 1971, the group scored a top 11 hit in the UK with \"Forget Me Not\". later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation).", "later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. \"Bless You\" reached number thirty-three in the UK giving the group two big hits that year in England. .", ". . \"Bless You\" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group.", "It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.", "After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career.", "The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.", "Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian.", "After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight.", "Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer.", "In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience.", "That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances.", "During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called \"Step Into My Shoes.\" Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts.", "Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as \"The Original Vandellas.\" Reeves, with her sisters Lois and Delphine Reeves, tour as \"Martha Reeves and the Vandellas.\" From 2005 to 2009, Reeves held the eighth seat of Detroit's city council.", "From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors.", "A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\".", "In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her \"Murphy Brown\" series. The group's picture was displayed prominently in Murphy's office.", "The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, \". . .I'm not Martha, and you ain't no Vandella.\" The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit.", "The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' \"Dancing in the Street\" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation.", "In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003.", "They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame.", "In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\"", "Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\" Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout!", "Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live!", "(1966) Martha and the Vandellas Live! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.", "(1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted.", "They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003.", "They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006.", "They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website.", "References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit" ]
[ "Martha and the Vandellas", "Motown major hit years (1962-1968)", "What happened during motown major hit years?", "Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team,", "What happened after that?", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "Can you tell me how long did it stay on the charts?", "I don't know.", "What were some of their major hits?", "Their second hit, \"Heat Wave\", became a phenomenal record for the group,", "Were they popular among a lot of people?", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (", "What other things took place after that?", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland", "Did they go on to continue to be successful?", "and reached number eight pop in the late fall of 1963." ]
C_1183ad7f6a684fc28b80ad594e48035d_0
Any other important aspects regarding their major hit years?
8
Any other important aspects regarding Martha and the Vandellas' major hit years other than the awards and nominations?
Martha and the Vandellas
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER
Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964.
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit
true
[ "The Holtzman inkblot technique (HIT), also known as the Holtzman inkblot test, is an ink blot test aimed at detecting personality and was conceived by Wayne H. Holtzman and colleagues. It was first introduced in 1961 as a projective personality test similar to the Rorschach. The HIT is a standardized measurement. The Holtzman Inkblot Test was developed as an attempt to address some controversial issues surrounding the Rorschach Inkblot Test.\n\nPurpose\n\nThe Holtzman inkblot test (HIT) was invented as an attempt to address some issues surrounding the Rorschach Inkblot Test. The HIT was used to assess the personal structure of the subject.\n\nScoring\nThe scoring includes 22 variables covering the aspects of the patient's response to the inkblot. Many different variables apply when scoring.\n\n22 variables and abbreviations applied\n\nTest standardization\nHoltzman and Swartz (1983), reviewing 25 years of research, reported that, in the standardization of the HIT, 22 quantitative variables had been developed, covering most of the scoring categories and dimensions used with the Rorschach Test. High reliability coefficients had been reported in a large number of investigations. Norms for several important clinical reference groups had been established (for example schizophrenics, depressives, delinquents, neurotics, and alcoholics). The six factors, representing the most important variables, had proven useful in clinical applications of the HIT. A large number of studies had confirmed the technique's differential validity, supported by findings from longitudinal, cross-sectional, and cross-cultural investigations. Several hundred studies had been published on the relationships between HIT variables and other measures of personality. Still other investigations of external validity had been conducted using physiological and behavioral measures, as well as personality questionnaires. The authors also summarized the results from studies using the German version of the HIT and discussed recent advances with the test.\n\nU.S. and Mexico\nThe test correlation between U.S. and Mexican populations has been estimated to range from .36 for Popular to .81 for normal adults. The most stable of the inkblot scores was location in the United States and Mexico. Reaction, Time, Form Definiteness, Movement, and Human also scored relatively high in both cultures. However, these aspects test more of the cognitive-perceptual aspects rather than personality characteristics. Rejection, Form Appropriateness, Shading, Pathognomic Verbalization, Barrier, and Penetration had lower stability coefficients while Space, Sex, Abstract and Balance proved to be extremely infrequent in the children's samples. Test results generally became more stable with age. The children showed a much weaker stability of data than that of older patients and adults possessed the greatest stability of information.\n\nSee also\n\nReferences\n\nProjective tests", "R&J Stone were the English/American husband and wife musical duo, Russell Oliver Stone and Joanne Stone. The pair were originally members of James Last's British Choir for a number of years. They had a hit single in the mid 1970s with their self penned song \"We Do It\". The track was produced by Phil Swern. Some time after their hit, Russell Stone decided that he did not want to remain as a singer, and preferred to concentrate on producing and writing for his wife. Their second album did not do well and a third album, although recorded, was never released.\n\nJoanne Stone died of a brain tumour in 1979.\n\nRussell Stone later went to Munich to work with the Icelander Thorir Baldursson. Stone, a recovered alcoholic, has released three solo albumsLove Aspects (2013), Groove Aspects (2014) and Devotional Aspects (2016)after spending years out of the music industry.\n\nDiscography\n\nSingles\n \"We Do It\" / \"We Love Each Other\" - RCA 2616 - 1976 (UK number 5)(AUS number 3)\n \"One Chance\" / \"I Just Can't Get It Right\" - RCA 2660 - 1976\n \"There's No Other Way\" / \"I Just Can't Get It Right\" - RCA 2681 - 1976\n \"Thrown It All Away\" / \"Home Is Where The Heart Is\" - RCA 2746 - 1976\n \"It Just Goes To Show\" - RCA PB 5018 - 1977\n\nAlbums\nWe Do It - RCA RS 1052 - 1976 (AUS number 12)\nR&J - RCA PL 25069 - 1977\nVery Best Of R&J Stone - Lynx Music UK LYX004CD - 2012\n\nReferences\n\nExternal links\n \n \n \n \n \n \n \n \n\nEnglish pop music duos\nMarried couples" ]
[ "Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint.", "The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single.", "The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul.", "During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100.", "Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis.", "History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.", "One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped.", "In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their \"There He Is (At My Door)\" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown.", "Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions.", "Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals.", "Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\".", "That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract.", "Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas.", "After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name.", "As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\".", "Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, \"Heat Wave\", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled \"Heat Wave\". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963.", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.", "Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, \"Live Wire\" and \"In My Lonely Room\" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, \"Dancing in the Street\", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964.", "21 on the UK Singles Chart in 1964. 21 on the UK Singles Chart in 1964. In 1969, \"Dancing in the Street\" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history.", "The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts.", "Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!.", "The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby.", "On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled.", "Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles.", "Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.", "In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970.", "That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems.", "However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these \"fights\" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois.", "Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success.", "During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success. \"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s.", "\"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad.", "Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was \"I Can't Dance to That Music You're Playing\", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it \"close to home\". In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK.", "In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, \"I Should Be Proud\", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group.", "The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side \"Love, Guess Who\" was played instead, however the group reached the top 20 that year in the UK with a reissue of \"Jimmy Mack\". In 1971, the group scored a top 11 hit in the UK with \"Forget Me Not\". later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation).", "later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. \"Bless You\" reached number thirty-three in the UK giving the group two big hits that year in England. .", ". . \"Bless You\" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group.", "It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.", "After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career.", "The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.", "Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian.", "After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight.", "Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer.", "In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience.", "That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances.", "During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called \"Step Into My Shoes.\" Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts.", "Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as \"The Original Vandellas.\" Reeves, with her sisters Lois and Delphine Reeves, tour as \"Martha Reeves and the Vandellas.\" From 2005 to 2009, Reeves held the eighth seat of Detroit's city council.", "From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors.", "A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\".", "In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her \"Murphy Brown\" series. The group's picture was displayed prominently in Murphy's office.", "The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, \". . .I'm not Martha, and you ain't no Vandella.\" The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit.", "The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' \"Dancing in the Street\" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation.", "In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003.", "They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame.", "In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\"", "Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\" Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout!", "Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live!", "(1966) Martha and the Vandellas Live! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.", "(1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted.", "They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003.", "They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006.", "They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website.", "References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit" ]
[ "Martha and the Vandellas", "Motown major hit years (1962-1968)", "What happened during motown major hit years?", "Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team,", "What happened after that?", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "Can you tell me how long did it stay on the charts?", "I don't know.", "What were some of their major hits?", "Their second hit, \"Heat Wave\", became a phenomenal record for the group,", "Were they popular among a lot of people?", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (", "What other things took place after that?", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland", "Did they go on to continue to be successful?", "and reached number eight pop in the late fall of 1963.", "Any other important aspects regarding their major hit years?", "Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964." ]
C_1183ad7f6a684fc28b80ad594e48035d_0
Did the group grow apart after she left?
9
Did Martha and the Vandellas grow apart after Annette left to get married and have a child?
Martha and the Vandellas
Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland-Dozier-Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Grammy Award for Best R&B Performance. (On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song.) The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Top 40. However, their next single, "Dancing in the Street", rose up to #2 on the Billboard Hot 100 and also found global success, peaking at #21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at #4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. CANNOTANSWER
Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.
Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included "Come and Get These Memories", "Heat Wave", "Quicksand", "Nowhere to Run", "Jimmy Mack", "I'm Ready for Love", "Bless You" and "Dancing in the Street", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know," which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their "There He Is (At My Door)" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled "Come and Get These Memories". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, "Heat Wave", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled "Heat Wave". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, "Quicksand", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, "Live Wire" and "In My Lonely Room" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, "Dancing in the Street", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964. In 1969, "Dancing in the Street" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like "Wild One" (US #34), "Nowhere to Run" (US #8; UK #26), "Love (Makes Me Do Foolish Things)" (US #70; R&B #22), "You've Been in Love Too Long" (US #36), "My Baby Loves Me" (US #22; R&B #3), "I'm Ready for Love" (US #9; R&B #2; UK #29) and "Jimmy Mack" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed "Nowhere to Run," as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William "Mickey" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles "Love Bug Leave My Heart Alone" (US #25; R&B #14) and "Honey Chile" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these "fights" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including "(We've Got) Honey Love", "Sweet Darlin'" and "Taking My Love and Leaving Me" were issued as singles with diminishing success. "Bless You" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was "I Can't Dance to That Music You're Playing", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it "close to home". In 1969 a reissue of "Nowhere To Run" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, "I Should Be Proud", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side "Love, Guess Who" was played instead, however the group reached the top 20 that year in the UK with a reissue of "Jimmy Mack". In 1971, the group scored a top 11 hit in the UK with "Forget Me Not". later that year they scored an international hit with "Bless You" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. "Bless You" reached number thirty-three in the UK giving the group two big hits that year in England. . "Bless You" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad "In and Out of My Life" (#22 US R&B) and the Marvin Gaye cover, "Tear It On Down" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called "a rock & roll lifestyle" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called "Step Into My Shoes." Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as "The Original Vandellas." Reeves, with her sisters Lois and Delphine Reeves, tour as "Martha Reeves and the Vandellas." From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song "Nowhere To Run," sung by Arnold McCuller, is heard in the film "The Warriors" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the "noisiest thing to come out of Detroit since Martha & The Vandellas.". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her "Murphy Brown" series. The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, ". . .I'm not Martha, and you ain't no Vandella." The group is briefly portrayed in the 2017 film Detroit, performing "Nowhere To Run" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' "Dancing in the Street" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, "(Love Is Like a) Heat Wave" and "Dancing in the Street" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as "Best Headliner." Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. "Heat Wave" (1963) "Quicksand" (1963) "Dancing in the Street" (1964) "Nowhere to Run" (1965) "I'm Ready for Love" (1966) "Jimmy Mack" (1967) Awards and recognition Martha Reeves and the Vandellas' "(Love Is Like a) Heat Wave" and "Dancing in the Street" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song "Heat Wave" "Dancing in the Street" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit
true
[ "Erica Alicia Grow-Cei (born March 15, 1980) is an American meteorologist and television reporter who is on PIX 11 News for New York City.\n\nEarly life\nErica Grow was born and raised in Bethlehem in Pennsylvania's Lehigh Valley. She graduated from Penn State University with a Bachelor of Science degree in Meteorology in 2002.\n\nBroadcasting career\nAfter graduating from Penn State, Grow became a meteorologist and weather producer for KMID-TV in Midland and Odessa, Texas, writing and producing the \"Weather Wise\" segment. She left Midland to join the crew of WHP-TV in Harrisburg, Pennsylvania as a meteorologist and reporter.\n\nIn 2007, Grow became a weather anchor for WPVI-TV's 6ABC Action News on Saturday and Sunday mornings in Philadelphia. She became active in education initiatives in Philadelphia area schools, and represented 6ABC at community events such as the Philadelphia Flower Show, Philadelphia Auto Show, and the 6ABC Holiday Food Drive. Grow left WPVI in 2010 when her contract was not renewed.\n\nShortly after, in 2011, she was hired to forecast, produce and anchor weather segments for WTNH-TV News 8 in New Haven, Connecticut, where she was also active in the community visiting schools with the News 8 \"Mobile Weather Lab\" vehicle. In 2012, Grow earned the Certified Broadcast Meteorologist (CBM) Seal of Approval from the American Meteorological Society. After only one year there She left WTNH in 2012.\n\nIn September 2012, Grow worked on-air at CBS affiliate WUSA in Washington, D.C., as a Meteorologist for the weekend evening newscasts. Grow left WUSA in 2015.\n\nIn late September 2015, Grow became the new weekend evening meteorologist for flagship NBC station WNBC in New York City. Sometime in the summer of 2019, Grow was replaced by meteorologist Matt Brickman.\n\nErica can now be seen on PIX-11 News in New York City.\n\nPersonal life\nGrow is married to Kevin Cei, who also graduated Penn State in meteorology. Cei is president of the NYC Chapter of the Penn State Alumni Association, where Grow serves in the position of Digital Content & Visibility.\n\nReferences\n\nLiving people\nAmerican meteorologists\nPeople from the Lehigh Valley\n1980 births\nPenn State College of Earth and Mineral Sciences alumni", "HMS Ariadne was an minelayer of the Royal Navy.\n\nShe was built by Alexander Stephen and Sons of Glasgow, Scotland. She was laid down on 15 November 1941, launched on 16 February 1943 and commissioned on 9 October 1943.\n\nService history\nHer first duty was to lay mines off the coast of Norway. She was also one of the ships taking part in Operation Stonewall. She then left Home waters in January 1944 to join the United States Seventh Fleet in the Pacific Ocean theatre of war. In June 1944 she laid 146 mines off the northern coast of New Guinea, and when landings were made in the Mapia Group of islands in November 1944, Ariadne was used to carry US Army soldiers. During her period of active service she laid 1,352 mines.\n\nAfter the end of the war, Ariadne was used to repatriate British prisoners of war from Japan and as a mailship due to her speed. She was paid off into the Reserve Fleet at Sheerness, and did not see service again, apart from a short trial after a refit in the 1950s. This involved the replacement of her light anti-aircraft guns with more modern weapons. She was finally sold to W.H. Arnott Young for scrapping and arrived at Dalmuir in February 1965. She was then scrapped at Dalmuir and Troon in June 1965.\n\nNotes\n\nReferences\n\nExternal links\nHMS Ariadne at Uboat.net\nHistory of HMS Ariadne\n\n \n\nAbdiel-class minelayers\nShips built on the River Clyde\n1943 ships\nWorld War II minelayers of the United Kingdom" ]
[ "Martha and the Vandellas (known from 1967 to 1972 as Martha Reeves & The Vandellas) were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown. An act founded by friends Annette Beard, Rosalind Ashford and Gloria Williams, the group eventually included Martha Reeves, who moved up in ranks as lead vocalist of the group after Williams' departure in 1962. The group signed with and eventually recorded all of their singles for Motown's Gordy imprint.", "The group signed with and eventually recorded all of their singles for Motown's Gordy imprint. The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single.", "The group's string of hits included \"Come and Get These Memories\", \"Heat Wave\", \"Quicksand\", \"Nowhere to Run\", \"Jimmy Mack\", \"I'm Ready for Love\", \"Bless You\" and \"Dancing in the Street\", the latter song becoming their signature single. During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul.", "During their nine-year run on the charts from 1963 to 1972, Martha and the Vandellas charted over twenty-six hits and recorded in the styles of doo-wop, R&B, pop, blues, rock and roll and soul. Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100.", "Ten Vandellas songs reached the top ten of the Billboard R&B singles chart, including two R&B number ones, and six Top Ten Pop Hits on the Billboard Hot 100. Selected members of the group were inducted into the Rock and Roll Hall of Fame in 1995 and the National Rhythm & Blues Hall of Fame in 2013. History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis.", "History Early years (1957–1962) Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named the Del-Phis. Ashford, Beard, and lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.", "One of the group's first professional engagements was singing background for singer Mike Hanks. The group originally had up to six members, subsequently reduced to four. When one of the four left the group, she was replaced by Alabama-born vocalist Martha Reeves, a former member of two groups, the Fascinations and the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped.", "In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led \"I'll Let You Know,\" which flopped. The Del-Phis then went to Checkmate Records, a subsidiary of Chess Records, recording their \"There He Is (At My Door)\" featuring Williams on lead vocals, which also flopped. Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown.", "Reeves reverted to a solo artist under the name Martha LaVaille in the hope of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson saw Reeves singing at a Detroit club, he offered her an audition. Reeves showed up at Motown's Hitsville USA studios on a Tuesday rather than Thursday, Motown's usual audition day. Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions.", "Initially upset with Reeves, Stevenson soon assigned her as his secretary eventually responsible for handling Motown's auditions. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals.", "Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song \"Camel Walk\", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\".", "That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, \"Stubborn Kind of Fellow\" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of \"I'll Have to Let Him Go\". Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract.", "Motown was so impressed by the group's vocals – and Martha's lead vocals in the song – that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves were told by Gordy that they would need a new name. After failing to come up with a name on their own, Gordy gave the group the name The Vandellas.", "After failing to come up with a name on their own, Gordy gave the group the name The Vandellas. As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name.", "As stated in an interview with The History Makers, Ashford emphatically states that contrary to popular belief, The Vandellas were not named after Della Reese and Van Dyke Avenue, nor did Reeves come up with the name. Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\".", "Motown major hit years (1962–1968) Following their signing to Motown's Gordy imprint in 1962, the Vandellas struck gold with their second release, the first composition and production from the famed writing team, Holland–Dozier–Holland, titled \"Come and Get These Memories\". It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart.", "It became the Vandellas' first Top 40 recording, reaching number twenty-nine on the Billboard Hot 100 and peaking at number six on the R&B chart. Their second hit, \"Heat Wave\", became a phenomenal record for the group, reaching number four on the Hot 100 and hitting number one on the R&B singles chart for five weeks. It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance.", "It became their first million-seller and eventually got the group their only Grammy Award nomination for Best R&B Performance. On the single and album, the song was titled \"Heat Wave\". It was sometime later that the song was retitled to avoid confusion with the Irving Berlin song. The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963.", "The group's success continued with their second Top Ten single and third Top 40 single, \"Quicksand\", which was another composition with Holland-Dozier-Holland and reached number eight pop in the late fall of 1963. Around that time, Annette, who was pregnant with her first child and set to get married, chose to leave her singing career behind by 1964. Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise.", "Betty Kelley, formerly of the Velvelettes, was brought in shortly afterward to continue the Vandellas' rise. The next two singles, \"Live Wire\" and \"In My Lonely Room\" (#6 R&B Cashbox) were less successful singles, failing to reach the Pop Top 40. However, their next single, \"Dancing in the Street\", rose up to No. 2 on the Billboard Hot 100 and also found global success, peaking at No. 21 on the UK Singles Chart in 1964.", "21 on the UK Singles Chart in 1964. 21 on the UK Singles Chart in 1964. In 1969, \"Dancing in the Street\" was re-issued and it was plugged heavily on radio stations. It did not take long for the song to peak at No. 4 in the UK, thus making the song one of the all-time favourite Motown single releases ever. The song became a million-seller, and one of the most played singles in history.", "The song became a million-seller, and one of the most played singles in history. Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts.", "Between 1964 and 1967, singles like \"Wild One\" (US #34), \"Nowhere to Run\" (US #8; UK #26), \"Love (Makes Me Do Foolish Things)\" (US #70; R&B #22), \"You've Been in Love Too Long\" (US #36), \"My Baby Loves Me\" (US #22; R&B #3), \"I'm Ready for Love\" (US #9; R&B #2; UK #29) and \"Jimmy Mack\" (US #10; R&B #1; UK #21) kept the Vandellas on the map as one of the label's top acts. The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!.", "The Vandellas' popularity helped the group get spots on The Ed Sullivan Show, The Mike Douglas Show, American Bandstand and Shindig!. Throughout this period, the Vandellas had also become one of the label's most popular performing acts. On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby.", "On June 28, 1965, the group appeared with several other popular acts of the period on CBS-TV's Murray The K-It's What's Happening, Baby. Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled.", "Martha, Rosalind and Betty performed \"Nowhere to Run,\" as they skipped through a Ford auto plant and sat in a Ford Mustang convertible as it's being assembled. Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles.", "Personnel changes Motown struggled to find good material for many of their acts after the exit of Motown contributor and Reeves' mentor William \"Mickey\" Stevenson in 1967 and Holland–Dozier–Holland in early 1968, but after their former collaborators left the label, the Vandellas initially continued to find success with the Richard Morris-produced singles \"Love Bug Leave My Heart Alone\" (US #25; R&B #14) and \"Honey Chile\" (US #11; UK #30; R&B #5) added to their already extended list of charted singles. In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely.", "In the summer of 1968, the group joined The Supremes, The Temptations, The Four Tops and Marvin Gaye in performing at the Copacabana though much like albums from the Four Tops and Gaye, a live album of their performance there was shelved indefinitely. That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970.", "That same year, label changes had started to take effect, and Gordy focused much of his attention on building the Supremes' as well as Diana Ross' burgeoning upcoming solo career that would follow in 1970. The Vandellas' chart performance (and the chart performance of many Motown acts with the exception of Marvin Gaye, The Temptations, and Stevie Wonder) suffered as a result. However it was the infighting among the members of the Vandellas that led to their problems.", "However it was the infighting among the members of the Vandellas that led to their problems. Kelley was the first to be let go after reportedly missing shows, as well as getting into altercations with Reeves. There were many instances where these \"fights\" happened on stage. Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois.", "Kelley was fired in 1967 and was replaced by Martha Reeves' sister Lois. Simultaneously, the group's name was officially changed to Martha Reeves and the Vandellas, to conform with the company's recent changes of The Supremes' and The Miracles' names to reflect their featured lead singers. During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success.", "During this time, Vandellas records including \"(We've Got) Honey Love\", \"Sweet Darlin'\" and \"Taking My Love and Leaving Me\" were issued as singles with diminishing success. \"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s.", "\"Bless You\" (1969–1972) Reeves, out of the group temporarily due to illness, recovered and returned; Ashford was replaced by another former member of the Velvelettes, Sandra Tilley, and the group continued to release albums and singles into the early 1970s. Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad.", "Although they could not reignite the fire they had made in America they continued to have successful records the UK and abroad. Among their late 1960s hits was \"I Can't Dance to That Music You're Playing\", which featured singer Syreeta Wright singing the chorus, and peaked at number forty-two. Reeves reportedly hated singing the song sensing it \"close to home\". In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK.", "In 1969 a reissue of \"Nowhere To Run\" reached the top 40 in the UK. In 1970, the group issued Motown's first protest single, the controversial anti-war song, \"I Should Be Proud\", which peaked at a modest forty-five on the R&B singles chart. The song was uncharacteristic of the Vandellas and did nothing to promote the group.", "The song was uncharacteristic of the Vandellas and did nothing to promote the group. On some stations, the flip-side \"Love, Guess Who\" was played instead, however the group reached the top 20 that year in the UK with a reissue of \"Jimmy Mack\". In 1971, the group scored a top 11 hit in the UK with \"Forget Me Not\". later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation).", "later that year they scored an international hit with \"Bless You\" (produced by the Jackson 5's producers The Corporation). The song peaked at number fifty-three on the American pop singles chart (the biggest peak of Vandellas' seventies singles in the US), and number twenty-nine on the R&B singles chart. \"Bless You\" reached number thirty-three in the UK giving the group two big hits that year in England. .", ". . \"Bless You\" reached number 16 in Canada and went all the way to number 2 in Puerto Rico . It was to be the last Billboard Hot 100 hit single for the group.", "It was to be the last Billboard Hot 100 hit single for the group. After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’.", "After two successive Top 40 R&B singles, the ballad \"In and Out of My Life\" (#22 US R&B) and the Marvin Gaye cover, \"Tear It On Down\" (#37 US R&B), the group disbanded following a farewell concert, held at Detroit's Cobo Hall on December 21, 1972, but Martha Reeves is still often billed as ‘Martha Reeves& The Vandellas’. The next year, Reeves announced plans of starting a solo career.", "The next year, Reeves announced plans of starting a solo career. At the same time, Motown Records moved its operations to Los Angeles. When Reeves did not want to move, she negotiated out of her contract with Motown, signing with MCA in 1974, and releasing the critically acclaimed self-titled debut album, Martha Reeves. Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before.", "Despite rave reviews of her work, neither of Reeves' post-Vandellas/Motown recordings produced the same success as they had the decade before. After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian.", "After living what she called \"a rock & roll lifestyle\" of prescription pills, cocaine and alcohol, Reeves sobered up in 1977, overcoming her addictions and becoming a born-again Christian. Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight.", "Epilogue After the Vandellas' split, Reeves' sister Lois sang with the group Quiet Elegance and sang background for Al Green, while Tilley retired from show business in the late 1970s, suddenly dying of a brain aneurysm in 1981 at the age of thirty-eight. Original member Gloria Williams, who retired from show business when she left the group, died in 2000. In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer.", "In 1978, Reeves and original Vandellas Ashford and Beard reunited at a Los Angeles benefit concert for actor Will Geer. In 1983, Reeves successfully sued for royalties from her Motown hits and the label agreed to have the songs credited as Martha Reeves and the Vandellas from then on. That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience.", "That year, Reeves performed solo at Motown 25, which alongside some of their songs being placed on the Big Chill soundtrack, helped Reeves and the Vandellas gain a new audience. In 1989, original members Ashford and Beard also sued Motown for royalties. During this time, the original trio were inspired to reunite both as a recording act and in performances.", "During this time, the original trio were inspired to reunite both as a recording act and in performances. They were offered a recording contract with Ian Levine at Motorcity Records who issued the group's first single since the Vandellas disbanded seventeen years earlier called \"Step Into My Shoes.\" Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts.", "Although they are no longer singing together full-time, Martha Reeves and the Vandellas have occasionally reunited for various concerts. Currently, Ashford, whose full name now is Rosalind Ashford-Holmes, and Beard, whose full name now is Annette Beard-Helton, continue to perform with other singers, most notably Roschelle Laughhunn, as \"The Original Vandellas.\" Reeves, with her sisters Lois and Delphine Reeves, tour as \"Martha Reeves and the Vandellas.\" From 2005 to 2009, Reeves held the eighth seat of Detroit's city council.", "From 2005 to 2009, Reeves held the eighth seat of Detroit's city council. She has since lost her seat and told the press that she would continue performing. A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors.", "A remake of the song \"Nowhere To Run,\" sung by Arnold McCuller, is heard in the film \"The Warriors\" during the scene in which the Gramercy Riffs call a hit on the Warriors. In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\".", "In a Season One episode of the television show The Golden Girls, Blanche described her car as the \"noisiest thing to come out of Detroit since Martha & The Vandellas.\". Candice Bergen, who hosted the Saturday Night Live episode on which Martha Reeves appeared in its inaugural season, made sure that Martha Reeves and the Vandellas were a presence throughout her \"Murphy Brown\" series. The group's picture was displayed prominently in Murphy's office.", "The group's picture was displayed prominently in Murphy's office. When Aretha Franklin guest starred and Murphy tried to sing with her, Franklin stopped her, saying, \". . .I'm not Martha, and you ain't no Vandella.\" The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit.", "The group is briefly portrayed in the 2017 film Detroit, performing \"Nowhere To Run\" at the Fox Theatre, Detroit. Awards and accolades Martha and the Vandellas' \"Dancing in the Street\" was inducted into the Grammy Hall of Fame in 1999 (they were nominated for Best R&B Vocal Performance by a Duo or Group for the song in 1964). In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation.", "In 1993, Martha Reeves and the Vandellas were awarded the Pioneer Award by the Rhythm & Blues Foundation. Except for pre-Vandellas member Gloria Williamson and Vandellas member Sandra Tilley, all members of the group were inducted to the Rock & Roll Hall of Fame in 1995, becoming the second all-female group to be inducted. They were inducted by rock group The B-52's, whose frothy dance music was inspired by the Vandellas. They were inducted into the Vocal Group Hall of Fame in 2003.", "They were inducted into the Vocal Group Hall of Fame in 2003. Two of their singles, \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. In 2004, Rolling Stone ranked the group No. 96 on their list of the 100 Greatest Artists of All Time. In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame.", "In 2005, Martha & The Vandellas were voted into the Michigan Rock and Roll Legends Hall of Fame. Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\"", "Always concert favorites, Martha Reeves and the Vandellas were nominated for UK Festival Awards in 2010 and 2011 as \"Best Headliner.\" Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout!", "Martha and the Vandellas was inducted into the inaugural class of the Official Rhythm & Blues Music Hall of Fame at Cleveland State University August 2013 Lineups The Del-Phis 1957–1962 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Gloria Williams Martha & the Vandellas 1964–1967 Martha Reeves Rosalind Ashford-Holmes Betty Kelly Martha Reeves & the Vandellas 1969–1972 Martha Reeves Lois Reeves Sandra Tilley The Original Vandellas 2000s-present Rosalind Ashford-Holmes Annette Beard-Helton Roschelle Laughhunn Martha & the Vandellas 1962–1964 Martha Reeves Rosalind Ashford-Holmes Annette Beard-Helton Martha Reeves & the Vandellas 1967–1969 Martha Reeves Rosalind Ashford-Holmes Lois Reeves Martha Reeves & The Vandellas 2010–present Martha Reeves Lois Reeves Delphine Reeves Discography For a detailed listing of albums and singles, see Martha and the Vandellas discography Albums Come and Get These Memories (1963) Heat Wave (1963) Dance Party (1965) Greatest Hits (1966) Watchout! (1966) Martha and the Vandellas Live!", "(1966) Martha and the Vandellas Live! (1966) Martha and the Vandellas Live! (1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.", "(1967) Ridin' High (1968) Sugar 'n' Spice (1969) Natural Resources (1970) Black Magic (1972) Top 10 singles The following singles reached the top 10 on the Billboard Hot 100 song chart in the U.S. \"Heat Wave\" (1963) \"Quicksand\" (1963) \"Dancing in the Street\" (1964) \"Nowhere to Run\" (1965) \"I'm Ready for Love\" (1966) \"Jimmy Mack\" (1967) Awards and recognition Martha Reeves and the Vandellas' \"(Love Is Like a) Heat Wave\" and \"Dancing in the Street\" were inducted to the Grammy Hall of Fame and were both included in the list of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted.", "They were inducted to the Rock & Roll Hall of Fame in 1995 becoming just the second all-female group to be inducted and the fifth group in the Motown roster to be inducted. They were inducted to the Vocal Group Hall of Fame in 2003.", "They were inducted to the Vocal Group Hall of Fame in 2003. They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006.", "They were nominated for a Grammy Award for Grammy Award for Best R&B Performance in 1964 for their hit song \"Heat Wave\" \"Dancing in the Street\" was included in the United States Library of Congress' National Recording Registry for its historical, artistic and cultural significance in 2006. References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website.", "References External links Rock & Roll Hall of Fame page on Martha and the Vandellas 'Martha and the Vandellas' Vocal Group Hall of Fame Page History of Rock page on Martha and the Vandellas The Original Vandellas (Rosalind Ashford-Holmes & Annette Beard-Helton) page Martha and the Vandellas History, Charts and Songs Martha & The Vandellas at Doo Wop Heaven Martha & The Vandellas bio on the Soulwalking U.K. website. African-American girl groups American soul musical groups Motown artists Musical groups from Detroit Northern soul musicians 1957 establishments in Michigan Musical groups disestablished in 1972 Singers from Detroit" ]
[ "Nomeansno", "Early years as two-piece, Mama (1979-1982)" ]
C_0c375df1b7874f38a2530ccfccb1d6e1_1
where did the group first come together
1
where did the group Nomeansno come together
Nomeansno
In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER
rehearsing in their parents' basement in 1979,
Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups
true
[ "Where Did Our Love Go is the second studio album by Motown singing group The Supremes, released in 1964. The album includes several of the group's singles and B-sides from 1963 and 1964. Included are the group's first Billboard Pop Singles number-one hits, \"Where Did Our Love Go\", \"Baby Love\", and \"Come See About Me\", as well as their first Top 40 hit, \"When the Lovelight Starts Shining Through His Eyes\", and the singles \"A Breathtaking Guy\" and \"Run, Run, Run\".\n\nWith the release of this album, The Supremes became the first act in Billboard magazine history to have three number-one hits from the same album. It was the album that introduced \"The Motown Sound\" to the masses. It was also, at the time, the highest-ranking album by an all-female group. It remained in the #2 position for 4 consecutive weeks in January 1965, shut out of the top spot by the Beatles' blockbuster Beatles '65 album. Where Did Our Love Go remained on the Billboard album chart for an unprecedented 89 weeks.\n\nHip-O Select released a limited run fortieth anniversary deluxe edition of the album in 2004, which included both the mono and stereo versions of the album, as well as several outtakes, non-album tracks and a recorded live show from the Twenty Grand club in Detroit, Michigan. It sold out immediately.\n\nThey filmed performances of four of the singles from the album including \"Run, Run, Run\", \"When the Lovelight Starts Shining Through His Eyes\", \"Where Did Our Love Go\" and \"Baby Love\" for the concert film, The T.A.M.I. Show released on December 29, 1964. It was equivalent to Motown 25 or Live Aid as a pivotal music concert event . When it hit theaters nationwide, it undoubtedly raised and extended the visibility of the Where Did Our Love Go album.\n\nTrack listing\nAll tracks written by Holland–Dozier–Holland except as noted.\n\nSide one\n\"Where Did Our Love Go\" - 2:33\n\"Run, Run, Run\" - 2:16\n\"Baby Love\" - 2:39\n\"When the Lovelight Starts Shining Through His Eyes\" - 3:05\n\"Come See About Me\" - 2:44\n\"Long Gone Lover\" (Smokey Robinson) - 2:27\n\nSide two\n\"I'm Giving You Your Freedom\" - 2:40\n\"A Breathtaking Guy\" (Robinson) - 2:25\n\"He Means the World to Me\" (Norman Whitfield) - 2:00\n\"Standing at the Crossroads of Love\" - 2:27\n\"Your Kiss of Fire\" (Robert Gordy, Harvey Fuqua) - 2:48\n\"Ask Any Girl\" - 3:00\n\n2004 Expanded CD bonus tracklist\n \"This Is It\" (Faye Hale) ****\n \"I'm The Exception To The Rule\" (Whitfield) **\n \"Everyday I'll Love You More Than Yesterday\" (Robinson, Claudette Rogers Robinson) *\n \"Beginning To The Ending\" (George Fowler) *****\n \"Mr. Blues\" (Robinson) *\n \"Come On Boy\" (Berry Gordy, Jr.) ***\n \"Bye Baby\" (Gordy) ***\n \"My Imagination\" (Richard Parker, Faye Hale) ****\n \"I Idolize You\" (Robinson) *\n \"You're Gonna Come To Me\" (Gordy) (Version 4 - Credited as Version \"3\")\n \"Honey Babe\" (Gordy, Stevie Wonder) ***\n \"Penny Pincher\"\n \"Let Me Hear You Say (I Love You)\" (Andre Williams, Johnny Bristol) ********\n \"Don't Take It Away\" (William Weatherspoon, William \"Mickey\" Stevenson) *******\n \"Just Call Me\" (Ivy Jo Hunter, Stevenson) ******\n \"That's A Funny Way\" (Hunter, Stevenson) ******\n \"Stop, Look & Listen\" (Ed Cobb) ***\n \"Send Me No Flowers\"\n \"Baby Love\" (Alternate \"early\" version)\n \"Introduction/Devil's Den\" (Live (Live 1964)\n \"When The Lovelight Starts Shining Through His Eyes\" (Live 1964)\n \"A Breathtaking Guy\" (Live 1964)\n \"Your Heart Belongs To Me\" (Live 1964)\n \"Let Me Go The Right Way\" (Live 1964)\n \"I Am Woman, You Are Man\" (Jule Styne, Bob Merrill) (Live 1964)\n \"People\" (Merrill, Styne) (Live 1964)\n \"Where Did Our Love Go\" (Live 1964)\n\nThe original album sold a million copies {in 1964-1965} stateside alone. The limited exclusive \"40th Anniversary\" version is now listed as \"sold out\". It remains, to date, their third best-selling studio album.\n\nPersonnel\n Diana Ross, Florence Ballard, and Mary Wilson - lead and background vocals\n The Four Tops, and Holland–Dozier–Holland - background vocals on \"When the Lovelight Starts Shining Through His Eyes\", \"Run, Run, Run\" and \"Penny Pincher\"\n The Love-Tones - background vocals on \"Standing on the Crossroads of Love\", \"This Is It\" and \"My Imagination\"\n Brian Holland, Lamont Dozier - producers on all tracks except noted below\n Smokey Robinson - producer on \"Long Gone Lover\" and \"A Breathtaking Guy\" (and bonus track *)\n Norman Whitfield - producer on \"He Means the World to Me\" (and bonus track **)\n Robert Gordy - producer on \"Your Kiss of Fire\"\n Berry Gordy, Jr. - producer on bonus track ***\n Faye Hale - producer on bonus track ****\n George Fowler - producer on bonus track *****\n Ivy Jo Hunter, William \"Mickey\" Stevenson - producer on bonus track ******\n William \"Mickey\" Stevenson - producer on bonus track *******\n Andre Williams - producer on bonus track ********\n The Funk Brothers - instrumentation\nEarl Van Dyke – piano on \"Where Did Our Love Go\", \"Baby Love\" and \"Come See About Me\"\nRobert White – guitar on \"Where Did Our Love Go\"\nEddie Willis – guitar on \"Where Did Our Love Go\" and \"Baby Love\"\nJoe Messina – guitar on \"Come See About Me\"\nJames Jamerson – bass on \"Where Did Our Love Go\", \"Baby Love\" and \"Come See About Me\"\nRichard \"Pistol\" Allen – drums on \"Where Did Our Love Go\" and \"Baby Love\"\nUriel Jones – drums on \"Come See About Me\"\nJack Ashford – vibraphone on \"Where Did Our Love Go\", \"Baby Love\" and \"Come See About Me\"\nAndrew \"Mike\" Terry – baritone saxophone on \"Where Did Our Love Go\", \"Baby Love\" and \"Come See About Me\"\nHank Cosby – tenor saxophone on \"Baby Love\" and \"Come See About Me\"\nMike Valvano – footstomps on \"Where Did Our Love Go\", \"Baby Love\" and \"Come See About Me\"\n Bernard Yeszin, Wallace Mead - cover design\n\nSingles history\n\"A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heart Breaking Guy\" b/w \"(The Man with the) Rock And Roll Banjo Band\" (from The Supremes Sing Country, Western and Pop) (Motown 1044, June 12, 1963, reissued immediately with A-side title shortened to \"A Breath Taking Guy\")\n\"When The Lovelight Starts Shining Through His Eyes\" b/w \"Standing at the Crossroads of Love\" (Motown 1051, October 31, 1963)\n\"Run, Run, Run\" b/w \"I'm Giving You Your Freedom\" (Motown 1054, February 7, 1964)\n\"Where Did Our Love Go\" b/w \"He Means the World to Me\" (Motown 1060, June 17, 1964)\n\"Baby Love\" b/w \"Ask Any Girl\" (Motown 1066, September 17, 1964)\n\"Come See About Me\" b/w \"You're Gone, But Always in My Heart\" (on The Supremes Sing Holland–Dozier–Holland) (Motown 1068, October 27, 1964)\n\nChart history\n\nWeekly charts\n\nYear-end charts\n\nSee also\nList of Billboard number-one R&B albums of the 1960s\n\nReferences\n\n1964 albums\nThe Supremes albums\nAlbums produced by Norman Whitfield\nAlbums produced by Smokey Robinson\nAlbums produced by Brian Holland\nAlbums produced by Lamont Dozier\nMotown albums\nAlbums recorded at Hitsville U.S.A.", "Hotstylz is an American hip hop group from Chicago, Illinois, formed in 2007. The trio, composed of Midwest rappers Krazee, Meatball and Raydio G, is signed to fellow American rapper Yung Joc's Swagg Team, distributed by Jive/RCA Records. In late 2007 they released their debut single titled \"Lookin Boy\", which features Yung Joc and peaked at #47 on the US Billboard Hot 100.\n\nEach member of Hotstylz works as solo artist, but they come together to form the group Hotstylz. The current rappers of the group are Raydio G (Raymond Jones), Krazee (Kryss Johnson), and Meatball (Garren Hodge). In Fall 2011, they released a mixtape entitled \"Where Yall Been At\".\n\nDespite being active since mid 2007, the group has yet to release a full album and had only released two mixtapes.\n\nControversy\nIn 2013, Detroit-based rapper Eminem, sampled \"Lookin' Boy\", for his 2013 hit single, \"Rap God\".The group claims Eminem did not receive permission to use the sample, nor did he credit or compensate them. In November 2013, Hotstylz released a diss track towards Eminem titled \"Rap Fraud\", where they sample several of his songs and criticize him for not crediting them. In January 2015, TMZ reported Hotstylz were suing Eminem and Shady Records, for the amount of $8 million, for using the 6-second sample of \"Lookin' Boy\" on his song \"Rap God\", without their permission.\n\nDiscography\n\nMixtapes \n A.D.D. (2009)\n Where Y'all Been At (2011)\n We Back (2016)\n\nSingles\n\nReferences\n\nExternal links\nHotstylz's Myspace\n\nJive Records artists\nMidwest hip hop groups\nMusical groups from Chicago\nAfrican-American musical groups\nAmerican hip hop groups\nMusical groups established in 2007\nRappers from Chicago\nAmerican musical trios" ]
[ "Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as \"the mightiest merger between the hateful aggression of punk and the discipline of heavy metal.\" Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, \"savagely intelligent\" lyrics inspired subsequent musicians.", "Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, \"savagely intelligent\" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982.", "They self-released their debut Mama LP in 1982. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album.", "Happy? album. album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year.", "They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria.", "perform at the University of Victoria. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing.", "Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7\"s, the \"Look, Here Come the Wormies / SS Social Service\" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981.", "Some of these recordings were issued as their first two self-released 7\"s, the \"Look, Here Come the Wormies / SS Social Service\" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981.", "The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7\"s as \"Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids.\"", "Writing for Trouser Press, critic Ira Robbins described Mama and the early 7\"s as \"Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids.\" This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later.", "With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards.", "Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like \"Body Bag\" and a cover of \"Manic Depression\" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention.", "The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single \"Dad\".", "The album further expanded the band's experimental and progressive punk sound, yielding the single \"Dad\". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called \"a bit chilling, even though it's spit out at slam-pit's pace\". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys.", "They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed.", "Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings \"less aggressive\" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim.", "In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that \"[t]he playing is incredibly skilled;\" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990.", "The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that \"we didn't have to have day jobs.\" The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr.", "Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed.", "He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers.", "(1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A.", "With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years.", "John Wright became a member of D.O.A. for several years. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr.", "The Wrights also compiled the collection Mr. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr.", "With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995.", "The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's \"taste for blood and gristle.\" After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive?", "After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of \"Would We Be Alive?\" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews.", "The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as \"dark and unforgettable, poignant and cutting.\" A critic writing for The A.V. Club, however, dismissed the album as \"dull, meandering punk\" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000.", "One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's \"Beat on the Brat\" and a fifteen-minute version of Miles Davis's \"Bitches Brew\" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as \"intense and heavy collegiate punk\" as praised it as the band's finest effort since Wrong.", "AllMusic's Schulte assessed the album as \"intense and heavy collegiate punk\" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year.", "With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe.", "Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel \"yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago.\"", "Greene wrote that with the record Nomeansno travel \"yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago.\" Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½.", "In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter.", "They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame.", "In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize.", "In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr.", "Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy?", "Happy? Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive?", "(1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles \"Look, Here Come the Wormies / SS Social Service\" (split with Mass Appeal) (1980) \"Dad/Revenge\" (1987) \"Oh, Canaduh\" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr.", "(1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles \"Look, Here Come the Wormies / SS Social Service\" (split with Mass Appeal) (1980) \"Dad/Revenge\" (1987) \"Oh, Canaduh\" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks \"I Don't Care\" and \"Glad All Over\" (1991) Where are they now file - live compilation, includes \"I Want it All\" (1991) The Infamous Scientist 45\" – bootleg 7\" (1993) Leave the Seaside – live bootleg 7\" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, \"Getting Colder\", \"Burn\" and \"Love Thang\" (1986) Oops!", "Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks \"I Don't Care\" and \"Glad All Over\" (1991) Where are they now file - live compilation, includes \"I Want it All\" (1991) The Infamous Scientist 45\" – bootleg 7\" (1993) Leave the Seaside – live bootleg 7\" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, \"Getting Colder\", \"Burn\" and \"Love Thang\" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, \"Forward to Death\") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?)", "Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, \"Forward to Death\") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, \"No Means No\" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes \"I Don't Want To Go Down To The Basement\" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live?", "– Includes the 1981 Mama outtake, \"No Means No\" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes \"I Don't Want To Go Down To The Basement\" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups" ]
[ "Nomeansno", "Early years as two-piece, Mama (1979-1982)", "where did the group first come together", "rehearsing in their parents' basement in 1979,", "did school cause the breakup", "I don't know.", "did any members leave on good terms", "I don't know." ]
C_0c375df1b7874f38a2530ccfccb1d6e1_1
Did they ever try other forms of music
4
Besides Nomeansno's original sound, did Nomeansno ever try other forms of music
Nomeansno
In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. His younger brother John, eight years his junior, played drums in the school jazz band. They were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. The two began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with another short-lived Wright brothers project, Mass Appeal), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: ...without a guitar player you can't rely on the standard hooks that punk rock and rock n' roll in general relies on. The guitar player - the guitar god quote unquote - was such a focus for so long that by the nature of not having a guitar player, the bass and the drums have to do a lot more. It also makes the vocals more important, or at least it makes a lot more room for the vocals. You don't have guitar solos, you don't have the wash of high end. And the things you do on the drums are different, if you just did a straight four beat on the drums it would get kinda dull after awhile. It isn't as though bass guitar hasn't been a prominent instrument at times in other bands but it made us approach things differently, our song structure couldn't just be verse-chorus-verse. It had everything to do with how our sound got off to a unique start. Some of the songs they played in this period were released on the Mama LP of 1982, which was self-released in a limited pressing. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motorhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. CANNOTANSWER
The brothers began performing live as a bass-and-drums duo in 1981.
Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7"s, the "Look, Here Come the Wormies / SS Social Service" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7"s as "Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids." This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like "Body Bag" and a cover of "Manic Depression" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single "Dad". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called "a bit chilling, even though it's spit out at slam-pit's pace". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings "less aggressive" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that "[t]he playing is incredibly skilled;" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that "we didn't have to have day jobs." The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's "taste for blood and gristle." After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of "Would We Be Alive?" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as "dark and unforgettable, poignant and cutting." A critic writing for The A.V. Club, however, dismissed the album as "dull, meandering punk" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as "intense and heavy collegiate punk" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel "yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago." Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles "Look, Here Come the Wormies / SS Social Service" (split with Mass Appeal) (1980) "Dad/Revenge" (1987) "Oh, Canaduh" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks "I Don't Care" and "Glad All Over" (1991) Where are they now file - live compilation, includes "I Want it All" (1991) The Infamous Scientist 45" – bootleg 7" (1993) Leave the Seaside – live bootleg 7" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, "Getting Colder", "Burn" and "Love Thang" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, "Forward to Death") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, "No Means No" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes "I Don't Want To Go Down To The Basement" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups
true
[ "Shambhavi School of Dance was established in 1993 at Kengeri, Bangalore in the state of Karnataka in India as a Gurukul of Indian classical dance and music. The Artistic Director of this school is Smt.Vyjayanthi Kashi who is an exponent in Kuchipudi dance form.\n\nActivities\n\nTo cultivate and nurture the culture of Indian Arts, Shambhavi School of Dance create a common canvas for artists of yesterday, today, tomorrow; They utilize the advanced technology of today's era to share their knowledge, experiences, emotions and feelings through the ancient art forms. They offer introductory courses (short and long term), diploma course and advanced course in various subjects like Indian Classical Dance, dance theory, music, yoga, and dance therapy for the students. The school conducts workshops, lecture demonstrations and choreography for annual days in Education of arts in schools, non-governmental organizations, and other institutions. The Shambhavi Dance Ensemble has performed across India.\n\nAchievements\n\n Shambhavi School of Dance every year organises \"Dance Jathre\"-India's first ever International Dance Fair where workshops are conducted on Various Dance forms by concerned exponents in that dance forms and also performances by various artists all over India.\n Shambhavi School of Dance organised \"Nayika- Excellence Personified\" on the occasion of International Women's Day which includes a seminar on \"Contribution of women to Kuchipudi\" and also \"Natya Shastra\" Award was conferred to legendary Dansuse Padma Bhushan Dr. Yamini Krishnamurthy.\n World Dance Day Celebrations 2016\n\nReferences\n\nExternal links\n\nOfficial website\nShambhavi School of Dance\n\nDance schools in India\nEducational institutions established in 1993\nTourist attractions in Bangalore\n1993 establishments in Karnataka", "George Ritchie (16 April 1848 – 31 January 1896) was a Scotland international rugby union player. He played as a Forward.\n\nPlaying in the very first international, Ritchie scored a try which was chalked off by the umpire Hely Hutchinson Almond. The resulting pressure, though, did break in Scotland's favour with Angus Buchanan scoring that first try. Notwithstanding, Ritchie always maintained that his try was valid and should have stood.\n\nRugby Union career\n\nAmateur career\n\nRitchie played for Merchistons in Edinburgh.\n\nInternational career\n\nRitchie played in the first ever rugby union international match for Scotland against England in 27 March 1871 at Raeburn Place, Edinburgh.\n\nIn the match, he almost scored the first ever international try. He went over the try-line but a clutch of bodies were on top of him. An Englishman claimed to have control of the ball and the umpire decided it was Scotland's hack off 5 yards from the line. Scotland then scored a try and goal from the resultant set-piece; the try coming from Angus Buchanan.\n\nIt was Ritchie's only international appearance for Scotland and he always maintained that he scored a perfectly good try, throughout the rest of his life. He died in Kelso, Scotland in 1896.\n\nReferences\n\n1848 births\n1896 deaths\nScottish rugby union players\nMerchistonian FC players\nScotland international rugby union players\nRugby union players from Edinburgh" ]
[ "Nomeansno (sometimes stylized as NoMeansNo or spelled No Means No) was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as \"the mightiest merger between the hateful aggression of punk and the discipline of heavy metal.\" Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, \"savagely intelligent\" lyrics inspired subsequent musicians.", "Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, \"savagely intelligent\" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres. Formed in 1979 by brothers Rob and John Wright, the group began as a two-piece punk band influenced by jazz and progressive rock. They self-released their debut Mama LP in 1982.", "They self-released their debut Mama LP in 1982. They self-released their debut Mama LP in 1982. Adding guitarist Andy Kerr the following year, the group signed with the Alternative Tentacles imprint and continued to expand their audience. Kerr departed in 1992 after five LPs with the band, and the group returned to its two-piece formation for the Why Do They Call Me Mr. Happy? album.", "Happy? album. album. Guitarist Tom Holliston, and briefly second drummer Ken Kempster, joined in 1993, and Nomeansno continued touring and recording extensively while operating their own Wrong Records label. After three further LPs, they left Alternative Tentacles and issued their final album, All Roads Lead to Ausfahrt, in 2006. They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year.", "They were inducted into the Western Canadian Music Hall of Fame in 2015, and announced their retirement the following year. History Early years as two-piece, Mama (1979–1982) In 1979 and at age 25, Rob Wright returned to his family's home in Victoria after studying in Calgary. John Wright, Rob's younger brother by eight years, played drums in the school jazz band, and the two were inspired to play punk rock after seeing D.O.A. perform at the University of Victoria.", "perform at the University of Victoria. perform at the University of Victoria. They began rehearsing in their parents' basement in 1979, and took the name Nomeansno from an anti-date rape slogan. They also briefly gigged as the rhythm section for the local cover band Castle. Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing.", "Nomeansno recorded its earliest material in the months that followed on a TASCAM four-track recorder, with Rob playing electric guitar and bass, John playing keyboards and drums, and both brothers singing. Some of these recordings were issued as their first two self-released 7\"s, the \"Look, Here Come the Wormies / SS Social Service\" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981.", "Some of these recordings were issued as their first two self-released 7\"s, the \"Look, Here Come the Wormies / SS Social Service\" single (a 1980 split with Mass Appeal, whose recording lineup featured both Wright Brothers), and the Betrayal, Fear, Anger, Hatred EP of 1981. The brothers began performing live as a bass-and-drums duo in 1981.", "The brothers began performing live as a bass-and-drums duo in 1981. Their sound developed without a guitar, and John Wright later reflected on these developments: Some of the songs they played in this period were released on the Mama LP, which was self-released in a limited pressing in 1982. Writing for Trouser Press, critic Ira Robbins described Mama and the early 7\"s as \"Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids.\"", "Writing for Trouser Press, critic Ira Robbins described Mama and the early 7\"s as \"Devo on a jazz trip, Motörhead after art school, or Wire on psychotic steroids.\" This same year, John Wright also joined the Victoria punk band The Infamous Scientists. With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later.", "With Andy Kerr, You Kill Me, Small Parts Isolated and Destroyed (1983–1989) The Infamous Scientists disbanded in 1983, and their guitarist and vocalist Andy Kerr joined Nomeansno several months later. Kerr brought a distinct hardcore punk edge to Nomeansno's sound, creating a buzz-saw guitar tone by playing through a Fender Bassman amplifier and a P.A. speaker. Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards.", "Nomeansno became a fixture in the British Columbia punk scene despite playing music that did not always conform to punk rock standards. The You Kill Me EP in 1985 on the Undergrowth Records imprint exhibited their experimental sound on dark and ponderous songs like \"Body Bag\" and a cover of \"Manic Depression\" by Jimi Hendrix. The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention.", "The three also began performing Ramones covers and more traditional punk music as The Hanson Brothers, a side project that would later receive more of their attention. Issued initially by the Montreal punk label Psyche Industry, the band released Sex Mad, their second LP and first with Kerr. The album further expanded the band's experimental and progressive punk sound, yielding the single \"Dad\".", "The album further expanded the band's experimental and progressive punk sound, yielding the single \"Dad\". The song was a minor college radio hit, which AllMusic reviewer Adam Bregman called \"a bit chilling, even though it's spit out at slam-pit's pace\". Kerr, the song's lead vocalist, increasingly became responsible for lead vocals as Rob Wright suffered from nodules on his vocal cords. They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys.", "They soon signed with the seminal punk rock label Alternative Tentacles, run by Jello Biafra of the Dead Kennedys. This, along with frequent touring in North America and Europe, helped the band to garner a larger audience. In 1988, the group issued two releases recorded with producer Cecil English: The Day Everything Became Nothing EP and the Small Parts Isolated and Destroyed album. Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed.", "Alternative Tentacles compiled the two together on a single CD, The Day Everything Became Isolated and Destroyed. AllMusic reviewer Sean Carruthers called the experimental recordings \"less aggressive\" than, but nonetheless worthy of, the band's previous efforts. Wrong, 0 + 2 = 1, Kerr's departure (1989–1992) Rob Wright's vocal cords began to heal, and he again began acting as the group's lead vocalist. In 1989, the band issued their fourth album, Wrong, to wide critical acclaim.", "In 1989, the band issued their fourth album, Wrong, to wide critical acclaim. For AllMusic, Carruthers wrote that \"[t]he playing is incredibly skilled;\" critic Martin Popoff in writing for The Collector's Guide to Heavy Metal called Wrong the band's best album and rated the album 10 out of 10 points. The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990.", "The band's extensive touring in support of the record is documented in part on the Live + Cuddly album, recorded in Holland in 1990. John Wright later reported that circa 1990 the band became profitable enough that \"we didn't have to have day jobs.\" The band released a collaborative LP with Biafra, The Sky Is Falling and I Want My Mommy, in 1991. Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr.", "Shortly thereafter, they issued 0 + 2 = 1, their fifth album and final release with Kerr. In a mixed review, AllMusic critic Adam Bregman praised 0 + 2 = 1 for its finer moments, but was concerned by its overall length and ponderousness. Kerr departed the band after touring in support of the record and emigrated to the Netherlands. He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed.", "He went on to release two LPs with Hissanol, a collaboration with Scott Henderson of Shovlhed. He subsequently released a solo album in 1997 before forming the duo Two Pin Din with Wilf Plum of Dog Faced Hermans in 2005. Side projects, Why Do They Call Me Mr. Happy? (1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers.", "(1992–1993) The Wright brothers had begun to focus on their side project, The Hanson Brothers. Dressing as a mock group of backward Canadian ice hockey players and fans, they derived the band's name and personae from a group of characters in the 1977 George Roy Hill film Slap Shot starring Paul Newman. With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A.", "With John acting as lead vocalist, the Wright brothers were joined by guitarist Tom Holliston of the Showbusiness Giants and drummer Ken Jensen of D.O.A. With encouragement from Alternative Tentacles to record an LP, The Hanson Brothers issued the Gross Misconduct album in 1992. The Wright brothers also remained active with other endeavors. Rob Wright began performing as a solo artist under the name Mr. Wrong, appearing as a character dressed as an authoritarian priest. John Wright became a member of D.O.A. for several years.", "John Wright became a member of D.O.A. for several years. for several years. The brothers also continued to expand Wrong Records, their own imprint. In 1993, the brothers assembled material for a sixth Nomeansno LP and recorded Why Do They Call Me Mr. Happy? as a duo. AllMusic critic Ned Raggett later praised the album's balance, arguing that it reached dark and sinister depths while also exhibiting subtler and more introspective moments. The Wrights also compiled the collection Mr.", "The Wrights also compiled the collection Mr. The Wrights also compiled the collection Mr. Right & Mr. Wrong: One Down & Two to Go, comprising early demos, studio outtakes, and additional material, which was released on Wrong the following year. With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr.", "With Tom Holliston, Worldhood of the World (As Such), Dance of the Headless Bourgeoisie (1993–1999) For touring in support of Why Do They Call Me Mr. Happy?, Nomeansno assembled their first four-piece lineup, completed by Hanson Brothers guitarist Holliston and second drummer Ken Kempster. Holliston replaced Kerr as their full-time guitarist, while Kempster went on to tour sporadically with Nomeansno over the next four years. The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995.", "The first Nomeansno album to feature Holliston was The Worldhood of the World (As Such), released in 1995. Receiving its title from philosopher Martin Heidegger's seminal text Being and Time, the album featured simpler and more melodic songs than its predecessors while nonetheless retaining the band's \"taste for blood and gristle.\" After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive?", "After focusing briefly on the Hanson Brothers and releasing their second LP, Sudden Death, Nomeansno followed with the EPs Would We Be Alive? and In the Fishtank 1, each featuring a cover of \"Would We Be Alive?\" by The Residents. Their eighth studio album, the double LP Dance of the Headless Bourgeoisie, was released in 1998. The album featured some of the band's longest songs, including its title track. The album received mixed, but generally positive, reviews.", "The album received mixed, but generally positive, reviews. In a retrospective review, AllMusic critic Tom Schulte praised the album in its experimental tone as \"dark and unforgettable, poignant and cutting.\" A critic writing for The A.V. Club, however, dismissed the album as \"dull, meandering punk\" and likened the band pejoratively to Rush. One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000.", "One, All Roads Lead to Ausfahrt (2000–2006) The band issued its final Alternative Tentacles album, One, in 2000. Featuring a slow stoner rock cover of The Ramones's \"Beat on the Brat\" and a fifteen-minute version of Miles Davis's \"Bitches Brew\" with electric piano and congas, the album was well received. AllMusic's Schulte assessed the album as \"intense and heavy collegiate punk\" as praised it as the band's finest effort since Wrong.", "AllMusic's Schulte assessed the album as \"intense and heavy collegiate punk\" as praised it as the band's finest effort since Wrong. Three outtakes from the album were also issued as the Generic Shame EP on Wrong. The band left Alternative Tentacles in 2002, and began slowly reissuing their back catalogue through Wrong and distributors Southern Records. With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year.", "With new drummer Ernie Hawkins, The Hanson Brothers released their third album, My Game, later that year. Nomeansno continued touring extensively, but ultimately took six years to release their next album. In the meantime, they issued the best-of compilation The People's Choice. Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe.", "Their tenth studio album, All Roads Lead to Ausfahrt, was released on August 22, 2006, by AntAcidAudio in the United States and Southern in Europe. AllMusic critic Jo-Ann Greene praised the album's exhausting diversity as befitting of the band's legacy and career-spanning accomplishments. Greene wrote that with the record Nomeansno travel \"yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago.\"", "Greene wrote that with the record Nomeansno travel \"yet again through the undergrowth and underbelly of the rock realm, and with all the piss and vinegar that they started out with a quarter century ago.\" Later years, retirement (2007–2016) The band toured frequently in the years that followed, but ceased recording albums. Fang drummer Mike Branum joined The Hanson Brothers in 2008. In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½.", "In 2010, Nomeansno digitally released outtakes and demos from the 0 + 2 = 1 sessions as 0 + 2 = 1 ½. They next released two four-track EPs, Tour EP 1 (alternatively known as Old) and Tour EP 2 (alternatively Jubilation). They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter.", "They continued performing live through 2013, and toured as The Hanson Brothers in the following year with Byron Slack on drums, but entered a hiatus thereafter. Holliston continued to perform with The Showbusiness Giants and release solo albums, while John Wright began working as musical director for the all-robot rock band Compressorhead. In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame.", "In 2015, Nomeansno was inducted into the Western Canadian Music Hall of Fame. They played an acoustic set at the awards ceremony, and a Ramones cover set (with Slack on drums) on New Year's Eve, which became their final public appearances. Holliston announced his departure from the band in August 2016. On September 24, John Wright announced the band's official retirement. In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize.", "In 2021, Wrong was named the public vote winner of the Polaris Heritage Prize at the 2021 Polaris Music Prize. Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr.", "Band members Rob Wright – bass, vocals, guitar (1979–2016) John Wright – drums, vocals, keyboards (1979–2016) Andy Kerr – guitar, vocals, bass (1983–1992) Tom Holliston – guitar, vocals (1993–2016) Ken Kempster – drums (1993–1997) Timeline Discography Studio albums Mama (1982) Sex Mad (1986) Small Parts Isolated and Destroyed (1988) Wrong (1989) 0 + 2 = 1 (1991) Why Do They Call Me Mr. Happy?", "Happy? Happy? (1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive?", "(1993) The Worldhood of the World (As Such) (1995) Dance of the Headless Bourgeoisie (1998) One (2000) All Roads Lead to Ausfahrt (2006) Collaborative albums The Sky Is Falling and I Want My Mommy (with Jello Biafra) (1991) Live albums Live + Cuddly (1991) EPs Betrayal, Fear, Anger, Hatred (1981) You Kill Me (1985) The Day Everything Became Nothing (1988) The Power of Positive Thinking (1990) Would We Be Alive? (1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles \"Look, Here Come the Wormies / SS Social Service\" (split with Mass Appeal) (1980) \"Dad/Revenge\" (1987) \"Oh, Canaduh\" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr.", "(1996) In the Fishtank 1 (1996) Generic Shame (2001) Tour EP 1 (2010) Tour EP 2 (2010) Singles \"Look, Here Come the Wormies / SS Social Service\" (split with Mass Appeal) (1980) \"Dad/Revenge\" (1987) \"Oh, Canaduh\" (1991) Compilations The Day Everything Became Isolated and Destroyed (1988) Sex Mad/You Kill Me (1991) Mr. Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks \"I Don't Care\" and \"Glad All Over\" (1991) Where are they now file - live compilation, includes \"I Want it All\" (1991) The Infamous Scientist 45\" – bootleg 7\" (1993) Leave the Seaside – live bootleg 7\" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, \"Getting Colder\", \"Burn\" and \"Love Thang\" (1986) Oops!", "Right & Mr. Wrong: One Down & Two to Go (1994) The People's Choice (2004) 0 + 2 = 1 ½ (2010) Bootlegs Live at the Paradiso Amsterdam – bootleg – VPRO Radio station recording (1988) Live in Warsaw – bootleg cassette (1990) Sasquatch – The Man, The Myth, The Compilation – includes cover tracks \"I Don't Care\" and \"Glad All Over\" (1991) Where are they now file - live compilation, includes \"I Want it All\" (1991) The Infamous Scientist 45\" – bootleg 7\" (1993) Leave the Seaside – live bootleg 7\" (1994) Compilation appearances It Came from the Pit (1986) Random Thought: A Victoria Sampler (Volumes 1 & 2) – includes, \"Getting Colder\", \"Burn\" and \"Love Thang\" (1986) Oops! Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, \"Forward to Death\") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?)", "Wrong Stereotype (Alternative Tentacles compilation) (1988) Terminal City Ricochet (soundtrack Terminal City Ricochet movie) (1990) Clam Chowder & Ice Vs. Big Macs and Bombers (1992) Virus 100 (a cappella version of Dead Kennedys song, \"Forward to Death\") (1992) Over a Century of Vivisection and Anti-Vivisection (How Much Longer?) – Includes the 1981 Mama outtake, \"No Means No\" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes \"I Don't Want To Go Down To The Basement\" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live?", "– Includes the 1981 Mama outtake, \"No Means No\" (1992) The Making of Allied One Two Three (1995) Basement Tapes: A KSPC Compilation of Live Recordings – includes \"I Don't Want To Go Down To The Basement\" (1995) Short Music for Short People (1999) Sex With Nothing (2002) Fubar: The Album (2002) All Your Ears Can Hear (2007) Videography Would We Be...Live? (Live footage of Nomeansno and The Hanson Brothers, filmed in London, on DVD) (2004) We Played At Squats (Portrait about Nomeansno and The Hanson Brothers, produced in Austria, on DVD) (2014) See also List of bands from Canada References External links Nomeansno discography 1979 establishments in British Columbia 2016 disestablishments in British Columbia Alternative Tentacles artists Musical groups established in 1979 Musical groups disestablished in 2016 Musical groups from Vancouver Canadian hardcore punk groups Canadian post-hardcore musical groups Sibling musical groups" ]
[ "3 Doors Down", "Continued success: 2005-2010" ]
C_61f7b6bfa43f4590b3b5f6583174f11a_0
What albums were released bewteen 2005-2010?
1
What albums for 3 Doors Down were released between 2005-2010?
3 Doors Down
By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER
the band had sold 12 million albums.
3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists
true
[ "Alive in You is the first studio album by Christian rock band 7eventh Time Down, released on September 13, 2011.\n\nTrack listing\n\nSingles \n\n\"Alive in You\" and \"What About Tonight\" were released as singles. \"Alive in You\" charted at number 46 on the Billboard Hot Christian Songs chart, and \"What About Tonight\" charted at number 26 on the Christian rock chart.\n\nReferences \n\n2011 debut albums\n7eventh Time Down albums\nBEC Recordings albums\nTooth & Nail Records albums", "Tree63 is Tree63's third album, released in October 24, 2000. It features songs from the first two studio albums Overflow and 63. Joy and Worldwide were originally released on Overflow, the remaining tracks were originally released on 63.\n\nTrack listing\n \"Treasure\"\n \"Joy\"\n \"Look What You've Done\"\n \"Sacrifice\"\n \"Earnestly\"\n \"Anthem\"\n \"A Million Lights\"\n \"1*0*1*\"\n \"Can I See Your Face?\"\n \"Worldwide\"\n\nSee also \nTree63\n\nChristian rock\n\nReferences \n\n2000 albums\nTree63 albums\nInpop Records albums" ]
[ "3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, \"Kryptonite\", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000.", "The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No.", "The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits \"When I'm Gone\" and \"Here Without You\". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun.", "This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release.", "1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019.", "Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues.", "Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist.", "History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\".", "When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\". Since the band consisted of three people at the time, they added the \"3\" to create \"3 Doors Down\". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05.", "The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi.", "3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of \"Kryptonite\" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment.", "The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: \"Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them.\"", "So we moved to sign them.\" So we moved to sign them.\" Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\".", "It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\". A fourth single, \"Be Like That\" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the \"American Pie 2 Edit\". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks.", "Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release.", "The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including \"When I'm Gone\", \"Here Without You\", and \"The Road I'm On\". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album.", "Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, \"Dangerous Game\", \"Dead Love\", and \"Wasted Me\", but only \"Dangerous Game\" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour.", "The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video \"When I'm Gone\". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States.", "Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song \"That Smell\". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation.", "In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum.", "The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, \"Let Me Go\" and \"Behind Those Eyes\" charted with the most success. \"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles.", "\"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas.", "Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days.", "It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No.", "It debuted at No. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard.", "The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration.", "In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called \"Where My Christmas Lives\", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8.", "It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of \"Where my Christmas Lives\". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011.", "The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, \"Every Time You Go\" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No.", "The album debuted at No. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health.", "On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that \"3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority\". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar.", "Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012.", "After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits.", "During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival.", "The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of \"In the Air Tonight\" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013.", "The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills.", "The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\".", "The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills.", "Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation.", "In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact.", "The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve.", "On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled \"Songs from the Basement\" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI.", "In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016.", "In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017.", "3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was \"proud\" to perform and that he thinks it would be a \"good experience\". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event.", "Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: \"Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs.", "You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar.\" Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\"", "Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\" In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016.", "100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; \"Who knows when we'll follow that one up. But we have been writing new songs.", "But we have been writing new songs. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us.\" In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night.", "In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night.", "In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called \"Shine\", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010.", "30 band in the decade from 2000 to 2010. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: \"When You're Young\" followed by \"Kryptonite\". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh.", "The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life.", "The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised.", "In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town.", "There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi.", "Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF.", "There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others.", "Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia.", "Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists" ]
[ "3 Doors Down", "Continued success: 2005-2010", "What albums were released bewteen 2005-2010?", "the band had sold 12 million albums." ]
C_61f7b6bfa43f4590b3b5f6583174f11a_0
What were the titles of the albums?
2
What were the titles of the albums for 3 Doors Down released between 2005-2010??
3 Doors Down
By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER
2005's Seventeen Days,
3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists
true
[ "The Early Four Track Recordings is a compilation album by indie rock band Of Montreal. It contains early recordings from the band, with the song titles telling a fictional story about actor Dustin Hoffman. Though the titles feature Dustin Hoffman, the album name and content have nothing to do with him, and the titles were chosen only for humor.\n\nTrack listing\n\nOf Montreal albums\n2001 compilation albums\nKindercore Records compilation albums", "The English Panther is the self-titled debut album from The English Panther, a solo project by Travis Stever of Coheed and Cambria. It was released December 22, 2006.\n\nThe cover was designed by Skyler Stever.\n\nSome of the album's songs were leaked in early 2006 under different titles. For example, \"American Shmuck\" was leaked as \"American Cocksucker\".\n\nTrack listing \n \"Angel On the Shoulder\" – 2:46\n \"Storms\" – 3:14\n \"Wicked Sun\" – 2:43\n \"Threat\" – 1:56\n \"Live to Tell\" – 4:11\n \"Panther Medley\" – 2:50\n \"12 Hours\" – 2:49\n \"Ok I Will Drive\" – 2:34\n \"All Rite for Now\" – 2:20\n \"High Tips\" – 1:47\n \"Kiss of a Wrecking Ball – 2:03\n \"Step to the One\" – 1:26\n \"Tongue Tied\" – 2:58\n \"I Am Tired of Driving\" – 3:13\n \"American Shmuck\" – 1:45\n \"Modern Math\" – 2:04\n \"What???\" – 2:17\n\nReferences \n\n2006 debut albums\nDavenport Cabinet albums" ]
[ "3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, \"Kryptonite\", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000.", "The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No.", "The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits \"When I'm Gone\" and \"Here Without You\". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun.", "This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release.", "1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019.", "Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues.", "Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist.", "History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\".", "When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\". Since the band consisted of three people at the time, they added the \"3\" to create \"3 Doors Down\". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05.", "The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi.", "3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of \"Kryptonite\" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment.", "The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: \"Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them.\"", "So we moved to sign them.\" So we moved to sign them.\" Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\".", "It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\". A fourth single, \"Be Like That\" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the \"American Pie 2 Edit\". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks.", "Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release.", "The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including \"When I'm Gone\", \"Here Without You\", and \"The Road I'm On\". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album.", "Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, \"Dangerous Game\", \"Dead Love\", and \"Wasted Me\", but only \"Dangerous Game\" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour.", "The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video \"When I'm Gone\". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States.", "Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song \"That Smell\". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation.", "In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum.", "The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, \"Let Me Go\" and \"Behind Those Eyes\" charted with the most success. \"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles.", "\"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas.", "Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days.", "It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No.", "It debuted at No. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard.", "The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration.", "In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called \"Where My Christmas Lives\", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8.", "It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of \"Where my Christmas Lives\". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011.", "The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, \"Every Time You Go\" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No.", "The album debuted at No. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health.", "On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that \"3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority\". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar.", "Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012.", "After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits.", "During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival.", "The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of \"In the Air Tonight\" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013.", "The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills.", "The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\".", "The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills.", "Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation.", "In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact.", "The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve.", "On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled \"Songs from the Basement\" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI.", "In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016.", "In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017.", "3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was \"proud\" to perform and that he thinks it would be a \"good experience\". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event.", "Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: \"Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs.", "You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar.\" Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\"", "Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\" In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016.", "100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; \"Who knows when we'll follow that one up. But we have been writing new songs.", "But we have been writing new songs. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us.\" In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night.", "In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night.", "In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called \"Shine\", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010.", "30 band in the decade from 2000 to 2010. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: \"When You're Young\" followed by \"Kryptonite\". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh.", "The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life.", "The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised.", "In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town.", "There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi.", "Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF.", "There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others.", "Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia.", "Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists" ]
[ "3 Doors Down", "Continued success: 2005-2010", "What albums were released bewteen 2005-2010?", "the band had sold 12 million albums.", "What were the titles of the albums?", "2005's Seventeen Days," ]
C_61f7b6bfa43f4590b3b5f6583174f11a_0
What were the singles released from that album?
3
What were the singles released from the album 2005's Seventeen Days?
3 Doors Down
By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER
"Let Me Go" and "Behind Those Eyes
3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists
true
[ "This article gives the discography for the English rock band The Zutons. Between their formation in 2001 and 2008 they released three studio albums and 14 singles, nine of which entered the top 40 UK singles chart.\n\nThe band released their debut album, entitled \"Who Killed...... The Zutons?\", in April 2004 to critical acclaim and it sold quite well, reaching number 6 in the UK album chart with Platinum status. Five singles were released from the album: \"Pressure Point\", \"You Will You Won't\", \"Remember Me\", \"Don't Ever Think (Too Much)\" and \"Confusion\" all released in 2004 and achieving number 19, number 22, number 39, number 15 and number 37 in the UK singles chart respectively.\n\nIn 2006 The Zutons released their second album, Tired of Hanging Around. It sold very well and reached number 2 in the UK album chart going Platinum. From this album, they released four singles: \"Why Won't You Give Me Your Love?\", \"Valerie\", \"Oh Stacey (Look What You've Done!)\" and \"It's the Little Things We Do\" all in 2006 achieving number 9, number 9, number 24 and number 47, in the UK singles chart respectively.\n\nIn June 2008, the band released their third studio album, \"You Can Do Anything\" which peaked at number 6 in the UK album chart. They released two singles from the album: \"Always Right Behind You\", which reached number 26 in the UK singles chart, and \"What's Your Problem\", which did not chart.\n\nAlbums\n\nStudio albums\n\nLive albums\n\nSingles\n\nNotes\n\nAlbum appearances\n\nReferences\n\n \nDiscographies of British artists\nRock music group discographies", "What You Need is the tenth studio album by American contemporary R&B singer Stacy Lattisaw, released October 17, 1989 via Motown Records. It did not chart on the Billboard 200, but it peaked at #16 on the Billboard R&B chart. It was also Lattisaw's final album before she retired from the music industry.\n\nFour singles were released from the album: \"What You Need\", \"Where Do We Go from Here\", \"Dance for You\" and \"I Don't Have the Heart\". \"Where Do We Go from Here\" was the most successful single from the album, peaking at #1 on the Billboard R&B singles chart in 1990.\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nNotes\n\nReferences\n\nExternal links\n \n \n\n1989 albums\nStacy Lattisaw albums\nAlbums produced by Timmy Regisford\nMotown albums" ]
[ "3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, \"Kryptonite\", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000.", "The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No.", "The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits \"When I'm Gone\" and \"Here Without You\". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun.", "This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release.", "1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019.", "Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues.", "Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist.", "History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\".", "When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\". Since the band consisted of three people at the time, they added the \"3\" to create \"3 Doors Down\". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05.", "The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi.", "3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of \"Kryptonite\" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment.", "The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: \"Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them.\"", "So we moved to sign them.\" So we moved to sign them.\" Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\".", "It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\". A fourth single, \"Be Like That\" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the \"American Pie 2 Edit\". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks.", "Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release.", "The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including \"When I'm Gone\", \"Here Without You\", and \"The Road I'm On\". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album.", "Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, \"Dangerous Game\", \"Dead Love\", and \"Wasted Me\", but only \"Dangerous Game\" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour.", "The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video \"When I'm Gone\". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States.", "Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song \"That Smell\". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation.", "In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum.", "The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, \"Let Me Go\" and \"Behind Those Eyes\" charted with the most success. \"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles.", "\"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas.", "Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days.", "It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No.", "It debuted at No. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard.", "The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration.", "In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called \"Where My Christmas Lives\", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8.", "It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of \"Where my Christmas Lives\". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011.", "The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, \"Every Time You Go\" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No.", "The album debuted at No. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health.", "On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that \"3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority\". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar.", "Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012.", "After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits.", "During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival.", "The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of \"In the Air Tonight\" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013.", "The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills.", "The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\".", "The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills.", "Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation.", "In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact.", "The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve.", "On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled \"Songs from the Basement\" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI.", "In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016.", "In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017.", "3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was \"proud\" to perform and that he thinks it would be a \"good experience\". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event.", "Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: \"Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs.", "You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar.\" Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\"", "Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\" In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016.", "100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; \"Who knows when we'll follow that one up. But we have been writing new songs.", "But we have been writing new songs. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us.\" In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night.", "In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night.", "In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called \"Shine\", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010.", "30 band in the decade from 2000 to 2010. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: \"When You're Young\" followed by \"Kryptonite\". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh.", "The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life.", "The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised.", "In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town.", "There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi.", "Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF.", "There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others.", "Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia.", "Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists" ]
[ "3 Doors Down", "Continued success: 2005-2010", "What albums were released bewteen 2005-2010?", "the band had sold 12 million albums.", "What were the titles of the albums?", "2005's Seventeen Days,", "What were the singles released from that album?", "\"Let Me Go\" and \"Behind Those Eyes", "Were they number 1 hits?", "I don't know." ]
C_61f7b6bfa43f4590b3b5f6583174f11a_0
What other albums did they release?
5
What other albums did 3 Doors Down release besides 2005's Seventeen Days ?
3 Doors Down
By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER
self-titled fourth album on May 20, 2008.
3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists
true
[ "Marcia: Greatest Hits 1975–1983 is a compilation album released on 22 November 2004. \nIt was released just two months after the release of Hinesight.\n\nThe album contains tracks taken from the albums, Marcia Shines, Shining, Ladies and Gentlemen, Ooh Child, Take it From the Boys and Love Sides.\n\nIn 2020, the album was released digitally with a slightly altered track listing. The first 17 songs are the same, but tracks 18-27 were not on the original release.\n\nTrack listing\n Standard edition\n \"Fire and Rain\" (4:44)\n \"From the Inside\" (3:28)\n \"Trilogy\" (4:20)\n \"Don't Let the Grass Grow\" (2:59)\n \"I Just Don't Know What to Do with Myself\" (3:08)\n \"Shining\" (3:41)\n \"(Until) Your Love Broke Through\" (3:17)\n \"Empty\" (2:35)\n \"A Love Story\" (3:33)\n \"I've Got the Music in Me\" (4:12)\n \"What I Did for Love\" (3:17)\n \"You\" (3:12)\n \"I Don't Know How to Love Him\" (3:48)\n \"Music Is My Life\" (2:08)\n \"Let the Music Play\" (4:29)\n \"Something's Missing (In My Life)\" (4:38)\n \"Where Did We Go Wrong\" (4:04)\n \"Your Love Still Brings Me to My Knees\" (3:33)\n \"What a Bitch Is Love\" (3:50)\n \"Heart Like a Radio\" (3:51)\n\n 2020 Digital Edition\n \"Fire and Rain\" (4:44)\n \"From the Inside\" (3:28)\n \"Trilogy\" (4:20)\n \"Don’t Let the Grass Grow\" (2:59)\n \"I Just Don't Know What to Do with Myself\" (3:08)\n \"Shining\" (3:41)\n \"(Until) Your Love Broke Through\" (3:17)\n \"Empty\" (2:35)\n \"A Love Story\" (3:33)\n \"I've Got the Music In Me\" (4:12)\n \"What I Did for Love\" (3:17)\n \"You\" (3:12)\n \"I Don't Know How to Love Him\" (3:48)\n \"Music Is My Life\" (2:08)\n \"Let the Music Play\" (4:29)\n \"Something's Missing (In My Life)\" (4:38)\n \"Where Did We Go Wrong\" (4:04)\n \"You Gotta Go\" (3:30)\n \"Jumpin' Jack Flash\" (3:18)\n \"Dance You Fool Dance\" (5:19)\n \"Whatever Goes Around\" (2:58)\n \"Signed, Sealed, Delivered, I'm Yours\" (3:30)\n \"In a Mellow Mood\" (2:38)\n \"Believe in Me\" (1:41)\n \"Moments\" (3:27)\n \"You\" (2005 remix) (3:24)\n \"April Sun in Cuba\" (3\"34\n\nWeekly charts\nMarcia: Greatest Hits 1975-1983 debuted at 92 and peaked at 67 on 13 December 2004.\n\nRelease history\n\nReferences\n\nMarcia Hines compilation albums\n2004 greatest hits albums\nAlbums produced by David Mackay (producer)\nSony Music Australia compilation albums", "\"If It Ain't Love\" and Other Great Dallas Frazier Songs is the nineteenth studio album by American country music artist, Connie Smith. The album was released in July 1972 by RCA Records and was produced by Bob Ferguson. The album spawned the album's title track, \"If It Ain't Love (Let's Leave It Alone)\".\n\nBackground \n\"If It Ain't Love\" and Other Great Dallas Frazier Songs consisted of ten tracks written by American country songwriter, Dallas Frazier, who had written many of Smith's past hits, including, \"Just for What I Am\" and \"Ain't Had No Lovin'.\" In addition, he had also written many tracks for Smith's previous albums, including her last 1972 release, Ain't We Havin' Us a Good Time (he had written half of the album's songs). It included a Gospel song written by Frazier, \"Laying on the Hands\"; by 1972, Smith was beginning to incorporate more Gospel music into many of her albums. The release was issued on a 12-inch LP record, with five songs on each side of the record. The album has not been released on a compact disc since its original issue by RCA in July 1972.\n\nOn three of the album's cuts, Frazier joined Smith as a duet partner.\n\nRelease \n\"If It Ain't Love\" and Other Great Dallas Frazier Songs spawned one single. The title track, \"If It Ain't Love (Let's Leave It Alone)\" was released as its only single in July 1972. The song became a Top 10 hit in the United States, as did two other singles released in 1972, \"Just for What I Am\" and \"Love Is the Look You're Looking for.\" As a single, \"If It Ain't Love\" reached a peak of #7 on the Billboard Magazine Hot Country Songs chart and #15 on the Canadian RPM Country Tracks chart. The album itself also did extremely well. Released in July 1972, \"If It Ain't Love\" and Other Great Dallas Frazier Songs peaked at #14 on the Billboard Top Country Albums chart upon its official release.\n\nTrack listing\n\nSales chart positions \nAlbum\n\nSingles\n\nReferences \n\n1972 albums\nConnie Smith albums\nRCA Records albums\nAlbums produced by Bob Ferguson (music)" ]
[ "3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, \"Kryptonite\", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000.", "The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No.", "The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits \"When I'm Gone\" and \"Here Without You\". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun.", "This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release.", "1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019.", "Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues.", "Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist.", "History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\".", "When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\". Since the band consisted of three people at the time, they added the \"3\" to create \"3 Doors Down\". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05.", "The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi.", "3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of \"Kryptonite\" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment.", "The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: \"Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them.\"", "So we moved to sign them.\" So we moved to sign them.\" Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\".", "It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\". A fourth single, \"Be Like That\" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the \"American Pie 2 Edit\". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks.", "Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release.", "The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including \"When I'm Gone\", \"Here Without You\", and \"The Road I'm On\". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album.", "Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, \"Dangerous Game\", \"Dead Love\", and \"Wasted Me\", but only \"Dangerous Game\" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour.", "The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video \"When I'm Gone\". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States.", "Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song \"That Smell\". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation.", "In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum.", "The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, \"Let Me Go\" and \"Behind Those Eyes\" charted with the most success. \"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles.", "\"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas.", "Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days.", "It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No.", "It debuted at No. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard.", "The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration.", "In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called \"Where My Christmas Lives\", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8.", "It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of \"Where my Christmas Lives\". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011.", "The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, \"Every Time You Go\" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No.", "The album debuted at No. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health.", "On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that \"3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority\". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar.", "Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012.", "After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits.", "During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival.", "The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of \"In the Air Tonight\" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013.", "The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills.", "The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\".", "The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills.", "Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation.", "In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact.", "The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve.", "On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled \"Songs from the Basement\" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI.", "In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016.", "In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017.", "3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was \"proud\" to perform and that he thinks it would be a \"good experience\". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event.", "Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: \"Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs.", "You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar.\" Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\"", "Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\" In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016.", "100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; \"Who knows when we'll follow that one up. But we have been writing new songs.", "But we have been writing new songs. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us.\" In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night.", "In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night.", "In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called \"Shine\", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010.", "30 band in the decade from 2000 to 2010. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: \"When You're Young\" followed by \"Kryptonite\". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh.", "The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life.", "The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised.", "In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town.", "There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi.", "Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF.", "There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others.", "Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia.", "Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists" ]
[ "3 Doors Down", "Continued success: 2005-2010", "What albums were released bewteen 2005-2010?", "the band had sold 12 million albums.", "What were the titles of the albums?", "2005's Seventeen Days,", "What were the singles released from that album?", "\"Let Me Go\" and \"Behind Those Eyes", "Were they number 1 hits?", "I don't know.", "What other albums did they release?", "self-titled fourth album on May 20, 2008." ]
C_61f7b6bfa43f4590b3b5f6583174f11a_0
What singles were on that album?
6
What singles were on the self-titled fourth album?
3 Doors Down
By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER
Seventeen Days,
3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists
true
[ "This is a comprehensive listing of official releases by Nick Lachey, an American pop singer. Nick has released four studio albums, eight singles, and four music videos under Motown Records, Universal Records and Jive Records.\n\nLachey's debut album, SoulO, was released on November 11, 2003 reached #51 on the U.S. Billboard 200 chart. Two singles were released: \"Shut Up\" and \"This I Swear\". However, only the latter charted, where it reached #11 on the U.S. Billboard Bubbling Under Hot 100 chart. \n\nHis second album, What's Left of Me, was released on May 9, 2006. It was a bigger success on the Billboard charts, where it reached a number 2 peak. The title track was released as the first single from the album and it became Lachey's first Top 10 single on the Hot 100. The following single, \"I Can't Hate You Anymore\", only reached number 87 on the Hot 100. A third and final single, \"Resolution\" was released, however, it only reached number 77 on the Pop 100 (now the Mainstream Top 40).\n\nIn 2009, two more singles were released. They were intended on being the lead singles for an upcoming third studio album, however, the album has been pushed back several times. It was expected that the album would be released sometime in 2010, however it was revealed in January 2010 that Lachey's label, Jive Records, have put the new album on hold indefinitely.\n\nAlbums\n\nSingles\n\nNotes\n\nReferences\n\nDiscographies of American artists\nPop music discographies\nDiscography", "\"I Can't Believe What You Say (For Seeing What You Do)\" is a song written by Ike Turner. It was originally released by R&B duo Ike & Tina Turner on Kent Records in 1964.\n\nRelease \n\"I Can't Believe What You Say (For Seeing What You Do)\" was written and produced by Ike Turner. It was released as a non-album track on Kent Records in September 1964. The single reached No. 95 on the Billboard Hot 100 and No. 33 on the Record World R&B chart. It was the best-selling R&B record for Kent in 1965. Tina Turner performed the song on Shindig! in August 1965. A different version of the song appeared on Ike & Tina Turner's album Get It – Get It, which was remixed and reissued as Her Man…His Woman in 1971. Ike Turner released another version on the album The Edge in 1980.\n\nCritical reception \nThe single was selected for Cash Box magazine's Pick of the Week.\n\nCash Box (October 10, 1964): \"This Kent outing for Ike & Tina Turner is already stirring up a heap of attention. Tagged I Can’t Believe What You Say, it’s a high-speed handclapping twister that sports a host of ultra-commercial vocal and instrumental sounds. Watch it. Backing's a soul-filled shuflle-rock blueser that Tina wails with loads of feeling.\"\n\nCover versions \n\n 1965: Manfred Mann released a version as the B-side to \"My Little Red Book\" from their album My Little Red Book Of Winners\n 1965: British singer Val McKenna released a rendition on Piccadilly Records in the UK\n 1967: Danish rock group The Defenders released the song as a single on Sonet Records from their album Looking at You\n 1972: Toots and The Maytals released a version on their album Funky Kingston\n 2000: Henning Stærk released the song on his album Hit House\n\nChart performance\n\nReferences \n\n1964 songs\n1964 singles\nIke & Tina Turner songs\nSongs written by Ike Turner\nSong recordings produced by Ike Turner\nKent Records singles\nManfred Mann songs\n1965 singles\n1967 singles\nPiccadilly Records singles" ]
[ "3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, \"Kryptonite\", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000.", "The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No.", "The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits \"When I'm Gone\" and \"Here Without You\". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun.", "This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release.", "1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019.", "Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues.", "Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist.", "History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\".", "When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\". Since the band consisted of three people at the time, they added the \"3\" to create \"3 Doors Down\". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05.", "The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi.", "3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of \"Kryptonite\" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment.", "The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: \"Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them.\"", "So we moved to sign them.\" So we moved to sign them.\" Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\".", "It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\". A fourth single, \"Be Like That\" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the \"American Pie 2 Edit\". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks.", "Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release.", "The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including \"When I'm Gone\", \"Here Without You\", and \"The Road I'm On\". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album.", "Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, \"Dangerous Game\", \"Dead Love\", and \"Wasted Me\", but only \"Dangerous Game\" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour.", "The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video \"When I'm Gone\". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States.", "Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song \"That Smell\". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation.", "In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum.", "The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, \"Let Me Go\" and \"Behind Those Eyes\" charted with the most success. \"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles.", "\"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas.", "Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days.", "It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No.", "It debuted at No. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard.", "The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration.", "In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called \"Where My Christmas Lives\", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8.", "It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of \"Where my Christmas Lives\". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011.", "The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, \"Every Time You Go\" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No.", "The album debuted at No. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health.", "On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that \"3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority\". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar.", "Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012.", "After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits.", "During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival.", "The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of \"In the Air Tonight\" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013.", "The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills.", "The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\".", "The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills.", "Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation.", "In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact.", "The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve.", "On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled \"Songs from the Basement\" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI.", "In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016.", "In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017.", "3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was \"proud\" to perform and that he thinks it would be a \"good experience\". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event.", "Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: \"Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs.", "You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar.\" Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\"", "Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\" In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016.", "100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; \"Who knows when we'll follow that one up. But we have been writing new songs.", "But we have been writing new songs. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us.\" In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night.", "In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night.", "In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called \"Shine\", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010.", "30 band in the decade from 2000 to 2010. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: \"When You're Young\" followed by \"Kryptonite\". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh.", "The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life.", "The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised.", "In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town.", "There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi.", "Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF.", "There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others.", "Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia.", "Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists" ]
[ "3 Doors Down", "Continued success: 2005-2010", "What albums were released bewteen 2005-2010?", "the band had sold 12 million albums.", "What were the titles of the albums?", "2005's Seventeen Days,", "What were the singles released from that album?", "\"Let Me Go\" and \"Behind Those Eyes", "Were they number 1 hits?", "I don't know.", "What other albums did they release?", "self-titled fourth album on May 20, 2008.", "What singles were on that album?", "Seventeen Days," ]
C_61f7b6bfa43f4590b3b5f6583174f11a_0
Wasn't that the name of the 2005 album?
7
Wasn't Seventeen Days the name of the 2005 album?
3 Doors Down
By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. The band recorded in 2009 a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". CANNOTANSWER
Away from the Sun:
3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, "Kryptonite", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits "When I'm Gone" and "Here Without You". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading "Doors Down". Since the band consisted of three people at the time, they added the "3" to create "3 Doors Down". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of "Kryptonite" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: "Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them." Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, "Kryptonite", "Loser", and "Duck and Run". A fourth single, "Be Like That" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the "American Pie 2 Edit". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including "When I'm Gone", "Here Without You", and "The Road I'm On". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, "Dangerous Game", "Dead Love", and "Wasted Me", but only "Dangerous Game" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video "When I'm Gone". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song "That Smell". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual "3 Doors Down and Friends" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, "Let Me Go" and "Behind Those Eyes" charted with the most success. "Live for Today", "Landing in London" (on which Bob Seger sang the second verse and provided back-up vocals), and "Here by Me" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of "It's Not Me" and "Father's Son", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles "It's Not My Time", "Train", "Let Me Be Myself" and "Citizen/Soldier", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song "In the Presence of the Lord" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called "Where My Christmas Lives", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of "Where my Christmas Lives". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released "When You're Young" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, "Every Time You Go" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that "3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the "Gang of Outlaws" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song "One Light" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of "In the Air Tonight" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell "got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled "Songs from the Basement" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was "proud" to perform and that he thinks it would be a "good experience". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: "Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar." Vail continued that the band's choice to perform had a lot to do with their "God, guns, and country black-and-white sort of viewpoint" and that "they spend a lot of time going to Iraq, doing service, playing for the troops." In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; "Who knows when we'll follow that one up. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us." In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called "Shine", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: "When You're Young" followed by "Kryptonite". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists
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[ "\"Wasn't It Good\" is a song by Tina Arena from her 1994 album Don't Ask. Arena co-wrote the song along with Heather Field and Robert Parde, and it was produced by David Tyson. The song peaked at number 11 in Australia and received four nominations at the prestigious ARIA Awards in 1996. Upon release as a single, the title was rendered with an ellipsis (\"Wasn't It Good...\").\n\nArena has performed the song on most tours, including her 2004 Greatest Hits tour and 2012 Australian tour. It is track four on her 2004 Greatest Hits compilation.\n\nMusical and lyrical content\n\"Wasn't It Good\" was composed in the key of G, while the lyrics lament a past friendship that did not turn into a romantic relationship.\n\nTrack listing\nA five-track single was released through Columbia Records; it contained both the single edit and original album version of \"Wasn't It Good\", as well as live versions of three other tracks from Don't Ask.\n\n \"Wasn't It Good\" (single version)\n \"Greatest Gift\" (live)\n \"Love Is the Answer\" (live)\n \"Message\" (live)\n \"Wasn't It Good\" (album version)\n\nChart\n\"Wasn't It Good\" was released on 18 September and debuted at #42 on the ARIA singles chart, eventually peaking at #11 on 19 November 1995.\n\nWeekly charts\n\nYear-end charts\n\nCertification\n\nAward nominations\n\nARIA Awards\nThe ARIA Awards are presented annually from 1987 by the Australian Recording Industry Association (ARIA). \"Wasn't It Good\" was nominated in four categories, including Single of the Year. It did not win any awards.\n\n|-\n| rowspan=\"4\"| 1996 || \"Wasn't It Good\" || Best Female Artist || \n|-\n| \"Wasn't It Good\" || Best Pop Release || \n|-\n| \"Wasn't It Good\" || Single of the Year || \n|-\n| \"Wasn't It Good\" || Song of the Year || \n|-\n\nAPRA Awards\nThe Australasian Performing Right Association have presented the APRA Awards annually from 1982; \"Wasn't It Good\" was nominated in 1996 and won the Song of the Year.\n\n|-\n| 1996 || \"Wasn't It Good\" || Song of the Year || \n|-\n\nReferences\n\n1995 singles\nAPRA Award winners\nTina Arena songs\nColumbia Records singles\nSongs written by Tina Arena\n1994 songs\nPop ballads", "\"It Wasn't Me\" is the first single from Jamaican-American reggae musician Shaggy's fifth studio album, Hot Shot (2000). The song features vocals from Rikrok. The lyrics of the song depict one man (Rikrok) asking his friend (Shaggy) what to do after his girlfriend caught him cheating on her with \"the girl next door\". His friend's advice is to deny everything, despite clear evidence to the contrary, with the phrase \"It wasn't me.\"\n\n\"It Wasn't Me\" was released to contemporary hit radio on 7 November 2000 and has been regarded as Shaggy's breakthrough in the pop market. It is his highest-charting song to date, topping the charts in Australia, Austria, Flanders, France, Ireland, the Netherlands, Poland, the United Kingdom, and the United States. It was the best-selling single of 2001 in the UK, selling over 1.15 million copies that year and over 1.42 million .\n\nBackground\nThe lyrics of \"It Wasn't Me\" depict one man asking his friend what to do after his girlfriend catches him having sex with another woman. His friend's advice is to deny everything, despite clear evidence to the contrary, with the phrase \"It wasn't me.\" Ultimately, the narrator says that the advice \"makes no sense at all\". It is written in the key of C major, in the Mixolydian mode.\n\nThe song was inspired by a bit called \"No Loyal Men,\" performed by Eddie Murphy in his comedy special Raw (1987). In an interview in February 2016, Shaggy acknowledged similarities with the War song \"Smile Happy\". The connection is further supported by Liam Payne's debut single of 2017, \"Strip That Down\", itself based on \"It Wasn't Me\", which credited both Shaggy (as Orville Burrell) and members of War as co-songwriters.\n\nThe clean version of the song replaces the lyric \"Picture this: we were both butt-naked banging on the bathroom floor\" with \"Picture this: we were both caught making love on the bathroom floor\" and \"Saw me banging on the sofa\" with \"Saw me kissing on the sofa\".\n\n\"It Wasn't Me\" was originally never intended to be released as a single. Before the original version of Hot Shot was released in August 2000, Hawaiian DJ Pablo Sato downloaded the album from \"a Napster like MP3 site he won't name\" and discovered that \"It Wasn't Me\" was \"the album's standout cut.\" He played the song on American radio the next day, and in an interview, claimed, \"The phone lines lit up right away. Within a couple of days, it was our number-one requested song.\" The song was released to radio on 7 November 2000, then was given a retail release on 6 February 2001 following its airplay success.\n\nThe song was spoofed by Bob Rivers, as Caught Me One Handed, and makes a reference to the Scooby-Doo character, Shaggy Rogers. The video focused on him being caught masturbating (about the girl next door) by his mother. The song was also spoofed on Svengoolie. On The Chris Moyles Show, the song was used as a prank call with \"Shaggy\" (actually impressionist Jon Culshaw) trying to book a taxi, with the final line being \"Can you drop me off at The Chris Moyles Show on BBC Radio 1?, 97 to 99 FM\".\n\nChart performance\n\"It Wasn't Me\" was Shaggy's first number one hit in the United States. The song reached number two for two weeks from 16 December to 23 December 2000. On 30 December, it was bumped down one position to number three. It moved back up to the number two spot on 4 January 2001. The song peaked at number one for two weeks in February, unseating Destiny's Child's \"Independent Women Part I\".\n\nThe song also reached number one on the UK Singles Chart on 4 March 2001, selling 345,000 copies, making the song a transatlantic chart topper. It also reached number one in Australia on 1 April 2001. It is also the 11th biggest selling single of the 21st century in the United Kingdom, with sales of over 1.42 million as of September 2017.\n\nAs of August 2014, it is the 49th best selling single of the 21st century in France, with 399,500 units sold.\n\nMusic video\nThe music video was directed by Stephen Scott.\n\nIt starts out with Rikrok running to Shaggy's mansion to explain to him what has just happened. Rikrok tells him that he cheated on his girlfriend and got caught. Shaggy tells him to tell her that \"It wasn't me.\" The video then cuts into a flashback to earlier that day. Rikrok has been caught sleeping with another woman, and his girlfriend is outside the apartment in her convertible when two women pull up next to her on their sport bikes.\n\nThen, the three women go into the building. He then sneaks out the window, takes the motorcycle of one of his girlfriends accomplices and leaves. The women come out and the girlfriend and one of the accomplices get in the convertible and the other gets on her motorcycle and they chase after him. From his mansion, Shaggy, using his futuristic technology, tracks down where Rikrok is going and prepares an escape for him. Rikrok then gets on a bridge over the highway when the accomplice rode on the bridge in front of him.\n\nHe then hits the brakes to stop while she stops her motorcycle. Rikrok then hears a noise behind him and it's the other accomplices and the girlfriend driving the convertible on the other side of the bridge with the highway down below. An eighteen-wheeler drives by, and Shaggy leaves Rikrok a text message telling him to look behind and he notices the truck and jumps off the side of overhead and lands on the truck. He is then dropped off at Shaggy's mansion, showing the same scene from the start of the video.\n\nLegacy\nThe lyrics of \"It Wasn't Me\" inspired Slate writer Josh Levin to coin the term the \"Shaggy defense\" to describe R. Kelly's defense at his child pornography trial stemming from the production of a sex tape: \"I predict that in the decades to come, law schools will teach this as the 'Shaggy defense'. You allege that I was caught on camera, butt naked, banging on the log cabin floor? It wasn't me.\"\n\nLevin repeated the term on NPR. The term describes a strategy of flatly denying guilt and refusing to engage with the evidence against the defendant, no matter how overwhelming. R. Kelly was ultimately found not guilty on all charges.\n\nTrack listings\n\n Jamaican 7-inch single\nA. \"It Wasn't Me\"\nB. \"It Wasn't Me\" (club mix)\n\n US 7-inch single\nA. \"It Wasn't Me\" (album version) – 3:48\nB. \"It Wasn't Me\" (vocal club) – 4:10\n\n US CD single\n \"It Wasn't Me\" (album version)\n \"It Wasn't Me\" (Squeaky version)\n \"It Wasn't Me\" (instrumental version)\n \"It Wasn't Me\" (Sports version)\n\n US 12-inch single\nA1. \"It Wasn't Me\" (vocal 12-inch mix) – 3:49\nA2. \"It Wasn't Me\" (vocal 12-inch mix instrumental) – 3:49\nB1. \"It Wasn't Me\" (Punch remix) – 3:54\nB2. \"It Wasn't Me\" (album version) – 3:47\n\n European CD single\n \"It Wasn't Me\" (radio edit) – 3:43\n \"It Wasn't Me\" (vocal 12-inch mix) – 3:49\n\n UK CD single\n \"It Wasn't Me\" (radio edit) – 3:43\n \"It Wasn't Me\" (vocal 12-inch mix) – 3:49\n \"Dance & Shout\" (Pussy 2000 club mix edit) – 8:07\n \"It Wasn't Me\" (enhanced video)\n\n UK 12-inch single\nA1. \"It Wasn't Me\" (radio edit) – 3:43\nA2. \"It Wasn't Me\" (album version) – 3:47\nB1. \"It Wasn't Me\" (12-inch vocal) – 3:49\n\n UK cassette single\n \"It Wasn't Me\" (radio edit) – 3:43\n \"It Wasn't Me\" (album version) – 3:47\n\n Australian CD single\n \"It Wasn't Me\" (radio edit) – 3:43\n \"It Wasn't Me\" (vocal 12-inch mix) – 3:49\n \"It Wasn't Me\" (Crash & Burn remix) – 5:37\n \"Dance & Shout\" (Pussy 2000 club mix edit) – 8:07\n \"Dance & Shout\" (Kulb Kings club mix) – 6:30\n \"It Wasn't Me\" (enhanced video)\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nDecade-end charts\n\nAll-time charts\n\nCertifications\n\nRelease history\n\nSee also\n List of Billboard Hot 100 number-one singles of 2001\n List of best-selling singles and albums of 2001 in Ireland\n List of best-selling singles of the 2000s (decade) in the United Kingdom\n List of best-selling singles of the 2000s (century) in the United Kingdom\n List of million-selling singles in the United Kingdom\n List of 2000s UK Singles Chart number ones\n Shaggy defense\n\nReferences\n\n The Billboard Book of Number One Hits, fifth edition\n\nExternal links\n Everything Is A Remix Shaggy is inspired by Eddie Murphy\n\n2000 singles\n2000 songs\nBillboard Hot 100 number-one singles\nDutch Top 40 number-one singles\nEuropean Hot 100 Singles number-one singles\nIrish Singles Chart number-one singles\nList songs\nMasturbation in fiction\nNumber-one singles in Australia\nNumber-one singles in Poland\nNumber-one singles in Scotland\nSNEP Top Singles number-one singles\nShaggy (musician) songs\nSingle Top 100 number-one singles\nSongs about infidelity\nSongs about sexuality\nSongs composed in C major\nSongs written by Shaggy (musician)\nUK Singles Chart number-one singles\nUltratop 50 Singles (Flanders) number-one singles" ]
[ "3 Doors Down is an American rock band from Escatawpa, Mississippi, formed in 1996. The band originally consisted of Brad Arnold (lead vocals, drums), Matt Roberts (lead guitar, backing vocals) and Todd Harrell (bass guitar). The band rose to international fame with their first single, \"Kryptonite\", which placed in the top three on the Billboard Hot 100 chart. The band then signed with Republic Records and released their debut album, The Better Life, in 2000.", "The band then signed with Republic Records and released their debut album, The Better Life, in 2000. The album was the 11th-best-selling album of the year and was certified 6x platinum in the United States. The group was later joined by drummer Richard Liles, who played during the tour for their first album. The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No.", "The band's second album, Away from the Sun (2002), continued the band's success; it debuted at No. 8 on the Billboard 200 chart, went multi-platinum in the U.S. like its predecessor, and spawned the hits \"When I'm Gone\" and \"Here Without You\". The band toured extensively for two years. Daniel Adair played drums on tour from 2002 to 2006. This configuration played nearly 1,000 shows across the world following the release of Away from the Sun.", "This configuration played nearly 1,000 shows across the world following the release of Away from the Sun. In 2005, Greg Upchurch (Puddle of Mudd) joined to play drums to replace Adair. 3 Doors Down released their third album, Seventeen Days, in 2005. The album debuted at No. 1 on the Billboard 200 chart and was certified platinum within one month of release.", "1 on the Billboard 200 chart and was certified platinum within one month of release. The band continued their success with their next two albums, 3 Doors Down (2008) and Time of My Life (2011), debuting at No. 1 and No. 3 respectively on the Billboard 200 chart. Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019.", "Their latest album, Us and the Night, was released in 2016; they were working on new material for a seventh studio album as of 2019. The band has been primarily described as post-grunge and alternative rock, while occasionally crossing into hard rock, and Southern rock. Their lyrical content contains overarching themes of angst, rebellion, revenge, yearning, and abandonment. 3 Doors Down has sold 30 million copies worldwide. Original guitarist Matt Roberts departed in 2012, owing to health issues.", "Original guitarist Matt Roberts departed in 2012, owing to health issues. He was replaced by Chet Roberts, who was formerly Chris Henderson's guitar tech. Harrell was fired from the band in 2013 after being charged with vehicular homicide, and was replaced by bassist Justin Biltonen. History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist.", "History Formative years: 1996–1998 3 Doors Down initially consisted of Brad Arnold as the lead vocalist and drummer, Matt Roberts as the lead guitarist and backing vocalist, and Todd Harrell as the bass guitarist. The band began to tour outside Escatawpa, Mississippi, eventually coming up with their official name during a trip to Foley, Alabama. When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\".", "When the three were walking through the town, they saw a building where some letters had fallen off its sign, reading \"Doors Down\". Since the band consisted of three people at the time, they added the \"3\" to create \"3 Doors Down\". The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05.", "The cover of their 2011 album Time of My Life hints at the original number of band members (3) and current band members (5); the clock on the album cover reads 3:05. A couple of years after performing together, Todd Harrell asked rhythm guitarist Chris Henderson to join the band in 1998. 3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi.", "3 Doors Down recorded a demo CD of their original songs at Lincoln Recording in Pascagoula, Mississippi. When the band gave the CD to local radio station WCPR-FM, they started playing the EP version of \"Kryptonite\" and it became the No. 1 requested song on the station for over 15 weeks. The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment.", "The station's program director sent the song to manager Phin Daly who in turn showed it to Bill McGathy, his employer at In De Goot Entertainment. The band was booked in New York to perform a showcase at the CBGB music club. Daly told HitQuarters: \"Once they got on stage and started playing it was apparent the magic was in the music. So we moved to sign them.\"", "So we moved to sign them.\" So we moved to sign them.\" Mainstream success: 1999–2004 3 Doors Down's first studio album, The Better Life, was released on February 8, 2000 and went on to become the 11th best-selling album of the year, selling over three million copies. It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\".", "It has since been certified 6x platinum, thanks in large part to the international hit singles, \"Kryptonite\", \"Loser\", and \"Duck and Run\". A fourth single, \"Be Like That\" was re-recorded for the 2001 film American Pie 2, with alternate lyrics for the first three lines; this version is known as the \"American Pie 2 Edit\". Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks.", "Whilst recording the album, Brad Arnold recorded both the vocal and drum tracks. The band hired drummer Richard Liles for the tour in support of The Better Life so that Arnold could perform at the front of the stage. Liles left in late 2001. The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release.", "The band's second studio album, Away from the Sun, was released on November 12, 2002 and went platinum within two months of release. The album also produced singles, including \"When I'm Gone\", \"Here Without You\", and \"The Road I'm On\". The album has sold four million copies worldwide, including well over three million in the U.S. Session drummer Josh Freese was hired to record drums for the album.", "Session drummer Josh Freese was hired to record drums for the album. Rush guitarist Alex Lifeson produced and performed on three tracks for the record, \"Dangerous Game\", \"Dead Love\", and \"Wasted Me\", but only \"Dangerous Game\" would appear on the finished product. The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour.", "The band hired Canadian Daniel Adair to play drums for the Away From the Sun tour. He would go on to record the drums for the band's next studio release, and was with the band aboard the USS George Washington (CVN-73) to film the music video \"When I'm Gone\". In 2003, 3 Doors Down released a live EP entitled Another 700 Miles consisting of recordings from a live performance by the band in Chicago, Illinois. Another 700 Miles has since been certified Gold in the United States.", "Another 700 Miles has since been certified Gold in the United States. In addition to featuring some of 3 Doors Down's hit singles from their previous two albums, the EP also contains a version of the popular 1977 Lynyrd Skynyrd song \"That Smell\". The group toured with Nickelback in 2004. In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation.", "In 2003, the band began hosting the annual \"3 Doors Down and Friends\" benefit concert, through the band's own charity The Better Life Foundation. In 2006, this event was held at the Mobile Convention Center, with proceeds benefiting Hurricane Katrina survivors. As residents of Escatawpa, the members of the band saw the effects of Katrina's devastation. Continued success: 2005–2010 By 2005, the band had sold 12 million albums. The band's third studio album, 2005's Seventeen Days, has been certified platinum.", "The band's third studio album, 2005's Seventeen Days, has been certified platinum. Of the singles from it, \"Let Me Go\" and \"Behind Those Eyes\" charted with the most success. \"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles.", "\"Live for Today\", \"Landing in London\" (on which Bob Seger sang the second verse and provided back-up vocals), and \"Here by Me\" were also released as singles. During the Seventeen Days tour, the band appeared alongside southern rock band Lynyrd Skynyrd, as well as headlining many shows of their own. Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas.", "Later in 2005, the band released a live DVD entitled Away from the Sun: Live from Houston, Texas. The DVD was produced and directed by Academy Award-nominated Alex Gibney and Doug Biro. It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days.", "It features songs from both The Better Life and Away from the Sun, and even some early sketches of \"It's Not Me\" and \"Father's Son\", which were both eventually released on Seventeen Days. Greg Upchurch, formerly of Puddle of Mudd, replaced Daniel Adair in 2005, when Adair left to become drummer and contributing member of Nickelback. 3 Doors Down released their self-titled fourth album on May 20, 2008. It debuted at No.", "It debuted at No. It debuted at No. 1 on the Billboard 200, selling 154,000 copies in its first week. It is the band's second consecutive No. 1 album on the chart after Seventeen Days, as well their fourth album to reach the Top Ten. The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard.", "The album contains the hit singles \"It's Not My Time\", \"Train\", \"Let Me Be Myself\" and \"Citizen/Soldier\", a song written as a tribute to the National Guard. In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration.", "In 2009, 3 Doors Down, along with The Soul Children of Chicago, released the song \"In the Presence of the Lord\" on the compilation album Oh Happy Day: An All-Star Music Celebration. In 2009, the band recorded a Christmas song called \"Where My Christmas Lives\", which was the first Christmas song Brad Arnold had ever written. It was digitally released along with seven acoustic songs on December 8.", "It was digitally released along with seven acoustic songs on December 8. Six of these acoustic tracks were from the previous self-titled album, and one was an acoustic version of \"Where my Christmas Lives\". Line-up changes: 2011–2013 3 Doors Down released their fifth studio album, Time of My Life, on July 19, 2011. The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011.", "The band had earlier released \"When You're Young\" as the first single from the album on January 10, 2011. The single reached a position of 81 on the US Billboard Hot 100. A second single from the album, \"Every Time You Go\" was released to digital outlets on May 23, 2011. The band embarked on a tour in July 2011 across the US, Europe, and the United Kingdom in support of the album. The album debuted at No.", "The album debuted at No. The album debuted at No. 3 on the Billboard 200, with 59,800 copies sold in its first week. Beginning in May 2012, the band embarked on a six-week-long 'Gang of Outlaws Tour' with headliners ZZ Top and opener Gretchen Wilson. On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health.", "On May 23, 2012, Matt Roberts announced he was leaving the band to focus on his health. He told fans in a statement that \"3 Doors Down will always have a special place in my heart and it saddens me to take this time off. But my health has to be my first priority\". Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar.", "Guitarist Chris Henderson announced on Twitter that his old guitar tech Chet Roberts would be taking over from Matt Roberts on lead guitar. After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012.", "After the \"Gang of Outlaws\" tour finished, the band said in an interview that they were entering the studio to record three or four new songs to put on their very first Greatest Hits album, which was released on November 19, 2012. During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits.", "During the tail end of the Gang of Outlaws tour, they debuted a new song \"One Light\" which was included on the band's The Greatest Hits. Guitarist Chris Henderson announced on Twitter they would be back in the studio a few weeks after the tour had ended. In late 2012, the band appeared at several smaller shows including one in Huntington, NY. The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival.", "The band performed at Download Festival 2013 at the Zippo Encore Stage on the Friday of the three-day festival. From the tailend of 2012 through to March 2013, 3 Doors Down went on a joint headlining tour with US rock band Daughtry to promote Daughtry's 3rd studio album release. The cover of \"In the Air Tonight\" was captured and uploaded to Daughtry's official YouTube channel. The band also played the Dubai Jazz Festival in February 2013.", "The band also played the Dubai Jazz Festival in February 2013. On April 20, 2013, bassist Todd Harrell was charged with vehicular homicide for his actions the night before in Nashville, Tennessee. He was reportedly driving on I-40 at a high speed while under the influence of prescription medication when he caused an accident that killed 47-year-old Paul Howard Shoulders, Jr. The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills.", "The judge in the case harshly criticized the musician's doctor in the courtroom, accusing the physician of prescribing Harrell far too many pain pills. The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\".", "The judge stated that Harrell \"got 360 Oxycodone and 60 Oxycontin pills from his doctor in less than 30 days, which is well outside the amount that is usually prescribed in the due course of medical treatment\". Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills.", "Harrell was also charged with bringing a controlled substance into a correctional detention facility after it was discovered during the booking process at Nashville's Metro Jail that Harrell had a plastic bag hidden in his sock that contained eight Xanax pills, twenty four Oxycodone pills, and four Oxymorphone pills. Harrell's court and trial dates have been repeatedly postponed by Harrell's attorneys for various reasons, including a rehab stay. In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation.", "In December 2015, Harrell was sentenced to two years imprisonment followed by six years of probation. 3 Doors Down later announced that the four scheduled shows in the U.S. for April and May had been cancelled out of respect for Shoulders and his family. The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact.", "The European tour with Prime Circle and the summer tour dates with Daughtry, which had been announced the day after the incident in Nashville, remained intact. On May 24, a week before the start on the European tour, Justin Biltonen, formerly of The Campaign 1984, was announced as the band's new bassist. The tour, starting in Moscow, Russia began on May 31, 2013. On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve.", "On July 20, 2013, they played live at the 2013 National Scout Jamboree at the Summit Bechtel Reserve. Us and the Night and death of Matt Roberts: 2014–2018 In January 2014, Chris Henderson stated that their new album would be released sometime in the year. From the end of 2013 into 2014, the band embarked on an acoustic tour entitled \"Songs from the Basement\" and toured around the US. In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI.", "In February 2014, Todd Harrell was arrested in Mississippi once again for a DUI. Afterward, the band released a statement that Harrell was permanently out of the band, and that they would continue with Justin Biltonen as his replacement. In June, Henderson announced that the new album would be titled Us and the Night. It was originally set to be released between September and November 2015. In January 2016, the album's release date was finally revealed to be March 11, 2016.", "In January 2016, the album's release date was finally revealed to be March 11, 2016. The band then went on tour around North America and in festivals such as Fort rock and Carolina Rebellion. 3 Doors Down toured the UK and Europe with multiple sold-out shows. Former guitarist Matt Roberts died on August 20, 2016 at the age of 38 from a prescription drug overdose. 3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017.", "3 Doors Down performed at the presidential inauguration concert of U.S. President-elect Donald Trump on January 20, 2017. Arnold told TMZ that he was \"proud\" to perform and that he thinks it would be a \"good experience\". Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event.", "Fans of the band expressed mixed to negative feedback about it performing at the inauguration; the band received criticism and ridicule for playing at the event. 3 Doors Down's business manager, Angus Vail, explained to Vice the reasons behind the band's decision to perform by saying: \"Well, 3 Doors actually played George W. Bush's inauguration. They are good Mississippi and Alabama boys — they come from conservative families. You know, they're really good guys, but they have very different political beliefs.", "You know, they're really good guys, but they have very different political beliefs. Because they played both Bush's inaugurations, they've obviously been on the conservative radar.\" Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\"", "Vail continued that the band's choice to perform had a lot to do with their \"God, guns, and country black-and-white sort of viewpoint\" and that \"they spend a lot of time going to Iraq, doing service, playing for the troops.\" In the week following the performance, the band's The Greatest Hits album reentered the Billboard 200 at a new peak of No. 94; the album had debuted and peaked at No. 100 in 2012 and had been off the chart since April 2016.", "100 in 2012 and had been off the chart since April 2016. In 2018, 3 Doors Down embarked on the Rock n' Roll Express tour along with Collective Soul and opening act Soul Asylum. The tour had shows in 36 cities in the United States. Upcoming seventh studio album: 2018–present In July 2018, Brad Arnold stated that 3 Doors Down had been writing new material; \"Who knows when we'll follow that one up. But we have been writing new songs.", "But we have been writing new songs. But we have been writing new songs. Maybe we'll release a single or a couple of new songs. We just might not release an album for a while. We still love creating new material — there's just not a market for it. But fans still like going out and seeing us.\" In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night.", "In August 2019, Arnold stated that the band would soon begin working on a follow-up to Us and the Night. In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night.", "In July 2020, 3 Doors Down announced that they would be releasing a new single, which would have been the band's first new release since their 2016 album Us and the Night. Other appearances On February 9, 2010, the band released a song called \"Shine\", through digital media such as iTunes, which was used as a promotion for the 2010 Winter Olympics and is available through digital outlets. Billboard listed 3 Doors Down as the No. 30 band in the decade from 2000 to 2010.", "30 band in the decade from 2000 to 2010. 30 band in the decade from 2000 to 2010. On January 30, 2011, 3 Doors Down played during the 1st period intermission of the 2011 NHL All-Star Game in Raleigh, North Carolina. They played two songs: \"When You're Young\" followed by \"Kryptonite\". The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh.", "The band also held a free concert as part of the weekend festivities on January 28, 2011 in downtown Raleigh. On June 28–29, 2014, 3 Doors Down played both days at Kadena Air Base, Okinawa, Japan. They played all of their greatest hits and two new songs. This was at the Americafest celebration. The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life.", "The Better Life Foundation 3 Doors Down started The Better Life Foundation (TBLF) in 2003, with a goal in mind to give as many children as possible a better life. Since its inception TBLF has supported numerous charities across the US, including the Center for the Prevention of Child Abuse, and the Habitat for Humanity, as well as providing aid and assistance to the Gulf Coast region of Mississippi during Hurricane Katrina. In 2006, Brad Arnold stated that approximately $900,000 had been raised.", "In 2006, Brad Arnold stated that approximately $900,000 had been raised. When the Mississippi town of Waveland took an especially hard hit from Hurricane Katrina, the charity was able to purchase three police cars and a fire truck to help with rescue efforts. Also, in connection with Wal-Mart, they were able to supply the town with three semi-trucks full of rescue supplies. There was also extensive support from TBLF in providing funding for rebuilding efforts in the town.", "There was also extensive support from TBLF in providing funding for rebuilding efforts in the town. 3 Doors Down and The Better Life Foundation host a yearly show to raise money for the charity. Beginning in 2010, the show is performed at Horseshoe Hotel and Casino, in Tunica, Mississippi. Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi.", "Prior to 2010, the show was performed at the Hard Rock Hotel and Casino in Biloxi, Mississippi. In addition to a concert from 3 Doors Down and friends, there is also an auction, which includes numerous items from musical friends, sports icons, and other various supporters of the band and the charity. There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF.", "There is an average of sixty items auctioned off yearly, and proceeds are given to TBLF. As of 2016, The Better Life Foundation annual benefit concert has been held at Harrah's Cherokee Casino Resort in Cherokee, North Carolina. Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others.", "Past performers at the show include Lynyrd Skynyrd, Shinedown, Alter Bridge, Staind, Hinder, Switchfoot, Tracy Lawrence, Sara Evans, and others. Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia.", "Past auction items include a Paul Stanley guitar played on the KISS Farewell Tour, a total of four Roger Bourget motorcycles, access to the Dale Jr. racing suite, NASCAR artwork by Brad Daley, numerous signed guitars, and sports memorabilia. Band members Current members Brad Arnold – lead vocals (1996–present), drums (1996–2000) Chris Henderson – rhythm and lead guitar (1998–present) Greg Upchurch – drums (2005–present) Chet Roberts – lead and rhythm guitar, backing vocals (2012–present) Justin Biltonen – bass (2013–present) Former members Matt Roberts – lead guitar, backing vocals (1996–2012; died 2016) Todd Harrell – bass (1996–2013) Richard Liles – drums (2000–2002) Daniel Adair – drums, backing vocals (2002–2005) Timeline Discography Studio albums The Better Life (2000) Away from the Sun (2002) Seventeen Days (2005) 3 Doors Down (2008) Time of My Life (2011) Us and the Night (2016) Accolades References External links The Better Life Foundation Chet Roberts Interview NAMM Oral History Library (2019) Articles which contain graphical timelines Alternative rock groups from Mississippi American hard rock musical groups American post-grunge musical groups Musical groups established in 1996 Musical quintets Republic Records artists Universal Records artists" ]
[ "Zhang Heng", "Science and technology" ]
C_b200a4798a7349ff8822b7bcf5addda2_0
what did he have to do with science and technology?
1
What did Zhang Heng have to do with science and technology?
Zhang Heng
Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696-1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83-161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. CANNOTANSWER
Zhang Heng's mechanical inventions influenced later Chinese inventors
Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled "Fu on the Hot Springs" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the "Huaqing Hot Springs", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title "Officer of Merit in Nanyang", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title "Filial and Incorrupt" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called "Fu on Pondering the Mystery", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem "Li Sao" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, "Great Mystery") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include "Western Metropolis Rhapsody" (Xī jīng fù ), "Eastern Metropolis Rhapsody" (Dōng jīng fù ), "Southern Capital Rhapsody" (Nán dū fù ), "Rhapsody on Contemplating the Mystery" (Sī xuán fù ), and "Rhapsody on Returning to the Fields" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled "Lyric Poems on Four Sorrows" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his "Western Metropolis Rhapsody" and "Eastern Metropolis Rhapsody", which were based on the "Rhapsody on the Two Capitals" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's "Southern Capital Rhapsody" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem "Four Sorrows", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line. His "Four Sorrows" reads: In another poem of his called "Stabilizing the Passions" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody "Sir Based-On-Nothing" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem "Xijing fu", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his "Western Metropolis Rhapsody" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his "Responding to Criticism" (Ying jian ), a work modeled on Yang Xiong's "Justification Against Ridicule", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been "anxious to know whether this famous scholar could be lured over to their side", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. "Sublime Model"), Zhang Heng theorized that the universe was like an egg "as round as a crossbow pellet" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a "brightly shining" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the "radiating influence" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a "jade dragon's neck", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the "oracles of the winds". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named "earthquake weathervane" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, "instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described." Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's "central pillar" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: "Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops." Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative "Guitian fu" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, "li-recording drum carriage" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the "huang men"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal "drum-chariot". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems "Dongjing fu" and "Xijing fu". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its "curbing extravagant diction and aiming at simplicity", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong "avoided inflated language, aiming chiefly at simplicity", and adding that their "compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, "Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, "[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods." The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: "Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). "Zhang Heng 张衡", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990). "The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers
true
[ "is a Japanese chemist specializing in nanotechnology and self-assembly. He was educated at the Tokyo Institute of Technology, where he defended his PhD in 1990 and later worked as assistant professor. Since 2004 he carries out research at the National Institute for Materials Science, and teaches at the University of Tokyo, where he is a full professor. Ariga is a Fellow of the Royal Society of Chemistry (2013) and an editor of the journal Science and Technology of Advanced Materials.\n\nSelected publications\nAccording to the Web of Science Ariga published five articles with more than 600 citations each:\n\nReferences\n\nExternal links\n\n Brief Conversations with Katsuhiko Ariga on YouTube: \n What is nanoarchitectonics? \n What makes a good paper? \n Direction of nanoscience in the coming years \n What do you find exciting in materials science research?\n\n1962 births\nFellows of the Royal Society of Chemistry\nJapanese chemists\nLiving people\nTokyo Institute of Technology alumni\nTokyo Institute of Technology faculty\nUniversity of Tokyo faculty", "The DO-IT (Disabilities, Opportunities, Internetworking, and Technology) Center is based at the University of Washington (UW) in Seattle, Washington. Founded in 1992, DO-IT’s mission is to increase the successful participation of people with disabilities in postsecondary education and careers, in STEM (science, technology, engineering, mathematics) fields and careers, and in computing fields and careers throughout the U.S. It directs the national AccessSTEM program, and co-directs the national AccessComputing Alliance focused on engaging people with disabilities in computing fields.\n\nThe Center is a unit of Accessible Technology Services of UW-IT at the University of Washington, a collaboration between the College of Engineering, the College of Education and UW-IT. Primary funding for DO-IT and its projects is provided by the National Science Foundation, the State of Washington, and the U.S. Department of Education.\nIt promotes accessibility and universal design in learning environments and instruction, including Web accessibility, through the online Center for Universal Design in Education (CUDE) and by creating, collecting and distributing publications, training materials, and tutorials for use by educators and faculty throughout the U.S.\n\nThe Center works with international institutions and organizations to adapt its practices and programs for international application. For example, the DO-IT Scholars Program has been replicated in Japan as DO-IT Japan, a summer program hosted by the University of Tokyo. South Korea, through the leadership of Seoul National University and Korea Nazarene University, also hosts a similar summer study program in collaboration with the DO-IT Center.\n\nHistory\n\nThe DO-IT Center was founded at the University of Washington in 1992 by Dr. Sheryl Burgstahler with a grant from the National Science Foundation (NSF). Since its inception, DO-IT's mission has been to increase the successful participation of people with disabilities in postsecondary education and careers at local, regional, national (within the United States) and international levels.\n\nIn 1992, with funding from NSF, DO-IT launched the first DO-IT Scholars Program. In 1999, the U.S. Department of Education Office of Postsecondary Education (OPE) funded the DO-IT Prof project, which created professional development materials and trained faculty and academic administrators in the U.S. to more fully include students with disabilities in their courses. In 2005, OPE and the NSF funded DO-IT’s AccessCollege project. AccessCollege staff worked with a team of faculty and administrators representing twenty-three two- and four-year institutions in the U.S.; the project included creation of the web-based Center for Universal Design in Education (CUDE), publication of the book Universal Design in Higher Education: From Principles to Practice, and the training manual Building Capacity for a Welcoming and Accessible Postsecondary Institution.\n\nPrograms \nIn 2006, with funding from the NSF, the DO-IT Center partnered with University of Washington's Department of Computer Science and Engineering to launch the AccessComputing Alliance, a nationwide program to increase the participation of people with disabilities in computing fields. In 2006, AccessComputing partners included Gallaudet University in Washington, D.C., Microsoft, the NSF Regional Alliances for Persons with Disabilities in Science, Technology, Engineering and Mathematics (hosted by the University of Southern Maine, New Mexico State University and University of Washington), and American Computing Machinery’s Special Interest Group on Accessible Computing. As of 2013, 32 postsecondary institutions and organizations are partnered with AccessComputing.\nThe program provides summer research programs and internships open to all U.S. students.\n\nThe DO-IT Center's programs are centered on the concept of identifying the \"critical junctures\" students with disabilities face on their path to postsecondary education and careers, and providing resources, projects and programs to help students successfully navigate these critical junctures (e.g., projects to develop STEM interests in students with disabilities at the \"critical juncture\" between high school and the transition to a four- or two-year postsecondary institution). DO-IT programs for students include AccessComputing, AccessSTEM, the DO-IT Scholars Program (for Washington State students), postsecondary preparation activities, and work-based experiences and internships.\n\nPrograms for Students with Disabilities \n\nThe Center serves students with a wide range of disabilities, including (but not limited to):\n\n visual disabilities - blindness, low vision, and color blindness\n physical disabilities \n cognitive disabilities\n learning disabilities\n deafness and hearing impairments\n traumatic brain injury\n mental disorders.\n\nThe DO-IT Center runs a number of programs for students with disabilities. These programs include the nationwide AccessComputing program, the nationwide AccessSTEM program, the DO-IT Scholars Program for Washington State residents, activities with mentors, work-based learning experiences, and internships.\n\nThe DO-IT Center describes its programs as helping students with disabilities:\n\n move through \"critical junctures\" on their path to postsecondary degrees and careers\n develop self-determination, self-advocacy, and postsecondary education work-readiness skills\n learn to select and use assistive technology, applications software, and Internet resources\n network with peers and adult mentors \n gain requisite knowledge to enter and succeed in postsecondary education.\n\nThe DO-IT Center website provides online resources for students with disabilities and their parents, educators, employers, and technology specialists. These resources include the DO-IT Knowledge Base, a searchable, comprehensive online database of articles, case studies and promising practices related to accessibility of technology, postsecondary education, graduate school, and careers. Other DO-IT resources include information about assistive technology, financial aid, and resources for veterans.\n\nCenter for Universal Design in Education (CUDE)\n\nThe online Center for Universal Design in Education (CUDE), directed by DO-IT and established in 2005, develops and collects web-based resources to help U.S. and international educators apply universal design to all aspects of education, including applying principles of Universal Design for Instruction and Universal Design for Learning to instruction, and applying universal design to student services, information technology, and physical spaces.\n\nCUDE is funded by grants from the U.S. Department of Education and the National Science Foundation.\n\nDO-IT Resources for Educators & Faculty\n\nThe DO-IT Center provides extensive information, resources, training materials, and tutorials to educators, faculty, and others interested in accessibility and increasing the participation of students with disabilities in postsecondary education. Articles, training materials, and tutorials address a wide range of accessibility issues, including:\n\n Universal design\n Universal design of instruction\n Accessibility \n Assistive Technology\n Accessible Web design\n Accessibility in Distance Learning\n Accessibility in STEM curricula, classes, labs, and careers\n Accommodation strategies \n Multi-modal methods for presenting classroom material\n Variety of learning styles (e.g. auditory, visual, kinesthetic, experiential, or a combination of styles)\n Evidence-based practices for increasing the participation of students with disabilities.\n\nImpact\n\nThe DO-IT Center's AccessSTEM/AccessComputing/DO-IT Longitudinal Transition Study (ALTS) reports positive outcomes for students with disabilities who participate in DO-IT programs, including greater-than-the-national-average participation in STEM fields. DO-IT ALTS participants had a 100% high school completion rate compared to the 70% high school completion rate for youths with disabilities reported by the National Longitudinal Transition Study-2 (NLTS2).\n\nSince 1992, the Center's programs for educators and faculty, which include DO-IT Prof, DO-IT Admin, and AccessCollege, have:\n provided more than 1,000 training sessions to over 25,000 faculty, administrators, and teaching assistants in the U.S. to help them apply universal design to instruction and accommodate students with disabilities\n distributed more than 400,000 publications and videos related to universal design for instruction and accommodating students with disabilities\n reported an increase in grades for students with disabilities in courses taught by faculty trained under the AccessCollege program, in comparison to both students with disabilities taught by the same faculty before training and students with disabilities in similar courses taught by untrained faculty.\n \nThe AccessComputing program supports training, experiential learning, and other computing and information technology (IT)-related activities for students with disabilities throughout the U.S. From 2006 - 2013, DO-IT awarded 63 AccessComputing minigrants. Examples of AccessComputing minigrants include providing funding for:\n\n the purchase of educational software and adaptive technology products for Auburn University's Computer Literacy Academy for Children\n accessibility training and awareness events and conferences at University of Wisconsin-Madison\n research activities and workshops at the Landmark College Institute for Research and Training (LCIRT) at Landmark College\n an additional orientation program for incoming freshman with disabilities at the University of Minnesota, Duluth (UMD) in 2006 and the 2011 Gearing Up for Success Pre-orientation at the Rochester Institute of Technology (RIT) for first year students with Autism Spectrum Disorders \n the 2009 Expanding Access to Computing: Teaching & Design for All Abilities event, led by the Commonwealth Alliance for Information Technology Education (CAITE) and held in conjunction with the Massachusetts STEM Summit.\n\nAwards\n\nAwards for the DO-IT Center include:\n\n 1995 National Information Infrastructure Award in Education\n 1997 Presidential Award for Excellence in Science, Mathematics, and Engineering Mentoring\n 1999 KCTS 9 Golden Apple Award for excellence in education\n 2001 AHEAD (Association of Higher Education and Disability) Recognition Award for outstanding work for students with disabilities\n 2007 Robert Greenberg Innovation Award for Career Opportunities for Students with Disabilities\n 2011 Hakuho Award for Outstanding Educators and Organizations and the Incentive Award of the Minister of Education, Culture, Sports, Science and Technology (Japan) - presented concurrently with DO-IT Japan\n\nReferences\n\nExternal links\n DO-IT Center website\n\nDisability organizations based in the United States\nEducational psychology organizations\nEducational technology research centers\nApplied learning\nEducational organizations based in the United States\nSpecial education" ]
[ "Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang.", "Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian.", "His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139.", "He died there a year later, in 139. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi.", "He improved previous Chinese calculations for pi. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers.", "His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family.", "Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23).", "His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang.", "An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it.", "While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty.", "This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163).", "After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined.", "Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title \"Officer of Merit in Nanyang\", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents.", "As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e.", "When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics.", "Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132.", "He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies.", "As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles.", "In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments.", "Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors.", "He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng.", "The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's.", "However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian.", "Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk).", "His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han.", "To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake.", "In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province.", "As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven.", "A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty.", "In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen.", "The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor.", "With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration.", "The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem \"Li Sao\" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion.", "Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him.", "Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories.", "His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, \"Great Mystery\") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ).", "Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ).", "Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi.", "The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled \"Lyric Poems on Four Sorrows\" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written.", "This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu.", "While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity.", "Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu.", "Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem \"Four Sorrows\", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men.", "Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line.", "This poem is one of the first in China to have seven words per line. His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman.", "His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192).", "This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital.", "His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger.", "Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft).", "Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China.", "Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake.", "Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization.", "The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception.", "In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks.", "In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse.", "With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life.", "Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power.", "He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan.", "In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power.", "Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls.", "Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang.", "Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure.", "In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724.", "In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32.", "In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio.", "In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5.", "With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159.", "In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit.", "Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. \"Sublime Model\"), Zhang Heng theorized that the universe was like an egg \"as round as a crossbow pellet\" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model.", "This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations.", "Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000.", "In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the \"radiating influence\" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well.", "In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies.", "Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too.", "Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345).", "307–345). 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC).", "1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled.", "The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel.", "Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right.", "Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours.", "Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng.", "Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon.", "Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC.", "The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings.", "In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD.", "It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China?", "The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125.", "The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft.", "Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century.", "Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao.", "Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron.", "Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole.", "Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator.", "The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes.", "Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar.", "The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl.", "His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others.", "10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an.", "Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully.", "In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes.", "Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers.", "It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty.", "It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram.", "These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c.", "Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays.", "525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\".", "During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope.", "In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from.", "It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster.", "This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device.", "The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose.", "To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery.", "His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum.", "His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope.", "Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope.", "By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found.", "This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\"", "Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\" Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records.", "Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum.", "In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device.", "According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's \"central pillar\" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position.", "He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument.", "On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself.", "Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: \"Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\"", "Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\" Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986.", "However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well.", "Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng.", "Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map.", "Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu).", "Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu.", "It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period.", "Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, \"li-recording drum carriage\" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm.", "Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the \"huang men\"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.)", "eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal \"drum-chariot\". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb.", "This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot.", "It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved.", "The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing.", "Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe.", "The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology.", "The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to \"make three wheels rotate as if they were one.\" More than one scholar has described Zhang as a polymath.", "More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory.", "An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is.", "Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory.", "He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories.", "Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death.", "Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems \"Dongjing fu\" and \"Xijing fu\". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet.", "The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\".", "Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works.", "The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world.", "Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\"", "When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth.", "Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods.\" The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb.", "The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\"", "It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite.", "Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte.", "Han. Singapore: Asiapac Books Pte. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael.", "Leiden: Koninklijke Brill NV. Dillon, Michael. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). \"Zhang Heng 张衡\", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History.", ". Huang, Ray (1997). China: A Macro History. China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China.", "The Construction of Space in Early China. The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990).", "Putnam's Sons. Loewe, Michael. (1990). (1990). \"The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan\", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. .", "Indianapolis: Hacket Publishing Company, Inc. . Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations.", "Classical Chinese literature: an anthology of translations. Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965).", "reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986).", "Ma, and Stephen H. West. (1986). (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B.", "London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature.", "Wen Xuan, Or, Selections of Refined Literature. Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. .", "Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers" ]
[ "Zhang Heng", "Science and technology", "what did he have to do with science and technology?", "Zhang Heng's mechanical inventions influenced later Chinese inventors" ]
C_b200a4798a7349ff8822b7bcf5addda2_0
what did it influence them to do?
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What did Zhang Heng's mechanical inventions influence Chinese inventors to do?
Zhang Heng
Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696-1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83-161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. CANNOTANSWER
Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower.
Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled "Fu on the Hot Springs" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the "Huaqing Hot Springs", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title "Officer of Merit in Nanyang", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title "Filial and Incorrupt" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called "Fu on Pondering the Mystery", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem "Li Sao" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, "Great Mystery") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include "Western Metropolis Rhapsody" (Xī jīng fù ), "Eastern Metropolis Rhapsody" (Dōng jīng fù ), "Southern Capital Rhapsody" (Nán dū fù ), "Rhapsody on Contemplating the Mystery" (Sī xuán fù ), and "Rhapsody on Returning to the Fields" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled "Lyric Poems on Four Sorrows" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his "Western Metropolis Rhapsody" and "Eastern Metropolis Rhapsody", which were based on the "Rhapsody on the Two Capitals" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's "Southern Capital Rhapsody" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem "Four Sorrows", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line. His "Four Sorrows" reads: In another poem of his called "Stabilizing the Passions" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody "Sir Based-On-Nothing" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem "Xijing fu", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his "Western Metropolis Rhapsody" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his "Responding to Criticism" (Ying jian ), a work modeled on Yang Xiong's "Justification Against Ridicule", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been "anxious to know whether this famous scholar could be lured over to their side", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. "Sublime Model"), Zhang Heng theorized that the universe was like an egg "as round as a crossbow pellet" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a "brightly shining" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the "radiating influence" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a "jade dragon's neck", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the "oracles of the winds". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named "earthquake weathervane" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, "instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described." Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's "central pillar" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: "Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops." Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative "Guitian fu" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, "li-recording drum carriage" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the "huang men"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal "drum-chariot". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems "Dongjing fu" and "Xijing fu". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its "curbing extravagant diction and aiming at simplicity", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong "avoided inflated language, aiming chiefly at simplicity", and adding that their "compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, "Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, "[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods." The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: "Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). "Zhang Heng 张衡", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990). "The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers
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[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "\n\nTrack listing\n Opening Overture\n \"I Get a Kick Out of You\" (Cole Porter)\n \"You Are the Sunshine of My Life\" (Stevie Wonder)\n \"You Will Be My Music\" (Joe Raposo)\n \"Don't Worry 'bout Me\" (Ted Koehler, Rube Bloom)\n \"If\" (David Gates)\n \"Bad, Bad Leroy Brown\" (Jim Croce)\n \"Ol' Man River\" (Jerome Kern, Oscar Hammerstein II)\n Famous Monologue\n Saloon Trilogy: \"Last Night When We Were Young\"/\"Violets for Your Furs\"/\"Here's That Rainy Day\" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)\n \"I've Got You Under My Skin\" (Porter)\n \"My Kind of Town\" (Sammy Cahn, Van Heusen)\n \"Let Me Try Again\" (Paul Anka, Cahn, Michel Jourdan)\n \"The Lady Is a Tramp\" (Richard Rodgers, Lorenz Hart)\n \"My Way\" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)\n\nFrank Sinatra's Monologue About the Australian Press\nI do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.\n\nSo we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.\n\nNow, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, \"To hell with them.\" It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, \"What do you mean, you won't stand still when I take your picture?\" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...\n\nSee also\nConcerts of Frank Sinatra\n\nFrank Sinatra" ]
[ "Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang.", "Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian.", "His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139.", "He died there a year later, in 139. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi.", "He improved previous Chinese calculations for pi. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers.", "His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family.", "Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23).", "His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang.", "An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it.", "While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty.", "This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163).", "After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined.", "Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title \"Officer of Merit in Nanyang\", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents.", "As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e.", "When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics.", "Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132.", "He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies.", "As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles.", "In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments.", "Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors.", "He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng.", "The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's.", "However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian.", "Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk).", "His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han.", "To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake.", "In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province.", "As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven.", "A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty.", "In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen.", "The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor.", "With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration.", "The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem \"Li Sao\" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion.", "Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him.", "Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories.", "His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, \"Great Mystery\") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ).", "Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ).", "Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi.", "The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled \"Lyric Poems on Four Sorrows\" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written.", "This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu.", "While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity.", "Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu.", "Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem \"Four Sorrows\", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men.", "Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line.", "This poem is one of the first in China to have seven words per line. His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman.", "His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192).", "This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital.", "His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger.", "Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft).", "Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China.", "Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake.", "Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization.", "The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception.", "In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks.", "In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse.", "With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life.", "Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power.", "He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan.", "In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power.", "Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls.", "Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang.", "Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure.", "In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724.", "In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32.", "In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio.", "In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5.", "With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159.", "In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit.", "Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. \"Sublime Model\"), Zhang Heng theorized that the universe was like an egg \"as round as a crossbow pellet\" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model.", "This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations.", "Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000.", "In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the \"radiating influence\" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well.", "In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies.", "Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too.", "Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345).", "307–345). 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC).", "1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled.", "The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel.", "Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right.", "Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours.", "Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng.", "Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon.", "Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC.", "The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings.", "In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD.", "It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China?", "The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125.", "The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft.", "Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century.", "Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao.", "Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron.", "Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole.", "Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator.", "The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes.", "Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar.", "The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl.", "His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others.", "10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an.", "Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully.", "In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes.", "Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers.", "It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty.", "It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram.", "These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c.", "Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays.", "525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\".", "During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope.", "In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from.", "It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster.", "This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device.", "The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose.", "To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery.", "His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum.", "His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope.", "Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope.", "By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found.", "This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\"", "Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\" Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records.", "Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum.", "In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device.", "According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's \"central pillar\" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position.", "He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument.", "On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself.", "Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: \"Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\"", "Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\" Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986.", "However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well.", "Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng.", "Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map.", "Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu).", "Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu.", "It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period.", "Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, \"li-recording drum carriage\" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm.", "Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the \"huang men\"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.)", "eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal \"drum-chariot\". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb.", "This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot.", "It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved.", "The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing.", "Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe.", "The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology.", "The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to \"make three wheels rotate as if they were one.\" More than one scholar has described Zhang as a polymath.", "More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory.", "An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is.", "Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory.", "He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories.", "Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death.", "Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems \"Dongjing fu\" and \"Xijing fu\". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet.", "The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\".", "Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works.", "The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world.", "Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\"", "When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth.", "Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods.\" The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb.", "The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\"", "It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite.", "Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte.", "Han. Singapore: Asiapac Books Pte. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael.", "Leiden: Koninklijke Brill NV. Dillon, Michael. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). \"Zhang Heng 张衡\", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History.", ". Huang, Ray (1997). China: A Macro History. China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China.", "The Construction of Space in Early China. The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990).", "Putnam's Sons. Loewe, Michael. (1990). (1990). \"The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan\", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. .", "Indianapolis: Hacket Publishing Company, Inc. . Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations.", "Classical Chinese literature: an anthology of translations. Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965).", "reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986).", "Ma, and Stephen H. West. (1986). (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B.", "London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature.", "Wen Xuan, Or, Selections of Refined Literature. Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. .", "Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers" ]
[ "Zhang Heng", "Science and technology", "what did he have to do with science and technology?", "Zhang Heng's mechanical inventions influenced later Chinese inventors", "what did it influence them to do?", "Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower." ]
C_b200a4798a7349ff8822b7bcf5addda2_0
what was his biggest accomplishment?
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What was Zhang Heng biggest accomplishment?
Zhang Heng
Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696-1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83-161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. CANNOTANSWER
Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory.
Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled "Fu on the Hot Springs" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the "Huaqing Hot Springs", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title "Officer of Merit in Nanyang", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title "Filial and Incorrupt" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called "Fu on Pondering the Mystery", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem "Li Sao" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, "Great Mystery") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include "Western Metropolis Rhapsody" (Xī jīng fù ), "Eastern Metropolis Rhapsody" (Dōng jīng fù ), "Southern Capital Rhapsody" (Nán dū fù ), "Rhapsody on Contemplating the Mystery" (Sī xuán fù ), and "Rhapsody on Returning to the Fields" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled "Lyric Poems on Four Sorrows" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his "Western Metropolis Rhapsody" and "Eastern Metropolis Rhapsody", which were based on the "Rhapsody on the Two Capitals" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's "Southern Capital Rhapsody" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem "Four Sorrows", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line. His "Four Sorrows" reads: In another poem of his called "Stabilizing the Passions" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody "Sir Based-On-Nothing" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem "Xijing fu", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his "Western Metropolis Rhapsody" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his "Responding to Criticism" (Ying jian ), a work modeled on Yang Xiong's "Justification Against Ridicule", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been "anxious to know whether this famous scholar could be lured over to their side", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. "Sublime Model"), Zhang Heng theorized that the universe was like an egg "as round as a crossbow pellet" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a "brightly shining" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the "radiating influence" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a "jade dragon's neck", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the "oracles of the winds". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named "earthquake weathervane" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, "instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described." Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's "central pillar" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: "Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops." Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative "Guitian fu" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, "li-recording drum carriage" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the "huang men"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal "drum-chariot". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems "Dongjing fu" and "Xijing fu". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its "curbing extravagant diction and aiming at simplicity", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong "avoided inflated language, aiming chiefly at simplicity", and adding that their "compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, "Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, "[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods." The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: "Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). "Zhang Heng 张衡", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990). "The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers
true
[ "was a professional Go player.\n\nHe is well known in the Western go world for his book Lessons in the Fundamentals of Go.\n\nBiography \nKageyama was born in Shizuoka Prefecture, Japan. In 1948, he won the biggest amateur Go tournament in Japan, the All-Amateur Honinbo. The year after that, he passed the pro exam. \n\nFor two years straight, Kageyama was runner up for the Prime Minister Cup. First, against Otake Hideo, then Hoshino Toshi. His style was a very calm one with deep calculations, similar to what Ishida Yoshio would use later on. The greatest accomplishment of his life, in his own opinion, was beating Rin Kaiho in the Prime Minister Cup semi-finals. At the time, Rin was the Meijin, the top player in Japan. Kageyama gave a commentary on this game in his book \"Lessons in the Fundamentals of Go\", where he wrote\n\nPromotion record\n\nRunners-up\n\nAwards\nTakamatsu-no-miya Prize once (1967)\n\nBibliography \nLessons in the Fundamentals of Go \nKage's Secret Chronicles of Handicap Go\n\nReferences\n\n1926 births\n1990 deaths\nJapanese Go players\nGo writers", "is a Japanese professional Go player.\n\nBiography\nAkiyama became a professional in 1992 at the age of 14. He was taught by Yasuro Kikuchi. In 1999, he was promoted to 7 dan. His biggest accomplishment came in 2002 when he was runner-up for the NEC Shun-Ei title to Shinji Takao. He currently resides in Tokyo, Japan.\n\nPromotion record\n\nPast runners-up\n\nReferences\n\n1977 births\nLiving people\nJapanese Go players\nAsian Games medalists in go\nGo players at the 2010 Asian Games\nAsian Games bronze medalists for Japan\nMedalists at the 2010 Asian Games" ]
[ "Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang.", "Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian.", "His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139.", "He died there a year later, in 139. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi.", "He improved previous Chinese calculations for pi. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers.", "His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family.", "Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23).", "His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang.", "An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it.", "While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty.", "This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163).", "After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined.", "Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title \"Officer of Merit in Nanyang\", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents.", "As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e.", "When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics.", "Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132.", "He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies.", "As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles.", "In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments.", "Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors.", "He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng.", "The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's.", "However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian.", "Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk).", "His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han.", "To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake.", "In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province.", "As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven.", "A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty.", "In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen.", "The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor.", "With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration.", "The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem \"Li Sao\" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion.", "Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him.", "Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories.", "His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, \"Great Mystery\") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ).", "Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ).", "Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi.", "The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled \"Lyric Poems on Four Sorrows\" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written.", "This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu.", "While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity.", "Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu.", "Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem \"Four Sorrows\", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men.", "Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line.", "This poem is one of the first in China to have seven words per line. His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman.", "His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192).", "This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital.", "His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger.", "Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft).", "Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China.", "Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake.", "Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization.", "The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception.", "In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks.", "In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse.", "With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life.", "Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power.", "He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan.", "In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power.", "Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls.", "Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang.", "Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure.", "In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724.", "In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32.", "In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio.", "In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5.", "With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159.", "In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit.", "Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. \"Sublime Model\"), Zhang Heng theorized that the universe was like an egg \"as round as a crossbow pellet\" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model.", "This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations.", "Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000.", "In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the \"radiating influence\" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well.", "In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies.", "Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too.", "Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345).", "307–345). 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC).", "1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled.", "The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel.", "Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right.", "Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours.", "Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng.", "Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon.", "Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC.", "The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings.", "In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD.", "It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China?", "The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125.", "The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft.", "Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century.", "Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao.", "Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron.", "Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole.", "Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator.", "The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes.", "Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar.", "The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl.", "His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others.", "10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an.", "Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully.", "In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes.", "Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers.", "It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty.", "It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram.", "These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c.", "Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays.", "525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\".", "During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope.", "In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from.", "It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster.", "This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device.", "The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose.", "To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery.", "His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum.", "His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope.", "Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope.", "By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found.", "This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\"", "Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\" Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records.", "Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum.", "In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device.", "According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's \"central pillar\" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position.", "He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument.", "On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself.", "Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: \"Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\"", "Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\" Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986.", "However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well.", "Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng.", "Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map.", "Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu).", "Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu.", "It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period.", "Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, \"li-recording drum carriage\" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm.", "Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the \"huang men\"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.)", "eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal \"drum-chariot\". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb.", "This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot.", "It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved.", "The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing.", "Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe.", "The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology.", "The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to \"make three wheels rotate as if they were one.\" More than one scholar has described Zhang as a polymath.", "More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory.", "An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is.", "Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory.", "He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories.", "Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death.", "Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems \"Dongjing fu\" and \"Xijing fu\". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet.", "The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\".", "Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works.", "The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world.", "Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\"", "When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth.", "Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods.\" The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb.", "The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\"", "It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite.", "Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte.", "Han. Singapore: Asiapac Books Pte. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael.", "Leiden: Koninklijke Brill NV. Dillon, Michael. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). \"Zhang Heng 张衡\", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History.", ". Huang, Ray (1997). China: A Macro History. China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China.", "The Construction of Space in Early China. The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990).", "Putnam's Sons. Loewe, Michael. (1990). (1990). \"The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan\", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. .", "Indianapolis: Hacket Publishing Company, Inc. . Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations.", "Classical Chinese literature: an anthology of translations. Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965).", "reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986).", "Ma, and Stephen H. West. (1986). (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B.", "London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature.", "Wen Xuan, Or, Selections of Refined Literature. Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. .", "Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers" ]
[ "Zhang Heng", "Science and technology", "what did he have to do with science and technology?", "Zhang Heng's mechanical inventions influenced later Chinese inventors", "what did it influence them to do?", "Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower.", "what was his biggest accomplishment?", "Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory." ]
C_b200a4798a7349ff8822b7bcf5addda2_0
how did the world react to this theory?
4
How did the world react to the celestial spere theory?
Zhang Heng
Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696-1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83-161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. CANNOTANSWER
Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step.
Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled "Fu on the Hot Springs" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the "Huaqing Hot Springs", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title "Officer of Merit in Nanyang", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title "Filial and Incorrupt" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called "Fu on Pondering the Mystery", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem "Li Sao" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, "Great Mystery") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include "Western Metropolis Rhapsody" (Xī jīng fù ), "Eastern Metropolis Rhapsody" (Dōng jīng fù ), "Southern Capital Rhapsody" (Nán dū fù ), "Rhapsody on Contemplating the Mystery" (Sī xuán fù ), and "Rhapsody on Returning to the Fields" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled "Lyric Poems on Four Sorrows" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his "Western Metropolis Rhapsody" and "Eastern Metropolis Rhapsody", which were based on the "Rhapsody on the Two Capitals" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's "Southern Capital Rhapsody" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem "Four Sorrows", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line. His "Four Sorrows" reads: In another poem of his called "Stabilizing the Passions" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody "Sir Based-On-Nothing" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem "Xijing fu", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his "Western Metropolis Rhapsody" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his "Responding to Criticism" (Ying jian ), a work modeled on Yang Xiong's "Justification Against Ridicule", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been "anxious to know whether this famous scholar could be lured over to their side", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. "Sublime Model"), Zhang Heng theorized that the universe was like an egg "as round as a crossbow pellet" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a "brightly shining" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the "radiating influence" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a "jade dragon's neck", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the "oracles of the winds". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named "earthquake weathervane" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, "instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described." Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's "central pillar" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: "Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops." Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative "Guitian fu" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, "li-recording drum carriage" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the "huang men"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal "drum-chariot". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems "Dongjing fu" and "Xijing fu". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its "curbing extravagant diction and aiming at simplicity", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong "avoided inflated language, aiming chiefly at simplicity", and adding that their "compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, "Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, "[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods." The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: "Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). "Zhang Heng 张衡", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990). "The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers
true
[ "React is a media franchise used by the Fine Brothers consisting of several online series centering on a group of individuals reacting to viral videos, trends, video games, film trailers, or music videos. The franchise was launched with the YouTube debut of Kids React in October 2010, and then grew to encompass four more series uploaded on the Fine Brothers' primary YouTube channel, a separate YouTube channel with various reaction-related content, as well as a television series titled React to That.\n\nIn 2016, the duo announced React World, a program and channel in which they would license the format of their React shows to creators, which led to widespread negative reception from viewers and fellow content creators, as well as confusion about what their format is. This eventually lead to the Fine Brothers removing all videos related to React World, essentially pulling the plug on the React World program.\n\nYouTube series\n\nKids React\nBenny and Rafi Fine launched a series titled Kids React on October 16, 2010, the first video being \"Kids React to Viral Videos (Double Rainbow, Obama Fail, Twin Rabbits, Snickers Halloween)\". The Kids React series features The Fine Brothers (and one of the staff members since 2016), off-camera, showing kids ages 4–14 (7-13 as of September 2016, 7-11 as of October 2016) several viral videos or popular YouTubers and having the kids react to the videos.\n\nThe most popular Kids React episode to date is “Kids React to Gay Marriage\", with over 40.2 million views as of September 2, 2018. The popularity of Kids React made it possible for the online series to win a special Emmy Award at the 39th Daytime Emmy Awards in 2012. The Emmy Award, that was given in cooperation with AOL, was awarded to the Fine Brothers for \"Best Viral Video Series\". After their Emmy win, the brothers explained, \"Not a lot has changed [after winning the Emmy] other than realizing that there are shows on YouTube like React that can get similar if not better viewership than mainstream entertainment can.\"\n\nVideos and YouTube stars that have been reacted to by the kids include Smosh (who later reacted to the kids' reactions), planking and President Obama addressing the death of Osama bin Laden, among several other topics. Kids React has been compared to Kids Say the Darndest Things. In October 2012, the kids of the show were shown videos of the 2012 U.S. Presidential debates. Kids React won the Streamy Award for Best Non-Fiction or Reality Series in 2013.\n\nTeens React\nDue to the popularity of Kids React, The Fine Brothers spawned a spin-off dubbed Teens React on November 17, 2011 with \"TEENS REACT TO TWILIGHT\". The show has a similar premise to Kids React, however the younger stars are replaced with high school teenagers aged 14-18, some of whom have aged out of the Kids React series. Due to this, the Fine Brothers are able to show more mature and less \"kid-friendly\" videos such as videos on topics like Toddlers & Tiaras, Rick Perry's Strong commercial, Amanda Todd's death, and the 2012 U.S. Presidential debates. Other viral videos and YouTube stars that have been reacted to include Salad Fingers, the Overly Attached Girlfriend, \"Gangnam Style\", The Hunger Games trailer, Shane Dawson, and One Direction, among other topics. Later on, The Fine Brothers launched a series titled Teens React: Gaming consisting videos of teenagers reacting to popular games such as Mario Kart 64, Flappy Bird, Rocket League, and Five Nights at Freddy’s. Teens React launched the career of Lia Marie Johnson, it also featured some \"famous\" 'reactors' as guest stars, including Lisa Cimorelli, Amy Cimorelli, Lucas Cruikshank (who later appears in YouTubers React), Alex Steele, Jake Short, and Maisie Williams.\n\nElders React\nElders React was debuted in 2012 and it included seniors over the age of 55. In 2021, it became a subseries for Adults React.\n\nYouTubers React\nYouTubers React was debuted in 2012 and it included famous YouTubers. On November 2020, it is retitled Creators React due to the success of other social medias and is currently airing its one-off episodes as of June 2021.\n\nAdults React\nOn May 30, 2015, the Fine Brothers announced Adults React, which premiered on July 16 later that year. It consists of people ages 20 to 55, including former stars of Teens React that have aged out of the series. Depending on the video or topic, Adults React will be specific of which type of adults are going to be reacting, such as parents or college kids.\n\nParents React\n\nThe first episode of Parents React premiered on August 6, 2015 with “Parents React to Don’t Stay At School”. This series involves parents reacting to stuff that kids were getting into.\n\nCollege Kids React\nThe first episode of College Kids React premiered on June 23, 2016 with \"College Kids React to The 1975\". This series includes stars who have aged out of Teens React along with new stars, as well as stars that have not yet aged out of Teens React but have begun college. The content of College Kids React is similar to the content found in Teens React but more mature.\n\nOne-off episodes\nIn April 2014, as an April Fools joke, the Fine Brothers teamed up with Friskies and released Cats React, which went viral. In July 2016 they released another part of Cats React.\n\nIn August 2014, they released Celebrities React to Viral Videos, and now re-released yearly.\n\nIn April 2018, in another April Fools joke, they released \"Teens React to Nothing\" where they showed the teenagers on a blank screen. The following year, they released a sequel, \"nothing reacts to teens react to nothing.\", which featured the original video being played in an empty studio.\n\nReact YouTube channel\nAfter creating four individual successful React series on their primary YouTube channel, the Fine Brothers launched a separate YouTube channel in 2014, for reaction-related content, simply dubbed \"React\". With the intent of running programming five days a week, the channel launched with five series: React Gaming (a Let's Play-style series with real youths from their primary React series), Advice (a series featuring real youths respond to questions from viewers), React Remix (musical remixes of past React footage), People Vs. Foods (originally Kids Vs. Food until 2016) (a series featuring Reactors taste-test \"Weird\" or international foods), and Lyric Breakdown (a series in which Reactors break down the meaning of various songs). The channel launched with a teenage-focused playthrough of Goat Simulator.\nFrom September 18th 2020 to May 31st 2021, the React YouTube channel was retitled to \"REPLAY\", following the renaming of the main FBE channel to \"REACT\" in the wake of FBE's distancing from Benny and Rafi Fine as a consequence of the scandal in Summer 2020 that led to many reactors leaving the channel.\nOn June 1st 2021, REPLAY is retitled \"PEOPLE VS FOOD\" and moved all the non-food videos to REACT.\n\nReact to That\nIn early 2014, it was announced that the Fine Brothers made a deal with NCredible Entertainment, a production studio founded by Nick Cannon to develop a television series for Nickelodeon. The series, dubbed React to That, was \"entirely re-envisioned for television,\" as the reactors \"not only watch and respond to viral videos, but pop out of the reaction room and into showdowns where the clips come to life as each reactor is confronted with a challenge based on the video they just watched.\" Following the announcement of the series, Benny Fine explained, \"All these viewers now watching are also pioneering what it is to be a viewer of content. They follow us through all of our different endeavors, all our different series, and now will have the opportunity to follow us to another medium.\" Nickelodeon ordered 13 episodes to be produced, but only 12 were made and aired.\n\nReact World\n\nBackground\nIn July 2015, the Fine Brothers filed for trademark protection on \"React\" with the U.S. Patent and Trademark Office (USPTO). The trademark was filed for \"Entertainment services, namely, providing an ongoing series of programs and webisodes via the internet in the field of observing and interviewing various groups of people.\" The USPTO approved for a 30-day opposition period which was set to begin on February 2, 2016; if no parties filed an opposition to the Fines' trademark request, it would have proceeded through the process. The brothers had recently filed for and been granted trademark registrations for \"Elders React\" and \"Teens React\" in 2013 as well as \"Kids React\" in 2012.\n\nAnnouncement details\nOn January 26, 2016, the Fines announced that they would be launching React World, a way to grant content creators the license to create their own versions of the React shows. Specifically, the Fine Brothers explained they were going to license the format of their React shows. A Variety report detailed that React World would \"aggregate videos in a channel to launch later this year to promote, support and feature fan-produced programming based on their shows.\" The brothers' company, Fine Brothers Entertainment (FBE) explained they would be working with YouTube and ChannelMeter on the launch of React World. FBE also expressed they would be able to monetize React-style videos uploaded under their license. On monetization, Digital Trends detailed \"Although licenses are free, React World creators must agree to share 20 percent of AdSense revenue and 30 percent of premium brand deals with FBE.\" Additionally, the Fines explained they would provide ongoing production guidance, creative guidelines, format bibles, and other resources, as well as promotional and technical support to those creators who participated with the brothers on React World.\n\nReception\nAlthough YouTube's VP on content partnerships, Kelly Merryman, originally proclaimed \"This is brand-building in the YouTube age — rising media companies building their brands through collaborations with creators around the world,\" the Fine Brothers were met with overwhelmingly negative reception to their React World announcement. BBC News reported that \"critics of the Fine Brothers have expressed concern they may use the trademarks to stifle competition,\" and quoted one YouTuber who detailed \"People don't trust them because a few years ago when Ellen DeGeneres did a similar video—not that similar, it didn't have the same format or branding—they claimed it was their format.\" Viewers and fellow content creators alike condemned the Fines for their announcement, with The Daily Dot reporting, \"Backlash poured in on Reddit and social media, and other YouTubers posted their own reactions and parodies of the enthusiastically corporate React World announcement video.\" The backlash led to a dramatic drop in subscribers, with upwards of 675,000 accounts collectively unsubscribing from the React and Fine Bros Entertainment channels as well as recent videos getting many dislikes in protest as of February 22, 2016. Mashable described that one Reddit post \"ignited a thread of haters, defenders and overall discussion about whether what Fine Brothers Entertainment is doing is fair.\" Ryan Morrison, a gamer, lawyer and Reddit user, declared that he would file a legal challenge to the Fine Brothers' trademark request on \"React\", writing \"These guys didn’t come up with the idea of filming funny reactions from kids. And they certainly don’t own an entire genre of YouTube videos. It wasn’t their idea, and it’s not theirs to own or police.\"\n\nThough there was an overwhelmingly negative response to the React World announcement, other personalities expressed milder opinions; Internet personality Hank Green wrote \"This could actually be a very cool project if it could be divorced from the idea of two very powerful creators attempting to control a very popular YouTube video format. Franchising one of YouTube's biggest shows? Yeah, I’d love to see how that goes.\" New York reporter Jay Hathaway wrote \"The trademark and React World are dead. And that's a shame, because it was an interesting idea that suffered from tone-deaf execution.\"\n\nResponses and discontinuation by the Fine Brothers\nAfter seeing the initial backlash from their announcement, The Fine Brothers posted comments on various social media websites including Facebook, Twitter, Reddit, and the comment section of their YouTube announcement video. On Facebook the Fines wrote, \"We do not own the idea or copyright for reaction videos overall, nor did we ever say we did. You don’t need anyone’s permission to make these kinds of videos, and we’re not coming after anyone\", adding \"We are in no way claiming reaction content in general is our intellectual property. This is purely a voluntary program for people wanting direct support from us, and we continue to be so excited to work with all of you who may want to participate\". They additionally tweeted \"We're not saying we hold a copyright on reaction videos overall, no one can. We're licensing our specific shows, like TV has done for years\". The brothers also explained they would \"not be trying to take revenue from other types of reaction videos, and will not be copyright-striking\". However, other YouTubers have reported multiple copyright related video takedowns. The Guardian also reported that unrelated channels featuring diverse groups of people reacting to videos were also removed after takedown requests from the Fine Brothers; the \"Seniors React\" video was noted to be released prior to the Fines launching their Elders React series. The Fines also posted an update video in response to what they described as \"confusion and negative response\" to React World, in which they try to clear up confusion on what their format encompasses, as well as inviting viewers to e-mail them about any further questions.\n\nUltimately, the Fine Brothers removed all React World videos, and posted a statement on Medium, declaring they have filed the paperwork to rescind all their \"React\" trademarks and applications, will discontinue the React World program, and will release all past Content ID claims. In their post, the brothers expressed \"It makes perfect sense for people to distrust our motives here, but we are confident that our actions will speak louder than these words moving forward\". Reaction to this Medium post was negative on Reddit, where users were reported commenting they would not forgive the Fine Brothers.\n\nAccolades\n\nReferences\n\nCitations\n\nSources\n\nFootnotes\n\nSee also \n Reaction video\n\n2010 web series debuts\nFullscreen (company) channels\nFullscreen Media franchises\nYouTube original programming", "Genghis was a six legged insect-like robot that was created by roboticist Rodney Brooks at MIT. Brooks wanted to solve the problem of how to make robots intelligent and suggested that it is possible to create robots that displayed intelligence by using a \"subsumption architecture\" which is a type of reactive robotic architecture where a robot can react to the world around them. His paper \"Intelligence Without Representation\", which is still widely respected in the fields of robotics and Artificial Intelligence, further outlines his theories on this.\n\nDesign\n\nThe design of the Genghis robot was inspired by insects who have limited brain functions yet possess tremendous functionality. In order to mimic this trait found in insects Brooks \"removed all cognition processors from Genghis and left only the sensors and the code/hardware to allow it to walk\". This enabled Genghis to link sensation to an action taken where the robot did not have any pre-planned path to follow but took action as each sensor detected an obstacle. With Genghis, Brooks pioneered his \"sensation-action theory of intelligence which was to bypass explicit cognition hubs in favor of pairing perception more directly with action\".\n\nGenghis was not designed to have a central controller to direct all possible functions in the robot, particularly in the legs. Instead, each leg had its own built-in sensors that would sense the various obstacles in its path. Each leg was programmed with a few basic behaviors and knew how to react under different scenarios based on sensor feedback. The act of walking became a coordinated effort between all of the legs resulting in the robots movement. These processes exist independently, run at all times and fire whenever the sensory preconditions are true.\n\nGenghis was designed to navigate difficult terrain with many obstacles and elevations. In order to achieve this type of functionality while reducing overall complexity Brooks created a method of finite state machine thought which relied on \"layered processing\"; a basic layering of new traits over older ones. In Genghis the control system was organized into \"eight incremental layers: Stand up, Simple Walk, Force Balancing, Leg Lifting, Whiskers, Pitch Stabilization, Prowling and Steered Prowling\". On a processing level the complexity of each of the eight layers of the final movement are addressed separately by each layer, reducing the burden of complex processing from the processors at each level.\n\nGenghis now resides in the Smithsonian Air and Space Museum.\n\nReferences\n\nRobots" ]
[ "Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang.", "Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian.", "His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139.", "He died there a year later, in 139. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi.", "He improved previous Chinese calculations for pi. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers.", "His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family.", "Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23).", "His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang.", "An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it.", "While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty.", "This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163).", "After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined.", "Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title \"Officer of Merit in Nanyang\", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents.", "As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e.", "When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics.", "Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132.", "He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies.", "As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles.", "In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments.", "Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors.", "He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng.", "The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's.", "However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian.", "Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk).", "His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han.", "To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake.", "In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province.", "As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven.", "A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty.", "In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen.", "The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor.", "With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration.", "The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem \"Li Sao\" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion.", "Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him.", "Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories.", "His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, \"Great Mystery\") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ).", "Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ).", "Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi.", "The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled \"Lyric Poems on Four Sorrows\" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written.", "This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu.", "While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity.", "Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu.", "Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem \"Four Sorrows\", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men.", "Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line.", "This poem is one of the first in China to have seven words per line. His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman.", "His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192).", "This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital.", "His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger.", "Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft).", "Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China.", "Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake.", "Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization.", "The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception.", "In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks.", "In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse.", "With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life.", "Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power.", "He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan.", "In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power.", "Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls.", "Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang.", "Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure.", "In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724.", "In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32.", "In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio.", "In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5.", "With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159.", "In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit.", "Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. \"Sublime Model\"), Zhang Heng theorized that the universe was like an egg \"as round as a crossbow pellet\" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model.", "This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations.", "Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000.", "In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the \"radiating influence\" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well.", "In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies.", "Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too.", "Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345).", "307–345). 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC).", "1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled.", "The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel.", "Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right.", "Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours.", "Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng.", "Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon.", "Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC.", "The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings.", "In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD.", "It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China?", "The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125.", "The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft.", "Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century.", "Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao.", "Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron.", "Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole.", "Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator.", "The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes.", "Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar.", "The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl.", "His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others.", "10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an.", "Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully.", "In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes.", "Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers.", "It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty.", "It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram.", "These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c.", "Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays.", "525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\".", "During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope.", "In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from.", "It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster.", "This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device.", "The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose.", "To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery.", "His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum.", "His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope.", "Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope.", "By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found.", "This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\"", "Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\" Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records.", "Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum.", "In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device.", "According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's \"central pillar\" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position.", "He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument.", "On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself.", "Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: \"Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\"", "Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\" Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986.", "However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well.", "Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng.", "Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map.", "Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu).", "Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu.", "It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period.", "Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, \"li-recording drum carriage\" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm.", "Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the \"huang men\"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.)", "eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal \"drum-chariot\". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb.", "This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot.", "It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved.", "The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing.", "Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe.", "The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology.", "The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to \"make three wheels rotate as if they were one.\" More than one scholar has described Zhang as a polymath.", "More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory.", "An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is.", "Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory.", "He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories.", "Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death.", "Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems \"Dongjing fu\" and \"Xijing fu\". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet.", "The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\".", "Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works.", "The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world.", "Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\"", "When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth.", "Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods.\" The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb.", "The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\"", "It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite.", "Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). 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External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers" ]
[ "Zhang Heng", "Science and technology", "what did he have to do with science and technology?", "Zhang Heng's mechanical inventions influenced later Chinese inventors", "what did it influence them to do?", "Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower.", "what was his biggest accomplishment?", "Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory.", "how did the world react to this theory?", "Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step." ]
C_b200a4798a7349ff8822b7bcf5addda2_0
what was his greatest accomplishment?
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What was Zhang Heng greatest accomplishment?
Zhang Heng
Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696-1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83-161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. CANNOTANSWER
It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory.
Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled "Fu on the Hot Springs" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the "Huaqing Hot Springs", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title "Officer of Merit in Nanyang", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title "Filial and Incorrupt" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called "Fu on Pondering the Mystery", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem "Li Sao" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, "Great Mystery") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include "Western Metropolis Rhapsody" (Xī jīng fù ), "Eastern Metropolis Rhapsody" (Dōng jīng fù ), "Southern Capital Rhapsody" (Nán dū fù ), "Rhapsody on Contemplating the Mystery" (Sī xuán fù ), and "Rhapsody on Returning to the Fields" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled "Lyric Poems on Four Sorrows" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his "Western Metropolis Rhapsody" and "Eastern Metropolis Rhapsody", which were based on the "Rhapsody on the Two Capitals" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's "Southern Capital Rhapsody" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem "Four Sorrows", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line. His "Four Sorrows" reads: In another poem of his called "Stabilizing the Passions" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody "Sir Based-On-Nothing" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem "Xijing fu", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his "Western Metropolis Rhapsody" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his "Responding to Criticism" (Ying jian ), a work modeled on Yang Xiong's "Justification Against Ridicule", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been "anxious to know whether this famous scholar could be lured over to their side", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. "Sublime Model"), Zhang Heng theorized that the universe was like an egg "as round as a crossbow pellet" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a "brightly shining" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the "radiating influence" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a "jade dragon's neck", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the "oracles of the winds". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named "earthquake weathervane" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, "instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described." Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's "central pillar" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: "Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops." Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative "Guitian fu" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, "li-recording drum carriage" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the "huang men"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal "drum-chariot". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to "make three wheels rotate as if they were one." More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems "Dongjing fu" and "Xijing fu". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its "curbing extravagant diction and aiming at simplicity", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong "avoided inflated language, aiming chiefly at simplicity", and adding that their "compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, "Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, "[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods." The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: "Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). "Zhang Heng 张衡", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990). "The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers
true
[ "was a professional Go player.\n\nHe is well known in the Western go world for his book Lessons in the Fundamentals of Go.\n\nBiography \nKageyama was born in Shizuoka Prefecture, Japan. In 1948, he won the biggest amateur Go tournament in Japan, the All-Amateur Honinbo. The year after that, he passed the pro exam. \n\nFor two years straight, Kageyama was runner up for the Prime Minister Cup. First, against Otake Hideo, then Hoshino Toshi. His style was a very calm one with deep calculations, similar to what Ishida Yoshio would use later on. The greatest accomplishment of his life, in his own opinion, was beating Rin Kaiho in the Prime Minister Cup semi-finals. At the time, Rin was the Meijin, the top player in Japan. Kageyama gave a commentary on this game in his book \"Lessons in the Fundamentals of Go\", where he wrote\n\nPromotion record\n\nRunners-up\n\nAwards\nTakamatsu-no-miya Prize once (1967)\n\nBibliography \nLessons in the Fundamentals of Go \nKage's Secret Chronicles of Handicap Go\n\nReferences\n\n1926 births\n1990 deaths\nJapanese Go players\nGo writers", "Hans Christian Harald Tegner, known as Hans Tegner (30 November 1853 – 2 April 1932), was a Danish artist and illustrator. He is primarily known for his illustrations of literary works by Hans Christian Andersen and Ludvig Holberg and for his work for the Bing & Grøndahl porcelain factory.\n\nEarly life and education\nSon of lithographer Isac Wilhelm Tegner, Hans studied at the Royal Danish Academy of Fine Arts from 1869 to 1878.\n\nCareer\nHis first art exhibition was in 1882, featuring watercolour illustrations of Hans Christian Andersen's story The Tinderbox. His second, and last, exhibition in 1889 was a watercolour painting celebrating the 50-year jubilee of the Constitution of Denmark, and was bought by king Christian IX of Denmark. From 1883 to 1888, Tegner painted a series of illustrations for the works of Ludvig Holberg, his greatest artistic accomplishment. The second great accomplishment of Tegner, was his exquisite illustrations produced for the so-called international selection () of Andersen's fairy tales, finished in 1901.\n\nTegner was made professor at the Royal Danish Academy of Fine Arts in 1897. He illustrated a number of other books, as well as postal stamps, and the first 5-Danish krone note in 1898. He was the leader of Kunsthåndværkerskolen (a part of what is now Danmarks Designskole) from 1901 to 1917, and chief designer at porcelain manufacturer Bing & Grøndahl from 1907 to 1932. He died on April 2, 1932, in Fredensborg.\n\npersonal life\n\nTegner married Helga Byberg (13 January 1862 - 26 February 1945), a daughter of merchant Ole Strib Hansen Byberg (1812–82) and Karen Møller (1821–89), on 24 November 1896 in Sundby.\n\nHe died on 2 April 1932 and is buried in Asminderød Cemetery\n\nReferences\n\nExternal links\n\n1853 births\n1932 deaths\nDanish artists\nRoyal Danish Academy of Fine Arts faculty\nRoyal Danish Academy of Fine Arts alumni\n19th-century illustrators of fairy tales\n20th-century illustrators of fairy tales" ]
[ "Zhang Heng (; AD 78–139), formerly romanized as Chang Heng, was a Chinese polymathic scientist and statesman who lived during the Han dynasty. Educated in the capital cities of Luoyang and Chang'an, he achieved success as an astronomer, mathematician, seismologist, hydraulic engineer, inventor, geographer, cartographer, ethnographer, artist, poet, philosopher, politician, and literary scholar. Zhang Heng began his career as a minor civil servant in Nanyang.", "Zhang Heng began his career as a minor civil servant in Nanyang. Eventually, he became Chief Astronomer, Prefect of the Majors for Official Carriages, and then Palace Attendant at the imperial court. His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian.", "His uncompromising stance on historical and calendrical issues led to his becoming a controversial figure, preventing him from rising to the status of Grand Historian. His political rivalry with the palace eunuchs during the reign of Emperor Shun (r. 125–144) led to his decision to retire from the central court to serve as an administrator of Hejian Kingdom in present-day Hebei. Zhang returned home to Nanyang for a short time, before being recalled to serve in the capital once more in 138. He died there a year later, in 139.", "He died there a year later, in 139. He died there a year later, in 139. Zhang applied his extensive knowledge of mechanics and gears in several of his inventions. He invented the world's first water-powered armillary sphere to assist astronomical observation; improved the inflow water clock by adding another tank; and invented the world's first seismoscope, which discerned the cardinal direction of an earthquake away. He improved previous Chinese calculations for pi.", "He improved previous Chinese calculations for pi. He improved previous Chinese calculations for pi. In addition to documenting about 2,500 stars in his extensive star catalog, Zhang also posited theories about the Moon and its relationship to the Sun: specifically, he discussed the Moon's sphericity, its illumination by reflected sunlight on one side and the hidden nature of the other, and the nature of solar and lunar eclipses. His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers.", "His fu (rhapsody) and shi poetry were renowned in his time and studied and analyzed by later Chinese writers. Zhang received many posthumous honors for his scholarship and ingenuity; some modern scholars have compared his work in astronomy to that of the Greco-Roman Ptolemy (AD 86–161). Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family.", "Life Early life Born in the town of Xi'e in Nanyang Commandery (north of the modern Nanyang City in Henan province), Zhang Heng came from a distinguished but not very affluent family. His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23).", "His grandfather Zhang Kan () had been governor of a commandery and one of the leaders who supported the restoration of the Han by Emperor Guangwu (r. 25–57), following the death of the usurping Wang Mang of the Xin (AD 9–23). When he was ten, Zhang's father died, leaving him in the care of his mother and grandmother. An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang.", "An accomplished writer in his youth, Zhang left home in the year 95 to pursue his studies in the capitals of Chang'an and Luoyang. While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it.", "While traveling to Luoyang, Zhang passed by a hot spring near Mount Li and dedicated one of his earliest fu poems to it. This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty.", "This work, entitled \"Fu on the Hot Springs\" (Wēnquán fù 溫泉賦), describes the throngs of people attending the hot springs, which later became famous as the \"Huaqing Hot Springs\", a favorite retreat of imperial concubine Yang Guifei during the Tang dynasty. After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163).", "After studying for some years at Luoyang's Taixue, he was well-versed in the classics and friends with several notable persons, including the mathematician and calligrapher Cui Yuan (78–143), the official and philosophical commentator Ma Rong (79–166), and the philosopher Wang Fu (78–163). Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined.", "Government authorities offered Zhang appointments to several offices, including a position as one of the Imperial Secretaries, yet he acted modestly and declined. At age 23, Zhang returned home with the title \"Officer of Merit in Nanyang\", serving as the master of documents under the administration of Governor Bao De (in office from 103 to 111). As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents.", "As he was charged with composing inscriptions and dirges for the governor, he gained experience in writing official documents. As Officer of Merit in the commandery, he was also responsible for local appointments to office and recommendations to the capital of nominees for higher office. He spent much of his time composing rhapsodies on the capital cities. When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e.", "When Bao De was recalled to the capital in 111 to serve as a minister of finance, Zhang continued his literary work at home in Xi'e. Zhang Heng began his studies in astronomy at the age of 30 and began publishing his works on astronomy and mathematics. Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics.", "Official career In 112, Zhang was summoned to the court of Emperor An (r. 106–125), who had heard of his expertise in mathematics. When he was nominated to serve at the capital, Zhang was escorted by carriage—a symbol of his official status—to Luoyang, where he became a court gentleman working for the Imperial Secretariat. He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132.", "He was promoted to Chief Astronomer for the court, serving his first term from 115 to 120 under Emperor An and his second under the succeeding emperor from 126 to 132. As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies.", "As Chief Astronomer, Zhang was a subordinate of the Minister of Ceremonies, one of Nine Ministers ranked just below the Three Excellencies. In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles.", "In addition to recording heavenly observations and portents, preparing the calendar, and reporting which days were auspicious and which ill-omened, Zhang was also in charge of an advanced literacy test for all candidates to the Imperial Secretariat and the Censorate, both of whose members were required to know at least 9,000 characters and all major writing styles. Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments.", "Under Emperor An, Zhang also served as Prefect of the Majors for Official Carriages under the Ministry of Guards, in charge of receiving memorials to the throne (formal essays on policy and administration) as well as nominees for official appointments. When the government official Dan Song proposed the Chinese calendar should be reformed in 123 to adopt certain apocryphal teachings, Zhang opposed the idea. He considered the teachings to be of questionable stature and believed they could introduce errors.", "He considered the teachings to be of questionable stature and believed they could introduce errors. Others shared Zhang's opinion and the calendar was not altered, yet Zhang's proposal that apocryphal writings should be banned was rejected. The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng.", "The officials Liu Zhen and Liu Taotu, members of a committee to compile the dynastic history (), sought permission from the court to consult Zhang Heng. However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's.", "However, Zhang was barred from assisting the committee due to his controversial views on apocrypha and his objection to the relegation of Gengshi Emperor's (r. 23–25) role in the restoration of the Han Dynasty as lesser than Emperor Guangwu's. Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian.", "Liu Zhen and Liu Taotu were Zhang's only historian allies at court, and after their deaths Zhang had no further opportunities for promotion to the prestigious post of court historian. Despite this setback in his official career, Zhang was reappointed as Chief Astronomer in 126 after Emperor Shun of Han (r. 125–144) ascended to the throne. His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk).", "His intensive astronomical work was rewarded only with the rank and salary of 600 bushels, or shi, of grain (mostly commuted to coin cash or bolts of silk). To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han.", "To place this number in context, in a hierarchy of twenty official ranks, the lowest-paid official earned the rank and salary of 100 bushels and the highest-paid official earned 10,000 bushels during the Han. The 600-bushel rank was the lowest the emperor could directly appoint to a central government position; any official of lower status was overseen by central or provincial officials of high rank. In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake.", "In 132, Zhang introduced an intricate seismoscope to the court, which he claimed could detect the precise cardinal direction of a distant earthquake. On one occasion his device indicated that an earthquake had occurred in the northwest. As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province.", "As there was no perceivable tremor felt in the capital his political enemies were briefly able to relish the failure of his device, until a messenger arrived shortly afterwards to report that an earthquake had occurred about 400 km (248 mi) to 500 km (310 mi) northwest of Luoyang in Gansu province. A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven.", "A year after Zhang presented his seismoscope to the court, officials and candidates were asked to provide comments about a series of recent earthquakes which could be interpreted as signs of displeasure from Heaven. The ancient Chinese viewed natural calamities as cosmological punishments for misdeeds that were perpetrated by the Chinese ruler or his subordinates on earth. In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty.", "In Zhang's memorial discussing the reasons behind these natural disasters, he criticized the new recruitment system of Zuo Xiong which fixed the age of eligible candidates for the title \"Filial and Incorrupt\" at age forty. The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen.", "The new system also transferred the power of the candidates' assessment to the Three Excellencies rather than the Generals of the Household, who by tradition oversaw the affairs of court gentlemen. Although Zhang's memorial was rejected, his status was significantly elevated soon after to Palace Attendant, a position he used to influence the decisions of Emperor Shun. With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor.", "With this prestigious new position, Zhang earned a salary of 2,000 bushels and had the right to escort the emperor. As Palace Attendant to Emperor Shun, Zhang Heng attempted to convince him that the court eunuchs represented a threat to the imperial court. Zhang pointed to specific examples of past court intrigues involving eunuchs, and convinced Shun that he should assume greater authority and limit their influence. The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration.", "The eunuchs attempted to slander Zhang, who responded with a fu rhapsody called \"Fu on Pondering the Mystery\", which vents his frustration. Rafe de Crespigny states that Zhang's rhapsody used imagery similar to Qu Yuan's (340–278 BC) poem \"Li Sao\" and focused on whether or not good men should flee the corrupted world or remain virtuous within it. Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion.", "Literature and poetry While working for the central court, Zhang Heng had access to a variety of written materials located in the Archives of the Eastern Pavilion. Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him.", "Zhang read many of the great works of history in his day and claimed he had found ten instances where the Records of the Grand Historian by Sima Qian (145–90 BC) and the Book of Han by Ban Gu (AD 32–92) differed from other ancient texts that were available to him. His account was preserved and recorded in the 5th century text of the Book of Later Han by Fan Ye (398–445). His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories.", "His rhapsodies and other literary works displayed a deep knowledge of classic texts, Chinese philosophy, and histories. He also compiled a commentary on the Taixuan (, \"Great Mystery\") by the Daoist author Yang Xiong (53 BC–AD 18). Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ).", "Xiao Tong (501–531), a crown prince of the Liang Dynasty (502–557), immortalized several of Zhang's works in his literary anthology Selections of Refined Literature (Wen xuan ). Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ).", "Zhang's fu rhapsodies include \"Western Metropolis Rhapsody\" (Xī jīng fù ), \"Eastern Metropolis Rhapsody\" (Dōng jīng fù ), \"Southern Capital Rhapsody\" (Nán dū fù ), \"Rhapsody on Contemplating the Mystery\" (Sī xuán fù ), and \"Rhapsody on Returning to the Fields\" (Guī tián fù ). The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi.", "The latter fuses Daoist ideas with Confucianism and was a precursor to later Chinese metaphysical nature poetry, according to Liu Wu-chi. A set of four short lyric poems (shi 詩) entitled \"Lyric Poems on Four Sorrows\" (Sì chóu shī ), is also included with Zhang's preface. This set constitutes some of the earliest heptasyllabic shi Chinese poetry written.", "This set constitutes some of the earliest heptasyllabic shi Chinese poetry written. While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu.", "While still in Luoyang, Zhang became inspired to write his \"Western Metropolis Rhapsody\" and \"Eastern Metropolis Rhapsody\", which were based on the \"Rhapsody on the Two Capitals\" by the historian Ban Gu. Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity.", "Zhang's work was similar to Ban's, although the latter fully praised the contemporaneous Eastern Han regime while Zhang provided a warning that it could suffer the same fate as the Western Han if it too declined into a state of decadence and moral depravity. These two works satirized and criticized what he saw as the excessive luxury of the upper classes. Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu.", "Zhang's \"Southern Capital Rhapsody\" commemorated his home city of Nanyang, home of the restorer of the Han Dynasty, Guangwu. In Zhang Heng's poem \"Four Sorrows\", he laments that he is unable to woo a beautiful woman due to the impediment of mountains, snows and rivers. Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men.", "Rafe de Crespigny, Tong Xiao, and David R. Knechtges claim that Zhang wrote this as an innuendo hinting at his inability to keep in contact with the emperor, hindered by unworthy rivals and petty men. This poem is one of the first in China to have seven words per line.", "This poem is one of the first in China to have seven words per line. His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman.", "His \"Four Sorrows\" reads: In another poem of his called \"Stabilizing the Passions\" (Dìng qíng fù 定情賦) — preserved in a Tang Dynasty (618–907) encyclopedia, but referred to earlier by Tao Qian (365–427) in praise of Zhang's lyrical minimalism — Zhang displays his admiration for an attractive and exemplary woman. This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192).", "This simpler type of fu poem influenced later works by the prominent official and scholar Cai Yong (132–192). Zhang wrote: Zhang's long lyrical poems also revealed a great amount of information on urban layout and basic geography. His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital.", "His rhapsody \"Sir Based-On-Nothing\" provides details on terrain, palaces, hunting parks, markets, and prominent buildings of Chang'an, the Western Han capital. Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger.", "Exemplifying his attention to detail, his rhapsody on Nanyang described gardens filled with spring garlic, summer bamboo shoots, autumn leeks, winter rape-turnips, perilla, evodia, and purple ginger. Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft).", "Zhang Heng's writing confirms the size of the imperial hunting park in the suburbs of Chang'an, as his estimate for the circumference of the park's encircling wall agrees with the historian Ban Gu's estimate of roughly 400 li (one li in Han times was equal to 415.8 m, or 1,364 ft, making the circumference of the park wall 166,320 m, or 545,600 ft). Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China.", "Along with Sima Xiangru (179–117 BC), Zhang listed a variety of animals and hunting game inhabiting the park, which were divided in the northern and southern portions of the park according to where the animals had originally come from: northern or southern China. Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake.", "Somewhat similar to the description of Sima Xiangru, Zhang described the Western Han emperors and their entourage enjoying boat outings, water plays, fishing, and displays of archery targeting birds and other animals with stringed arrows from the tops of tall towers along Chang'an's Kunming Lake. The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization.", "The focus of Zhang's writing on specific places and their terrain, society, people, and their customs could also be seen as early attempts of ethnographic categorization. In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception.", "In his poem \"Xijing fu\", Zhang shows that he was aware of the new foreign religion of Buddhism, introduced via the Silk Road, as well as the legend of the birth of Buddha with the vision of the white elephant bringing about conception. In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks.", "In his \"Western Metropolis Rhapsody\" (), Zhang described court entertainments such as juedi (), a form of theatrical wrestling accompanied by music in which participants butted heads with bull horn masks. With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse.", "With his \"Responding to Criticism\" (Ying jian ), a work modeled on Yang Xiong's \"Justification Against Ridicule\", Zhang was an early writer and proponent of the Chinese literary genre shelun, or hypothetical discourse. Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life.", "Authors of this genre created a written dialogue between themselves and an imaginary person (or a real person of their entourage or association); the latter poses questions to the author on how to lead a successful life. He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power.", "He also used it as a means to criticize himself for failing to obtain high office, but coming to the conclusion that the true gentleman displays virtue instead of greed for power. In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan.", "In this work, Dominik Declercq asserts that the person urging Zhang to advance his career in a time of government corruption most likely represented the eunuchs or Empress Liang's (116–150) powerful relatives in the Liang clan. Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power.", "Declercq states that these two groups would have been \"anxious to know whether this famous scholar could be lured over to their side\", but Zhang flatly rejected such an alignment by declaring in this politically charged piece of literature that his gentlemanly quest for virtue trumped any desire of his for power. Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls.", "Zhang wrote about the various love affairs of emperors dissatisfied with the imperial harem, going out into the city incognito to seek out prostitutes and sing-song girls. This was seen as a general criticism of the Eastern Han emperors and their imperial favorites, guised in the criticism of earlier Western Han emperors. Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang.", "Besides criticizing the Western Han emperors for lavish decadence, Zhang also pointed out that their behavior and ceremonies did not properly conform with the Chinese cyclical beliefs in yin and yang. In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure.", "In a poem criticizing the previous Western Han Dynasty, Zhang wrote: Achievements in science and technology Mathematics For centuries the Chinese approximated pi as 3; Liu Xin (d. AD 23) made the first known Chinese attempt at a more accurate calculation of 3.1457, but there is no record detailing the method he used to obtain this figure. In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724.", "In his work around 130, Zhang Heng compared the celestial circle to the diameter of the earth, proportioning the former as 736 and the latter as 232, thus calculating pi as 3.1724. In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32.", "In Zhang's day, the ratio 4:3 was given for the area of a square to the area of its inscribed circle and the volume of a cube and volume of the inscribed sphere should also be 42:32. In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio.", "In formula, with D as diameter and V as volume, D3:V = 16:9 or V=D3; Zhang realized that the value for diameter in this formula was inaccurate, noting the discrepancy as the value taken for the ratio. Zhang then attempted to remedy this by amending the formula with an additional D3, hence V=D3 + D3 = D3. With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5.", "With the ratio of the volume of the cube to the inscribed sphere at 8:5, the implied ratio of the area of the square to the circle is √8:√5. From this formula, Zhang calculated pi as the square root of 10 (or approximately 3.162). Zhang also calculated pi as = 3.1466 in his book Ling Xian (). In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159.", "In the 3rd century, Liu Hui made the calculation more accurate with his π algorithm, which allowed him to obtain the value 3.14159. Later, Zu Chongzhi (429–500) approximated pi as or 3.141592, the most accurate calculation for pi the ancient Chinese would achieve. Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit.", "Astronomy In his publication of AD 120 called The Spiritual Constitution of the Universe (靈憲, Ling Xian, lit. \"Sublime Model\"), Zhang Heng theorized that the universe was like an egg \"as round as a crossbow pellet\" with the stars on the shell and the Earth as the central yolk. This universe theory is congruent with the geocentric model as opposed to the heliocentric model.", "This universe theory is congruent with the geocentric model as opposed to the heliocentric model. Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations.", "Although the ancient Warring States (403–221 BC) Chinese astronomers Shi Shen and Gan De had compiled China's first star catalogue in the 4th century BC, Zhang nonetheless catalogued 2,500 stars which he placed in a \"brightly shining\" category (the Chinese estimated the total to be 14,000), and he recognized 124 constellations. In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000.", "In comparison, this star catalogue featured many more stars than the 850 documented by the Greek astronomer Hipparchus (c. 190–c.120 BC) in his catalogue, and more than Ptolemy (AD 83–161), who catalogued over 1,000. Zhang supported the \"radiating influence\" theory to explain solar and lunar eclipses, a theory which was opposed by Wang Chong (AD 27–97). In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well.", "In the Ling Xian, Zhang wrote: Zhang Heng viewed these astronomical phenomena in supernatural terms as well. The signs of comets, eclipses, and movements of heavenly bodies could all be interpreted by him as heavenly guides on how to conduct affairs of state. Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies.", "Contemporary writers also wrote about eclipses and the sphericity of heavenly bodies. The music theorist and mathematician Jing Fang (78–37 BC) wrote about the spherical shape of the Sun and Moon while discussing eclipses: The Moon and the planets are Yin; they have shape but no light. This they receive only when the Sun illuminates them. The former masters regarded the Sun as round like a crossbow bullet, and they thought the Moon had the nature of a mirror. Some of them recognized the Moon as a ball too.", "Some of them recognized the Moon as a ball too. Those parts of the Moon which the Sun illuminates look bright, those parts which it does not, remain dark. The theory posited by Zhang and Jing was supported by later pre-modern scientists such as Shen Kuo (1031–1095), who expanded on the reasoning of why the Sun and Moon were spherical. The theory of the celestial sphere surrounding a flat, square Earth was later criticized by the Jin-dynasty scholar-official Yu Xi (fl. 307–345).", "307–345). 307–345). He suggested that the Earth could be round like the heavens, a spherical Earth theory fully accepted by mathematician Li Ye (1192-1279) but not by mainstream Chinese science until European influence in the 17th century. Extra tank for inflow clepsydra The outflow clepsydra was a timekeeping device used in China as long ago as the Shang Dynasty (c. 1600–c. 1050 BC), and certainly by the Zhou Dynasty (1122–256 BC).", "1050 BC), and certainly by the Zhou Dynasty (1122–256 BC). The inflow clepsydra with an indicator rod on a float had been known in China since the beginning of the Han Dynasty in 202 BC and had replaced the outflow type. The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled.", "The Han Chinese noted the problem with the falling pressure head in the reservoir, which slowed the timekeeping of the device as the inflow vessel was filled. Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel.", "Zhang Heng was the first to address this problem, indicated in his writings from 117, by adding an extra compensating tank between the reservoir and the inflow vessel. Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right.", "Zhang also mounted two statuettes of a Chinese immortal and a heavenly guard on the top of the inflow clepsydra, the two of which would guide the indicator rod with their left hand and point out the graduations with their right. Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours.", "Joseph Needham states that this was perhaps the ancestor of all clock jacks that would later sound the hours found in mechanical clocks by the 8th century, but he notes that these figures did not actually move like clock jack figurines or sound the hours. Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng.", "Many additional compensation tanks were added to later clepsydras in the tradition of Zhang Heng. In 610 the Sui Dynasty (581–618) engineers Geng Xun and Yuwen Kai crafted an unequal-armed steelyard balance able to make seasonal adjustments in the pressure head of the compensating tank, so that it could control the rate of water flow for different lengths of day and night during the year. Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon.", "Zhang mentioned a \"jade dragon's neck\", which in later times meant a siphon. He wrote of the floats and indicator-rods of the inflow clepsydra as follows: Water-powered armillary sphere Zhang Heng is the first person known to have applied hydraulic motive power (i.e. by employing a waterwheel and clepsydra) to rotate an armillary sphere, an astronomical instrument representing the celestial sphere. The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC.", "The Greek astronomer Eratosthenes (276–194 BC) invented the first armillary sphere in 255 BC. The Chinese armillary sphere was fully developed by 52 BC, with the astronomer Geng Shouchang's addition of a permanently fixed equatorial ring. In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings.", "In AD 84  the astronomers Fu An and Jia Kui added the ecliptic ring, and finally Zhang Heng added the horizon and meridian rings. This invention is described and attributed to Zhang in quotations by Hsu Chen and Li Shan, referencing his book Lou Shui Chuan Hun Thien I Chieh (Apparatus for Rotating an Armillary Sphere by Clepsydra Water). It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD.", "It was likely not an actual book by Zhang, but a chapter from his Hun I or Hun I Thu Chu, written in 117 AD. His water-powered armillary influenced the design of later Chinese water clocks and led to the discovery of the escapement mechanism by the 8th century. The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China?", "The historian Joseph Needham (1900–1995) states: What were the factors leading to the first escapement clock in China? The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125.", "The chief tradition leading to Yi Xing (AD 725 ) was of course the succession of 'pre-clocks' which had started with Zhang Heng about 125. Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft.", "Reason has been given for believing that these applied power to the slow turning movement of computational armillary spheres and celestial globes by means of a water-wheel using clepsydra drip, which intermittently exerted the force of a lug to act on the teeth of a wheel on a polar-axis shaft. Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century.", "Zhang Heng in his turn had composed this arrangement by uniting the armillary rings of his predecessors into the equatorial armillary sphere, and combining it with the principles of the water-mills and hydraulic trip-hammers which had become so widespread in Chinese culture in the previous century. Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao.", "Zhang did not initiate the Chinese tradition of hydraulic engineering, which began during the mid Zhou Dynasty (c. 6th century BC), through the work of engineers such as Sunshu Ao and Ximen Bao. Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron.", "Zhang's contemporary, Du Shi, (d. AD 38) was the first to apply the motive power of waterwheels to operate the bellows of a blast furnace to make pig iron, and the cupola furnace to make cast iron. Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole.", "Zhang provided a valuable description of his water-powered armillary sphere in the treatise of 125, stating: The equatorial ring goes around the belly of the armillary sphere 91 and 5/19 (degrees) away from the pole. The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator.", "The circle of the ecliptic also goes round the belly of the instrument at an angle of 24 (degrees) with the equator. Thus at the summer solstice the ecliptic is 67 (degrees) and a fraction away from the pole, while at the winter solstice it is 115 (degrees) and a fraction away. Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes.", "Hence (the points) where the ecliptic and the equator intersect should give the north polar distances of the spring and autumn equinoxes. But now (it has been recorded that) the spring equinox is 90 and 1/4 (degrees) away from the pole, and the autumn equinox is 92 and 1/4 (degrees) away. The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar.", "The former figure is adopted only because it agrees with the (results obtained by the) method of measuring solstitial sun shadows as embodied in the Xia (dynasty) calendar. Zhang Heng's water-powered armillary sphere had profound effects on Chinese astronomy and mechanical engineering in later generations. His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl.", "His model and its complex use of gears greatly influenced the water-powered instruments of later astronomers such as Yi Xing (683–727), Zhang Sixun (fl. 10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others.", "10th century), Su Song (1020–1101), Guo Shoujing (1231–1316), and many others. Water-powered armillary spheres in the tradition of Zhang Heng's were used in the eras of the Three Kingdoms (220–280) and Jin Dynasty (266–420), yet the design for it was temporarily out of use between 317 and 418, due to invasions of northern Xiongnu nomads. Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an.", "Zhang Heng's old instruments were recovered in 418, when Emperor Wu of Liu Song (r. 420–422) captured the ancient capital of Chang'an. Although still intact, the graduation marks and the representations of the stars, Moon, Sun, and planets were quite worn down by time and rust. In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully.", "In 436, the emperor ordered Qian Luozhi, the Secretary of the Bureau of Astronomy and Calendar, to recreate Zhang's device, which he managed to do successfully. Qian's water-powered celestial globe was still in use at the time of the Liang Dynasty (502–557), and successive models of water-powered armillary spheres were designed in subsequent dynasties. Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes.", "Zhang's seismoscope From the earliest times, the Chinese were concerned with the destructive force of earthquakes. It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers.", "It was recorded in Sima Qian's Records of the Grand Historian of 91 BC that in 780 BC an earthquake had been powerful enough to divert the courses of three rivers. It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty.", "It was not known at the time that earthquakes were caused by the shifting of tectonic plates in the Earth's crust; instead, the people of the ancient Zhou Dynasty explained them as disturbances with cosmic yin and yang, along with the heavens' displeasure with acts committed (or the common peoples' grievances ignored) by the current ruling dynasty. These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram.", "These theories were ultimately derived from the ancient text of the Yijing (Book of Changes), in its fifty-first hexagram. There were other early theories about earthquakes, developed by those such as the ancient Greeks. Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c.", "Anaxagoras (c. 500–428 BC) believed that they were caused by excess water near the surface crust of the earth bursting into the Earth's hollows; Democritus (c. 460–370 BC) believed that the saturation of the Earth with water caused them; Anaximenes (c. 585–c. 525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays.", "525 BC) believed they were the result of massive pieces of the Earth falling into the cavernous hollows due to drying; and Aristotle (384–322 BC) believed they were caused by instability of vapor (pneuma) caused by the drying of the moist Earth by the Sun's rays. During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\".", "During the Han Dynasty, many learned scholars—including Zhang Heng—believed in the \"oracles of the winds\". These oracles of the occult observed the direction, force, and timing of the winds, to speculate about the operation of the cosmos and to predict events on Earth. These ideas influenced Zhang Heng's views on the cause of earthquakes. In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope.", "In 132, Zhang Heng presented to the Han court what many historians consider to be his most impressive invention, the first seismoscope. A seismoscope records the motions of Earth's shaking, but unlike a seismometer, it does not retain a time record of those motions. It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from.", "It was named \"earthquake weathervane\" (hòufēng dìdòngyí 候風地動儀), and it was able to roughly determine the direction (out of eight directions) where the earthquake came from. According to the Book of Later Han (compiled by Fan Ye in the 5th century), his bronze urn-shaped device, with a swinging pendulum inside, was able to detect the direction of an earthquake hundreds of miles/kilometers away. This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster.", "This was essential for the Han government in sending quick aid and relief to regions devastated by this type of natural disaster. The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device.", "The Book of Later Han records that, on one occasion, Zhang's device was triggered, though no observer had felt any seismic disturbance; several days later a messenger arrived from the west and reported that an earthquake had occurred in Longxi (modern Gansu Province), the same direction that Zhang's device had indicated, and thus the court was forced to admit the efficacy of the device. To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose.", "To indicate the direction of a distant earthquake, Zhang's device dropped a bronze ball from one of eight tubed projections shaped as dragon heads; the ball fell into the mouth of a corresponding metal object shaped as a toad, each representing a direction like the points on a compass rose. His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery.", "His device had eight mobile arms (for all eight directions) connected with cranks having catch mechanisms at the periphery. When tripped, a crank and right angle lever would raise a dragon head and release a ball which had been supported by the lower jaw of the dragon head. His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum.", "His device also included a vertical pin passing through a slot in the crank, a catch device, a pivot on a projection, a sling suspending the pendulum, an attachment for the sling, and a horizontal bar supporting the pendulum. Wang Zhenduo (王振鐸) argued that the technology of the Eastern Han era was sophisticated enough to produce such a device, as evidenced by contemporary levers and cranks used in other devices such as crossbow triggers. Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope.", "Later Chinese of subsequent periods were able to reinvent Zhang's seismoscope. They included the 6th-century mathematician and surveyor Xindu Fang of the Northern Qi Dynasty (550–577) and the astronomer and mathematician Lin Xiaogong of the Sui Dynasty (581–618). Like Zhang, Xindu Fang and Lin Xiaogong were given imperial patronage for their services in craftsmanship of devices for the court. By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope.", "By the time of the Yuan Dynasty (1271–1368), it was acknowledged that all devices previously made were preserved, except for that of the seismoscope. This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found.", "This was discussed by the scholar Zhou Mi around 1290, who remarked that the books of Xindu Fang and Lin Xiaogong detailing their seismological devices were no longer to be found. Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\"", "Horwitz, Kreitner, and Needham speculate if Tang Dynasty (618–907) era seismographs found their way to contemporary Japan; according to Needham, \"instruments of apparently traditional type there in which a pendulum carries pins projecting in many directions and able to pierce a surrounding paper cylinder, have been described.\" Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records.", "Hong-sen Yan states that modern replicas of Zhang's device have failed to reach the level of accuracy and sensitivity described in Chinese historical records. Wang Zhenduo presented two different models of the seismoscope based on the ancient descriptions of Zhang's device. In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum.", "In his 1936 reconstruction, the central pillar (du zhu) of the device was a suspended pendulum acting as a movement sensor, while the central pillar of his second model in 1963 was an inverted pendulum. According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device.", "According to Needham, while working in the Seismological Observatory of Tokyo University in 1939, Akitsune Imamura and Hagiwara made a reconstruction of Zhang's device. While it was John Milne and Wang Zhenduo who argued early on that Zhang's \"central pillar\" was a suspended pendulum, Imamura was the first to propose an inverted model. He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position.", "He argued that transverse shock would have rendered Wang's immobilization mechanism ineffective, as it would not have prevented further motion that could knock other balls out of their position. On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument.", "On June 13, 2005, modern Chinese seismologists announced that they had successfully created a replica of the instrument. Anthony J. Barbieri-Low, a Professor of Early Chinese History at the University of California, Santa Barbara, names Zhang Heng as one of several high-ranking Eastern-Han officials who engaged in crafts that were traditionally reserved for artisans (gong 工), such as mechanical engineering. Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself.", "Barbieri-Low speculates that Zhang only designed his seismoscope, but did not actually craft the device himself. He asserts that this would most likely have been the job of artisans commissioned by Zhang. He writes: \"Zhang Heng was an official of moderately high rank and could not be seen sweating in the foundries with the gong artisans and the government slaves. Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\"", "Most likely, he worked collaboratively with the professional casters and mold makers in the imperial workshops.\" Cartography The Wei (220–265) and Jin Dynasty (266–420) cartographer and official Pei Xiu (224–271) was the first in China to describe in full the geometric grid reference for maps that allowed for precise measurements using a graduated scale, as well as topographical elevation. However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986.", "However, map-making in China had existed since at least the 4th century BC with the Qin state maps found in Gansu in 1986. Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well.", "Pinpointed accuracy of the winding courses of rivers and familiarity with scaled distance had been known since the Qin and Han Dynasty, respectively, as evidenced by their existing maps, while the use of a rectangular grid had been known in China since the Han as well. Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng.", "Historian Howard Nelson states that, although the accounts of Zhang Heng's work in cartography are somewhat vague and sketchy, there is ample written evidence that Pei Xiu derived the use of the rectangular grid reference from the maps of Zhang Heng. Rafe de Crespigny asserts that it was Zhang who established the rectangular grid system in Chinese cartography. Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map.", "Needham points out that the title of his book Flying Bird Calendar may have been a mistake, and that the book is more accurately entitled Bird's Eye Map. Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu).", "Historian Florian C. Reiter notes that Zhang's narrative \"Guitian fu\" contains a phrase about applauding the maps and documents of Confucius of the Zhou Dynasty, which Reiter suggests places maps (tu) on a same level of importance with documents (shu). It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu.", "It is documented that a physical geography map was first presented by Zhang Heng in 116 AD, called a Ti Hsing Thu. Odometer and south-pointing chariot Zhang Heng is often credited with inventing the first odometer, an achievement also attributed to Archimedes (c. 287–212 BC) and Heron of Alexandria (fl. AD 10–70). Similar devices were used by the Roman and Han-Chinese empires at about the same period.", "Similar devices were used by the Roman and Han-Chinese empires at about the same period. By the 3rd century, the Chinese had termed the device the jili guche (, \"li-recording drum carriage\" (the modern measurement of li = 500 m/1640 ft). Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm.", "Ancient Chinese texts describe the mechanical carriage's functions; after one li was traversed, a mechanically driven wooden figure struck a drum, and after ten li had been covered, another wooden figure struck a gong or a bell with its mechanically operated arm. However, there is evidence to suggest that the invention of the odometer was a gradual process in Han Dynasty China that centered on the \"huang men\"—court people (i.e. eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.)", "eunuchs, palace officials, attendants and familiars, actors, acrobats, etc.) who followed the musical procession of the royal \"drum-chariot\". There is speculation that at some time during the 1st century BC the beating of drums and gongs was mechanically driven by the rotation of the road wheels. This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb.", "This might have actually been the design of Luoxia Hong (c. 110 BC), yet by at least 125 the mechanical odometer carriage was already known, as it was depicted in a mural of the Xiao Tang Shan Tomb. The south-pointing chariot was another mechanical device credited to Zhang Heng. It was a non-magnetic compass vehicle in the form of a two-wheeled chariot.", "It was a non-magnetic compass vehicle in the form of a two-wheeled chariot. Differential gears driven by the chariot's wheels allowed a wooden figurine (in the shape of a Chinese state minister) to constantly point to the south, hence its name. The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved.", "The Song Shu (c. AD 500 ) records that Zhang Heng re-invented it from a model used in the Zhou Dynasty era, but the violent collapse of the Han Dynasty unfortunately did not allow it to be preserved. Whether Zhang Heng invented it or not, Ma Jun (200–265) succeeded in creating the chariot in the following century. Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing.", "Legacy Science and technology Zhang Heng's mechanical inventions influenced later Chinese inventors such as Yi Xing, Zhang Sixun, Su Song, and Guo Shoujing. Su Song directly named Zhang's water-powered armillary sphere as the inspiration for his 11th-century clock tower. The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe.", "The cosmic model of nine points of Heaven corresponding with nine regions of earth conceived in the work of the scholar-official Chen Hongmou (1696–1771) followed in the tradition of Zhang's book Spiritual Constitution of the Universe. The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology.", "The seismologist John Milne, who created the modern seismograph in 1876 alongside Thomas Gray and James A. Ewing at the Imperial College of Engineering in Tokyo, commented in 1886 on Zhang Heng's contributions to seismology. The historian Joseph Needham emphasized his contributions to pre-modern Chinese technology, stating that Zhang was noted even in his day for being able to \"make three wheels rotate as if they were one.\" More than one scholar has described Zhang as a polymath.", "More than one scholar has described Zhang as a polymath. However, some scholars also point out that Zhang's writing lacks concrete scientific theories. Comparing Zhang with his contemporary, Ptolemy (83–161) of Roman Egypt, Jin Guantao, Fan Hongye, and Liu Qingfeng state: Based on the theories of his predecessors, Zhang Heng systematically developed the celestial sphere theory. An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory.", "An armillary constructed on the basis of his hypotheses bears a remarkable similarity to Ptolemy's earth-centered theory. However, Zhang Heng did not definitely propose a theoretical model like Ptolemy's earth-centered one. It is astonishing that the celestial model Zhang Heng constructed was almost a physical model of Ptolemy's earth-centered theory. Only a single step separates the celestial globe from the earth-centered theory, but Chinese astronomers never took that step. Here we can see how important the exemplary function of the primitive scientific structure is.", "Here we can see how important the exemplary function of the primitive scientific structure is. In order to use the Euclidean system of geometry as a model for the development of astronomical theory, Ptolemy first had to select hypotheses which could serve as axioms. He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory.", "He naturally regarded circular motion as fundamental and then used the circular motion of deferents and epicycles in his earth-centered theory. Although Zhang Heng understood that the sun, moon and planets move in circles, he lacked a model for a logically structured theory and so could not establish a corresponding astronomical theory. Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories.", "Chinese astronomy was most interested in extracting the algebraic features of planetary motion (that is, the length of the cyclic periods) to establish astronomical theories. Thus astronomy was reduced to arithmetic operations, extracting common multiples and divisors from the observed cyclic motions of the heavenly bodies. Poetic literature Zhang's poetry was widely read during his life and after his death.", "Poetic literature Zhang's poetry was widely read during his life and after his death. In addition to the compilation of Xiao Tong mentioned above, the Eastern Wu official Xue Zong (d. 237) wrote commentary on Zhang's poems \"Dongjing fu\" and \"Xijing fu\". The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet.", "The influential poet Tao Qian wrote that he admired the poetry of Zhang Heng for its \"curbing extravagant diction and aiming at simplicity\", in regards to perceived tranquility and rectitude correlating with the simple but effective language of the poet. Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\".", "Tao wrote that both Zhang Heng and Cai Yong \"avoided inflated language, aiming chiefly at simplicity\", and adding that their \"compositions begin by giving free expression to their fancies but end on a note of quiet, serving admirably to restrain undisciplined and passionate nature\". Posthumous honors Zhang was given great honors in life and in death. The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works.", "The philosopher and poet Fu Xuan (217–278) of the Wei and Jin dynasties once lamented in an essay over the fact that Zhang Heng was never placed in the Ministry of Works. Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world.", "Writing highly of Zhang and the 3rd-century mechanical engineer Ma Jun, Fu Xuan wrote, \"Neither of them was ever an official of the Ministry of Works, and their ingenuity did not benefit the world. When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\"", "When (authorities) employ personnel with no regard to special talent, and having heard of genius neglect even to test it—is this not hateful and disastrous?\" In honor of Zhang's achievements in science and technology, his friend Cui Ziyu (Cui Yuan) wrote a memorial inscription on his burial stele, which has been preserved in the Guwen yuan. Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth.", "Cui stated, \"[Zhang Heng's] mathematical computations exhausted (the riddles of) the heavens and the earth. His inventions were comparable even to those of the Author of Change. The excellence of his talent and the splendour of his art were one with those of the gods.\" The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb.", "The minor official Xiahou Zhan (243–291) of the Wei Dynasty made an inscription for his own commemorative stele to be placed at Zhang Heng's tomb. It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\"", "It read: \"Ever since gentlemen have composed literary texts, none has been as skillful as the Master [Zhang Heng] in choosing his words well ... if only the dead could rise, oh I could then turn to him for a teacher!\" Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite.", "Several things have been named after Zhang in modern times, including the lunar crater Chang Heng, the asteroid 1802 Zhang Heng, and the mineral zhanghengite. In 2018, China launched a research satellite called China Seismo-Electromagnetic Satellite (CSES) which is also named Zhangheng-1 (ZH-1). See also Han poetry Fu (poetry) Return to the Field Yu Xi References Citation Bibliography Asiapac Editorial. (2004). Origins of Chinese Science and Technology. Translated by Yang Liping and Y.N. Han. Singapore: Asiapac Books Pte.", "Han. Singapore: Asiapac Books Pte. Singapore: Asiapac Books Pte. Ltd. . Balchin, Jon. (2003). Science: 100 Scientists Who Changed the World. New York: Enchanted Lion Books. . Barbieri-Low, Anthony J. (2007). Artisans in Early Imperial China. Seattle & London: University of Washington Press. . Declercq, Dominik (1998). Writings Against the State: Political Rhetorics in Third and Fourth Century China. Leiden: Koninklijke Brill NV. Dillon, Michael.", "Leiden: Koninklijke Brill NV. Dillon, Michael. Dillon, Michael. (1998). China: A Historical and Cultural Dictionary. Surrey: Routledge Curzon Press. . Fraser, Ian W. (2014). \"Zhang Heng 张衡\", in Kerry Brown, ed., The Berkshire Dictionary of Chinese Biography (pp. 369–376). Great Barrington, MA: Berkshire Publishing. . Huang, Ray (1997). China: A Macro History.", ". Huang, Ray (1997). China: A Macro History. China: A Macro History. New York: An East Gate Book, M. E. SHARPE Inc. Jones, Kenneth Glyn. (1991). Messier's Nebulae and Star Clusters. Cambridge: Cambridge University Press. . Krebs, Robert E. (2003). The Basics of Earth Science. Westport: Greenwood Press of Greenwood Publishing Group, Inc. . Lewis, Mark Edward (2006). The Construction of Space in Early China.", "The Construction of Space in Early China. The Construction of Space in Early China. New York: State University of New York Press. . Liu, Wu-chi. (1990). An Introduction to Chinese Literature. Westport: Greenwood Press of Greenwood Publishing Group. . Loewe, Michael. (1968). Everyday Life in Early Imperial China during the Han Period 202 BC-AD 220. London: B.T. Batsford Ltd.; New York: G.P. Putnam's Sons. Loewe, Michael. (1990).", "Putnam's Sons. Loewe, Michael. (1990). (1990). \"The Juedi Games: a re-enactment of the battle between Chiyou and Xianyuan\", in Thought and Law in Qin and Han China: Studies dedicated to Anthony Huslewé on the occasion of his eightieth birthday, 140–157, edited by W.L. Idema and E. Zürcher. Leiden: E.J. Brill. . Loewe, Michael. (2005). Faith, Myth, and Reason in Han China. Indianapolis: Hacket Publishing Company, Inc. .", "Indianapolis: Hacket Publishing Company, Inc. . Indianapolis: Hacket Publishing Company, Inc. . Mair, Victor H. (2001). The Columbia History of Chinese Literature. New York: Columbia University Press. . Mansvelt-Beck, B.J. (1990). The Treatises of Later Han: Their Author, Sources, Contents, and Place in Chinese Historiography. Leiden: E.J. Brill. . Minford, John and Joseph S.M. Lau. (2002). Classical Chinese literature: an anthology of translations.", "Classical Chinese literature: an anthology of translations. Classical Chinese literature: an anthology of translations. New York: Columbia University Press. . Morton, W. Scott and Charlton M. Lewis (2005). China: Its History and Culture. New York: McGraw-Hill, Inc. Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965).", "reprinted: Taipei: Caves Books, Ltd. Needham, Joseph (1965). Science and Civilization in China: Volume 4, Part 1: Physics. Cambridge: Cambridge University Press. Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Cambridge: Cambridge University Press. reprinted: Taipei: Caves Books, Ltd. Neinhauser, William H., Charles Hartman, Y.W. Ma, and Stephen H. West. (1986).", "Ma, and Stephen H. West. (1986). (1986). The Indiana Companion to Traditional Chinese Literature: Volume 1. Bloomington: Indiana University Press. . Rowe, William T. (2001). Saving the World: Chen Hongmou and Elite Consciousness in Eighteenth-Century China. Stanford: Stanford University Press. . Stein, S., and M. E. Wysession. (2002). An Introduction to Seismology, Earthquakes, and Earth Structure. London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B.", "London: Wiley-Blackwell. ASIN B010WFPEOO. Wagner, Donald B. Wagner, Donald B. (2001). The State and the Iron Industry in Han China. Copenhagen: Nordic Institute of Asian Studies Publishing. . Wilson, Robin J. (2001). Stamping Through Mathematics. New York: Springer-Verlag New York, Inc. Wright, David Curtis (2001) The History of China. Westport: Greenwood Press. Xiao, Tong and David Knechtges. (1996). Wen Xuan, Or, Selections of Refined Literature.", "Wen Xuan, Or, Selections of Refined Literature. Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. .", "Wen Xuan, Or, Selections of Refined Literature. Princeton: Princeton University Press. . . External links Zhang Heng at Chinaculture.org Zhang Heng at the University of Maine, USA Zhang Heng at the University of St Andrews, Scotland The Early History of Seismology (to 1900) Seismoscope - Research References 2012 78 births 139 deaths 1st-century Chinese poets 2nd-century Chinese poets Ancient Chinese astronomers Ancient Chinese mathematicians Chinese cartographers Chinese Confucianists Chinese ethnographers Chinese geographers Chinese inventors Chinese mechanical engineers Chinese non-fiction writers Chinese scholars Chinese seismologists Engineers from Henan Han dynasty philosophers Han dynasty poets Han dynasty politicians from Henan Han dynasty science writers Hydraulic engineers Mathematicians from Henan Philosophers from Henan Physicists from Henan Poets from Henan Politicians from Nanyang, Henan Technical writers Writers from Nanyang, Henan 2nd-century geographers" ]
[ "Lillian Moller Gilbreth", "Career" ]
C_2a5565a59286404c9b962d2cd426be68_0
What type of work did Lillian do?
1
What type of work did Lillian Moller Gilbreth do?
Lillian Moller Gilbreth
For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. CANNOTANSWER
For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering.
Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was "Life: A Means or an End". Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, "The One Best Way to Do Work," to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a "model of inefficiency." Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and "sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home." The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the "work triangle" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she "interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the "Share the Work" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925. Gilbreth's classes offered to "prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization." Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of "work simplification". Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed "America's first lady of engineering," she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized "the human element in scientific management." Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for "those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References "Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering," in Yost, Edna, "Lillian Moller Gilbreth" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California
true
[ "Lillian Colton (1911 – March 20, 2007) was a crop artist whose work, usually portraits of public figures made from agricultural products such as wild rice, hay, and timothy seeds glued to cardboard, has been prominently displayed at the Minnesota State Fair for many years. She was \"Considered the Andy Warhol of seeds\" according to the Minneapolis Star Tribune.\n\nBiography \n\nColton was born and raised on a farm near Sherburn, Minnesota in rural Martin County. Moving to Owatonna, Minnesota after she married, she ran a beauty shop at her home in Owatonna called Cinderella Clip and Curl for 67 years. Lillian did not start as a crop artist until later in her life. Colton first entered her crop art at the Minnesota State Fair in 1966 and won nine \"best-of-show\" purple ribbons in eleven years.\n\nAccording to Steve Pooch, deputy general manager of the State Fair, \"..Once she attained her level of expertise, there wasn't anybody that could compete. ... Quite frankly, a lot of people didn't want to compete against her.\" As a result, she retired from the State Fair competition in 1983 \"to let others have a chance at winning ribbons\". She continued to be part of the show, though with \"at least 50 of seed art pictures\" displayed in the Fair's Horticulture Building and was hired by the fair to do live demonstrations of crop art techniques for fairgoers. She died of congestive heart failure at her home in Owatonna.\n\nSee also\nCrop art\nFolk art\n\nSources\n Seed Queen: The Story of Crop Art and the Amazing Lillian Colton, by Colleen Sheehy, with a foreword by Karal A. Marling, Minnesota Historical Society,\n Lillian Colton, 1911-2007\n\nReferences\n\nFolk artists\nArtists from Minnesota\nPeople from Martin County, Minnesota\n1911 births\n2007 deaths\nPeople from Owatonna, Minnesota", "Lillian Palmer is the name of:\n\nLillian Palmer (athlete) (1913–2001), Canadian athlete who competed in the 1932 Summer Olympics\nLillian McNeill Palmer (1871–1961), Californian metal work artist, partner of Emily Williams" ]
[ "Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as \"a genius in the art of living.\" Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.", "Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors.", "She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films.", "Both books were later made into feature films. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do.", "Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school.", "So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded.", "It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework.", "She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies.", "In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was \"Life: A Means or an End\". Moller had begun to think of a professional career rather than staying at home after graduation.", "Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry.", "Instead, she studied literature with George Edward Woodberry. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature.", "Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903.", "Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates.", "Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University.", "After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin.", "Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey.", "They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried.", "After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work.", "She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.)", "(Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer.", "However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful.", "The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.", "The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat.", "Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies.", "The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, \"The One Best Way to Do Work,\" to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics.", "Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers.", "Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a \"model of inefficiency.\"", "Her children once described her kitchen as a \"model of inefficiency.\" Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and \"sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home.\" The Gilbreth children often took part in the experiments.", "The Gilbreth children often took part in the experiments. The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the \"work triangle\" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical.", "In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals.", "Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition.", "It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines.", "Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she \"interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs\". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death.", "Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways.", "In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products.", "Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups.", "In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.)", "In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929.", "Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the \"Share the Work\" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment.", "In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy.", "During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education.", "Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916.", "While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925.", "Her first course began in January 1925. Her first course began in January 1925. Gilbreth's classes offered to \"prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization.\" Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930.", "She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures.", "In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women.", "Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of \"work simplification\". Gilbreth retired from Purdue's faculty in 1948.", "Gilbreth retired from Purdue's faculty in 1948. Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University.", "She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home.", "In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory.", "Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed \"America's first lady of engineering,\" she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\"", "Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\" Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools.", "In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana.", "Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management.", "In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers.", "The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for \"those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering\". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates.", "The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank.", "Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972).", "Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions.", "Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers.", "In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member.", "In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year.", "The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S.", "In 1984 the U.S. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame.", "Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness.", "Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history.", "(1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California" ]
[ "Lillian Moller Gilbreth", "Career", "What type of work did Lillian do?", "For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering.", "What other type of work did she do?", "In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors," ]
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What type of books did she write?
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What type of books did Lillian Moller Gilbreth write?
Lillian Moller Gilbreth
For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. CANNOTANSWER
more than fifty papers on a variety of scientific topics.
Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was "Life: A Means or an End". Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, "The One Best Way to Do Work," to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a "model of inefficiency." Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and "sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home." The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the "work triangle" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she "interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the "Share the Work" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925. Gilbreth's classes offered to "prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization." Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of "work simplification". Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed "America's first lady of engineering," she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized "the human element in scientific management." Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for "those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References "Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering," in Yost, Edna, "Lillian Moller Gilbreth" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California
true
[ "Letters to Judy: What Kids Wish They Could Tell You is a book published by Judy Blume in 1986. It is not a novel, but a collection of letters from children with responses from Blume.\n\nBlume quotes correspondence she receives asking for advice, written by readers of her children's books, boys and girls who feel unable to confide in their parents. The letters come from children, ranging from 10 years old through the teens, who write about specific problems most of which Blume has addressed in her novels. Some of these kids are rejected by peers; others feel neglected at home or hurt by divorce. A divorced mother herself, Blume is sympathetic to the young people who write to her and sympathizes with parents as well; she intends this book to help them become more aware of their children's needs.\n\n1986 children's books\nChildren's non-fiction books\nBooks by Judy Blume\nCollections of letters\nAmerican children's books", "This Type of Thinking (Could Do Us In) is the third studio album by American rock band Chevelle. Debuting at No. 8 on the Billboard 200 based on nearly 90,000 copies sold in its first week, it charted higher than its predecessor, Wonder What's Next but did not exceed its debut position. The album did not manage to match its predecessor's commercial success, but was certified platinum. This Type of Thinking follows generally the same heavy style as Wonder What's Next with popular singles like \"Vitamin R\" and \"The Clincher\". It would be the first of two records produced by Michael \"Elvis\" Baskette. This was also the final album featuring bassist Joe Loeffler, who departed from the band in 2005.\n\nBackground and recording\nComing off a highly successful major label debut, Chevelle finishing touring on December 17, 2003. They set out to write a follow-up album from scratch at the onset of the following year in what drummer Sam Loeffler described as a different approach to writing. He also noted how the band felt significant pressure from their label to not simply match but topple the platinum success of Wonder What's Next. In a 2004 interview, Loeffler described the process of approaching This Type of Thinking:\n\"We went home for Christmas and after New Year's we went into the studio and we said, 'All right, we have to write a whole record in basically four months.' We had no songs, so we had to write that whole record and we ended up taking five months. We wanted to go heavy, we wanted to do a lot of double-bass drum, kind of syncopated rhythms, and we wanted to basically write songs that we could bob our heads to. That was sort of where we started. We're a heavy melodic rock band, that's what we like to write, and that's what we like to play. And that's what we did.\"\n\nThis time around, Chevelle opted to produce their own album with the help of Michael \"Elvis\" Baskette. This Type of Thinking would continue the balance of melody and heaviness of its predecessor. And much like the final track on Wonder What's Next, \"Bend the Bracket\" would be recorded simply as an acoustic demo for its unpolished presentation.\n\nCritical reception\n\nAllMusic editor Johnny Loftus observes the album as \"...flatly mixed, lost in depression, and obsessed with rewriting \"Sober\" for a new generation of lank-haired misunderstoods.\"\n\nMelodic calls it \"...a real quality album that you will never get bored of.\", praising the songs \"The Clincher\", \"Vitamin R (Leading Us Along)\" and \"Another Know It All\".\n\nTrack listing\n\nPersonnel\nChevelle\n Pete Loeffler – guitar, vocals\n Joe Loeffler – bass, backing vocals\n Sam Loeffler – drums\n\nTechnical personnel\n Andy Wallace – mixing\n Ben Goldman – A&R\n Christian Lantry – photography\n Dave Holdredge – digital editing, drum programming, engineer\n Eddy Schreyer – mastering\n Farra Mathews – A&R\n Jef Moll – assistant\n Josh Wilbur – digital editing\n Katharina Fritsch – cover sculpture\n Kevin Dean – assistant\n Michael \"Elvis\" Baskette – engineer, producer\n Sean Evans – art direction\n Steve Sisco – assistant\n\nCharts\n\nCertifications\n\nReferences\n\n2004 albums\nAlbums produced by Michael Baskette\nChevelle (band) albums\nEpic Records albums" ]
[ "Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as \"a genius in the art of living.\" Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.", "Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors.", "She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films.", "Both books were later made into feature films. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do.", "Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school.", "So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded.", "It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework.", "She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies.", "In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was \"Life: A Means or an End\". Moller had begun to think of a professional career rather than staying at home after graduation.", "Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry.", "Instead, she studied literature with George Edward Woodberry. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature.", "Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903.", "Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates.", "Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University.", "After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin.", "Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey.", "They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried.", "After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work.", "She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.)", "(Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer.", "However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful.", "The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.", "The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat.", "Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies.", "The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, \"The One Best Way to Do Work,\" to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics.", "Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers.", "Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a \"model of inefficiency.\"", "Her children once described her kitchen as a \"model of inefficiency.\" Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and \"sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home.\" The Gilbreth children often took part in the experiments.", "The Gilbreth children often took part in the experiments. The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the \"work triangle\" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical.", "In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals.", "Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition.", "It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines.", "Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she \"interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs\". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death.", "Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways.", "In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products.", "Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups.", "In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.)", "In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929.", "Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the \"Share the Work\" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment.", "In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy.", "During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education.", "Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916.", "While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925.", "Her first course began in January 1925. Her first course began in January 1925. Gilbreth's classes offered to \"prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization.\" Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930.", "She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures.", "In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women.", "Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of \"work simplification\". Gilbreth retired from Purdue's faculty in 1948.", "Gilbreth retired from Purdue's faculty in 1948. Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University.", "She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home.", "In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory.", "Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed \"America's first lady of engineering,\" she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\"", "Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\" Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools.", "In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana.", "Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management.", "In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers.", "The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for \"those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering\". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates.", "The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank.", "Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972).", "Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions.", "Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers.", "In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member.", "In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year.", "The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S.", "In 1984 the U.S. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame.", "Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness.", "Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history.", "(1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California" ]
[ "Lillian Moller Gilbreth", "Career", "What type of work did Lillian do?", "For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering.", "What other type of work did she do?", "In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors,", "What type of books did she write?", "more than fifty papers on a variety of scientific topics.", "Did she write anything else?", "I don't know." ]
C_2a5565a59286404c9b962d2cd426be68_0
Did she have any other career highlights?
5
In addition to running a business and publishing papers, did Lillian Moller Breth have any other career highlights?
Lillian Moller Gilbreth
For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. CANNOTANSWER
she became the first American engineer ever to create a synthesis of psychology and scientific management.
Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was "Life: A Means or an End". Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, "The One Best Way to Do Work," to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a "model of inefficiency." Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and "sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home." The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the "work triangle" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she "interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the "Share the Work" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925. Gilbreth's classes offered to "prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization." Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of "work simplification". Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed "America's first lady of engineering," she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized "the human element in scientific management." Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for "those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References "Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering," in Yost, Edna, "Lillian Moller Gilbreth" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California
true
[ "John Dufty Lasher (15 November 1932 – 17 June 2015) was a New Zealand rugby league footballer who represented New Zealand.\n\nPlaying career\nLasher played for Richmond and represented Auckland.\n\nIn 1956 he was part of the New Zealand national rugby league team tour of Australia, but he did not play in any of the test matches.\n\nLasher was part of the Auckland side that defeated Great Britain 46-13 on 13 August at Carlaw Park. This was the first televised rugby league match in New Zealand as one hour of edited highlights were shown on AKTV2 that night and other regional channels showed the highlights the following week.\n\nLater years\nLasher also was a sailor and was an international helmsman.\n\nIn 2013 he was named in Richmond’s team of the century. He died on 17 June 2015.\n\nReferences\n\n1932 births\n2015 deaths\nNew Zealand rugby league players\nNew Zealand national rugby league team players\nAuckland rugby league team players\nRugby league hookers\nRichmond Bulldogs players", "Sumthingaboutmaori is an Australian Standardbred mare. She won the Group one (G1) 2003 Australian Trotting Grand Prix, 2004 South Australian Trotters Cup and 2004 Inter Dominion Trotting Championship held at Moonee Valley.\n\nShe was owned and bred by Brian Healy and foaled in 1998. Sumthingaboutmaori was a daughter of Pine Chip, her dam Maori Princess (by Entrepreneur) was out of the famous Maori Miss family.\n\nHer usual driver was Gavin Lang, although throughout her career other drivers were used. She was a horse that may not have had the success of other horses in other eras, but due to her racing nature she endeared herself to the harness racing public, which was highlighted in 2006 when she led out the field for the Inter Dominion final at Moonee Valley as highlights of her career were shown on a big screen.\n\n1998 racehorse births\nStandardbred racehorses bred in Australia\nRacehorses trained in Australia\nInter Dominion Trotting winners" ]
[ "Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as \"a genius in the art of living.\" Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.", "Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors.", "She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films.", "Both books were later made into feature films. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do.", "Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school.", "So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded.", "It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework.", "She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies.", "In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was \"Life: A Means or an End\". Moller had begun to think of a professional career rather than staying at home after graduation.", "Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry.", "Instead, she studied literature with George Edward Woodberry. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature.", "Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903.", "Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates.", "Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University.", "After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin.", "Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey.", "They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried.", "After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work.", "She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.)", "(Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer.", "However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful.", "The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.", "The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat.", "Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies.", "The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, \"The One Best Way to Do Work,\" to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics.", "Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers.", "Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a \"model of inefficiency.\"", "Her children once described her kitchen as a \"model of inefficiency.\" Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and \"sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home.\" The Gilbreth children often took part in the experiments.", "The Gilbreth children often took part in the experiments. The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the \"work triangle\" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical.", "In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals.", "Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition.", "It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines.", "Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she \"interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs\". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death.", "Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways.", "In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products.", "Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups.", "In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.)", "In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929.", "Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the \"Share the Work\" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment.", "In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy.", "During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education.", "Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916.", "While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925.", "Her first course began in January 1925. Her first course began in January 1925. Gilbreth's classes offered to \"prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization.\" Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930.", "She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures.", "In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women.", "Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of \"work simplification\". Gilbreth retired from Purdue's faculty in 1948.", "Gilbreth retired from Purdue's faculty in 1948. Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University.", "She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home.", "In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory.", "Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed \"America's first lady of engineering,\" she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\"", "Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\" Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools.", "In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana.", "Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management.", "In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers.", "The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for \"those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering\". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates.", "The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank.", "Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972).", "Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions.", "Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers.", "In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member.", "In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year.", "The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S.", "In 1984 the U.S. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame.", "Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness.", "Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history.", "(1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California" ]
[ "Lillian Moller Gilbreth", "Career", "What type of work did Lillian do?", "For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering.", "What other type of work did she do?", "In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors,", "What type of books did she write?", "more than fifty papers on a variety of scientific topics.", "Did she write anything else?", "I don't know.", "Did she have any other career highlights?", "she became the first American engineer ever to create a synthesis of psychology and scientific management.", "Why did they write as sole authors?", "I don't know.", "Is there anything else interesting?", "Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college." ]
C_2a5565a59286404c9b962d2cd426be68_0
What other things did the Gilbreths do?
8
Besides joint publications, what other things did the Frank and Lillian Moller Gilbreth do?
Lillian Moller Gilbreth
For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as Industrial and organizational psychology. She helped industrial engineers recognized the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Althhough her credentials included a doctorate in psychology, she is less frequently credited in their joing publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. CANNOTANSWER
The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.
Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as "a genius in the art of living." Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was "Life: A Means or an End". Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, "The One Best Way to Do Work," to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a "model of inefficiency." Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and "sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home." The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the "work triangle" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she "interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the "Share the Work" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925. Gilbreth's classes offered to "prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization." Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of "work simplification". Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed "America's first lady of engineering," she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized "the human element in scientific management." Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for "those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References "Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering," in Yost, Edna, "Lillian Moller Gilbreth" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California
true
[ "A time and motion study (or time-motion study) is a business efficiency technique combining the Time Study work of Frederick Winslow Taylor with the Motion Study work of Frank and Lillian Gilbreth (the same couple as is best known through the biographical 1950 film and book Cheaper by the Dozen). It is a major part of scientific management (Taylorism). After its first introduction, time study developed in the direction of establishing standard times, while motion study evolved into a technique for improving work methods. The two techniques became integrated and refined into a widely accepted method applicable to the improvement and upgrading of work systems. This integrated approach to work system improvement is known as methods engineering and it is applied today to industrial as well as service organizations, including banks, schools and hospitals.\n\nTime studies \nTime study is a direct and continuous observation of a task, using a timekeeping device (e.g., decimal minute stopwatch, computer-assisted electronic stopwatch, and videotape camera) to record the time taken to accomplish a task and it is often used when:\n there are repetitive work cycles of short to long duration,\n wide variety of dissimilar work is performed, or\n process control elements constitute a part of the cycle.\n\nThe Industrial Engineering Terminology Standard, defines time study as \"a work measurement technique consisting of careful time measurement of the task with a time measuring instrument, adjusted for any observed variance from normal effort or pace and to allow adequate time for such items as foreign elements, unavoidable or machine delays, rest to overcome fatigue, and personal needs.\"\n\nThe systems of time and motion studies are frequently assumed to be interchangeable terms, descriptive of equivalent theories. However, the underlying principles and the rationale for the establishment of each respective method are dissimilar, despite originating within the same school of thought.\n\nThe application of science to business problems, and the use of time-study methods in standard setting and the planning of work, was pioneered by Frederick Winslow Taylor. Taylor liaised with factory managers and from the success of these discussions wrote several papers proposing the use of wage-contingent performance standards based on scientific time study. At its most basic level time studies involved breaking down each job into component parts, timing each part and rearranging the parts into the most efficient method of working. By counting and calculating, Taylor wanted to transform management, which was essentially an oral tradition, into a set of calculated and written techniques.\n\nTaylor and his colleagues placed emphasis on the content of a fair day's work, and sought to maximize productivity irrespective of the physiological cost to the worker. For example, Taylor thought unproductive time usage (soldiering) to be the deliberate attempt of workers to promote their best interests and to keep employers ignorant of how fast work could be carried out. This instrumental view of human behavior by Taylor prepared the path for human relations to supersede scientific management in terms of literary success and managerial application.\n\nDirect time study procedure \nFollowing is the procedure developed by Mikell Groover for a direct time study:\n Define and document the standard method.\n Divide the task into work elements.\n These first two steps are conducted prior to the actual timing. They familiarize the analyst with the task and allow the analyst to attempt to improve the work procedure before defining the standard time.\n Time the work elements to obtain the observed time for the task.\n Evaluate the worker's pace relative to standard performance (performance rating), to determine the normal time.\n Note that steps 3 and 4 are accomplished simultaneously. During these steps, several different work cycles are timed, and each cycle performance is rated independently. Finally, the values collected at these steps are averaged to get the normalized time.\n Apply an allowance to the normal time to compute the standard time. The allowance factors that are needed in the work are then added to compute the standard time for the task.\n\nConducting time studies \nAccording to good practice guidelines for production studies a comprehensive time study consists of:\n Study goal setting;\n Experimental design;\n Time data collection;\n Data analysis;\n Reporting.\nEasy analysis of working areas\n\nThe collection of time data can be done in several ways, depending on study goal and environmental conditions. Time and motion data can be captured with a common stopwatch, a handheld computer or a video recorder. There are a number of dedicated software packages used to turn a palmtop or a handheld PC into a time study device. As an alternative, time and motion data can be collected automatically from the memory of computer-control machines (i.e. automated time studies).\n\nCriticisms \nIn response to Taylor's time studies and view of human nature, many strong criticisms and reactions were recorded. Unions, for example, regarded time study as a disguised tool of management designed to standardize and intensify the pace of production. Similarly, individuals such as Gilbreth (1909), Cadbury and Marshall heavily criticized Taylor and pervaded his work with subjectivity. For example, Cadbury in reply to Thompson stated that under scientific management employee skills and initiatives are passed from the individual to management, a view reiterated by Nyland. In addition, Taylor's critics condemned the lack of scientific substance in his time studies, in the sense that they relied heavily on individual interpretations of what workers actually do. However, the value in rationalizing production is indisputable and supported by academics such as Gantt, Ford and Munsterberg, and Taylor society members Mr C.G. Renold, Mr W.H. Jackson and Mr C.B. Thompson.\nProper time studies are based on repeated observation, so that motions performed on the same part differently by one or many workers can be recorded, to determine those values that are truly repetitive and measurable.\n\nMotion studies \nIn contrast to, and motivated by, Taylor's time study methods, the Gilbreths proposed a technical language, allowing for the analysis of the labor process in a scientific context. The Gilbreths made use of scientific insights to develop a study method based upon the analysis of \"work motions\", consisting in part of filming the details of a worker's activities and their body posture while recording the time. The films served two main purposes. One was the visual record of how work had been done, emphasizing areas for improvement. Secondly, the films also served the purpose of training workers about the best way to perform their work. This method allowed the Gilbreths to build on the best elements of these workflows and to create a standardized best practice.\n\nTaylor vs. the Gilbreths \nAlthough for Taylor, motion studies remained subordinate to time studies, the attention he paid to the motion study technique demonstrated the seriousness with which he considered the Gilbreths’ method. The split with Taylor in 1914, on the basis of attitudes to workers, meant the Gilbreths had to argue contrary to the trade unionists, government commissions and Robert Hoxie who believed scientific management was unstoppable. The Gilbreths were charged with the task of proving that motion study particularly, and scientific management generally, increased industrial output in ways which improved and did not detract from workers' mental and physical strength. This was no simple task given the propaganda fuelling the Hoxie report and the consequent union opposition to scientific management. In addition, the Gilbreths credibility and academic success continued to be hampered by Taylor who held the view that motion studies were nothing more than a continuation of his work.\n\nWhile both Taylor and the Gilbreths continue to be criticized for their respective work, it should be remembered that they were writing at a time of industrial reorganization and the emergence of large, complex organizations with new forms of technology. Furthermore, to equate scientific management merely with time and motion study and consequently labor control not only misconceives the scope of scientific management, but also misinterprets Taylor's incentives for proposing a different style of managerial thought.\n\nHealth care time and motion study\nA Health care time and motion study is used to research and track the efficiency and quality of health care workers. In the case of nurses, numerous programs have been initiated to increase the percent of a shift nurses spend providing direct care to patients. Prior to interventions nurses were found to spend ~20% of their time doing direct care. After focused intervention, some hospitals doubled that number, with some even exceeding 70% of shift time with patients, resulting in reduced errors, codes, and falls.\n\nMethods\nExternal observer: Someone visually follows the person being observed, either contemporaneously or via video recording. This method presents additional expense as it usually requires a 1 to 1 ratio of research time to subject time. An advantage is the data can be more consistent, complete, and accurate than with self-reporting.\nSelf-reporting: Self-reported studies require the target to record time and activity data. This can be done contemporaneously by having subjects stop and start a timer when completing a task, through work sampling where the subject records what they are doing at determined or random intervals, or by having the subject journal activities at the end of the day. Self-reporting introduces errors that may not be present through other methods, including errors in temporal perception and memory, as well as the motivation to manipulate the data.\nAutomation: Motion can be tracked with GPS. Documentation activities can be tracked through monitoring software embedded in the applications used to create documentation. Badge scans can also create a log of activity.\n\nSee also \n\n Ergonomics\n Human factors\n Methods-time measurement\n Memo motion\n Predetermined motion time system\n Standard time\n Industrial Engineering\n Evolutionary economics\n\nReferences\n\n \nEconomic efficiency\nIndustrial engineering\nArticles containing video clips", "Frank Bunker Gilbreth (July 7, 1868 – June 14, 1924) was an American engineer, consultant, and author known as an early advocate of scientific management and a pioneer of time and motion study, and is perhaps best known as the father and central figure of Cheaper by the Dozen.\n\nBoth he and his wife Lillian Moller Gilbreth were industrial engineers and efficiency experts who contributed to the study of industrial engineering in fields such as motion study and human factors.\n\nBiography\n\nEarly life and education \nGilbreth was born in Fairfield, Maine, on July 7, 1868. He was the third child and only son of John Hiram Gilbreth and Martha Bunker Gilbreth. His mother had been a schoolteacher. His father owned a hardware store and was a stockbreeder. When Gilbreth was three and a half years old his father died suddenly from pneumonia.\n\nAfter his father's death his mother moved the family to Andover, Massachusetts, to find better schools for her children. The substantial estate left by her husband was managed by her husband's family. By the fall of 1878 the money had been lost or stolen and Martha Gilbreth had to find a way to make a living. She moved the family to Boston where there were good public schools. She opened a boarding house since the salary of a schoolteacher would not support the family.\n\nGilbreth was not a good student. He attended Rice Grammar School, but his mother was concerned enough to teach him at home for a year. He attended Boston's English High School, and his grades improved when he became interested in his science and math classes. He took the entrance examinations for the Massachusetts Institute of Technology, but wanted his mother to be able to give up the boarding house. He decided to go to work rather than to college.\n\nWhidden Construction Company\nRenton Whidden, Gilbreth's old Sunday School teacher, hired him for his building company. He was to start as a laborer, learn the various building trades, and work his way up in the firm. In July 1885 at age 17 he started as a bricklayer's helper. As he learned bricklaying he noticed the many variations in the bricklayers' methods and efficiency. This began his interest in finding \"the one best way\" of executing any task. He quickly learned every part of building work and contracting, and advanced rapidly. He took night school classes to learn mechanical drawing. After five years he was a superintendent, which allowed his mother to give up her boarding house.\n\nUsing his observations of workmen laying brick, Gilbreth developed a multilevel scaffold that kept the bricks within easy reach of the bricklayer. He began patenting his innovations with this \"Vertical Scaffold\", then developed and patented the \"Gilbreth Waterproof Cellar\". He made innovations in concrete construction,as well. After ten years, at age 27, he was the chief superintendent. When after ten years the Whiddens were unwilling to make him a partner, he resigned to start his own company.\n\nCareer as general contractor\nGilbreth founded his own commercial contracting firm on April 1, 1895. For the next fifteen years, \"Frank B. Gilbreth, General Contractor\" and two subsidiary companies would build some 90 large-scale projects across the United States (along with two in Canada), including full scale factories, paper mills, canals, dams and powerhouses. The largest such project was a complete paper mill constructed in Canton, North Carolina in 1907-8, a $2 million facility consisting of more than thirty full-scale industrial buildings.\n\nOne Gilbreth construction project was the Simmons Hardware Company's Sioux City Warehouse. The architects had specified that hundreds of hardened concrete piles (based on Gibreth's own patents for design and installation) were to be driven in to allow the soft ground to take the weight of two million bricks required to construct the building. The \"Time and Motion\" approach could be applied to the bricklaying and the transportation. The building was also required to support efficient input and output of deliveries via its own railroad switching facilities.\n\nGilbreth was also an inventor with thirteen patents, beginning in his years with the Whiddens, and had patent and product management offices in London and Berlin. Other than two projects in Ontario, Canada, he did not build any projects outside the United States.\n\nCareer as efficiency expert\nGilbreth changed careers to efficiency and management engineering with the close of his construction companies in about 1912. He eventually became an occasional lecturer at Purdue University, which houses his papers.\n\nGilbreth discovered his vocation as efficiency expert while still a young construction worker, when he sought ways to make bricklaying faster and easier. During the later part of his contracting career, this grew into a collaboration with his wife, Lillian Moller Gilbreth. Together they studied the work habits of manufacturing and clerical employees in all sorts of industries to find ways to increase output and make their jobs easier. He and Lillian founded a management consulting firm, Frank B. Gilbreth, Inc. (renamed Gilbreth, Inc. after his death), focusing on such endeavors.\n\nGilbreth was also an adamant champion of the \"cost-plus-a-fixed sum\" contract in his building contracting business. He described this method in an article in Industrial Magazine in 1907, comparing it to fixed price and guaranteed maximum price methods. Many of his prolific advertisements throughout the era boast of and recommend this as \"their special method of construction.\"\n\nFamily \nGilbreth married Lillian Evelyn Moller on October 19, 1904, in Oakland, California; they had 12 children. Their names were Anne Moller Gilbreth Barney (1905-1987), Mary Elizabeth Gilbreth (1906–1912), Ernestine Moller Gilbreth Carey (1908-2006), Martha Bunker Gilbreth Tallman (1909-1968), Frank Bunker Gilbreth Jr. (1911-2001), William Moller Gilbreth (1912-1990), Lillian Gilbreth Johnson (1914-2001), Frederick Moller Gilbreth (1916-2015), Daniel Bunker Gilbreth (1917-2006), John Moller Gilbreth (1919-2002), Robert Moller Gilbreth (1920-2007), and Jane Moller Gilbreth Heppes (1922-2006); there was also a stillborn daughter (1915) who was not named.\n\nDeath \nGilbreth died of a heart attack on June 14, 1924, at age 55. He was at the Lackawanna Terminal in Montclair, New Jersey, talking with his wife by telephone. Lillian outlived him by 48 years.\n\nWork\n\nMotion studies \n\nGilbreth served as a major in the U.S. Army during World War I. His assignment was to find quicker and more efficient means of assembling and disassembling small arms. However, he was stricken with rheumatic fever and then pneumonia just weeks into his service, and spent four months in recovery before being discharged. The heart damage from this episode would contribute to his premature death six years later. According to Claude George (1968), Gilbreth reduced all motions of the hand into some combination of 17 basic motions. These included grasp, transport loaded, and hold. Gilbreth named the motions therbligs — \"Gilbreth\" spelled backwards with letters th transposed to their original order. He used a motion picture camera that was calibrated in fractions of minutes to time the smallest of motions in workers.\n\nTheir emphasis on the \"one best way\" and therbligs predates the development of continuous quality improvement (CQI), and the late 20th century understanding that repeated motions can lead to workers experiencing repetitive motion injuries.\n\nGilbreth was the first to propose the position of \"caddy\" (Gilbreth's term) to a surgeon, who handed surgical instruments to the surgeon as needed. Gilbreth also devised the standard techniques used by armies around the world to teach recruits how to rapidly disassemble and reassemble their weapons even when blindfolded or in total darkness.\n\nScientific management \nThe work of the Gilbreths is often associated with that of Frederick Winslow Taylor, yet there was a substantial philosophical difference between the Gilbreths and Taylor. The symbol of Taylorism was the stopwatch; Taylor was concerned primarily with reducing process times. The Gilbreths, in contrast, sought to make processes more efficient by reducing the motions involved. They saw their approach as more concerned with workers' welfare than Taylorism, which workers themselves often perceived as concerned mainly with profit. This difference led to a personal rift between Taylor and the Gilbreths which, after Taylor's death, turned into a feud between the Gilbreths and Taylor's followers. After Frank's death, Lillian Gilbreth took steps to heal the rift; however, some friction remains over questions of history and intellectual property.\n\nFatigue study \nIn conducting their Motion Study method to work, they found that the key to improving work efficiency was in reducing unnecessary motions. Not only were some motions unnecessary, but they caused employee fatigue. Their efforts to reduce fatigue included reduced motions, tool redesign, parts placement, and bench and seating height, for which they began to develop workplace standards. The Gilbreths' work broke ground for contemporary understanding of ergonomics.\n\nLegacy \nFrank and Lillian Gilbreth often used their large family (and Frank himself) as guinea pigs in experiments. Their family exploits are lovingly detailed in the 1948 book Cheaper by the Dozen, written by son Frank Jr. and daughter Ernestine (Ernestine Gilbreth Carey). The book inspired two films of the same name. The first, in 1950, starred Clifton Webb and Myrna Loy. The second, in 2003, starred comedians Steve Martin and Bonnie Hunt, and bears no resemblance to the book, except that it features a family with twelve children, and the wife's maiden name is Gilbreth. A 1952 sequel titled Belles on Their Toes chronicled the adventures of the Gilbreth family after Frank's 1924 death. A later biography of his parents, Time Out For Happiness, was written by Frank Bunker Gilbreth, Jr. alone in 1962.\n\nThe award for lifetime achievement by the Institute of Industrial and Systems Engineers (IISE) is named in Frank and Lillian Gilbreth's honor.\n\nHis maxim of “I will always choose a lazy person to do a difficult job, because a lazy person will find an easy way to do it” is still commonly used today, although it is often misattributed to Bill Gates, who merely repeated the quote but did not originate it.\n\nSelected publications \nFrank and Lillian Gilbreth wrote in collaboration, but Lillian's name was not included on the title page until after she earned her PhD.\n\nReferences\n\nFurther reading\n \n \n \n \n \n Frank Gilbreth Jr. makes several errors of recollection in this otherwise significant letter-memoire.\n\nExternal links \n\n \n \n , comprehensive family and professional history.\n \n , books by and about the Gilbreths and Scientific Management\n An updated history of the Gilbreth family vacation home.\n\n1868 births\n1924 deaths\nAmerican industrial engineers\nAmerican business theorists\nPeople from Fairfield, Maine\nMilitary personnel from Maine\nPurdue University faculty\nPeople from Montclair, New Jersey\nAmerican bricklayers\nTime and motion study\nArticles containing video clips\nHenry Laurence Gantt Medal recipients\nEngineers from New Jersey\nWriters from Maine\nEnglish High School of Boston alumni" ]
[ "Lillian Evelyn Gilbreth ( Moller; May 24, 1878 – January 2, 1972) was an American psychologist, industrial engineer, consultant, and educator who was an early pioneer in applying psychology to time-and-motion studies. She was described in the 1940s as \"a genius in the art of living.\" Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist.", "Gilbreth, one of the first female engineers to earn a Ph.D., is considered to be the first industrial/organizational psychologist. She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors.", "She and her husband, Frank Bunker Gilbreth, were efficiency experts who contributed to the study of industrial engineering, especially in the areas of motion study and human factors. Cheaper by the Dozen (1948) and Belles on Their Toes (1950), written by two of their children (Ernestine and Frank Jr.) tell the story of their family life and describe how time-and-motion studies were applied to the organization and daily activities of their large family. Both books were later made into feature films.", "Both books were later made into feature films. Both books were later made into feature films. Early life and education Lillie Evelyn Moller was born in Oakland, California, on May 24, 1878, to Annie () and William Moller, a builder's supply merchant. She was their second child and the eldest of the family's nine surviving children. Their first child, Anna Adelaide, had died at age four months. Her parents, of German ancestry, were well to-do.", "Her parents, of German ancestry, were well to-do. Educated at home until the age of nine, Moller began formal schooling in the first grade at a public elementary school and was rapidly promoted through the grade levels. She was elected vice president of her senior class at Oakland High School and graduated with exemplary grades in May 1896. Although Moller wanted to go to college, her father was opposed to such education for his daughters. So she did not take all the required college preparatory courses in high school.", "So she did not take all the required college preparatory courses in high school. She did persuade her father to let her try college for a year and was admitted to the University of California on condition she take the missing Latin course in her first semester. In August 1896 Moller was one of 300 entering students. The University of California at that time was housed in four buildings in the hills above the little town of Berkeley. It charged no tuition for California residents and was underfunded.", "It charged no tuition for California residents and was underfunded. Classes were large and many were held in tents. There were no dormitories; men lived in nearby boarding houses and women commuted from home. Moller did well enough during her first year, coming in near the top of her class, that her father agreed to her continuing her education. She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework.", "She commuted from home on the streetcar, and in the evenings helped her mother with the household and her siblings with their homework. She majored in English, also studying philosophy and psychology, and had enough education courses to earn a teaching certificate. She also won a prize for poetry and acted in student plays. In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies.", "In the spring of her senior year the new university president, Benjamin Ide Wheeler, asked her to be one of the student speakers at the commencement ceremonies. On May 16, 1900, she graduated from the university and became the first woman to speak at a University of California commencement. The title of her speech was \"Life: A Means or an End\". Moller had begun to think of a professional career rather than staying at home after graduation.", "Moller had begun to think of a professional career rather than staying at home after graduation. She now wished to be called Lillian, a more dignified name for a university graduate she felt, and left home to enroll in graduate school at Columbia University in New York City. Her literature professor Charles Gayley had suggested she study there with Brander Matthews. Graduate enrollment at Columbia was almost half women at the time, but Matthews would not allow them in his classes. Instead, she studied literature with George Edward Woodberry.", "Instead, she studied literature with George Edward Woodberry. Instead, she studied literature with George Edward Woodberry. A lasting influence was her study with the psychologist Edward Thorndike, newly appointed at Columbia. Though she became ill with pleurisy and was brought home by her father, she continued to refer to him in her later work. Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature.", "Back in California, she returned to the University of California in August 1901 to work toward a master's degree in literature. Under the supervision of Gayley, she wrote a thesis on Ben Jonson's play Bartholomew Fair, and received her master's degree in the spring of 1902. Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903.", "Moller began studies for a Ph.D. at the University of California, but took time off to travel through Europe in the spring of 1903. Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates.", "Following her marriage to Frank Bunker Gilbreth in 1904 and relocation to New York, she completed a dissertation for a doctorate from the University of California, Berkeley, in 1911, but was not awarded the degree due to her noncompliance with residency requirements for doctoral candidates. The dissertation was published as The Psychology of Management: The Function of the Mind in Determining, Teaching and Installing Methods of Least Waste in 1914. After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University.", "After the Gilbreths relocated their family to Providence, Rhode Island, Lillian enrolled at Brown University. She earned a Ph.D. in applied psychology in 1915, which made her the first of the pioneers of industrial management to have a doctorate. The topic of her dissertation was efficient teaching methods and titled Some Aspects of Eliminating Waste in Teaching. Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin.", "Marriage and family Lillian Moller met Frank Bunker Gilbreth in June 1903 in Boston, Massachusetts, en route to Europe with her chaperone, who was Frank's cousin. He had apprenticed in several building trades in the East and established a contracting business with offices in Boston, New York, and London. The couple married on October 19, 1904, in Oakland, California, and settled in New York. They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey.", "They later moved to Providence, Rhode Island, and eventually relocated their family to Montclair, New Jersey. As planned, the Gilbreths became the parents of a large family that included twelve children. One died young in 1912; one was still-born in 1915; and eleven of them lived to adulthood, including Ernestine Gilbreth, Frank Bunker Gilbreth Jr., and Robert Moller Gilbreth. After Frank died of a heart attack on June 14, 1924, Lillian never remarried.", "After Frank died of a heart attack on June 14, 1924, Lillian never remarried. Career For more than forty years, Gilbreth's career combined psychology with the study of scientific management and engineering. She also included her perspectives as a wife and mother in her research, writing, and consulting work. Gilbreth became a pioneer in what is now known as industrial and organizational psychology. She helped industrial engineers recognize the importance of the psychological dimensions of work.", "She helped industrial engineers recognize the importance of the psychological dimensions of work. In addition, she became the first American engineer ever to create a synthesis of psychology and scientific management. (Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.)", "(Gilbreth introduced the concept of using psychology to study management at the Dartmouth College Conference on Scientific Management in 1911.) In addition to jointly running Gilbreth, Incorporated, their business and engineering consulting firm, Lillian and Frank wrote numerous publications as sole authors, as well as co-authoring multiple books and more than fifty papers on a variety of scientific topics. However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer.", "However, in their joint publications Lillian was not always named as a co-author, possibly due to publishers' concerns about a female writer. Although her credentials included a doctorate in psychology, she is less frequently credited in their joint publications than her husband, who did not attend college. The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful.", "The Gilbreths were certain that the revolutionary ideas of Frederick Winslow Taylor would be neither easy to implement nor sufficient; their implementation would require hard work by engineers and psychologists to make them successful. The Gilbreths also believed that scientific management as formulated by Taylor fell short when it came to managing the human element on the shop floor. The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers.", "The Gilbreths helped formulate a constructive critique of Taylorism; this critique had the support of other successful managers. After Frank's passing and the mourning period, Lillian found that the homages to her husband were not a sign of her own taking, when three of her biggest clients didn't renew or cancelled contracts. Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat.", "Close associates offered her employment in their firms, but she wanted to keep Frank's business afloat. Time, motion, and fatigue study Gilbreth and her husband were equal partners in the engineering and management consulting firm of Gilbreth, Incorporated. She continued to lead the company for decades after his death in 1924. The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies.", "The Gilbreths, both pioneers in scientific management, were especially adept at performing time-and-motion studies. They named their methodology the Gilbreth System and used the slogan, \"The One Best Way to Do Work,\" to promote it. The Gilbreths also developed a new technique for their studies that used a motion-picture camera to record work processes. These filmed observations enabled the Gilbreths to redesign machinery to better suit workers' movements to improve efficiency and reduce fatigue. Their research on fatigue study was a forerunner to ergonomics.", "Their research on fatigue study was a forerunner to ergonomics. In addition, the Gilbreths applied a human approach to scientific management to develop innovations in workplace efficiency, such as improved lighting and regular breaks, as well as ideas for workplace psychological well-being, such as suggestion boxes and free books. Domestic management and home economics Gilbreth collaborated with her husband until his death in 1924. Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers.", "Afterwards, she continued to research, write, and teach, in addition to consulting with businesses and manufacturers. She also participated in professional organizations such as the American Society of Mechanical Engineers until her own death nearly fifty years later in 1972. In addition, Gilbreth turned her attention to the home, despite her aversion to housework and the fact that she had long employed full-time household help. Her children once described her kitchen as a \"model of inefficiency.\"", "Her children once described her kitchen as a \"model of inefficiency.\" Due to discrimination within the engineering community, Gilbreth shifted her efforts toward research projects in the female-friendly arena of domestic management and home economics. She applied the principles of scientific management to household tasks and \"sought to provide women with shorter, simpler, and easier ways of doing housework to enable them to seek paid employment outside the home.\" The Gilbreth children often took part in the experiments.", "The Gilbreth children often took part in the experiments. The Gilbreth children often took part in the experiments. In addition, Gilbreth was instrumental in the development of the modern kitchen, creating the \"work triangle\" and linear-kitchen layouts that are often used today. In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical.", "In the late 1920s, she collaborated with Mary E. Dillon, President of Brooklyn Borough Gas Company on the creation of an efficient kitchen, equipped with gas powered appliances and named the Kitchen Practical. Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals.", "Inspired by Dillon's criticisms of her own kitchen, it was designed on three principles: the correct and uniform height of working surfaces; a circular work place; and a general “circular routing of working”, all carefully analyzed to reduce the time and effort required in the preparation of meals. It was unveiled in 1929 at a Women's Exposition.", "It was unveiled in 1929 at a Women's Exposition. She is also credited with the invention of the foot-pedal trash can, adding shelves to the inside of refrigerator doors (including the butter tray and egg keeper), and wall-light switches, all now standard. Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines.", "Gilbreth filed numerous patents for her designs, including one to improve the electric can opener and another for a wastewater hose for washing machines. When Gilbreth was an industrial engineer working at General Electric, she \"interviewed over 4,000 women to design the proper height for stoves, sinks, and other kitchen fixtures as she worked on improving kitchen designs\". After World War I the Gilbreths did pioneering work with in the rehabilitation of war-veteran amputees. Lillian continued consulting with businesses and manufacturers after Frank's death.", "Lillian continued consulting with businesses and manufacturers after Frank's death. Her clients included Johnson & Johnson and Macy's, among others. Lillian spent three years at Macy's to find solutions in their sales and human resource issues. Solutions included changing light fixtures to reduce eye fatigue and eliminating duplicate recordings of sales checks. In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways.", "In 1926, when Johnson & Johnson hired her as a consultant to do marketing research on sanitary napkins, Gilbreth and the firm benefited in three ways. First, Johnson & Johnson could use her training as a psychologist in the measurement and analysis of attitudes and opinions. Second, it could give her experience as an engineer specializing in the interaction between bodies and material objects. Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products.", "Third, her public image as a mother and a modern career woman could help the firm build consumer trust in its products. In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups.", "In addition to her work with Johnson & Johnson, Gilbreth was instrumental in the design of a desk in cooperation with IBM for display at the Chicago World's Fair in 1933 Volunteer work and government service Gilbreth continued her private consulting practice while serving as a volunteer and an adviser to several government agencies and nonprofit groups. In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.)", "In 1927 she became a charter member of the Altrusa Club of New York City, an organization for Professional and Business Women started in 1917 for the purpose of providing community service Gilbreth's government work began as a result of her longtime friendship with Herbert Hoover and his wife Lou Henry Hoover, both of whom she had known in California; (Gilbreth had presided over the Women's Branch of the Engineers' Hoover for President campaign.) Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929.", "Lou Hoover urged Gilbreth to join the Girl Scouts as a consultant in 1929. She remained active in the organization for more than twenty years, becoming a member of its board of directors. During the Great Depression President Hoover appointed Gilbreth to the Organization on Unemployment Relief as head of the \"Share the Work\" program. In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment.", "In 1930, under the Hoover administration, she headed the women's section of the President's Emergency Committee for Employment and helped to gain the cooperation of women's groups for reducing unemployment. During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy.", "During World War II Gilbreth continued advising governmental groups and also provided expertise on education and labor issues (especially women in the workforce) for organizations such as the War Manpower Commission, the Office of War Information, and the U.S. Navy. In her later years, Gilbreth served on the Chemical Warfare Board and on Harry Truman's Civil Defense Advisory Council. During the Korean War she served on the Defense Advisory Committee on Women in the Services. Author and educator Gilbreth had a lifelong interest in teaching and education.", "Author and educator Gilbreth had a lifelong interest in teaching and education. As an undergraduate at the University of California, Berkeley, she took enough education courses to earn a teacher's certificate, and her doctoral dissertation at Brown University was on applying the principles of scientific management to secondary school teaching. While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916.", "While residing in Providence, Rhode Island, Gilbreth and her husband taught free, two-week-long summer schools in scientific management from 1913 to 1916. The Gilbreths also discussed teaching the Gilbreth System of time-and-motion study to members of industry, but it was not until after her husband's death in 1924 that she created a formal motion-study course. Gilbreth presented this idea at the First Prague International Management Congress in Prague in July 1924. Her first course began in January 1925.", "Her first course began in January 1925. Her first course began in January 1925. Gilbreth's classes offered to \"prepare a member of an organization, who has adequate training both in scientific method and in plant problems, to take charge of Motion Study work in that organization.\" Coursework included laboratory projects and field trips to private firms to witness the application of scientific management. She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930.", "She ran a total of seven motion study courses out of her home in Montclair, New Jersey until 1930. To earn additional income to support her large family, Gilbreth delivered numerous addresses to business and industry gatherings, as well as on college and university campuses such as Harvard, Yale, Colgate, the University of Michigan, MIT, Stanford, and Purdue University. In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures.", "In 1925 she succeeded her husband as a visiting lecturer at Purdue, where he had been delivering annual lectures. In 1935 she became a professor of management at Purdue's School of Mechanical Engineering, and the country's first female engineering professor. She was promoted to a full professor at Purdue in 1940. Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women.", "Gilbreth divided her time between Purdue's departments of industrial engineering, industrial psychology, home economics, and the dean's office, where she consulted on careers for women. In cooperation with Marvin Mundel, Gilbreth established and supervised a time-and-motion-study laboratory at Purdue's School of Industrial Engineering. She also demonstrated how time-and-motion studies could be used in agricultural studies and later transferred motion-study techniques to the home economics department under the banner of \"work simplification\". Gilbreth retired from Purdue's faculty in 1948.", "Gilbreth retired from Purdue's faculty in 1948. Gilbreth retired from Purdue's faculty in 1948. After Gilbreth's retirement from Purdue, she continued to travel and deliver lectures. She also taught at several other colleges and universities, and became head of the Newark College of Engineering in 1941. Gilbreth was appointed the Knapp Visiting Professor at the University of Wisconsin's School of Engineering in 1955. She also taught at Bryn Mawr College and Rutgers University.", "She also taught at Bryn Mawr College and Rutgers University. Whilst teaching at Bryn Mawr, she met then student of social economy, Anne Gillespie Shaw, who later worked for Gilbreth Management Consultants, doing commercial research studies and became a lifelong friend and colleague. In 1964, at the age of eighty-six, Gilbreth became resident lecturer at Massachusetts Institute of Technology. In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home.", "In 1968, when her health finally began to fail, Gilbreth retired from her active public life and eventually entered a nursing home. Death and legacy Gilbreth died of a stroke on January 2, 1972, in Phoenix, Arizona at the age of ninety-three. Her ashes were scattered at sea. Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory.", "Gilbreth was best known for her work as an industrial engineer and a pioneer in the field of management theory. Dubbed \"America's first lady of engineering,\" she brought her training in psychology to time-and-motion studies and demonstrated how companies and industries could improve their management techniques, efficiency, and productivity. Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\"", "Gilbreth's extensive research and writings on her own and in collaboration with her husband emphasized \"the human element in scientific management.\" Her expertise and major contribution to the field of scientific management was integrating the psychological and mental processes with the time-and-motion studies. She also helped make these types of studies widely accepted. In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools.", "In addition, Gilbreth was among the first to establish industrial engineering curricula in college and university engineering schools. Gilbreth's book, The Psychology of Management (1914), was an early major work in the history of engineering thought and the first to combine psychology with elements of management theory. Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana.", "Major repositories of Gilbreth materials are at the Archives Center of the Smithsonian National Museum of American History in Washington, D.C., and at Purdue University Library, Archives and Special Collections, at West Lafayette, Indiana. Gilbreth also made contributions on behalf of women. Her pioneering work in industrial engineering influenced women in the field. In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management.", "In addition to her lectures on various engineering topics, she encouraged women to study industrial engineering and management. Purdue awarded its first Ph.D. in engineering to a woman in 1950, two years after Gilbreth retired from the university. Several engineering awards have been named in Gilbreth's honor. The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers.", "The National Academy of Engineering established the Lillian M. Gilbreth Lectureships in 2001 to recognize outstanding young American engineers. The highest honor bestowed by the Institute of Industrial Engineers is the Frank and Lillian Gilbreth Industrial Engineering Award for \"those who have distinguished themselves through contributions to the welfare of mankind in the field of industrial engineering\". The Lillian M. Gilbreth Distinguished Professor award at Purdue University is bestowed on a member of the industrial engineering department. The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates.", "The Society of Women Engineers awards the Lillian Moller Gilbreth Memorial Scholarship to female engineering undergraduates. Two of the Gilbreth children also paid tribute to their mother in books about their family life. Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank.", "Cheaper by the Dozen (1948), a bestseller by Gilbreth's son, Frank Jr., and daughter, Ernestine, was made into a motion picture in 1950 starring Myrna Loy as Lillian and Clifton Webb as Frank. The book's sequel, Belles on Their Toes (1950), also written by Frank Jr. and Ernestine, was made into a motion picture sequel in 1952. Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972).", "Frank Jr. also paid tribute to his mother in Time Out for Happiness (1972). In 2018, the College of Engineering at Purdue University established the prestigious Lillian Gilbreth Postdoctoral Fellowship Program to attract and prepare outstanding individuals with recently awarded PhDs for a career in engineering academia through interdisciplinary research, training, and professional development. Awards and honors Gilbreth received numerous awards and honors for her contributions.", "Awards and honors Gilbreth received numerous awards and honors for her contributions. Gilbreth is the recipient of twenty-three honorary degrees from such schools as Rutgers University, Princeton University, Brown University, Smith College, and the University of Michigan. Her portrait hangs in the National Portrait Gallery. The Gilbreth Engineering Library at Purdue University is named in honor of Lillian and Frank Gilbreth. In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers.", "In 1921 Lillian Gilbreth was the second person to be named an honorary member of the American Society of Industrial Engineers. She joined the British Women's Engineering Society in 1924. Gilbreth was accepted to the membership of the American Society of Mechanical Engineers in 1926, becoming its second female member. In 1931 she received the first Gilbreth Medal, which was initiated in honor of her late husband. In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member.", "In 1941 the Purdue University chapter of Mortar Board, a national honor society, named Gilbreth an honorary member. In 1944 the American Society of Mechanical Engineers awarded Gilbreth and her husband (posthumously) the Henry Laurence Gantt Medal for their contributions to industrial engineering. In 1950 Gilbreth became the first honorary member of the newly created Society of Women Engineers. In 1951 she was awarded the Wallace Clark Award. The University of California's alumni association named Gilbreth the 1954 Alumna of the Year.", "The University of California's alumni association named Gilbreth the 1954 Alumna of the Year. In 1965 Gilbreth became the first woman elected to the National Academy of Engineering. In 1966 Gilbreth became the first woman to receive the Hoover Medal. She was made an honorary Member of the British Women's Engineering Society in 1967. Gilbreth was a recipient of Gold Medal award from the National Institute of Social Sciences. In 1984 the U.S.", "In 1984 the U.S. In 1984 the U.S. Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame.", "Postal Service issued a 40-cent Great Americans series postage stamp in Gilbreth's honor, In 1995, Gilbreth was inducted into the National Women's Hall of Fame. Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness.", "Selected published works A Primer of Scientific Management (1912), co-authored with Frank B. Gilbreth The Psychology of Management: the Function of the Mind in Determining, Teaching and Installing Methods of Least Waste (1914) Motion Models (1915) with Frank B. Gilbreth Applied Motion Study; A collection of papers on the efficient method to industrial preparedness. (1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history.", "(1917) with Frank B. Gilbreth Fatigue Study: The Elimination of Humanity's Greatest Unnecessary Waste; a First Step in Motion Study] (1916) with Frank B. Gilbreth Motion Study for the Handicapped (1920) with Frank B. Gilbreth The Quest of the One Best Way: A Sketch of the Life of Frank Bunker Gilbreth (1925) The Home-maker and Her Job (1927) Living With Our Children (1928) Normal Lives for the Disabled (1948), with Edna Yost The Foreman in Manpower Management (1947), with Alice Rice Cook Management in the Home: Happier Living Through Saving Time and Energy (1954), with Orpha Mae Thomas and Eleanor Clymer As I Remember: An Autobiography (1998), published posthumously Notes References \"Lillian Moller Gilbreth and the Rise of Modern Industrial Engineering,\" in Yost, Edna, \"Lillian Moller Gilbreth\" in Further reading External links Widening Horizons - Dr. Lillian m. Gilbreth Biography Biography and Index to Purdue University Library's vast holdings of Gilbreth papers A 1955 newspaper interview with Gilbreth , comprehensive family and professional history. Podcast (with transcript) of interview with Gilbreth's biographer Jane Lancaster, from the Lemelson Center Lillian Gilbreth Keynote Speech, Society of Women Engineers National Convention, 1957 1878 births 1972 deaths American industrial engineers American people of German descent American women educators American women engineers American women psychologists Brown University alumni Engineers from California Engineers from New Jersey Educators from New Jersey Girl Scouts of the USA people Henry Laurence Gantt Medal recipients People from Montclair, New Jersey People from Phoenix, Arizona Time and motion study University of California, Berkeley alumni Writers from Oakland, California" ]
[ "Luis Antonio Tagle", "Bishop of Imus" ]
C_46b0baa6f2eb4e558d0f6df73e54b517_0
when did he become bishop of Imus?
1
when did Luis Antonio Tagle become bishop of Imus?
Luis Antonio Tagle
In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To respond to the hunger for the Eucharist, priests say many masses, accept multiple intentions and send lay ministers for the service of the Word with communion.... The faithful know the difference between a bible service and Eucharist, a priest and a lay minister. Many communities wait for the gift of the priesthood and the Eucharist with humility. To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: It is sad that those who worship idols sacrifice other people while preserving themselves and their interests. How many factory workers are being denied the right wages for the god of profit? How many women are being sacrificed to the god of domination? How many children are being sacrificed to the god of lust? How many trees, rivers, hills are being sacrificed to the god of "progress"? How many poor people are being sacrificed to the god of greed? How many defenseless people are being sacrificed to the god of national security? CANNOTANSWER
In 2001, Tagle was appointed Bishop of Imus on October 22
Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname "Chito" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called "practical atheism". Dubbed as the "Asian Francis", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using "harsh words" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on "Episcopal Collegiality in the Teaching and Practice of Paul VI". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was "one of the best students I had in over 40 years of teaching" and "could have become the best theologian in the Philippines, or even in all of Asia" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the "History of Vatican II" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a "culture of shame" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a "touching culture" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: "As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims." He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by "an anti-Christian sentiment." He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as "Team Death" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because "what constituted in the past an acceptable way of showing mercy" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: "We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike." As the 2014 session of the synod approached he said he hoped that "the pastoral care of divorced and civilly remarried couples is debated openly and with good will," but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that "Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end. ...We cannot give one formula for all." Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate "M" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est ("It is the Lord!"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a "rupture" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents "continuity" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called "A November Storm: The 'Black Week'" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a "continuity" advocate, assessed Tagle's chapter as "a rich and even comprehensive study", but called it "unbalanced, journalistic, and lacking objectivity expected of a true historian". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make "theological compromises", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that "in the closing section his writing degenerates into sanctimoniousness". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his "full support" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of "listening to all views, especially opposing ones", and was willing to "sacrifice his personal popularity to save the council and its future". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the "rupture theory" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal ("Coffee and Prayer", a pun on the term kape't pandesal or "coffee and salted bread"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. "Luis Antonio Gokim". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012). "Elevation of Filipino archbishop considered a surprise in the Year of Faith". National Catholic Reporter. "The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila
true
[ "The Diocesan Shrine and Parish of the Our Lady of the Pillar - Imus Cathedral, commonly known as the Imus Cathedral, is a Roman Catholic cathedral church in the city of Imus, in the province of Cavite, Philippines. The city, which is the capital of the province, also serves as the seat of the bishop of the Diocese of Imus, the diocese that has jurisdiction over the entire Civil Province of Cavite.\n\nEnshrined inside the cathedral is the original, miraculous and canonically crowned image of Nuestra Senora del Pilar de Imus (Our Lady of the Pillar). The said title of the Blessed Virgin Mary serves as the titular patroness of the Diocese of Imus, Province of Cavite, as implied by then pope, now a saint, John XXIII. John the Baptist is also considered the secondary patron saint of the city. The current parish priest and rector of the cathedral is George Morales, vicar general of the diocese.\n\nThe church itself features the longest Holy Week procession in the province of Cavite, with at least 70 floats and the country's 5th longest overall (the other four being the St Augustine Parish, Baliuag, and San Isidro Labrador, Pulilan, both located in the province of Bulacan, with at least 110 floats per parish, The Our Lady Of the Abandoned in Marikina, with 82 floats, and The Our Lady of Aranzazu San Mateo, Rizal with 76 floats). Currently, the cathedral is being elevated into Cathedral Shrine.\n\nHistory\n\nEstablishment\nIn 1616, the Augustinian Recollects arrived in Imus and established a convent. The parish of Imus started as a chapel-of-ease in Brgy. Toclong, a sub-parish (visita) of Cavite Viejo (now Kawit, Cavite). Recollect Father Pedro de San Buenaventura petitioned the government to convert Imus into an independent municipality in 1774. Imus, though, did not become a separate town and parish until October 3, 1795. Its poblacion (town center) and a provisional church was first established in an area currently known as Brgy. Bayan Luma (Tagalog for 'Old Town'). The parish was under the order of the Augustinian Recollects with Francisco de Santiago, O.A.R., its first assigned priest.\n\nConstruction of the present church\nDuring the leadership of Fr. Nicolas Becerra, who served from 1821 to 1840, he advocated the move of the town center to Brgy. Balangon, its present location. The construction of the parish church of Imus on the new location was started in 1823 using forced labor. The structure was made from stone and bricks. Its facade was patterned after the fifth Manila Cathedral by Fr. Juan de Uguccioni, which existed from 1760 to 1852.\n\nHacienda de San Juan de Imus\nThe early fathers were preoccupied with not just religious matters but also of economic concerns. The friars gradually bought parcels of land while some of these lands were donated by rich families. The Recollects were the first ones to buy parcels of land beginning in 1666 and their haciendas came to being in 1812. These areas, comprising the Hacienda de San Juan de Imus or the Hacienda de Imus (Imus Estate), grew to include the whole towns of Imus, Dasmariñas, and Brgy. Binakayan in Kawit. The estate house of the hacienda, or the house of the friars, was located along Imus River (at the present day Cuartel) at the southern end of the Bridge of Isabel II, a Spanish bridge built by the priest-engineers of the Recollects. Citizens of Imus were required to pay rent to live and tilled the lands of Imus.\n\nSecularization\nThe Hacienda de Imus was sold by the Recollect Corporation on March 31, 1894 to the Fomento de la Agricultura de Filipinas (Promotion of Agriculture in the Philippines), a corporation in Madrid, for 4,000,000 pesetas. It was later sold to the British Manila Estates Company, which eventually sold it to the U.S. controlled Philippine government for $1,045,000 in U.S. currency for distribution to the Filipinos, to win their favor, and to pacify the revolutionaries. The Church of Imus became secular in 1897.\n\nActivities\n\nMinistries \n Parish Youth Ministry\n Ministry of Altar Servers\n Extraordinary Ministers of Holy Communion\n Lay Ministers of the Word\nOur Lady of the Pillar Parish Music Ministry\nincludes: Tinig ng Katedral (est. 1980), Himig Batingaw (est. 1978), etc.\nMinistry of Cantors\n\nRadio Station \n89.5 FM frequency is used by the Parish to broadcast Parish activities such as the recitation of the Rosary for the traditional Good Friday procession. Daily Mass, Vigil and Sunday Masses, as well as Masses for holy days of obligation celebrated in the Cathedral are also transmitted live through the same frequency, broadcasting on a very low power output.\n\nDiocese of Imus\n\nBy virtue of the Apostolic Constitution Christi fidelium promulgated by Pope John XXIII on November 25, 1961, Cavite was created a separate bishopric from Manila after more than three hundred years. On April 29, 1962, the Diocese of Imus was formally erected and established. The then parish church of Imus was chosen to become the cathedral of the diocese, the seat of the bishop of Cavite, with the Virgin Mary under her title Our Lady of the Pillar, its titular patroness. The first leader of the diocese and bishop of Cavite is Artemio Casas, originally from Meycauayan, Bulacan.\n\nBishop of Imus\nThe current bishop of Imus is Reynaldo G. Evangelista, previously bishop of the Diocese of Boac and a native of Batangas, who was appointed by Pope Francis on April 8, 2013, his first pontifical appointment in the Philippines. He replaced Bishop Luis Antonio Tagle (whose paternal ancestry is from Imus) after his installation as the Archbishop of Manila in December 12, 2011. Evangelista was installed as the fifth bishop of Imus on June 5, 2013.\n\nHistorical marker\nThe cathedral was declared a structure of historical significance with the placing of a historical marker by then National Historical Institute of the Philippines on November 13, 2006.\n\nCoronation of the patroness of the Diocese of Imus\nThe image of the patroness of the Imus Cathedral, Our Lady of the Pillar of Imus, was canonically crowned on December 3, 2012 by Luis Antonio Cardinal Tagle. It was originally scheduled for November 26 but the elevation of Archbishop Tagle into a Cardinal by Pope Benedict XVI necessitated the move.\n\nVicariate of Our Lady of the Pillar\nVicariate of Our Lady of the Pillar (City of Imus)\nVicar Forane: Rev Fr. Benjamin Francisco\n\nParishes\nImmaculate Heart of Mary Parish – Bucandala\nMary, Mother of God Parish – Malagasang II\nOur Lady of Fatima Parish – Anabu I\nOur Lady of Fatima Parish – Anabu II\nDiocesan Shrine and Parish of Our Lady of the Pillar - Imus Cathedral – Poblacion (City Proper)\nSt. James the Greater Parish – Buhay na Tubig\nSt. Martha Parish – Greengate, Malagasang II\nHoly Family Parish – Lancaster Estates\n\nOur Lady of the Pillar Parish\n\nChapels\n Mary, Mother of the Good Shepherd Chapel (Palico)\n Our Lady of the Pillar Chapel (Bayan Luma)\n St. Peregrine Chapel (Toclong)\n San Roque Chapel (Pag-asa)\n San Juan Bautista Chapel (Tanzang Luma)\n Our Lady of Fatima Chapel (Villa Leticia)\n Our Lady of the Miraculous Medal (Southern City Subdivision)\n San Lorenzo Ruiz Chapel (Narra Homes Subdivision)\n\nReferences\n\nExternal links\n\n Diocese of Imus videos\n Cavite historical sites\n\nRoman Catholic cathedrals in the Philippines\nRoman Catholic churches in Cavite\nBuildings and structures in Imus\nRoman Catholic churches completed in 1853\n1853 establishments in the Philippines\nMarked Historical Structures of the Philippines\nSpanish Colonial architecture in the Philippines\nNeoclassical architecture in the Philippines\nBaroque Revival architecture\nBaroque church buildings in the Philippines\n19th-century Roman Catholic church buildings in the Philippines", "The Diocesan Seminary of Our Lady of the Pillar is the collegiate seminary of the Diocese of Imus located in Buhay na Tubig, Imus, Cavite in the Philippines. The seminary sits on 2.6-hectare lot.\n\nThe Seminary was established in 1970 through the efforts of Imus Bishop Felix Paz Perez. The seminary used to have a high school department which was phased out at some time.\n\nReferences\n\nSeminaries and theological colleges in the Philippines\nEducation in Imus" ]
[ "Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation.", "Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\".", "Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\". Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing.", "Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using \"harsh words\" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present.", "He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank.", "Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution.", "Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner.", "Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology.", "Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on \"Episcopal Collegiality in the Teaching and Practice of Paul VI\". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University.", "Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was \"one of the best students I had in over 40 years of teaching\" and \"could have become the best theologian in the Philippines, or even in all of Asia\" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages.", "Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus.", "After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay.", "He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the \"History of Vatican II\" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus.", "Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal.", "During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines.", "At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\"", "He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\" He told a news conference that \"The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines.\" Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood.", "Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears.", "At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales.", "He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment.", "According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011.", "Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome.", "In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors.", "Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse.", "Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well.", "He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media.", "He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\"", "He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\" He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\"", "He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\" He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia.", "He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind.", "He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes.", "He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization.", "In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020.", "He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before.", "Tagle himself had been notified the night before. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one.", "When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended.", "On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants.", "On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013.", "Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined.", "In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions.", "He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: \"We have a principle we have to believe in.", "He said: \"We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike.\" As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration.", "As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that \"Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end.", "To have a general rule might be counterproductive in the end. ...We cannot give one formula for all.\" Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops.", "Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'.", "On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003.", "Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay.", "He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996.", "He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge.", "The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila.", "Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19.", "He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See.", "On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese.", "The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate \"M\" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\").", "Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council.", "It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past.", "Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces.", "Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints.", "Tagle's work has been criticized from opposite viewpoints. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\".", "In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\".", "Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle.", "The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable.", "Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\".", "In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger.", "This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment.", "The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church.", "He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him.", "Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN.", "He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. \"Luis Antonio Gokim\". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012).", "Viehland, N.J. (November 5, 2012). Viehland, N.J. (November 5, 2012). \"Elevation of Filipino archbishop considered a surprise in the Year of Faith\". National Catholic Reporter.", "National Catholic Reporter. National Catholic Reporter. \"The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration\", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila" ]
[ "Luis Antonio Tagle", "Bishop of Imus", "when did he become bishop of Imus?", "In 2001, Tagle was appointed Bishop of Imus on October 22" ]
C_46b0baa6f2eb4e558d0f6df73e54b517_0
what did he do before that?
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what did Luis Antonio Tagle do before being appointed Bishop of Imus?
Luis Antonio Tagle
In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To respond to the hunger for the Eucharist, priests say many masses, accept multiple intentions and send lay ministers for the service of the Word with communion.... The faithful know the difference between a bible service and Eucharist, a priest and a lay minister. Many communities wait for the gift of the priesthood and the Eucharist with humility. To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: It is sad that those who worship idols sacrifice other people while preserving themselves and their interests. How many factory workers are being denied the right wages for the god of profit? How many women are being sacrificed to the god of domination? How many children are being sacrificed to the god of lust? How many trees, rivers, hills are being sacrificed to the god of "progress"? How many poor people are being sacrificed to the god of greed? How many defenseless people are being sacrificed to the god of national security? CANNOTANSWER
previously serving as parish priest of the Cathedral-parish of Imus.
Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname "Chito" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called "practical atheism". Dubbed as the "Asian Francis", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using "harsh words" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on "Episcopal Collegiality in the Teaching and Practice of Paul VI". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was "one of the best students I had in over 40 years of teaching" and "could have become the best theologian in the Philippines, or even in all of Asia" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the "History of Vatican II" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a "culture of shame" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a "touching culture" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: "As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims." He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by "an anti-Christian sentiment." He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as "Team Death" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because "what constituted in the past an acceptable way of showing mercy" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: "We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike." As the 2014 session of the synod approached he said he hoped that "the pastoral care of divorced and civilly remarried couples is debated openly and with good will," but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that "Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end. ...We cannot give one formula for all." Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate "M" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est ("It is the Lord!"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a "rupture" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents "continuity" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called "A November Storm: The 'Black Week'" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a "continuity" advocate, assessed Tagle's chapter as "a rich and even comprehensive study", but called it "unbalanced, journalistic, and lacking objectivity expected of a true historian". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make "theological compromises", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that "in the closing section his writing degenerates into sanctimoniousness". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his "full support" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of "listening to all views, especially opposing ones", and was willing to "sacrifice his personal popularity to save the council and its future". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the "rupture theory" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal ("Coffee and Prayer", a pun on the term kape't pandesal or "coffee and salted bread"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. "Luis Antonio Gokim". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012). "Elevation of Filipino archbishop considered a surprise in the Year of Faith". National Catholic Reporter. "The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila
true
[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming" ]
[ "Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation.", "Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\".", "Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\". Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing.", "Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using \"harsh words\" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present.", "He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank.", "Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution.", "Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner.", "Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology.", "Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on \"Episcopal Collegiality in the Teaching and Practice of Paul VI\". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University.", "Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was \"one of the best students I had in over 40 years of teaching\" and \"could have become the best theologian in the Philippines, or even in all of Asia\" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages.", "Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus.", "After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay.", "He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the \"History of Vatican II\" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus.", "Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal.", "During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines.", "At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\"", "He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\" He told a news conference that \"The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines.\" Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood.", "Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears.", "At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales.", "He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment.", "According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011.", "Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome.", "In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors.", "Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse.", "Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well.", "He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media.", "He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\"", "He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\" He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\"", "He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\" He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia.", "He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind.", "He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes.", "He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization.", "In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020.", "He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before.", "Tagle himself had been notified the night before. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one.", "When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended.", "On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants.", "On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013.", "Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined.", "In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions.", "He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: \"We have a principle we have to believe in.", "He said: \"We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike.\" As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration.", "As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that \"Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end.", "To have a general rule might be counterproductive in the end. ...We cannot give one formula for all.\" Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops.", "Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'.", "On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003.", "Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay.", "He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996.", "He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge.", "The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila.", "Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19.", "He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See.", "On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese.", "The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate \"M\" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\").", "Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council.", "It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past.", "Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces.", "Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints.", "Tagle's work has been criticized from opposite viewpoints. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\".", "In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\".", "Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle.", "The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable.", "Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\".", "In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger.", "This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment.", "The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church.", "He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him.", "Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN.", "He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. \"Luis Antonio Gokim\". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012).", "Viehland, N.J. (November 5, 2012). Viehland, N.J. (November 5, 2012). \"Elevation of Filipino archbishop considered a surprise in the Year of Faith\". National Catholic Reporter.", "National Catholic Reporter. National Catholic Reporter. \"The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration\", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila" ]
[ "Luis Antonio Tagle", "Bishop of Imus", "when did he become bishop of Imus?", "In 2001, Tagle was appointed Bishop of Imus on October 22", "what did he do before that?", "previously serving as parish priest of the Cathedral-parish of Imus." ]
C_46b0baa6f2eb4e558d0f6df73e54b517_0
how was his life during his tenure?
3
how was Luis Antonio Tagle's life during his tenure?
Luis Antonio Tagle
In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To respond to the hunger for the Eucharist, priests say many masses, accept multiple intentions and send lay ministers for the service of the Word with communion.... The faithful know the difference between a bible service and Eucharist, a priest and a lay minister. Many communities wait for the gift of the priesthood and the Eucharist with humility. To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: It is sad that those who worship idols sacrifice other people while preserving themselves and their interests. How many factory workers are being denied the right wages for the god of profit? How many women are being sacrificed to the god of domination? How many children are being sacrificed to the god of lust? How many trees, rivers, hills are being sacrificed to the god of "progress"? How many poor people are being sacrificed to the god of greed? How many defenseless people are being sacrificed to the god of national security? CANNOTANSWER
During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal.
Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname "Chito" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called "practical atheism". Dubbed as the "Asian Francis", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using "harsh words" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on "Episcopal Collegiality in the Teaching and Practice of Paul VI". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was "one of the best students I had in over 40 years of teaching" and "could have become the best theologian in the Philippines, or even in all of Asia" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the "History of Vatican II" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a "culture of shame" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a "touching culture" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: "As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims." He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by "an anti-Christian sentiment." He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as "Team Death" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because "what constituted in the past an acceptable way of showing mercy" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: "We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike." As the 2014 session of the synod approached he said he hoped that "the pastoral care of divorced and civilly remarried couples is debated openly and with good will," but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that "Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end. ...We cannot give one formula for all." Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate "M" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est ("It is the Lord!"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a "rupture" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents "continuity" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called "A November Storm: The 'Black Week'" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a "continuity" advocate, assessed Tagle's chapter as "a rich and even comprehensive study", but called it "unbalanced, journalistic, and lacking objectivity expected of a true historian". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make "theological compromises", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that "in the closing section his writing degenerates into sanctimoniousness". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his "full support" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of "listening to all views, especially opposing ones", and was willing to "sacrifice his personal popularity to save the council and its future". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the "rupture theory" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal ("Coffee and Prayer", a pun on the term kape't pandesal or "coffee and salted bread"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. "Luis Antonio Gokim". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012). "Elevation of Filipino archbishop considered a surprise in the Year of Faith". National Catholic Reporter. "The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila
true
[ "Thieto (6 April ? – after 942) was abbot of the Benedictine Abbey of Saint Gall from 933 to 942.\n\nLife \nThe name Thieto appears many times both in the book of vows of Saint Gall and in the monks' registers of the books of fraternisation. Therefore one cannot say anything conclusive about his life before becoming abbot. During his tenure as abbot he is mentioned in documents twice; once in an undated document and once in a certificate by Otto I from 7 April 940, in which Thieto is granted immunity, suffrage and the right of inquisition (German: Inquisitionsrecht). Important for the rest of his tenure was the fire which was far more destructive than the Hungarians' invasion in 926 during the tenure of his predecessor Engilbert. The fire was started by a student and destroyed the majority of the complex. Thieto began reconstruction but did not finish it. He abdicated his office on 31 May 942.\n\nReferences \n\n10th-century deaths\nYear of birth unknown\nYear of death unknown\nAbbots of Saint Gall", "G. G. Vaidya was an Indian career banker who served as the nineteenth Chairman of State Bank of India.\n\nPersonal life \n\nHe has one son, Ashish Vaidya, who like him is also a banker, having worked for HDFC Bank. Ashish Vaidya is currently Head of Trading at the Swiss Bank UBS.\n\nCareer \n\nHe joined the State Bank of India as a probationary officer and served in a number of roles until finally becoming the Chairman of State Bank of India in 1999.\n\nHe served as the nineteenth Chairman of State Bank of India from 1 February 1999 until 31 October 2000.\n\nIt has been claimed that he was largely responsible for the bank's adoption of new technology, primarily the core banking solution known as CBS:\n\nLegacy \nHe was responsible for a number of financial innovations being introduced to the Indian Banking Industry during his tenure. For example, the India Millennium Deposit bonds were introduced during his tenure. The objective of the bonds was to raise deposits from non-resident Indians for the purpose of contributing funds towards India's infrastructure and growth.\n\nIt was also during his tenure that State Bank of India entered the insurance sector and started selling life insurance.\n\nReferences\n\nExternal links \n\n Official Biography\n SBI chairmen\n SBI history\n\nIndian bankers\nState Bank of India\nChairmen of the State Bank of India" ]
[ "Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation.", "Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\".", "Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\". Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing.", "Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using \"harsh words\" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present.", "He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank.", "Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution.", "Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner.", "Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology.", "Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on \"Episcopal Collegiality in the Teaching and Practice of Paul VI\". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University.", "Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was \"one of the best students I had in over 40 years of teaching\" and \"could have become the best theologian in the Philippines, or even in all of Asia\" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages.", "Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus.", "After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay.", "He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the \"History of Vatican II\" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus.", "Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal.", "During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines.", "At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\"", "He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\" He told a news conference that \"The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines.\" Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood.", "Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears.", "At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales.", "He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment.", "According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011.", "Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome.", "In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors.", "Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse.", "Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well.", "He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media.", "He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\"", "He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\" He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\"", "He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\" He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia.", "He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind.", "He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes.", "He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization.", "In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020.", "He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before.", "Tagle himself had been notified the night before. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one.", "When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended.", "On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants.", "On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013.", "Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined.", "In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions.", "He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: \"We have a principle we have to believe in.", "He said: \"We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike.\" As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration.", "As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that \"Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end.", "To have a general rule might be counterproductive in the end. ...We cannot give one formula for all.\" Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops.", "Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'.", "On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003.", "Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay.", "He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996.", "He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge.", "The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila.", "Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19.", "He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See.", "On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese.", "The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate \"M\" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\").", "Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council.", "It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past.", "Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces.", "Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints.", "Tagle's work has been criticized from opposite viewpoints. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\".", "In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\".", "Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle.", "The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable.", "Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\".", "In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger.", "This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment.", "The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church.", "He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him.", "Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN.", "He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. \"Luis Antonio Gokim\". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012).", "Viehland, N.J. (November 5, 2012). Viehland, N.J. (November 5, 2012). \"Elevation of Filipino archbishop considered a surprise in the Year of Faith\". National Catholic Reporter.", "National Catholic Reporter. National Catholic Reporter. \"The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration\", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila" ]
[ "Luis Antonio Tagle", "Bishop of Imus", "when did he become bishop of Imus?", "In 2001, Tagle was appointed Bishop of Imus on October 22", "what did he do before that?", "previously serving as parish priest of the Cathedral-parish of Imus.", "how was his life during his tenure?", "During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal.", "did he ever meet the pope?", "I don't know." ]
C_46b0baa6f2eb4e558d0f6df73e54b517_0
could you tell me more about him please?
5
could you tell me more about Luis Antonio Tagle please besides living simply?
Luis Antonio Tagle
In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To respond to the hunger for the Eucharist, priests say many masses, accept multiple intentions and send lay ministers for the service of the Word with communion.... The faithful know the difference between a bible service and Eucharist, a priest and a lay minister. Many communities wait for the gift of the priesthood and the Eucharist with humility. To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: It is sad that those who worship idols sacrifice other people while preserving themselves and their interests. How many factory workers are being denied the right wages for the god of profit? How many women are being sacrificed to the god of domination? How many children are being sacrificed to the god of lust? How many trees, rivers, hills are being sacrificed to the god of "progress"? How many poor people are being sacrificed to the god of greed? How many defenseless people are being sacrificed to the god of national security? CANNOTANSWER
the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines.
Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname "Chito" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called "practical atheism". Dubbed as the "Asian Francis", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using "harsh words" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on "Episcopal Collegiality in the Teaching and Practice of Paul VI". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was "one of the best students I had in over 40 years of teaching" and "could have become the best theologian in the Philippines, or even in all of Asia" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the "History of Vatican II" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: "we should also ask whether the Church is a good steward of the gift." He told a news conference that "The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines." Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a "culture of shame" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a "touching culture" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: "As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims." He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by "an anti-Christian sentiment." He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as "Team Death" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because "what constituted in the past an acceptable way of showing mercy" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: "We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike." As the 2014 session of the synod approached he said he hoped that "the pastoral care of divorced and civilly remarried couples is debated openly and with good will," but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that "Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end. ...We cannot give one formula for all." Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate "M" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est ("It is the Lord!"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a "rupture" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents "continuity" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called "A November Storm: The 'Black Week'" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a "continuity" advocate, assessed Tagle's chapter as "a rich and even comprehensive study", but called it "unbalanced, journalistic, and lacking objectivity expected of a true historian". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make "theological compromises", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that "in the closing section his writing degenerates into sanctimoniousness". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his "full support" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of "listening to all views, especially opposing ones", and was willing to "sacrifice his personal popularity to save the council and its future". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the "rupture theory" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal ("Coffee and Prayer", a pun on the term kape't pandesal or "coffee and salted bread"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. "Luis Antonio Gokim". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012). "Elevation of Filipino archbishop considered a surprise in the Year of Faith". National Catholic Reporter. "The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila
true
[ "Praise & Worship is an album by the American contemporary gospel music group Commissioned, released on June 13, 2006, on Verity/Legacy Records\n\nTrack listing\n \"Let Me Tell It\" (4:34)\n \"We Shall Behold Him\" (6:35)\n \"Love U with the Rest of My Life\" (5:50)\n \"Please You More\" (6:26)\n \"Everlasting Love\" (5:00)\n \"King of Glory [live]\" (5:40)\n \"'Tis So Sweet [live]\" (3:50)\n \"Unworthy\" (4:34)\n \"You Keep on Blessing Me [live]\" (3:09)\n \"Thank You for Loving Me\" (4:50)\n \"Testify\" (4:26)\n \"I Can't Live Without U [live]\" (5:42)\n\nReferences\n\nCommissioned (gospel group) albums\n2006 albums", "Please Don't Tell Me How The Story Ends: The Publishing Demos is the first release of the demos recorded by Kris Kristofferson between 1968 and 1972 while working as a janitor at Columbia Records. Many of the songs would be rerecorded on later Kristofferson albums or by other artists including Janis Joplin, Al Green, and Johnny Cash.\n\n\"We dusted 'em off, and it was a lot of fun hooking up with my old band members,\" said Kristofferson. \"Did you see Dennis Hopper sent me a telegram for the booklet? It reminded me of the good times we had when music was all that mattered… I'd had five years of intense songwriting and pitching in Nashville, trying to find singers who'd buy my stuff and publishers to finance 'em.\"\n\nTrack listing\nAll songs by Kris Kristofferson except where noted.\n\"Me and Bobby Mcgee (Fred Foster, Kristofferson)\" \n\"Please Don't Tell Me How the Story Ends\"\n\"Smile At Me Again\"\n\"The Lady's Not For Sale\" \n\"Border Lord\" \n\"Just The Other Side Of Nowhere\"\n\"Come Sundown\"\n\"Slow Down\"\n\"If You Don't Like Hank Williams\"\n\"Little Girl Lost\"\n\"Duvalier's Dream\"\n\"When I Loved Her\"\n\"Billy Dee\"\n\"Epitaph (Black and Blue)\" (Donnie Fritts, Kristofferson)\n\"Enough for You\"\n\"Getting By, High, and Strange\"\n\nPersonnel\nKris Kristofferson – guitar, vocals\n\nCharts\n\nReferences\n\nPlease Don't Tell Me How The Story Ends: The Publishing Demos\nPlease Don't Tell Me How The Story Ends: The Publishing Demos\nDemo albums\nLight in the Attic Records compilation albums" ]
[ "Luis Antonio Gokim Tagle ( ; ; born June 21, 1957) is a Filipino prelate (cardinal) of the Catholic Church who has been the Prefect of the Congregation for the Evangelization of Peoples since December 8, 2019. He was the 32nd Archbishop of Manila from 2011 to 2019. Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation.", "Tagle also serves as the president of Caritas International, a federation of Catholic relief, development, and social service organizations, and of the Catholic Biblical Federation. Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\".", "Tagle, who generally prefers to be called by his nickname \"Chito\" rather than by his clerical title, has been involved in many social issues in the Philippines, with emphasis on helping the poor while defending the Catholic Church's opposition to abortion, contraception (equated with abortion in the Philippines), and what he has called \"practical atheism\". Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing.", "Dubbed as the \"Asian Francis\", he is often seen as a representative of the Catholic Church's progressive wing. Tagle has criticized the Catholic Church for using \"harsh words\" to describe LGBT as well as divorced and remarried Catholics, whom he believes should be allowed to receive Holy Communion on a case-by-case basis. He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present.", "He was one of the principal advisors to Pope Francis and is considered a papabile since the 2013 papal conclave up to the present. Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank.", "Early life and studies Tagle was born on June 21, 1957, the eldest child of devout Catholic parents, Manuel Topacio Tagle, an ethnic Tagalog and his Chinese Filipino wife, Milagros Gokim, who previously worked for Equitable PCI Bank. Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution.", "Tagle's paternal grandfather, Florencio, came from Imus, Cavite; the Tagle family were from the Hispanic, lowland Christian aristocracy known as the Principalía, which were the elite prior to the 1896 Philippine Revolution. Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner.", "Florencio was injured by a bomb explosion during the Second World War; Tagle's grandmother made a living by running a local diner. After completing elementary and high school at Saint Andrew's School in Parañaque in 1973, he was influenced by priest friends to enter the Jesuit San José Seminary, which sent him to the Jesuit Ateneo de Manila University. Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology.", "Tagle earned a Bachelor of Arts degree in pre-divinity from Ateneo in 1977 and then a Master of Arts in theology at its Loyola School of Theology. Tagle earned his Doctorate in Sacred Theology at the Catholic University of America from 1987 to 1991. He wrote his dissertation under the direction of Joseph A. Komonchak on \"Episcopal Collegiality in the Teaching and Practice of Paul VI\". Tagle also attended doctrinal courses at the Institute of Pope Paul VI University.", "Tagle also attended doctrinal courses at the Institute of Pope Paul VI University. In Komonchak's estimation, Tagle was \"one of the best students I had in over 40 years of teaching\" and \"could have become the best theologian in the Philippines, or even in all of Asia\" had he not been appointed bishop. Tagle has received honorary degrees from Catholic Theological Union and La Salle University. Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages.", "Tagle is fluent in speaking his native Tagalog language, as well as the English and Italian languages. He is also proficient in reading Spanish, French, and Latin. Priesthood Tagle was ordained in the Diocese of Imus on February 27, 1982. After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus.", "After ordination, he held the following positions: associate pastor of San Agustín Parish – Méndez-Núñez, Cavite (1982–1984), spiritual director (1982–1983) and later rector (1983–1985) of the diocesan seminary of Imus. After studies in the United States from 1985 to 1992, he returned to Imus and was Episcopal Vicar for Religious (1993–1995) and parish priest and rector (1998–2001) of Nuestra Señora del Pilar Cathedral-Parish. He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay.", "He also taught theology at San Carlos Seminary (1982-1985) and Divine Word Seminary in Tagaytay. Pope John Paul II appointed Tagle to the International Theological Commission, where he served from 1997 to 2002 under its President, Cardinal Joseph Ratzinger. From 1995 to 2001, he was a member of the editorial board of the \"History of Vatican II\" project. Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus.", "Bishop of Imus In 2001, Tagle was appointed Bishop of Imus on October 22 and consecrated on December 12 after previously serving as parish priest of the Cathedral-parish of Imus. During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal.", "During his ten years in Imus, he made a point of living simply, owned no car, and invited the destitute to join him for a meal. At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines.", "At the first gathering of bishops under Pope Benedict XVI in 2005, the General Assembly of the Synod of Bishops, he spoke from the floor about the inadequacy of the number of priests in the Philippines. He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\"", "He said: To the concept that priestly vocation are a gift from God he countered: \"we should also ask whether the Church is a good steward of the gift.\" He told a news conference that \"The first Sunday after my ordination as a priest, I said nine Masses, and that is regular in the Philippines.\" Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood.", "Discussing priestly celibacy, Cardinal Angelo Scola, the synod moderator, expressed reservations about modifications to the Church's requirement of celibacy for the priesthood. In response, Tagle suggested that the Church should consider such a change to combat the shortage of priests. At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears.", "At the 2008 International Eucharistic Congress in Quebec, Canada, he delivered a talk on the importance of the Eucharist that, by one report, moved the audience to tears. He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales.", "He contrasted Christian worship with false forms of adoration: Archbishop of Manila Pope Benedict XVI appointed Tagle the 32nd Archbishop of Manila on October 13, 2011, to succeed Cardinal Gaudencio Rosales. According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment.", "According to Father Catalino Arévalo, SJ, the first Asian member of the Vatican's International Theological Commission, Tagle's appointment was promoted by the Papal Nuncio to the Philippines Edward Joseph Adams and by Cardinal Gaudencio Rosales, but some objections were submitted to the Congregation for Bishops, which caused some delay in processing his appointment. Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011.", "Prior to his installation, Tagle made a pilgrimage to the Holy Land in October 2011. He was installed as Archbishop on December 12, 2011, the feast day of Our Lady of Guadalupe and the tenth anniversary of his episcopal consecration. He received the pallium, the symbol of his authority as a metropolitan archbishop, from Pope Benedict XVI on June 29, 2012, in Rome. In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome.", "In February 2012, Tagle attended the Symposium for Healing and Renewal at the Pontifical Gregorian University in Rome. Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors.", "Tagle discussed the way the sex-abuse crisis manifests itself in Asia, where it is more common for priests to violate their vows of celibacy by taking mistresses than to engage in the sexual abuse of minors. Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse.", "Tagle maintained that the deference to authority typical of Asian culture combined with the dominance of the Catholic Church in a country like the Philippines produced a \"culture of shame\" that continued to inhibit the reporting of instances of abuse. He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well.", "He said that culture needed to change though he anticipated great difficulties: He said the fact his country had a \"touching culture\" that created problems of interpretation and mandatory reporting laws would face cultural hurdles as well. On June 12, 2012, Tagle was appointed a member of the Congregation for Catholic Education for a five-year renewable term. That same day, Tagle spoke at the 50th International Eucharistic Congress in Dublin, Ireland. He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media.", "He discussed how the sexual abuse crisis requires the Catholic Church to reevaluate its relationship with the media. He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\"", "He said: \"As we challenge them to be fair and truthful in whatever they are reporting, the Church should also be prepared to be scrutinised by media, provided the norms of fairness and truthfulness are applied to all, especially the victims.\" He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\"", "He decried the tendency of church officials to resent negative media coverage even when accurate, while noting he had witnessed some media coverage in Asia that is tainted by \"an anti-Christian sentiment.\" He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia.", "He also mentioned the various issues which distinguish the experience of the Church in Ireland and similar cases in Asia. On August 4, 2012, Tagle delivered a speech at a prayer rally against the Reproductive Health Bill, which included provisions for the funding and distribution of birth control information and devices; contraception is customarily considered abortion in the Philippines. He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind.", "He advocated for the recognition of women's rights by recognizing their valued role as mothers and wives, deserving of genuine love and respect as reflections of God and a gift to mankind. Tagle also denounced sexual prostitution as an affront to women's femininity. He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes.", "He took a more moderate stance on the legislation than other Philippine bishops, refusing to threaten politicians who supported the legislation with excommunication or to have posters criticizing its supporters as \"Team Death\" distributed in Manila's parishes. Benedict XVI named Tagle as one of the Synod Fathers for the Synod of Bishops on the New Evangelisation on September 18, 2012. In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization.", "In his intervention at that synod, he outlined how he believed the church should approach the process of evangelization. He said: In an interview with Vatican Radio, he explained how his view reflected the experience of Asian and Philippine culture: He served as archbishop of Manila until December 8, 2019 when he was appointed Prefect of the Congregation for the Evangelization of Peoples. He became the apostolic administrator of the metropolitan see until February 9, 2020.", "He became the apostolic administrator of the metropolitan see until February 9, 2020. Auxiliary Bishop Broderick Pabillo temporarily administered the Archdiocese as apostolic administrator from February 10, 2020. On March 25, 2021, Pope Francis named Capiz Archbishop Jose Cardinal Advincula to succeed Tagle as Archbishop of Manila. Cardinal Pope Benedict XVI announced he was elevating Archbishop Tagle to the College of Cardinals on October 24, 2012. Tagle himself had been notified the night before.", "Tagle himself had been notified the night before. Tagle himself had been notified the night before. At that consistory, he was assigned the titular church of San Felice da Cantalice a Centocelle. Tagle was the seventh Filipino to be made a cardinal of the Catholic Church. When he became a cardinal he was the second youngest one.", "When he became a cardinal he was the second youngest one. On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended.", "On November 30, 2012, upon his return to the Philippines, he presided at a thanksgiving Mass at the San Fernando de Dilao Church in Paco, Manila, which President Benigno Aquino III, Vice-President Jejomar Binay, and Mayor Alfredo Lim of Manila attended. On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants.", "On January 31, 2013, Pope Benedict XVI appointed Cardinal Tagle to serve as a member of the Presidential Committee of the Pontifical Council for the Family and the Pontifical Council for the Pastoral Care of Migrants and Itinerants. Tagle was mentioned by some news organizations as a possible candidate for election as pope during the papal conclave that elected Pope Francis in 2013. Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013.", "Tagle led the National Consecration to the Immaculate Heart of Mary at the San Fernando de Dilao Church on June 8, 2013. In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined.", "In a March 2015 interview, Tagle said the Catholic Church needed to develop a new language for addressing homosexuals, unwed mothers, and divorced and remarried Catholics because \"what constituted in the past an acceptable way of showing mercy\" changes and needs to be re-imagined. He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions.", "He said: Following the publication of Pope Francis' encyclical Laudato si', Cardinal Tagle launched a campaign in the Philippines to collect signatures for a petition against anthropogenic global warming caused by carbon dioxide emissions. As the Synod on the Family opened public discussion of allowing divorced and remarried Catholics to receive communion, Tagle said he was open to hearing arguments on the question. He said: \"We have a principle we have to believe in.", "He said: \"We have a principle we have to believe in. But the openness comes on pastoral judgments you have to make in concrete situations, because no two cases are alike.\" As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration.", "As the 2014 session of the synod approached he said he hoped that \"the pastoral care of divorced and civilly remarried couples is debated openly and with good will,\" but emphasized other challenges drawn from his Philippine experience, especially the separation of married couples from one another and their children caused by poverty and migration. After the synod, he said: In 2015, he said that \"Every situation for those who are divorced and remarried is quite unique. To have a general rule might be counterproductive in the end.", "To have a general rule might be counterproductive in the end. ...We cannot give one formula for all.\" Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops.", "Cardinal Tagle is a member of the Congregation for Catholic Education, Congregation for the Evangelization of Peoples, Pontifical Council for the Family, Pontifical Council for the Pastoral Care of Migrants and Itinerant People, Congregation for Institutes of Consecrated Life and Societies of Apostolic Life, Pontifical Council for the Laity, and XIII Ordinary Council of the Secretariat General of the Synod of Bishops. On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'.", "On July 11, 2015, he was made a member of the Pontifical Council 'Cor Unum'. He was also confirmed by Pope Francis as President of the Catholic Biblical Federation on March 5, 2015. On May 14, 2015, he was elected President of Caritas International replacing Cardinal Oscar Rodriguez Maradiaga. Some Catholic media that judge Tagle's views to be too liberal criticized the appointment. Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003.", "Tagle has been Chairman for the Episcopal Commission on the Doctrine of Faith of the Philippines since 2003. Tagle is the Professor of Dogmatic Synthesis at the Graduate School of Theology of San Carlos Seminary, the archdiocesan major seminary of Manila, and an Associate Professor of Systematic Theology at the Loyola School of Theology of Ateneo de Manila University. He also taught at the school of theology of the Divine Word Seminary in Tagaytay.", "He also taught at the school of theology of the Divine Word Seminary in Tagaytay. Congregation for the Evangelization of Peoples Pope Francis named Tagle Prefect of the Congregation for the Evangelization of Peoples on December 8, 2019. Tagle is the second Asian to head that Congregation, following Cardinal Ivan Dias, who was prefect from 2006 to 2011. He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996.", "He is the second Filipino cardinal to lead a congregation of the Roman Curia after Jose Tomas Sanchez, who headed the Congregation for the Clergy from 1991 to 1996. In March 2020, Philippine President Rodrigo Duterte said the Pope had removed Tagle from his post in Manila for channeling church funds to the President's political opponents. The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge.", "The Catholic Bishops' Conference of the Philippines (CBCP) and many individual Philippine prelates denounced Duterte's charge. Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila.", "Pope Francis promoted him to highest rank of cardinal, Cardinal-Bishop, on May 1, 2020; he is the first Filipino to be included in that rank of the College of Cardinals, and he was promoted Cardinal-Bishop but was not appointed to a suburbicarian see just like Cardinals Parolin, Sandri, Ouelet and Filoni, a break with tradition and Canon Law Section 350 On September 10, 2020, Tagle tested positive for COVID-19 upon his arrival in Manila. He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19.", "He was the first head of a Vatican dicastery, as well as the fifth Filipino bishop, to test positive for COVID-19. He had tested negative for the virus in Rome on September 7. He was asymptomatic and was in isolation. Tagle remained asymptomatic and ended his quarantine on September 23. On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See.", "On February 22, 2021, Tagle was appointed by Pope Francis as a new member of the Administration of the Patrimony of the Holy See. Coat of arms The top section depicts Christ as the Good Shepherd and as a fisherman, accompanied by an open Gospel Book inscribed with the letters Alpha and Omega. The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese.", "The middle section is a stylized version of Our Lady of the Pillar, the patroness of his previous diocese. This consists of an Ionic column surmounted by an ornate \"M\" as a symbol for the Virgin Mary, crowned with twelve stars. The bottom depicts a carpenter's square, which signifies Saint Joseph the Worker, along with a lily; these refer to the seminary Tagle attended. Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\").", "Tagle's motto is taken from the John 21:7, Dominus Est (\"It is the Lord!\"). Interpretation of Vatican II Tagle served from 1995 to 2001 as one of more than 50 members of the editorial board of the five-volume, 2,500-page History of Vatican II. Completed after discussions at 14 international conferences with contributions from over 100 scholars, it is seen as the seminal work on the Second Vatican Council. It has been criticized by some conservatives for providing an overly progressive reading of the Council.", "It has been criticized by some conservatives for providing an overly progressive reading of the Council. Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past.", "Its principal editors, Alberto Melloni and Giuseppe Alberigo, are identified with the Bologna School of ecclesiastical history which views the Second Vatican Council as a \"rupture\" with the past, a position criticized by Pope Benedict XVI and others, who hold that Vatican II represents \"continuity\" with the past. Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces.", "Tagle's contribution, written in 1999 when he was not yet a bishop, was a 66-page chapter in the fourth volume of the History called \"A November Storm: The 'Black Week'\" which covered the final days of the Council's third session in 1964, when several actions by Pope Paul VI caused alarm among reform forces. Tagle's work has been criticized from opposite viewpoints.", "Tagle's work has been criticized from opposite viewpoints. Tagle's work has been criticized from opposite viewpoints. In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\".", "In 2005, Archbishop Agostino Marchetto, Secretary of the Pontifical Council for the Pastoral Care of Migrants and Itinerants, a \"continuity\" advocate, assessed Tagle's chapter as \"a rich and even comprehensive study\", but called it \"unbalanced, journalistic, and lacking objectivity expected of a true historian\". Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\".", "Hans Küng, a principal critic of Pope Paul's conservative impact on the Council, endorsed Tagle's view that the Roman Curia's influence on the Pope forced the Council documents to make \"theological compromises\", but said Tagle was unable to develop an explanation or justification for Pope Paul's positions, so that \"in the closing section his writing degenerates into sanctimoniousness\". The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle.", "The Vaticanologist John L. Allen Jr. reported that Cardinal Marc Ouellet, the Holy See's prefect for the Congregation for Bishops and protégé of Pope Benedict XVI, maintains his \"full support\" for Tagle. Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable.", "Allen also reported that a Vatican official indicated that he read Tagle's 1999 essay – after media reports highlighted it – and found nothing objectionable. In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\".", "In fact, he was impressed by Tagle's defense of Paul VI in that Tagle wrote that Paul followed a strategy of \"listening to all views, especially opposing ones\", and was willing to \"sacrifice his personal popularity to save the council and its future\". This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger.", "This official also said that it is difficult to suggest Tagle is opposed to Pope Benedict's reading of the council since one of the sources Tagle cited was the writings of Joseph Ratzinger. The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment.", "The Vatican news analyst Sandro Magister reported that Tagle's identification with the Bologna School would have hurt his chances of becoming a bishop had the members of the Congregation for Bishops – who considered Tagle's candidacy for archbishop – known of it when considering his appointment. In a 2012 interview, Tagle maintained that the Council represented no rupture in the magisterium of the Roman Catholic Church. He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church.", "He added that he does not subscribe to the \"rupture theory\" that the Catholic Church before 1962 is disconnected from the present church. Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him.", "Distinctions Orders : Order of the Holy Sepulchre Academic Far Eastern University: Doctor of Humane Letters honoris causa San Beda College: Doctor of Humane Letters honoris causa (March 30, 2012) De La Salle University–Dasmariñas: Doctor of Humane Letters honoris causa (June 19, 2013) Xavier University - Ateneo de Cagayan: Doctor of Humane Letters honoris causa (August 1, 2013) University of Santo Tomas: Doctor of Humane Letters honoris causa (August 13, 2013) Holy Angel University: Doctor of Humane Letters honoris causa (August 16, 2013) Fordham University: Doctor of Humane Letters honoris causa (March 28, 2014) Australian Catholic University: Doctor of Humane Letters honoris causa (May 17, 2014) The Catholic University of America: Doctor of Theology honoris causa (May 17, 2014) Catholic Theological Union: Doctor of Theology honoris causa (May 14, 2015) La Salle University: Doctor of Humane Letters honoris causa (September 18, 2015) Awards Outstanding Manilan 2013 Fides Award (January 26, 2015) Television While Archbishop of Manila, Tagle continued to perform as a host of The Word Exposed and The Faith Exposed, both Catholic television programs produced by the Jesuit Communications Foundation, which also maintains an official Facebook account for him. He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN.", "He is also the Tuesday presenter of Kape't Pandasal (\"Coffee and Prayer\", a pun on the term kape't pandesal or \"coffee and salted bread\"), an early morning religious inspirational program partly produced by the same network, previously broadcast by ABS-CBN. Notes References Bibliography News articles External links Card. \"Luis Antonio Gokim\". Holy See Press Office. Archived from the original on September 4, 2017. Viehland, N.J. (November 5, 2012).", "Viehland, N.J. (November 5, 2012). Viehland, N.J. (November 5, 2012). \"Elevation of Filipino archbishop considered a surprise in the Year of Faith\". National Catholic Reporter.", "National Catholic Reporter. National Catholic Reporter. \"The Eucharist, the Life of Christ in our Lives: Spiritual Worship and Authentic Adoration\", address to the 49th International Eucharistic Congress, Quebec, June 19, 2008 Roman Catholic Archdiocese of Manila Biography of His Eminence Luis Antonio Tagle, Archbishop of Manila (November 11, 2017 archived copy) 1957 births 21st-century Roman Catholic archbishops in the Philippines Living people Roman Catholic archbishops of Manila Ateneo de Manila University alumni Ateneo de Manila University faculty Cardinals created by Pope Benedict XVI Officials of the Roman Curia Filipino cardinals Filipino people of Chinese descent Members of the Congregation for Catholic Education Tagalog people Members of the Congregation for the Evangelization of Peoples Roman Catholic bishops of Imus Catholic University of America alumni Members of the Order of the Holy Sepulchre Filipino Roman Catholic theologians Roman Catholic Archdiocese of Manila" ]
[ "Greg LeMond", "1990: A third tour win" ]
C_9c9610aa3ce045f884f748c530eec16f_0
How was his third win different?
1
How was Greg LeMond third win different?
Greg LeMond
LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with Z-Tomasso of France. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. LeMond closed in on race leader Claudio Chiappucci, finally overtaking him in the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. CANNOTANSWER
He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team.
Gregory James LeMond (born June 26, 1961) is an American former professional road racing cyclist, entrepreneur, and anti-doping advocate. A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation. LeMond began his professional cycling career in 1981. In 1983, he became the first American male cyclist to win the Road World Championship. LeMond won the Tour de France in 1986; he is the first non-European professional cyclist to win the Tour. He was accidentally shot with pellets and seriously injured while hunting in 1987. Following the shooting, he underwent two surgeries and missed the next two Tours. At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage. He successfully defended his Tour title the following year, becoming one of only eight riders to win three or more Tours. LeMond retired from competition in December 1994 and was inducted into the United States Bicycling Hall of Fame in 1996. He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated. During his career, LeMond championed several technological advancements in pro cycling, including the introduction of aerodynamic "triathlon" handlebars and carbon fiber bicycle frames, which he later marketed through his company LeMond Bicycles. His other business interests have included restaurants, real estate, and consumer fitness equipment. LeMond is a vocal opponent of performance-enhancing drug use in cycling and is a founding board member of 1in6.org, a nonprofit charity that assists male victims of child sex abuse. Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada. His parents are Bob LeMond and Bertha LeMond (d. 2006), and he has two sisters, Kathy and Karen. LeMond grew up living an active, outdoor life. Hiking, hunting, skiing and flyfishing were boyhood pastimes. The ranch country of the Sierra Nevada mountain range lent itself to such pursuits. A hyperactive youngster, LeMond believes these outdoor activities helped keep him out of trouble. "I was a boy who just could not sit still. I had trouble focusing in school. Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD). ADHD certainly was not the frequently medicated childhood disease it is today. My triumph over the symptoms was found atop two thin tires over many dusty miles." Said LeMond: "That's one of the traits. It's the inability to sit down [and listen] to something you are not really interested in and absorb it. If they are interested in it, people with ADD excel in really good ways. When I got into cycling I would say the sport itself took a fog off my brain. I was able to absorb stuff I read. It changed my life." LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports. LeMond soon biked almost daily to high school. He often rode home from Wooster, taking a route over Mt. Rose, along to Incline Village, then south on Hwy 28, then downhill to Carson City, then to his home. LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid. LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category. In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion. LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as "a diamond, a clear diamond." LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race. At age 18, LeMond was selected for the 1980 U.S. Olympic cycling team, the youngest ever to make the team. However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there. Borysewicz, whom LeMond described as his "first real coach," wanted to retain his protégé through the next Olympic cycle and discouraged him from turning pro, but LeMond was determined. Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign. There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality "in the history of the sport to win a major pro-am cycling event [in Europe]." That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif. Guimard said he was impressed with LeMond's spirit, and told him, "You have the fire to be a great champion," before offering him a professional contract for 1981 with Renault. After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States. Despite eventually receiving several other offers to turn professional besides Guimard's, LeMond did not consider them seriously, and he signed with Renault in Paris on the day the 1980 Tour de France finished. Professional career LeMond was an "exceptionally gifted" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit. Respected cycling journalist John Wilcockson, who reported the Tour de France for more than 40 years, described LeMond as a rider who was fuoriclasse. 1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise. He followed with a win in the Coors Classic in the United States, finishing ahead of Sergei Sukhoruchenkov, the 1980 Olympic road champion. The major step forward in 1981 occurred in the Dauphiné Libéré stage race where LeMond placed third. The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault. LeMond missed standing on the podium with race winner Hinault, as Pascal Simon had finished ahead of him. Two weeks later Simon was assessed a 10-minute penalty when it was discovered he had been doping. LeMond considered the race to have been a "major steppingstone" in his career. Said LeMond: "It showed me that I had the kind of climbing ability that you need to win the top European stage races." LeMond won a total of five races in his rookie season of 1981. LeMond broke his collarbone on April 11, 1982, while racing the cycling classic Liège–Bastogne–Liège. The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year. In the men's road race competition, LeMond broke for the line but was out-sprinted by Italian Giuseppe Saronni. Following the race, LeMond's American teammate Jacques Boyer accused LeMond of chasing him down in the final 800 meters. Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly. Boyer placed tenth. Bronze medalist Sean Kelly, a favorite to win the race, was with Saronni when he caught LeMond with about 200 meters to go, but he could not hold his wheel. Said Kelly: "I don't think that Boyer was fading ... He got quite a good gap. Nobody wanted to go after him ... Yes, LeMond chased down Boyer. Boyer was the only man up the road." LeMond was supported by his teammate George Mount, who observed, "What's LeMond going to do? Throw his bike down in front of everybody because Boyer is such a good buddy of everyone? ... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters. LeMond made a good move and a good sprint ... Boyer was not going to win that race. The best he could have got was fifth or sixth place." LeMond did not apologize. The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion. Instead, the highest finisher at the World's was considered the national champion. LeMond had argued for the team to compete as the European teams did, but team management and Boyer voted against him. Thus, unlike the other teams at the world championship, the US riders were competing against each other. Aged 21, LeMond was the first American pro to win a medal at the World's since Frank Kramer took silver in 1912. Said LeMond: "I'm racing for Renault and I'm racing for myself. It's a business and it's my living. To me, that second place was almost as good as winning, especially at my age." Two weeks later, on September 20, 1982, LeMond won the mountainous 12-day, Tour de l'Avenir by a record 10 minutes, 18 seconds. The victory, and the time advantage LeMond held at the end, stunned Europe and provided broad confirmation that LeMond was indeed fuoriclasse. The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so. (Audrey McElmury won in 1969 and Beth Heiden won in 1980.) LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours. 1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification. The following year he was brought across to La Vie Claire to ride in support of team captain Bernard Hinault who had regained his form and was attempting to win his fifth Tour. French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years. In the race Hinault led through the early mountain stages, but suffered a crash and came into difficulty. At this point, it was clear that LeMond was an elite rider capable of winning the Tour in his own right. LeMond possessed a natural talent for riding the Grand Tours, and got stronger over the course of a three-week race. The injured Hinault was vulnerable, and his competitors knew it. Stage 17 included three major climbs in the Pyrenees. On the second, the Col du Tourmalet, LeMond followed Stephen Roche in an attack, but was not given permission to help build on the gap over the field. The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy. The pace Roche could put out by himself eventually slowed, and other riders came up to join the two men. Hinault recovered as well, though he did not regain the lead group. At the end of the stage LeMond was frustrated to the point of tears. He later revealed that team management and his own coach Paul Köchli had misled him as to how far back Hinault had dropped during the crucial Stage 17 mountain stage. Hinault won the 1985 Tour, with LeMond finishing second, 1:42 behind. LeMond had ridden as the dutiful lieutenant, and his support enabled Hinault to win his fifth Tour. In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year. Hoping to end the season on a high note LeMond entered the World Championships road race with the strongest team the United States ever fielded. Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel. Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire. He was however, part of the group that was going to win, and while Hampsten and Keifel survived the race to this point, unfortunately they were too far back to assist LeMond in the final ten kilometers. Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk. Being as he was 38 years old and long past his prime none of the remaining contenders including LeMond, Claudio Corti, Robert Millar, Moreno Argentin or Stephen Roche took the attack seriously initially. Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing. He also had two teammates remaining in Johan Van der Velde and Gerard Veldscholten, assisting him by riding at the front but not actually chasing, therefore slowing the chase group. Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit. LeMond too had nothing left to chase down this final attack feeling that if he did, he wouldn't have anything left for the sprint and wouldn't win any medal at all. In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver. There was no controversy following this silver medal for LeMond and immediately after the race he rode up alongside the Dutchman and congratulated him saying, "Nice ride Joop." For the 1986 Tour, LeMond was a co-leader of the La Vie Claire team alongside Hinault. Hinault's support seemed less certain the closer the race approached. An unspoken condition was that his help would be contingent upon LeMond demonstrating that he was clearly the better rider. Hinault was in superb form, and had the chance to win an unprecedented sixth Tour. Hinault chose to let the Stage 9 individual time trial be the decider for which rider would receive the full support of team La Vie Claire. Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond. LeMond had bad luck during the stage, having suffered a punctured tire requiring a wheel change, and later in the stage a bicycle change was required when he broke a wheel. He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race. In Stage 12, the first mountain stage of the race in the Pyrenees, Hinault attacked the lead group and built up an overall lead. By the end of Stage 12, Hinault had a five-minute lead over LeMond and the other top riders. He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond. He was clearly willing to ride aggressively and take advantage of the opportunities presented. LeMond was never placed in difficulty, except by his own teammate. The following day Hinault broke away again early but was caught and then dropped by LeMond on the final climb of Stage 13, allowing LeMond to gain back four and a half minutes. The next three stages brought the Tour to the Alps. On Stage 17 LeMond and Urs Zimmermann dropped Hinault from the leading group, and the end of the day saw LeMond pulling on the yellow jersey of race leader, the first time it had ever been worn by a rider from the United States. The following day in the Alps saw Hinault attack again early on the first climb, but he was pulled back. Attempting an escape on the descent, he was unable to separate himself from LeMond. The La Vie Claire team leaders were both excellent descenders. As they ascended up the next col they continued to pull away from the field, and maintained the gap as they reached the base of the final climb, the vaunted Alpe d'Huez. They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together. LeMond put an arm around Hinault and gave him a smile and the stage win in a show of unity, but the infighting was not over. Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer. Commenting on the team situation prior to the final individual time trial at Stage 20, LeMond offered the following with a wry smile: "He's attacked me from the beginning of the Tour De France. He's never helped me once, and I don't feel confident at all with him." LeMond had to keep his eye on his teammate and rival throughout the race. Hinault rode aggressively and repeatedly attacked, and the division created in the La Vie Claire team was unmistakable. LeMond would keep the yellow jersey to the end of the race and win his first Tour, but he felt betrayed by Hinault and the La Vie Claire team leadership. LeMond later stated the 1986 Tour was the most difficult and stressful race of his career. 1987–1988: Shooting accident and recovery LeMond had planned to defend his title in the 1987 Tour de France with La Vie Claire, but he was unable to participate. Earlier that year, while riding in the Tirreno–Adriatico spring tune-up race, LeMond fell and fractured his left wrist. He returned to the United States to recover from the injury. The week before returning to Europe, he went turkey hunting on a ranch co-owned by his father in Lincoln, California. LeMond was with Rodney Barber and Patrick Blades, his uncle and brother-in-law. The trio had become separated when Blades, who heard movement behind him, turned and fired through a bush. The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets. LeMond's injuries were life-threatening, but a police helicopter was already airborne near the scene and transported LeMond on a 15-minute air medical flight to the Medical Center at University of California-Davis. LeMond was taken for emergency surgery. He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume. A physician informed LeMond later that he had been within 20 minutes of bleeding to death. The operation saved his life, but four months later he developed a small bowel obstruction due to adhesions that had formed following the shooting. He underwent another surgery to relieve the obstruction and take down the adhesions. Concerned that his team would drop him if they knew the shooting accident required a second surgery, LeMond asked the surgeons to remove his appendix at the same time. He then informed his team that he had had his appendix removed, but the rest of the story was left somewhat vague. The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team. With 35 shotgun pellets still in his body, including three in the lining of his heart and five more embedded in his liver, LeMond attempted to return to racing in 1988. His comeback was hampered by over-training which resulted in tendonitis in his right shin requiring surgery. He missed the Tour for the second year running. Tensions in the relationship between LeMond and PDM were aggravated when LeMond discovered that doping was going on at the PDM squad. The result was that LeMond moved from PDM, one of the strongest teams in the peloton, to ADR, a team based in Belgium. The team was co-sponsored by Coors Light for American races. The deal was completed on New Year's Eve, just hours before LeMond would have been legally obliged to ride another season for the Dutch team. Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours. 1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France. He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall. He started the 1989 Giro d'Italia in May as preparation for the Tour to follow, but struggled in the mountains and was not in contention for any of the leaders' jerseys before the final individual time trial into Florence. LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon. Some of his improvement he attributed to an anti-anemia treatment he received twice during the race. Coming into the 1989 Tour de France LeMond was not considered a contender for the general classification (GC). His own most optimistic hope was to finish his final Tour in the top 20. Without the weight of expectation and other pressures of being a Tour favorite, LeMond surprised observers with a strong ride in the prologue in Luxembourg, finishing fourth out of 198 riders. Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years. LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains. LeMond remained at the front of the race in the Pyrénées, but lost the lead to his former teammate and rival Laurent Fignon on stage 10 in Superbagnères. Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette. The see-saw battle continued, and when Fignon attacked on the upper slopes of Alpe d'Huez LeMond was unable to go with him, placing the yellow jersey back on the shoulders of Fignon. Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris. Fignon had won the Tour twice before, in 1983 and 1984, and was a very capable time trialist. It seemed improbable that LeMond could take 50 seconds off Fignon over the short course. This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world. LeMond had done wind tunnel testing in the off season and perfected his riding position. He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win. Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials. Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory. As LeMond embraced his wife and rejoiced on the Champs-Élysées, Fignon collapsed onto the tarmac, then sat in shock and wept. The final margin of victory of eight seconds was the closest in the Tour's history. LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history. Since then, only the 1994 and 2015 prologues and David Zabriskie's 2005 time trial performance have been faster. The press immediately labeled LeMond's come-from-behind triumph as, "the most astonishing victory in Tour de France history," and while LeMond admitted that it felt almost "too good to be true," he personally rated it as "much more satisfying" than his first overall Tour win in 1986. LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France. Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory. On the final climb of the race LeMond attacked in pursuit of Fignon on his own. Before long he had caught the Frenchman and not long after that the pair could see the lead group in front of them and they were quickly closing the gap. LeMond briefly dropped Fignon and caught the lead group on his own. Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group. Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world. Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders. Rooks also launched an attack to go for the solo victory but was caught by LeMond, Fignon and the others. Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place. LeMond, Konyshev and Kelly were the strongest riders when it came to the final sprint for victory and they finished in that order. After the race LeMond said that he did not feel well and even considered abandoning the race. With two laps to go he began feeling stronger and stated, "I was racing for the Gold medal. I wanted that World Championship. And with one kilometer to go, I knew I could get it." LeMond was only the fifth person in history to win both the Tour de France and the World Championship in the same year. In December, Sports Illustrated magazine named LeMond its 1989 "Sportsman of the Year", the first time a cyclist received the honor. 1990: A third tour win LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with of France, the first time a cyclist had signed a multi-million dollar contract. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. Surprisingly Pensec held the lead through the first high mountain stages, including Alpe d'Huez, but he would lose it soon after to the relative unknown Claudio Chiappucci. LeMond closed in on Chiappucci and on stage 16 he put his stamp of authority on the race during the final climb of Luz Ardiden. Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer. Miguel Induráin was the only rider able to get on LeMond's wheel but it was LeMond dictating the pace all the way up the climb as Chiappucci, Delgado and all of the other favorites fell further and further behind. While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours. Near the end of the stage LeMond sat up and the Spaniard took the stage win, but the devastation of LeMond's competitors was all but complete as there was now only +0:05 between LeMond and the yellow jersey. He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. LeMond's 1990 Tour victory made him one of just five cyclists to win three or more Tours. As of 2021 a total of seven cyclists have won three times or more. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. 1991–1994: Change in the peloton and retirement LeMond felt confident before the 1991 Tour de France. He was the defending champion, trained well and had a solid team to support him. LeMond was among the leaders going into the Stage 8 individual time trial, and he finished second to the Spaniard Miguel Indurain. LeMond felt he was riding extremely well, and though his TT-effort had propelled him into the yellow jersey as leader of the general classification, losing eight seconds to Indurain shook his confidence. He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage. LeMond experienced difficulty on the first climb and he cracked on the Col du Tourmalet, losing significant time to Claudio Chiappucci, and eventual winner Indurain. He continued to race, but was unable to seriously challenge for the lead thereafter, finishing the 1991 Tour seventh overall. In 1992, LeMond won the Tour DuPont, which would be the last major win of his career. He would also have a strong top 10 finish in Paris-Roubaix early in the season. He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia. In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez. While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, "My climbing is not like usual. I've climbed much better in the past Tours. This year I'm just not feeling my usual self." LeMond did extensive endurance training on the road the following winter, but his performances the following spring failed to improve. LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial. He was too exhausted to enter the 1993 Tour de France. Following the 1993 season LeMond hired renowned Dutch physiologist Adrie van Diemen to advise him on a new technique to monitor training and measure performance. The (SRM) power-based training would make use of the watt as a guide to power output. In November 1993 LeMond confided to Samuel Abt that power output in watts would become the key metric. The watt has gained wide acceptance as the best measure of a cyclist's training performance. The following year LeMond began the 1994 Tour de France but found he was unable to race effectively. He had to abandon after the first week before the race had reached the difficult mountain stages. That December, he announced his retirement. At the time the reasons for LeMond's increasing difficulties were not entirely known. At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders. In 2007, however, LeMond speculated that he might not have had the condition after all, and suggested that lead toxicity from the shotgun pellets still embedded in his body might have been responsible, the effects of which were increased by heavy training. LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness. Said LeMond: "Something had changed in cycling. The speeds were faster and riders that I had easily out performed were now dropping me. At the time, the team I was on, Team Z, became more and more demanding, more and more concerned..." He stated he had been told in 1994 that he would need to blood dope in order to win again. He frankly admitted to Abt in 1999: "I figure I had three months that went right for me after the hunting accident," three months in which he won the two Tours and a world road race championship. "The rest were just pure suffering, struggling, fatigue, always tired." In a wide-ranging interview with American novelist Bryan Malessa in 1998, LeMond was asked if his career had not been interrupted by the hunting accident, how did he feel he would compare to five time Tour winners such as Bernard Hinault and Miguel Indurain. LeMond responded: "Of course you can't rewrite racing history, but I'm confident that I would have won five Tours." Two years after his retirement LeMond was inducted into the United States Bicycling Hall of Fame in a ceremony at Rodale Park in Trexlertown, Pennsylvania. The event was held on June 8, 1996, during the U.S. Olympic Cycling Team Trials. In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger. The film centers on LeMond and his former teammate Hinault at the 1986 Tour de France. It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN. Business interests LeMond was a pioneer in the use of carbon fiber bicycle frames in European professional road cycling, and his Tour de France win in 1986 ahead of Bernard Hinault was the first for a carbon-framed bicycle. Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a "Bernard Hinault" Signature Model Look prototype that year. LeMond also won the 1989 Tour de France, the 1989 World Championship, and his final Tour de France in 1990 on carbon fiber frames. These bicycle frames featured "Greg LeMond" branding. LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public. The following year, searching for an equipment edge for Team Z at the 1991 Tour de France, LeMond concluded an exclusive licensing agreement between his company and Carbonframes, Inc., to access the latter's advanced composites technology. Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen. While LeMond briefly led the 1991 Tour overall, riding his Carbonframes-produced "Greg LeMond" bicycle, the company eventually faltered, something LeMond blamed on "under-capitalization" and poor management by his father. Carbonframes and LeMond Cycles "parted amiably two years later." In 1995, with his company allegedly nearly bankrupt, LeMond reached a licensing-agreement with Trek Bicycle Corporation, according to which the Wisconsin-based company would manufacture and distribute bicycles designed with LeMond that would be sold under the "LeMond Bicycles" brand. LeMond would later claim that going into business with Trek "destroyed" his relationship with his father. The lucrative partnership, which generated revenue for Trek in excess of US$100,000,000, would be renewed several times over the course of 13 years, but it ultimately ended in acrimony after LeMond's relationship with Trek deteriorated over his staunch anti-doping advocacy. LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong. Trek president John Burke pressured LeMond to apologize, claiming, "Greg's public comments hurt the LeMond brand and the Trek brand." Burke allegedly justified his demand for an apology by advising that, "As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow." Armstrong reportedly said privately he could "shut him up" by contacting Trek, as documented in affidavits by Frankie and Betsy Andreu released in the 2012 USADA doping report. LeMond issued an apology for his comment. In a 2007 interview, LeMond accused Armstrong of trying to sabotage his relationship with Trek bicycles. In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to "silence" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek. His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular. Trek responded in April 2008, announcing that it was dropping LeMond Bicycles from its product line and that it would sue to sever the licensing agreement. As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand. After nearly two years of litigation, LeMond reached a confidential out-of-court settlement with Trek in February 2010. The settlement permitted the case to be dismissed with prejudice, meaning, "neither side can produce the same claims against one another in a future lawsuit." Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors. LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. "to help individuals achieve their fitness and performance goals and train more effectively." The company's primary business is the development and manufacture of bicycle trainers and indoor exercise bikes for consumers in the United States and internationally. LeMond serves as Chairman of the Board. In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA. In late 2012, LeMond purchased the LeMond Revolution from Hoist, relaunching with a new management team in Minneapolis. Later, he also formed LeMond LLC to introduce a suite of brands. Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons. The team won several stages of the Tour de France, plus the general classification of the 2012 Giro d'Italia. Partnership with Time At the Interbike trade show in September 2013, LeMond announced that he was returning to the business of bicycle manufacture and sales by partnering with French company Time. The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models. LeMond purchased Time Sport USA, the US distributor for the company. Said LeMond: "I'm really excited to be back in the bike industry." Real estate In 2002, LeMond joined his parents-in-law David and Sacia Morris, friend Michael Snow and J.P. Morgan & Co. fund manager Jorge Jasson to invest in the exclusive Yellowstone Club, a Big Sky, Montana, private ski and golf community founded by timber baron Tim Blixseth and his wife Edra. Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort. LeMond also purchased several building lots and maintained a property at the resort. Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake. The Credit Suisse loan was based on a $1.16 billion Cushman & Wakefield valuation of the resort, for which LeMond and partners each sought $11.6 million for their one-percent shares. In 2007, LeMond settled his suit with the Blixseths for $39 million. However, he and his partners remained creditors as the Blixseths defaulted on a $20 million payment (after having already paid the group $18 million). In 2009, the Blixseths divorced and the Club went bankrupt. Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota. LeMond described the restaurant, which was named for its chef (LeMond's brother-in-law), as "a dream of five years come true." Explaining the origin of the concept, LeMond said, "Kathy and I have eaten at the finest establishments in France, Italy and Belgium. Our favorites have always been small places, family-owned." LeMond also partnered in several Bruegger's bagel bakery-café franchises. LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University. In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility. On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia. Broadcasting In 2014, LeMond joined Eurosport as a pundit for the channel's cycling coverage, providing analysis at Paris–Roubaix, the Giro d'Italia and the Tour de France, and hosting his own monthly program LeMond on Cycling. He continued to work for the channel until 2017. Anti-doping stance and controversies LeMond is a longtime vocal opponent of performance-enhancing drug use. He first spoke on-record against doping in cycling after winning the 1989 Tour de France. He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them. Said LeMond: "When I speak out about doping people could translate it and think it was about the riders. Actually I feel like I am an advocate for the riders. I look at them as being treated like lab rats that are test vehicles for the doctors. The doctors, the management, the officials, they're the ones that have corrupted riders. The riders are the only ones that pay the price." LeMond received intense criticism in 2001 when he publicly criticized Lance Armstrong's relationship with Dr. Michele Ferrari. Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes. Upon learning of Armstrong's association with Ferrari, LeMond said: "When Lance won the prologue to the 1999 Tour I was close to tears, but when I heard he was working with Michele Ferrari I was devastated. In the light of Lance's relationship with Ferrari, I just don't want to comment on this year's Tour. This is not sour grapes. I'm disappointed in Lance, that's all it is." LeMond's comments placed him in the center of an anti-doping controversy. About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong "a great champion" and added, "I do not believe, in any way, that he has ever used any performance-enhancing substances. I believe his performances are the result of the same hard work, dedication and focus that were mine 10 years ago." In 2004, LeMond spoke out again. On the heels of successive Tour de France wins by Armstrong, LeMond said, "If Armstrong's clean, it's the greatest comeback. And if he's not, then it's the greatest fraud." He went public with the fallout of his 2001 statement, alleging that Armstrong had threatened to defame him and threatened his business interests as well: "[Armstrong] basically said 'I could find 10 people that will say you took EPO' ... The week after, I got multiple people that were on Lance ... Lance's camp, basically saying 'You better be quiet,' and I was quiet for three years. I have a business ... I have bikes that are sold ... and I was told that my sales might not be doing too well if ... just the publicity, the negative publicity." The same month, LeMond told French newspaper Le Monde that Armstrong was "ready to do anything to keep his secret. I don't know how he can continue to convince everybody of his innocence." At a press conference Armstrong gave in September 2008 to announce his return to cycling, LeMond publicly challenged him with questions about doping. Armstrong appeared angry and interrupted LeMond, telling him it was time to move on. In August 2012, the USADA announced that Armstrong had been issued a lifetime ban from cycling competition due to his involvement in a massive doping scheme. In addition, the USADA stripped Armstrong of his seven Tour de France titles. LeMond has also clashed with fellow Tour rider Floyd Landis regarding the doping issue. On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France. Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify. The major points of the testimony were: In the August 6 conversation, LeMond said he told Landis that "If you did (admit to having used banned substances), you could single-handedly change the sport. You could be the one who will salvage the sport." LeMond said Landis responded by saying "What good would it do? If I did, it would destroy a lot of my friends and hurt a lot of people." In their conversation, LeMond had disclosed his history of childhood sexual abuse to Landis and said the secret had nearly destroyed him. LeMond stated he warned Landis. "(Lying about doping) will come back to haunt you when you are 40 or 50. If you have a moral compass and ethics, this will destroy you." Will Geoghegan attempted to stop LeMond's testimony by calling LeMond on his mobile phone. LeMond reported that Geoghegan claimed he was "his uncle" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse. LeMond's BlackBerry, with Geoghegan's phone number captured in the call log, was entered into evidence. In 2007, Landis was found guilty of doping and was banned from cycling for two years. In 2010, he admitted to having been involved in doping. Also in 2010, Landis apologized to LeMond for the events of 2007. On July 23, 2009, LeMond wrote an opinion article in the French newspaper Le Monde where he questioned the validity of Alberto Contador's climb up Verbier in the 2009 Tour de France. In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete. Said LeMond: "The burden is then on Alberto Contador to prove he is physically capable of performing this feat without the use of performance-enhancing products." Contador tested positive for clenbuterol after winning the 2010 Tour and was later stripped of his title and suspended from cycling for two years. LeMond has criticized the UCI and its former president, Pat McQuaid. In December 2012, LeMond claimed that a change needed to be made in the leadership for the UCI and stated if called upon he would be willing to take the position himself if necessary to lead cycling out of the mire of doping. Said LeMond: "It is now or never to act. After the earthquake caused by the Armstrong case another chance will not arise. I am willing to invest to make this institution more democratic, transparent and look for the best candidate in the longer term." McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond. Ultimately McQuaid was defeated in his bid for a third term by British Cycling president Brian Cookson at the September 2013 UCI Congress in Florence, Italy. Lemond had supported Cookson in the UCI Presidential battle. Personal life LeMond is married to Kathy (née Morris) and together they have three children: sons Geoffrey and Scott, and daughter Simone. LeMond and his wife lived in Medina, Minnesota, from 1990 until 2017 and then moved to Oak Ridge, Tennessee. Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse). LeMond is an avid outdoor enthusiast and fly angler, and in 1991 – while still racing full-time – he made the world-record fly fishing catch of a four-pound smallmouth bass on a reel with a four-pound tippet. The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin. The catch exceeded the then-previous record of three pounds, six ounces made on the same size tippet back in 1986. LeMond confessed, "I always pack my fly fishing equipment when I travel to bike events. I fish every chance I get." After retiring from pro cycling, LeMond competed in Formula Ford 2000 series auto racing. He is also a motivational speaker. LeMond narrated an award-winning documentary for Adventures for the Cure in 2008. On July 16, 2007, LeMond rode the L'Étape du Tour cyclosportive with his son, and found it to be a defining moment in his post-competition life. "I had the time of my life", he said, despite getting "650th place" and being "impressed that I even finished". LeMond continued, "I decided that day that nobody's going to keep me from cycling, not Trek, not Armstrong, not Verbruggen, not anybody." At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling. Especially significant was LeMond's appearance as a USADA witness in the Floyd Landis doping case. At that time, Landis's business manager threatened to expose the fact that LeMond was a survivor of child sex abuse. Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times. LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize. He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma. LeMond described how being a victim of molestation had impacted his life and his racing career. In September 2007, LeMond became a founding board member of the non-profit organization 1in6.org, whose mission is "to help men who have had unwanted or abusive sexual experiences in childhood live healthy, happy lives". LeMond was in a car accident on the morning of January 30, 2013. He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car. LeMond suffered a concussion and was left with no memory of the incident. According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home. LeMond may have lost consciousness before the accident, according to his wife Kathy, and he suffered a compression fracture in his back and would have to wear a brace for three months. The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery. On September 19, 2019, the United States House of Representatives passed a bipartisan bill, submitted by California Representative Mike Thompson, to award LeMond the Congressional Gold Medal. The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020. Upon signature of the bill, the White House released a statement, saying the medal was awarded "in recognition of his service to the Nation as an athlete, activist, role model, and community leader". Career achievements Major results 1977 1st Road race, National Junior Road Championships 1978 1st Overall Vuelta de Bisbee 2nd Road race, National Junior Road Championships 3rd Team time trial, UCI Junior Road World Championships 1979 1st Road race, UCI Junior Road World Championships 1st Road race, National Junior Road Championships 1st Nevada City Classic 2nd Track pursuit, UCI Junior Track World Championships 3rd Team time trial, UCI Junior Road World Championships 1980 1st Overall Circuit de la Sarthe 1st Nevada City Classic 3rd Overall Circuit des Ardennes 1981 1st Overall Coors Classic 1st Stages 1 & 7 Tour de Picardie 1st Stages 2 & 2a 1st Nevada City Classic 3rd Overall Critérium du Dauphiné Libéré 3rd Overall Route du Sud 7th Overall Circuit de la Sarthe 1982 1st Overall Tour de l'Avenir 1st Stages 4 (ITT), 5 & 8 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour Méditerranéen 3rd Overall Tirreno–Adriatico 1st Stage 3 3rd Overall Tour de Corse 3rd Grand Prix de Rennes 1983 1st Road race, UCI Road World Championships 1st Overall Critérium du Dauphiné Libéré 1st Stages 1, 5 & 7b (ITT) 1st Overall Super Prestige Pernod International 1st Critérium des As 1st Stage 1 Tour Méditerranéen 2nd Grand Prix des Nations 2nd Giro di Lombardia 4th Overall Tour de Suisse 4th Paris–Tours 6th Druivenkoers Overijse 10th Overall Tirreno–Adriatico 1984 1st Stage 1 Clásico RCN 3rd Overall Tour de France 1st Young rider classification 1st Stage 3 (TTT) 3rd Overall Critérium du Dauphiné Libéré 1st Stage 7b 3rd Liège–Bastogne–Liège 5th Overall Tirreno–Adriatico 7th Overall Ronde van Nederland 8th Overall Critérium International 9th Gent–Wevelgem 1985 1st Overall Coors Classic 1st Stage 5 2nd Overall Tour de France 1st Combination classification 1st Stages 3 (TTT) & 21 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour of the Basque Country 3rd Overall Giro d'Italia 3rd Super Prestige Pernod International 4th Overall Critérium International 4th Paris–Roubaix 4th Omloop Het Volk 6th Overall Tour Méditerranéen 7th Tour of Flanders 7th Grand Prix Eddy Merckx 1986 1st Overall Tour de France 1st Combination classification 1st Stage 13 1st Stage 4 Volta a la Comunitat Valenciana 2nd Milan–San Remo 2nd Super Prestige Pernod International 2nd Overall Coors Classic 1st Stage 4a 3rd Overall Paris–Nice 3rd Overall Tour de Suisse 3rd Overall Critérium International 4th Overall Giro d'Italia 1st Stage 5 4th La Flèche Wallonne 4th Züri-Metzgete 7th Overall Étoile de Bessèges 7th Road race, UCI Road World Championships 1989 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 5 (ITT), 19 & 21 (ITT) 2nd Boucles de l'Aulne 4th Overall Critérium International 4th Grand Prix des Amériques 6th Overall Tirreno–Adriatico 1990 1st Overall Tour de France 2nd Züri-Metzgete 3rd Boucles de l'Aulne 4th Road race, UCI Road World Championships 10th Overall Tour de Suisse 1991 7th Overall Tour de France 1992 1st Overall Tour DuPont 1st Prologue 2nd Overall Tour d'Armorique 9th Paris–Roubaix Grand Tour general classification results timeline Classics results timeline Awards Sports Illustrated Sportsman of the Year: 1989 Jesse Owens International Trophy: 1991 Korbel Lifetime Achievement Award: 1992 See also Yellow jersey statistics List of companies named after people List of French Americans List of Grand Tour general classification winners List of multi-sport athletes List of people from Minnesota List of sports rivalries List of Tour de France general classification winners List of Tour de France secondary classification winners United States at the UCI Road World Championships References Notes Citations Bibliography Further reading External links LeMond Composites 1961 births Living people American people of French descent American Giro d'Italia stage winners American male cyclists American Tour de France stage winners Cycle designers People from Lakewood, California Tour de France Champs Elysées stage winners Tour de France winners UCI Road World Champions (elite men) U.S. F2000 National Championship drivers Super Prestige Pernod winners Cyclists from California
true
[ "The 2018 NAPA Auto Parts Idaho 208 was a NASCAR K&N Pro Series West race held at Meridan Speedway in Meridian, Idaho. Hailie Deegan won the race, the first ever victory by a female in K&N Pro Series history. Her Bill McAnally Racing teammates Cole Rouse and Derek Kraus finished second and third respectively. Kraus won the pole and led the most laps, leading the first 189 of 208.\n\nReport\n\nRace\n\nDerek Kraus took the pole and led the first 189 laps. With 20 laps to go, Taylor Canfield, who was making his series debut, spun in front of Kraus and blocked the racetrack. Kraus tried to avoid him but hit the outside wall and lost the lead to his Bill McAnally Racing teammate Cole Rouse. After the ensuing caution, Rouse held the lead until the final lap of the race, when Hailie Deegan tapped his left-rear quarter panel in turn one, making a last-lap pass. Deegan went on to score the win, the first of her career, while Rouse and Kraus finished second and third to complete a podium sweep for BMR. Deegan led only the final lap.\n\nPost-race\n\nDeegan's victory was her first career win and the first win by a female in history at the K&N Pro Series West level of NASCAR. Deegan was ecstatic after the win, explaining, \"This has to be the best day of my life right here. It doesn't get any better than this. People don't understand how many days, how many hours I've put into this. How much work I've done to get to this moment. It’s just amazing … this is the happiest day of my life.\" \n\nImmediately following the race, Rouse expressed displeasure with Deegan's bump and run-style pass on the final lap, saying, \"We were going into Turn 1...and she doesn't lift and drives into me, gets me completely sideways. We were going to win that race if it was run clean, but unfortunately it wasn't.\" He continued by saying he would race Deegan hard the last two races of the season: \"I'm just going to go into the next two races, not give her any slack and we're going to win both of those. It was a good night, but I don't really care about second, honestly.\" The next day, however, Rouse tweeted that he \"got over it quick\" and called Deegan \"an amazing girl and amazing talent,\" adding, \"I'm happy for her! She made history and I'm a part of it.\" Kraus, meanwhile, was unhappy due to the incident with Canfield (Canfield's third of the night). \"We led 190+ laps, then a lapped car spun again. I was predicting he was going to roll down because he didn't have his brakes on yet. But he stayed there, and I was already committed [to the top]...and I guess NASCAR ruled me third. I don't know, I guess we'll go onto Roseville and Kern and win them two.\"\n\nResults\n\nQualifying\n\nRace results\n\nStandings after the race\n\nNote: Only the top ten positions are included for the driver standings.\n\nReferences\n\nNAPA Auto Parts Idaho 208\nNAPA Auto Parts Idaho 208\nNAPA Auto Parts Idaho 208\nMotorsport in Idaho\nNAPA Auto Parts Idaho 208", "William Sunners (1904–1988) was an American author who wrote over 100 books on how to win prizes in contests.\n\nIn the 1930s and 1940s he won several prizes in puzzle contests, including three automobiles. In 1949 he published a best-selling book titled How to Win Prize Contests, which sold over 100,000 copies in 8 years.\n\nSunner was an occasional contributor to Word Ways: The Journal of Recreational Linguistics.\n\nWilliam Sunner's claim to fame was his 1983 appearance on Late Night With David Letterman. During this appearance, he was nervous and forgot half of the phrases and things he was supposed to say.\n\nReferences\n\n1904 births\n1988 deaths\n20th-century American non-fiction writers" ]
[ "Gregory James LeMond (born June 26, 1961) is an American former professional road racing cyclist, entrepreneur, and anti-doping advocate. A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation.", "A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation. LeMond began his professional cycling career in 1981. In 1983, he became the first American male cyclist to win the Road World Championship.", "In 1983, he became the first American male cyclist to win the Road World Championship. LeMond won the Tour de France in 1986; he is the first non-European professional cyclist to win the Tour. He was accidentally shot with pellets and seriously injured while hunting in 1987. Following the shooting, he underwent two surgeries and missed the next two Tours. At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage.", "At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage. He successfully defended his Tour title the following year, becoming one of only eight riders to win three or more Tours. LeMond retired from competition in December 1994 and was inducted into the United States Bicycling Hall of Fame in 1996. He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated.", "He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated. During his career, LeMond championed several technological advancements in pro cycling, including the introduction of aerodynamic \"triathlon\" handlebars and carbon fiber bicycle frames, which he later marketed through his company LeMond Bicycles. His other business interests have included restaurants, real estate, and consumer fitness equipment.", "His other business interests have included restaurants, real estate, and consumer fitness equipment. LeMond is a vocal opponent of performance-enhancing drug use in cycling and is a founding board member of 1in6.org, a nonprofit charity that assists male victims of child sex abuse. Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada.", "Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada. His parents are Bob LeMond and Bertha LeMond (d. 2006), and he has two sisters, Kathy and Karen. LeMond grew up living an active, outdoor life. Hiking, hunting, skiing and flyfishing were boyhood pastimes.", "Hiking, hunting, skiing and flyfishing were boyhood pastimes. The ranch country of the Sierra Nevada mountain range lent itself to such pursuits. A hyperactive youngster, LeMond believes these outdoor activities helped keep him out of trouble. \"I was a boy who just could not sit still. I had trouble focusing in school. Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD).", "Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD). ADHD certainly was not the frequently medicated childhood disease it is today. My triumph over the symptoms was found atop two thin tires over many dusty miles.\" Said LeMond: \"That's one of the traits. It's the inability to sit down [and listen] to something you are not really interested in and absorb it.", "It's the inability to sit down [and listen] to something you are not really interested in and absorb it. If they are interested in it, people with ADD excel in really good ways. When I got into cycling I would say the sport itself took a fog off my brain. I was able to absorb stuff I read. It changed my life.\" LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports.", "LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports. LeMond soon biked almost daily to high school. He often rode home from Wooster, taking a route over Mt. Rose, along to Incline Village, then south on Hwy 28, then downhill to Carson City, then to his home. LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid.", "LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid. LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category.", "LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category. In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion.", "In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion. LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as \"a diamond, a clear diamond.\"", "LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as \"a diamond, a clear diamond.\" LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race.", "LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race. At age 18, LeMond was selected for the 1980 U.S. Olympic cycling team, the youngest ever to make the team. However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there.", "However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there. Borysewicz, whom LeMond described as his \"first real coach,\" wanted to retain his protégé through the next Olympic cycle and discouraged him from turning pro, but LeMond was determined. Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign.", "Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign. There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality \"in the history of the sport to win a major pro-am cycling event [in Europe].\"", "There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality \"in the history of the sport to win a major pro-am cycling event [in Europe].\" That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif.", "That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif. Guimard said he was impressed with LeMond's spirit, and told him, \"You have the fire to be a great champion,\" before offering him a professional contract for 1981 with Renault.", "Guimard said he was impressed with LeMond's spirit, and told him, \"You have the fire to be a great champion,\" before offering him a professional contract for 1981 with Renault. After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States.", "After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States. Despite eventually receiving several other offers to turn professional besides Guimard's, LeMond did not consider them seriously, and he signed with Renault in Paris on the day the 1980 Tour de France finished. Professional career LeMond was an \"exceptionally gifted\" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit.", "Professional career LeMond was an \"exceptionally gifted\" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit. Respected cycling journalist John Wilcockson, who reported the Tour de France for more than 40 years, described LeMond as a rider who was fuoriclasse. 1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise.", "1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise. He followed with a win in the Coors Classic in the United States, finishing ahead of Sergei Sukhoruchenkov, the 1980 Olympic road champion. The major step forward in 1981 occurred in the Dauphiné Libéré stage race where LeMond placed third. The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault.", "The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault. LeMond missed standing on the podium with race winner Hinault, as Pascal Simon had finished ahead of him. Two weeks later Simon was assessed a 10-minute penalty when it was discovered he had been doping. LeMond considered the race to have been a \"major steppingstone\" in his career. Said LeMond: \"It showed me that I had the kind of climbing ability that you need to win the top European stage races.\"", "Said LeMond: \"It showed me that I had the kind of climbing ability that you need to win the top European stage races.\" LeMond won a total of five races in his rookie season of 1981. LeMond broke his collarbone on April 11, 1982, while racing the cycling classic Liège–Bastogne–Liège. The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year.", "The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year. In the men's road race competition, LeMond broke for the line but was out-sprinted by Italian Giuseppe Saronni. Following the race, LeMond's American teammate Jacques Boyer accused LeMond of chasing him down in the final 800 meters. Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly.", "Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly. Boyer placed tenth. Bronze medalist Sean Kelly, a favorite to win the race, was with Saronni when he caught LeMond with about 200 meters to go, but he could not hold his wheel. Said Kelly: \"I don't think that Boyer was fading ... He got quite a good gap. Nobody wanted to go after him ...", "Nobody wanted to go after him ... Nobody wanted to go after him ... Yes, LeMond chased down Boyer. Boyer was the only man up the road.\" LeMond was supported by his teammate George Mount, who observed, \"What's LeMond going to do? Throw his bike down in front of everybody because Boyer is such a good buddy of everyone? ... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters.", "... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters. LeMond made a good move and a good sprint ... Boyer was not going to win that race. The best he could have got was fifth or sixth place.\" LeMond did not apologize. The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion.", "The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion. Instead, the highest finisher at the World's was considered the national champion. LeMond had argued for the team to compete as the European teams did, but team management and Boyer voted against him. Thus, unlike the other teams at the world championship, the US riders were competing against each other.", "Thus, unlike the other teams at the world championship, the US riders were competing against each other. Aged 21, LeMond was the first American pro to win a medal at the World's since Frank Kramer took silver in 1912. Said LeMond: \"I'm racing for Renault and I'm racing for myself. It's a business and it's my living. To me, that second place was almost as good as winning, especially at my age.\"", "To me, that second place was almost as good as winning, especially at my age.\" Two weeks later, on September 20, 1982, LeMond won the mountainous 12-day, Tour de l'Avenir by a record 10 minutes, 18 seconds. The victory, and the time advantage LeMond held at the end, stunned Europe and provided broad confirmation that LeMond was indeed fuoriclasse. The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so.", "The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so. (Audrey McElmury won in 1969 and Beth Heiden won in 1980.) LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours.", "LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours. 1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification.", "1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification. The following year he was brought across to La Vie Claire to ride in support of team captain Bernard Hinault who had regained his form and was attempting to win his fifth Tour. French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years.", "French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years. In the race Hinault led through the early mountain stages, but suffered a crash and came into difficulty. At this point, it was clear that LeMond was an elite rider capable of winning the Tour in his own right. LeMond possessed a natural talent for riding the Grand Tours, and got stronger over the course of a three-week race. The injured Hinault was vulnerable, and his competitors knew it.", "The injured Hinault was vulnerable, and his competitors knew it. Stage 17 included three major climbs in the Pyrenees. On the second, the Col du Tourmalet, LeMond followed Stephen Roche in an attack, but was not given permission to help build on the gap over the field. The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy.", "The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy. The pace Roche could put out by himself eventually slowed, and other riders came up to join the two men. Hinault recovered as well, though he did not regain the lead group. At the end of the stage LeMond was frustrated to the point of tears.", "At the end of the stage LeMond was frustrated to the point of tears. He later revealed that team management and his own coach Paul Köchli had misled him as to how far back Hinault had dropped during the crucial Stage 17 mountain stage. Hinault won the 1985 Tour, with LeMond finishing second, 1:42 behind. LeMond had ridden as the dutiful lieutenant, and his support enabled Hinault to win his fifth Tour. In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year.", "In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year. Hoping to end the season on a high note LeMond entered the World Championships road race with the strongest team the United States ever fielded. Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel.", "Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel. Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire.", "Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire. He was however, part of the group that was going to win, and while Hampsten and Keifel survived the race to this point, unfortunately they were too far back to assist LeMond in the final ten kilometers. Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk.", "Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk. Being as he was 38 years old and long past his prime none of the remaining contenders including LeMond, Claudio Corti, Robert Millar, Moreno Argentin or Stephen Roche took the attack seriously initially. Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing.", "Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing. He also had two teammates remaining in Johan Van der Velde and Gerard Veldscholten, assisting him by riding at the front but not actually chasing, therefore slowing the chase group. Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit.", "Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit. LeMond too had nothing left to chase down this final attack feeling that if he did, he wouldn't have anything left for the sprint and wouldn't win any medal at all. In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver.", "In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver. There was no controversy following this silver medal for LeMond and immediately after the race he rode up alongside the Dutchman and congratulated him saying, \"Nice ride Joop.\" For the 1986 Tour, LeMond was a co-leader of the La Vie Claire team alongside Hinault. Hinault's support seemed less certain the closer the race approached.", "Hinault's support seemed less certain the closer the race approached. An unspoken condition was that his help would be contingent upon LeMond demonstrating that he was clearly the better rider. Hinault was in superb form, and had the chance to win an unprecedented sixth Tour. Hinault chose to let the Stage 9 individual time trial be the decider for which rider would receive the full support of team La Vie Claire. Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond.", "Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond. LeMond had bad luck during the stage, having suffered a punctured tire requiring a wheel change, and later in the stage a bicycle change was required when he broke a wheel. He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race.", "He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race. In Stage 12, the first mountain stage of the race in the Pyrenees, Hinault attacked the lead group and built up an overall lead. By the end of Stage 12, Hinault had a five-minute lead over LeMond and the other top riders. He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond.", "He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond. He was clearly willing to ride aggressively and take advantage of the opportunities presented. LeMond was never placed in difficulty, except by his own teammate. The following day Hinault broke away again early but was caught and then dropped by LeMond on the final climb of Stage 13, allowing LeMond to gain back four and a half minutes. The next three stages brought the Tour to the Alps.", "The next three stages brought the Tour to the Alps. On Stage 17 LeMond and Urs Zimmermann dropped Hinault from the leading group, and the end of the day saw LeMond pulling on the yellow jersey of race leader, the first time it had ever been worn by a rider from the United States. The following day in the Alps saw Hinault attack again early on the first climb, but he was pulled back. Attempting an escape on the descent, he was unable to separate himself from LeMond.", "Attempting an escape on the descent, he was unable to separate himself from LeMond. The La Vie Claire team leaders were both excellent descenders. As they ascended up the next col they continued to pull away from the field, and maintained the gap as they reached the base of the final climb, the vaunted Alpe d'Huez. They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together.", "They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together. LeMond put an arm around Hinault and gave him a smile and the stage win in a show of unity, but the infighting was not over. Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer.", "Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer. Commenting on the team situation prior to the final individual time trial at Stage 20, LeMond offered the following with a wry smile: \"He's attacked me from the beginning of the Tour De France. He's never helped me once, and I don't feel confident at all with him.\" LeMond had to keep his eye on his teammate and rival throughout the race.", "LeMond had to keep his eye on his teammate and rival throughout the race. Hinault rode aggressively and repeatedly attacked, and the division created in the La Vie Claire team was unmistakable. LeMond would keep the yellow jersey to the end of the race and win his first Tour, but he felt betrayed by Hinault and the La Vie Claire team leadership. LeMond later stated the 1986 Tour was the most difficult and stressful race of his career.", "LeMond later stated the 1986 Tour was the most difficult and stressful race of his career. 1987–1988: Shooting accident and recovery LeMond had planned to defend his title in the 1987 Tour de France with La Vie Claire, but he was unable to participate. Earlier that year, while riding in the Tirreno–Adriatico spring tune-up race, LeMond fell and fractured his left wrist. He returned to the United States to recover from the injury.", "He returned to the United States to recover from the injury. The week before returning to Europe, he went turkey hunting on a ranch co-owned by his father in Lincoln, California. LeMond was with Rodney Barber and Patrick Blades, his uncle and brother-in-law. The trio had become separated when Blades, who heard movement behind him, turned and fired through a bush. The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets.", "The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets. LeMond's injuries were life-threatening, but a police helicopter was already airborne near the scene and transported LeMond on a 15-minute air medical flight to the Medical Center at University of California-Davis. LeMond was taken for emergency surgery. He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume.", "He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume. A physician informed LeMond later that he had been within 20 minutes of bleeding to death. The operation saved his life, but four months later he developed a small bowel obstruction due to adhesions that had formed following the shooting. He underwent another surgery to relieve the obstruction and take down the adhesions.", "He underwent another surgery to relieve the obstruction and take down the adhesions. Concerned that his team would drop him if they knew the shooting accident required a second surgery, LeMond asked the surgeons to remove his appendix at the same time. He then informed his team that he had had his appendix removed, but the rest of the story was left somewhat vague. The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team.", "The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team. With 35 shotgun pellets still in his body, including three in the lining of his heart and five more embedded in his liver, LeMond attempted to return to racing in 1988. His comeback was hampered by over-training which resulted in tendonitis in his right shin requiring surgery. He missed the Tour for the second year running.", "He missed the Tour for the second year running. He missed the Tour for the second year running. Tensions in the relationship between LeMond and PDM were aggravated when LeMond discovered that doping was going on at the PDM squad. The result was that LeMond moved from PDM, one of the strongest teams in the peloton, to ADR, a team based in Belgium. The team was co-sponsored by Coors Light for American races.", "The team was co-sponsored by Coors Light for American races. The deal was completed on New Year's Eve, just hours before LeMond would have been legally obliged to ride another season for the Dutch team. Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours.", "Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours. 1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France.", "1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France. He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall.", "He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall. He started the 1989 Giro d'Italia in May as preparation for the Tour to follow, but struggled in the mountains and was not in contention for any of the leaders' jerseys before the final individual time trial into Florence. LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon.", "LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon. Some of his improvement he attributed to an anti-anemia treatment he received twice during the race. Coming into the 1989 Tour de France LeMond was not considered a contender for the general classification (GC). His own most optimistic hope was to finish his final Tour in the top 20.", "His own most optimistic hope was to finish his final Tour in the top 20. Without the weight of expectation and other pressures of being a Tour favorite, LeMond surprised observers with a strong ride in the prologue in Luxembourg, finishing fourth out of 198 riders. Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years.", "Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years. LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains.", "LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains. LeMond remained at the front of the race in the Pyrénées, but lost the lead to his former teammate and rival Laurent Fignon on stage 10 in Superbagnères. Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette.", "Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette. The see-saw battle continued, and when Fignon attacked on the upper slopes of Alpe d'Huez LeMond was unable to go with him, placing the yellow jersey back on the shoulders of Fignon. Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris.", "Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris. Fignon had won the Tour twice before, in 1983 and 1984, and was a very capable time trialist. It seemed improbable that LeMond could take 50 seconds off Fignon over the short course. This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world.", "This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world. LeMond had done wind tunnel testing in the off season and perfected his riding position. He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win.", "He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win. Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials.", "Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials. Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory.", "Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory. As LeMond embraced his wife and rejoiced on the Champs-Élysées, Fignon collapsed onto the tarmac, then sat in shock and wept. The final margin of victory of eight seconds was the closest in the Tour's history. LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history.", "LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history. Since then, only the 1994 and 2015 prologues and David Zabriskie's 2005 time trial performance have been faster. The press immediately labeled LeMond's come-from-behind triumph as, \"the most astonishing victory in Tour de France history,\" and while LeMond admitted that it felt almost \"too good to be true,\" he personally rated it as \"much more satisfying\" than his first overall Tour win in 1986.", "The press immediately labeled LeMond's come-from-behind triumph as, \"the most astonishing victory in Tour de France history,\" and while LeMond admitted that it felt almost \"too good to be true,\" he personally rated it as \"much more satisfying\" than his first overall Tour win in 1986. LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France.", "LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France. Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory.", "Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory. On the final climb of the race LeMond attacked in pursuit of Fignon on his own.", "On the final climb of the race LeMond attacked in pursuit of Fignon on his own. Before long he had caught the Frenchman and not long after that the pair could see the lead group in front of them and they were quickly closing the gap. LeMond briefly dropped Fignon and caught the lead group on his own.", "LeMond briefly dropped Fignon and caught the lead group on his own. Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group.", "Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group. Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world.", "Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world. Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders.", "Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders. Rooks also launched an attack to go for the solo victory but was caught by LeMond, Fignon and the others. Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place.", "Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place. LeMond, Konyshev and Kelly were the strongest riders when it came to the final sprint for victory and they finished in that order. After the race LeMond said that he did not feel well and even considered abandoning the race. With two laps to go he began feeling stronger and stated, \"I was racing for the Gold medal.", "With two laps to go he began feeling stronger and stated, \"I was racing for the Gold medal. I wanted that World Championship. And with one kilometer to go, I knew I could get it.\" LeMond was only the fifth person in history to win both the Tour de France and the World Championship in the same year. In December, Sports Illustrated magazine named LeMond its 1989 \"Sportsman of the Year\", the first time a cyclist received the honor.", "In December, Sports Illustrated magazine named LeMond its 1989 \"Sportsman of the Year\", the first time a cyclist received the honor. 1990: A third tour win LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with of France, the first time a cyclist had signed a multi-million dollar contract. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team.", "He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At \"Z\" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats.", "This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate.", "LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. Surprisingly Pensec held the lead through the first high mountain stages, including Alpe d'Huez, but he would lose it soon after to the relative unknown Claudio Chiappucci. LeMond closed in on Chiappucci and on stage 16 he put his stamp of authority on the race during the final climb of Luz Ardiden. Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer.", "Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer. Miguel Induráin was the only rider able to get on LeMond's wheel but it was LeMond dictating the pace all the way up the climb as Chiappucci, Delgado and all of the other favorites fell further and further behind. While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours.", "While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours. Near the end of the stage LeMond sat up and the Spaniard took the stage win, but the devastation of LeMond's competitors was all but complete as there was now only +0:05 between LeMond and the yellow jersey. He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian.", "He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey.", "He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. LeMond's 1990 Tour victory made him one of just five cyclists to win three or more Tours. As of 2021 a total of seven cyclists have won three times or more.", "As of 2021 a total of seven cyclists have won three times or more. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. 1991–1994: Change in the peloton and retirement LeMond felt confident before the 1991 Tour de France. He was the defending champion, trained well and had a solid team to support him.", "He was the defending champion, trained well and had a solid team to support him. LeMond was among the leaders going into the Stage 8 individual time trial, and he finished second to the Spaniard Miguel Indurain. LeMond felt he was riding extremely well, and though his TT-effort had propelled him into the yellow jersey as leader of the general classification, losing eight seconds to Indurain shook his confidence. He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage.", "He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage. LeMond experienced difficulty on the first climb and he cracked on the Col du Tourmalet, losing significant time to Claudio Chiappucci, and eventual winner Indurain. He continued to race, but was unable to seriously challenge for the lead thereafter, finishing the 1991 Tour seventh overall. In 1992, LeMond won the Tour DuPont, which would be the last major win of his career.", "In 1992, LeMond won the Tour DuPont, which would be the last major win of his career. He would also have a strong top 10 finish in Paris-Roubaix early in the season. He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia.", "He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia. In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez.", "In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez. While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, \"My climbing is not like usual.", "While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, \"My climbing is not like usual. I've climbed much better in the past Tours. This year I'm just not feeling my usual self.\" LeMond did extensive endurance training on the road the following winter, but his performances the following spring failed to improve. LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial.", "LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial. He was too exhausted to enter the 1993 Tour de France. Following the 1993 season LeMond hired renowned Dutch physiologist Adrie van Diemen to advise him on a new technique to monitor training and measure performance. The (SRM) power-based training would make use of the watt as a guide to power output.", "The (SRM) power-based training would make use of the watt as a guide to power output. In November 1993 LeMond confided to Samuel Abt that power output in watts would become the key metric. The watt has gained wide acceptance as the best measure of a cyclist's training performance. The following year LeMond began the 1994 Tour de France but found he was unable to race effectively. He had to abandon after the first week before the race had reached the difficult mountain stages. That December, he announced his retirement.", "That December, he announced his retirement. That December, he announced his retirement. At the time the reasons for LeMond's increasing difficulties were not entirely known. At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders.", "At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders. In 2007, however, LeMond speculated that he might not have had the condition after all, and suggested that lead toxicity from the shotgun pellets still embedded in his body might have been responsible, the effects of which were increased by heavy training. LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness.", "LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness. Said LeMond: \"Something had changed in cycling. The speeds were faster and riders that I had easily out performed were now dropping me. At the time, the team I was on, Team Z, became more and more demanding, more and more concerned...\" He stated he had been told in 1994 that he would need to blood dope in order to win again.", "At the time, the team I was on, Team Z, became more and more demanding, more and more concerned...\" He stated he had been told in 1994 that he would need to blood dope in order to win again. He frankly admitted to Abt in 1999: \"I figure I had three months that went right for me after the hunting accident,\" three months in which he won the two Tours and a world road race championship.", "He frankly admitted to Abt in 1999: \"I figure I had three months that went right for me after the hunting accident,\" three months in which he won the two Tours and a world road race championship. \"The rest were just pure suffering, struggling, fatigue, always tired.\"", "\"The rest were just pure suffering, struggling, fatigue, always tired.\" In a wide-ranging interview with American novelist Bryan Malessa in 1998, LeMond was asked if his career had not been interrupted by the hunting accident, how did he feel he would compare to five time Tour winners such as Bernard Hinault and Miguel Indurain. LeMond responded: \"Of course you can't rewrite racing history, but I'm confident that I would have won five Tours.\"", "LeMond responded: \"Of course you can't rewrite racing history, but I'm confident that I would have won five Tours.\" Two years after his retirement LeMond was inducted into the United States Bicycling Hall of Fame in a ceremony at Rodale Park in Trexlertown, Pennsylvania. The event was held on June 8, 1996, during the U.S. Olympic Cycling Team Trials. In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger.", "In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger. The film centers on LeMond and his former teammate Hinault at the 1986 Tour de France. It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN.", "It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN. Business interests LeMond was a pioneer in the use of carbon fiber bicycle frames in European professional road cycling, and his Tour de France win in 1986 ahead of Bernard Hinault was the first for a carbon-framed bicycle. Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a \"Bernard Hinault\" Signature Model Look prototype that year.", "Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a \"Bernard Hinault\" Signature Model Look prototype that year. LeMond also won the 1989 Tour de France, the 1989 World Championship, and his final Tour de France in 1990 on carbon fiber frames. These bicycle frames featured \"Greg LeMond\" branding. LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public.", "LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public. The following year, searching for an equipment edge for Team Z at the 1991 Tour de France, LeMond concluded an exclusive licensing agreement between his company and Carbonframes, Inc., to access the latter's advanced composites technology. Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen.", "Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen. While LeMond briefly led the 1991 Tour overall, riding his Carbonframes-produced \"Greg LeMond\" bicycle, the company eventually faltered, something LeMond blamed on \"under-capitalization\" and poor management by his father. Carbonframes and LeMond Cycles \"parted amiably two years later.\"", "Carbonframes and LeMond Cycles \"parted amiably two years later.\" In 1995, with his company allegedly nearly bankrupt, LeMond reached a licensing-agreement with Trek Bicycle Corporation, according to which the Wisconsin-based company would manufacture and distribute bicycles designed with LeMond that would be sold under the \"LeMond Bicycles\" brand. LeMond would later claim that going into business with Trek \"destroyed\" his relationship with his father.", "LeMond would later claim that going into business with Trek \"destroyed\" his relationship with his father. The lucrative partnership, which generated revenue for Trek in excess of US$100,000,000, would be renewed several times over the course of 13 years, but it ultimately ended in acrimony after LeMond's relationship with Trek deteriorated over his staunch anti-doping advocacy. LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong.", "LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong. Trek president John Burke pressured LeMond to apologize, claiming, \"Greg's public comments hurt the LeMond brand and the Trek brand.\"", "Trek president John Burke pressured LeMond to apologize, claiming, \"Greg's public comments hurt the LeMond brand and the Trek brand.\" Burke allegedly justified his demand for an apology by advising that, \"As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow.\"", "Burke allegedly justified his demand for an apology by advising that, \"As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow.\" Armstrong reportedly said privately he could \"shut him up\" by contacting Trek, as documented in affidavits by Frankie and Betsy Andreu released in the 2012 USADA doping report. LeMond issued an apology for his comment.", "LeMond issued an apology for his comment. LeMond issued an apology for his comment. In a 2007 interview, LeMond accused Armstrong of trying to sabotage his relationship with Trek bicycles. In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to \"silence\" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek.", "In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to \"silence\" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek. His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular.", "His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular. Trek responded in April 2008, announcing that it was dropping LeMond Bicycles from its product line and that it would sue to sever the licensing agreement. As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand.", "As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand. After nearly two years of litigation, LeMond reached a confidential out-of-court settlement with Trek in February 2010. The settlement permitted the case to be dismissed with prejudice, meaning, \"neither side can produce the same claims against one another in a future lawsuit.\"", "The settlement permitted the case to be dismissed with prejudice, meaning, \"neither side can produce the same claims against one another in a future lawsuit.\" Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors.", "Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors. LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. \"to help individuals achieve their fitness and performance goals and train more effectively.\"", "LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. \"to help individuals achieve their fitness and performance goals and train more effectively.\" The company's primary business is the development and manufacture of bicycle trainers and indoor exercise bikes for consumers in the United States and internationally. LeMond serves as Chairman of the Board. In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA.", "In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA. In late 2012, LeMond purchased the LeMond Revolution from Hoist, relaunching with a new management team in Minneapolis. Later, he also formed LeMond LLC to introduce a suite of brands. Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons.", "Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons. The team won several stages of the Tour de France, plus the general classification of the 2012 Giro d'Italia. Partnership with Time At the Interbike trade show in September 2013, LeMond announced that he was returning to the business of bicycle manufacture and sales by partnering with French company Time. The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models.", "The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models. LeMond purchased Time Sport USA, the US distributor for the company. Said LeMond: \"I'm really excited to be back in the bike industry.\"", "Said LeMond: \"I'm really excited to be back in the bike industry.\" Real estate In 2002, LeMond joined his parents-in-law David and Sacia Morris, friend Michael Snow and J.P. Morgan & Co. fund manager Jorge Jasson to invest in the exclusive Yellowstone Club, a Big Sky, Montana, private ski and golf community founded by timber baron Tim Blixseth and his wife Edra. Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort.", "Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort. LeMond also purchased several building lots and maintained a property at the resort. Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake.", "Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake. The Credit Suisse loan was based on a $1.16 billion Cushman & Wakefield valuation of the resort, for which LeMond and partners each sought $11.6 million for their one-percent shares. In 2007, LeMond settled his suit with the Blixseths for $39 million.", "In 2007, LeMond settled his suit with the Blixseths for $39 million. However, he and his partners remained creditors as the Blixseths defaulted on a $20 million payment (after having already paid the group $18 million). In 2009, the Blixseths divorced and the Club went bankrupt. Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota.", "Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota. LeMond described the restaurant, which was named for its chef (LeMond's brother-in-law), as \"a dream of five years come true.\" Explaining the origin of the concept, LeMond said, \"Kathy and I have eaten at the finest establishments in France, Italy and Belgium.", "Explaining the origin of the concept, LeMond said, \"Kathy and I have eaten at the finest establishments in France, Italy and Belgium. Our favorites have always been small places, family-owned.\" LeMond also partnered in several Bruegger's bagel bakery-café franchises. LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University.", "LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University. In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility.", "In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility. On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia.", "On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia. Broadcasting In 2014, LeMond joined Eurosport as a pundit for the channel's cycling coverage, providing analysis at Paris–Roubaix, the Giro d'Italia and the Tour de France, and hosting his own monthly program LeMond on Cycling. He continued to work for the channel until 2017.", "He continued to work for the channel until 2017. He continued to work for the channel until 2017. Anti-doping stance and controversies LeMond is a longtime vocal opponent of performance-enhancing drug use. He first spoke on-record against doping in cycling after winning the 1989 Tour de France. He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them.", "He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them. Said LeMond: \"When I speak out about doping people could translate it and think it was about the riders. Actually I feel like I am an advocate for the riders. I look at them as being treated like lab rats that are test vehicles for the doctors. The doctors, the management, the officials, they're the ones that have corrupted riders.", "The doctors, the management, the officials, they're the ones that have corrupted riders. The riders are the only ones that pay the price.\" LeMond received intense criticism in 2001 when he publicly criticized Lance Armstrong's relationship with Dr. Michele Ferrari. Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes.", "Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes. Upon learning of Armstrong's association with Ferrari, LeMond said: \"When Lance won the prologue to the 1999 Tour I was close to tears, but when I heard he was working with Michele Ferrari I was devastated. In the light of Lance's relationship with Ferrari, I just don't want to comment on this year's Tour. This is not sour grapes.", "This is not sour grapes. This is not sour grapes. I'm disappointed in Lance, that's all it is.\" LeMond's comments placed him in the center of an anti-doping controversy. About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong \"a great champion\" and added, \"I do not believe, in any way, that he has ever used any performance-enhancing substances.", "About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong \"a great champion\" and added, \"I do not believe, in any way, that he has ever used any performance-enhancing substances. I believe his performances are the result of the same hard work, dedication and focus that were mine 10 years ago.\" In 2004, LeMond spoke out again.", "In 2004, LeMond spoke out again. In 2004, LeMond spoke out again. On the heels of successive Tour de France wins by Armstrong, LeMond said, \"If Armstrong's clean, it's the greatest comeback. And if he's not, then it's the greatest fraud.\"", "And if he's not, then it's the greatest fraud.\" He went public with the fallout of his 2001 statement, alleging that Armstrong had threatened to defame him and threatened his business interests as well: \"[Armstrong] basically said 'I could find 10 people that will say you took EPO' ... The week after, I got multiple people that were on Lance ... Lance's camp, basically saying 'You better be quiet,' and I was quiet for three years. I have a business ...", "I have a business ... I have a business ... I have bikes that are sold ... and I was told that my sales might not be doing too well if ... just the publicity, the negative publicity.\" The same month, LeMond told French newspaper Le Monde that Armstrong was \"ready to do anything to keep his secret. I don't know how he can continue to convince everybody of his innocence.\"", "I don't know how he can continue to convince everybody of his innocence.\" At a press conference Armstrong gave in September 2008 to announce his return to cycling, LeMond publicly challenged him with questions about doping. Armstrong appeared angry and interrupted LeMond, telling him it was time to move on. In August 2012, the USADA announced that Armstrong had been issued a lifetime ban from cycling competition due to his involvement in a massive doping scheme. In addition, the USADA stripped Armstrong of his seven Tour de France titles.", "In addition, the USADA stripped Armstrong of his seven Tour de France titles. LeMond has also clashed with fellow Tour rider Floyd Landis regarding the doping issue. On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France.", "On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France. Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify.", "Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify. The major points of the testimony were: In the August 6 conversation, LeMond said he told Landis that \"If you did (admit to having used banned substances), you could single-handedly change the sport. You could be the one who will salvage the sport.\"", "You could be the one who will salvage the sport.\" LeMond said Landis responded by saying \"What good would it do? If I did, it would destroy a lot of my friends and hurt a lot of people.\" In their conversation, LeMond had disclosed his history of childhood sexual abuse to Landis and said the secret had nearly destroyed him. LeMond stated he warned Landis. \"(Lying about doping) will come back to haunt you when you are 40 or 50.", "\"(Lying about doping) will come back to haunt you when you are 40 or 50. If you have a moral compass and ethics, this will destroy you.\" Will Geoghegan attempted to stop LeMond's testimony by calling LeMond on his mobile phone. LeMond reported that Geoghegan claimed he was \"his uncle\" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse.", "LeMond reported that Geoghegan claimed he was \"his uncle\" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse. LeMond's BlackBerry, with Geoghegan's phone number captured in the call log, was entered into evidence. In 2007, Landis was found guilty of doping and was banned from cycling for two years. In 2010, he admitted to having been involved in doping. Also in 2010, Landis apologized to LeMond for the events of 2007.", "Also in 2010, Landis apologized to LeMond for the events of 2007. On July 23, 2009, LeMond wrote an opinion article in the French newspaper Le Monde where he questioned the validity of Alberto Contador's climb up Verbier in the 2009 Tour de France. In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete.", "In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete. Said LeMond: \"The burden is then on Alberto Contador to prove he is physically capable of performing this feat without the use of performance-enhancing products.\" Contador tested positive for clenbuterol after winning the 2010 Tour and was later stripped of his title and suspended from cycling for two years. LeMond has criticized the UCI and its former president, Pat McQuaid.", "LeMond has criticized the UCI and its former president, Pat McQuaid. In December 2012, LeMond claimed that a change needed to be made in the leadership for the UCI and stated if called upon he would be willing to take the position himself if necessary to lead cycling out of the mire of doping. Said LeMond: \"It is now or never to act. After the earthquake caused by the Armstrong case another chance will not arise.", "After the earthquake caused by the Armstrong case another chance will not arise. I am willing to invest to make this institution more democratic, transparent and look for the best candidate in the longer term.\" McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond. Ultimately McQuaid was defeated in his bid for a third term by British Cycling president Brian Cookson at the September 2013 UCI Congress in Florence, Italy. Lemond had supported Cookson in the UCI Presidential battle.", "Lemond had supported Cookson in the UCI Presidential battle. Lemond had supported Cookson in the UCI Presidential battle. Personal life LeMond is married to Kathy (née Morris) and together they have three children: sons Geoffrey and Scott, and daughter Simone. LeMond and his wife lived in Medina, Minnesota, from 1990 until 2017 and then moved to Oak Ridge, Tennessee. Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse).", "Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse). LeMond is an avid outdoor enthusiast and fly angler, and in 1991 – while still racing full-time – he made the world-record fly fishing catch of a four-pound smallmouth bass on a reel with a four-pound tippet. The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin.", "The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin. The catch exceeded the then-previous record of three pounds, six ounces made on the same size tippet back in 1986. LeMond confessed, \"I always pack my fly fishing equipment when I travel to bike events. I fish every chance I get.\" After retiring from pro cycling, LeMond competed in Formula Ford 2000 series auto racing. He is also a motivational speaker.", "He is also a motivational speaker. He is also a motivational speaker. LeMond narrated an award-winning documentary for Adventures for the Cure in 2008. On July 16, 2007, LeMond rode the L'Étape du Tour cyclosportive with his son, and found it to be a defining moment in his post-competition life. \"I had the time of my life\", he said, despite getting \"650th place\" and being \"impressed that I even finished\".", "\"I had the time of my life\", he said, despite getting \"650th place\" and being \"impressed that I even finished\". LeMond continued, \"I decided that day that nobody's going to keep me from cycling, not Trek, not Armstrong, not Verbruggen, not anybody.\" At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling.", "At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling. Especially significant was LeMond's appearance as a USADA witness in the Floyd Landis doping case. At that time, Landis's business manager threatened to expose the fact that LeMond was a survivor of child sex abuse. Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times.", "Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times. LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize.", "LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize. He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma.", "He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma. LeMond described how being a victim of molestation had impacted his life and his racing career.", "LeMond described how being a victim of molestation had impacted his life and his racing career. In September 2007, LeMond became a founding board member of the non-profit organization 1in6.org, whose mission is \"to help men who have had unwanted or abusive sexual experiences in childhood live healthy, happy lives\". LeMond was in a car accident on the morning of January 30, 2013. He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car.", "He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car. LeMond suffered a concussion and was left with no memory of the incident. According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home.", "According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home. LeMond may have lost consciousness before the accident, according to his wife Kathy, and he suffered a compression fracture in his back and would have to wear a brace for three months. The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery.", "The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery. On September 19, 2019, the United States House of Representatives passed a bipartisan bill, submitted by California Representative Mike Thompson, to award LeMond the Congressional Gold Medal. The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020.", "The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020. Upon signature of the bill, the White House released a statement, saying the medal was awarded \"in recognition of his service to the Nation as an athlete, activist, role model, and community leader\".", "Upon signature of the bill, the White House released a statement, saying the medal was awarded \"in recognition of his service to the Nation as an athlete, activist, role model, and community leader\". Career achievements Major results 1977 1st Road race, National Junior Road Championships 1978 1st Overall Vuelta de Bisbee 2nd Road race, National Junior Road Championships 3rd Team time trial, UCI Junior Road World Championships 1979 1st Road race, UCI Junior Road World Championships 1st Road race, National Junior Road Championships 1st Nevada City Classic 2nd Track pursuit, UCI Junior Track World Championships 3rd Team time trial, UCI Junior Road World Championships 1980 1st Overall Circuit de la Sarthe 1st Nevada City Classic 3rd Overall Circuit des Ardennes 1981 1st Overall Coors Classic 1st Stages 1 & 7 Tour de Picardie 1st Stages 2 & 2a 1st Nevada City Classic 3rd Overall Critérium du Dauphiné Libéré 3rd Overall Route du Sud 7th Overall Circuit de la Sarthe 1982 1st Overall Tour de l'Avenir 1st Stages 4 (ITT), 5 & 8 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour Méditerranéen 3rd Overall Tirreno–Adriatico 1st Stage 3 3rd Overall Tour de Corse 3rd Grand Prix de Rennes 1983 1st Road race, UCI Road World Championships 1st Overall Critérium du Dauphiné Libéré 1st Stages 1, 5 & 7b (ITT) 1st Overall Super Prestige Pernod International 1st Critérium des As 1st Stage 1 Tour Méditerranéen 2nd Grand Prix des Nations 2nd Giro di Lombardia 4th Overall Tour de Suisse 4th Paris–Tours 6th Druivenkoers Overijse 10th Overall Tirreno–Adriatico 1984 1st Stage 1 Clásico RCN 3rd Overall Tour de France 1st Young rider classification 1st Stage 3 (TTT) 3rd Overall Critérium du Dauphiné Libéré 1st Stage 7b 3rd Liège–Bastogne–Liège 5th Overall Tirreno–Adriatico 7th Overall Ronde van Nederland 8th Overall Critérium International 9th Gent–Wevelgem 1985 1st Overall Coors Classic 1st Stage 5 2nd Overall Tour de France 1st Combination classification 1st Stages 3 (TTT) & 21 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour of the Basque Country 3rd Overall Giro d'Italia 3rd Super Prestige Pernod International 4th Overall Critérium International 4th Paris–Roubaix 4th Omloop Het Volk 6th Overall Tour Méditerranéen 7th Tour of Flanders 7th Grand Prix Eddy Merckx 1986 1st Overall Tour de France 1st Combination classification 1st Stage 13 1st Stage 4 Volta a la Comunitat Valenciana 2nd Milan–San Remo 2nd Super Prestige Pernod International 2nd Overall Coors Classic 1st Stage 4a 3rd Overall Paris–Nice 3rd Overall Tour de Suisse 3rd Overall Critérium International 4th Overall Giro d'Italia 1st Stage 5 4th La Flèche Wallonne 4th Züri-Metzgete 7th Overall Étoile de Bessèges 7th Road race, UCI Road World Championships 1989 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 5 (ITT), 19 & 21 (ITT) 2nd Boucles de l'Aulne 4th Overall Critérium International 4th Grand Prix des Amériques 6th Overall Tirreno–Adriatico 1990 1st Overall Tour de France 2nd Züri-Metzgete 3rd Boucles de l'Aulne 4th Road race, UCI Road World Championships 10th Overall Tour de Suisse 1991 7th Overall Tour de France 1992 1st Overall Tour DuPont 1st Prologue 2nd Overall Tour d'Armorique 9th Paris–Roubaix Grand Tour general classification results timeline Classics results timeline Awards Sports Illustrated Sportsman of the Year: 1989 Jesse Owens International Trophy: 1991 Korbel Lifetime Achievement Award: 1992 See also Yellow jersey statistics List of companies named after people List of French Americans List of Grand Tour general classification winners List of multi-sport athletes List of people from Minnesota List of sports rivalries List of Tour de France general classification winners List of Tour de France secondary classification winners United States at the UCI Road World Championships References Notes Citations Bibliography Further reading External links LeMond Composites 1961 births Living people American people of French descent American Giro d'Italia stage winners American male cyclists American Tour de France stage winners Cycle designers People from Lakewood, California Tour de France Champs Elysées stage winners Tour de France winners UCI Road World Champions (elite men) U.S. F2000 National Championship drivers Super Prestige Pernod winners Cyclists from California" ]
[ "Greg LeMond", "1990: A third tour win", "How was his third win different?", "He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team.", "Did he ever have to deal with injuries?", "I don't know." ]
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What is one interesting piece of information from the article?
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What is one interesting piece of information from 1990: A third tour win?
Greg LeMond
LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with Z-Tomasso of France. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. LeMond closed in on race leader Claudio Chiappucci, finally overtaking him in the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. CANNOTANSWER
The squad's tactical plan was upset on the first day,
Gregory James LeMond (born June 26, 1961) is an American former professional road racing cyclist, entrepreneur, and anti-doping advocate. A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation. LeMond began his professional cycling career in 1981. In 1983, he became the first American male cyclist to win the Road World Championship. LeMond won the Tour de France in 1986; he is the first non-European professional cyclist to win the Tour. He was accidentally shot with pellets and seriously injured while hunting in 1987. Following the shooting, he underwent two surgeries and missed the next two Tours. At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage. He successfully defended his Tour title the following year, becoming one of only eight riders to win three or more Tours. LeMond retired from competition in December 1994 and was inducted into the United States Bicycling Hall of Fame in 1996. He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated. During his career, LeMond championed several technological advancements in pro cycling, including the introduction of aerodynamic "triathlon" handlebars and carbon fiber bicycle frames, which he later marketed through his company LeMond Bicycles. His other business interests have included restaurants, real estate, and consumer fitness equipment. LeMond is a vocal opponent of performance-enhancing drug use in cycling and is a founding board member of 1in6.org, a nonprofit charity that assists male victims of child sex abuse. Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada. His parents are Bob LeMond and Bertha LeMond (d. 2006), and he has two sisters, Kathy and Karen. LeMond grew up living an active, outdoor life. Hiking, hunting, skiing and flyfishing were boyhood pastimes. The ranch country of the Sierra Nevada mountain range lent itself to such pursuits. A hyperactive youngster, LeMond believes these outdoor activities helped keep him out of trouble. "I was a boy who just could not sit still. I had trouble focusing in school. Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD). ADHD certainly was not the frequently medicated childhood disease it is today. My triumph over the symptoms was found atop two thin tires over many dusty miles." Said LeMond: "That's one of the traits. It's the inability to sit down [and listen] to something you are not really interested in and absorb it. If they are interested in it, people with ADD excel in really good ways. When I got into cycling I would say the sport itself took a fog off my brain. I was able to absorb stuff I read. It changed my life." LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports. LeMond soon biked almost daily to high school. He often rode home from Wooster, taking a route over Mt. Rose, along to Incline Village, then south on Hwy 28, then downhill to Carson City, then to his home. LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid. LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category. In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion. LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as "a diamond, a clear diamond." LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race. At age 18, LeMond was selected for the 1980 U.S. Olympic cycling team, the youngest ever to make the team. However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there. Borysewicz, whom LeMond described as his "first real coach," wanted to retain his protégé through the next Olympic cycle and discouraged him from turning pro, but LeMond was determined. Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign. There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality "in the history of the sport to win a major pro-am cycling event [in Europe]." That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif. Guimard said he was impressed with LeMond's spirit, and told him, "You have the fire to be a great champion," before offering him a professional contract for 1981 with Renault. After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States. Despite eventually receiving several other offers to turn professional besides Guimard's, LeMond did not consider them seriously, and he signed with Renault in Paris on the day the 1980 Tour de France finished. Professional career LeMond was an "exceptionally gifted" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit. Respected cycling journalist John Wilcockson, who reported the Tour de France for more than 40 years, described LeMond as a rider who was fuoriclasse. 1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise. He followed with a win in the Coors Classic in the United States, finishing ahead of Sergei Sukhoruchenkov, the 1980 Olympic road champion. The major step forward in 1981 occurred in the Dauphiné Libéré stage race where LeMond placed third. The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault. LeMond missed standing on the podium with race winner Hinault, as Pascal Simon had finished ahead of him. Two weeks later Simon was assessed a 10-minute penalty when it was discovered he had been doping. LeMond considered the race to have been a "major steppingstone" in his career. Said LeMond: "It showed me that I had the kind of climbing ability that you need to win the top European stage races." LeMond won a total of five races in his rookie season of 1981. LeMond broke his collarbone on April 11, 1982, while racing the cycling classic Liège–Bastogne–Liège. The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year. In the men's road race competition, LeMond broke for the line but was out-sprinted by Italian Giuseppe Saronni. Following the race, LeMond's American teammate Jacques Boyer accused LeMond of chasing him down in the final 800 meters. Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly. Boyer placed tenth. Bronze medalist Sean Kelly, a favorite to win the race, was with Saronni when he caught LeMond with about 200 meters to go, but he could not hold his wheel. Said Kelly: "I don't think that Boyer was fading ... He got quite a good gap. Nobody wanted to go after him ... Yes, LeMond chased down Boyer. Boyer was the only man up the road." LeMond was supported by his teammate George Mount, who observed, "What's LeMond going to do? Throw his bike down in front of everybody because Boyer is such a good buddy of everyone? ... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters. LeMond made a good move and a good sprint ... Boyer was not going to win that race. The best he could have got was fifth or sixth place." LeMond did not apologize. The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion. Instead, the highest finisher at the World's was considered the national champion. LeMond had argued for the team to compete as the European teams did, but team management and Boyer voted against him. Thus, unlike the other teams at the world championship, the US riders were competing against each other. Aged 21, LeMond was the first American pro to win a medal at the World's since Frank Kramer took silver in 1912. Said LeMond: "I'm racing for Renault and I'm racing for myself. It's a business and it's my living. To me, that second place was almost as good as winning, especially at my age." Two weeks later, on September 20, 1982, LeMond won the mountainous 12-day, Tour de l'Avenir by a record 10 minutes, 18 seconds. The victory, and the time advantage LeMond held at the end, stunned Europe and provided broad confirmation that LeMond was indeed fuoriclasse. The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so. (Audrey McElmury won in 1969 and Beth Heiden won in 1980.) LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours. 1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification. The following year he was brought across to La Vie Claire to ride in support of team captain Bernard Hinault who had regained his form and was attempting to win his fifth Tour. French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years. In the race Hinault led through the early mountain stages, but suffered a crash and came into difficulty. At this point, it was clear that LeMond was an elite rider capable of winning the Tour in his own right. LeMond possessed a natural talent for riding the Grand Tours, and got stronger over the course of a three-week race. The injured Hinault was vulnerable, and his competitors knew it. Stage 17 included three major climbs in the Pyrenees. On the second, the Col du Tourmalet, LeMond followed Stephen Roche in an attack, but was not given permission to help build on the gap over the field. The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy. The pace Roche could put out by himself eventually slowed, and other riders came up to join the two men. Hinault recovered as well, though he did not regain the lead group. At the end of the stage LeMond was frustrated to the point of tears. He later revealed that team management and his own coach Paul Köchli had misled him as to how far back Hinault had dropped during the crucial Stage 17 mountain stage. Hinault won the 1985 Tour, with LeMond finishing second, 1:42 behind. LeMond had ridden as the dutiful lieutenant, and his support enabled Hinault to win his fifth Tour. In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year. Hoping to end the season on a high note LeMond entered the World Championships road race with the strongest team the United States ever fielded. Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel. Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire. He was however, part of the group that was going to win, and while Hampsten and Keifel survived the race to this point, unfortunately they were too far back to assist LeMond in the final ten kilometers. Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk. Being as he was 38 years old and long past his prime none of the remaining contenders including LeMond, Claudio Corti, Robert Millar, Moreno Argentin or Stephen Roche took the attack seriously initially. Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing. He also had two teammates remaining in Johan Van der Velde and Gerard Veldscholten, assisting him by riding at the front but not actually chasing, therefore slowing the chase group. Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit. LeMond too had nothing left to chase down this final attack feeling that if he did, he wouldn't have anything left for the sprint and wouldn't win any medal at all. In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver. There was no controversy following this silver medal for LeMond and immediately after the race he rode up alongside the Dutchman and congratulated him saying, "Nice ride Joop." For the 1986 Tour, LeMond was a co-leader of the La Vie Claire team alongside Hinault. Hinault's support seemed less certain the closer the race approached. An unspoken condition was that his help would be contingent upon LeMond demonstrating that he was clearly the better rider. Hinault was in superb form, and had the chance to win an unprecedented sixth Tour. Hinault chose to let the Stage 9 individual time trial be the decider for which rider would receive the full support of team La Vie Claire. Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond. LeMond had bad luck during the stage, having suffered a punctured tire requiring a wheel change, and later in the stage a bicycle change was required when he broke a wheel. He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race. In Stage 12, the first mountain stage of the race in the Pyrenees, Hinault attacked the lead group and built up an overall lead. By the end of Stage 12, Hinault had a five-minute lead over LeMond and the other top riders. He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond. He was clearly willing to ride aggressively and take advantage of the opportunities presented. LeMond was never placed in difficulty, except by his own teammate. The following day Hinault broke away again early but was caught and then dropped by LeMond on the final climb of Stage 13, allowing LeMond to gain back four and a half minutes. The next three stages brought the Tour to the Alps. On Stage 17 LeMond and Urs Zimmermann dropped Hinault from the leading group, and the end of the day saw LeMond pulling on the yellow jersey of race leader, the first time it had ever been worn by a rider from the United States. The following day in the Alps saw Hinault attack again early on the first climb, but he was pulled back. Attempting an escape on the descent, he was unable to separate himself from LeMond. The La Vie Claire team leaders were both excellent descenders. As they ascended up the next col they continued to pull away from the field, and maintained the gap as they reached the base of the final climb, the vaunted Alpe d'Huez. They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together. LeMond put an arm around Hinault and gave him a smile and the stage win in a show of unity, but the infighting was not over. Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer. Commenting on the team situation prior to the final individual time trial at Stage 20, LeMond offered the following with a wry smile: "He's attacked me from the beginning of the Tour De France. He's never helped me once, and I don't feel confident at all with him." LeMond had to keep his eye on his teammate and rival throughout the race. Hinault rode aggressively and repeatedly attacked, and the division created in the La Vie Claire team was unmistakable. LeMond would keep the yellow jersey to the end of the race and win his first Tour, but he felt betrayed by Hinault and the La Vie Claire team leadership. LeMond later stated the 1986 Tour was the most difficult and stressful race of his career. 1987–1988: Shooting accident and recovery LeMond had planned to defend his title in the 1987 Tour de France with La Vie Claire, but he was unable to participate. Earlier that year, while riding in the Tirreno–Adriatico spring tune-up race, LeMond fell and fractured his left wrist. He returned to the United States to recover from the injury. The week before returning to Europe, he went turkey hunting on a ranch co-owned by his father in Lincoln, California. LeMond was with Rodney Barber and Patrick Blades, his uncle and brother-in-law. The trio had become separated when Blades, who heard movement behind him, turned and fired through a bush. The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets. LeMond's injuries were life-threatening, but a police helicopter was already airborne near the scene and transported LeMond on a 15-minute air medical flight to the Medical Center at University of California-Davis. LeMond was taken for emergency surgery. He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume. A physician informed LeMond later that he had been within 20 minutes of bleeding to death. The operation saved his life, but four months later he developed a small bowel obstruction due to adhesions that had formed following the shooting. He underwent another surgery to relieve the obstruction and take down the adhesions. Concerned that his team would drop him if they knew the shooting accident required a second surgery, LeMond asked the surgeons to remove his appendix at the same time. He then informed his team that he had had his appendix removed, but the rest of the story was left somewhat vague. The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team. With 35 shotgun pellets still in his body, including three in the lining of his heart and five more embedded in his liver, LeMond attempted to return to racing in 1988. His comeback was hampered by over-training which resulted in tendonitis in his right shin requiring surgery. He missed the Tour for the second year running. Tensions in the relationship between LeMond and PDM were aggravated when LeMond discovered that doping was going on at the PDM squad. The result was that LeMond moved from PDM, one of the strongest teams in the peloton, to ADR, a team based in Belgium. The team was co-sponsored by Coors Light for American races. The deal was completed on New Year's Eve, just hours before LeMond would have been legally obliged to ride another season for the Dutch team. Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours. 1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France. He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall. He started the 1989 Giro d'Italia in May as preparation for the Tour to follow, but struggled in the mountains and was not in contention for any of the leaders' jerseys before the final individual time trial into Florence. LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon. Some of his improvement he attributed to an anti-anemia treatment he received twice during the race. Coming into the 1989 Tour de France LeMond was not considered a contender for the general classification (GC). His own most optimistic hope was to finish his final Tour in the top 20. Without the weight of expectation and other pressures of being a Tour favorite, LeMond surprised observers with a strong ride in the prologue in Luxembourg, finishing fourth out of 198 riders. Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years. LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains. LeMond remained at the front of the race in the Pyrénées, but lost the lead to his former teammate and rival Laurent Fignon on stage 10 in Superbagnères. Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette. The see-saw battle continued, and when Fignon attacked on the upper slopes of Alpe d'Huez LeMond was unable to go with him, placing the yellow jersey back on the shoulders of Fignon. Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris. Fignon had won the Tour twice before, in 1983 and 1984, and was a very capable time trialist. It seemed improbable that LeMond could take 50 seconds off Fignon over the short course. This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world. LeMond had done wind tunnel testing in the off season and perfected his riding position. He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win. Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials. Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory. As LeMond embraced his wife and rejoiced on the Champs-Élysées, Fignon collapsed onto the tarmac, then sat in shock and wept. The final margin of victory of eight seconds was the closest in the Tour's history. LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history. Since then, only the 1994 and 2015 prologues and David Zabriskie's 2005 time trial performance have been faster. The press immediately labeled LeMond's come-from-behind triumph as, "the most astonishing victory in Tour de France history," and while LeMond admitted that it felt almost "too good to be true," he personally rated it as "much more satisfying" than his first overall Tour win in 1986. LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France. Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory. On the final climb of the race LeMond attacked in pursuit of Fignon on his own. Before long he had caught the Frenchman and not long after that the pair could see the lead group in front of them and they were quickly closing the gap. LeMond briefly dropped Fignon and caught the lead group on his own. Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group. Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world. Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders. Rooks also launched an attack to go for the solo victory but was caught by LeMond, Fignon and the others. Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place. LeMond, Konyshev and Kelly were the strongest riders when it came to the final sprint for victory and they finished in that order. After the race LeMond said that he did not feel well and even considered abandoning the race. With two laps to go he began feeling stronger and stated, "I was racing for the Gold medal. I wanted that World Championship. And with one kilometer to go, I knew I could get it." LeMond was only the fifth person in history to win both the Tour de France and the World Championship in the same year. In December, Sports Illustrated magazine named LeMond its 1989 "Sportsman of the Year", the first time a cyclist received the honor. 1990: A third tour win LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with of France, the first time a cyclist had signed a multi-million dollar contract. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. Surprisingly Pensec held the lead through the first high mountain stages, including Alpe d'Huez, but he would lose it soon after to the relative unknown Claudio Chiappucci. LeMond closed in on Chiappucci and on stage 16 he put his stamp of authority on the race during the final climb of Luz Ardiden. Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer. Miguel Induráin was the only rider able to get on LeMond's wheel but it was LeMond dictating the pace all the way up the climb as Chiappucci, Delgado and all of the other favorites fell further and further behind. While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours. Near the end of the stage LeMond sat up and the Spaniard took the stage win, but the devastation of LeMond's competitors was all but complete as there was now only +0:05 between LeMond and the yellow jersey. He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. LeMond's 1990 Tour victory made him one of just five cyclists to win three or more Tours. As of 2021 a total of seven cyclists have won three times or more. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. 1991–1994: Change in the peloton and retirement LeMond felt confident before the 1991 Tour de France. He was the defending champion, trained well and had a solid team to support him. LeMond was among the leaders going into the Stage 8 individual time trial, and he finished second to the Spaniard Miguel Indurain. LeMond felt he was riding extremely well, and though his TT-effort had propelled him into the yellow jersey as leader of the general classification, losing eight seconds to Indurain shook his confidence. He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage. LeMond experienced difficulty on the first climb and he cracked on the Col du Tourmalet, losing significant time to Claudio Chiappucci, and eventual winner Indurain. He continued to race, but was unable to seriously challenge for the lead thereafter, finishing the 1991 Tour seventh overall. In 1992, LeMond won the Tour DuPont, which would be the last major win of his career. He would also have a strong top 10 finish in Paris-Roubaix early in the season. He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia. In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez. While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, "My climbing is not like usual. I've climbed much better in the past Tours. This year I'm just not feeling my usual self." LeMond did extensive endurance training on the road the following winter, but his performances the following spring failed to improve. LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial. He was too exhausted to enter the 1993 Tour de France. Following the 1993 season LeMond hired renowned Dutch physiologist Adrie van Diemen to advise him on a new technique to monitor training and measure performance. The (SRM) power-based training would make use of the watt as a guide to power output. In November 1993 LeMond confided to Samuel Abt that power output in watts would become the key metric. The watt has gained wide acceptance as the best measure of a cyclist's training performance. The following year LeMond began the 1994 Tour de France but found he was unable to race effectively. He had to abandon after the first week before the race had reached the difficult mountain stages. That December, he announced his retirement. At the time the reasons for LeMond's increasing difficulties were not entirely known. At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders. In 2007, however, LeMond speculated that he might not have had the condition after all, and suggested that lead toxicity from the shotgun pellets still embedded in his body might have been responsible, the effects of which were increased by heavy training. LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness. Said LeMond: "Something had changed in cycling. The speeds were faster and riders that I had easily out performed were now dropping me. At the time, the team I was on, Team Z, became more and more demanding, more and more concerned..." He stated he had been told in 1994 that he would need to blood dope in order to win again. He frankly admitted to Abt in 1999: "I figure I had three months that went right for me after the hunting accident," three months in which he won the two Tours and a world road race championship. "The rest were just pure suffering, struggling, fatigue, always tired." In a wide-ranging interview with American novelist Bryan Malessa in 1998, LeMond was asked if his career had not been interrupted by the hunting accident, how did he feel he would compare to five time Tour winners such as Bernard Hinault and Miguel Indurain. LeMond responded: "Of course you can't rewrite racing history, but I'm confident that I would have won five Tours." Two years after his retirement LeMond was inducted into the United States Bicycling Hall of Fame in a ceremony at Rodale Park in Trexlertown, Pennsylvania. The event was held on June 8, 1996, during the U.S. Olympic Cycling Team Trials. In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger. The film centers on LeMond and his former teammate Hinault at the 1986 Tour de France. It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN. Business interests LeMond was a pioneer in the use of carbon fiber bicycle frames in European professional road cycling, and his Tour de France win in 1986 ahead of Bernard Hinault was the first for a carbon-framed bicycle. Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a "Bernard Hinault" Signature Model Look prototype that year. LeMond also won the 1989 Tour de France, the 1989 World Championship, and his final Tour de France in 1990 on carbon fiber frames. These bicycle frames featured "Greg LeMond" branding. LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public. The following year, searching for an equipment edge for Team Z at the 1991 Tour de France, LeMond concluded an exclusive licensing agreement between his company and Carbonframes, Inc., to access the latter's advanced composites technology. Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen. While LeMond briefly led the 1991 Tour overall, riding his Carbonframes-produced "Greg LeMond" bicycle, the company eventually faltered, something LeMond blamed on "under-capitalization" and poor management by his father. Carbonframes and LeMond Cycles "parted amiably two years later." In 1995, with his company allegedly nearly bankrupt, LeMond reached a licensing-agreement with Trek Bicycle Corporation, according to which the Wisconsin-based company would manufacture and distribute bicycles designed with LeMond that would be sold under the "LeMond Bicycles" brand. LeMond would later claim that going into business with Trek "destroyed" his relationship with his father. The lucrative partnership, which generated revenue for Trek in excess of US$100,000,000, would be renewed several times over the course of 13 years, but it ultimately ended in acrimony after LeMond's relationship with Trek deteriorated over his staunch anti-doping advocacy. LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong. Trek president John Burke pressured LeMond to apologize, claiming, "Greg's public comments hurt the LeMond brand and the Trek brand." Burke allegedly justified his demand for an apology by advising that, "As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow." Armstrong reportedly said privately he could "shut him up" by contacting Trek, as documented in affidavits by Frankie and Betsy Andreu released in the 2012 USADA doping report. LeMond issued an apology for his comment. In a 2007 interview, LeMond accused Armstrong of trying to sabotage his relationship with Trek bicycles. In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to "silence" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek. His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular. Trek responded in April 2008, announcing that it was dropping LeMond Bicycles from its product line and that it would sue to sever the licensing agreement. As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand. After nearly two years of litigation, LeMond reached a confidential out-of-court settlement with Trek in February 2010. The settlement permitted the case to be dismissed with prejudice, meaning, "neither side can produce the same claims against one another in a future lawsuit." Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors. LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. "to help individuals achieve their fitness and performance goals and train more effectively." The company's primary business is the development and manufacture of bicycle trainers and indoor exercise bikes for consumers in the United States and internationally. LeMond serves as Chairman of the Board. In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA. In late 2012, LeMond purchased the LeMond Revolution from Hoist, relaunching with a new management team in Minneapolis. Later, he also formed LeMond LLC to introduce a suite of brands. Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons. The team won several stages of the Tour de France, plus the general classification of the 2012 Giro d'Italia. Partnership with Time At the Interbike trade show in September 2013, LeMond announced that he was returning to the business of bicycle manufacture and sales by partnering with French company Time. The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models. LeMond purchased Time Sport USA, the US distributor for the company. Said LeMond: "I'm really excited to be back in the bike industry." Real estate In 2002, LeMond joined his parents-in-law David and Sacia Morris, friend Michael Snow and J.P. Morgan & Co. fund manager Jorge Jasson to invest in the exclusive Yellowstone Club, a Big Sky, Montana, private ski and golf community founded by timber baron Tim Blixseth and his wife Edra. Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort. LeMond also purchased several building lots and maintained a property at the resort. Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake. The Credit Suisse loan was based on a $1.16 billion Cushman & Wakefield valuation of the resort, for which LeMond and partners each sought $11.6 million for their one-percent shares. In 2007, LeMond settled his suit with the Blixseths for $39 million. However, he and his partners remained creditors as the Blixseths defaulted on a $20 million payment (after having already paid the group $18 million). In 2009, the Blixseths divorced and the Club went bankrupt. Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota. LeMond described the restaurant, which was named for its chef (LeMond's brother-in-law), as "a dream of five years come true." Explaining the origin of the concept, LeMond said, "Kathy and I have eaten at the finest establishments in France, Italy and Belgium. Our favorites have always been small places, family-owned." LeMond also partnered in several Bruegger's bagel bakery-café franchises. LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University. In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility. On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia. Broadcasting In 2014, LeMond joined Eurosport as a pundit for the channel's cycling coverage, providing analysis at Paris–Roubaix, the Giro d'Italia and the Tour de France, and hosting his own monthly program LeMond on Cycling. He continued to work for the channel until 2017. Anti-doping stance and controversies LeMond is a longtime vocal opponent of performance-enhancing drug use. He first spoke on-record against doping in cycling after winning the 1989 Tour de France. He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them. Said LeMond: "When I speak out about doping people could translate it and think it was about the riders. Actually I feel like I am an advocate for the riders. I look at them as being treated like lab rats that are test vehicles for the doctors. The doctors, the management, the officials, they're the ones that have corrupted riders. The riders are the only ones that pay the price." LeMond received intense criticism in 2001 when he publicly criticized Lance Armstrong's relationship with Dr. Michele Ferrari. Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes. Upon learning of Armstrong's association with Ferrari, LeMond said: "When Lance won the prologue to the 1999 Tour I was close to tears, but when I heard he was working with Michele Ferrari I was devastated. In the light of Lance's relationship with Ferrari, I just don't want to comment on this year's Tour. This is not sour grapes. I'm disappointed in Lance, that's all it is." LeMond's comments placed him in the center of an anti-doping controversy. About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong "a great champion" and added, "I do not believe, in any way, that he has ever used any performance-enhancing substances. I believe his performances are the result of the same hard work, dedication and focus that were mine 10 years ago." In 2004, LeMond spoke out again. On the heels of successive Tour de France wins by Armstrong, LeMond said, "If Armstrong's clean, it's the greatest comeback. And if he's not, then it's the greatest fraud." He went public with the fallout of his 2001 statement, alleging that Armstrong had threatened to defame him and threatened his business interests as well: "[Armstrong] basically said 'I could find 10 people that will say you took EPO' ... The week after, I got multiple people that were on Lance ... Lance's camp, basically saying 'You better be quiet,' and I was quiet for three years. I have a business ... I have bikes that are sold ... and I was told that my sales might not be doing too well if ... just the publicity, the negative publicity." The same month, LeMond told French newspaper Le Monde that Armstrong was "ready to do anything to keep his secret. I don't know how he can continue to convince everybody of his innocence." At a press conference Armstrong gave in September 2008 to announce his return to cycling, LeMond publicly challenged him with questions about doping. Armstrong appeared angry and interrupted LeMond, telling him it was time to move on. In August 2012, the USADA announced that Armstrong had been issued a lifetime ban from cycling competition due to his involvement in a massive doping scheme. In addition, the USADA stripped Armstrong of his seven Tour de France titles. LeMond has also clashed with fellow Tour rider Floyd Landis regarding the doping issue. On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France. Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify. The major points of the testimony were: In the August 6 conversation, LeMond said he told Landis that "If you did (admit to having used banned substances), you could single-handedly change the sport. You could be the one who will salvage the sport." LeMond said Landis responded by saying "What good would it do? If I did, it would destroy a lot of my friends and hurt a lot of people." In their conversation, LeMond had disclosed his history of childhood sexual abuse to Landis and said the secret had nearly destroyed him. LeMond stated he warned Landis. "(Lying about doping) will come back to haunt you when you are 40 or 50. If you have a moral compass and ethics, this will destroy you." Will Geoghegan attempted to stop LeMond's testimony by calling LeMond on his mobile phone. LeMond reported that Geoghegan claimed he was "his uncle" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse. LeMond's BlackBerry, with Geoghegan's phone number captured in the call log, was entered into evidence. In 2007, Landis was found guilty of doping and was banned from cycling for two years. In 2010, he admitted to having been involved in doping. Also in 2010, Landis apologized to LeMond for the events of 2007. On July 23, 2009, LeMond wrote an opinion article in the French newspaper Le Monde where he questioned the validity of Alberto Contador's climb up Verbier in the 2009 Tour de France. In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete. Said LeMond: "The burden is then on Alberto Contador to prove he is physically capable of performing this feat without the use of performance-enhancing products." Contador tested positive for clenbuterol after winning the 2010 Tour and was later stripped of his title and suspended from cycling for two years. LeMond has criticized the UCI and its former president, Pat McQuaid. In December 2012, LeMond claimed that a change needed to be made in the leadership for the UCI and stated if called upon he would be willing to take the position himself if necessary to lead cycling out of the mire of doping. Said LeMond: "It is now or never to act. After the earthquake caused by the Armstrong case another chance will not arise. I am willing to invest to make this institution more democratic, transparent and look for the best candidate in the longer term." McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond. Ultimately McQuaid was defeated in his bid for a third term by British Cycling president Brian Cookson at the September 2013 UCI Congress in Florence, Italy. Lemond had supported Cookson in the UCI Presidential battle. Personal life LeMond is married to Kathy (née Morris) and together they have three children: sons Geoffrey and Scott, and daughter Simone. LeMond and his wife lived in Medina, Minnesota, from 1990 until 2017 and then moved to Oak Ridge, Tennessee. Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse). LeMond is an avid outdoor enthusiast and fly angler, and in 1991 – while still racing full-time – he made the world-record fly fishing catch of a four-pound smallmouth bass on a reel with a four-pound tippet. The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin. The catch exceeded the then-previous record of three pounds, six ounces made on the same size tippet back in 1986. LeMond confessed, "I always pack my fly fishing equipment when I travel to bike events. I fish every chance I get." After retiring from pro cycling, LeMond competed in Formula Ford 2000 series auto racing. He is also a motivational speaker. LeMond narrated an award-winning documentary for Adventures for the Cure in 2008. On July 16, 2007, LeMond rode the L'Étape du Tour cyclosportive with his son, and found it to be a defining moment in his post-competition life. "I had the time of my life", he said, despite getting "650th place" and being "impressed that I even finished". LeMond continued, "I decided that day that nobody's going to keep me from cycling, not Trek, not Armstrong, not Verbruggen, not anybody." At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling. Especially significant was LeMond's appearance as a USADA witness in the Floyd Landis doping case. At that time, Landis's business manager threatened to expose the fact that LeMond was a survivor of child sex abuse. Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times. LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize. He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma. LeMond described how being a victim of molestation had impacted his life and his racing career. In September 2007, LeMond became a founding board member of the non-profit organization 1in6.org, whose mission is "to help men who have had unwanted or abusive sexual experiences in childhood live healthy, happy lives". LeMond was in a car accident on the morning of January 30, 2013. He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car. LeMond suffered a concussion and was left with no memory of the incident. According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home. LeMond may have lost consciousness before the accident, according to his wife Kathy, and he suffered a compression fracture in his back and would have to wear a brace for three months. The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery. On September 19, 2019, the United States House of Representatives passed a bipartisan bill, submitted by California Representative Mike Thompson, to award LeMond the Congressional Gold Medal. The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020. Upon signature of the bill, the White House released a statement, saying the medal was awarded "in recognition of his service to the Nation as an athlete, activist, role model, and community leader". Career achievements Major results 1977 1st Road race, National Junior Road Championships 1978 1st Overall Vuelta de Bisbee 2nd Road race, National Junior Road Championships 3rd Team time trial, UCI Junior Road World Championships 1979 1st Road race, UCI Junior Road World Championships 1st Road race, National Junior Road Championships 1st Nevada City Classic 2nd Track pursuit, UCI Junior Track World Championships 3rd Team time trial, UCI Junior Road World Championships 1980 1st Overall Circuit de la Sarthe 1st Nevada City Classic 3rd Overall Circuit des Ardennes 1981 1st Overall Coors Classic 1st Stages 1 & 7 Tour de Picardie 1st Stages 2 & 2a 1st Nevada City Classic 3rd Overall Critérium du Dauphiné Libéré 3rd Overall Route du Sud 7th Overall Circuit de la Sarthe 1982 1st Overall Tour de l'Avenir 1st Stages 4 (ITT), 5 & 8 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour Méditerranéen 3rd Overall Tirreno–Adriatico 1st Stage 3 3rd Overall Tour de Corse 3rd Grand Prix de Rennes 1983 1st Road race, UCI Road World Championships 1st Overall Critérium du Dauphiné Libéré 1st Stages 1, 5 & 7b (ITT) 1st Overall Super Prestige Pernod International 1st Critérium des As 1st Stage 1 Tour Méditerranéen 2nd Grand Prix des Nations 2nd Giro di Lombardia 4th Overall Tour de Suisse 4th Paris–Tours 6th Druivenkoers Overijse 10th Overall Tirreno–Adriatico 1984 1st Stage 1 Clásico RCN 3rd Overall Tour de France 1st Young rider classification 1st Stage 3 (TTT) 3rd Overall Critérium du Dauphiné Libéré 1st Stage 7b 3rd Liège–Bastogne–Liège 5th Overall Tirreno–Adriatico 7th Overall Ronde van Nederland 8th Overall Critérium International 9th Gent–Wevelgem 1985 1st Overall Coors Classic 1st Stage 5 2nd Overall Tour de France 1st Combination classification 1st Stages 3 (TTT) & 21 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour of the Basque Country 3rd Overall Giro d'Italia 3rd Super Prestige Pernod International 4th Overall Critérium International 4th Paris–Roubaix 4th Omloop Het Volk 6th Overall Tour Méditerranéen 7th Tour of Flanders 7th Grand Prix Eddy Merckx 1986 1st Overall Tour de France 1st Combination classification 1st Stage 13 1st Stage 4 Volta a la Comunitat Valenciana 2nd Milan–San Remo 2nd Super Prestige Pernod International 2nd Overall Coors Classic 1st Stage 4a 3rd Overall Paris–Nice 3rd Overall Tour de Suisse 3rd Overall Critérium International 4th Overall Giro d'Italia 1st Stage 5 4th La Flèche Wallonne 4th Züri-Metzgete 7th Overall Étoile de Bessèges 7th Road race, UCI Road World Championships 1989 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 5 (ITT), 19 & 21 (ITT) 2nd Boucles de l'Aulne 4th Overall Critérium International 4th Grand Prix des Amériques 6th Overall Tirreno–Adriatico 1990 1st Overall Tour de France 2nd Züri-Metzgete 3rd Boucles de l'Aulne 4th Road race, UCI Road World Championships 10th Overall Tour de Suisse 1991 7th Overall Tour de France 1992 1st Overall Tour DuPont 1st Prologue 2nd Overall Tour d'Armorique 9th Paris–Roubaix Grand Tour general classification results timeline Classics results timeline Awards Sports Illustrated Sportsman of the Year: 1989 Jesse Owens International Trophy: 1991 Korbel Lifetime Achievement Award: 1992 See also Yellow jersey statistics List of companies named after people List of French Americans List of Grand Tour general classification winners List of multi-sport athletes List of people from Minnesota List of sports rivalries List of Tour de France general classification winners List of Tour de France secondary classification winners United States at the UCI Road World Championships References Notes Citations Bibliography Further reading External links LeMond Composites 1961 births Living people American people of French descent American Giro d'Italia stage winners American male cyclists American Tour de France stage winners Cycle designers People from Lakewood, California Tour de France Champs Elysées stage winners Tour de France winners UCI Road World Champions (elite men) U.S. F2000 National Championship drivers Super Prestige Pernod winners Cyclists from California
true
[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "DiscoveryBox is a children's magazine by Bayard Presse. It is targeted at children from 9 to 12 years old. Inside there are topics about science, animals, current events, nature, history and the world. It also includes games and quizzes. It is designed for the completely independent reader and is the 3rd and final instalment of the Box series (after StoryBox and AdventureBox).\n\nDiscoveryBox is mostly non fictional and is designed to answer questions and expand the knowledge of its readers in the subjects that it covers each month.\n\nThere is a current shortage in this type of information rich magazine for this age group at the moment and children find the magazine very interesting. It is designed to build on what they have learned in School and it takes many of its subjects from the British Curriculum so reinforces what they have learned as well as adding additional interesting facts that they may not have previously known about.\n\nBecause there is a shortage of information magazines for children this age, both ESL and English speaking students like to read this book as the information is specially presented for them. As it is specifically designed for the ages 9 to 12 the magazine takes subjects that they would find interesting such as The Olympic Games, Space Exploration and Avalanches being just a few of the previous topics covered.\n\nIn July 2009 DiscoveryBox collaborated with the movie Ice Age: Dawn of the Dinosaurs with a behind-the-scenes look at 3D animation.\n\nReferences\n\nExternal links\n DiscoveryBox Website\n DiscoveryBox Information Page\n Bayard English magazine Website\n\nChildren's magazines published in France\nFrench-language magazines\nMonthly magazines published in France\nMagazines established in 1995" ]
[ "Gregory James LeMond (born June 26, 1961) is an American former professional road racing cyclist, entrepreneur, and anti-doping advocate. A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation.", "A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation. LeMond began his professional cycling career in 1981. In 1983, he became the first American male cyclist to win the Road World Championship.", "In 1983, he became the first American male cyclist to win the Road World Championship. LeMond won the Tour de France in 1986; he is the first non-European professional cyclist to win the Tour. He was accidentally shot with pellets and seriously injured while hunting in 1987. Following the shooting, he underwent two surgeries and missed the next two Tours. At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage.", "At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage. He successfully defended his Tour title the following year, becoming one of only eight riders to win three or more Tours. LeMond retired from competition in December 1994 and was inducted into the United States Bicycling Hall of Fame in 1996. He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated.", "He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated. During his career, LeMond championed several technological advancements in pro cycling, including the introduction of aerodynamic \"triathlon\" handlebars and carbon fiber bicycle frames, which he later marketed through his company LeMond Bicycles. His other business interests have included restaurants, real estate, and consumer fitness equipment.", "His other business interests have included restaurants, real estate, and consumer fitness equipment. LeMond is a vocal opponent of performance-enhancing drug use in cycling and is a founding board member of 1in6.org, a nonprofit charity that assists male victims of child sex abuse. Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada.", "Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada. His parents are Bob LeMond and Bertha LeMond (d. 2006), and he has two sisters, Kathy and Karen. LeMond grew up living an active, outdoor life. Hiking, hunting, skiing and flyfishing were boyhood pastimes.", "Hiking, hunting, skiing and flyfishing were boyhood pastimes. The ranch country of the Sierra Nevada mountain range lent itself to such pursuits. A hyperactive youngster, LeMond believes these outdoor activities helped keep him out of trouble. \"I was a boy who just could not sit still. I had trouble focusing in school. Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD).", "Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD). ADHD certainly was not the frequently medicated childhood disease it is today. My triumph over the symptoms was found atop two thin tires over many dusty miles.\" Said LeMond: \"That's one of the traits. It's the inability to sit down [and listen] to something you are not really interested in and absorb it.", "It's the inability to sit down [and listen] to something you are not really interested in and absorb it. If they are interested in it, people with ADD excel in really good ways. When I got into cycling I would say the sport itself took a fog off my brain. I was able to absorb stuff I read. It changed my life.\" LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports.", "LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports. LeMond soon biked almost daily to high school. He often rode home from Wooster, taking a route over Mt. Rose, along to Incline Village, then south on Hwy 28, then downhill to Carson City, then to his home. LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid.", "LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid. LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category.", "LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category. In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion.", "In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion. LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as \"a diamond, a clear diamond.\"", "LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as \"a diamond, a clear diamond.\" LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race.", "LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race. At age 18, LeMond was selected for the 1980 U.S. Olympic cycling team, the youngest ever to make the team. However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there.", "However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there. Borysewicz, whom LeMond described as his \"first real coach,\" wanted to retain his protégé through the next Olympic cycle and discouraged him from turning pro, but LeMond was determined. Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign.", "Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign. There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality \"in the history of the sport to win a major pro-am cycling event [in Europe].\"", "There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality \"in the history of the sport to win a major pro-am cycling event [in Europe].\" That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif.", "That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif. Guimard said he was impressed with LeMond's spirit, and told him, \"You have the fire to be a great champion,\" before offering him a professional contract for 1981 with Renault.", "Guimard said he was impressed with LeMond's spirit, and told him, \"You have the fire to be a great champion,\" before offering him a professional contract for 1981 with Renault. After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States.", "After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States. Despite eventually receiving several other offers to turn professional besides Guimard's, LeMond did not consider them seriously, and he signed with Renault in Paris on the day the 1980 Tour de France finished. Professional career LeMond was an \"exceptionally gifted\" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit.", "Professional career LeMond was an \"exceptionally gifted\" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit. Respected cycling journalist John Wilcockson, who reported the Tour de France for more than 40 years, described LeMond as a rider who was fuoriclasse. 1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise.", "1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise. He followed with a win in the Coors Classic in the United States, finishing ahead of Sergei Sukhoruchenkov, the 1980 Olympic road champion. The major step forward in 1981 occurred in the Dauphiné Libéré stage race where LeMond placed third. The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault.", "The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault. LeMond missed standing on the podium with race winner Hinault, as Pascal Simon had finished ahead of him. Two weeks later Simon was assessed a 10-minute penalty when it was discovered he had been doping. LeMond considered the race to have been a \"major steppingstone\" in his career. Said LeMond: \"It showed me that I had the kind of climbing ability that you need to win the top European stage races.\"", "Said LeMond: \"It showed me that I had the kind of climbing ability that you need to win the top European stage races.\" LeMond won a total of five races in his rookie season of 1981. LeMond broke his collarbone on April 11, 1982, while racing the cycling classic Liège–Bastogne–Liège. The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year.", "The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year. In the men's road race competition, LeMond broke for the line but was out-sprinted by Italian Giuseppe Saronni. Following the race, LeMond's American teammate Jacques Boyer accused LeMond of chasing him down in the final 800 meters. Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly.", "Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly. Boyer placed tenth. Bronze medalist Sean Kelly, a favorite to win the race, was with Saronni when he caught LeMond with about 200 meters to go, but he could not hold his wheel. Said Kelly: \"I don't think that Boyer was fading ... He got quite a good gap. Nobody wanted to go after him ...", "Nobody wanted to go after him ... Nobody wanted to go after him ... Yes, LeMond chased down Boyer. Boyer was the only man up the road.\" LeMond was supported by his teammate George Mount, who observed, \"What's LeMond going to do? Throw his bike down in front of everybody because Boyer is such a good buddy of everyone? ... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters.", "... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters. LeMond made a good move and a good sprint ... Boyer was not going to win that race. The best he could have got was fifth or sixth place.\" LeMond did not apologize. The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion.", "The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion. Instead, the highest finisher at the World's was considered the national champion. LeMond had argued for the team to compete as the European teams did, but team management and Boyer voted against him. Thus, unlike the other teams at the world championship, the US riders were competing against each other.", "Thus, unlike the other teams at the world championship, the US riders were competing against each other. Aged 21, LeMond was the first American pro to win a medal at the World's since Frank Kramer took silver in 1912. Said LeMond: \"I'm racing for Renault and I'm racing for myself. It's a business and it's my living. To me, that second place was almost as good as winning, especially at my age.\"", "To me, that second place was almost as good as winning, especially at my age.\" Two weeks later, on September 20, 1982, LeMond won the mountainous 12-day, Tour de l'Avenir by a record 10 minutes, 18 seconds. The victory, and the time advantage LeMond held at the end, stunned Europe and provided broad confirmation that LeMond was indeed fuoriclasse. The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so.", "The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so. (Audrey McElmury won in 1969 and Beth Heiden won in 1980.) LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours.", "LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours. 1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification.", "1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification. The following year he was brought across to La Vie Claire to ride in support of team captain Bernard Hinault who had regained his form and was attempting to win his fifth Tour. French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years.", "French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years. In the race Hinault led through the early mountain stages, but suffered a crash and came into difficulty. At this point, it was clear that LeMond was an elite rider capable of winning the Tour in his own right. LeMond possessed a natural talent for riding the Grand Tours, and got stronger over the course of a three-week race. The injured Hinault was vulnerable, and his competitors knew it.", "The injured Hinault was vulnerable, and his competitors knew it. Stage 17 included three major climbs in the Pyrenees. On the second, the Col du Tourmalet, LeMond followed Stephen Roche in an attack, but was not given permission to help build on the gap over the field. The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy.", "The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy. The pace Roche could put out by himself eventually slowed, and other riders came up to join the two men. Hinault recovered as well, though he did not regain the lead group. At the end of the stage LeMond was frustrated to the point of tears.", "At the end of the stage LeMond was frustrated to the point of tears. He later revealed that team management and his own coach Paul Köchli had misled him as to how far back Hinault had dropped during the crucial Stage 17 mountain stage. Hinault won the 1985 Tour, with LeMond finishing second, 1:42 behind. LeMond had ridden as the dutiful lieutenant, and his support enabled Hinault to win his fifth Tour. In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year.", "In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year. Hoping to end the season on a high note LeMond entered the World Championships road race with the strongest team the United States ever fielded. Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel.", "Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel. Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire.", "Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire. He was however, part of the group that was going to win, and while Hampsten and Keifel survived the race to this point, unfortunately they were too far back to assist LeMond in the final ten kilometers. Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk.", "Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk. Being as he was 38 years old and long past his prime none of the remaining contenders including LeMond, Claudio Corti, Robert Millar, Moreno Argentin or Stephen Roche took the attack seriously initially. Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing.", "Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing. He also had two teammates remaining in Johan Van der Velde and Gerard Veldscholten, assisting him by riding at the front but not actually chasing, therefore slowing the chase group. Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit.", "Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit. LeMond too had nothing left to chase down this final attack feeling that if he did, he wouldn't have anything left for the sprint and wouldn't win any medal at all. In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver.", "In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver. There was no controversy following this silver medal for LeMond and immediately after the race he rode up alongside the Dutchman and congratulated him saying, \"Nice ride Joop.\" For the 1986 Tour, LeMond was a co-leader of the La Vie Claire team alongside Hinault. Hinault's support seemed less certain the closer the race approached.", "Hinault's support seemed less certain the closer the race approached. An unspoken condition was that his help would be contingent upon LeMond demonstrating that he was clearly the better rider. Hinault was in superb form, and had the chance to win an unprecedented sixth Tour. Hinault chose to let the Stage 9 individual time trial be the decider for which rider would receive the full support of team La Vie Claire. Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond.", "Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond. LeMond had bad luck during the stage, having suffered a punctured tire requiring a wheel change, and later in the stage a bicycle change was required when he broke a wheel. He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race.", "He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race. In Stage 12, the first mountain stage of the race in the Pyrenees, Hinault attacked the lead group and built up an overall lead. By the end of Stage 12, Hinault had a five-minute lead over LeMond and the other top riders. He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond.", "He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond. He was clearly willing to ride aggressively and take advantage of the opportunities presented. LeMond was never placed in difficulty, except by his own teammate. The following day Hinault broke away again early but was caught and then dropped by LeMond on the final climb of Stage 13, allowing LeMond to gain back four and a half minutes. The next three stages brought the Tour to the Alps.", "The next three stages brought the Tour to the Alps. On Stage 17 LeMond and Urs Zimmermann dropped Hinault from the leading group, and the end of the day saw LeMond pulling on the yellow jersey of race leader, the first time it had ever been worn by a rider from the United States. The following day in the Alps saw Hinault attack again early on the first climb, but he was pulled back. Attempting an escape on the descent, he was unable to separate himself from LeMond.", "Attempting an escape on the descent, he was unable to separate himself from LeMond. The La Vie Claire team leaders were both excellent descenders. As they ascended up the next col they continued to pull away from the field, and maintained the gap as they reached the base of the final climb, the vaunted Alpe d'Huez. They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together.", "They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together. LeMond put an arm around Hinault and gave him a smile and the stage win in a show of unity, but the infighting was not over. Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer.", "Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer. Commenting on the team situation prior to the final individual time trial at Stage 20, LeMond offered the following with a wry smile: \"He's attacked me from the beginning of the Tour De France. He's never helped me once, and I don't feel confident at all with him.\" LeMond had to keep his eye on his teammate and rival throughout the race.", "LeMond had to keep his eye on his teammate and rival throughout the race. Hinault rode aggressively and repeatedly attacked, and the division created in the La Vie Claire team was unmistakable. LeMond would keep the yellow jersey to the end of the race and win his first Tour, but he felt betrayed by Hinault and the La Vie Claire team leadership. LeMond later stated the 1986 Tour was the most difficult and stressful race of his career.", "LeMond later stated the 1986 Tour was the most difficult and stressful race of his career. 1987–1988: Shooting accident and recovery LeMond had planned to defend his title in the 1987 Tour de France with La Vie Claire, but he was unable to participate. Earlier that year, while riding in the Tirreno–Adriatico spring tune-up race, LeMond fell and fractured his left wrist. He returned to the United States to recover from the injury.", "He returned to the United States to recover from the injury. The week before returning to Europe, he went turkey hunting on a ranch co-owned by his father in Lincoln, California. LeMond was with Rodney Barber and Patrick Blades, his uncle and brother-in-law. The trio had become separated when Blades, who heard movement behind him, turned and fired through a bush. The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets.", "The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets. LeMond's injuries were life-threatening, but a police helicopter was already airborne near the scene and transported LeMond on a 15-minute air medical flight to the Medical Center at University of California-Davis. LeMond was taken for emergency surgery. He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume.", "He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume. A physician informed LeMond later that he had been within 20 minutes of bleeding to death. The operation saved his life, but four months later he developed a small bowel obstruction due to adhesions that had formed following the shooting. He underwent another surgery to relieve the obstruction and take down the adhesions.", "He underwent another surgery to relieve the obstruction and take down the adhesions. Concerned that his team would drop him if they knew the shooting accident required a second surgery, LeMond asked the surgeons to remove his appendix at the same time. He then informed his team that he had had his appendix removed, but the rest of the story was left somewhat vague. The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team.", "The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team. With 35 shotgun pellets still in his body, including three in the lining of his heart and five more embedded in his liver, LeMond attempted to return to racing in 1988. His comeback was hampered by over-training which resulted in tendonitis in his right shin requiring surgery. He missed the Tour for the second year running.", "He missed the Tour for the second year running. He missed the Tour for the second year running. Tensions in the relationship between LeMond and PDM were aggravated when LeMond discovered that doping was going on at the PDM squad. The result was that LeMond moved from PDM, one of the strongest teams in the peloton, to ADR, a team based in Belgium. The team was co-sponsored by Coors Light for American races.", "The team was co-sponsored by Coors Light for American races. The deal was completed on New Year's Eve, just hours before LeMond would have been legally obliged to ride another season for the Dutch team. Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours.", "Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours. 1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France.", "1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France. He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall.", "He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall. He started the 1989 Giro d'Italia in May as preparation for the Tour to follow, but struggled in the mountains and was not in contention for any of the leaders' jerseys before the final individual time trial into Florence. LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon.", "LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon. Some of his improvement he attributed to an anti-anemia treatment he received twice during the race. Coming into the 1989 Tour de France LeMond was not considered a contender for the general classification (GC). His own most optimistic hope was to finish his final Tour in the top 20.", "His own most optimistic hope was to finish his final Tour in the top 20. Without the weight of expectation and other pressures of being a Tour favorite, LeMond surprised observers with a strong ride in the prologue in Luxembourg, finishing fourth out of 198 riders. Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years.", "Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years. LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains.", "LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains. LeMond remained at the front of the race in the Pyrénées, but lost the lead to his former teammate and rival Laurent Fignon on stage 10 in Superbagnères. Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette.", "Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette. The see-saw battle continued, and when Fignon attacked on the upper slopes of Alpe d'Huez LeMond was unable to go with him, placing the yellow jersey back on the shoulders of Fignon. Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris.", "Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris. Fignon had won the Tour twice before, in 1983 and 1984, and was a very capable time trialist. It seemed improbable that LeMond could take 50 seconds off Fignon over the short course. This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world.", "This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world. LeMond had done wind tunnel testing in the off season and perfected his riding position. He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win.", "He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win. Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials.", "Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials. Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory.", "Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory. As LeMond embraced his wife and rejoiced on the Champs-Élysées, Fignon collapsed onto the tarmac, then sat in shock and wept. The final margin of victory of eight seconds was the closest in the Tour's history. LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history.", "LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history. Since then, only the 1994 and 2015 prologues and David Zabriskie's 2005 time trial performance have been faster. The press immediately labeled LeMond's come-from-behind triumph as, \"the most astonishing victory in Tour de France history,\" and while LeMond admitted that it felt almost \"too good to be true,\" he personally rated it as \"much more satisfying\" than his first overall Tour win in 1986.", "The press immediately labeled LeMond's come-from-behind triumph as, \"the most astonishing victory in Tour de France history,\" and while LeMond admitted that it felt almost \"too good to be true,\" he personally rated it as \"much more satisfying\" than his first overall Tour win in 1986. LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France.", "LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France. Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory.", "Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory. On the final climb of the race LeMond attacked in pursuit of Fignon on his own.", "On the final climb of the race LeMond attacked in pursuit of Fignon on his own. Before long he had caught the Frenchman and not long after that the pair could see the lead group in front of them and they were quickly closing the gap. LeMond briefly dropped Fignon and caught the lead group on his own.", "LeMond briefly dropped Fignon and caught the lead group on his own. Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group.", "Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group. Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world.", "Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world. Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders.", "Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders. Rooks also launched an attack to go for the solo victory but was caught by LeMond, Fignon and the others. Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place.", "Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place. LeMond, Konyshev and Kelly were the strongest riders when it came to the final sprint for victory and they finished in that order. After the race LeMond said that he did not feel well and even considered abandoning the race. With two laps to go he began feeling stronger and stated, \"I was racing for the Gold medal.", "With two laps to go he began feeling stronger and stated, \"I was racing for the Gold medal. I wanted that World Championship. And with one kilometer to go, I knew I could get it.\" LeMond was only the fifth person in history to win both the Tour de France and the World Championship in the same year. In December, Sports Illustrated magazine named LeMond its 1989 \"Sportsman of the Year\", the first time a cyclist received the honor.", "In December, Sports Illustrated magazine named LeMond its 1989 \"Sportsman of the Year\", the first time a cyclist received the honor. 1990: A third tour win LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with of France, the first time a cyclist had signed a multi-million dollar contract. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team.", "He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At \"Z\" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats.", "This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate.", "LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. Surprisingly Pensec held the lead through the first high mountain stages, including Alpe d'Huez, but he would lose it soon after to the relative unknown Claudio Chiappucci. LeMond closed in on Chiappucci and on stage 16 he put his stamp of authority on the race during the final climb of Luz Ardiden. Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer.", "Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer. Miguel Induráin was the only rider able to get on LeMond's wheel but it was LeMond dictating the pace all the way up the climb as Chiappucci, Delgado and all of the other favorites fell further and further behind. While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours.", "While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours. Near the end of the stage LeMond sat up and the Spaniard took the stage win, but the devastation of LeMond's competitors was all but complete as there was now only +0:05 between LeMond and the yellow jersey. He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian.", "He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey.", "He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. LeMond's 1990 Tour victory made him one of just five cyclists to win three or more Tours. As of 2021 a total of seven cyclists have won three times or more.", "As of 2021 a total of seven cyclists have won three times or more. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. 1991–1994: Change in the peloton and retirement LeMond felt confident before the 1991 Tour de France. He was the defending champion, trained well and had a solid team to support him.", "He was the defending champion, trained well and had a solid team to support him. LeMond was among the leaders going into the Stage 8 individual time trial, and he finished second to the Spaniard Miguel Indurain. LeMond felt he was riding extremely well, and though his TT-effort had propelled him into the yellow jersey as leader of the general classification, losing eight seconds to Indurain shook his confidence. He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage.", "He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage. LeMond experienced difficulty on the first climb and he cracked on the Col du Tourmalet, losing significant time to Claudio Chiappucci, and eventual winner Indurain. He continued to race, but was unable to seriously challenge for the lead thereafter, finishing the 1991 Tour seventh overall. In 1992, LeMond won the Tour DuPont, which would be the last major win of his career.", "In 1992, LeMond won the Tour DuPont, which would be the last major win of his career. He would also have a strong top 10 finish in Paris-Roubaix early in the season. He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia.", "He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia. In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez.", "In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez. While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, \"My climbing is not like usual.", "While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, \"My climbing is not like usual. I've climbed much better in the past Tours. This year I'm just not feeling my usual self.\" LeMond did extensive endurance training on the road the following winter, but his performances the following spring failed to improve. LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial.", "LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial. He was too exhausted to enter the 1993 Tour de France. Following the 1993 season LeMond hired renowned Dutch physiologist Adrie van Diemen to advise him on a new technique to monitor training and measure performance. The (SRM) power-based training would make use of the watt as a guide to power output.", "The (SRM) power-based training would make use of the watt as a guide to power output. In November 1993 LeMond confided to Samuel Abt that power output in watts would become the key metric. The watt has gained wide acceptance as the best measure of a cyclist's training performance. The following year LeMond began the 1994 Tour de France but found he was unable to race effectively. He had to abandon after the first week before the race had reached the difficult mountain stages. That December, he announced his retirement.", "That December, he announced his retirement. That December, he announced his retirement. At the time the reasons for LeMond's increasing difficulties were not entirely known. At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders.", "At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders. In 2007, however, LeMond speculated that he might not have had the condition after all, and suggested that lead toxicity from the shotgun pellets still embedded in his body might have been responsible, the effects of which were increased by heavy training. LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness.", "LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness. Said LeMond: \"Something had changed in cycling. The speeds were faster and riders that I had easily out performed were now dropping me. At the time, the team I was on, Team Z, became more and more demanding, more and more concerned...\" He stated he had been told in 1994 that he would need to blood dope in order to win again.", "At the time, the team I was on, Team Z, became more and more demanding, more and more concerned...\" He stated he had been told in 1994 that he would need to blood dope in order to win again. He frankly admitted to Abt in 1999: \"I figure I had three months that went right for me after the hunting accident,\" three months in which he won the two Tours and a world road race championship.", "He frankly admitted to Abt in 1999: \"I figure I had three months that went right for me after the hunting accident,\" three months in which he won the two Tours and a world road race championship. \"The rest were just pure suffering, struggling, fatigue, always tired.\"", "\"The rest were just pure suffering, struggling, fatigue, always tired.\" In a wide-ranging interview with American novelist Bryan Malessa in 1998, LeMond was asked if his career had not been interrupted by the hunting accident, how did he feel he would compare to five time Tour winners such as Bernard Hinault and Miguel Indurain. LeMond responded: \"Of course you can't rewrite racing history, but I'm confident that I would have won five Tours.\"", "LeMond responded: \"Of course you can't rewrite racing history, but I'm confident that I would have won five Tours.\" Two years after his retirement LeMond was inducted into the United States Bicycling Hall of Fame in a ceremony at Rodale Park in Trexlertown, Pennsylvania. The event was held on June 8, 1996, during the U.S. Olympic Cycling Team Trials. In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger.", "In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger. The film centers on LeMond and his former teammate Hinault at the 1986 Tour de France. It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN.", "It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN. Business interests LeMond was a pioneer in the use of carbon fiber bicycle frames in European professional road cycling, and his Tour de France win in 1986 ahead of Bernard Hinault was the first for a carbon-framed bicycle. Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a \"Bernard Hinault\" Signature Model Look prototype that year.", "Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a \"Bernard Hinault\" Signature Model Look prototype that year. LeMond also won the 1989 Tour de France, the 1989 World Championship, and his final Tour de France in 1990 on carbon fiber frames. These bicycle frames featured \"Greg LeMond\" branding. LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public.", "LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public. The following year, searching for an equipment edge for Team Z at the 1991 Tour de France, LeMond concluded an exclusive licensing agreement between his company and Carbonframes, Inc., to access the latter's advanced composites technology. Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen.", "Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen. While LeMond briefly led the 1991 Tour overall, riding his Carbonframes-produced \"Greg LeMond\" bicycle, the company eventually faltered, something LeMond blamed on \"under-capitalization\" and poor management by his father. Carbonframes and LeMond Cycles \"parted amiably two years later.\"", "Carbonframes and LeMond Cycles \"parted amiably two years later.\" In 1995, with his company allegedly nearly bankrupt, LeMond reached a licensing-agreement with Trek Bicycle Corporation, according to which the Wisconsin-based company would manufacture and distribute bicycles designed with LeMond that would be sold under the \"LeMond Bicycles\" brand. LeMond would later claim that going into business with Trek \"destroyed\" his relationship with his father.", "LeMond would later claim that going into business with Trek \"destroyed\" his relationship with his father. The lucrative partnership, which generated revenue for Trek in excess of US$100,000,000, would be renewed several times over the course of 13 years, but it ultimately ended in acrimony after LeMond's relationship with Trek deteriorated over his staunch anti-doping advocacy. LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong.", "LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong. Trek president John Burke pressured LeMond to apologize, claiming, \"Greg's public comments hurt the LeMond brand and the Trek brand.\"", "Trek president John Burke pressured LeMond to apologize, claiming, \"Greg's public comments hurt the LeMond brand and the Trek brand.\" Burke allegedly justified his demand for an apology by advising that, \"As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow.\"", "Burke allegedly justified his demand for an apology by advising that, \"As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow.\" Armstrong reportedly said privately he could \"shut him up\" by contacting Trek, as documented in affidavits by Frankie and Betsy Andreu released in the 2012 USADA doping report. LeMond issued an apology for his comment.", "LeMond issued an apology for his comment. LeMond issued an apology for his comment. In a 2007 interview, LeMond accused Armstrong of trying to sabotage his relationship with Trek bicycles. In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to \"silence\" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek.", "In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to \"silence\" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek. His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular.", "His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular. Trek responded in April 2008, announcing that it was dropping LeMond Bicycles from its product line and that it would sue to sever the licensing agreement. As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand.", "As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand. After nearly two years of litigation, LeMond reached a confidential out-of-court settlement with Trek in February 2010. The settlement permitted the case to be dismissed with prejudice, meaning, \"neither side can produce the same claims against one another in a future lawsuit.\"", "The settlement permitted the case to be dismissed with prejudice, meaning, \"neither side can produce the same claims against one another in a future lawsuit.\" Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors.", "Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors. LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. \"to help individuals achieve their fitness and performance goals and train more effectively.\"", "LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. \"to help individuals achieve their fitness and performance goals and train more effectively.\" The company's primary business is the development and manufacture of bicycle trainers and indoor exercise bikes for consumers in the United States and internationally. LeMond serves as Chairman of the Board. In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA.", "In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA. In late 2012, LeMond purchased the LeMond Revolution from Hoist, relaunching with a new management team in Minneapolis. Later, he also formed LeMond LLC to introduce a suite of brands. Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons.", "Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons. The team won several stages of the Tour de France, plus the general classification of the 2012 Giro d'Italia. Partnership with Time At the Interbike trade show in September 2013, LeMond announced that he was returning to the business of bicycle manufacture and sales by partnering with French company Time. The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models.", "The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models. LeMond purchased Time Sport USA, the US distributor for the company. Said LeMond: \"I'm really excited to be back in the bike industry.\"", "Said LeMond: \"I'm really excited to be back in the bike industry.\" Real estate In 2002, LeMond joined his parents-in-law David and Sacia Morris, friend Michael Snow and J.P. Morgan & Co. fund manager Jorge Jasson to invest in the exclusive Yellowstone Club, a Big Sky, Montana, private ski and golf community founded by timber baron Tim Blixseth and his wife Edra. Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort.", "Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort. LeMond also purchased several building lots and maintained a property at the resort. Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake.", "Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake. The Credit Suisse loan was based on a $1.16 billion Cushman & Wakefield valuation of the resort, for which LeMond and partners each sought $11.6 million for their one-percent shares. In 2007, LeMond settled his suit with the Blixseths for $39 million.", "In 2007, LeMond settled his suit with the Blixseths for $39 million. However, he and his partners remained creditors as the Blixseths defaulted on a $20 million payment (after having already paid the group $18 million). In 2009, the Blixseths divorced and the Club went bankrupt. Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota.", "Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota. LeMond described the restaurant, which was named for its chef (LeMond's brother-in-law), as \"a dream of five years come true.\" Explaining the origin of the concept, LeMond said, \"Kathy and I have eaten at the finest establishments in France, Italy and Belgium.", "Explaining the origin of the concept, LeMond said, \"Kathy and I have eaten at the finest establishments in France, Italy and Belgium. Our favorites have always been small places, family-owned.\" LeMond also partnered in several Bruegger's bagel bakery-café franchises. LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University.", "LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University. In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility.", "In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility. On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia.", "On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia. Broadcasting In 2014, LeMond joined Eurosport as a pundit for the channel's cycling coverage, providing analysis at Paris–Roubaix, the Giro d'Italia and the Tour de France, and hosting his own monthly program LeMond on Cycling. He continued to work for the channel until 2017.", "He continued to work for the channel until 2017. He continued to work for the channel until 2017. Anti-doping stance and controversies LeMond is a longtime vocal opponent of performance-enhancing drug use. He first spoke on-record against doping in cycling after winning the 1989 Tour de France. He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them.", "He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them. Said LeMond: \"When I speak out about doping people could translate it and think it was about the riders. Actually I feel like I am an advocate for the riders. I look at them as being treated like lab rats that are test vehicles for the doctors. The doctors, the management, the officials, they're the ones that have corrupted riders.", "The doctors, the management, the officials, they're the ones that have corrupted riders. The riders are the only ones that pay the price.\" LeMond received intense criticism in 2001 when he publicly criticized Lance Armstrong's relationship with Dr. Michele Ferrari. Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes.", "Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes. Upon learning of Armstrong's association with Ferrari, LeMond said: \"When Lance won the prologue to the 1999 Tour I was close to tears, but when I heard he was working with Michele Ferrari I was devastated. In the light of Lance's relationship with Ferrari, I just don't want to comment on this year's Tour. This is not sour grapes.", "This is not sour grapes. This is not sour grapes. I'm disappointed in Lance, that's all it is.\" LeMond's comments placed him in the center of an anti-doping controversy. About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong \"a great champion\" and added, \"I do not believe, in any way, that he has ever used any performance-enhancing substances.", "About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong \"a great champion\" and added, \"I do not believe, in any way, that he has ever used any performance-enhancing substances. I believe his performances are the result of the same hard work, dedication and focus that were mine 10 years ago.\" In 2004, LeMond spoke out again.", "In 2004, LeMond spoke out again. In 2004, LeMond spoke out again. On the heels of successive Tour de France wins by Armstrong, LeMond said, \"If Armstrong's clean, it's the greatest comeback. And if he's not, then it's the greatest fraud.\"", "And if he's not, then it's the greatest fraud.\" He went public with the fallout of his 2001 statement, alleging that Armstrong had threatened to defame him and threatened his business interests as well: \"[Armstrong] basically said 'I could find 10 people that will say you took EPO' ... The week after, I got multiple people that were on Lance ... Lance's camp, basically saying 'You better be quiet,' and I was quiet for three years. I have a business ...", "I have a business ... I have a business ... I have bikes that are sold ... and I was told that my sales might not be doing too well if ... just the publicity, the negative publicity.\" The same month, LeMond told French newspaper Le Monde that Armstrong was \"ready to do anything to keep his secret. I don't know how he can continue to convince everybody of his innocence.\"", "I don't know how he can continue to convince everybody of his innocence.\" At a press conference Armstrong gave in September 2008 to announce his return to cycling, LeMond publicly challenged him with questions about doping. Armstrong appeared angry and interrupted LeMond, telling him it was time to move on. In August 2012, the USADA announced that Armstrong had been issued a lifetime ban from cycling competition due to his involvement in a massive doping scheme. In addition, the USADA stripped Armstrong of his seven Tour de France titles.", "In addition, the USADA stripped Armstrong of his seven Tour de France titles. LeMond has also clashed with fellow Tour rider Floyd Landis regarding the doping issue. On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France.", "On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France. Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify.", "Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify. The major points of the testimony were: In the August 6 conversation, LeMond said he told Landis that \"If you did (admit to having used banned substances), you could single-handedly change the sport. You could be the one who will salvage the sport.\"", "You could be the one who will salvage the sport.\" LeMond said Landis responded by saying \"What good would it do? If I did, it would destroy a lot of my friends and hurt a lot of people.\" In their conversation, LeMond had disclosed his history of childhood sexual abuse to Landis and said the secret had nearly destroyed him. LeMond stated he warned Landis. \"(Lying about doping) will come back to haunt you when you are 40 or 50.", "\"(Lying about doping) will come back to haunt you when you are 40 or 50. If you have a moral compass and ethics, this will destroy you.\" Will Geoghegan attempted to stop LeMond's testimony by calling LeMond on his mobile phone. LeMond reported that Geoghegan claimed he was \"his uncle\" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse.", "LeMond reported that Geoghegan claimed he was \"his uncle\" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse. LeMond's BlackBerry, with Geoghegan's phone number captured in the call log, was entered into evidence. In 2007, Landis was found guilty of doping and was banned from cycling for two years. In 2010, he admitted to having been involved in doping. Also in 2010, Landis apologized to LeMond for the events of 2007.", "Also in 2010, Landis apologized to LeMond for the events of 2007. On July 23, 2009, LeMond wrote an opinion article in the French newspaper Le Monde where he questioned the validity of Alberto Contador's climb up Verbier in the 2009 Tour de France. In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete.", "In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete. Said LeMond: \"The burden is then on Alberto Contador to prove he is physically capable of performing this feat without the use of performance-enhancing products.\" Contador tested positive for clenbuterol after winning the 2010 Tour and was later stripped of his title and suspended from cycling for two years. LeMond has criticized the UCI and its former president, Pat McQuaid.", "LeMond has criticized the UCI and its former president, Pat McQuaid. In December 2012, LeMond claimed that a change needed to be made in the leadership for the UCI and stated if called upon he would be willing to take the position himself if necessary to lead cycling out of the mire of doping. Said LeMond: \"It is now or never to act. After the earthquake caused by the Armstrong case another chance will not arise.", "After the earthquake caused by the Armstrong case another chance will not arise. I am willing to invest to make this institution more democratic, transparent and look for the best candidate in the longer term.\" McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond. Ultimately McQuaid was defeated in his bid for a third term by British Cycling president Brian Cookson at the September 2013 UCI Congress in Florence, Italy. Lemond had supported Cookson in the UCI Presidential battle.", "Lemond had supported Cookson in the UCI Presidential battle. Lemond had supported Cookson in the UCI Presidential battle. Personal life LeMond is married to Kathy (née Morris) and together they have three children: sons Geoffrey and Scott, and daughter Simone. LeMond and his wife lived in Medina, Minnesota, from 1990 until 2017 and then moved to Oak Ridge, Tennessee. Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse).", "Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse). LeMond is an avid outdoor enthusiast and fly angler, and in 1991 – while still racing full-time – he made the world-record fly fishing catch of a four-pound smallmouth bass on a reel with a four-pound tippet. The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin.", "The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin. The catch exceeded the then-previous record of three pounds, six ounces made on the same size tippet back in 1986. LeMond confessed, \"I always pack my fly fishing equipment when I travel to bike events. I fish every chance I get.\" After retiring from pro cycling, LeMond competed in Formula Ford 2000 series auto racing. He is also a motivational speaker.", "He is also a motivational speaker. He is also a motivational speaker. LeMond narrated an award-winning documentary for Adventures for the Cure in 2008. On July 16, 2007, LeMond rode the L'Étape du Tour cyclosportive with his son, and found it to be a defining moment in his post-competition life. \"I had the time of my life\", he said, despite getting \"650th place\" and being \"impressed that I even finished\".", "\"I had the time of my life\", he said, despite getting \"650th place\" and being \"impressed that I even finished\". LeMond continued, \"I decided that day that nobody's going to keep me from cycling, not Trek, not Armstrong, not Verbruggen, not anybody.\" At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling.", "At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling. Especially significant was LeMond's appearance as a USADA witness in the Floyd Landis doping case. At that time, Landis's business manager threatened to expose the fact that LeMond was a survivor of child sex abuse. Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times.", "Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times. LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize.", "LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize. He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma.", "He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma. LeMond described how being a victim of molestation had impacted his life and his racing career.", "LeMond described how being a victim of molestation had impacted his life and his racing career. In September 2007, LeMond became a founding board member of the non-profit organization 1in6.org, whose mission is \"to help men who have had unwanted or abusive sexual experiences in childhood live healthy, happy lives\". LeMond was in a car accident on the morning of January 30, 2013. He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car.", "He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car. LeMond suffered a concussion and was left with no memory of the incident. According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home.", "According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home. LeMond may have lost consciousness before the accident, according to his wife Kathy, and he suffered a compression fracture in his back and would have to wear a brace for three months. The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery.", "The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery. On September 19, 2019, the United States House of Representatives passed a bipartisan bill, submitted by California Representative Mike Thompson, to award LeMond the Congressional Gold Medal. The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020.", "The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020. Upon signature of the bill, the White House released a statement, saying the medal was awarded \"in recognition of his service to the Nation as an athlete, activist, role model, and community leader\".", "Upon signature of the bill, the White House released a statement, saying the medal was awarded \"in recognition of his service to the Nation as an athlete, activist, role model, and community leader\". Career achievements Major results 1977 1st Road race, National Junior Road Championships 1978 1st Overall Vuelta de Bisbee 2nd Road race, National Junior Road Championships 3rd Team time trial, UCI Junior Road World Championships 1979 1st Road race, UCI Junior Road World Championships 1st Road race, National Junior Road Championships 1st Nevada City Classic 2nd Track pursuit, UCI Junior Track World Championships 3rd Team time trial, UCI Junior Road World Championships 1980 1st Overall Circuit de la Sarthe 1st Nevada City Classic 3rd Overall Circuit des Ardennes 1981 1st Overall Coors Classic 1st Stages 1 & 7 Tour de Picardie 1st Stages 2 & 2a 1st Nevada City Classic 3rd Overall Critérium du Dauphiné Libéré 3rd Overall Route du Sud 7th Overall Circuit de la Sarthe 1982 1st Overall Tour de l'Avenir 1st Stages 4 (ITT), 5 & 8 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour Méditerranéen 3rd Overall Tirreno–Adriatico 1st Stage 3 3rd Overall Tour de Corse 3rd Grand Prix de Rennes 1983 1st Road race, UCI Road World Championships 1st Overall Critérium du Dauphiné Libéré 1st Stages 1, 5 & 7b (ITT) 1st Overall Super Prestige Pernod International 1st Critérium des As 1st Stage 1 Tour Méditerranéen 2nd Grand Prix des Nations 2nd Giro di Lombardia 4th Overall Tour de Suisse 4th Paris–Tours 6th Druivenkoers Overijse 10th Overall Tirreno–Adriatico 1984 1st Stage 1 Clásico RCN 3rd Overall Tour de France 1st Young rider classification 1st Stage 3 (TTT) 3rd Overall Critérium du Dauphiné Libéré 1st Stage 7b 3rd Liège–Bastogne–Liège 5th Overall Tirreno–Adriatico 7th Overall Ronde van Nederland 8th Overall Critérium International 9th Gent–Wevelgem 1985 1st Overall Coors Classic 1st Stage 5 2nd Overall Tour de France 1st Combination classification 1st Stages 3 (TTT) & 21 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour of the Basque Country 3rd Overall Giro d'Italia 3rd Super Prestige Pernod International 4th Overall Critérium International 4th Paris–Roubaix 4th Omloop Het Volk 6th Overall Tour Méditerranéen 7th Tour of Flanders 7th Grand Prix Eddy Merckx 1986 1st Overall Tour de France 1st Combination classification 1st Stage 13 1st Stage 4 Volta a la Comunitat Valenciana 2nd Milan–San Remo 2nd Super Prestige Pernod International 2nd Overall Coors Classic 1st Stage 4a 3rd Overall Paris–Nice 3rd Overall Tour de Suisse 3rd Overall Critérium International 4th Overall Giro d'Italia 1st Stage 5 4th La Flèche Wallonne 4th Züri-Metzgete 7th Overall Étoile de Bessèges 7th Road race, UCI Road World Championships 1989 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 5 (ITT), 19 & 21 (ITT) 2nd Boucles de l'Aulne 4th Overall Critérium International 4th Grand Prix des Amériques 6th Overall Tirreno–Adriatico 1990 1st Overall Tour de France 2nd Züri-Metzgete 3rd Boucles de l'Aulne 4th Road race, UCI Road World Championships 10th Overall Tour de Suisse 1991 7th Overall Tour de France 1992 1st Overall Tour DuPont 1st Prologue 2nd Overall Tour d'Armorique 9th Paris–Roubaix Grand Tour general classification results timeline Classics results timeline Awards Sports Illustrated Sportsman of the Year: 1989 Jesse Owens International Trophy: 1991 Korbel Lifetime Achievement Award: 1992 See also Yellow jersey statistics List of companies named after people List of French Americans List of Grand Tour general classification winners List of multi-sport athletes List of people from Minnesota List of sports rivalries List of Tour de France general classification winners List of Tour de France secondary classification winners United States at the UCI Road World Championships References Notes Citations Bibliography Further reading External links LeMond Composites 1961 births Living people American people of French descent American Giro d'Italia stage winners American male cyclists American Tour de France stage winners Cycle designers People from Lakewood, California Tour de France Champs Elysées stage winners Tour de France winners UCI Road World Champions (elite men) U.S. F2000 National Championship drivers Super Prestige Pernod winners Cyclists from California" ]
[ "Greg LeMond", "1990: A third tour win", "How was his third win different?", "He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team.", "Did he ever have to deal with injuries?", "I don't know.", "What is one interesting piece of information from the article?", "The squad's tactical plan was upset on the first day," ]
C_9c9610aa3ce045f884f748c530eec16f_0
Why was there plan upset?
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Why was there plan upset for Greg LeMond?
Greg LeMond
LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with Z-Tomasso of France. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. LeMond closed in on race leader Claudio Chiappucci, finally overtaking him in the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. CANNOTANSWER
breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field.
Gregory James LeMond (born June 26, 1961) is an American former professional road racing cyclist, entrepreneur, and anti-doping advocate. A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation. LeMond began his professional cycling career in 1981. In 1983, he became the first American male cyclist to win the Road World Championship. LeMond won the Tour de France in 1986; he is the first non-European professional cyclist to win the Tour. He was accidentally shot with pellets and seriously injured while hunting in 1987. Following the shooting, he underwent two surgeries and missed the next two Tours. At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage. He successfully defended his Tour title the following year, becoming one of only eight riders to win three or more Tours. LeMond retired from competition in December 1994 and was inducted into the United States Bicycling Hall of Fame in 1996. He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated. During his career, LeMond championed several technological advancements in pro cycling, including the introduction of aerodynamic "triathlon" handlebars and carbon fiber bicycle frames, which he later marketed through his company LeMond Bicycles. His other business interests have included restaurants, real estate, and consumer fitness equipment. LeMond is a vocal opponent of performance-enhancing drug use in cycling and is a founding board member of 1in6.org, a nonprofit charity that assists male victims of child sex abuse. Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada. His parents are Bob LeMond and Bertha LeMond (d. 2006), and he has two sisters, Kathy and Karen. LeMond grew up living an active, outdoor life. Hiking, hunting, skiing and flyfishing were boyhood pastimes. The ranch country of the Sierra Nevada mountain range lent itself to such pursuits. A hyperactive youngster, LeMond believes these outdoor activities helped keep him out of trouble. "I was a boy who just could not sit still. I had trouble focusing in school. Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD). ADHD certainly was not the frequently medicated childhood disease it is today. My triumph over the symptoms was found atop two thin tires over many dusty miles." Said LeMond: "That's one of the traits. It's the inability to sit down [and listen] to something you are not really interested in and absorb it. If they are interested in it, people with ADD excel in really good ways. When I got into cycling I would say the sport itself took a fog off my brain. I was able to absorb stuff I read. It changed my life." LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports. LeMond soon biked almost daily to high school. He often rode home from Wooster, taking a route over Mt. Rose, along to Incline Village, then south on Hwy 28, then downhill to Carson City, then to his home. LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid. LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category. In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion. LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as "a diamond, a clear diamond." LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race. At age 18, LeMond was selected for the 1980 U.S. Olympic cycling team, the youngest ever to make the team. However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there. Borysewicz, whom LeMond described as his "first real coach," wanted to retain his protégé through the next Olympic cycle and discouraged him from turning pro, but LeMond was determined. Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign. There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality "in the history of the sport to win a major pro-am cycling event [in Europe]." That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif. Guimard said he was impressed with LeMond's spirit, and told him, "You have the fire to be a great champion," before offering him a professional contract for 1981 with Renault. After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States. Despite eventually receiving several other offers to turn professional besides Guimard's, LeMond did not consider them seriously, and he signed with Renault in Paris on the day the 1980 Tour de France finished. Professional career LeMond was an "exceptionally gifted" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit. Respected cycling journalist John Wilcockson, who reported the Tour de France for more than 40 years, described LeMond as a rider who was fuoriclasse. 1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise. He followed with a win in the Coors Classic in the United States, finishing ahead of Sergei Sukhoruchenkov, the 1980 Olympic road champion. The major step forward in 1981 occurred in the Dauphiné Libéré stage race where LeMond placed third. The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault. LeMond missed standing on the podium with race winner Hinault, as Pascal Simon had finished ahead of him. Two weeks later Simon was assessed a 10-minute penalty when it was discovered he had been doping. LeMond considered the race to have been a "major steppingstone" in his career. Said LeMond: "It showed me that I had the kind of climbing ability that you need to win the top European stage races." LeMond won a total of five races in his rookie season of 1981. LeMond broke his collarbone on April 11, 1982, while racing the cycling classic Liège–Bastogne–Liège. The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year. In the men's road race competition, LeMond broke for the line but was out-sprinted by Italian Giuseppe Saronni. Following the race, LeMond's American teammate Jacques Boyer accused LeMond of chasing him down in the final 800 meters. Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly. Boyer placed tenth. Bronze medalist Sean Kelly, a favorite to win the race, was with Saronni when he caught LeMond with about 200 meters to go, but he could not hold his wheel. Said Kelly: "I don't think that Boyer was fading ... He got quite a good gap. Nobody wanted to go after him ... Yes, LeMond chased down Boyer. Boyer was the only man up the road." LeMond was supported by his teammate George Mount, who observed, "What's LeMond going to do? Throw his bike down in front of everybody because Boyer is such a good buddy of everyone? ... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters. LeMond made a good move and a good sprint ... Boyer was not going to win that race. The best he could have got was fifth or sixth place." LeMond did not apologize. The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion. Instead, the highest finisher at the World's was considered the national champion. LeMond had argued for the team to compete as the European teams did, but team management and Boyer voted against him. Thus, unlike the other teams at the world championship, the US riders were competing against each other. Aged 21, LeMond was the first American pro to win a medal at the World's since Frank Kramer took silver in 1912. Said LeMond: "I'm racing for Renault and I'm racing for myself. It's a business and it's my living. To me, that second place was almost as good as winning, especially at my age." Two weeks later, on September 20, 1982, LeMond won the mountainous 12-day, Tour de l'Avenir by a record 10 minutes, 18 seconds. The victory, and the time advantage LeMond held at the end, stunned Europe and provided broad confirmation that LeMond was indeed fuoriclasse. The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so. (Audrey McElmury won in 1969 and Beth Heiden won in 1980.) LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours. 1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification. The following year he was brought across to La Vie Claire to ride in support of team captain Bernard Hinault who had regained his form and was attempting to win his fifth Tour. French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years. In the race Hinault led through the early mountain stages, but suffered a crash and came into difficulty. At this point, it was clear that LeMond was an elite rider capable of winning the Tour in his own right. LeMond possessed a natural talent for riding the Grand Tours, and got stronger over the course of a three-week race. The injured Hinault was vulnerable, and his competitors knew it. Stage 17 included three major climbs in the Pyrenees. On the second, the Col du Tourmalet, LeMond followed Stephen Roche in an attack, but was not given permission to help build on the gap over the field. The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy. The pace Roche could put out by himself eventually slowed, and other riders came up to join the two men. Hinault recovered as well, though he did not regain the lead group. At the end of the stage LeMond was frustrated to the point of tears. He later revealed that team management and his own coach Paul Köchli had misled him as to how far back Hinault had dropped during the crucial Stage 17 mountain stage. Hinault won the 1985 Tour, with LeMond finishing second, 1:42 behind. LeMond had ridden as the dutiful lieutenant, and his support enabled Hinault to win his fifth Tour. In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year. Hoping to end the season on a high note LeMond entered the World Championships road race with the strongest team the United States ever fielded. Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel. Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire. He was however, part of the group that was going to win, and while Hampsten and Keifel survived the race to this point, unfortunately they were too far back to assist LeMond in the final ten kilometers. Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk. Being as he was 38 years old and long past his prime none of the remaining contenders including LeMond, Claudio Corti, Robert Millar, Moreno Argentin or Stephen Roche took the attack seriously initially. Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing. He also had two teammates remaining in Johan Van der Velde and Gerard Veldscholten, assisting him by riding at the front but not actually chasing, therefore slowing the chase group. Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit. LeMond too had nothing left to chase down this final attack feeling that if he did, he wouldn't have anything left for the sprint and wouldn't win any medal at all. In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver. There was no controversy following this silver medal for LeMond and immediately after the race he rode up alongside the Dutchman and congratulated him saying, "Nice ride Joop." For the 1986 Tour, LeMond was a co-leader of the La Vie Claire team alongside Hinault. Hinault's support seemed less certain the closer the race approached. An unspoken condition was that his help would be contingent upon LeMond demonstrating that he was clearly the better rider. Hinault was in superb form, and had the chance to win an unprecedented sixth Tour. Hinault chose to let the Stage 9 individual time trial be the decider for which rider would receive the full support of team La Vie Claire. Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond. LeMond had bad luck during the stage, having suffered a punctured tire requiring a wheel change, and later in the stage a bicycle change was required when he broke a wheel. He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race. In Stage 12, the first mountain stage of the race in the Pyrenees, Hinault attacked the lead group and built up an overall lead. By the end of Stage 12, Hinault had a five-minute lead over LeMond and the other top riders. He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond. He was clearly willing to ride aggressively and take advantage of the opportunities presented. LeMond was never placed in difficulty, except by his own teammate. The following day Hinault broke away again early but was caught and then dropped by LeMond on the final climb of Stage 13, allowing LeMond to gain back four and a half minutes. The next three stages brought the Tour to the Alps. On Stage 17 LeMond and Urs Zimmermann dropped Hinault from the leading group, and the end of the day saw LeMond pulling on the yellow jersey of race leader, the first time it had ever been worn by a rider from the United States. The following day in the Alps saw Hinault attack again early on the first climb, but he was pulled back. Attempting an escape on the descent, he was unable to separate himself from LeMond. The La Vie Claire team leaders were both excellent descenders. As they ascended up the next col they continued to pull away from the field, and maintained the gap as they reached the base of the final climb, the vaunted Alpe d'Huez. They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together. LeMond put an arm around Hinault and gave him a smile and the stage win in a show of unity, but the infighting was not over. Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer. Commenting on the team situation prior to the final individual time trial at Stage 20, LeMond offered the following with a wry smile: "He's attacked me from the beginning of the Tour De France. He's never helped me once, and I don't feel confident at all with him." LeMond had to keep his eye on his teammate and rival throughout the race. Hinault rode aggressively and repeatedly attacked, and the division created in the La Vie Claire team was unmistakable. LeMond would keep the yellow jersey to the end of the race and win his first Tour, but he felt betrayed by Hinault and the La Vie Claire team leadership. LeMond later stated the 1986 Tour was the most difficult and stressful race of his career. 1987–1988: Shooting accident and recovery LeMond had planned to defend his title in the 1987 Tour de France with La Vie Claire, but he was unable to participate. Earlier that year, while riding in the Tirreno–Adriatico spring tune-up race, LeMond fell and fractured his left wrist. He returned to the United States to recover from the injury. The week before returning to Europe, he went turkey hunting on a ranch co-owned by his father in Lincoln, California. LeMond was with Rodney Barber and Patrick Blades, his uncle and brother-in-law. The trio had become separated when Blades, who heard movement behind him, turned and fired through a bush. The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets. LeMond's injuries were life-threatening, but a police helicopter was already airborne near the scene and transported LeMond on a 15-minute air medical flight to the Medical Center at University of California-Davis. LeMond was taken for emergency surgery. He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume. A physician informed LeMond later that he had been within 20 minutes of bleeding to death. The operation saved his life, but four months later he developed a small bowel obstruction due to adhesions that had formed following the shooting. He underwent another surgery to relieve the obstruction and take down the adhesions. Concerned that his team would drop him if they knew the shooting accident required a second surgery, LeMond asked the surgeons to remove his appendix at the same time. He then informed his team that he had had his appendix removed, but the rest of the story was left somewhat vague. The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team. With 35 shotgun pellets still in his body, including three in the lining of his heart and five more embedded in his liver, LeMond attempted to return to racing in 1988. His comeback was hampered by over-training which resulted in tendonitis in his right shin requiring surgery. He missed the Tour for the second year running. Tensions in the relationship between LeMond and PDM were aggravated when LeMond discovered that doping was going on at the PDM squad. The result was that LeMond moved from PDM, one of the strongest teams in the peloton, to ADR, a team based in Belgium. The team was co-sponsored by Coors Light for American races. The deal was completed on New Year's Eve, just hours before LeMond would have been legally obliged to ride another season for the Dutch team. Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours. 1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France. He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall. He started the 1989 Giro d'Italia in May as preparation for the Tour to follow, but struggled in the mountains and was not in contention for any of the leaders' jerseys before the final individual time trial into Florence. LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon. Some of his improvement he attributed to an anti-anemia treatment he received twice during the race. Coming into the 1989 Tour de France LeMond was not considered a contender for the general classification (GC). His own most optimistic hope was to finish his final Tour in the top 20. Without the weight of expectation and other pressures of being a Tour favorite, LeMond surprised observers with a strong ride in the prologue in Luxembourg, finishing fourth out of 198 riders. Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years. LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains. LeMond remained at the front of the race in the Pyrénées, but lost the lead to his former teammate and rival Laurent Fignon on stage 10 in Superbagnères. Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette. The see-saw battle continued, and when Fignon attacked on the upper slopes of Alpe d'Huez LeMond was unable to go with him, placing the yellow jersey back on the shoulders of Fignon. Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris. Fignon had won the Tour twice before, in 1983 and 1984, and was a very capable time trialist. It seemed improbable that LeMond could take 50 seconds off Fignon over the short course. This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world. LeMond had done wind tunnel testing in the off season and perfected his riding position. He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win. Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials. Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory. As LeMond embraced his wife and rejoiced on the Champs-Élysées, Fignon collapsed onto the tarmac, then sat in shock and wept. The final margin of victory of eight seconds was the closest in the Tour's history. LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history. Since then, only the 1994 and 2015 prologues and David Zabriskie's 2005 time trial performance have been faster. The press immediately labeled LeMond's come-from-behind triumph as, "the most astonishing victory in Tour de France history," and while LeMond admitted that it felt almost "too good to be true," he personally rated it as "much more satisfying" than his first overall Tour win in 1986. LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France. Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory. On the final climb of the race LeMond attacked in pursuit of Fignon on his own. Before long he had caught the Frenchman and not long after that the pair could see the lead group in front of them and they were quickly closing the gap. LeMond briefly dropped Fignon and caught the lead group on his own. Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group. Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world. Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders. Rooks also launched an attack to go for the solo victory but was caught by LeMond, Fignon and the others. Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place. LeMond, Konyshev and Kelly were the strongest riders when it came to the final sprint for victory and they finished in that order. After the race LeMond said that he did not feel well and even considered abandoning the race. With two laps to go he began feeling stronger and stated, "I was racing for the Gold medal. I wanted that World Championship. And with one kilometer to go, I knew I could get it." LeMond was only the fifth person in history to win both the Tour de France and the World Championship in the same year. In December, Sports Illustrated magazine named LeMond its 1989 "Sportsman of the Year", the first time a cyclist received the honor. 1990: A third tour win LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with of France, the first time a cyclist had signed a multi-million dollar contract. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At "Z" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. Surprisingly Pensec held the lead through the first high mountain stages, including Alpe d'Huez, but he would lose it soon after to the relative unknown Claudio Chiappucci. LeMond closed in on Chiappucci and on stage 16 he put his stamp of authority on the race during the final climb of Luz Ardiden. Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer. Miguel Induráin was the only rider able to get on LeMond's wheel but it was LeMond dictating the pace all the way up the climb as Chiappucci, Delgado and all of the other favorites fell further and further behind. While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours. Near the end of the stage LeMond sat up and the Spaniard took the stage win, but the devastation of LeMond's competitors was all but complete as there was now only +0:05 between LeMond and the yellow jersey. He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. LeMond's 1990 Tour victory made him one of just five cyclists to win three or more Tours. As of 2021 a total of seven cyclists have won three times or more. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. 1991–1994: Change in the peloton and retirement LeMond felt confident before the 1991 Tour de France. He was the defending champion, trained well and had a solid team to support him. LeMond was among the leaders going into the Stage 8 individual time trial, and he finished second to the Spaniard Miguel Indurain. LeMond felt he was riding extremely well, and though his TT-effort had propelled him into the yellow jersey as leader of the general classification, losing eight seconds to Indurain shook his confidence. He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage. LeMond experienced difficulty on the first climb and he cracked on the Col du Tourmalet, losing significant time to Claudio Chiappucci, and eventual winner Indurain. He continued to race, but was unable to seriously challenge for the lead thereafter, finishing the 1991 Tour seventh overall. In 1992, LeMond won the Tour DuPont, which would be the last major win of his career. He would also have a strong top 10 finish in Paris-Roubaix early in the season. He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia. In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez. While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, "My climbing is not like usual. I've climbed much better in the past Tours. This year I'm just not feeling my usual self." LeMond did extensive endurance training on the road the following winter, but his performances the following spring failed to improve. LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial. He was too exhausted to enter the 1993 Tour de France. Following the 1993 season LeMond hired renowned Dutch physiologist Adrie van Diemen to advise him on a new technique to monitor training and measure performance. The (SRM) power-based training would make use of the watt as a guide to power output. In November 1993 LeMond confided to Samuel Abt that power output in watts would become the key metric. The watt has gained wide acceptance as the best measure of a cyclist's training performance. The following year LeMond began the 1994 Tour de France but found he was unable to race effectively. He had to abandon after the first week before the race had reached the difficult mountain stages. That December, he announced his retirement. At the time the reasons for LeMond's increasing difficulties were not entirely known. At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders. In 2007, however, LeMond speculated that he might not have had the condition after all, and suggested that lead toxicity from the shotgun pellets still embedded in his body might have been responsible, the effects of which were increased by heavy training. LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness. Said LeMond: "Something had changed in cycling. The speeds were faster and riders that I had easily out performed were now dropping me. At the time, the team I was on, Team Z, became more and more demanding, more and more concerned..." He stated he had been told in 1994 that he would need to blood dope in order to win again. He frankly admitted to Abt in 1999: "I figure I had three months that went right for me after the hunting accident," three months in which he won the two Tours and a world road race championship. "The rest were just pure suffering, struggling, fatigue, always tired." In a wide-ranging interview with American novelist Bryan Malessa in 1998, LeMond was asked if his career had not been interrupted by the hunting accident, how did he feel he would compare to five time Tour winners such as Bernard Hinault and Miguel Indurain. LeMond responded: "Of course you can't rewrite racing history, but I'm confident that I would have won five Tours." Two years after his retirement LeMond was inducted into the United States Bicycling Hall of Fame in a ceremony at Rodale Park in Trexlertown, Pennsylvania. The event was held on June 8, 1996, during the U.S. Olympic Cycling Team Trials. In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger. The film centers on LeMond and his former teammate Hinault at the 1986 Tour de France. It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN. Business interests LeMond was a pioneer in the use of carbon fiber bicycle frames in European professional road cycling, and his Tour de France win in 1986 ahead of Bernard Hinault was the first for a carbon-framed bicycle. Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a "Bernard Hinault" Signature Model Look prototype that year. LeMond also won the 1989 Tour de France, the 1989 World Championship, and his final Tour de France in 1990 on carbon fiber frames. These bicycle frames featured "Greg LeMond" branding. LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public. The following year, searching for an equipment edge for Team Z at the 1991 Tour de France, LeMond concluded an exclusive licensing agreement between his company and Carbonframes, Inc., to access the latter's advanced composites technology. Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen. While LeMond briefly led the 1991 Tour overall, riding his Carbonframes-produced "Greg LeMond" bicycle, the company eventually faltered, something LeMond blamed on "under-capitalization" and poor management by his father. Carbonframes and LeMond Cycles "parted amiably two years later." In 1995, with his company allegedly nearly bankrupt, LeMond reached a licensing-agreement with Trek Bicycle Corporation, according to which the Wisconsin-based company would manufacture and distribute bicycles designed with LeMond that would be sold under the "LeMond Bicycles" brand. LeMond would later claim that going into business with Trek "destroyed" his relationship with his father. The lucrative partnership, which generated revenue for Trek in excess of US$100,000,000, would be renewed several times over the course of 13 years, but it ultimately ended in acrimony after LeMond's relationship with Trek deteriorated over his staunch anti-doping advocacy. LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong. Trek president John Burke pressured LeMond to apologize, claiming, "Greg's public comments hurt the LeMond brand and the Trek brand." Burke allegedly justified his demand for an apology by advising that, "As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow." Armstrong reportedly said privately he could "shut him up" by contacting Trek, as documented in affidavits by Frankie and Betsy Andreu released in the 2012 USADA doping report. LeMond issued an apology for his comment. In a 2007 interview, LeMond accused Armstrong of trying to sabotage his relationship with Trek bicycles. In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to "silence" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek. His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular. Trek responded in April 2008, announcing that it was dropping LeMond Bicycles from its product line and that it would sue to sever the licensing agreement. As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand. After nearly two years of litigation, LeMond reached a confidential out-of-court settlement with Trek in February 2010. The settlement permitted the case to be dismissed with prejudice, meaning, "neither side can produce the same claims against one another in a future lawsuit." Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors. LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. "to help individuals achieve their fitness and performance goals and train more effectively." The company's primary business is the development and manufacture of bicycle trainers and indoor exercise bikes for consumers in the United States and internationally. LeMond serves as Chairman of the Board. In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA. In late 2012, LeMond purchased the LeMond Revolution from Hoist, relaunching with a new management team in Minneapolis. Later, he also formed LeMond LLC to introduce a suite of brands. Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons. The team won several stages of the Tour de France, plus the general classification of the 2012 Giro d'Italia. Partnership with Time At the Interbike trade show in September 2013, LeMond announced that he was returning to the business of bicycle manufacture and sales by partnering with French company Time. The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models. LeMond purchased Time Sport USA, the US distributor for the company. Said LeMond: "I'm really excited to be back in the bike industry." Real estate In 2002, LeMond joined his parents-in-law David and Sacia Morris, friend Michael Snow and J.P. Morgan & Co. fund manager Jorge Jasson to invest in the exclusive Yellowstone Club, a Big Sky, Montana, private ski and golf community founded by timber baron Tim Blixseth and his wife Edra. Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort. LeMond also purchased several building lots and maintained a property at the resort. Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake. The Credit Suisse loan was based on a $1.16 billion Cushman & Wakefield valuation of the resort, for which LeMond and partners each sought $11.6 million for their one-percent shares. In 2007, LeMond settled his suit with the Blixseths for $39 million. However, he and his partners remained creditors as the Blixseths defaulted on a $20 million payment (after having already paid the group $18 million). In 2009, the Blixseths divorced and the Club went bankrupt. Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota. LeMond described the restaurant, which was named for its chef (LeMond's brother-in-law), as "a dream of five years come true." Explaining the origin of the concept, LeMond said, "Kathy and I have eaten at the finest establishments in France, Italy and Belgium. Our favorites have always been small places, family-owned." LeMond also partnered in several Bruegger's bagel bakery-café franchises. LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University. In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility. On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia. Broadcasting In 2014, LeMond joined Eurosport as a pundit for the channel's cycling coverage, providing analysis at Paris–Roubaix, the Giro d'Italia and the Tour de France, and hosting his own monthly program LeMond on Cycling. He continued to work for the channel until 2017. Anti-doping stance and controversies LeMond is a longtime vocal opponent of performance-enhancing drug use. He first spoke on-record against doping in cycling after winning the 1989 Tour de France. He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them. Said LeMond: "When I speak out about doping people could translate it and think it was about the riders. Actually I feel like I am an advocate for the riders. I look at them as being treated like lab rats that are test vehicles for the doctors. The doctors, the management, the officials, they're the ones that have corrupted riders. The riders are the only ones that pay the price." LeMond received intense criticism in 2001 when he publicly criticized Lance Armstrong's relationship with Dr. Michele Ferrari. Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes. Upon learning of Armstrong's association with Ferrari, LeMond said: "When Lance won the prologue to the 1999 Tour I was close to tears, but when I heard he was working with Michele Ferrari I was devastated. In the light of Lance's relationship with Ferrari, I just don't want to comment on this year's Tour. This is not sour grapes. I'm disappointed in Lance, that's all it is." LeMond's comments placed him in the center of an anti-doping controversy. About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong "a great champion" and added, "I do not believe, in any way, that he has ever used any performance-enhancing substances. I believe his performances are the result of the same hard work, dedication and focus that were mine 10 years ago." In 2004, LeMond spoke out again. On the heels of successive Tour de France wins by Armstrong, LeMond said, "If Armstrong's clean, it's the greatest comeback. And if he's not, then it's the greatest fraud." He went public with the fallout of his 2001 statement, alleging that Armstrong had threatened to defame him and threatened his business interests as well: "[Armstrong] basically said 'I could find 10 people that will say you took EPO' ... The week after, I got multiple people that were on Lance ... Lance's camp, basically saying 'You better be quiet,' and I was quiet for three years. I have a business ... I have bikes that are sold ... and I was told that my sales might not be doing too well if ... just the publicity, the negative publicity." The same month, LeMond told French newspaper Le Monde that Armstrong was "ready to do anything to keep his secret. I don't know how he can continue to convince everybody of his innocence." At a press conference Armstrong gave in September 2008 to announce his return to cycling, LeMond publicly challenged him with questions about doping. Armstrong appeared angry and interrupted LeMond, telling him it was time to move on. In August 2012, the USADA announced that Armstrong had been issued a lifetime ban from cycling competition due to his involvement in a massive doping scheme. In addition, the USADA stripped Armstrong of his seven Tour de France titles. LeMond has also clashed with fellow Tour rider Floyd Landis regarding the doping issue. On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France. Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify. The major points of the testimony were: In the August 6 conversation, LeMond said he told Landis that "If you did (admit to having used banned substances), you could single-handedly change the sport. You could be the one who will salvage the sport." LeMond said Landis responded by saying "What good would it do? If I did, it would destroy a lot of my friends and hurt a lot of people." In their conversation, LeMond had disclosed his history of childhood sexual abuse to Landis and said the secret had nearly destroyed him. LeMond stated he warned Landis. "(Lying about doping) will come back to haunt you when you are 40 or 50. If you have a moral compass and ethics, this will destroy you." Will Geoghegan attempted to stop LeMond's testimony by calling LeMond on his mobile phone. LeMond reported that Geoghegan claimed he was "his uncle" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse. LeMond's BlackBerry, with Geoghegan's phone number captured in the call log, was entered into evidence. In 2007, Landis was found guilty of doping and was banned from cycling for two years. In 2010, he admitted to having been involved in doping. Also in 2010, Landis apologized to LeMond for the events of 2007. On July 23, 2009, LeMond wrote an opinion article in the French newspaper Le Monde where he questioned the validity of Alberto Contador's climb up Verbier in the 2009 Tour de France. In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete. Said LeMond: "The burden is then on Alberto Contador to prove he is physically capable of performing this feat without the use of performance-enhancing products." Contador tested positive for clenbuterol after winning the 2010 Tour and was later stripped of his title and suspended from cycling for two years. LeMond has criticized the UCI and its former president, Pat McQuaid. In December 2012, LeMond claimed that a change needed to be made in the leadership for the UCI and stated if called upon he would be willing to take the position himself if necessary to lead cycling out of the mire of doping. Said LeMond: "It is now or never to act. After the earthquake caused by the Armstrong case another chance will not arise. I am willing to invest to make this institution more democratic, transparent and look for the best candidate in the longer term." McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond. Ultimately McQuaid was defeated in his bid for a third term by British Cycling president Brian Cookson at the September 2013 UCI Congress in Florence, Italy. Lemond had supported Cookson in the UCI Presidential battle. Personal life LeMond is married to Kathy (née Morris) and together they have three children: sons Geoffrey and Scott, and daughter Simone. LeMond and his wife lived in Medina, Minnesota, from 1990 until 2017 and then moved to Oak Ridge, Tennessee. Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse). LeMond is an avid outdoor enthusiast and fly angler, and in 1991 – while still racing full-time – he made the world-record fly fishing catch of a four-pound smallmouth bass on a reel with a four-pound tippet. The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin. The catch exceeded the then-previous record of three pounds, six ounces made on the same size tippet back in 1986. LeMond confessed, "I always pack my fly fishing equipment when I travel to bike events. I fish every chance I get." After retiring from pro cycling, LeMond competed in Formula Ford 2000 series auto racing. He is also a motivational speaker. LeMond narrated an award-winning documentary for Adventures for the Cure in 2008. On July 16, 2007, LeMond rode the L'Étape du Tour cyclosportive with his son, and found it to be a defining moment in his post-competition life. "I had the time of my life", he said, despite getting "650th place" and being "impressed that I even finished". LeMond continued, "I decided that day that nobody's going to keep me from cycling, not Trek, not Armstrong, not Verbruggen, not anybody." At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling. Especially significant was LeMond's appearance as a USADA witness in the Floyd Landis doping case. At that time, Landis's business manager threatened to expose the fact that LeMond was a survivor of child sex abuse. Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times. LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize. He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma. LeMond described how being a victim of molestation had impacted his life and his racing career. In September 2007, LeMond became a founding board member of the non-profit organization 1in6.org, whose mission is "to help men who have had unwanted or abusive sexual experiences in childhood live healthy, happy lives". LeMond was in a car accident on the morning of January 30, 2013. He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car. LeMond suffered a concussion and was left with no memory of the incident. According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home. LeMond may have lost consciousness before the accident, according to his wife Kathy, and he suffered a compression fracture in his back and would have to wear a brace for three months. The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery. On September 19, 2019, the United States House of Representatives passed a bipartisan bill, submitted by California Representative Mike Thompson, to award LeMond the Congressional Gold Medal. The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020. Upon signature of the bill, the White House released a statement, saying the medal was awarded "in recognition of his service to the Nation as an athlete, activist, role model, and community leader". Career achievements Major results 1977 1st Road race, National Junior Road Championships 1978 1st Overall Vuelta de Bisbee 2nd Road race, National Junior Road Championships 3rd Team time trial, UCI Junior Road World Championships 1979 1st Road race, UCI Junior Road World Championships 1st Road race, National Junior Road Championships 1st Nevada City Classic 2nd Track pursuit, UCI Junior Track World Championships 3rd Team time trial, UCI Junior Road World Championships 1980 1st Overall Circuit de la Sarthe 1st Nevada City Classic 3rd Overall Circuit des Ardennes 1981 1st Overall Coors Classic 1st Stages 1 & 7 Tour de Picardie 1st Stages 2 & 2a 1st Nevada City Classic 3rd Overall Critérium du Dauphiné Libéré 3rd Overall Route du Sud 7th Overall Circuit de la Sarthe 1982 1st Overall Tour de l'Avenir 1st Stages 4 (ITT), 5 & 8 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour Méditerranéen 3rd Overall Tirreno–Adriatico 1st Stage 3 3rd Overall Tour de Corse 3rd Grand Prix de Rennes 1983 1st Road race, UCI Road World Championships 1st Overall Critérium du Dauphiné Libéré 1st Stages 1, 5 & 7b (ITT) 1st Overall Super Prestige Pernod International 1st Critérium des As 1st Stage 1 Tour Méditerranéen 2nd Grand Prix des Nations 2nd Giro di Lombardia 4th Overall Tour de Suisse 4th Paris–Tours 6th Druivenkoers Overijse 10th Overall Tirreno–Adriatico 1984 1st Stage 1 Clásico RCN 3rd Overall Tour de France 1st Young rider classification 1st Stage 3 (TTT) 3rd Overall Critérium du Dauphiné Libéré 1st Stage 7b 3rd Liège–Bastogne–Liège 5th Overall Tirreno–Adriatico 7th Overall Ronde van Nederland 8th Overall Critérium International 9th Gent–Wevelgem 1985 1st Overall Coors Classic 1st Stage 5 2nd Overall Tour de France 1st Combination classification 1st Stages 3 (TTT) & 21 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour of the Basque Country 3rd Overall Giro d'Italia 3rd Super Prestige Pernod International 4th Overall Critérium International 4th Paris–Roubaix 4th Omloop Het Volk 6th Overall Tour Méditerranéen 7th Tour of Flanders 7th Grand Prix Eddy Merckx 1986 1st Overall Tour de France 1st Combination classification 1st Stage 13 1st Stage 4 Volta a la Comunitat Valenciana 2nd Milan–San Remo 2nd Super Prestige Pernod International 2nd Overall Coors Classic 1st Stage 4a 3rd Overall Paris–Nice 3rd Overall Tour de Suisse 3rd Overall Critérium International 4th Overall Giro d'Italia 1st Stage 5 4th La Flèche Wallonne 4th Züri-Metzgete 7th Overall Étoile de Bessèges 7th Road race, UCI Road World Championships 1989 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 5 (ITT), 19 & 21 (ITT) 2nd Boucles de l'Aulne 4th Overall Critérium International 4th Grand Prix des Amériques 6th Overall Tirreno–Adriatico 1990 1st Overall Tour de France 2nd Züri-Metzgete 3rd Boucles de l'Aulne 4th Road race, UCI Road World Championships 10th Overall Tour de Suisse 1991 7th Overall Tour de France 1992 1st Overall Tour DuPont 1st Prologue 2nd Overall Tour d'Armorique 9th Paris–Roubaix Grand Tour general classification results timeline Classics results timeline Awards Sports Illustrated Sportsman of the Year: 1989 Jesse Owens International Trophy: 1991 Korbel Lifetime Achievement Award: 1992 See also Yellow jersey statistics List of companies named after people List of French Americans List of Grand Tour general classification winners List of multi-sport athletes List of people from Minnesota List of sports rivalries List of Tour de France general classification winners List of Tour de France secondary classification winners United States at the UCI Road World Championships References Notes Citations Bibliography Further reading External links LeMond Composites 1961 births Living people American people of French descent American Giro d'Italia stage winners American male cyclists American Tour de France stage winners Cycle designers People from Lakewood, California Tour de France Champs Elysées stage winners Tour de France winners UCI Road World Champions (elite men) U.S. F2000 National Championship drivers Super Prestige Pernod winners Cyclists from California
true
[ "Darlene Tiffany Moore was a 12-year-old girl from Boston who, at 9:05 pm on Friday, August 19, 1988, was unintentionally struck and killed by two stray bullets fired by feuding drug dealers as she was sitting on a neighborhood mailbox.\n\nMoore became an example of Boston's epidemic of gang violence at the time. In Roxbury, one of Boston's more economically depressed neighborhoods, citizens were outraged by the incident.\n\n\"The future of Roxbury was represented in her,\" said then-Roxbury City Council member Bruce C. Bolling. \"That's why people were so upset and angry. They thought, 'That could have been my daughter, my son, my husband, my wife, anybody who goes about his daily business.'\"\n\nShawn Drumgold was convicted of Moore's death on October 13, 1989. In November 2003, Drumgold's conviction was overturned. Drumgold was assisted by lawyer Rosemary C. Scapicchio in his successful retrial.\n\nReferences \n\n1976 births\n1988 deaths\nPeople murdered in Massachusetts\nPeople from Boston\nDeaths by firearm in Massachusetts\nMurdered American children", "Lighthouse is a mixed-use development in the suburb of Dee Why in the Northern Beaches region of Sydney.\n\nLighthouse features 351 apartments and 16,000sqm of retail and commercial space. The shopping centre is known as Meriton Retail Precinct Dee Why is an outdoor shopping centre anchored by Woolworths and features 16 other stores.\n\nTransport \nLighthouse has bus connections to the Sydney CBD, Lower North Shore and the Northern Beaches, as well as local surrounding suburbs. All routes are operated by Keolis Downer Northern Beaches including the B-Line. There is no railway station at Dee Why; the nearest station is located at Chatswood.\n\nLighthouse also has a multi level car park with 700+ spaces.\n\nHistory \nThe site on which Lighthouse now stands was originally an outdoor shopping centre developed by Westfield Group in 1963. The centre was known as Dee Why Square and featured McDowells (later Waltons in 1972), Coles New World and 16 stores. It was one of the eight centres developed by the Westfield Group around this time with the others located at Yagoona, Eastwood, Baulkham Hills, Maroubra, Sutherland, Blacktown and Hornsby. Only Hornsby remained owned by Westfield Group (now Scentre Group) today.\n\nSince its opening in 1963, the centre had struggled to compete with nearby Warringah Mall and ownership was transferred from Westfield Group to Vumbaca Brothers Ltd. \n\nIn 1972 the McDowells store was taken over by Waltons and Coles New World was taken over by Franklins in 1985. In 1995 the former Venture store (which took over Waltons in 1987) became an arcade with 7 stores and Spotlight on the first floor of the former Venture. The second level remained vacant and was used for storage. By early 2000s, Franklins closed down with the space turned into an arcade with shops. \n\nIn 2005 Brookfield Multiplex acquired 50% ownership of Dee Why Square. \n\nTowards the end of the centre's life, the building was run down and was almost a dead mall. The centre was renamed Dee Why Town Centre in 2010 and had around 24 stores including Lincraft (which took over Spotlight in 2010).\n\nRecent development \nSince 2004 there have been numerous plans build two 18 storey residential towers with open space and retail at the base in the centre of Dee Why. In January 2008 a new development application was lodged for the site known as site B. In 2013 Warringah Council adopted the Dee Why Town Centre masterplan. In December 2013 Meriton purchased Dee Why Town Centre from Brookfield Multiplex and Vumbaca Brothers Ltd. In that same month the plans were revealed for the town square which include four towers of up to 450 units with two standing at 17 storeys tall. The plan included retail, offices and a childcare centre at the base of the tower. \n\nIn October 2015 construction has started on Dee Why Town Centre which included the removal of shops and the demolition of the buildings. On 18 January 2016, a scissor lift in the old Lincraft building (formerly McDowells) caught fire sending smoke into the sky over the site. Fortunately fire was quickly extinguished although the scissor lift was damaged.\n\nMeriton Retail Precinct Dee Why officially opened on 23 November 2018 with the opening of a large Woolworths which relocated from its store in Oaks Avenue to Meriton Retail Precinct, and the opening of Crunch Fitness, National Australia Bank, Commonwealth Bank, Grill'd, Guzman y Gomez and other restaurants.\n\nOn 26 February 2019, Lighthouse had its grand opening which was opened by Harry Triguboff and Kristina Keneally.\n\nReferences\n\nExternal links \n Meriton Retail Precinct Dee Why Official Website\n\nShopping centres in Sydney\nShopping malls established in 2018\n2018 establishments in Australia" ]
[ "Gregory James LeMond (born June 26, 1961) is an American former professional road racing cyclist, entrepreneur, and anti-doping advocate. A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation.", "A two-time winner of the Road Race World Championship (1983 and 1989) and a three-time winner of the Tour de France (1986, 1989, and 1990), LeMond is considered by many to be the greatest American cyclist of all time, one of the great all-round cyclists of the modern era, and an icon of the sport's globalisation. LeMond began his professional cycling career in 1981. In 1983, he became the first American male cyclist to win the Road World Championship.", "In 1983, he became the first American male cyclist to win the Road World Championship. LeMond won the Tour de France in 1986; he is the first non-European professional cyclist to win the Tour. He was accidentally shot with pellets and seriously injured while hunting in 1987. Following the shooting, he underwent two surgeries and missed the next two Tours. At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage.", "At the 1989 Tour, he completed an improbable comeback to win in dramatic fashion on the race's final stage. He successfully defended his Tour title the following year, becoming one of only eight riders to win three or more Tours. LeMond retired from competition in December 1994 and was inducted into the United States Bicycling Hall of Fame in 1996. He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated.", "He was the first professional cyclist to sign a million-dollar contract and the first cyclist to appear on the cover of Sports Illustrated. During his career, LeMond championed several technological advancements in pro cycling, including the introduction of aerodynamic \"triathlon\" handlebars and carbon fiber bicycle frames, which he later marketed through his company LeMond Bicycles. His other business interests have included restaurants, real estate, and consumer fitness equipment.", "His other business interests have included restaurants, real estate, and consumer fitness equipment. LeMond is a vocal opponent of performance-enhancing drug use in cycling and is a founding board member of 1in6.org, a nonprofit charity that assists male victims of child sex abuse. Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada.", "Early life and amateur career LeMond was born in Lakewood, California, and was raised in the Washoe Valley, a ranch country on the eastern slopes of the Sierra Nevada mountain range between Reno, and the family home about 2.5 miles north of Carson City, Nevada. His parents are Bob LeMond and Bertha LeMond (d. 2006), and he has two sisters, Kathy and Karen. LeMond grew up living an active, outdoor life. Hiking, hunting, skiing and flyfishing were boyhood pastimes.", "Hiking, hunting, skiing and flyfishing were boyhood pastimes. The ranch country of the Sierra Nevada mountain range lent itself to such pursuits. A hyperactive youngster, LeMond believes these outdoor activities helped keep him out of trouble. \"I was a boy who just could not sit still. I had trouble focusing in school. Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD).", "Parents and educators then did not have the skill set to diagnose and cope with what we know now was a classic case of attention deficit hyperactivity disorder (ADHD). ADHD certainly was not the frequently medicated childhood disease it is today. My triumph over the symptoms was found atop two thin tires over many dusty miles.\" Said LeMond: \"That's one of the traits. It's the inability to sit down [and listen] to something you are not really interested in and absorb it.", "It's the inability to sit down [and listen] to something you are not really interested in and absorb it. If they are interested in it, people with ADD excel in really good ways. When I got into cycling I would say the sport itself took a fog off my brain. I was able to absorb stuff I read. It changed my life.\" LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports.", "LeMond attended Earl Wooster High School in Reno, but lived too far away to participate in team sports. LeMond soon biked almost daily to high school. He often rode home from Wooster, taking a route over Mt. Rose, along to Incline Village, then south on Hwy 28, then downhill to Carson City, then to his home. LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid.", "LeMond's introduction to cycling came in 1975, thanks to freestyle skiing pioneer Wayne Wong, who recommended the bike as an ideal off-season training aid. LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category.", "LeMond started competing in 1976, and after dominating the Intermediate category (13–15) and winning the first 11 races he entered, he received permission to ride against older, more seasoned competitors in the Junior (16–19) category. In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion.", "In 1977, while still only 15, LeMond finished second in the Tour of Fresno to John Howard, then the United States's top road cyclist and the 1971 Pan American Games champion. LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as \"a diamond, a clear diamond.\"", "LeMond caught the attention of Eddie Borysewicz, the US Cycling Federation's national team coach, who described LeMond as \"a diamond, a clear diamond.\" LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race.", "LeMond represented the United States at the 1978 Junior World Championships in Washington, D.C., where he finished ninth in the road race, and again in the 1979 Junior World Championships in Argentina, where he won gold, silver and bronze medals—the highlight being his victory in the road race. At age 18, LeMond was selected for the 1980 U.S. Olympic cycling team, the youngest ever to make the team. However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there.", "However, the U.S. boycott of the 1980 Summer Olympics in Moscow prevented him from competing there. Borysewicz, whom LeMond described as his \"first real coach,\" wanted to retain his protégé through the next Olympic cycle and discouraged him from turning pro, but LeMond was determined. Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign.", "Nevertheless, while he was the reigning Junior World Road Champion in 1980, LeMond received no professional offers, and so in the spring of 1980, he joined the U.S. National cycling team for a 6-week European racing campaign. There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality \"in the history of the sport to win a major pro-am cycling event [in Europe].\"", "There, he finished third overall in the Circuit des Ardennes before winning the 1980 Circuit de la Sarthe stage race in France, thereby becoming the first American and youngest rider of any nationality \"in the history of the sport to win a major pro-am cycling event [in Europe].\" That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif.", "That victory, and the subsequent press coverage, raised LeMond's profile in Europe and he was scouted at his next event (the Ruban Granitier Breton stage race) by Cyrille Guimard, the Renault–Elf–Gitane team's directeur sportif. Guimard said he was impressed with LeMond's spirit, and told him, \"You have the fire to be a great champion,\" before offering him a professional contract for 1981 with Renault.", "Guimard said he was impressed with LeMond's spirit, and told him, \"You have the fire to be a great champion,\" before offering him a professional contract for 1981 with Renault. After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States.", "After he returned to the United States, LeMond won the 1980 Nevada City Classic, considered to be one of the most historic and challenging professional cycling races in United States. Despite eventually receiving several other offers to turn professional besides Guimard's, LeMond did not consider them seriously, and he signed with Renault in Paris on the day the 1980 Tour de France finished. Professional career LeMond was an \"exceptionally gifted\" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit.", "Professional career LeMond was an \"exceptionally gifted\" amateur rider who quickly established himself as one of the most talented cyclists on the professional circuit. Respected cycling journalist John Wilcockson, who reported the Tour de France for more than 40 years, described LeMond as a rider who was fuoriclasse. 1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise.", "1981–1983: Early years LeMond's first professional victory came three months into his 1981 debut when he won a stage of the French Tour de l'Oise. He followed with a win in the Coors Classic in the United States, finishing ahead of Sergei Sukhoruchenkov, the 1980 Olympic road champion. The major step forward in 1981 occurred in the Dauphiné Libéré stage race where LeMond placed third. The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault.", "The achievement is the more remarkable because he rode the race in support of team leader Bernard Hinault. LeMond missed standing on the podium with race winner Hinault, as Pascal Simon had finished ahead of him. Two weeks later Simon was assessed a 10-minute penalty when it was discovered he had been doping. LeMond considered the race to have been a \"major steppingstone\" in his career. Said LeMond: \"It showed me that I had the kind of climbing ability that you need to win the top European stage races.\"", "Said LeMond: \"It showed me that I had the kind of climbing ability that you need to win the top European stage races.\" LeMond won a total of five races in his rookie season of 1981. LeMond broke his collarbone on April 11, 1982, while racing the cycling classic Liège–Bastogne–Liège. The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year.", "The injury forced LeMond to ride a reduced schedule before entering the World Championships, which were in Goodwood, England that year. In the men's road race competition, LeMond broke for the line but was out-sprinted by Italian Giuseppe Saronni. Following the race, LeMond's American teammate Jacques Boyer accused LeMond of chasing him down in the final 800 meters. Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly.", "Saronni was very strong at the end of the race and flew past Boyer and LeMond, winning by 5 seconds over LeMond, with another 5 seconds back to Kelly. Boyer placed tenth. Bronze medalist Sean Kelly, a favorite to win the race, was with Saronni when he caught LeMond with about 200 meters to go, but he could not hold his wheel. Said Kelly: \"I don't think that Boyer was fading ... He got quite a good gap. Nobody wanted to go after him ...", "Nobody wanted to go after him ... Nobody wanted to go after him ... Yes, LeMond chased down Boyer. Boyer was the only man up the road.\" LeMond was supported by his teammate George Mount, who observed, \"What's LeMond going to do? Throw his bike down in front of everybody because Boyer is such a good buddy of everyone? ... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters.", "... Hell no—he's going to start sprinting because it's less than 200 meters to go and the sprint's already been going for a couple hundred meters. LeMond made a good move and a good sprint ... Boyer was not going to win that race. The best he could have got was fifth or sixth place.\" LeMond did not apologize. The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion.", "The U.S. team was not as set up as the European teams, and did not have an independent race to determine the national champion. Instead, the highest finisher at the World's was considered the national champion. LeMond had argued for the team to compete as the European teams did, but team management and Boyer voted against him. Thus, unlike the other teams at the world championship, the US riders were competing against each other.", "Thus, unlike the other teams at the world championship, the US riders were competing against each other. Aged 21, LeMond was the first American pro to win a medal at the World's since Frank Kramer took silver in 1912. Said LeMond: \"I'm racing for Renault and I'm racing for myself. It's a business and it's my living. To me, that second place was almost as good as winning, especially at my age.\"", "To me, that second place was almost as good as winning, especially at my age.\" Two weeks later, on September 20, 1982, LeMond won the mountainous 12-day, Tour de l'Avenir by a record 10 minutes, 18 seconds. The victory, and the time advantage LeMond held at the end, stunned Europe and provided broad confirmation that LeMond was indeed fuoriclasse. The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so.", "The following year, 1983, LeMond won the Road World Championship outright, becoming the first American male cyclist to do so. (Audrey McElmury won in 1969 and Beth Heiden won in 1980.) LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours.", "LeMond's cycling talent—his overall strength, climbing ability, ability to ride a fast time trial and his capacity to recover quickly—all suggested LeMond would be an excellent prospect for the most demanding Grand Tours. 1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification.", "1984–1986: Grand Tours LeMond rode his first Tour de France in 1984, finishing third in support of team leader Laurent Fignon, and winning the white jersey of the young rider classification. The following year he was brought across to La Vie Claire to ride in support of team captain Bernard Hinault who had regained his form and was attempting to win his fifth Tour. French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years.", "French businessman and team owner Bernard Tapie signed LeMond with a $1 million contract over three years. In the race Hinault led through the early mountain stages, but suffered a crash and came into difficulty. At this point, it was clear that LeMond was an elite rider capable of winning the Tour in his own right. LeMond possessed a natural talent for riding the Grand Tours, and got stronger over the course of a three-week race. The injured Hinault was vulnerable, and his competitors knew it.", "The injured Hinault was vulnerable, and his competitors knew it. Stage 17 included three major climbs in the Pyrenees. On the second, the Col du Tourmalet, LeMond followed Stephen Roche in an attack, but was not given permission to help build on the gap over the field. The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy.", "The managers of his La Vie Claire team ordered the 24-year-old LeMond not to ride with Roche, but to sit on his wheel, a tactic to use the rider in front as cover for wind resistance so the following rider uses less energy. The pace Roche could put out by himself eventually slowed, and other riders came up to join the two men. Hinault recovered as well, though he did not regain the lead group. At the end of the stage LeMond was frustrated to the point of tears.", "At the end of the stage LeMond was frustrated to the point of tears. He later revealed that team management and his own coach Paul Köchli had misled him as to how far back Hinault had dropped during the crucial Stage 17 mountain stage. Hinault won the 1985 Tour, with LeMond finishing second, 1:42 behind. LeMond had ridden as the dutiful lieutenant, and his support enabled Hinault to win his fifth Tour. In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year.", "In repayment for his sacrifice Hinault promised to help LeMond win the Tour the following year. Hoping to end the season on a high note LeMond entered the World Championships road race with the strongest team the United States ever fielded. Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel.", "Riders included Boyer and LeMond, as well as Andrew Hampsten, Ron Kiefel, Bob Roll and Eric Heiden and this time the American team was set up to help the three strongest riders in LeMond, then Hampsten and Kiefel. Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire.", "Throughout the race LeMond answered repeated attacks and led many chase groups to contain dangerous breakaways, but by the final lap of the race he was beginning to tire. He was however, part of the group that was going to win, and while Hampsten and Keifel survived the race to this point, unfortunately they were too far back to assist LeMond in the final ten kilometers. Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk.", "Inside the final kilometer the last rider to launch an attack was former Tour and Vuelta champion Joop Zoetemelk. Being as he was 38 years old and long past his prime none of the remaining contenders including LeMond, Claudio Corti, Robert Millar, Moreno Argentin or Stephen Roche took the attack seriously initially. Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing.", "Zoetemelk opened a sizeable gap however, before long it was in excess of a hundred meters and quickly growing. He also had two teammates remaining in Johan Van der Velde and Gerard Veldscholten, assisting him by riding at the front but not actually chasing, therefore slowing the chase group. Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit.", "Italian rider Moreno took up the chase but he had nothing left to close the gap and actually put his hand in the air waving for the other riders to come forward and take up the pursuit. LeMond too had nothing left to chase down this final attack feeling that if he did, he wouldn't have anything left for the sprint and wouldn't win any medal at all. In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver.", "In a notable upset, Zoetemelk beat the favorites to the line by three seconds as LeMond out-sprinted Argentin to take the silver. There was no controversy following this silver medal for LeMond and immediately after the race he rode up alongside the Dutchman and congratulated him saying, \"Nice ride Joop.\" For the 1986 Tour, LeMond was a co-leader of the La Vie Claire team alongside Hinault. Hinault's support seemed less certain the closer the race approached.", "Hinault's support seemed less certain the closer the race approached. An unspoken condition was that his help would be contingent upon LeMond demonstrating that he was clearly the better rider. Hinault was in superb form, and had the chance to win an unprecedented sixth Tour. Hinault chose to let the Stage 9 individual time trial be the decider for which rider would receive the full support of team La Vie Claire. Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond.", "Hinault won the Stage 9 time trial, finishing 44 seconds in front of LeMond. LeMond had bad luck during the stage, having suffered a punctured tire requiring a wheel change, and later in the stage a bicycle change was required when he broke a wheel. He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race.", "He was frustrated with the outcome and the impact it would have on how the team would function for the remainder of the race. In Stage 12, the first mountain stage of the race in the Pyrenees, Hinault attacked the lead group and built up an overall lead. By the end of Stage 12, Hinault had a five-minute lead over LeMond and the other top riders. He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond.", "He claimed he was trying to draw out LeMond's rivals, but none of these attacks were planned with LeMond. He was clearly willing to ride aggressively and take advantage of the opportunities presented. LeMond was never placed in difficulty, except by his own teammate. The following day Hinault broke away again early but was caught and then dropped by LeMond on the final climb of Stage 13, allowing LeMond to gain back four and a half minutes. The next three stages brought the Tour to the Alps.", "The next three stages brought the Tour to the Alps. On Stage 17 LeMond and Urs Zimmermann dropped Hinault from the leading group, and the end of the day saw LeMond pulling on the yellow jersey of race leader, the first time it had ever been worn by a rider from the United States. The following day in the Alps saw Hinault attack again early on the first climb, but he was pulled back. Attempting an escape on the descent, he was unable to separate himself from LeMond.", "Attempting an escape on the descent, he was unable to separate himself from LeMond. The La Vie Claire team leaders were both excellent descenders. As they ascended up the next col they continued to pull away from the field, and maintained the gap as they reached the base of the final climb, the vaunted Alpe d'Huez. They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together.", "They pressed on through the crowd, ascending the twenty-one switchbacks of Alpe d'Huez and reaching the summit together. LeMond put an arm around Hinault and gave him a smile and the stage win in a show of unity, but the infighting was not over. Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer.", "Hinault attacked again on Stage 19 and had to be brought back by teammates Andrew Hampsten and Steve Bauer. Commenting on the team situation prior to the final individual time trial at Stage 20, LeMond offered the following with a wry smile: \"He's attacked me from the beginning of the Tour De France. He's never helped me once, and I don't feel confident at all with him.\" LeMond had to keep his eye on his teammate and rival throughout the race.", "LeMond had to keep his eye on his teammate and rival throughout the race. Hinault rode aggressively and repeatedly attacked, and the division created in the La Vie Claire team was unmistakable. LeMond would keep the yellow jersey to the end of the race and win his first Tour, but he felt betrayed by Hinault and the La Vie Claire team leadership. LeMond later stated the 1986 Tour was the most difficult and stressful race of his career.", "LeMond later stated the 1986 Tour was the most difficult and stressful race of his career. 1987–1988: Shooting accident and recovery LeMond had planned to defend his title in the 1987 Tour de France with La Vie Claire, but he was unable to participate. Earlier that year, while riding in the Tirreno–Adriatico spring tune-up race, LeMond fell and fractured his left wrist. He returned to the United States to recover from the injury.", "He returned to the United States to recover from the injury. The week before returning to Europe, he went turkey hunting on a ranch co-owned by his father in Lincoln, California. LeMond was with Rodney Barber and Patrick Blades, his uncle and brother-in-law. The trio had become separated when Blades, who heard movement behind him, turned and fired through a bush. The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets.", "The movement had come from LeMond, who was hit in his back and right side with approximately 60 pellets. LeMond's injuries were life-threatening, but a police helicopter was already airborne near the scene and transported LeMond on a 15-minute air medical flight to the Medical Center at University of California-Davis. LeMond was taken for emergency surgery. He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume.", "He had suffered a pneumothorax to his right lung and extensive bleeding, having lost some 65 percent of his blood volume. A physician informed LeMond later that he had been within 20 minutes of bleeding to death. The operation saved his life, but four months later he developed a small bowel obstruction due to adhesions that had formed following the shooting. He underwent another surgery to relieve the obstruction and take down the adhesions.", "He underwent another surgery to relieve the obstruction and take down the adhesions. Concerned that his team would drop him if they knew the shooting accident required a second surgery, LeMond asked the surgeons to remove his appendix at the same time. He then informed his team that he had had his appendix removed, but the rest of the story was left somewhat vague. The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team.", "The events effectively ended his 1987 season, and in October he announced he would return to serious competition the following February, with the Dutch PDM team. With 35 shotgun pellets still in his body, including three in the lining of his heart and five more embedded in his liver, LeMond attempted to return to racing in 1988. His comeback was hampered by over-training which resulted in tendonitis in his right shin requiring surgery. He missed the Tour for the second year running.", "He missed the Tour for the second year running. He missed the Tour for the second year running. Tensions in the relationship between LeMond and PDM were aggravated when LeMond discovered that doping was going on at the PDM squad. The result was that LeMond moved from PDM, one of the strongest teams in the peloton, to ADR, a team based in Belgium. The team was co-sponsored by Coors Light for American races.", "The team was co-sponsored by Coors Light for American races. The deal was completed on New Year's Eve, just hours before LeMond would have been legally obliged to ride another season for the Dutch team. Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours.", "Joining the Belgian ADR squad allowed LeMond to continue to compete, but with teammates like Johan Museeuw who were better suited to riding Classics than Grand Tours. 1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France.", "1989: Return to elite level After struggling in the 1989 Paris–Nice early-season race and failing to improve his condition, LeMond informed his wife Kathy that he intended to retire from professional cycling after the 1989 Tour de France. He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall.", "He had some flashes of form with 6th overall in Tirreno-Adriatico and in the two-day Critérium International, sharing an escape with Fignon, Indurain, Mottet, Roche and Madiot and finishing 4th overall. He started the 1989 Giro d'Italia in May as preparation for the Tour to follow, but struggled in the mountains and was not in contention for any of the leaders' jerseys before the final individual time trial into Florence. LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon.", "LeMond placed a surprising second there, more than a minute ahead of overall winner Laurent Fignon. Some of his improvement he attributed to an anti-anemia treatment he received twice during the race. Coming into the 1989 Tour de France LeMond was not considered a contender for the general classification (GC). His own most optimistic hope was to finish his final Tour in the top 20.", "His own most optimistic hope was to finish his final Tour in the top 20. Without the weight of expectation and other pressures of being a Tour favorite, LeMond surprised observers with a strong ride in the prologue in Luxembourg, finishing fourth out of 198 riders. Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years.", "Buoyed by the result, LeMond continued to ride well over the opening flat stages, winning the stage 5 individual time trial, and gaining the yellow jersey as leader of the general classification for the first time in three years. LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains.", "LeMond seemed to ride himself into better condition during the first week's flat stages, and he was coming into peak form by the time the Tour reached the mountains. LeMond remained at the front of the race in the Pyrénées, but lost the lead to his former teammate and rival Laurent Fignon on stage 10 in Superbagnères. Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette.", "Five days later LeMond reclaimed yellow in the Alps, after the stage 15 mountain time trial from Gap to Orcières-Merlette. The see-saw battle continued, and when Fignon attacked on the upper slopes of Alpe d'Huez LeMond was unable to go with him, placing the yellow jersey back on the shoulders of Fignon. Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris.", "Fignon held a 50-second advantage over LeMond going into the 21st and final stage, a rare individual time trial from Versailles to the Champs-Élysées in Paris. Fignon had won the Tour twice before, in 1983 and 1984, and was a very capable time trialist. It seemed improbable that LeMond could take 50 seconds off Fignon over the short course. This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world.", "This would require LeMond to gain two seconds per kilometer against one of the fastest chrono-specialists in the world. LeMond had done wind tunnel testing in the off season and perfected his riding position. He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win.", "He rode the time trial with a rear disc wheel, a cut-down Giro aero helmet and the same Scott clip-on aero bars which had helped him to the Stage 5 time trial win. Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials.", "Holding his time trialing position LeMond was able to generate less aerodynamic drag than Fignon, who used a pair of disc wheels but chose to go helmetless and did not use the aero bars that are now commonplace in time trials. Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory.", "Instructing his support car not to give him his split times, LeMond rode flat-out and finished at a record pace to beat Fignon by 8 seconds and claim his second Tour de France victory. As LeMond embraced his wife and rejoiced on the Champs-Élysées, Fignon collapsed onto the tarmac, then sat in shock and wept. The final margin of victory of eight seconds was the closest in the Tour's history. LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history.", "LeMond's average speed for the stage 21 time trial was, at that time, the fastest in Tour history. Since then, only the 1994 and 2015 prologues and David Zabriskie's 2005 time trial performance have been faster. The press immediately labeled LeMond's come-from-behind triumph as, \"the most astonishing victory in Tour de France history,\" and while LeMond admitted that it felt almost \"too good to be true,\" he personally rated it as \"much more satisfying\" than his first overall Tour win in 1986.", "The press immediately labeled LeMond's come-from-behind triumph as, \"the most astonishing victory in Tour de France history,\" and while LeMond admitted that it felt almost \"too good to be true,\" he personally rated it as \"much more satisfying\" than his first overall Tour win in 1986. LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France.", "LeMond's return to the pinnacle of cycling was confirmed on August 27, when he won the World Championships road race in Chambéry, France. Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory.", "Late in the race with less than 10 km to go the lead group, who had been away since very early in the race, made up of three very strong riders in Steven Rooks, Thierry Claveyrolat and Soviet star Dimitri Konyshev were trying to hold on to fight for the victory amongst themselves when Laurent Fignon broke away from the pursuing group in an effort to chase the leaders down and solo to victory. On the final climb of the race LeMond attacked in pursuit of Fignon on his own.", "On the final climb of the race LeMond attacked in pursuit of Fignon on his own. Before long he had caught the Frenchman and not long after that the pair could see the lead group in front of them and they were quickly closing the gap. LeMond briefly dropped Fignon and caught the lead group on his own.", "LeMond briefly dropped Fignon and caught the lead group on his own. Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group.", "Immediately upon catching Rooks, Claveyrolat and Konyshev he moved to the front and set the pace as two other riders in Canadian Steve Bauer and Irishman Sean Kelly attempted to bridge the gap up to LeMond and the lead group. Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world.", "Bauer ended up getting a flat tire essentially ending his hopes at a high finish while Sean Kelly was able to fight his way to the front group, which was bad news for LeMond and the others as Kelly was one of the best sprinters in the world. Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders.", "Fignon was able to rejoin the lead group as well and as the race approached the finish Fignon attacked on numerous occasions trying to drop the remaining riders. Rooks also launched an attack to go for the solo victory but was caught by LeMond, Fignon and the others. Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place.", "Inside the final kilometer Fignon continued attacking trying to break free, but just couldn't force open a gap and began to fall back as the sprint materialized eventually finishing in 6th place. LeMond, Konyshev and Kelly were the strongest riders when it came to the final sprint for victory and they finished in that order. After the race LeMond said that he did not feel well and even considered abandoning the race. With two laps to go he began feeling stronger and stated, \"I was racing for the Gold medal.", "With two laps to go he began feeling stronger and stated, \"I was racing for the Gold medal. I wanted that World Championship. And with one kilometer to go, I knew I could get it.\" LeMond was only the fifth person in history to win both the Tour de France and the World Championship in the same year. In December, Sports Illustrated magazine named LeMond its 1989 \"Sportsman of the Year\", the first time a cyclist received the honor.", "In December, Sports Illustrated magazine named LeMond its 1989 \"Sportsman of the Year\", the first time a cyclist received the honor. 1990: A third tour win LeMond parlayed the success of his 1989 season into the then-richest contract in the sport's history, signing a $5.5 million deal for three years with of France, the first time a cyclist had signed a multi-million dollar contract. He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team.", "He entered the 1990 Tour de France as defending champion and a pre-race favorite after leaving ADR to join the much stronger French team. At \"Z\" his teammates included Robert Millar, Eric Boyer and Ronan Pensec, all of whom already had finishes in the top six of the Tour de France. This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats.", "This unified roster of strong riders appeared capable of supporting LeMond in the mountains and controlling the race on the flats. The squad's tactical plan was upset on the first day, when a breakaway that included LeMond's teammate Ronan Pensec, but no major favorites, arrived ten minutes ahead of the field. LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate.", "LeMond was prevented from challenging for the lead until the yellow jersey left the shoulders of his teammate. Surprisingly Pensec held the lead through the first high mountain stages, including Alpe d'Huez, but he would lose it soon after to the relative unknown Claudio Chiappucci. LeMond closed in on Chiappucci and on stage 16 he put his stamp of authority on the race during the final climb of Luz Ardiden. Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer.", "Late in this stage, after all of the breakaways had been caught he launched a devastating attack that no one could answer. Miguel Induráin was the only rider able to get on LeMond's wheel but it was LeMond dictating the pace all the way up the climb as Chiappucci, Delgado and all of the other favorites fell further and further behind. While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours.", "While Induráin stayed with LeMond, he was not a threat for victory, but his performance put the cycling world on notice as he would win the next five Tours. Near the end of the stage LeMond sat up and the Spaniard took the stage win, but the devastation of LeMond's competitors was all but complete as there was now only +0:05 between LeMond and the yellow jersey. He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian.", "He finally overtook Chiappucci on the final individual time trial on stage 20, where he finished over two minutes ahead of the unheralded Italian. LeMond at last had the yellow jersey, wearing it the following day as the Tour rode into Paris. LeMond had the distinction of winning the 1990 Tour without taking any of the individual stages. He remains the last rider to win the Tour while wearing the world champion jersey.", "He remains the last rider to win the Tour while wearing the world champion jersey. Over the course of the 1990 Tour the perceived strength of the Z team was confirmed, as they led the team classification through most of the race, adding the team title to LeMond's yellow jersey. LeMond's 1990 Tour victory made him one of just five cyclists to win three or more Tours. As of 2021 a total of seven cyclists have won three times or more.", "As of 2021 a total of seven cyclists have won three times or more. In September, LeMond attempted to defend his title at the 1990 UCI Road World Championships, but finished fourth, eight seconds behind the winner, his former teammate Rudy Dhaenens of Belgium. 1991–1994: Change in the peloton and retirement LeMond felt confident before the 1991 Tour de France. He was the defending champion, trained well and had a solid team to support him.", "He was the defending champion, trained well and had a solid team to support him. LeMond was among the leaders going into the Stage 8 individual time trial, and he finished second to the Spaniard Miguel Indurain. LeMond felt he was riding extremely well, and though his TT-effort had propelled him into the yellow jersey as leader of the general classification, losing eight seconds to Indurain shook his confidence. He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage.", "He held the yellow jersey for the next four days until Stage 12, a challenging mountain stage. LeMond experienced difficulty on the first climb and he cracked on the Col du Tourmalet, losing significant time to Claudio Chiappucci, and eventual winner Indurain. He continued to race, but was unable to seriously challenge for the lead thereafter, finishing the 1991 Tour seventh overall. In 1992, LeMond won the Tour DuPont, which would be the last major win of his career.", "In 1992, LeMond won the Tour DuPont, which would be the last major win of his career. He would also have a strong top 10 finish in Paris-Roubaix early in the season. He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia.", "He never won any of cycling's 'Monument' races but he had several high places in four out of five of them throughout his career including 4th in Paris-Roubaix, 3rd in Liège-Bastogne-Liège and 2nd in Milan San Remo as well as the Giro di Lombardia. In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez.", "In the 1992 Tour de France he started strongly and finished fourth in a breakaway on Stage 6 that put him fifth overall and he maintained his fifth place until the mountain stages when he lost form disastrously and lost more than 45 minutes on the stage to Sestrieres before quitting the race the next day—when his compatriot and former domestique Andrew Hampsten won atop Alpe d'Huez. While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, \"My climbing is not like usual.", "While LeMond claimed a serious saddle sore caused him to abandon, he had earlier stated, \"My climbing is not like usual. I've climbed much better in the past Tours. This year I'm just not feeling my usual self.\" LeMond did extensive endurance training on the road the following winter, but his performances the following spring failed to improve. LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial.", "LeMond had to abandon the 1993 Giro d'Italia two days before the final stage after difficult racing left him 125th on GCC and third-from-last in the final time trial. He was too exhausted to enter the 1993 Tour de France. Following the 1993 season LeMond hired renowned Dutch physiologist Adrie van Diemen to advise him on a new technique to monitor training and measure performance. The (SRM) power-based training would make use of the watt as a guide to power output.", "The (SRM) power-based training would make use of the watt as a guide to power output. In November 1993 LeMond confided to Samuel Abt that power output in watts would become the key metric. The watt has gained wide acceptance as the best measure of a cyclist's training performance. The following year LeMond began the 1994 Tour de France but found he was unable to race effectively. He had to abandon after the first week before the race had reached the difficult mountain stages. That December, he announced his retirement.", "That December, he announced his retirement. That December, he announced his retirement. At the time the reasons for LeMond's increasing difficulties were not entirely known. At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders.", "At a loss, he speculated that a condition known as mitochondrial myopathy might be responsible for the difficulty he was having performing against the current riders. In 2007, however, LeMond speculated that he might not have had the condition after all, and suggested that lead toxicity from the shotgun pellets still embedded in his body might have been responsible, the effects of which were increased by heavy training. LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness.", "LeMond has acknowledged since 2010 that the increasing prevalence of doping in cycling contributed to his lack of competitiveness. Said LeMond: \"Something had changed in cycling. The speeds were faster and riders that I had easily out performed were now dropping me. At the time, the team I was on, Team Z, became more and more demanding, more and more concerned...\" He stated he had been told in 1994 that he would need to blood dope in order to win again.", "At the time, the team I was on, Team Z, became more and more demanding, more and more concerned...\" He stated he had been told in 1994 that he would need to blood dope in order to win again. He frankly admitted to Abt in 1999: \"I figure I had three months that went right for me after the hunting accident,\" three months in which he won the two Tours and a world road race championship.", "He frankly admitted to Abt in 1999: \"I figure I had three months that went right for me after the hunting accident,\" three months in which he won the two Tours and a world road race championship. \"The rest were just pure suffering, struggling, fatigue, always tired.\"", "\"The rest were just pure suffering, struggling, fatigue, always tired.\" In a wide-ranging interview with American novelist Bryan Malessa in 1998, LeMond was asked if his career had not been interrupted by the hunting accident, how did he feel he would compare to five time Tour winners such as Bernard Hinault and Miguel Indurain. LeMond responded: \"Of course you can't rewrite racing history, but I'm confident that I would have won five Tours.\"", "LeMond responded: \"Of course you can't rewrite racing history, but I'm confident that I would have won five Tours.\" Two years after his retirement LeMond was inducted into the United States Bicycling Hall of Fame in a ceremony at Rodale Park in Trexlertown, Pennsylvania. The event was held on June 8, 1996, during the U.S. Olympic Cycling Team Trials. In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger.", "In July 2014, ESPN announced the premiere of a new 30 for 30 film entitled Slaying the Badger. The film centers on LeMond and his former teammate Hinault at the 1986 Tour de France. It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN.", "It is based on the book of the same name by Richard Moore, and it premiered July 22, 2014 on ESPN. Business interests LeMond was a pioneer in the use of carbon fiber bicycle frames in European professional road cycling, and his Tour de France win in 1986 ahead of Bernard Hinault was the first for a carbon-framed bicycle. Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a \"Bernard Hinault\" Signature Model Look prototype that year.", "Ironically, given the rivalry that existed at the time between the American and his French teammate, LeMond rode a \"Bernard Hinault\" Signature Model Look prototype that year. LeMond also won the 1989 Tour de France, the 1989 World Championship, and his final Tour de France in 1990 on carbon fiber frames. These bicycle frames featured \"Greg LeMond\" branding. LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public.", "LeMond Cycles In 1990, LeMond founded LeMond Bicycles to develop machines for himself that would also be marketed and sold to the public. The following year, searching for an equipment edge for Team Z at the 1991 Tour de France, LeMond concluded an exclusive licensing agreement between his company and Carbonframes, Inc., to access the latter's advanced composites technology. Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen.", "Whilst using the bikes for the 1991 Tour, he would maintain his carbon bike in his hotel room, leading his mechanics to fear it had been stolen. While LeMond briefly led the 1991 Tour overall, riding his Carbonframes-produced \"Greg LeMond\" bicycle, the company eventually faltered, something LeMond blamed on \"under-capitalization\" and poor management by his father. Carbonframes and LeMond Cycles \"parted amiably two years later.\"", "Carbonframes and LeMond Cycles \"parted amiably two years later.\" In 1995, with his company allegedly nearly bankrupt, LeMond reached a licensing-agreement with Trek Bicycle Corporation, according to which the Wisconsin-based company would manufacture and distribute bicycles designed with LeMond that would be sold under the \"LeMond Bicycles\" brand. LeMond would later claim that going into business with Trek \"destroyed\" his relationship with his father.", "LeMond would later claim that going into business with Trek \"destroyed\" his relationship with his father. The lucrative partnership, which generated revenue for Trek in excess of US$100,000,000, would be renewed several times over the course of 13 years, but it ultimately ended in acrimony after LeMond's relationship with Trek deteriorated over his staunch anti-doping advocacy. LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong.", "LeMond found himself at odds with Trek in July 2001 after he expressed public concern over the relationship between Italian doping doctor Michele Ferrari and Trek's star athlete, Lance Armstrong. Trek president John Burke pressured LeMond to apologize, claiming, \"Greg's public comments hurt the LeMond brand and the Trek brand.\"", "Trek president John Burke pressured LeMond to apologize, claiming, \"Greg's public comments hurt the LeMond brand and the Trek brand.\" Burke allegedly justified his demand for an apology by advising that, \"As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow.\"", "Burke allegedly justified his demand for an apology by advising that, \"As a contractual partner, he [LeMond] could criticize doping only generally – not point his finger at specific athletes, particularly one that happens to be the company's main cash cow.\" Armstrong reportedly said privately he could \"shut him up\" by contacting Trek, as documented in affidavits by Frankie and Betsy Andreu released in the 2012 USADA doping report. LeMond issued an apology for his comment.", "LeMond issued an apology for his comment. LeMond issued an apology for his comment. In a 2007 interview, LeMond accused Armstrong of trying to sabotage his relationship with Trek bicycles. In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to \"silence\" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek.", "In March 2008, LeMond Cycling Inc sued Trek for failing to properly promote and distribute the LeMond brand, and for attempting to \"silence\" LeMond's public comments about doping, attributing this to the influence of Armstrong on Trek. His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular.", "His complaint included statistics detailing slow sales in some markets, including the fact that between September 2001 and June 2007, Trek only sold $10,393 worth of LeMond bikes in France, a country in which LeMond was both famous and popular. Trek responded in April 2008, announcing that it was dropping LeMond Bicycles from its product line and that it would sue to sever the licensing agreement. As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand.", "As promised, Trek counter-sued and stopped producing bicycles under the LeMond brand. After nearly two years of litigation, LeMond reached a confidential out-of-court settlement with Trek in February 2010. The settlement permitted the case to be dismissed with prejudice, meaning, \"neither side can produce the same claims against one another in a future lawsuit.\"", "The settlement permitted the case to be dismissed with prejudice, meaning, \"neither side can produce the same claims against one another in a future lawsuit.\" Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors.", "Although settlement terms were not disclosed, LeMond reportedly obtained full control over the LeMond Bicycles name, while Trek made a donation of US$200,000 to the charity 1in6, of which LeMond was a founding member of the board of directors. LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. \"to help individuals achieve their fitness and performance goals and train more effectively.\"", "LeMond Fitness/Revolution In 2002, LeMond, Bernie Boglioli and others founded LeMond Fitness, Inc. \"to help individuals achieve their fitness and performance goals and train more effectively.\" The company's primary business is the development and manufacture of bicycle trainers and indoor exercise bikes for consumers in the United States and internationally. LeMond serves as Chairman of the Board. In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA.", "In 2012, Hoist Fitness negotiated to purchase an interest in the company and announced plans to move its headquarters to Hoist's offices in San Diego, CA. In late 2012, LeMond purchased the LeMond Revolution from Hoist, relaunching with a new management team in Minneapolis. Later, he also formed LeMond LLC to introduce a suite of brands. Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons.", "Professional cycling's team renewed its sponsorship with LeMond to use its Revolution trainers for another three seasons. The team won several stages of the Tour de France, plus the general classification of the 2012 Giro d'Italia. Partnership with Time At the Interbike trade show in September 2013, LeMond announced that he was returning to the business of bicycle manufacture and sales by partnering with French company Time. The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models.", "The new line began with a series of commemorative designed bicycles, to be followed with road, cyclocross, and gravel-road models. LeMond purchased Time Sport USA, the US distributor for the company. Said LeMond: \"I'm really excited to be back in the bike industry.\"", "Said LeMond: \"I'm really excited to be back in the bike industry.\" Real estate In 2002, LeMond joined his parents-in-law David and Sacia Morris, friend Michael Snow and J.P. Morgan & Co. fund manager Jorge Jasson to invest in the exclusive Yellowstone Club, a Big Sky, Montana, private ski and golf community founded by timber baron Tim Blixseth and his wife Edra. Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort.", "Each of the five partners paid Blixseth $750,000 for one percent shares in the exclusive resort. LeMond also purchased several building lots and maintained a property at the resort. Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake.", "Four years later, LeMond and partners sued Blixseth in 2006 following reports of a Credit Suisse loan to the resort of $375 million from which Blixseth reportedly took $209 million in a disputed partial payout for his ownership stake. The Credit Suisse loan was based on a $1.16 billion Cushman & Wakefield valuation of the resort, for which LeMond and partners each sought $11.6 million for their one-percent shares. In 2007, LeMond settled his suit with the Blixseths for $39 million.", "In 2007, LeMond settled his suit with the Blixseths for $39 million. However, he and his partners remained creditors as the Blixseths defaulted on a $20 million payment (after having already paid the group $18 million). In 2009, the Blixseths divorced and the Club went bankrupt. Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota.", "Restaurants LeMond became a restaurateur in August 1990 when, in partnership with his wife and her parents, he opened Scott Kee's Tour de France on France Avenue in the Minneapolis suburb of Edina, Minnesota. LeMond described the restaurant, which was named for its chef (LeMond's brother-in-law), as \"a dream of five years come true.\" Explaining the origin of the concept, LeMond said, \"Kathy and I have eaten at the finest establishments in France, Italy and Belgium.", "Explaining the origin of the concept, LeMond said, \"Kathy and I have eaten at the finest establishments in France, Italy and Belgium. Our favorites have always been small places, family-owned.\" LeMond also partnered in several Bruegger's bagel bakery-café franchises. LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University.", "LeMond Composites LeMond founded LeMond Composites in 2016 to manufacture high-volume, low-cost carbon fiber composites under a licensing agreement with the Oak Ridge National Laboratory and an exclusive 20-year licensing agreement with Deakin University. In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility.", "In 2017 LeMond and his family moved from Minnesota to Oak Ridge, Tennessee, to be close to the $125 million LeMond Composites manufacturing facility. On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia.", "On October 16, 2017, Australian politician Sarah Henderson announced that LeMond Composites would receive AU$2.5 million (US$ million) in Australian Federal Government funding to establish a carbon fiber manufacturing plant in Geelong, Australia. Broadcasting In 2014, LeMond joined Eurosport as a pundit for the channel's cycling coverage, providing analysis at Paris–Roubaix, the Giro d'Italia and the Tour de France, and hosting his own monthly program LeMond on Cycling. He continued to work for the channel until 2017.", "He continued to work for the channel until 2017. He continued to work for the channel until 2017. Anti-doping stance and controversies LeMond is a longtime vocal opponent of performance-enhancing drug use. He first spoke on-record against doping in cycling after winning the 1989 Tour de France. He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them.", "He has consistently questioned the relationship between riders and unethical sports doctors and has pointed out that doping products ultimately victimize the professional cyclists who make use of them. Said LeMond: \"When I speak out about doping people could translate it and think it was about the riders. Actually I feel like I am an advocate for the riders. I look at them as being treated like lab rats that are test vehicles for the doctors. The doctors, the management, the officials, they're the ones that have corrupted riders.", "The doctors, the management, the officials, they're the ones that have corrupted riders. The riders are the only ones that pay the price.\" LeMond received intense criticism in 2001 when he publicly criticized Lance Armstrong's relationship with Dr. Michele Ferrari. Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes.", "Ferrari is an Italian physician and sports trainer who admitted to practicing blood doping and advocated the controlled use of the banned substance erythropoietin by athletes. Upon learning of Armstrong's association with Ferrari, LeMond said: \"When Lance won the prologue to the 1999 Tour I was close to tears, but when I heard he was working with Michele Ferrari I was devastated. In the light of Lance's relationship with Ferrari, I just don't want to comment on this year's Tour. This is not sour grapes.", "This is not sour grapes. This is not sour grapes. I'm disappointed in Lance, that's all it is.\" LeMond's comments placed him in the center of an anti-doping controversy. About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong \"a great champion\" and added, \"I do not believe, in any way, that he has ever used any performance-enhancing substances.", "About a month later, following pressure from both Armstrong and Trek, LeMond issued an apology for his comment; he called Armstrong \"a great champion\" and added, \"I do not believe, in any way, that he has ever used any performance-enhancing substances. I believe his performances are the result of the same hard work, dedication and focus that were mine 10 years ago.\" In 2004, LeMond spoke out again.", "In 2004, LeMond spoke out again. In 2004, LeMond spoke out again. On the heels of successive Tour de France wins by Armstrong, LeMond said, \"If Armstrong's clean, it's the greatest comeback. And if he's not, then it's the greatest fraud.\"", "And if he's not, then it's the greatest fraud.\" He went public with the fallout of his 2001 statement, alleging that Armstrong had threatened to defame him and threatened his business interests as well: \"[Armstrong] basically said 'I could find 10 people that will say you took EPO' ... The week after, I got multiple people that were on Lance ... Lance's camp, basically saying 'You better be quiet,' and I was quiet for three years. I have a business ...", "I have a business ... I have a business ... I have bikes that are sold ... and I was told that my sales might not be doing too well if ... just the publicity, the negative publicity.\" The same month, LeMond told French newspaper Le Monde that Armstrong was \"ready to do anything to keep his secret. I don't know how he can continue to convince everybody of his innocence.\"", "I don't know how he can continue to convince everybody of his innocence.\" At a press conference Armstrong gave in September 2008 to announce his return to cycling, LeMond publicly challenged him with questions about doping. Armstrong appeared angry and interrupted LeMond, telling him it was time to move on. In August 2012, the USADA announced that Armstrong had been issued a lifetime ban from cycling competition due to his involvement in a massive doping scheme. In addition, the USADA stripped Armstrong of his seven Tour de France titles.", "In addition, the USADA stripped Armstrong of his seven Tour de France titles. LeMond has also clashed with fellow Tour rider Floyd Landis regarding the doping issue. On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France.", "On May 17, 2007, LeMond testified at a USADA hearing convened to weigh the evidence of doping by Landis during the 2006 Tour de France. Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify.", "Under oath, LeMond described a phone conversation he had with Landis on August 6, 2006, as well as another with Landis' business manager, Will Geoghegan, on May 16, 2007, the evening before LeMond appeared to testify. The major points of the testimony were: In the August 6 conversation, LeMond said he told Landis that \"If you did (admit to having used banned substances), you could single-handedly change the sport. You could be the one who will salvage the sport.\"", "You could be the one who will salvage the sport.\" LeMond said Landis responded by saying \"What good would it do? If I did, it would destroy a lot of my friends and hurt a lot of people.\" In their conversation, LeMond had disclosed his history of childhood sexual abuse to Landis and said the secret had nearly destroyed him. LeMond stated he warned Landis. \"(Lying about doping) will come back to haunt you when you are 40 or 50.", "\"(Lying about doping) will come back to haunt you when you are 40 or 50. If you have a moral compass and ethics, this will destroy you.\" Will Geoghegan attempted to stop LeMond's testimony by calling LeMond on his mobile phone. LeMond reported that Geoghegan claimed he was \"his uncle\" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse.", "LeMond reported that Geoghegan claimed he was \"his uncle\" and intimated that he would appear at the hearing and expose the fact that LeMond was a survivor of child sex abuse. LeMond's BlackBerry, with Geoghegan's phone number captured in the call log, was entered into evidence. In 2007, Landis was found guilty of doping and was banned from cycling for two years. In 2010, he admitted to having been involved in doping. Also in 2010, Landis apologized to LeMond for the events of 2007.", "Also in 2010, Landis apologized to LeMond for the events of 2007. On July 23, 2009, LeMond wrote an opinion article in the French newspaper Le Monde where he questioned the validity of Alberto Contador's climb up Verbier in the 2009 Tour de France. In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete.", "In the piece, LeMond pointed out that Contador's calculated VO2 max of 99.5 mL/(kg·min) had never been achieved by any athlete. Said LeMond: \"The burden is then on Alberto Contador to prove he is physically capable of performing this feat without the use of performance-enhancing products.\" Contador tested positive for clenbuterol after winning the 2010 Tour and was later stripped of his title and suspended from cycling for two years. LeMond has criticized the UCI and its former president, Pat McQuaid.", "LeMond has criticized the UCI and its former president, Pat McQuaid. In December 2012, LeMond claimed that a change needed to be made in the leadership for the UCI and stated if called upon he would be willing to take the position himself if necessary to lead cycling out of the mire of doping. Said LeMond: \"It is now or never to act. After the earthquake caused by the Armstrong case another chance will not arise.", "After the earthquake caused by the Armstrong case another chance will not arise. I am willing to invest to make this institution more democratic, transparent and look for the best candidate in the longer term.\" McQuaid rejected LeMond's call for new leadership and was dismissive of LeMond. Ultimately McQuaid was defeated in his bid for a third term by British Cycling president Brian Cookson at the September 2013 UCI Congress in Florence, Italy. Lemond had supported Cookson in the UCI Presidential battle.", "Lemond had supported Cookson in the UCI Presidential battle. Lemond had supported Cookson in the UCI Presidential battle. Personal life LeMond is married to Kathy (née Morris) and together they have three children: sons Geoffrey and Scott, and daughter Simone. LeMond and his wife lived in Medina, Minnesota, from 1990 until 2017 and then moved to Oak Ridge, Tennessee. Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse).", "Since his retirement, LeMond has become increasingly involved in philanthropic efforts relating to causes that have affected him personally (including ADHD and sexual abuse). LeMond is an avid outdoor enthusiast and fly angler, and in 1991 – while still racing full-time – he made the world-record fly fishing catch of a four-pound smallmouth bass on a reel with a four-pound tippet. The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin.", "The record was certified by the National Freshwater Fishing Hall of Fame in Hayward, Wisconsin. The catch exceeded the then-previous record of three pounds, six ounces made on the same size tippet back in 1986. LeMond confessed, \"I always pack my fly fishing equipment when I travel to bike events. I fish every chance I get.\" After retiring from pro cycling, LeMond competed in Formula Ford 2000 series auto racing. He is also a motivational speaker.", "He is also a motivational speaker. He is also a motivational speaker. LeMond narrated an award-winning documentary for Adventures for the Cure in 2008. On July 16, 2007, LeMond rode the L'Étape du Tour cyclosportive with his son, and found it to be a defining moment in his post-competition life. \"I had the time of my life\", he said, despite getting \"650th place\" and being \"impressed that I even finished\".", "\"I had the time of my life\", he said, despite getting \"650th place\" and being \"impressed that I even finished\". LeMond continued, \"I decided that day that nobody's going to keep me from cycling, not Trek, not Armstrong, not Verbruggen, not anybody.\" At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling.", "At the time, LeMond was alluding to a series of public and private disputes related to his anti-doping advocacy that hampered his enjoyment of cycling. Especially significant was LeMond's appearance as a USADA witness in the Floyd Landis doping case. At that time, Landis's business manager threatened to expose the fact that LeMond was a survivor of child sex abuse. Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times.", "Several weeks later, LeMond and his wife Kathy gave an extensive interview to Paul Kimmage of The Sunday Times. LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize.", "LeMond provided additional details concerning the circumstances of his 2001 apology to Armstrong, stating that Trek, the longtime manufacturer and distributor of LeMond Racing Cycles, had threatened to end the relationship at the behest of Armstrong if he did not apologize. He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma.", "He described the two years following the apology as the worst in his life, marked by self-destructive behavior; ultimately, that behavior led LeMond to tell his wife that he was a survivor of child sex abuse and to seek help in addressing that past trauma. LeMond described how being a victim of molestation had impacted his life and his racing career.", "LeMond described how being a victim of molestation had impacted his life and his racing career. In September 2007, LeMond became a founding board member of the non-profit organization 1in6.org, whose mission is \"to help men who have had unwanted or abusive sexual experiences in childhood live healthy, happy lives\". LeMond was in a car accident on the morning of January 30, 2013. He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car.", "He was driving through wintery and icy conditions to his dentist in Wayzata, Minnesota, when he lost control of his car. LeMond suffered a concussion and was left with no memory of the incident. According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home.", "According to Associated Press, a Plymouth police report says LeMond left the road, hit a fence and shrubs, and then hit an embankment before ending up in the backyard of a home. LeMond may have lost consciousness before the accident, according to his wife Kathy, and he suffered a compression fracture in his back and would have to wear a brace for three months. The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery.", "The accident curtailed LeMond's public appearances in the first half of 2013, but he made a full recovery. On September 19, 2019, the United States House of Representatives passed a bipartisan bill, submitted by California Representative Mike Thompson, to award LeMond the Congressional Gold Medal. The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020.", "The bill was approved by Congress on November 16, 2020, and signed by president Donald Trump on December 4, 2020. Upon signature of the bill, the White House released a statement, saying the medal was awarded \"in recognition of his service to the Nation as an athlete, activist, role model, and community leader\".", "Upon signature of the bill, the White House released a statement, saying the medal was awarded \"in recognition of his service to the Nation as an athlete, activist, role model, and community leader\". Career achievements Major results 1977 1st Road race, National Junior Road Championships 1978 1st Overall Vuelta de Bisbee 2nd Road race, National Junior Road Championships 3rd Team time trial, UCI Junior Road World Championships 1979 1st Road race, UCI Junior Road World Championships 1st Road race, National Junior Road Championships 1st Nevada City Classic 2nd Track pursuit, UCI Junior Track World Championships 3rd Team time trial, UCI Junior Road World Championships 1980 1st Overall Circuit de la Sarthe 1st Nevada City Classic 3rd Overall Circuit des Ardennes 1981 1st Overall Coors Classic 1st Stages 1 & 7 Tour de Picardie 1st Stages 2 & 2a 1st Nevada City Classic 3rd Overall Critérium du Dauphiné Libéré 3rd Overall Route du Sud 7th Overall Circuit de la Sarthe 1982 1st Overall Tour de l'Avenir 1st Stages 4 (ITT), 5 & 8 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour Méditerranéen 3rd Overall Tirreno–Adriatico 1st Stage 3 3rd Overall Tour de Corse 3rd Grand Prix de Rennes 1983 1st Road race, UCI Road World Championships 1st Overall Critérium du Dauphiné Libéré 1st Stages 1, 5 & 7b (ITT) 1st Overall Super Prestige Pernod International 1st Critérium des As 1st Stage 1 Tour Méditerranéen 2nd Grand Prix des Nations 2nd Giro di Lombardia 4th Overall Tour de Suisse 4th Paris–Tours 6th Druivenkoers Overijse 10th Overall Tirreno–Adriatico 1984 1st Stage 1 Clásico RCN 3rd Overall Tour de France 1st Young rider classification 1st Stage 3 (TTT) 3rd Overall Critérium du Dauphiné Libéré 1st Stage 7b 3rd Liège–Bastogne–Liège 5th Overall Tirreno–Adriatico 7th Overall Ronde van Nederland 8th Overall Critérium International 9th Gent–Wevelgem 1985 1st Overall Coors Classic 1st Stage 5 2nd Overall Tour de France 1st Combination classification 1st Stages 3 (TTT) & 21 (ITT) 2nd Road race, UCI Road World Championships 2nd Overall Tour of the Basque Country 3rd Overall Giro d'Italia 3rd Super Prestige Pernod International 4th Overall Critérium International 4th Paris–Roubaix 4th Omloop Het Volk 6th Overall Tour Méditerranéen 7th Tour of Flanders 7th Grand Prix Eddy Merckx 1986 1st Overall Tour de France 1st Combination classification 1st Stage 13 1st Stage 4 Volta a la Comunitat Valenciana 2nd Milan–San Remo 2nd Super Prestige Pernod International 2nd Overall Coors Classic 1st Stage 4a 3rd Overall Paris–Nice 3rd Overall Tour de Suisse 3rd Overall Critérium International 4th Overall Giro d'Italia 1st Stage 5 4th La Flèche Wallonne 4th Züri-Metzgete 7th Overall Étoile de Bessèges 7th Road race, UCI Road World Championships 1989 1st Road race, UCI Road World Championships 1st Overall Tour de France 1st Stages 5 (ITT), 19 & 21 (ITT) 2nd Boucles de l'Aulne 4th Overall Critérium International 4th Grand Prix des Amériques 6th Overall Tirreno–Adriatico 1990 1st Overall Tour de France 2nd Züri-Metzgete 3rd Boucles de l'Aulne 4th Road race, UCI Road World Championships 10th Overall Tour de Suisse 1991 7th Overall Tour de France 1992 1st Overall Tour DuPont 1st Prologue 2nd Overall Tour d'Armorique 9th Paris–Roubaix Grand Tour general classification results timeline Classics results timeline Awards Sports Illustrated Sportsman of the Year: 1989 Jesse Owens International Trophy: 1991 Korbel Lifetime Achievement Award: 1992 See also Yellow jersey statistics List of companies named after people List of French Americans List of Grand Tour general classification winners List of multi-sport athletes List of people from Minnesota List of sports rivalries List of Tour de France general classification winners List of Tour de France secondary classification winners United States at the UCI Road World Championships References Notes Citations Bibliography Further reading External links LeMond Composites 1961 births Living people American people of French descent American Giro d'Italia stage winners American male cyclists American Tour de France stage winners Cycle designers People from Lakewood, California Tour de France Champs Elysées stage winners Tour de France winners UCI Road World Champions (elite men) U.S. F2000 National Championship drivers Super Prestige Pernod winners Cyclists from California" ]
[ "The Apples in Stereo", "1994-1995: Hypnotic Suggestion and Fun Trick Noisemaker", "What is Hypnotic Suggestion?", "The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP.", "Was this album successul?", "I don't know." ]
C_03bc43463b984a15a99be98521739e74_0
What is Fun Trick Noisemaker?
3
What is Fun Trick Noisemaker?
The Apples in Stereo
Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut full-length album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose. In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio). Now with a full-length LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s. A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name - it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." CANNOTANSWER
In early 1995, the band finished the album, Fun Trick Noisemaker,
The Apples in Stereo, styled as The Apples in stereo, are an American rock band associated with Elephant Six Collective, a group of bands also including Neutral Milk Hotel, The Olivia Tremor Control, Elf Power, Of Montreal, and Circulatory System. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics. Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet). The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music. The band is also well known for their appearance in a The Powerpuff Girls music video performing the song "Signal in the Sky (Let's Go)". It aired immediately after the show's seventh episode of season 4, "Superfriends", which was based on the song's lyrics. The band has appeared widely in television and film, including performances on The Colbert Report, Late Night with Conan O'Brien and Last Call with Carson Daly, guest hosting on MTV, song placements in numerous television shows, commercials and motion pictures, the performance of the single "Energy" by the contestants on American Idol, and a song recorded for children's show Yo Gabba Gabba. Band history 1991–1993: The Apples In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys — a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who at the time was also already in a band (which Schneider unsuccessfully auditioned for on bass). Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys. Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name "The Apples" came about, inspired by the Pink Floyd song "Apples and Oranges". The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo. 1994–1995: Hypnotic Suggestion and Fun Trick Noisemaker Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose. In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio). Now with a LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s. A significantly different band from the original 1992 four-piece, the official name of the band gradually became "The Apples in Stereo", with the "in stereo" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: "It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name – it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo." McIntyre later remarked, "It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities." 1996–2005: Tone Soul Evolution to Velocity of Sound The band continued touring through 1996, playing in Japan for the first time. Several early recording sessions were held at Pet Sounds for the band's second album, Tone Soul Evolution, but the members were dissatisfied with the quality of the recordings. The majority of the album's songs were re-recorded at Studio .45 in Hartford, Connecticut before the album's release. In 1998, Chris McDuffie joined the band, playing various instruments including organs, synthesizers and assorted percussion. He would leave the band before Velocity of Sound was released in 2002. Several more albums were released by the band through the years, including the psychedelic "concept EP", Her Wallpaper Reverie, The Discovery of a World Inside the Moone and Velocity of Sound; both of the latter of which were progressively aimed at capturing the live sound of the band, which continued to tighten as they continued to perform hundreds of live shows (about 100 a year). In particular, the 2002 album Velocity of Sound rejects most of the psych-pop production sensibilities that would come to be associated with the band, instead featuring stripped-down production and sparse, rock instrumentation. The band members would also continue to pursue careers in side bands and solo projects, with Schneider producing several albums for Elephant 6 artists. Schneider and drummer Hilarie Sidney were married for a time, with a son Max born in 2000. They have since been divorced. The band went on a brief hiatus during 2004 as Schneider released the debut album from a new band called Ulysses and Sidney released the debut album from her new band The High Water Marks; both were released on Eenie Meenie Records. In 2005, The Apples in Stereo contributed "Liza Jane" to the Eenie Meenie compilation, Dimension Mix. It was also around this time that news began to circulate among various websites concerning the band's next studio album. 2006–2008: New Magnetic Wonder and evolving lineup In August 2006, longtime drummer Hilarie Sidney officially announced her departure from the band during the band's closing set at the Athens Popfest music festival in Athens, Georgia. Her replacement, John Dufilho, lead singer and principal songwriter of The Deathray Davies, was announced in October 2006. 2006 touring member Bill Doss of The Olivia Tremor Control also quietly joined the band "officially" as its new keyboardist. John Ferguson of Big Fresh and Ulysses joined the Apples in 2007, also playing keyboards, and wearing a Doctor Who-esque space suit on stage. In December 2006, Robert Schneider appeared on the popular television show The Colbert Report singing the song "Stephen Stephen" recorded by The Apples in Stereo to glorify the show's host Stephen Colbert, to kick off a guitar solo contest between Colbert and Chris Funk of The Decemberists. On February 6, 2007, The Apples in Stereo released their sixth studio LP, New Magnetic Wonder. Finishing a ten-year deal with spinART Records, New Magnetic Wonder was the premiere release on Simian Records, a newly formed record label founded by Elijah Wood. This was followed by a long-awaited b-sides and rarities compilation titled Electronic Projects for Musicians, released on April 1. In 2008, spinART Records went out of business. Rights for all major releases by The Apples in Stereo on the label were subsequently acquired by One Little Indian Records, and have since reverted to the band. In a recent interview, Schneider noted that the band's EPs have yet to have been re-released, but will likely be collected for another compilation. Such a compilation would probably include the re-releases of Look Away + 4, Let's Go! and a number of non-album songs released alongside New Magnetic Wonder. On August 4, 2008, the band appeared again on The Colbert Report. They performed their song Can You Feel It? to promote the release of the Japanese picture disc. In early 2008, their song "Same Old Drag" won in The 7th Annual Independent Music Awards for Best Pop/Rock Song. The same year Apples in Stereo were nominated for Independent Music Awards Pop/Rock Album of the Year. The band members also joined the 9th annual Independent Music Awards judging panel to assist independent musicians' careers. 2009–2011: #1 Hits Explosion and Travellers in Space and Time Yep Roc released #1 Hits Explosion, an Apples in Stereo best-of album, on September 1, 2009. In late 2008, PepsiCo released an advertisement with their song "Energy" off of their album New Magnetic Wonder. In early 2009, Robert appeared on ABC News's segment called "amplified" and gave some short performances of songs from New Magnetic Wonder and a song from his project "Robert Bobbert and the bubble machine" and he described the album as sounding like early 1970s R&B as it would sound played by aliens and emanating from an alien spaceship.He also confirmed that the band was recording their new album at Trout Recording in Brooklyn, New York. In interviews in Billboard magazine and other press outlets, In April 2009, the single "Energy" from New Magnetic Wonder was performed by the contestants on the television show American Idol. The result was the band's seventh album Travellers in Space and Time, released on April 20, 2010 on Simian Records. Described by Schneider as a "retro-futuristic" concept album intended as a time capsule for listeners of the future, Travellers has drawn comparisons to the style of Electric Light Orchestra. The record is the first Apples in Stereo album without Hilarie Sidney, making Schneider the last founding member remaining in the group, although John Hill joined before "in stereo" was added to the name. The band was invited by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival that he curated in March 2012 in Minehead, England. Schneider announced in May 2012 that The Apples in Stereo had begun work on a new album, described as being "a very, very different sort of album." In recent years, Schneider has explored a number of experimental music projects, such as the Teletron mind-controlled synthesizer and Non-Pythagorean scale of his own invention. 2012–present: Death of Bill Doss, hiatus and future The death of Bill Doss, the band's keyboardist as well as the co-founder of fellow Elephant 6 band The Olivia Tremor Control, was announced on July 31, 2012. The cause of death was an aneurysm. Schneider released a statement saying, "I am heartbroken by the loss of my life-long friend, collaborator and band-mate. My world will never be the same without the wonderful, funny, supremely creative Bill Doss." The band went into hiatus in the fall of 2012, after Doss' death and Schneider's acceptance into the PhD program in Mathematics at Emory University. In 2013, Phish started covering the Apples in Stereo song "Energy." In early 2017, Schneider hinted at a new album called The Bicycle Day. He stated on Facebook that "Apples are working on a concept record called The Bicycle Day but it is too deep of a task to finish while I'm in graduate school... it isn't a pop record though ... (Air-Sea Dolphin and my band Spaceflyte with John Ferguson are the new pop projects though)". On August 10, 2017, the Apples played their first show since 2012 as a headlining act at the Athens Popfest music festival in Athens, Georgia with Marshmallow Coast, Antlered Auntlord, and Waxahatchee as prior performers. In 2018, Schneider received a PhD in mathematics from Emory. Band members Current members Robert Schneider - guitar, French horn, lead vocals (1992–present) John Hill - guitar, xylophone (1994–present) Eric Allen - bass, harmonica (1995–present) John Dufilho - drums, harp (2006–present) John Ferguson - vocals, keyboards, panflute (2007–present) Former members Hilarie Sidney - drums, vocals (1992-2006) Jim McIntyre - bass (1992-1994) Chris Parfitt - guitar (1992-1994) Chris McDuffie - keyboards (1998-2002) Bill Doss - vocals, keyboards, ukulele (2006-2012; died 2012) Timeline Selected discography Fun Trick Noisemaker (1995) Science Faire (1996) Tone Soul Evolution (1997) Her Wallpaper Reverie (1999) The Discovery of a World Inside the Moone (2000) Velocity of Sound (2002) New Magnetic Wonder (2007) Electronic Projects for Musicians (2008) Travellers in Space and Time (2010) References External links The Apples in Stereo at Elephant6.com Tractor Beam Management Apples in Stereo entry at Trouser Press The Apples in Stereo at Live Music Archive Interview with the Cornell Daily Sun Step Through the Portal The Elephant 6 Recording Company artists Musical groups from Denver Lo-fi music groups Musical groups established in 1992 Independent Music Awards winners Indie pop groups from Colorado Indie rock musical groups from Colorado Psychedelic pop music groups American power pop groups SpinART Records artists Yep Roc Records artists
true
[ "Fun Trick Noisemaker is the debut studio album by The Apples in Stereo. It was recorded in a house in Los Angeles, in Robert Schneider's (at the time) portable Pet Sounds Studio. It was released in 1995 via SpinART.\n\nThe album is perhaps the most raw example of the Apples, with the rather lo-fi recording values being eclipsed somewhat by their later efforts. It is one of the band's most critically lauded albums.\n\nThough the album is an early effort in production by Schneider, he had previously had experience producing with The Apples in Stereo and his own solo project, Marbles. Learning to be a record producer since he was fifteen years old, his influence from producers such as Phil Spector and Brian Wilson led him to use the popular \"Wall of Sound\" production technique on Fun Trick Noisemaker. Several tracks (notably the opening song \"Tidal Wave\") have as many as ten guitars playing at any one time (usually eight rhythm guitars and two guitars used for solos).\n\nThe Japanese version of Fun Trick Noisemaker contains the extra tracks \"Shine (In Your Mind)\" and \"Thank You Very Much\". These tracks can be found in mp3 format on the Elephant 6 website. They were later included on the 2008 b-sides and rarities compilation, Electronic Projects for Musicians.\n\nTrack listing\n\nPersonnel\n\nThe Apples in Stereo\nAs they appear on the sound recording:\n\nHilarie Sidney - drums, vocals, guitar, maraca, bells\nRobert Schneider - vocals, guitars, piano, melodica, Jupiter and Moog keyboards, bass\nJohn Hill - guitars, vocals, bass\n\nOther performers\nJim McIntyre - bass on tracks 2, 4, 8 and 12\nKurt Heasley - guitar on track 3, vocals, tambourine\nJoel Evans - bass on track 10\nJeff Mangum - bass on track 7\nKyle Jones - vocals\n\nProduction\nFun Trick Noisemaker was produced by Robert Schneider and engineered by The Apples in Stereo with technical assistance from Kurt Heasley. The album was recorded on an 8-track analog from October 1994 to February 1995 at Brendt Larson's house (Glendora, CA) and Kyle Jones' house (Denver, CO). The LP was mastered by Paul Brekus, Aardvark Records. The CD was mastered by Park Peters, Audio Park.\n\nThe first track entitled \"The Narrator\" is an old 1960s recording describing the Relay 2 communications satellite. As described by Robert Schneider:\n\nThe cover art for Fun Trick Noisemaker is from prolific artist Steve Keene. Robert Schneider, familiar with Keene's work on a Silver Jews record, contacted Keene about doing the cover. Keene sent him several paintings (about thirty six), and the band picked eight for final production. The original CD packaging liner notes were printed in a manner that they could be unfolded and re-folded to show a different cover. The back cover art was done by William Cullen Hart.\n\nReferences\n\nExternal links \nJapanese bonus tracks in MP3 format\nAlbum art and liner notes at Optical Atlas\n\n1995 debut albums\nThe Apples in Stereo albums\nSpinART Records albums\nThe Elephant 6 Recording Company albums", "Science Faire is a compilation album by indie pop Elephant 6 group The Apples in Stereo. The album consists of two EPs and various singles that were released from 1993 to 1995, leading up to the production of Fun Trick Noisemaker. All of the selections were recorded the summers of 1993 and 1994 and appear on the compilation in the order they were recorded.\n\nRobert Schneider, front man of The Apples in Stereo, has said that the song \"Too Much Now\" will be included on a future re-release of Science Faire. The song was the first by the band ever to be released, included on the 1993 cassette compilation The Horizon Center. Chris Parfitt, who wrote the song, sings lead vocals on the track. It was omitted from the original Science Faire pressing because of issues the band had with its production quality.\n\nTrack listing\nAll tracks written by Robert Schneider except where noted.\n\n \"Tidal Wave\" (R. Schneider/Chris Parfitt) – 2:57\n \"Motorcar\" – 3:39\n \"Turncoat Indian\" – 2:26\n \"Haley\" – 3:50\n \"Not the Same\" (R. Schneider/C. Parfitt) – 2:54\n \"Stop Along the Way\" (Jim McIntyre/R. Schneider) – 2:46\n \"Running in Circles\" – 2:29\n \"Hypnotic Suggestion\" – 2:09\n \"Touch the Water\" (J. McIntyre) – 2:10\n \"Glowworm\" – 2:42\n \"To Love the Vibration of the Bulb\" (J. McIntyre) – 2:20\n \"Time for Bed/I Know You'll Do Well\" – 5:14\n \"Rocket Pad\" – 3:09\n\n\"Side One\" (tracks 1–6) were originally released in 1993 on the Tidal Wave 7\".\nTracks 7–10 on \"Side Two\" were originally released as the Hypnotic Suggestion EP in 1994.\nTrack 11 on \"Side Two\" was previously unreleased.\nTrack 12 on \"Side Two\" was originally released on a 7\" split EP with The Olivia Tremor Control in 1994.\nTrack 13 on \"Side Two\" was originally released on a flexi-disc split with the Heartworms.\nThe songs \"Tidal Wave\" and \"Glowworm\" would appear on the band's 1995 debut LP, Fun Trick Noisemaker.\nThe opening guitar riff of \"Running in Circles\" is the same opening riff for \"High Tide\" (which appears as the third track on Fun Trick Noisemaker).\n\nPersonnel\nHilarie Sidney – drums, vocals, acoustic guitar\nRobert Schneider – electric and acoustic guitars, vocals, Casio keyboards\nJim McIntyre – bass guitar, vocals\nChris Parfitt – electric guitars on \"Side One\"\nJohn Hill – guitar on tracks 11–13.\nWilliam Cullen Hart – Artwork for the compilation.\n\nReferences\n\n1996 compilation albums\nThe Apples in Stereo albums\nSpinART Records compilation albums\nThe Elephant 6 Recording Company compilation albums" ]
[ "The Apples in Stereo, styled as The Apples in stereo, are an American rock band associated with Elephant Six Collective, a group of bands also including Neutral Milk Hotel, The Olivia Tremor Control, Elf Power, Of Montreal, and Circulatory System. The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics.", "The band is largely a product of lead vocalist/guitarist/producer Robert Schneider, who writes the majority of the band's music and lyrics. Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet).", "Currently, The Apples in Stereo also includes longstanding members John Hill (rhythm guitar) and Eric Allen (bass), as well as more recent members John Dufilho (drums), John Ferguson (keyboards), and Ben Phelan (keyboards/guitar/trumpet). The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music.", "The band's sound draws comparisons to the psychedelic rock of The Beatles and The Beach Boys during the 1960s, as well as to bands such as Electric Light Orchestra and Pavement, and also draws from lo-fi, garage rock, new wave, R&B, bubblegum pop, power pop, punk, electro-pop and experimental music. The band is also well known for their appearance in a The Powerpuff Girls music video performing the song \"Signal in the Sky (Let's Go)\".", "The band is also well known for their appearance in a The Powerpuff Girls music video performing the song \"Signal in the Sky (Let's Go)\". It aired immediately after the show's seventh episode of season 4, \"Superfriends\", which was based on the song's lyrics.", "It aired immediately after the show's seventh episode of season 4, \"Superfriends\", which was based on the song's lyrics. The band has appeared widely in television and film, including performances on The Colbert Report, Late Night with Conan O'Brien and Last Call with Carson Daly, guest hosting on MTV, song placements in numerous television shows, commercials and motion pictures, the performance of the single \"Energy\" by the contestants on American Idol, and a song recorded for children's show Yo Gabba Gabba.", "The band has appeared widely in television and film, including performances on The Colbert Report, Late Night with Conan O'Brien and Last Call with Carson Daly, guest hosting on MTV, song placements in numerous television shows, commercials and motion pictures, the performance of the single \"Energy\" by the contestants on American Idol, and a song recorded for children's show Yo Gabba Gabba. Band history 1991–1993: The Apples In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado.", "Band history 1991–1993: The Apples In late 1991, Robert Schneider met Jim McIntyre on a commuter bus in Denver, Colorado. Schneider had recently moved to Colorado from Ruston, Louisiana, and often initiated conversations with McIntyre. When Schneider asked McIntyre what his music interests were, McIntyre named his favorite band: The Beach Boys — a band Schneider was particularly fond of. Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney.", "Realizing that they shared many musical interests, McIntyre introduced Schneider to Hilarie Sidney. McIntyre already had a band called Von Hemmling in which McIntyre played bass and Sidney played drums. With Schneider, they discussed the idea of starting a band and perhaps a recording label. Schneider later met Chris Parfitt, who at the time was also already in a band (which Schneider unsuccessfully auditioned for on bass).", "Schneider later met Chris Parfitt, who at the time was also already in a band (which Schneider unsuccessfully auditioned for on bass). Schneider and Parfitt also became friends, however, and toyed with the idea of having a rock band similar to The Velvet Underground or Black Sabbath, with production qualities similar to that of The Beach Boys. Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum.", "Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company). It was also at this time that the name \"The Apples\" came about, inspired by the Pink Floyd song \"Apples and Oranges\".", "It was also at this time that the name \"The Apples\" came about, inspired by the Pink Floyd song \"Apples and Oranges\". The earliest incarnation of the band began to form in 1992 upon Schneider's return to Denver, first between Schneider and Parfitt, both of whom played guitar. The two recruited McIntyre and Sidney during the autumn of that year, practicing material through the winter. Their first few live shows took place the following January, many of which were with the band Felt Pilotes.", "Their first few live shows took place the following January, many of which were with the band Felt Pilotes. From February to April 1993, the band recorded their debut 7\" EP, Tidal Wave, and released it in June as the first record ever to bear the Elephant 6 logo. 1994–1995: Hypnotic Suggestion and Fun Trick Noisemaker Several conflicts would lead Parfitt to leave the band in early 1994.", "1994–1995: Hypnotic Suggestion and Fun Trick Noisemaker Several conflicts would lead Parfitt to leave the band in early 1994. John Hill, a former bandmate of McIntyre's, would join the band as a rhythm guitarist while Schneider began to grow more comfortable playing lead guitar. It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound.", "It was also at this time that Schneider began to take stronger creative control of the band, shifting its sound from its stronger rock qualities to a spacier pop sound. The band started work on a debut album, but it instead became Hypnotic Suggestion, a second EP. However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose.", "However, after SpinART Records offered to buy the band an 8-track in return for an album, new plans for an LP arose. In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure.", "In mid-1994, after Hypnotic Suggestion, McIntyre would be the second to leave the band, due to a number of personal distresses as well as stylistic changes that arose with Parfitt's departure. Having great difficulty finding a new permanent bassist, the band would rotate a number of frequent bass contributors, including Jeff Mangum of Neutral Milk Hotel, Kurt Heasley of The Lilys, Kyle Jones, Joel Richardson, and Joel Evans. Jim McIntyre would also occasionally guest on bass.", "Jim McIntyre would also occasionally guest on bass. Jim McIntyre would also occasionally guest on bass. This continued to be the makeup of the band as they toured the country in late 1994, recording the first half of their new album in Glendora, California. In early 1995, the band finished the album, Fun Trick Noisemaker, at Kyle Jones's house (the birthplace of Schneider's Pet Sounds Studio). Now with a LP to support, the band began touring again.", "Now with a LP to support, the band began touring again. Eric Allen, whom the band had previously auditioned as a guitarist after the departure of Chris Parfitt, joined the band as a much welcomed permanent bassist. Late 1995, Schneider relocated Pet Sounds Studio to Jim McIntyre's house. McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s.", "McIntyre continued to be involved in the recording and engineering of the band's albums until the mid-2000s. A significantly different band from the original 1992 four-piece, the official name of the band gradually became \"The Apples in Stereo\", with the \"in stereo\" usually somewhat under-emphasized, whether in lower-case or in parentheses. Schneider described this in an interview: \"It's very clearcut, actually: we're The Apples, the music's in stereo.", "Schneider described this in an interview: \"It's very clearcut, actually: we're The Apples, the music's in stereo. It's not actually the band name – it's a step back from it, a band name once removed. We're The Apples, in stereo. Kind of like a TV show, 'in stereo!' That always seemed to be a really big deal, that it was in stereo.\"", "That always seemed to be a really big deal, that it was in stereo.\" McIntyre later remarked, \"It's cool the name changed cause the Apples and the Apples in Stereo were really two different entities.\" 1996–2005: Tone Soul Evolution to Velocity of Sound The band continued touring through 1996, playing in Japan for the first time. Several early recording sessions were held at Pet Sounds for the band's second album, Tone Soul Evolution, but the members were dissatisfied with the quality of the recordings.", "Several early recording sessions were held at Pet Sounds for the band's second album, Tone Soul Evolution, but the members were dissatisfied with the quality of the recordings. The majority of the album's songs were re-recorded at Studio .45 in Hartford, Connecticut before the album's release. In 1998, Chris McDuffie joined the band, playing various instruments including organs, synthesizers and assorted percussion. He would leave the band before Velocity of Sound was released in 2002.", "He would leave the band before Velocity of Sound was released in 2002. Several more albums were released by the band through the years, including the psychedelic \"concept EP\", Her Wallpaper Reverie, The Discovery of a World Inside the Moone and Velocity of Sound; both of the latter of which were progressively aimed at capturing the live sound of the band, which continued to tighten as they continued to perform hundreds of live shows (about 100 a year).", "Several more albums were released by the band through the years, including the psychedelic \"concept EP\", Her Wallpaper Reverie, The Discovery of a World Inside the Moone and Velocity of Sound; both of the latter of which were progressively aimed at capturing the live sound of the band, which continued to tighten as they continued to perform hundreds of live shows (about 100 a year). In particular, the 2002 album Velocity of Sound rejects most of the psych-pop production sensibilities that would come to be associated with the band, instead featuring stripped-down production and sparse, rock instrumentation.", "In particular, the 2002 album Velocity of Sound rejects most of the psych-pop production sensibilities that would come to be associated with the band, instead featuring stripped-down production and sparse, rock instrumentation. The band members would also continue to pursue careers in side bands and solo projects, with Schneider producing several albums for Elephant 6 artists. Schneider and drummer Hilarie Sidney were married for a time, with a son Max born in 2000. They have since been divorced.", "They have since been divorced. They have since been divorced. The band went on a brief hiatus during 2004 as Schneider released the debut album from a new band called Ulysses and Sidney released the debut album from her new band The High Water Marks; both were released on Eenie Meenie Records. In 2005, The Apples in Stereo contributed \"Liza Jane\" to the Eenie Meenie compilation, Dimension Mix. It was also around this time that news began to circulate among various websites concerning the band's next studio album.", "It was also around this time that news began to circulate among various websites concerning the band's next studio album. 2006–2008: New Magnetic Wonder and evolving lineup In August 2006, longtime drummer Hilarie Sidney officially announced her departure from the band during the band's closing set at the Athens Popfest music festival in Athens, Georgia. Her replacement, John Dufilho, lead singer and principal songwriter of The Deathray Davies, was announced in October 2006.", "Her replacement, John Dufilho, lead singer and principal songwriter of The Deathray Davies, was announced in October 2006. 2006 touring member Bill Doss of The Olivia Tremor Control also quietly joined the band \"officially\" as its new keyboardist. John Ferguson of Big Fresh and Ulysses joined the Apples in 2007, also playing keyboards, and wearing a Doctor Who-esque space suit on stage.", "John Ferguson of Big Fresh and Ulysses joined the Apples in 2007, also playing keyboards, and wearing a Doctor Who-esque space suit on stage. In December 2006, Robert Schneider appeared on the popular television show The Colbert Report singing the song \"Stephen Stephen\" recorded by The Apples in Stereo to glorify the show's host Stephen Colbert, to kick off a guitar solo contest between Colbert and Chris Funk of The Decemberists. On February 6, 2007, The Apples in Stereo released their sixth studio LP, New Magnetic Wonder.", "On February 6, 2007, The Apples in Stereo released their sixth studio LP, New Magnetic Wonder. Finishing a ten-year deal with spinART Records, New Magnetic Wonder was the premiere release on Simian Records, a newly formed record label founded by Elijah Wood. This was followed by a long-awaited b-sides and rarities compilation titled Electronic Projects for Musicians, released on April 1. In 2008, spinART Records went out of business.", "In 2008, spinART Records went out of business. In 2008, spinART Records went out of business. Rights for all major releases by The Apples in Stereo on the label were subsequently acquired by One Little Indian Records, and have since reverted to the band. In a recent interview, Schneider noted that the band's EPs have yet to have been re-released, but will likely be collected for another compilation. Such a compilation would probably include the re-releases of Look Away + 4, Let's Go!", "Such a compilation would probably include the re-releases of Look Away + 4, Let's Go! and a number of non-album songs released alongside New Magnetic Wonder. On August 4, 2008, the band appeared again on The Colbert Report. They performed their song Can You Feel It? to promote the release of the Japanese picture disc. In early 2008, their song \"Same Old Drag\" won in The 7th Annual Independent Music Awards for Best Pop/Rock Song.", "In early 2008, their song \"Same Old Drag\" won in The 7th Annual Independent Music Awards for Best Pop/Rock Song. The same year Apples in Stereo were nominated for Independent Music Awards Pop/Rock Album of the Year. The band members also joined the 9th annual Independent Music Awards judging panel to assist independent musicians' careers. 2009–2011: #1 Hits Explosion and Travellers in Space and Time Yep Roc released #1 Hits Explosion, an Apples in Stereo best-of album, on September 1, 2009.", "2009–2011: #1 Hits Explosion and Travellers in Space and Time Yep Roc released #1 Hits Explosion, an Apples in Stereo best-of album, on September 1, 2009. In late 2008, PepsiCo released an advertisement with their song \"Energy\" off of their album New Magnetic Wonder.", "In late 2008, PepsiCo released an advertisement with their song \"Energy\" off of their album New Magnetic Wonder. In early 2009, Robert appeared on ABC News's segment called \"amplified\" and gave some short performances of songs from New Magnetic Wonder and a song from his project \"Robert Bobbert and the bubble machine\" and he described the album as sounding like early 1970s R&B as it would sound played by aliens and emanating from an alien spaceship.He also confirmed that the band was recording their new album at Trout Recording in Brooklyn, New York.", "In early 2009, Robert appeared on ABC News's segment called \"amplified\" and gave some short performances of songs from New Magnetic Wonder and a song from his project \"Robert Bobbert and the bubble machine\" and he described the album as sounding like early 1970s R&B as it would sound played by aliens and emanating from an alien spaceship.He also confirmed that the band was recording their new album at Trout Recording in Brooklyn, New York. In interviews in Billboard magazine and other press outlets, In April 2009, the single \"Energy\" from New Magnetic Wonder was performed by the contestants on the television show American Idol.", "In interviews in Billboard magazine and other press outlets, In April 2009, the single \"Energy\" from New Magnetic Wonder was performed by the contestants on the television show American Idol. The result was the band's seventh album Travellers in Space and Time, released on April 20, 2010 on Simian Records. Described by Schneider as a \"retro-futuristic\" concept album intended as a time capsule for listeners of the future, Travellers has drawn comparisons to the style of Electric Light Orchestra.", "Described by Schneider as a \"retro-futuristic\" concept album intended as a time capsule for listeners of the future, Travellers has drawn comparisons to the style of Electric Light Orchestra. The record is the first Apples in Stereo album without Hilarie Sidney, making Schneider the last founding member remaining in the group, although John Hill joined before \"in stereo\" was added to the name.", "The record is the first Apples in Stereo album without Hilarie Sidney, making Schneider the last founding member remaining in the group, although John Hill joined before \"in stereo\" was added to the name. The band was invited by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival that he curated in March 2012 in Minehead, England.", "The band was invited by Jeff Mangum of Neutral Milk Hotel to perform at the All Tomorrow's Parties festival that he curated in March 2012 in Minehead, England. Schneider announced in May 2012 that The Apples in Stereo had begun work on a new album, described as being \"a very, very different sort of album.\" In recent years, Schneider has explored a number of experimental music projects, such as the Teletron mind-controlled synthesizer and Non-Pythagorean scale of his own invention.", "In recent years, Schneider has explored a number of experimental music projects, such as the Teletron mind-controlled synthesizer and Non-Pythagorean scale of his own invention. 2012–present: Death of Bill Doss, hiatus and future The death of Bill Doss, the band's keyboardist as well as the co-founder of fellow Elephant 6 band The Olivia Tremor Control, was announced on July 31, 2012. The cause of death was an aneurysm.", "The cause of death was an aneurysm. The cause of death was an aneurysm. Schneider released a statement saying, \"I am heartbroken by the loss of my life-long friend, collaborator and band-mate. My world will never be the same without the wonderful, funny, supremely creative Bill Doss.\" The band went into hiatus in the fall of 2012, after Doss' death and Schneider's acceptance into the PhD program in Mathematics at Emory University.", "The band went into hiatus in the fall of 2012, after Doss' death and Schneider's acceptance into the PhD program in Mathematics at Emory University. In 2013, Phish started covering the Apples in Stereo song \"Energy.\" In early 2017, Schneider hinted at a new album called The Bicycle Day.", "In early 2017, Schneider hinted at a new album called The Bicycle Day. He stated on Facebook that \"Apples are working on a concept record called The Bicycle Day but it is too deep of a task to finish while I'm in graduate school... it isn't a pop record though ... (Air-Sea Dolphin and my band Spaceflyte with John Ferguson are the new pop projects though)\".", "He stated on Facebook that \"Apples are working on a concept record called The Bicycle Day but it is too deep of a task to finish while I'm in graduate school... it isn't a pop record though ... (Air-Sea Dolphin and my band Spaceflyte with John Ferguson are the new pop projects though)\". On August 10, 2017, the Apples played their first show since 2012 as a headlining act at the Athens Popfest music festival in Athens, Georgia with Marshmallow Coast, Antlered Auntlord, and Waxahatchee as prior performers.", "On August 10, 2017, the Apples played their first show since 2012 as a headlining act at the Athens Popfest music festival in Athens, Georgia with Marshmallow Coast, Antlered Auntlord, and Waxahatchee as prior performers. In 2018, Schneider received a PhD in mathematics from Emory.", "In 2018, Schneider received a PhD in mathematics from Emory. Band members Current members Robert Schneider - guitar, French horn, lead vocals (1992–present) John Hill - guitar, xylophone (1994–present) Eric Allen - bass, harmonica (1995–present) John Dufilho - drums, harp (2006–present) John Ferguson - vocals, keyboards, panflute (2007–present) Former members Hilarie Sidney - drums, vocals (1992-2006) Jim McIntyre - bass (1992-1994) Chris Parfitt - guitar (1992-1994) Chris McDuffie - keyboards (1998-2002) Bill Doss - vocals, keyboards, ukulele (2006-2012; died 2012) Timeline Selected discography Fun Trick Noisemaker (1995) Science Faire (1996) Tone Soul Evolution (1997) Her Wallpaper Reverie (1999) The Discovery of a World Inside the Moone (2000) Velocity of Sound (2002) New Magnetic Wonder (2007) Electronic Projects for Musicians (2008) Travellers in Space and Time (2010) References External links The Apples in Stereo at Elephant6.com Tractor Beam Management Apples in Stereo entry at Trouser Press The Apples in Stereo at Live Music Archive Interview with the Cornell Daily Sun Step Through the Portal The Elephant 6 Recording Company artists Musical groups from Denver Lo-fi music groups Musical groups established in 1992 Independent Music Awards winners Indie pop groups from Colorado Indie rock musical groups from Colorado Psychedelic pop music groups American power pop groups SpinART Records artists Yep Roc Records artists" ]
[ "Red Skelton", "Radio, divorce and remarriage (1937-1951)" ]
C_d6375edfbf57404b88c47daa80fb83f0_0
Was Red on radio
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Was Red Skelton on the radio?
Red Skelton
Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER
A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.
Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show. He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934. The "Doughnut Dunkers" pantomime sketch, which he wrote together with his wife, launched a career for him in vaudeville, radio, and films. His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938. He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957. Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953). Skelton was eager to work in television, even when the medium was in its infancy. The Red Skelton Show made its television premiere on September 30, 1951, on NBC. By 1954, Skelton's program moved to CBS, where it was expanded to one hour and renamed The Red Skelton Hour in 1962. Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power. Skelton moved his program to NBC, where he completed his last year with a regularly scheduled television show in 1971. He spent his time after that making as many as 125 personal appearances a year and working on his paintings. Skelton's paintings of clowns remained a hobby until 1964, when his wife Georgia persuaded him to show them at the Sands Hotel in Las Vegas while he was performing there. Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales. At the time of his death, his art dealer said he thought that Skelton had earned more money through his paintings than from his television performances. Skelton believed that his life's work was to make people laugh; he wanted to be known as a clown because he defined it as being able to do everything. He had a 70-year-long career as a performer and entertained three generations of Americans. His widow donated many of his personal and professional effects to Vincennes University, including prints of his artwork. They are part of the Red Skelton Museum of American Comedy at Vincennes, Indiana. Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana. In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really "Red" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was "Red". Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton. He had three older brothers: Denny Ishmael Skelton (1905-1943), Christopher M. Skelton (1907-1977) and Paul Fred Skelton (1910-1989). Joseph Skelton, a grocer, died two months before Richard was born; he had once been a clown with the Hagenbeck-Wallace Circus. His birth certificate surname was that of his father's stepfather. During Skelton's lifetime there was some dispute about the year of his birth. Author Wesley Hyatt suggests that since he began working at such an early age, Skelton may have claimed he was older than he actually was in order to gain employment. Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future. Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home. He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him. According to later accounts, Skelton's early interest in becoming an entertainer stemmed from an incident that took place in Vincennes around 1923, when a stranger, supposedly the comedian Ed Wynn, approached Skelton, who was the newsboy selling papers outside a Vincennes theater. When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town. The man purchased every paper Skelton had, providing enough money for the boy to purchase a ticket for himself. The stranger turned out to be one of the show's stars, who later took the boy backstage to introduce him to the other performers. The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer. Skelton discovered at an early age that he could make people laugh. Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers. He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end. Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead. In another incident, while performing in Uncle Tom's Cabin, Skelton was on an unseen treadmill; when it malfunctioned and began working in reverse, the frightened young actor called out, "Help! I'm backing into heaven!" He was fired before completing a week's work in the role. At the age of 15, Skelton did some early work on the burlesque circuit, and reportedly spent four months with the Hagenbeck-Wallace Circus in 1929, when he was 16 years old. Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but "his destiny had caught up with him at an early age". She let him go with her blessing. Times were tough during the Great Depression, and it may have meant one less child for her to feed. Around 1929, while Skelton was still a teen, he joined "Doc" R.E. Lewis's traveling medicine show as an errand boy who sold bottles of medicine to the audience. During one show, when Skelton accidentally fell from the stage, breaking several bottles of medicine as he fell, people laughed. Both Lewis and Skelton realized one could earn a living with this ability and the fall was worked into the show. He also told jokes and sang in the medicine show during his four years there. Skelton earned ten dollars a week, and sent all of it home to his mother. When she worried that he was keeping nothing for his own needs, Skelton reassured her: "We get plenty to eat, and we sleep in the wagon." Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on. He insisted that he was no prude; "I just didn't think the lines were funny". He became a sought-after master of ceremonies for dance marathons (known as "walkathons" at the time), a popular fad in the 1930s. The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater. She approached Skelton after winning the contest and told him that she did not like his jokes; he asked if she could do better. They married in 1931 in Kansas City, and Edna began writing his material. At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16. When they learned that Skelton's salary was to be cut, Edna went to see the boss; he resented the interference, until she came away with not only a raise, but additional considerations as well. Since he had left school at an early age, his wife bought textbooks and taught him what he had missed. With Edna's help, Skelton received a high school equivalency degree. The couple put together an act and began booking it at small midwestern theaters. When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City. To get to Massachusetts they bought a used car and borrowed five dollars from Edna's mother, but by the time they arrived in St. Louis they had only fifty cents. Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked. He then spent their fifty cents on bars of soap, which they cut into small cubes and wrapped with the tinfoil from the cigarette packs. By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port. "Doughnut Dunkers" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Film work Skelton's first contact with Hollywood came in the form of a failed 1932 screen test. In 1938, he made his film debut for RKO Pictures in the supporting role of a camp counselor in Having Wonderful Time. He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo. Actor Mickey Rooney contacted Skelton, urging him to try for work in films after seeing him perform his "Doughnut Dunkers" act at President Roosevelt's 1940 birthday party. For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as "Guzzler's Gin", but added some impromptu pantomimes as the cameras were rolling. "Imitation of Movie Heroes Dying" were Skelton's impressions of the cinema deaths of stars such as George Raft, Edward G. Robinson, and James Cagney. Skelton appeared in numerous films for MGM throughout the 1940s. In 1940, he provided comic relief as a lieutenant in Frank Borzage's war drama Flight Command, opposite Robert Taylor, Ruth Hussey, and Walter Pidgeon. In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare. Skelton was soon starring in comedy features as inept radio detective "The Fox", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director. He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943). In 1941, Skelton began appearing in musical comedies, starring opposite Eleanor Powell, Ann Sothern, and Robert Young in Norman Z. McLeod's Lady Be Good. In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie. In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It. The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming. Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick. Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects. Keaton offered to forgo his salary if the films made by the company were not box-office hits; Mayer chose to decline the request. In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties. He next had a relatively minor role as a "TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor" in the "When Television Comes" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles. In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off. Skelton's contract called for MGM's approval prior to his radio shows and other appearances. When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental. At the time, the major work in the medium was centered in New York; Skelton had worked there for some time, and was able to determine that he would find success with his physical comedy through the medium. By 1947, Skelton's work interests were focused not on films, but on radio and television. His MGM contract was rigid enough to require the studio's written consent for his weekly radio shows, as well as any benefit or similar appearances he made; radio offered fewer restrictions, more creative control, and a higher salary. Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract. He also voiced frustration with the film scripts he was offered while on the set of The Fuller Brush Man, saying, "Movies are not my field. Radio and television are." He did not receive the desired television clause nor a release from his MGM contract. In 1948, columnist Sheilah Graham printed that Skelton's wishes were to make only one film a year, spending the rest of the time traveling the U.S. with his radio show. Skelton's ability to successfully ad lib often meant that the way the script was written was not always the way it was recorded on film. Some directors were delighted with the creativity, but others were often frustrated by it. S. Sylvan Simon, who became a close friend, allowed Skelton free rein when directing him. MGM became annoyed with Simon during the filming of The Fuller Brush Man, as the studio contended that Skelton should have been playing romantic leads instead of performing slapstick. Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits. Skelton was willing to negotiate with MGM to extend the agreement provided he would receive the right to pursue television. This time, the studio was willing to grant it, making Skelton the only major MGM personality with the privilege. The 1950 negotiations allowed him to begin working in television beginning September 30, 1951. During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films. He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No. 1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!. In a 1956 interview, he said he would never work simultaneously in all three media again. As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965). Radio, divorce, and remarriage (1937–1951) Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent-show segment, and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio-show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles-area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. "I dood it!" Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem. The second character, the Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do. "Junior" would say things like, "If I dood it, I gets a whipping.", followed moments later by the statement, "I dood it!" Skelton performed the character at home with Edna, giving him the nickname "Junior" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play "Junior" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber "We Dood It!" In 1986, Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928. Originally called "Mellow Cigars", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine "Guzzler's Gin", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's audience was treated to a post-program performance. He then performed his "Guzzler's Gin" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats. Divorce from Edna, marriage to Georgia In 1942, Edna announced that she was leaving Skelton, but would continue to manage his career and write material for him. He did not realize she was serious until Edna issued a statement about the impending divorce through NBC. They were divorced in 1943, leaving the courtroom arm in arm. The couple did not discuss the reasons for their divorce, and Edna initially prepared to work as a script writer for other radio programs. When the divorce was finalized, she went to New York, leaving her former husband three fully prepared show scripts. Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity. Edna remained the manager of the couple's funds because Skelton spent money too easily. An attempt at managing his own checking account that began with a $5,000 balance, ended five days later after a call to Edna saying the account was overdrawn. Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets. She remained an advisor on his career until 1952, receiving a generous weekly salary for life for her efforts. The divorce meant that Skelton had lost his married man's deferment; he was once again classified as 1-A for service. He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail. His last Raleigh radio show was on June 6, 1944, the day before he was formally inducted as a private; he was not assigned to Special Services at that time. Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet. By 1944, Skelton was engaged to actress Muriel Morris, who was also known as Muriel Chase; the couple had obtained a marriage license and told the press they intended to marry within a few days. At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City. She later recanted the story about marrying the businessman, but continued to say that her relationship with Skelton was over. The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband. He was on army furlough for throat discomfort when he married actress Georgia Maureen Davis in Beverly Hills, California, on March 9, 1945; the couple met on the MGM lot. Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding. He knew he would possibly be assigned overseas soon, and wanted the marriage to take place first. After the wedding, he entered the hospital to have his tonsils removed. The couple had two children; Valentina, a daughter, was born May 5, 1947, and a son, Richard, was born May 20, 1948. A cast of characters Skelton served in the United States Army during World War II. After being assigned to the Special Services, Skelton performed as many as 12 shows per day before troops in both the United States and in Europe. The pressure of his workload caused him to suffer exhaustion and a nervous breakdown. He had a nervous collapse while in the Army, following which he developed a stutter. While recovering at an army hospital at Camp Pickett, Virginia, he met a soldier who had been severely wounded and was not expected to survive. Skelton devoted a lot of time and effort to trying to make the man laugh. As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list. He was released from his army duties in September 1945. "I've been told I'm the only celebrity who entered the Army as a private and came out a private," he told reporters. His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945. Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a "loudmouthed braggart"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations. By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air. On April 22, 1947, Skelton was censored by NBC two minutes into his radio show. When his announcer Rod O'Connor and he began talking about Fred Allen being censored the previous week, they were silenced for 15 seconds; comedian Bob Hope was given the same treatment once he began referring to the censoring of Allen. Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast. He had been briefly censored the previous month for the use of the word "diaper". After the April incidents, NBC indicated it would no longer pull the plug for similar reasons. Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs. His new sponsor was Procter & Gamble's Tide laundry detergent. The next year, he changed networks, going from NBC to CBS, where his radio show aired until May 1953. After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954. His syndicated radio program was offered as a daily show; it included segments of his older network radio programs, and new material done for the syndication. He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them. Television (1951–1970) Skelton was unable to work in television until the end of his 1951 MGM movie contract; a renegotiation to extend the pact provided permission after that point. On May 4, 1951, he signed a contract for television with NBC; Procter and Gamble was his sponsor. He said he would be performing the same characters on television that he had been doing on radio. The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down. A 1943 instrumental hit by David Rose, called "Holiday for Strings", became Skelton's TV theme song. The move to television allowed him to create two nonhuman characters, seagulls Gertrude and Heathcliffe, which he performed while the pair were flying by, tucking his thumbs under his arms to represent wings and shaping his hat to look like a bird's bill. He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics. His "Freddie the Freeloader" clown was introduced on the program in 1952, with Skelton copying his father's makeup for the character. ( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.) A ritual was established for the end of every program, with Skelton's shy, boyish wave and words of "Good night and may God bless." During the 1951–1952 season, the program was broadcast from a converted NBC radio studio. The first year of the television show was done live; this led to problems, because not enough time was available for costume changes; Skelton was on camera for most of the half hour, including the delivery of a commercial that was written into one of the show's skits. In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up. The script was completed, and he had the show's production crew build a set that was perpendicular to the stage, so it would give the illusion that someone was walking on walls. The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking. When Willie wakes up there after a night of drinking, he is misled into believing he is not lying on the floor, but on the living room wall. Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall. Within an hour after the broadcast, the NBC switchboard had received 350 calls regarding the show, and Skelton had received more than 2,500 letters about the skit within a week of its airing. Skelton was delivering an intense performance live each week, and the strain showed in physical illness. In 1952, he was drinking heavily due to the constant physical pain of a diaphragmatic hernia and the emotional distress of marital problems. He thought about divorcing Georgia. NBC agreed to film his shows in the 1952–1953 season at Eagle Lion Studios, next to the Sam Goldwyn Studio, on Santa Monica Boulevard in Hollywood. Later, the show was moved to the new NBC television studios in Burbank. Procter and Gamble was unhappy with the filming of the television show, and insisted that Skelton return to live broadcasts. The situation made him think about leaving television. Declining ratings prompted sponsor Procter & Gamble to cancel his show in the spring of 1953. Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing. Beginning with the 1953–1954 season, he switched to CBS, where he remained until 1970. For the initial move to CBS, he had no sponsor. The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol. He curtailed his drinking and his ratings at CBS began to improve, especially after he began appearing on Tuesday nights for co-sponsors Johnson's Wax and Pet Milk Company. By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960. He tried to encourage CBS to do other shows in color at the facility, but CBS mostly avoided color broadcasting after the network's television-set manufacturing division was discontinued in 1951. By 1959, Skelton was the only comedian with a weekly variety television show. Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs. He performed a preview show for a studio audience on Mondays, using their reactions to determine which skits required editing for the Tuesday program. For the Tuesday afternoon run-through prior to the actual show, he ignored the script for the most part, ad-libbing through it at will. The run-through was well attended by CBS Television City employees. Sometimes during live telecasts and taped programs, Skelton would break up or cause his guest stars to laugh. Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live. While the network told him to take as much time off as necessary, Skelton felt that unless he went back to his television show, he would be unable to be at ease and make his son's life a happy one. He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits. In happier times, he had frequently mentioned his children on his program, but he found it extremely difficult to do this after Richard became ill. Skelton resumed this practice only after his son asked him to do so. After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible. The Skeltons had an audience with Pope Pius XII on July 22, 1957. According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far. The Skeltons cut their travels short and returned to the United States after an encounter with an aggressive reporter in London and relentlessly negative reports in British newspapers. The Skelton family received support from CBS management and from the public following the announcement of Richard's illness. In November, Skelton fell down stairs and injured an ankle, and he nearly died after a "cardiac-asthma" attack on December 30, 1957. He was taken to St. John's Hospital in Santa Monica, where, his doctors said, "if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived". Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers. His illness and recovery kept him off the air for a full month; Skelton returned to his television show on January 28, 1958. Richard died on May 10, 1958, 10 days before his 10th birthday. Skelton was scheduled to do his weekly television show on the day his son was buried. Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead. His friends in the television, film and music industries organized The Friends Of Red Skelton Variety Show, which they performed to replace The Red Skelton Show for that week; by May 27, 1958, Skelton had returned to his program. Richard‘s death had a profound effect on the family. Life magazine, profiling "The Invincible Red" on April 21, 1961, observed that Skelton was still "racked [sic]" by his son’s death. In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping. The Red Skelton Hour In early 1960, Skelton purchased the old Charlie Chaplin Studios and updated it for videotape recording. With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color. Even with his color facilities, CBS discontinued color broadcasts on a regular basis and Skelton shortly thereafter sold the studio to CBS and the mobile unit to local station KTLA. Prior to this, he had been filming at Desilu Productions. Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network. In the fall of 1962, CBS expanded his program to a full hour, retitling it The Red Skelton Hour. Although it was a staple of his radio programs, he did not perform his "Junior" character on television until 1962, after extending the length of his program. Skelton frequently employed the art of pantomime for his characters; a segment of his weekly program was called the "Silent Spot". He attributed his liking for pantomime and for using few props to the early days when he did not want to have a lot of luggage. He explained that having the right hat was the key to getting into character. Skelton's season premiere for the 1960–1961 television season was a tribute to the United Nations. About 600 people from the organization, including diplomats, were invited to be part of the audience for the show. The program was entirely done in pantomime, as UN representatives from 39 nations were in the studio audience. One of the sketches he performed for the UN was that of the old man watching the parade. The sketch had its origins in a question Skelton's son, Richard, asked his father about what happens when people die. He told his son, "They join a parade and start marching." In 1965, Skelton did another show completely in pantomime. This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio. The only person who spoke during the hour was Maurice Chevalier, who served as the show's narrator. In 1969, Skelton wrote and performed a monologue about the Pledge of Allegiance. In the speech, he commented on the meaning of each phrase of the pledge. He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech. The teacher had grown tired of hearing his students monotonously recite the pledge each morning; he then demonstrated to them how it should be recited, along with comments about the meaning behind each phrase. CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records. A year later, he performed the monologue for President Richard Nixon at the first "Evening at the White House", a series of entertainment events honoring the recently inaugurated president. Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs. Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan. Performing in Las Vegas when he got the news of his CBS cancellation, Skelton said, "My heart has been broken." His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television. Skelton moved to NBC in 1970 in a half-hour Monday-night version of his former show. Its cancellation after one season ended his television career, and he returned to live performances. In an effort to prove the networks wrong, he gave many of these at colleges and proved popular with the audiences. Skelton was bitter about CBS's cancellation for many years afterwards. Believing the demographic and salary issues to be irrelevant, he accused CBS of bowing to the antiestablishment, antiwar faction at the height of the Vietnam War, saying his conservative political and social views caused the network to turn against him. He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program. Personal, as well as professional, changes occurred in Skelton's life at this time. He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973. While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program. (Johnny Carson, one of his former writers, began his rise to network television prominence when he substituted for Skelton after a dress rehearsal injury in 1954.) Skelton was also a guest on The Merv Griffin Show in October of the same year. Hopes he may have had that he could ease back into television through the talk-show circuit were ended on May 10, 1976, when Georgia Skelton committed suicide by gunshot on the 18th anniversary of Richard Skelton's death. Georgia was 54 and had been in poor health for some time. He put all professional activities on hold for some months as he mourned his former wife's death. Skelton made plans in 1977 to sell the rights to his old television programs as part of a package that would bring him back to regular television appearances. The package called for him to produce one new television show for every three older episodes; this did not materialize. In 1980, he was taken to court by 13 of his former writers over a report that his will called for the destruction of recordings of all his old television shows upon his death. Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context. He said at the time, "Would you burn the only monument you've built in over 20 years?" As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime. In 1983, Group W announced that it had come to terms with him for the rights to rebroadcast some of his original television programs from 1966 through 1970; some of his earlier shows were made available after Skelton's death. Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer. He retained a fondness for theaters, and referred to them as "palaces"; he also likened them to his "living room", where he would privately entertain guests. At the end of a performance, he would look at the empty stage where there was now no laughter or applause and tell himself, "Tomorrow I must start again. One hour ago, I was a big man. I was important out there. Now it's empty. It's all gone." Skelton was invited to play a four-week date at the London Palladium in July 1951. While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children. The plane lost the use of two of its four engines and seemed destined to lose the rest, meaning that the plane would crash over Mont Blanc. The priest readied himself to administer last rites. As he did so, he told Skelton, "You take care of your department, Red, and I'll take care of mine." Skelton diverted the attention of the passengers with pantomimes while Father Carney prayed. They ultimately landed at a small airstrip in Lyon, France. He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year. Though Skelton had always done live engagements at Nevada hotels and appearances such as state fairs during his television show's hiatus, he focused his time and energy on live performances after he was no longer on the air, performing up to 125 dates a year. He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls. Before the show, his audiences received a ballot listing about 100 of his many routines and were asked to tick off their favorites. The venue's ushers would collect the ballots and tally the votes. Skelton's performance on that given day was based on the skits his audience selected. After he learned that his performances were popular with the hearing-impaired because of his heavy use of pantomimes, Skelton hired a sign language interpreter to translate the non-pantomime portions of his act for all his shows. He continued performing live until 1993, when he celebrated his 80th birthday. Later years and death In 1974, Skelton's interest in film work was rekindled with the news that Neil Simon's comedy The Sunshine Boys would become a movie; his last significant film appearance had been in Public Pigeon No. 1 in 1956. He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis. Although Simon had planned to cast Jack Albertson, who played Willy on Broadway, in the same role for the film, Skelton's screen test impressed him enough to change his mind. Skelton declined the part, however, reportedly due to an inadequate financial offer, and Benny's final illness forced him to withdraw, as well. George Burns and Walter Matthau ultimately starred in the film. In 1981, Skelton made several specials for HBO, including Freddie the Freeloader's Christmas Dinner (1981) and the Funny Faces series of specials. He gave a Royal Command Performance for the Royal Society for the Protection of Birds in 1984, which was later shown in the U.S. on HBO. A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime. Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as "a long, undisclosed illness". He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California. Skelton was survived by his widow, Lothian Toland Skelton; his daughter, Valentina Marie Skelton Alonso; and granddaughter Sabrina Maureen Alonso. Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years. He said he was inspired to try his hand at painting after visiting a large Chicago department store that had various paintings on display. Inquiring as to the price of one, which Skelton described as "a bunch of blotches", he was told, "Ten thousand wouldn't buy that one." He told the clerk he was one of the ten thousand who would not buy the painting, instead buying his own art materials. His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time. Skelton believed painting was an asset to his comedy work, as it helped him to better visualize the imaginary props used in his pantomime routines. In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business. He made his work available to art galleries by selling them franchises to display and sell his paintings. He once estimated the sale of his lithographs earned him $2.5 million per year. Shortly after his death, his art dealer said he believed that Skelton made more money on his paintings than from his television work. At the time of his death, Skelton had produced over 1,000 oil paintings of clowns. When asked why his artwork focused on clowns, he said at first, "I don't know why it's always clowns." He continued after thinking a moment by saying "No, that's not true—I do know why. I just don't feel like thinking about it ..." At the time of Skelton's death, his originals were priced at $80,000 and upward. Other interests Skelton was a prolific writer of both short stories and music. After sleeping only four or five hours a night, he would wake up at 5 am and begin writing stories, composing music, and painting pictures. He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death. He wrote commercials for Skoal tobacco and sold many of his compositions to Muzak, a company that specialized in providing background music to stores and other businesses. Skelton was also interested in photography; when attending Hollywood parties, he would take photos and give the film to newspaper reporters waiting outside. He was never without a miniature camera, and kept a photographic record of all his paintings. Skelton was also an avid gardener, who created his own Japanese and Italian gardens and cultivated bonsai trees at his home in Palm Springs. He owned a horse ranch in the Anza Valley. Fraternity and honors Skelton was a Freemason, a member of Vincennes Lodge No. 1, in Indiana. He also was a member of both the Scottish and the York Rites. He was a recipient of the Gold Medal of the General Grand Chapter, Royal Arch Masons, for Distinguished Service in the Arts and Sciences. On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995. Skelton became interested in Masonry as a small boy selling newspapers in Vincennes, when a man bought a paper from him with a $5 bill and told him to keep the change. The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give. Skelton decided to become one also when he was grown. He was also member of the Independent Order of Odd Fellows, as well as a Shriner in Los Angeles. Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University. In 1961, he became an honorary brother of the Phi Alpha Tau Fraternity of Emerson College, when he was awarded the Joseph E. Connor Award for excellence in the field of communications. He also received an honorary degree from the college at the same ceremony. Skelton received an honorary high-school diploma from Vincennes High School. He was also an honorary member of Kappa Kappa Psi National Honorary Band Fraternity; Skelton had composed many marches, which were used by more than 10,000 high-school and college bands. In 1986, Skelton received an honorary degree from Ball State University. The Red Skelton Memorial Bridge spans the Wabash River and provides the highway link between Illinois and Indiana on U.S. Route 50, near Skelton's home town of Vincennes. He attended the dedication ceremonies in 1963. Awards and recognition In 1952, Skelton received Emmy Awards for Best Comedy Program and Best Comedian. He also received an Emmy nomination in 1957 for his noncomedic performance in Playhouse 90's presentation of "The Big Slide". Skelton and his writers won another Emmy in 1961 for Outstanding Writing Achievement in Comedy. He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969. Skelton's first major post-television recognition came in 1978, when the Golden Globe Awards named him as the recipient for their Cecil B. DeMille Award, which is given to honor outstanding contributions in entertainment. His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette. When he was presented with the Academy of Television Arts & Sciences' Governor's Award in 1986, Skelton received a standing ovation. "I want to thank you for sitting down", he said when the ovation subsided. "I thought you were pulling a CBS and walking out on me." The honor came 16 years after his television program left the airwaves. Skelton received a Lifetime Achievement Award from the Screen Actors Guild in 1987, and in 1988, he was inducted into the Academy of Television Arts & Sciences' Television Hall of Fame. He was one of the International Clown Hall of Fame's first inductees in 1989. Skelton and Katharine Hepburn were honored with lifetime achievement awards by the American Comedy Awards in the same year. He was inducted into the National Radio Hall of Fame in 1994. Skelton also has two stars on the Hollywood Walk of Fame for his radio and television work. Legacy and tributes Skelton preferred to be described as a clown rather than a comic: "A comedian goes out and hits people right on. A clown uses pathos. He can be funny, then turn right around and reach people and touch them with what life is like." "I just want to be known as a clown", he said, "because to me that's the height of my profession. It means you can do everything—sing, dance and above all, make people laugh." His purpose in life, he believed, was to make people laugh. In Groucho and Me, Groucho Marx called Skelton "the most unacclaimed clown in show business", and "the logical successor to [Charlie] Chaplin", largely because of his ability to play a multitude of characters with minimal use of dialogue and props. "With one prop, a soft battered hat", Groucho wrote, describing a performance he had witnessed, "he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy. No grotesque make-up, no funny clothes, just Red." He added that Skelton also "plays a dramatic scene about as effectively as any of the dramatic actors." In late 1965, ventriloquist Edgar Bergen, reminiscing about the entertainment business, singled out Skelton for high praise. "It's all so very different today. The whole business of comedy has changed — from 15 minutes of quality to quantity. We had a lot of very funny people around, from Charley Chase to Charlie Chaplin and Laurel and Hardy. The last one of that breed is Red Skelton." Harry Cohn of Columbia Pictures also praised Skelton, saying, "He's a clown in the old tradition. He doesn't need punch lines. He's got heart." Skelton and Marcel Marceau shared a long friendship and admiration of each other's work. Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery. He was also a guest on the three Funny Faces specials that Skelton produced for HBO. In a TV Guide interview after Skelton's death, Marceau said, "Red, you are eternal for me and the millions of people you made laugh and cry. May God bless you forever, my great and precious companion. I will never forget that silent world we created together." CBS issued the following statement upon his death: "Red's audience had no age limits. He was the consummate family entertainer—a winsome clown, a storyteller without peer, a superb mime, a singer, and a dancer." The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born. The building includes an 850-seat theater, classrooms, rehearsal rooms, and dressing rooms. Its grand foyer is a gallery for Skelton's paintings, statues, and film posters. The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions. The adjacent Red Skelton Museum of American Comedy opened on July 18, 2013, on what would have been Skelton's 100th birthday. It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment. Skelton's widow, Lothian, noted that he expressed no interest in any sort of Hollywood memorial. The museum is funded jointly by the Red Skelton Museum Foundation and the Indiana Historical Society. Other foundation projects include a fund that provides new clothes to Vincennes children from low-income families. The foundation also purchased Skelton's birthplace. On July 15, 2017, the state of Indiana unveiled a state historic marker at the home in Vincennes where Skelton was born. The town of Vincennes has held an annual Red Skelton Festival since 2005. A "Parade of a Thousand Clowns", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances. In 2006, Travis Tarrants purchased the historic Vincennes Pantheon Theatre, where Skelton performed during his youth. He established a nonprofit organization with the hope of restoring the theatre to its 1921 state. Tarrants was able to raise close to $300,000 for the restoration. Two years later, donations for the project plummeted. Tarrants lost the theatre to unpaid back taxes in 2012, and the new owner was realtor Heath Klein. In late 2014, Klein sold the theatre property to a Vincennes nonprofit group, INVin. The organization works to bring arts and arts-related businesses into downtown Vincennes. In March 2016, the group proposed to turn the theatre into shared workspace. Filmography Features Short subjects Box-office ranking Based on rankings of the amount of money earned in box-office receipts for film showings, for a number of years Skelton was among the most popular stars in the country: 1944 – 16th largest box office draw 1949 – 13th 1951 – 14th 1952 – 21st Published works Notes References Sources cited External links Red Skelton Biography Red Skelton Foundation Red Skelton Museum and Education Center Red Skelton Performing Arts Center at Vincennes University Edna and Red Skelton Collection at the Indiana Historical Society RED-EO Video Production Company, article and photo, The Broadcast Archive List of Red Skelton TV Episodes 1951–1971, The Classic TV Archive Literature on Red Skelton Red Skelton at the Internet Archive "Edna Stillwell and the 'Real Making of Red'”, Indiana Historical Bureau 1913 births 1997 deaths 20th-century American comedians 20th-century American composers 20th-century American male actors 20th-century American male musicians 20th-century American painters Red Skelton Red Skelton Red Skelton American burlesque performers American clowns American male comedians American male composers American male film actors American male painters American male radio actors American male television actors American radio personalities Television personalities from California Burials at Forest Lawn Memorial Park (Glendale) California Republicans Red Skelton Cecil B. DeMille Award Golden Globe winners Comedians from California Conservatism in the United States Indiana Historical Society Indiana Republicans Deaths from pneumonia in California Male actors from Indiana Male actors from Palm Springs, California Metro-Goldwyn-Mayer contract players Red Skelton Painters from Indiana Painters from California People from Vincennes, Indiana Primetime Emmy Award winners Screen Actors Guild Life Achievement Award United States Army personnel of World War II United States Army soldiers Vaudeville performers
true
[ "Jon Rish (born 1973) is an American former radio personality, best known for his work in the Boston area.\n\nCareer\nRish was a radio host for WEEI-FM in Boston.\n\nRish attended Boston College and began his sportscasting experience on WZBC, the school's 1000-watt FM radio station broadcasting to the Greater Boston area.\n\nRish's broadcasting career began in 1993, when he was an intern on Boston sports radio host Dale Arnold's WEEI program. He subsequently broadcast college sports on several Boston-area stations. From 2006 to 2012, Rish hosted the Boston Red Sox pre and post game show on the Boston Red Sox Radio Network. Rish served in the Red Sox broadcast booth alongside Joe Castiglione since 2008, sharing time with Dale Arnold and Dave O'Brien. Arnold and Rish replaced Glenn Geffner, who left after the 2007 season for the Florida Marlins radio booth. Rish primarily announced games when O'Brien was away on assignment for ESPN.\n\nOn June 10, 2010, Rish filled in on the NESN TV broadcast for Don Orsillo who fell ill just before the start of the Red Sox game at Cleveland.\n\nOn April 8, 2013, after being asked to take a major pay cut by WEEI owner Entercom, Rish announced that he was leaving not only WEEI but the radio business as well, saying he had been \"accepted into a training program to become a software developer and will begin that career path.\" His last assignment for Red Sox Radio Network was for the game between the Oakland Athletics and the Red Sox on April 24, 2013.\n\nIn August 2013, Rish was chosen by NESN to serve as a substitute color analyst for Boston Red Sox games while regular analyst Jerry Remy was on leave following the arrest of his son, Jared Remy, for murder. Rish also served as substitute Boston Red Sox play-by-play announcer on NESN in July 2014 while regular announcer Don Orsillo was on vacation.\n\nReferences\n\nYear of birth missing (living people)\nLiving people\nAmerican radio personalities\nBoston sportscasters\nBoston Red Sox announcers\nMajor League Baseball broadcasters", "Red Ryder was an American radio western series based on the popularity of the comic strip Red Ryder by Stephen Slesinger and Fred Harman. It debuted on February 3, 1942 on the NBC Blue Network and was broadcast three days a week, on Tuesdays, Thursdays and Saturdays. After the sixth episode Langendorf Bread became its prime sponsor. The final episode was broadcast in 1951.\n\nHistory\n\nSince \"Red Ryder\" aimed a young audience the violence was toned down a bit. Unlike the comics Red was not active as a lawman, but mostly worked as a cowhand. Only when the stories asked for it did he get involved in acting like a (deputy) sheriff. Red also never killed his enemies, only shot their guns out of their hands. Another difference was the name of Red's sweetheart. In the comics her name was Beth Wilder, while on the radio she was named Jane Bruce.\n\nOriginally the show was successful enough to beat its rival, The Lone Ranger, in radio ratings. However, when the network sold the series to the Mutual Broadcasting System it was no longer broadcast in the east side of the United States. Mutual and Langendorf continued the series on the West Coast Don Lee Network through the 1940s at 7:30pm on Tuesdays, Thursdays, and Saturdays, always with the familiar organ theme, \"The Dying Cowboy\" (\"Bury Me Not on the Lone Prairie\"). The introduction of television also meant the end of the radio series and its transfer to the small screen.\n\nCast\n Red Ryder: Reed Hadley (1942–1944), Carlton KaDell (1945) and Brooke Temple (1946–1951).\n Buckskin: Horace Murphy\n Little Beaver: Tommy Cook (1942 on), Frank Bresee (1942–46, alternating with Cook), Henry Blair (1944–47), Johnny McGovern (1947–50), Anne Whitfield (1950–51) and Sammy Ogg (1950–51).\n Roland Rawhide Rollinson': Arthur Q. Bryan\n\nClub\n\nThe Red Ryder Victory Patrol, a club founded in 1942 to encourage people in conservation practices that would help the war effort, was directly inspired by the radio show's popularity. Young listeners could get application cards from their local grocery stores and mail them in. In return there would receive a membership card, a certificate, a secret decoder and a 32-page comic book about \"Red Ryder\".\n\nIn 1944, Warner Bros. produced a parody of the character in the short Buckaroo Bugs'': Red-Hot Ryder (whom the narrator described as \"Brooklyn's famous fighting cowboy\"). The character was portrayed as a bumbling simpleton, harassed by Bugs Bunny.\n\nSources\n\nAmerican children's radio programs\nAmerican radio dramas\nWestern (genre) radio series\n1942 radio programme debuts\n1951 radio programme endings\n1940s American radio programs\n1950s American radio programs\nMutual Broadcasting System programs\nRadio programs based on comic strips\nNBC Blue Network radio programs\nDon Lee Network programs" ]
[ "Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist.", "He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show. He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934.", "He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934. The \"Doughnut Dunkers\" pantomime sketch, which he wrote together with his wife, launched a career for him in vaudeville, radio, and films. His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938.", "His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938. He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957.", "He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957. Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953).", "Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953). Skelton was eager to work in television, even when the medium was in its infancy.", "Skelton was eager to work in television, even when the medium was in its infancy. The Red Skelton Show made its television premiere on September 30, 1951, on NBC. By 1954, Skelton's program moved to CBS, where it was expanded to one hour and renamed The Red Skelton Hour in 1962. Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power.", "Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power. Skelton moved his program to NBC, where he completed his last year with a regularly scheduled television show in 1971. He spent his time after that making as many as 125 personal appearances a year and working on his paintings.", "He spent his time after that making as many as 125 personal appearances a year and working on his paintings. Skelton's paintings of clowns remained a hobby until 1964, when his wife Georgia persuaded him to show them at the Sands Hotel in Las Vegas while he was performing there. Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales.", "Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales. At the time of his death, his art dealer said he thought that Skelton had earned more money through his paintings than from his television performances. Skelton believed that his life's work was to make people laugh; he wanted to be known as a clown because he defined it as being able to do everything. He had a 70-year-long career as a performer and entertained three generations of Americans.", "He had a 70-year-long career as a performer and entertained three generations of Americans. His widow donated many of his personal and professional effects to Vincennes University, including prints of his artwork. They are part of the Red Skelton Museum of American Comedy at Vincennes, Indiana. Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana.", "Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana. In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really \"Red\" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was \"Red\".", "In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really \"Red\" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was \"Red\". Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton.", "Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton. He had three older brothers: Denny Ishmael Skelton (1905-1943), Christopher M. Skelton (1907-1977) and Paul Fred Skelton (1910-1989). Joseph Skelton, a grocer, died two months before Richard was born; he had once been a clown with the Hagenbeck-Wallace Circus. His birth certificate surname was that of his father's stepfather. During Skelton's lifetime there was some dispute about the year of his birth.", "During Skelton's lifetime there was some dispute about the year of his birth. Author Wesley Hyatt suggests that since he began working at such an early age, Skelton may have claimed he was older than he actually was in order to gain employment. Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future.", "Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future. Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home.", "Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home. He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him.", "He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him. According to later accounts, Skelton's early interest in becoming an entertainer stemmed from an incident that took place in Vincennes around 1923, when a stranger, supposedly the comedian Ed Wynn, approached Skelton, who was the newsboy selling papers outside a Vincennes theater. When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town.", "When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town. The man purchased every paper Skelton had, providing enough money for the boy to purchase a ticket for himself. The stranger turned out to be one of the show's stars, who later took the boy backstage to introduce him to the other performers. The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer.", "The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer. Skelton discovered at an early age that he could make people laugh. Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers.", "Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers. He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end.", "He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end. Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead.", "Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead. In another incident, while performing in Uncle Tom's Cabin, Skelton was on an unseen treadmill; when it malfunctioned and began working in reverse, the frightened young actor called out, \"Help! I'm backing into heaven!\" He was fired before completing a week's work in the role.", "He was fired before completing a week's work in the role. At the age of 15, Skelton did some early work on the burlesque circuit, and reportedly spent four months with the Hagenbeck-Wallace Circus in 1929, when he was 16 years old. Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but \"his destiny had caught up with him at an early age\".", "Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but \"his destiny had caught up with him at an early age\". She let him go with her blessing. Times were tough during the Great Depression, and it may have meant one less child for her to feed. Around 1929, while Skelton was still a teen, he joined \"Doc\" R.E.", "Around 1929, while Skelton was still a teen, he joined \"Doc\" R.E. Lewis's traveling medicine show as an errand boy who sold bottles of medicine to the audience. During one show, when Skelton accidentally fell from the stage, breaking several bottles of medicine as he fell, people laughed. Both Lewis and Skelton realized one could earn a living with this ability and the fall was worked into the show. He also told jokes and sang in the medicine show during his four years there.", "He also told jokes and sang in the medicine show during his four years there. Skelton earned ten dollars a week, and sent all of it home to his mother. When she worried that he was keeping nothing for his own needs, Skelton reassured her: \"We get plenty to eat, and we sleep in the wagon.\" Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on.", "Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on. He insisted that he was no prude; \"I just didn't think the lines were funny\". He became a sought-after master of ceremonies for dance marathons (known as \"walkathons\" at the time), a popular fad in the 1930s. The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater.", "The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater. She approached Skelton after winning the contest and told him that she did not like his jokes; he asked if she could do better. They married in 1931 in Kansas City, and Edna began writing his material. At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16.", "At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16. When they learned that Skelton's salary was to be cut, Edna went to see the boss; he resented the interference, until she came away with not only a raise, but additional considerations as well. Since he had left school at an early age, his wife bought textbooks and taught him what he had missed. With Edna's help, Skelton received a high school equivalency degree.", "With Edna's help, Skelton received a high school equivalency degree. The couple put together an act and began booking it at small midwestern theaters. When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City.", "When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City. To get to Massachusetts they bought a used car and borrowed five dollars from Edna's mother, but by the time they arrived in St. Louis they had only fifty cents. Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked.", "Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked. He then spent their fifty cents on bars of soap, which they cut into small cubes and wrapped with the tinfoil from the cigarette packs. By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port.", "By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port. \"Doughnut Dunkers\" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre.", "\"Doughnut Dunkers\" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come.", "Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement.", "Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the \"Doughnut Dunkers\" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee.", "The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the \"Doughnut Dunkers\" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status.", "The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, \"Careful what you drink, Mr. President. I got rolled in a place like this once.\" His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward.", "His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Film work Skelton's first contact with Hollywood came in the form of a failed 1932 screen test. In 1938, he made his film debut for RKO Pictures in the supporting role of a camp counselor in Having Wonderful Time. He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo.", "He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo. Actor Mickey Rooney contacted Skelton, urging him to try for work in films after seeing him perform his \"Doughnut Dunkers\" act at President Roosevelt's 1940 birthday party. For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as \"Guzzler's Gin\", but added some impromptu pantomimes as the cameras were rolling.", "For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as \"Guzzler's Gin\", but added some impromptu pantomimes as the cameras were rolling. \"Imitation of Movie Heroes Dying\" were Skelton's impressions of the cinema deaths of stars such as George Raft, Edward G. Robinson, and James Cagney. Skelton appeared in numerous films for MGM throughout the 1940s.", "Skelton appeared in numerous films for MGM throughout the 1940s. In 1940, he provided comic relief as a lieutenant in Frank Borzage's war drama Flight Command, opposite Robert Taylor, Ruth Hussey, and Walter Pidgeon. In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare.", "In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare. Skelton was soon starring in comedy features as inept radio detective \"The Fox\", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director.", "Skelton was soon starring in comedy features as inept radio detective \"The Fox\", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director. He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943).", "He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943). In 1941, Skelton began appearing in musical comedies, starring opposite Eleanor Powell, Ann Sothern, and Robert Young in Norman Z. McLeod's Lady Be Good. In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie.", "In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie. In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It.", "In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It. The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming.", "The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming. Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick.", "Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick. Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects.", "Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects. Keaton offered to forgo his salary if the films made by the company were not box-office hits; Mayer chose to decline the request. In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties.", "In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties. He next had a relatively minor role as a \"TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor\" in the \"When Television Comes\" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles.", "He next had a relatively minor role as a \"TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor\" in the \"When Television Comes\" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles. In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off.", "In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off. Skelton's contract called for MGM's approval prior to his radio shows and other appearances. When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental.", "When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental. At the time, the major work in the medium was centered in New York; Skelton had worked there for some time, and was able to determine that he would find success with his physical comedy through the medium. By 1947, Skelton's work interests were focused not on films, but on radio and television.", "By 1947, Skelton's work interests were focused not on films, but on radio and television. His MGM contract was rigid enough to require the studio's written consent for his weekly radio shows, as well as any benefit or similar appearances he made; radio offered fewer restrictions, more creative control, and a higher salary. Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract.", "Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract. He also voiced frustration with the film scripts he was offered while on the set of The Fuller Brush Man, saying, \"Movies are not my field. Radio and television are.\" He did not receive the desired television clause nor a release from his MGM contract.", "He did not receive the desired television clause nor a release from his MGM contract. In 1948, columnist Sheilah Graham printed that Skelton's wishes were to make only one film a year, spending the rest of the time traveling the U.S. with his radio show. Skelton's ability to successfully ad lib often meant that the way the script was written was not always the way it was recorded on film. Some directors were delighted with the creativity, but others were often frustrated by it.", "Some directors were delighted with the creativity, but others were often frustrated by it. S. Sylvan Simon, who became a close friend, allowed Skelton free rein when directing him. MGM became annoyed with Simon during the filming of The Fuller Brush Man, as the studio contended that Skelton should have been playing romantic leads instead of performing slapstick. Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits.", "Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits. Skelton was willing to negotiate with MGM to extend the agreement provided he would receive the right to pursue television. This time, the studio was willing to grant it, making Skelton the only major MGM personality with the privilege. The 1950 negotiations allowed him to begin working in television beginning September 30, 1951.", "The 1950 negotiations allowed him to begin working in television beginning September 30, 1951. During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films.", "During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films. He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No.", "He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No. 1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!.", "1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!. In a 1956 interview, he said he would never work simultaneously in all three media again.", "In a 1956 interview, he said he would never work simultaneously in all three media again. As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965).", "As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965). Radio, divorce, and remarriage (1937–1951) Performing the \"Doughnut Dunkers\" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937.", "Radio, divorce, and remarriage (1937–1951) Performing the \"Doughnut Dunkers\" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent-show segment, and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton.", "Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.", "The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name.", "On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939.", "She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio-show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles-area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.", "A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. \"I dood it!\"", "\"I dood it!\" \"I dood it!\" Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem.", "After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem. The second character, the Mean Widdle Kid, or \"Junior\", was a young boy full of mischief, who typically did things he was told not to do. \"Junior\" would say things like, \"If I dood it, I gets a whipping.", "\"Junior\" would say things like, \"If I dood it, I gets a whipping. \", followed moments later by the statement, \"I dood it!\" Skelton performed the character at home with Edna, giving him the nickname \"Junior\" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's.", "While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play \"Junior\" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase \"Doolittle Dood It\" as a headline.", "The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase \"Doolittle Dood It\" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II.", "After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber \"We Dood It!\"", "Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber \"We Dood It!\" In 1986, Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928.", "Skelton also added a routine he had been performing since 1928. Originally called \"Mellow Cigars\", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine \"Guzzler's Gin\", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares.", "Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine \"Guzzler's Gin\", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's audience was treated to a post-program performance.", "After the regular radio program had ended, the show's audience was treated to a post-program performance. He then performed his \"Guzzler's Gin\" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats.", "As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats. Divorce from Edna, marriage to Georgia In 1942, Edna announced that she was leaving Skelton, but would continue to manage his career and write material for him. He did not realize she was serious until Edna issued a statement about the impending divorce through NBC. They were divorced in 1943, leaving the courtroom arm in arm.", "They were divorced in 1943, leaving the courtroom arm in arm. The couple did not discuss the reasons for their divorce, and Edna initially prepared to work as a script writer for other radio programs. When the divorce was finalized, she went to New York, leaving her former husband three fully prepared show scripts. Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity.", "Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity. Edna remained the manager of the couple's funds because Skelton spent money too easily. An attempt at managing his own checking account that began with a $5,000 balance, ended five days later after a call to Edna saying the account was overdrawn. Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets.", "Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets. She remained an advisor on his career until 1952, receiving a generous weekly salary for life for her efforts. The divorce meant that Skelton had lost his married man's deferment; he was once again classified as 1-A for service. He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail.", "He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail. His last Raleigh radio show was on June 6, 1944, the day before he was formally inducted as a private; he was not assigned to Special Services at that time. Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet.", "Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet. By 1944, Skelton was engaged to actress Muriel Morris, who was also known as Muriel Chase; the couple had obtained a marriage license and told the press they intended to marry within a few days. At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City.", "At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City. She later recanted the story about marrying the businessman, but continued to say that her relationship with Skelton was over. The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband.", "The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband. He was on army furlough for throat discomfort when he married actress Georgia Maureen Davis in Beverly Hills, California, on March 9, 1945; the couple met on the MGM lot. Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding.", "Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding. He knew he would possibly be assigned overseas soon, and wanted the marriage to take place first. After the wedding, he entered the hospital to have his tonsils removed. The couple had two children; Valentina, a daughter, was born May 5, 1947, and a son, Richard, was born May 20, 1948. A cast of characters Skelton served in the United States Army during World War II.", "A cast of characters Skelton served in the United States Army during World War II. After being assigned to the Special Services, Skelton performed as many as 12 shows per day before troops in both the United States and in Europe. The pressure of his workload caused him to suffer exhaustion and a nervous breakdown. He had a nervous collapse while in the Army, following which he developed a stutter.", "He had a nervous collapse while in the Army, following which he developed a stutter. While recovering at an army hospital at Camp Pickett, Virginia, he met a soldier who had been severely wounded and was not expected to survive. Skelton devoted a lot of time and effort to trying to make the man laugh. As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list.", "As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list. He was released from his army duties in September 1945. \"I've been told I'm the only celebrity who entered the Army as a private and came out a private,\" he told reporters. His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945.", "His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945. Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a \"loudmouthed braggart\"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations.", "Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a \"loudmouthed braggart\"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations. By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air.", "By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air. On April 22, 1947, Skelton was censored by NBC two minutes into his radio show.", "On April 22, 1947, Skelton was censored by NBC two minutes into his radio show. When his announcer Rod O'Connor and he began talking about Fred Allen being censored the previous week, they were silenced for 15 seconds; comedian Bob Hope was given the same treatment once he began referring to the censoring of Allen. Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast.", "Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast. He had been briefly censored the previous month for the use of the word \"diaper\". After the April incidents, NBC indicated it would no longer pull the plug for similar reasons. Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs.", "Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs. His new sponsor was Procter & Gamble's Tide laundry detergent. The next year, he changed networks, going from NBC to CBS, where his radio show aired until May 1953. After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954.", "After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954. His syndicated radio program was offered as a daily show; it included segments of his older network radio programs, and new material done for the syndication. He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them.", "He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them. Television (1951–1970) Skelton was unable to work in television until the end of his 1951 MGM movie contract; a renegotiation to extend the pact provided permission after that point. On May 4, 1951, he signed a contract for television with NBC; Procter and Gamble was his sponsor. He said he would be performing the same characters on television that he had been doing on radio.", "He said he would be performing the same characters on television that he had been doing on radio. The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down.", "His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down. A 1943 instrumental hit by David Rose, called \"Holiday for Strings\", became Skelton's TV theme song.", "A 1943 instrumental hit by David Rose, called \"Holiday for Strings\", became Skelton's TV theme song. The move to television allowed him to create two nonhuman characters, seagulls Gertrude and Heathcliffe, which he performed while the pair were flying by, tucking his thumbs under his arms to represent wings and shaping his hat to look like a bird's bill. He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics.", "He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics. His \"Freddie the Freeloader\" clown was introduced on the program in 1952, with Skelton copying his father's makeup for the character. ( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.)", "( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.) A ritual was established for the end of every program, with Skelton's shy, boyish wave and words of \"Good night and may God bless.\" During the 1951–1952 season, the program was broadcast from a converted NBC radio studio.", "During the 1951–1952 season, the program was broadcast from a converted NBC radio studio. The first year of the television show was done live; this led to problems, because not enough time was available for costume changes; Skelton was on camera for most of the half hour, including the delivery of a commercial that was written into one of the show's skits. In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up.", "In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up. The script was completed, and he had the show's production crew build a set that was perpendicular to the stage, so it would give the illusion that someone was walking on walls. The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking.", "The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking. When Willie wakes up there after a night of drinking, he is misled into believing he is not lying on the floor, but on the living room wall. Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall.", "Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall. Within an hour after the broadcast, the NBC switchboard had received 350 calls regarding the show, and Skelton had received more than 2,500 letters about the skit within a week of its airing. Skelton was delivering an intense performance live each week, and the strain showed in physical illness.", "Skelton was delivering an intense performance live each week, and the strain showed in physical illness. In 1952, he was drinking heavily due to the constant physical pain of a diaphragmatic hernia and the emotional distress of marital problems. He thought about divorcing Georgia. NBC agreed to film his shows in the 1952–1953 season at Eagle Lion Studios, next to the Sam Goldwyn Studio, on Santa Monica Boulevard in Hollywood. Later, the show was moved to the new NBC television studios in Burbank.", "Later, the show was moved to the new NBC television studios in Burbank. Procter and Gamble was unhappy with the filming of the television show, and insisted that Skelton return to live broadcasts. The situation made him think about leaving television. Declining ratings prompted sponsor Procter & Gamble to cancel his show in the spring of 1953. Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing.", "Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing. Beginning with the 1953–1954 season, he switched to CBS, where he remained until 1970. For the initial move to CBS, he had no sponsor. The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol.", "The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol. He curtailed his drinking and his ratings at CBS began to improve, especially after he began appearing on Tuesday nights for co-sponsors Johnson's Wax and Pet Milk Company. By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960.", "By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960. He tried to encourage CBS to do other shows in color at the facility, but CBS mostly avoided color broadcasting after the network's television-set manufacturing division was discontinued in 1951. By 1959, Skelton was the only comedian with a weekly variety television show. Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs.", "Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs. He performed a preview show for a studio audience on Mondays, using their reactions to determine which skits required editing for the Tuesday program. For the Tuesday afternoon run-through prior to the actual show, he ignored the script for the most part, ad-libbing through it at will. The run-through was well attended by CBS Television City employees.", "The run-through was well attended by CBS Television City employees. Sometimes during live telecasts and taped programs, Skelton would break up or cause his guest stars to laugh. Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live.", "Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live. While the network told him to take as much time off as necessary, Skelton felt that unless he went back to his television show, he would be unable to be at ease and make his son's life a happy one. He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits.", "He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits. In happier times, he had frequently mentioned his children on his program, but he found it extremely difficult to do this after Richard became ill. Skelton resumed this practice only after his son asked him to do so. After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible.", "After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible. The Skeltons had an audience with Pope Pius XII on July 22, 1957. According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far.", "According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far. The Skeltons cut their travels short and returned to the United States after an encounter with an aggressive reporter in London and relentlessly negative reports in British newspapers. The Skelton family received support from CBS management and from the public following the announcement of Richard's illness.", "The Skelton family received support from CBS management and from the public following the announcement of Richard's illness. In November, Skelton fell down stairs and injured an ankle, and he nearly died after a \"cardiac-asthma\" attack on December 30, 1957. He was taken to St. John's Hospital in Santa Monica, where, his doctors said, \"if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived\".", "He was taken to St. John's Hospital in Santa Monica, where, his doctors said, \"if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived\". Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers.", "Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers. His illness and recovery kept him off the air for a full month; Skelton returned to his television show on January 28, 1958. Richard died on May 10, 1958, 10 days before his 10th birthday.", "Richard died on May 10, 1958, 10 days before his 10th birthday. Skelton was scheduled to do his weekly television show on the day his son was buried. Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead.", "Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead. His friends in the television, film and music industries organized The Friends Of Red Skelton Variety Show, which they performed to replace The Red Skelton Show for that week; by May 27, 1958, Skelton had returned to his program. Richard‘s death had a profound effect on the family.", "Richard‘s death had a profound effect on the family. Life magazine, profiling \"The Invincible Red\" on April 21, 1961, observed that Skelton was still \"racked [sic]\" by his son’s death. In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping.", "In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping. The Red Skelton Hour In early 1960, Skelton purchased the old Charlie Chaplin Studios and updated it for videotape recording. With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color.", "With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color. Even with his color facilities, CBS discontinued color broadcasts on a regular basis and Skelton shortly thereafter sold the studio to CBS and the mobile unit to local station KTLA. Prior to this, he had been filming at Desilu Productions. Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network.", "Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network. In the fall of 1962, CBS expanded his program to a full hour, retitling it The Red Skelton Hour. Although it was a staple of his radio programs, he did not perform his \"Junior\" character on television until 1962, after extending the length of his program.", "Although it was a staple of his radio programs, he did not perform his \"Junior\" character on television until 1962, after extending the length of his program. Skelton frequently employed the art of pantomime for his characters; a segment of his weekly program was called the \"Silent Spot\". He attributed his liking for pantomime and for using few props to the early days when he did not want to have a lot of luggage. He explained that having the right hat was the key to getting into character.", "He explained that having the right hat was the key to getting into character. Skelton's season premiere for the 1960–1961 television season was a tribute to the United Nations. About 600 people from the organization, including diplomats, were invited to be part of the audience for the show. The program was entirely done in pantomime, as UN representatives from 39 nations were in the studio audience. One of the sketches he performed for the UN was that of the old man watching the parade.", "One of the sketches he performed for the UN was that of the old man watching the parade. The sketch had its origins in a question Skelton's son, Richard, asked his father about what happens when people die. He told his son, \"They join a parade and start marching.\" In 1965, Skelton did another show completely in pantomime. This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio.", "This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio. The only person who spoke during the hour was Maurice Chevalier, who served as the show's narrator. In 1969, Skelton wrote and performed a monologue about the Pledge of Allegiance. In the speech, he commented on the meaning of each phrase of the pledge. He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech.", "He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech. The teacher had grown tired of hearing his students monotonously recite the pledge each morning; he then demonstrated to them how it should be recited, along with comments about the meaning behind each phrase. CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records.", "CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records. A year later, he performed the monologue for President Richard Nixon at the first \"Evening at the White House\", a series of entertainment events honoring the recently inaugurated president. Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs.", "Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs. Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan.", "Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan. Performing in Las Vegas when he got the news of his CBS cancellation, Skelton said, \"My heart has been broken.\" His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television.", "His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television. Skelton moved to NBC in 1970 in a half-hour Monday-night version of his former show. Its cancellation after one season ended his television career, and he returned to live performances. In an effort to prove the networks wrong, he gave many of these at colleges and proved popular with the audiences. Skelton was bitter about CBS's cancellation for many years afterwards.", "Skelton was bitter about CBS's cancellation for many years afterwards. Believing the demographic and salary issues to be irrelevant, he accused CBS of bowing to the antiestablishment, antiwar faction at the height of the Vietnam War, saying his conservative political and social views caused the network to turn against him. He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program.", "He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program. Personal, as well as professional, changes occurred in Skelton's life at this time. He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973.", "He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973. While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program.", "While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program. (Johnny Carson, one of his former writers, began his rise to network television prominence when he substituted for Skelton after a dress rehearsal injury in 1954.) Skelton was also a guest on The Merv Griffin Show in October of the same year.", "Skelton was also a guest on The Merv Griffin Show in October of the same year. Hopes he may have had that he could ease back into television through the talk-show circuit were ended on May 10, 1976, when Georgia Skelton committed suicide by gunshot on the 18th anniversary of Richard Skelton's death. Georgia was 54 and had been in poor health for some time. He put all professional activities on hold for some months as he mourned his former wife's death.", "He put all professional activities on hold for some months as he mourned his former wife's death. Skelton made plans in 1977 to sell the rights to his old television programs as part of a package that would bring him back to regular television appearances. The package called for him to produce one new television show for every three older episodes; this did not materialize.", "The package called for him to produce one new television show for every three older episodes; this did not materialize. In 1980, he was taken to court by 13 of his former writers over a report that his will called for the destruction of recordings of all his old television shows upon his death. Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context.", "Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context. He said at the time, \"Would you burn the only monument you've built in over 20 years?\" As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime.", "As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime. In 1983, Group W announced that it had come to terms with him for the rights to rebroadcast some of his original television programs from 1966 through 1970; some of his earlier shows were made available after Skelton's death. Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer.", "Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer. He retained a fondness for theaters, and referred to them as \"palaces\"; he also likened them to his \"living room\", where he would privately entertain guests. At the end of a performance, he would look at the empty stage where there was now no laughter or applause and tell himself, \"Tomorrow I must start again. One hour ago, I was a big man. I was important out there.", "I was important out there. I was important out there. Now it's empty. It's all gone.\" Skelton was invited to play a four-week date at the London Palladium in July 1951. While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children.", "While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children. The plane lost the use of two of its four engines and seemed destined to lose the rest, meaning that the plane would crash over Mont Blanc. The priest readied himself to administer last rites. As he did so, he told Skelton, \"You take care of your department, Red, and I'll take care of mine.\"", "As he did so, he told Skelton, \"You take care of your department, Red, and I'll take care of mine.\" Skelton diverted the attention of the passengers with pantomimes while Father Carney prayed. They ultimately landed at a small airstrip in Lyon, France. He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year.", "He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year. Though Skelton had always done live engagements at Nevada hotels and appearances such as state fairs during his television show's hiatus, he focused his time and energy on live performances after he was no longer on the air, performing up to 125 dates a year. He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls.", "He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls. Before the show, his audiences received a ballot listing about 100 of his many routines and were asked to tick off their favorites. The venue's ushers would collect the ballots and tally the votes. Skelton's performance on that given day was based on the skits his audience selected.", "Skelton's performance on that given day was based on the skits his audience selected. After he learned that his performances were popular with the hearing-impaired because of his heavy use of pantomimes, Skelton hired a sign language interpreter to translate the non-pantomime portions of his act for all his shows. He continued performing live until 1993, when he celebrated his 80th birthday.", "He continued performing live until 1993, when he celebrated his 80th birthday. Later years and death In 1974, Skelton's interest in film work was rekindled with the news that Neil Simon's comedy The Sunshine Boys would become a movie; his last significant film appearance had been in Public Pigeon No. 1 in 1956. He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis.", "He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis. Although Simon had planned to cast Jack Albertson, who played Willy on Broadway, in the same role for the film, Skelton's screen test impressed him enough to change his mind. Skelton declined the part, however, reportedly due to an inadequate financial offer, and Benny's final illness forced him to withdraw, as well. George Burns and Walter Matthau ultimately starred in the film.", "George Burns and Walter Matthau ultimately starred in the film. In 1981, Skelton made several specials for HBO, including Freddie the Freeloader's Christmas Dinner (1981) and the Funny Faces series of specials. He gave a Royal Command Performance for the Royal Society for the Protection of Birds in 1984, which was later shown in the U.S. on HBO. A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime.", "A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime. Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as \"a long, undisclosed illness\".", "Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as \"a long, undisclosed illness\". He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California.", "He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California. Skelton was survived by his widow, Lothian Toland Skelton; his daughter, Valentina Marie Skelton Alonso; and granddaughter Sabrina Maureen Alonso. Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years.", "Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years. He said he was inspired to try his hand at painting after visiting a large Chicago department store that had various paintings on display. Inquiring as to the price of one, which Skelton described as \"a bunch of blotches\", he was told, \"Ten thousand wouldn't buy that one.\"", "Inquiring as to the price of one, which Skelton described as \"a bunch of blotches\", he was told, \"Ten thousand wouldn't buy that one.\" He told the clerk he was one of the ten thousand who would not buy the painting, instead buying his own art materials. His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time.", "His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time. Skelton believed painting was an asset to his comedy work, as it helped him to better visualize the imaginary props used in his pantomime routines. In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business.", "In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business. He made his work available to art galleries by selling them franchises to display and sell his paintings. He once estimated the sale of his lithographs earned him $2.5 million per year. Shortly after his death, his art dealer said he believed that Skelton made more money on his paintings than from his television work. At the time of his death, Skelton had produced over 1,000 oil paintings of clowns.", "At the time of his death, Skelton had produced over 1,000 oil paintings of clowns. When asked why his artwork focused on clowns, he said at first, \"I don't know why it's always clowns.\" He continued after thinking a moment by saying \"No, that's not true—I do know why. I just don't feel like thinking about it ...\" At the time of Skelton's death, his originals were priced at $80,000 and upward.", "I just don't feel like thinking about it ...\" At the time of Skelton's death, his originals were priced at $80,000 and upward. Other interests Skelton was a prolific writer of both short stories and music. After sleeping only four or five hours a night, he would wake up at 5 am and begin writing stories, composing music, and painting pictures. He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death.", "He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death. He wrote commercials for Skoal tobacco and sold many of his compositions to Muzak, a company that specialized in providing background music to stores and other businesses. Skelton was also interested in photography; when attending Hollywood parties, he would take photos and give the film to newspaper reporters waiting outside. He was never without a miniature camera, and kept a photographic record of all his paintings.", "He was never without a miniature camera, and kept a photographic record of all his paintings. Skelton was also an avid gardener, who created his own Japanese and Italian gardens and cultivated bonsai trees at his home in Palm Springs. He owned a horse ranch in the Anza Valley. Fraternity and honors Skelton was a Freemason, a member of Vincennes Lodge No. 1, in Indiana. He also was a member of both the Scottish and the York Rites.", "He also was a member of both the Scottish and the York Rites. He was a recipient of the Gold Medal of the General Grand Chapter, Royal Arch Masons, for Distinguished Service in the Arts and Sciences. On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995.", "On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995. Skelton became interested in Masonry as a small boy selling newspapers in Vincennes, when a man bought a paper from him with a $5 bill and told him to keep the change. The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give.", "The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give. Skelton decided to become one also when he was grown. He was also member of the Independent Order of Odd Fellows, as well as a Shriner in Los Angeles. Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University.", "Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University. In 1961, he became an honorary brother of the Phi Alpha Tau Fraternity of Emerson College, when he was awarded the Joseph E. Connor Award for excellence in the field of communications. He also received an honorary degree from the college at the same ceremony. Skelton received an honorary high-school diploma from Vincennes High School.", "Skelton received an honorary high-school diploma from Vincennes High School. He was also an honorary member of Kappa Kappa Psi National Honorary Band Fraternity; Skelton had composed many marches, which were used by more than 10,000 high-school and college bands. In 1986, Skelton received an honorary degree from Ball State University. The Red Skelton Memorial Bridge spans the Wabash River and provides the highway link between Illinois and Indiana on U.S. Route 50, near Skelton's home town of Vincennes. He attended the dedication ceremonies in 1963.", "He attended the dedication ceremonies in 1963. He attended the dedication ceremonies in 1963. Awards and recognition In 1952, Skelton received Emmy Awards for Best Comedy Program and Best Comedian. He also received an Emmy nomination in 1957 for his noncomedic performance in Playhouse 90's presentation of \"The Big Slide\". Skelton and his writers won another Emmy in 1961 for Outstanding Writing Achievement in Comedy. He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969.", "He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969. Skelton's first major post-television recognition came in 1978, when the Golden Globe Awards named him as the recipient for their Cecil B. DeMille Award, which is given to honor outstanding contributions in entertainment. His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette.", "His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette. When he was presented with the Academy of Television Arts & Sciences' Governor's Award in 1986, Skelton received a standing ovation. \"I want to thank you for sitting down\", he said when the ovation subsided. \"I thought you were pulling a CBS and walking out on me.\" The honor came 16 years after his television program left the airwaves.", "The honor came 16 years after his television program left the airwaves. Skelton received a Lifetime Achievement Award from the Screen Actors Guild in 1987, and in 1988, he was inducted into the Academy of Television Arts & Sciences' Television Hall of Fame. He was one of the International Clown Hall of Fame's first inductees in 1989. Skelton and Katharine Hepburn were honored with lifetime achievement awards by the American Comedy Awards in the same year. He was inducted into the National Radio Hall of Fame in 1994.", "He was inducted into the National Radio Hall of Fame in 1994. Skelton also has two stars on the Hollywood Walk of Fame for his radio and television work. Legacy and tributes Skelton preferred to be described as a clown rather than a comic: \"A comedian goes out and hits people right on. A clown uses pathos. He can be funny, then turn right around and reach people and touch them with what life is like.\"", "He can be funny, then turn right around and reach people and touch them with what life is like.\" \"I just want to be known as a clown\", he said, \"because to me that's the height of my profession. It means you can do everything—sing, dance and above all, make people laugh.\" His purpose in life, he believed, was to make people laugh.", "His purpose in life, he believed, was to make people laugh. In Groucho and Me, Groucho Marx called Skelton \"the most unacclaimed clown in show business\", and \"the logical successor to [Charlie] Chaplin\", largely because of his ability to play a multitude of characters with minimal use of dialogue and props.", "In Groucho and Me, Groucho Marx called Skelton \"the most unacclaimed clown in show business\", and \"the logical successor to [Charlie] Chaplin\", largely because of his ability to play a multitude of characters with minimal use of dialogue and props. \"With one prop, a soft battered hat\", Groucho wrote, describing a performance he had witnessed, \"he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy.", "\"With one prop, a soft battered hat\", Groucho wrote, describing a performance he had witnessed, \"he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy. No grotesque make-up, no funny clothes, just Red.\" He added that Skelton also \"plays a dramatic scene about as effectively as any of the dramatic actors.\"", "He added that Skelton also \"plays a dramatic scene about as effectively as any of the dramatic actors.\" In late 1965, ventriloquist Edgar Bergen, reminiscing about the entertainment business, singled out Skelton for high praise. \"It's all so very different today. The whole business of comedy has changed — from 15 minutes of quality to quantity. We had a lot of very funny people around, from Charley Chase to Charlie Chaplin and Laurel and Hardy. The last one of that breed is Red Skelton.\"", "The last one of that breed is Red Skelton.\" Harry Cohn of Columbia Pictures also praised Skelton, saying, \"He's a clown in the old tradition. He doesn't need punch lines. He's got heart.\" Skelton and Marcel Marceau shared a long friendship and admiration of each other's work. Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery.", "Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery. He was also a guest on the three Funny Faces specials that Skelton produced for HBO. In a TV Guide interview after Skelton's death, Marceau said, \"Red, you are eternal for me and the millions of people you made laugh and cry. May God bless you forever, my great and precious companion. I will never forget that silent world we created together.\"", "I will never forget that silent world we created together.\" CBS issued the following statement upon his death: \"Red's audience had no age limits. He was the consummate family entertainer—a winsome clown, a storyteller without peer, a superb mime, a singer, and a dancer.\" The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born.", "The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born. The building includes an 850-seat theater, classrooms, rehearsal rooms, and dressing rooms. Its grand foyer is a gallery for Skelton's paintings, statues, and film posters. The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions.", "The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions. The adjacent Red Skelton Museum of American Comedy opened on July 18, 2013, on what would have been Skelton's 100th birthday. It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment.", "It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment. Skelton's widow, Lothian, noted that he expressed no interest in any sort of Hollywood memorial. The museum is funded jointly by the Red Skelton Museum Foundation and the Indiana Historical Society. Other foundation projects include a fund that provides new clothes to Vincennes children from low-income families. The foundation also purchased Skelton's birthplace.", "The foundation also purchased Skelton's birthplace. The foundation also purchased Skelton's birthplace. On July 15, 2017, the state of Indiana unveiled a state historic marker at the home in Vincennes where Skelton was born. The town of Vincennes has held an annual Red Skelton Festival since 2005. A \"Parade of a Thousand Clowns\", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances.", "A \"Parade of a Thousand Clowns\", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances. In 2006, Travis Tarrants purchased the historic Vincennes Pantheon Theatre, where Skelton performed during his youth. He established a nonprofit organization with the hope of restoring the theatre to its 1921 state. Tarrants was able to raise close to $300,000 for the restoration. Two years later, donations for the project plummeted.", "Two years later, donations for the project plummeted. Two years later, donations for the project plummeted. Tarrants lost the theatre to unpaid back taxes in 2012, and the new owner was realtor Heath Klein. In late 2014, Klein sold the theatre property to a Vincennes nonprofit group, INVin. The organization works to bring arts and arts-related businesses into downtown Vincennes. In March 2016, the group proposed to turn the theatre into shared workspace.", "In March 2016, the group proposed to turn the theatre into shared workspace. Filmography Features Short subjects Box-office ranking Based on rankings of the amount of money earned in box-office receipts for film showings, for a number of years Skelton was among the most popular stars in the country: 1944 – 16th largest box office draw 1949 – 13th 1951 – 14th 1952 – 21st Published works Notes References Sources cited External links Red Skelton Biography Red Skelton Foundation Red Skelton Museum and Education Center Red Skelton Performing Arts Center at Vincennes University Edna and Red Skelton Collection at the Indiana Historical Society RED-EO Video Production Company, article and photo, The Broadcast Archive List of Red Skelton TV Episodes 1951–1971, The Classic TV Archive Literature on Red Skelton Red Skelton at the Internet Archive \"Edna Stillwell and the 'Real Making of Red'”, Indiana Historical Bureau 1913 births 1997 deaths 20th-century American comedians 20th-century American composers 20th-century American male actors 20th-century American male musicians 20th-century American painters Red Skelton Red Skelton Red Skelton American burlesque performers American clowns American male comedians American male composers American male film actors American male painters American male radio actors American male television actors American radio personalities Television personalities from California Burials at Forest Lawn Memorial Park (Glendale) California Republicans Red Skelton Cecil B. DeMille Award Golden Globe winners Comedians from California Conservatism in the United States Indiana Historical Society Indiana Republicans Deaths from pneumonia in California Male actors from Indiana Male actors from Palm Springs, California Metro-Goldwyn-Mayer contract players Red Skelton Painters from Indiana Painters from California People from Vincennes, Indiana Primetime Emmy Award winners Screen Actors Guild Life Achievement Award United States Army personnel of World War II United States Army soldiers Vaudeville performers" ]
[ "Red Skelton", "Radio, divorce and remarriage (1937-1951)", "Was Red on radio", "A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients." ]
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Did he do ads on radio or shows?
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Did Red Skelton do ads on radio or shows?
Red Skelton
Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER
Skelton went on the air with his own radio show, The Raleigh Cigarette Program,
Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show. He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934. The "Doughnut Dunkers" pantomime sketch, which he wrote together with his wife, launched a career for him in vaudeville, radio, and films. His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938. He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957. Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953). Skelton was eager to work in television, even when the medium was in its infancy. The Red Skelton Show made its television premiere on September 30, 1951, on NBC. By 1954, Skelton's program moved to CBS, where it was expanded to one hour and renamed The Red Skelton Hour in 1962. Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power. Skelton moved his program to NBC, where he completed his last year with a regularly scheduled television show in 1971. He spent his time after that making as many as 125 personal appearances a year and working on his paintings. Skelton's paintings of clowns remained a hobby until 1964, when his wife Georgia persuaded him to show them at the Sands Hotel in Las Vegas while he was performing there. Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales. At the time of his death, his art dealer said he thought that Skelton had earned more money through his paintings than from his television performances. Skelton believed that his life's work was to make people laugh; he wanted to be known as a clown because he defined it as being able to do everything. He had a 70-year-long career as a performer and entertained three generations of Americans. His widow donated many of his personal and professional effects to Vincennes University, including prints of his artwork. They are part of the Red Skelton Museum of American Comedy at Vincennes, Indiana. Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana. In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really "Red" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was "Red". Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton. He had three older brothers: Denny Ishmael Skelton (1905-1943), Christopher M. Skelton (1907-1977) and Paul Fred Skelton (1910-1989). Joseph Skelton, a grocer, died two months before Richard was born; he had once been a clown with the Hagenbeck-Wallace Circus. His birth certificate surname was that of his father's stepfather. During Skelton's lifetime there was some dispute about the year of his birth. Author Wesley Hyatt suggests that since he began working at such an early age, Skelton may have claimed he was older than he actually was in order to gain employment. Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future. Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home. He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him. According to later accounts, Skelton's early interest in becoming an entertainer stemmed from an incident that took place in Vincennes around 1923, when a stranger, supposedly the comedian Ed Wynn, approached Skelton, who was the newsboy selling papers outside a Vincennes theater. When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town. The man purchased every paper Skelton had, providing enough money for the boy to purchase a ticket for himself. The stranger turned out to be one of the show's stars, who later took the boy backstage to introduce him to the other performers. The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer. Skelton discovered at an early age that he could make people laugh. Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers. He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end. Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead. In another incident, while performing in Uncle Tom's Cabin, Skelton was on an unseen treadmill; when it malfunctioned and began working in reverse, the frightened young actor called out, "Help! I'm backing into heaven!" He was fired before completing a week's work in the role. At the age of 15, Skelton did some early work on the burlesque circuit, and reportedly spent four months with the Hagenbeck-Wallace Circus in 1929, when he was 16 years old. Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but "his destiny had caught up with him at an early age". She let him go with her blessing. Times were tough during the Great Depression, and it may have meant one less child for her to feed. Around 1929, while Skelton was still a teen, he joined "Doc" R.E. Lewis's traveling medicine show as an errand boy who sold bottles of medicine to the audience. During one show, when Skelton accidentally fell from the stage, breaking several bottles of medicine as he fell, people laughed. Both Lewis and Skelton realized one could earn a living with this ability and the fall was worked into the show. He also told jokes and sang in the medicine show during his four years there. Skelton earned ten dollars a week, and sent all of it home to his mother. When she worried that he was keeping nothing for his own needs, Skelton reassured her: "We get plenty to eat, and we sleep in the wagon." Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on. He insisted that he was no prude; "I just didn't think the lines were funny". He became a sought-after master of ceremonies for dance marathons (known as "walkathons" at the time), a popular fad in the 1930s. The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater. She approached Skelton after winning the contest and told him that she did not like his jokes; he asked if she could do better. They married in 1931 in Kansas City, and Edna began writing his material. At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16. When they learned that Skelton's salary was to be cut, Edna went to see the boss; he resented the interference, until she came away with not only a raise, but additional considerations as well. Since he had left school at an early age, his wife bought textbooks and taught him what he had missed. With Edna's help, Skelton received a high school equivalency degree. The couple put together an act and began booking it at small midwestern theaters. When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City. To get to Massachusetts they bought a used car and borrowed five dollars from Edna's mother, but by the time they arrived in St. Louis they had only fifty cents. Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked. He then spent their fifty cents on bars of soap, which they cut into small cubes and wrapped with the tinfoil from the cigarette packs. By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port. "Doughnut Dunkers" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Film work Skelton's first contact with Hollywood came in the form of a failed 1932 screen test. In 1938, he made his film debut for RKO Pictures in the supporting role of a camp counselor in Having Wonderful Time. He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo. Actor Mickey Rooney contacted Skelton, urging him to try for work in films after seeing him perform his "Doughnut Dunkers" act at President Roosevelt's 1940 birthday party. For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as "Guzzler's Gin", but added some impromptu pantomimes as the cameras were rolling. "Imitation of Movie Heroes Dying" were Skelton's impressions of the cinema deaths of stars such as George Raft, Edward G. Robinson, and James Cagney. Skelton appeared in numerous films for MGM throughout the 1940s. In 1940, he provided comic relief as a lieutenant in Frank Borzage's war drama Flight Command, opposite Robert Taylor, Ruth Hussey, and Walter Pidgeon. In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare. Skelton was soon starring in comedy features as inept radio detective "The Fox", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director. He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943). In 1941, Skelton began appearing in musical comedies, starring opposite Eleanor Powell, Ann Sothern, and Robert Young in Norman Z. McLeod's Lady Be Good. In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie. In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It. The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming. Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick. Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects. Keaton offered to forgo his salary if the films made by the company were not box-office hits; Mayer chose to decline the request. In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties. He next had a relatively minor role as a "TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor" in the "When Television Comes" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles. In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off. Skelton's contract called for MGM's approval prior to his radio shows and other appearances. When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental. At the time, the major work in the medium was centered in New York; Skelton had worked there for some time, and was able to determine that he would find success with his physical comedy through the medium. By 1947, Skelton's work interests were focused not on films, but on radio and television. His MGM contract was rigid enough to require the studio's written consent for his weekly radio shows, as well as any benefit or similar appearances he made; radio offered fewer restrictions, more creative control, and a higher salary. Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract. He also voiced frustration with the film scripts he was offered while on the set of The Fuller Brush Man, saying, "Movies are not my field. Radio and television are." He did not receive the desired television clause nor a release from his MGM contract. In 1948, columnist Sheilah Graham printed that Skelton's wishes were to make only one film a year, spending the rest of the time traveling the U.S. with his radio show. Skelton's ability to successfully ad lib often meant that the way the script was written was not always the way it was recorded on film. Some directors were delighted with the creativity, but others were often frustrated by it. S. Sylvan Simon, who became a close friend, allowed Skelton free rein when directing him. MGM became annoyed with Simon during the filming of The Fuller Brush Man, as the studio contended that Skelton should have been playing romantic leads instead of performing slapstick. Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits. Skelton was willing to negotiate with MGM to extend the agreement provided he would receive the right to pursue television. This time, the studio was willing to grant it, making Skelton the only major MGM personality with the privilege. The 1950 negotiations allowed him to begin working in television beginning September 30, 1951. During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films. He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No. 1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!. In a 1956 interview, he said he would never work simultaneously in all three media again. As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965). Radio, divorce, and remarriage (1937–1951) Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent-show segment, and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio-show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles-area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. "I dood it!" Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem. The second character, the Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do. "Junior" would say things like, "If I dood it, I gets a whipping.", followed moments later by the statement, "I dood it!" Skelton performed the character at home with Edna, giving him the nickname "Junior" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play "Junior" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber "We Dood It!" In 1986, Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928. Originally called "Mellow Cigars", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine "Guzzler's Gin", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's audience was treated to a post-program performance. He then performed his "Guzzler's Gin" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats. Divorce from Edna, marriage to Georgia In 1942, Edna announced that she was leaving Skelton, but would continue to manage his career and write material for him. He did not realize she was serious until Edna issued a statement about the impending divorce through NBC. They were divorced in 1943, leaving the courtroom arm in arm. The couple did not discuss the reasons for their divorce, and Edna initially prepared to work as a script writer for other radio programs. When the divorce was finalized, she went to New York, leaving her former husband three fully prepared show scripts. Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity. Edna remained the manager of the couple's funds because Skelton spent money too easily. An attempt at managing his own checking account that began with a $5,000 balance, ended five days later after a call to Edna saying the account was overdrawn. Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets. She remained an advisor on his career until 1952, receiving a generous weekly salary for life for her efforts. The divorce meant that Skelton had lost his married man's deferment; he was once again classified as 1-A for service. He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail. His last Raleigh radio show was on June 6, 1944, the day before he was formally inducted as a private; he was not assigned to Special Services at that time. Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet. By 1944, Skelton was engaged to actress Muriel Morris, who was also known as Muriel Chase; the couple had obtained a marriage license and told the press they intended to marry within a few days. At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City. She later recanted the story about marrying the businessman, but continued to say that her relationship with Skelton was over. The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband. He was on army furlough for throat discomfort when he married actress Georgia Maureen Davis in Beverly Hills, California, on March 9, 1945; the couple met on the MGM lot. Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding. He knew he would possibly be assigned overseas soon, and wanted the marriage to take place first. After the wedding, he entered the hospital to have his tonsils removed. The couple had two children; Valentina, a daughter, was born May 5, 1947, and a son, Richard, was born May 20, 1948. A cast of characters Skelton served in the United States Army during World War II. After being assigned to the Special Services, Skelton performed as many as 12 shows per day before troops in both the United States and in Europe. The pressure of his workload caused him to suffer exhaustion and a nervous breakdown. He had a nervous collapse while in the Army, following which he developed a stutter. While recovering at an army hospital at Camp Pickett, Virginia, he met a soldier who had been severely wounded and was not expected to survive. Skelton devoted a lot of time and effort to trying to make the man laugh. As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list. He was released from his army duties in September 1945. "I've been told I'm the only celebrity who entered the Army as a private and came out a private," he told reporters. His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945. Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a "loudmouthed braggart"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations. By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air. On April 22, 1947, Skelton was censored by NBC two minutes into his radio show. When his announcer Rod O'Connor and he began talking about Fred Allen being censored the previous week, they were silenced for 15 seconds; comedian Bob Hope was given the same treatment once he began referring to the censoring of Allen. Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast. He had been briefly censored the previous month for the use of the word "diaper". After the April incidents, NBC indicated it would no longer pull the plug for similar reasons. Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs. His new sponsor was Procter & Gamble's Tide laundry detergent. The next year, he changed networks, going from NBC to CBS, where his radio show aired until May 1953. After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954. His syndicated radio program was offered as a daily show; it included segments of his older network radio programs, and new material done for the syndication. He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them. Television (1951–1970) Skelton was unable to work in television until the end of his 1951 MGM movie contract; a renegotiation to extend the pact provided permission after that point. On May 4, 1951, he signed a contract for television with NBC; Procter and Gamble was his sponsor. He said he would be performing the same characters on television that he had been doing on radio. The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down. A 1943 instrumental hit by David Rose, called "Holiday for Strings", became Skelton's TV theme song. The move to television allowed him to create two nonhuman characters, seagulls Gertrude and Heathcliffe, which he performed while the pair were flying by, tucking his thumbs under his arms to represent wings and shaping his hat to look like a bird's bill. He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics. His "Freddie the Freeloader" clown was introduced on the program in 1952, with Skelton copying his father's makeup for the character. ( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.) A ritual was established for the end of every program, with Skelton's shy, boyish wave and words of "Good night and may God bless." During the 1951–1952 season, the program was broadcast from a converted NBC radio studio. The first year of the television show was done live; this led to problems, because not enough time was available for costume changes; Skelton was on camera for most of the half hour, including the delivery of a commercial that was written into one of the show's skits. In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up. The script was completed, and he had the show's production crew build a set that was perpendicular to the stage, so it would give the illusion that someone was walking on walls. The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking. When Willie wakes up there after a night of drinking, he is misled into believing he is not lying on the floor, but on the living room wall. Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall. Within an hour after the broadcast, the NBC switchboard had received 350 calls regarding the show, and Skelton had received more than 2,500 letters about the skit within a week of its airing. Skelton was delivering an intense performance live each week, and the strain showed in physical illness. In 1952, he was drinking heavily due to the constant physical pain of a diaphragmatic hernia and the emotional distress of marital problems. He thought about divorcing Georgia. NBC agreed to film his shows in the 1952–1953 season at Eagle Lion Studios, next to the Sam Goldwyn Studio, on Santa Monica Boulevard in Hollywood. Later, the show was moved to the new NBC television studios in Burbank. Procter and Gamble was unhappy with the filming of the television show, and insisted that Skelton return to live broadcasts. The situation made him think about leaving television. Declining ratings prompted sponsor Procter & Gamble to cancel his show in the spring of 1953. Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing. Beginning with the 1953–1954 season, he switched to CBS, where he remained until 1970. For the initial move to CBS, he had no sponsor. The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol. He curtailed his drinking and his ratings at CBS began to improve, especially after he began appearing on Tuesday nights for co-sponsors Johnson's Wax and Pet Milk Company. By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960. He tried to encourage CBS to do other shows in color at the facility, but CBS mostly avoided color broadcasting after the network's television-set manufacturing division was discontinued in 1951. By 1959, Skelton was the only comedian with a weekly variety television show. Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs. He performed a preview show for a studio audience on Mondays, using their reactions to determine which skits required editing for the Tuesday program. For the Tuesday afternoon run-through prior to the actual show, he ignored the script for the most part, ad-libbing through it at will. The run-through was well attended by CBS Television City employees. Sometimes during live telecasts and taped programs, Skelton would break up or cause his guest stars to laugh. Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live. While the network told him to take as much time off as necessary, Skelton felt that unless he went back to his television show, he would be unable to be at ease and make his son's life a happy one. He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits. In happier times, he had frequently mentioned his children on his program, but he found it extremely difficult to do this after Richard became ill. Skelton resumed this practice only after his son asked him to do so. After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible. The Skeltons had an audience with Pope Pius XII on July 22, 1957. According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far. The Skeltons cut their travels short and returned to the United States after an encounter with an aggressive reporter in London and relentlessly negative reports in British newspapers. The Skelton family received support from CBS management and from the public following the announcement of Richard's illness. In November, Skelton fell down stairs and injured an ankle, and he nearly died after a "cardiac-asthma" attack on December 30, 1957. He was taken to St. John's Hospital in Santa Monica, where, his doctors said, "if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived". Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers. His illness and recovery kept him off the air for a full month; Skelton returned to his television show on January 28, 1958. Richard died on May 10, 1958, 10 days before his 10th birthday. Skelton was scheduled to do his weekly television show on the day his son was buried. Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead. His friends in the television, film and music industries organized The Friends Of Red Skelton Variety Show, which they performed to replace The Red Skelton Show for that week; by May 27, 1958, Skelton had returned to his program. Richard‘s death had a profound effect on the family. Life magazine, profiling "The Invincible Red" on April 21, 1961, observed that Skelton was still "racked [sic]" by his son’s death. In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping. The Red Skelton Hour In early 1960, Skelton purchased the old Charlie Chaplin Studios and updated it for videotape recording. With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color. Even with his color facilities, CBS discontinued color broadcasts on a regular basis and Skelton shortly thereafter sold the studio to CBS and the mobile unit to local station KTLA. Prior to this, he had been filming at Desilu Productions. Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network. In the fall of 1962, CBS expanded his program to a full hour, retitling it The Red Skelton Hour. Although it was a staple of his radio programs, he did not perform his "Junior" character on television until 1962, after extending the length of his program. Skelton frequently employed the art of pantomime for his characters; a segment of his weekly program was called the "Silent Spot". He attributed his liking for pantomime and for using few props to the early days when he did not want to have a lot of luggage. He explained that having the right hat was the key to getting into character. Skelton's season premiere for the 1960–1961 television season was a tribute to the United Nations. About 600 people from the organization, including diplomats, were invited to be part of the audience for the show. The program was entirely done in pantomime, as UN representatives from 39 nations were in the studio audience. One of the sketches he performed for the UN was that of the old man watching the parade. The sketch had its origins in a question Skelton's son, Richard, asked his father about what happens when people die. He told his son, "They join a parade and start marching." In 1965, Skelton did another show completely in pantomime. This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio. The only person who spoke during the hour was Maurice Chevalier, who served as the show's narrator. In 1969, Skelton wrote and performed a monologue about the Pledge of Allegiance. In the speech, he commented on the meaning of each phrase of the pledge. He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech. The teacher had grown tired of hearing his students monotonously recite the pledge each morning; he then demonstrated to them how it should be recited, along with comments about the meaning behind each phrase. CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records. A year later, he performed the monologue for President Richard Nixon at the first "Evening at the White House", a series of entertainment events honoring the recently inaugurated president. Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs. Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan. Performing in Las Vegas when he got the news of his CBS cancellation, Skelton said, "My heart has been broken." His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television. Skelton moved to NBC in 1970 in a half-hour Monday-night version of his former show. Its cancellation after one season ended his television career, and he returned to live performances. In an effort to prove the networks wrong, he gave many of these at colleges and proved popular with the audiences. Skelton was bitter about CBS's cancellation for many years afterwards. Believing the demographic and salary issues to be irrelevant, he accused CBS of bowing to the antiestablishment, antiwar faction at the height of the Vietnam War, saying his conservative political and social views caused the network to turn against him. He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program. Personal, as well as professional, changes occurred in Skelton's life at this time. He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973. While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program. (Johnny Carson, one of his former writers, began his rise to network television prominence when he substituted for Skelton after a dress rehearsal injury in 1954.) Skelton was also a guest on The Merv Griffin Show in October of the same year. Hopes he may have had that he could ease back into television through the talk-show circuit were ended on May 10, 1976, when Georgia Skelton committed suicide by gunshot on the 18th anniversary of Richard Skelton's death. Georgia was 54 and had been in poor health for some time. He put all professional activities on hold for some months as he mourned his former wife's death. Skelton made plans in 1977 to sell the rights to his old television programs as part of a package that would bring him back to regular television appearances. The package called for him to produce one new television show for every three older episodes; this did not materialize. In 1980, he was taken to court by 13 of his former writers over a report that his will called for the destruction of recordings of all his old television shows upon his death. Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context. He said at the time, "Would you burn the only monument you've built in over 20 years?" As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime. In 1983, Group W announced that it had come to terms with him for the rights to rebroadcast some of his original television programs from 1966 through 1970; some of his earlier shows were made available after Skelton's death. Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer. He retained a fondness for theaters, and referred to them as "palaces"; he also likened them to his "living room", where he would privately entertain guests. At the end of a performance, he would look at the empty stage where there was now no laughter or applause and tell himself, "Tomorrow I must start again. One hour ago, I was a big man. I was important out there. Now it's empty. It's all gone." Skelton was invited to play a four-week date at the London Palladium in July 1951. While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children. The plane lost the use of two of its four engines and seemed destined to lose the rest, meaning that the plane would crash over Mont Blanc. The priest readied himself to administer last rites. As he did so, he told Skelton, "You take care of your department, Red, and I'll take care of mine." Skelton diverted the attention of the passengers with pantomimes while Father Carney prayed. They ultimately landed at a small airstrip in Lyon, France. He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year. Though Skelton had always done live engagements at Nevada hotels and appearances such as state fairs during his television show's hiatus, he focused his time and energy on live performances after he was no longer on the air, performing up to 125 dates a year. He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls. Before the show, his audiences received a ballot listing about 100 of his many routines and were asked to tick off their favorites. The venue's ushers would collect the ballots and tally the votes. Skelton's performance on that given day was based on the skits his audience selected. After he learned that his performances were popular with the hearing-impaired because of his heavy use of pantomimes, Skelton hired a sign language interpreter to translate the non-pantomime portions of his act for all his shows. He continued performing live until 1993, when he celebrated his 80th birthday. Later years and death In 1974, Skelton's interest in film work was rekindled with the news that Neil Simon's comedy The Sunshine Boys would become a movie; his last significant film appearance had been in Public Pigeon No. 1 in 1956. He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis. Although Simon had planned to cast Jack Albertson, who played Willy on Broadway, in the same role for the film, Skelton's screen test impressed him enough to change his mind. Skelton declined the part, however, reportedly due to an inadequate financial offer, and Benny's final illness forced him to withdraw, as well. George Burns and Walter Matthau ultimately starred in the film. In 1981, Skelton made several specials for HBO, including Freddie the Freeloader's Christmas Dinner (1981) and the Funny Faces series of specials. He gave a Royal Command Performance for the Royal Society for the Protection of Birds in 1984, which was later shown in the U.S. on HBO. A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime. Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as "a long, undisclosed illness". He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California. Skelton was survived by his widow, Lothian Toland Skelton; his daughter, Valentina Marie Skelton Alonso; and granddaughter Sabrina Maureen Alonso. Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years. He said he was inspired to try his hand at painting after visiting a large Chicago department store that had various paintings on display. Inquiring as to the price of one, which Skelton described as "a bunch of blotches", he was told, "Ten thousand wouldn't buy that one." He told the clerk he was one of the ten thousand who would not buy the painting, instead buying his own art materials. His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time. Skelton believed painting was an asset to his comedy work, as it helped him to better visualize the imaginary props used in his pantomime routines. In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business. He made his work available to art galleries by selling them franchises to display and sell his paintings. He once estimated the sale of his lithographs earned him $2.5 million per year. Shortly after his death, his art dealer said he believed that Skelton made more money on his paintings than from his television work. At the time of his death, Skelton had produced over 1,000 oil paintings of clowns. When asked why his artwork focused on clowns, he said at first, "I don't know why it's always clowns." He continued after thinking a moment by saying "No, that's not true—I do know why. I just don't feel like thinking about it ..." At the time of Skelton's death, his originals were priced at $80,000 and upward. Other interests Skelton was a prolific writer of both short stories and music. After sleeping only four or five hours a night, he would wake up at 5 am and begin writing stories, composing music, and painting pictures. He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death. He wrote commercials for Skoal tobacco and sold many of his compositions to Muzak, a company that specialized in providing background music to stores and other businesses. Skelton was also interested in photography; when attending Hollywood parties, he would take photos and give the film to newspaper reporters waiting outside. He was never without a miniature camera, and kept a photographic record of all his paintings. Skelton was also an avid gardener, who created his own Japanese and Italian gardens and cultivated bonsai trees at his home in Palm Springs. He owned a horse ranch in the Anza Valley. Fraternity and honors Skelton was a Freemason, a member of Vincennes Lodge No. 1, in Indiana. He also was a member of both the Scottish and the York Rites. He was a recipient of the Gold Medal of the General Grand Chapter, Royal Arch Masons, for Distinguished Service in the Arts and Sciences. On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995. Skelton became interested in Masonry as a small boy selling newspapers in Vincennes, when a man bought a paper from him with a $5 bill and told him to keep the change. The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give. Skelton decided to become one also when he was grown. He was also member of the Independent Order of Odd Fellows, as well as a Shriner in Los Angeles. Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University. In 1961, he became an honorary brother of the Phi Alpha Tau Fraternity of Emerson College, when he was awarded the Joseph E. Connor Award for excellence in the field of communications. He also received an honorary degree from the college at the same ceremony. Skelton received an honorary high-school diploma from Vincennes High School. He was also an honorary member of Kappa Kappa Psi National Honorary Band Fraternity; Skelton had composed many marches, which were used by more than 10,000 high-school and college bands. In 1986, Skelton received an honorary degree from Ball State University. The Red Skelton Memorial Bridge spans the Wabash River and provides the highway link between Illinois and Indiana on U.S. Route 50, near Skelton's home town of Vincennes. He attended the dedication ceremonies in 1963. Awards and recognition In 1952, Skelton received Emmy Awards for Best Comedy Program and Best Comedian. He also received an Emmy nomination in 1957 for his noncomedic performance in Playhouse 90's presentation of "The Big Slide". Skelton and his writers won another Emmy in 1961 for Outstanding Writing Achievement in Comedy. He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969. Skelton's first major post-television recognition came in 1978, when the Golden Globe Awards named him as the recipient for their Cecil B. DeMille Award, which is given to honor outstanding contributions in entertainment. His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette. When he was presented with the Academy of Television Arts & Sciences' Governor's Award in 1986, Skelton received a standing ovation. "I want to thank you for sitting down", he said when the ovation subsided. "I thought you were pulling a CBS and walking out on me." The honor came 16 years after his television program left the airwaves. Skelton received a Lifetime Achievement Award from the Screen Actors Guild in 1987, and in 1988, he was inducted into the Academy of Television Arts & Sciences' Television Hall of Fame. He was one of the International Clown Hall of Fame's first inductees in 1989. Skelton and Katharine Hepburn were honored with lifetime achievement awards by the American Comedy Awards in the same year. He was inducted into the National Radio Hall of Fame in 1994. Skelton also has two stars on the Hollywood Walk of Fame for his radio and television work. Legacy and tributes Skelton preferred to be described as a clown rather than a comic: "A comedian goes out and hits people right on. A clown uses pathos. He can be funny, then turn right around and reach people and touch them with what life is like." "I just want to be known as a clown", he said, "because to me that's the height of my profession. It means you can do everything—sing, dance and above all, make people laugh." His purpose in life, he believed, was to make people laugh. In Groucho and Me, Groucho Marx called Skelton "the most unacclaimed clown in show business", and "the logical successor to [Charlie] Chaplin", largely because of his ability to play a multitude of characters with minimal use of dialogue and props. "With one prop, a soft battered hat", Groucho wrote, describing a performance he had witnessed, "he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy. No grotesque make-up, no funny clothes, just Red." He added that Skelton also "plays a dramatic scene about as effectively as any of the dramatic actors." In late 1965, ventriloquist Edgar Bergen, reminiscing about the entertainment business, singled out Skelton for high praise. "It's all so very different today. The whole business of comedy has changed — from 15 minutes of quality to quantity. We had a lot of very funny people around, from Charley Chase to Charlie Chaplin and Laurel and Hardy. The last one of that breed is Red Skelton." Harry Cohn of Columbia Pictures also praised Skelton, saying, "He's a clown in the old tradition. He doesn't need punch lines. He's got heart." Skelton and Marcel Marceau shared a long friendship and admiration of each other's work. Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery. He was also a guest on the three Funny Faces specials that Skelton produced for HBO. In a TV Guide interview after Skelton's death, Marceau said, "Red, you are eternal for me and the millions of people you made laugh and cry. May God bless you forever, my great and precious companion. I will never forget that silent world we created together." CBS issued the following statement upon his death: "Red's audience had no age limits. He was the consummate family entertainer—a winsome clown, a storyteller without peer, a superb mime, a singer, and a dancer." The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born. The building includes an 850-seat theater, classrooms, rehearsal rooms, and dressing rooms. Its grand foyer is a gallery for Skelton's paintings, statues, and film posters. The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions. The adjacent Red Skelton Museum of American Comedy opened on July 18, 2013, on what would have been Skelton's 100th birthday. It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment. Skelton's widow, Lothian, noted that he expressed no interest in any sort of Hollywood memorial. The museum is funded jointly by the Red Skelton Museum Foundation and the Indiana Historical Society. Other foundation projects include a fund that provides new clothes to Vincennes children from low-income families. The foundation also purchased Skelton's birthplace. On July 15, 2017, the state of Indiana unveiled a state historic marker at the home in Vincennes where Skelton was born. The town of Vincennes has held an annual Red Skelton Festival since 2005. A "Parade of a Thousand Clowns", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances. In 2006, Travis Tarrants purchased the historic Vincennes Pantheon Theatre, where Skelton performed during his youth. He established a nonprofit organization with the hope of restoring the theatre to its 1921 state. Tarrants was able to raise close to $300,000 for the restoration. Two years later, donations for the project plummeted. Tarrants lost the theatre to unpaid back taxes in 2012, and the new owner was realtor Heath Klein. In late 2014, Klein sold the theatre property to a Vincennes nonprofit group, INVin. The organization works to bring arts and arts-related businesses into downtown Vincennes. In March 2016, the group proposed to turn the theatre into shared workspace. Filmography Features Short subjects Box-office ranking Based on rankings of the amount of money earned in box-office receipts for film showings, for a number of years Skelton was among the most popular stars in the country: 1944 – 16th largest box office draw 1949 – 13th 1951 – 14th 1952 – 21st Published works Notes References Sources cited External links Red Skelton Biography Red Skelton Foundation Red Skelton Museum and Education Center Red Skelton Performing Arts Center at Vincennes University Edna and Red Skelton Collection at the Indiana Historical Society RED-EO Video Production Company, article and photo, The Broadcast Archive List of Red Skelton TV Episodes 1951–1971, The Classic TV Archive Literature on Red Skelton Red Skelton at the Internet Archive "Edna Stillwell and the 'Real Making of Red'”, Indiana Historical Bureau 1913 births 1997 deaths 20th-century American comedians 20th-century American composers 20th-century American male actors 20th-century American male musicians 20th-century American painters Red Skelton Red Skelton Red Skelton American burlesque performers American clowns American male comedians American male composers American male film actors American male painters American male radio actors American male television actors American radio personalities Television personalities from California Burials at Forest Lawn Memorial Park (Glendale) California Republicans Red Skelton Cecil B. DeMille Award Golden Globe winners Comedians from California Conservatism in the United States Indiana Historical Society Indiana Republicans Deaths from pneumonia in California Male actors from Indiana Male actors from Palm Springs, California Metro-Goldwyn-Mayer contract players Red Skelton Painters from Indiana Painters from California People from Vincennes, Indiana Primetime Emmy Award winners Screen Actors Guild Life Achievement Award United States Army personnel of World War II United States Army soldiers Vaudeville performers
true
[ "Banner blindness is a phenomenon in web usability where visitors to a website consciously or unconsciously ignore banner-like information. A broader term covering all forms of advertising is ad blindness, and the mass of banners that people ignore is called banner noise.\n\nThe term banner blindness was coined in 1998 as a result of website usability tests where a majority of the test subjects either consciously or unconsciously ignored information that was presented in banners. The information that was overlooked included both external advertisement banners and internal navigational banners, often called \"quick links\".\n\nBanners have developed to become one of the dominant means of advertising. Some studies have shown that up to 93% of ads go unviewed. The first banner ad appeared in 1994. The average click-through rate (CTR) dropped from 2% in 1995 to 0.5% in 1998. After a relatively stable period with a 0.6% click-through rate in 2003, CTR rebounded to 1% by 2013.\n\nThis does not, however, mean that banner ads do not influence viewers. Website viewers may not be consciously aware of an ad, but it does have an unconscious influence on their behavior. A banner’s content affects both businesses and visitors of the site. The placement of ads is important for capturing attention. Use of native advertisements and social media is used to avoid banner blindness.\n\nFactors\n\nHuman behavior\n\nUser task \nA possible explanation for the banner blindness phenomenon may be the way users interact with websites. Users tend to either search for specific information or browse aimlessly from one page to the next, according to the cognitive schemata that they have constructed for different web tasks. When searching for specific information on a website, users focus only on the parts of the page where they assume the relevant information will be, e.g. small text and hyperlinks. A new methodological view has been taken into account, in a particular study conducted by Hervet et al., focusing on whether participants actually paid attention to the ads and on the relationship between their gaze behavior and their memories of these ads, investigating via eye-tracking analysis whether internet users avoid looking at ads inserted on a non-search website, and whether they retain ad content in memory. The study found that most participants fixated ads at least once during their website visit. When a viewer is working on a task, ads may cause a disturbance, eventually leading to ad avoidance. If a user wants to find something on the web page and ads disrupt or delay his search, he will try to avoid the source of interference.\n\nAd clutter \nIncrease in the number of advertisements is one of the main reasons for the trend in declining viewer receptiveness towards internet ads. There exists a direct correlation between number of ads on a webpage and \"ad clutter,\" the perception that the website hosts too many ads. Number of banner ads, text ads, popup ads, links, and user annoyance as a result of seeing too many ads all contribute to this clutter and a perception of the Internet as a platform solely for advertising. An important determinant in users' viewing behavior is visual attention, which is defined as a cognitive process measured through fixations, i.e. stable gazes with a minimum threshold. As users can concentrate on only one stimulus at a time, having too many objects in their field of vision causes them to lose focus. This contributes to behaviors such as ad avoidance or banner blindness.\n\nShared bandwidth \nAdvertising on the internet is different from advertising on the radio or television, so consumer response likewise differs. In the latter, the consumer cannot interrupt the ad except by turning it off or changing to a different channel or frequency. Conversely, websites are plagued with various components with different bandwidths, and as a banner ad occupies only a small percentage of a website, it cannot attract the user's complete attention.\n\nMajor components \nA customer's existing opinion of a product (in this case, banner ads) is the cognitive component of ad avoidance, which in turn influences attitudes and behavior. The customer will typically draw conclusions from his previous experiences, particularly the negative experiences of having clicked unpleasant ads in the past. His general feeling about an object is the effective component of the customer's ad avoidance; for example, if he is already averse to ads in general, this aversion will be bolstered by ads on a website. Finally, the behavioral component of ad avoidance consists of taking actions to avoid ads: scrolling down to avoid banner ads, blocking popups, etc.\n\nFamiliarity \nThe behaviors of the viewers and their interests are important factors in producing CTR. Research shows, people in general dislike banner ads. In fact, some viewers don’t look at ads when surfing, let alone click on them. Therefore, when one gains familiarity with a web page, they begin to distinguish various content and their locations, ultimately avoiding banner like areas. By just looking at objects superficially, viewers are able to know objects outside their focus. And since the sizes of most banner ads fall in similar size ranges viewers tend to develop a tendency to ignore them without actually fixating on them. Bad marketing and ads that are not correctly targeted make it more likely for consumers to ignore banners that aim at capturing their attention. This phenomenon called 'purposeful blindness' shows that consumers can adapt fast and become good at ignoring marketing messages that are not relevant to them. It is a byproduct of inattentional blindness. Usability tests that compared the perception of banners between groups of subjects searching for specific information and subjects aimlessly browsing seem to support this theory - see study. A similar conclusion can be drawn from the study of Ortiz-Chaves et al. dealt with how right-side graphic elements (in contrast to purely textual) in Google AdWords affect users' visual behavior. So the study is focused on people that search something. The analysis concludes that the appearance of images does not change user interaction with ads.\n\nPerceived usefulness \nPerceived usefulness is a dominant factor that affects the behavioral intention to use the technology. The intention to click on an ad is motivated to a large extent by its perceived usefulness, relying on whether it shows immediately useful content. The perceived ease of use of banner ads and ease of comprehension help the perceived usefulness of ads by reducing the cognitive load, thereby improving the decision-making process.\n\nBanner aspects\n\nLocation \nThe location of the banner has been shown to have an important effect on the user seeing the ad. Users generally go through a web page from top left to bottom right. So that suggests, having ads in this path will make them more noticeable. Ads are primarily located in the top or right of the page. Since viewers ignore ads when it falls into their peripheral vision, the right side will be ignored more. Banner ads just below the navigation area on the top will get more fixations. Especially when viewers are involved in a specific task, they might attend to ads on the top, as they perceive the top page as containing content. Since they are so much into the task, the confusion that whether the top page has content or advertisement, is enough to grab their attention.\n\nAnimated ad \nUsers dislike animated ads since they tend to lose focus on their tasks. But this distraction may increase the attention of some users when they are involved in free browsing tasks. On the other hand, when they are involved in a specific task there is evidence that they not only tend to fail to recall the ads, but the completion time of tasks is increased, along with the perceived workload. Moderate animation has a positive effect on recognition rates and brand attitudes. Rapidly animated banner ads can fail, causing not only lower recognition rates but also more negative attitudes toward the advertiser. In visual search tasks, animated ads did not impact the performance of users but it also did not succeed in capturing more user fixations than static ones. Animations signal the users of the existence of ads and lead to ad avoidance behavior, but after repetitive exposures, they induce positive user attitude through the mere exposure effect.\n\nBrand recognition \nRecognition of a brand may affect whether a brand is noticed or not, and whether it is chosen or not. If the brand is unknown to the viewers, the location of such banner would influence it being noticed. On the other hand, if the brand is familiar to the viewers, the banner would reconfirm their existing attitudes toward the brand, whether positive or negative. That suggests a banner would have a positive impact only if the person seeing the banner already had a good perception of the brand. In other cases, it could dissuade users from buying from a particular brand in the future. If viewers have neutral opinion about such brands, then a banner could positively affect their choice, due to the \"Mere-exposure effect\", an attitude developed by people because of their awareness of a brand, which makes them feel less skeptical and less intimidated.\n\nCongruence \nCongruity is the relationship of the content of the ad with the web content. There have been mixed results of congruity on users. Click through rates increased when the ads shown on a website were similar to the products or services of that website, that means there needs to be the relevance of ads to the site. Having color schemes for banner congruent to the rest of website does grab the attention of the viewer but the viewer tends to respond negatively to it, then one's whose color schemes were congruent. Congruency has more impact when the user browses fewer web pages. When the ads were placed in e-commerce sports websites and print media, highly associated content led to more favorable attitudes in users towards ads. In forced exposure, like pop up ads, congruence improved memory. But when users were given specific tasks, incongruent ads grabbed their attention. At the same time, in a specific task, ad avoidance behaviors are said to occur, but which has been said to be mitigated with congruent ads. Free tasks attracted more fixations than an imposed task. The imposed task didn’t affect memory and recognition. Free task affected memory but not recognition. The combination of free task and congruence has been said to represent the best scenario to understand its impact since it is closer to real life browsing habits. The importance of congruency is that, even though it doesn’t affect recognition and memory, it does attract more fixations which is better than not seeing the ad at all. In one such test conducted, a lesser known brand was recalled by a majority of people than an ad for a famous brand because the ad of the lesser known brand was relevant to the page. The relevance of user's task and the content of ad and website does not affect view time due to users preconceived notion of the ads irrelevance to the task in hand.\n\nOn the flip side, the congruency between the ad and the editorial content had no effect on fixation duration on the ad but congruent ads were better memorised than incongruent ads, according to the experiments conducted by Hervet et al.\n\nPersonalization \nPersonalized ads are ads that use information about viewers and include them in it, like demographics, PII, purchasing habits, brand choices, etc. A viewer’s responsiveness could be increased by personalization. For example, if an ad contained his name, there is a better likelihood of purchase for the product. That is, it not only affects their intention but also their consequent behavior that translates into higher clicks with a caveat that they must have the ability to control their privacy settings. The ability to control the personalization and customizability has a great impact on users and can be called as a strong determinant of their attitudes towards ads. Personalized information increased their attention and elaboration levels. An ad is noticed more if it has a higher degree of personalization, even if it causes slight discomfort in users. Personalized ads are found to be clicked much more than other ads. If a user is involved in a demanding task, more attention is paid to a personalized ad even though they already have a higher cognitive load. On the other hand, if the user is involved in a light task, lesser attention is given to both types of ads. Also, personalized ad in some case was not perceived as a goal impediment, which has been construed to the apparent utility and value offered in such ads. The involvement elicited overcompensates the goal impediment.\n\nBut such ads do increase privacy anxieties and can appear to be ‘creepy’. An individual who is skeptical about privacy concerns will avoid such ads. This is because users think that the personally identifiable information is used in order for these ads to show up and also suspect their data being shared with third party or advertisers. Users are okay with behavior tracking if they have faith in the internet company that permitted the ad. Though such ads have been found to be useful, users do not always prefer their behaviors be used to personalize ads. It also has a positive impact if it also includes their predilection for style, and timing apart from just their interests. Ads are clicked when it shows something relevant to their search but if the purchase has been made, and the ad continues to appear, it causes frustration.\n\nContrasting to this, personalization enhanced recognition for the content of banners while the effect on attention was weaker and partially nonsignificant, in the studies conducted by Koster et al. overall exploration of web pages and recognition of task-relevant information was not influenced. The temporal course of fixations revealed that visual exploration of banners typically proceeds from the picture to the logo and finally to the slogan.\n\nPromotions \nThe traditional ways of attracting banner with phrases like “click here” etc., do not attract viewers. Prices and promotions, when mentioned in banner ads do not have any effect on the CTR. In fact, the absence of it had the most effect on impressions. Display promotions of banner ads do not have a major impact on their perceived usefulness. Users assume that all ads signify promotions of some sort and hence do not give much weight to it.\n\nRecommendations\n\nNative ads \nEffective ads are less like banner ads. Native ads are ads that are delivered within the online feed content. For example, short video ads played between episodes of a series, text ads in social feeds, graphics ads within mobile apps. The idea is that the ads are designed as a part of general experiences in order to not move the user away from their task. Native ads are better in gaining attention and engagement than traditional ads. In an experiment conducted by Infolinks, integrated native ads were seen 47% faster than banner ads and these areas had 4.5 times more fixations than banner ads. Also, time spent by a user was 40 times more, which leads to better recall. Native ads are consumed the same way as the web content. Viewability can be defined as a measure of whether an ad is visible on a site. Location and placement of an ad affect the viewability. Native advertisements have better viewability because they are better integrated with the website and have useful formats for customers. That’s one of the reasons why in-image ads have gained popularity. They are generally found in prime locations laid on top of website images which make them highly visible.\n\nPlacement \nNon-traditional placement of ads is important since users become trained in avoiding standard banner areas. But it should not disturb their experience of the content. Simple ads placed in a non-traditional and non-intrusive area have a better impact than rich media with usual placement.\n\nMILP (Mixed Integer Linear Programming) approach to tackle banner blindness is based is on the hypothesis that the exposure effect of banner changes from page to page. It proposes that if a banner is not placed on one web page and unexpectedly appears on the next, there would be more chances of the users noticing it. Data for the study was obtained from the clickstream. Then preprocessing was done to clean the data, remove irrelevant records, link it to specific users, and divide the user records into user sessions. Next, Markov chain was used to calculate the total exposure effect of a specific banner setting on a user. The theory of a mixed integer linear programming (MILP) is applied to select the location for the banner, where two situations were considered - one where a banner remained at one location on the webpages and the other where it frequently changed throughout the day. The result of the study showed that the difference between exposure effect of dynamic and static placement to be small, with exposure effect of dynamic being slightly more, and so choosing dynamic placement would not be a mistake. An approach such as MILP could be used by advertisers to find the most efficient location of banners.\n\nRelevance \nIf a website serves ads unrelated to its viewers' interests, about 75% of viewers experience frustration with the website. Advertising efforts must focus on the user’s current intention and interest and not just previous searches. Publishing fewer, but more relative, ads is more effective. This can be done with the use of data analytics and campaign management tools to properly separate the viewers and present them ads with relevant content. Information about customers goals and aspirations could be gained through gamification tools which could reward them for providing valuable information that helps segment users according to their interests and helps effective targeting. Interactive ads could be used to make the customers aware of their products. Such tools could be quizzes, calculators, chats', questionnaires. This will further help in understanding the plans of potential customers. Ads should be presented as tips or expert advice, rather than just plain ads.\n\nSocial media \nAll forms of advertising scored low in the trust factor study by the Nielsen Report on Global Trust in Advertising and Brand Messages from April 2012. But Facebook’s “recommendations from people I know” scored highest on the trust factor, with 92 percent of consumers having no problem believing this source. Also, brand websites scored higher than paid advertising but lower than social recommendations. The promotion of product or services through known people piqued interests of users as well as the views of ads much more effective than banner ads. This way advertisers are able to elicit and transfer feelings of safety and trust from friends to the ads shown, thereby validating the ads. The social pressure by the peer group has the ability to not make the users view ads but also encourage them to change attitudes, and consequent behavior in order to adapt to group customs.\n\nBusinesses could interact with customers on social media, because not only they spend more time there, but also listen to recommendations from friends and family more than advertisers. Companies could reward customers for recommending products. Digital applications could include features that will allow them to share reviews or feedbacks on social media etc.\n\nSee also\n\nClick-through rate\nConditioning\nHabituation\nInattentional blindness\nTopics in human-computer interaction\nUsability testing\nView-through rate\nWeb design\n\nReferences\n\nUsability\nAdvertising\nAttention", "The General Mills Radio Adventure Theater was an anthology radio drama series with Tom Bosley as host, which aired on the CBS Radio Network in 1977. Himan Brown, already producing the CBS Radio Mystery Theater for the network, added this twice-weekly (Saturdays and Sundays) anthology radio drama series to his workload in 1977. It usually aired on weekends, beginning in February 1977 and continuing through the end of January 1978, on CBS radio affiliates which carried it. \n\nGeneral Mills was looking for a means of reaching children that would be less expensive than television advertising. Brown and CBS were willing to experiment with a series aimed at younger listeners, reaching that audience through ads in comic books. Apart from Christian or other religious broadcasting, this may have been the only nationwide attempt in the U.S. in the 1970s to air such a series. General Mills did not continue as sponsor after the 52 episodes had first aired over the first 26 weekends (February 1977 through July 1977), and the series (52 shows) was then repeated over the next 26 weekends (August 1977 through the end of January 1978), as The CBS Radio Adventure Theater, with a variety of other sponsors.\n\nListen to\nDaniel, The Oracle 77-07-31\n\nExternal links\nLog by Jim Widner\n\n1970s American radio programs\nAmerican radio dramas\nCBS Radio programs\nGeneral Mills\nAnthology radio series" ]
[ "Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist.", "He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show. He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934.", "He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934. The \"Doughnut Dunkers\" pantomime sketch, which he wrote together with his wife, launched a career for him in vaudeville, radio, and films. His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938.", "His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938. He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957.", "He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957. Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953).", "Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953). Skelton was eager to work in television, even when the medium was in its infancy.", "Skelton was eager to work in television, even when the medium was in its infancy. The Red Skelton Show made its television premiere on September 30, 1951, on NBC. By 1954, Skelton's program moved to CBS, where it was expanded to one hour and renamed The Red Skelton Hour in 1962. Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power.", "Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power. Skelton moved his program to NBC, where he completed his last year with a regularly scheduled television show in 1971. He spent his time after that making as many as 125 personal appearances a year and working on his paintings.", "He spent his time after that making as many as 125 personal appearances a year and working on his paintings. Skelton's paintings of clowns remained a hobby until 1964, when his wife Georgia persuaded him to show them at the Sands Hotel in Las Vegas while he was performing there. Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales.", "Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales. At the time of his death, his art dealer said he thought that Skelton had earned more money through his paintings than from his television performances. Skelton believed that his life's work was to make people laugh; he wanted to be known as a clown because he defined it as being able to do everything. He had a 70-year-long career as a performer and entertained three generations of Americans.", "He had a 70-year-long career as a performer and entertained three generations of Americans. His widow donated many of his personal and professional effects to Vincennes University, including prints of his artwork. They are part of the Red Skelton Museum of American Comedy at Vincennes, Indiana. Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana.", "Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana. In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really \"Red\" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was \"Red\".", "In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really \"Red\" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was \"Red\". Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton.", "Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton. He had three older brothers: Denny Ishmael Skelton (1905-1943), Christopher M. Skelton (1907-1977) and Paul Fred Skelton (1910-1989). Joseph Skelton, a grocer, died two months before Richard was born; he had once been a clown with the Hagenbeck-Wallace Circus. His birth certificate surname was that of his father's stepfather. During Skelton's lifetime there was some dispute about the year of his birth.", "During Skelton's lifetime there was some dispute about the year of his birth. Author Wesley Hyatt suggests that since he began working at such an early age, Skelton may have claimed he was older than he actually was in order to gain employment. Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future.", "Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future. Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home.", "Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home. He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him.", "He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him. According to later accounts, Skelton's early interest in becoming an entertainer stemmed from an incident that took place in Vincennes around 1923, when a stranger, supposedly the comedian Ed Wynn, approached Skelton, who was the newsboy selling papers outside a Vincennes theater. When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town.", "When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town. The man purchased every paper Skelton had, providing enough money for the boy to purchase a ticket for himself. The stranger turned out to be one of the show's stars, who later took the boy backstage to introduce him to the other performers. The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer.", "The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer. Skelton discovered at an early age that he could make people laugh. Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers.", "Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers. He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end.", "He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end. Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead.", "Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead. In another incident, while performing in Uncle Tom's Cabin, Skelton was on an unseen treadmill; when it malfunctioned and began working in reverse, the frightened young actor called out, \"Help! I'm backing into heaven!\" He was fired before completing a week's work in the role.", "He was fired before completing a week's work in the role. At the age of 15, Skelton did some early work on the burlesque circuit, and reportedly spent four months with the Hagenbeck-Wallace Circus in 1929, when he was 16 years old. Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but \"his destiny had caught up with him at an early age\".", "Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but \"his destiny had caught up with him at an early age\". She let him go with her blessing. Times were tough during the Great Depression, and it may have meant one less child for her to feed. Around 1929, while Skelton was still a teen, he joined \"Doc\" R.E.", "Around 1929, while Skelton was still a teen, he joined \"Doc\" R.E. Lewis's traveling medicine show as an errand boy who sold bottles of medicine to the audience. During one show, when Skelton accidentally fell from the stage, breaking several bottles of medicine as he fell, people laughed. Both Lewis and Skelton realized one could earn a living with this ability and the fall was worked into the show. He also told jokes and sang in the medicine show during his four years there.", "He also told jokes and sang in the medicine show during his four years there. Skelton earned ten dollars a week, and sent all of it home to his mother. When she worried that he was keeping nothing for his own needs, Skelton reassured her: \"We get plenty to eat, and we sleep in the wagon.\" Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on.", "Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on. He insisted that he was no prude; \"I just didn't think the lines were funny\". He became a sought-after master of ceremonies for dance marathons (known as \"walkathons\" at the time), a popular fad in the 1930s. The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater.", "The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater. She approached Skelton after winning the contest and told him that she did not like his jokes; he asked if she could do better. They married in 1931 in Kansas City, and Edna began writing his material. At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16.", "At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16. When they learned that Skelton's salary was to be cut, Edna went to see the boss; he resented the interference, until she came away with not only a raise, but additional considerations as well. Since he had left school at an early age, his wife bought textbooks and taught him what he had missed. With Edna's help, Skelton received a high school equivalency degree.", "With Edna's help, Skelton received a high school equivalency degree. The couple put together an act and began booking it at small midwestern theaters. When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City.", "When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City. To get to Massachusetts they bought a used car and borrowed five dollars from Edna's mother, but by the time they arrived in St. Louis they had only fifty cents. Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked.", "Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked. He then spent their fifty cents on bars of soap, which they cut into small cubes and wrapped with the tinfoil from the cigarette packs. By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port.", "By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port. \"Doughnut Dunkers\" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre.", "\"Doughnut Dunkers\" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come.", "Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement.", "Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the \"Doughnut Dunkers\" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee.", "The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the \"Doughnut Dunkers\" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status.", "The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, \"Careful what you drink, Mr. President. I got rolled in a place like this once.\" His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward.", "His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Film work Skelton's first contact with Hollywood came in the form of a failed 1932 screen test. In 1938, he made his film debut for RKO Pictures in the supporting role of a camp counselor in Having Wonderful Time. He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo.", "He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo. Actor Mickey Rooney contacted Skelton, urging him to try for work in films after seeing him perform his \"Doughnut Dunkers\" act at President Roosevelt's 1940 birthday party. For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as \"Guzzler's Gin\", but added some impromptu pantomimes as the cameras were rolling.", "For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as \"Guzzler's Gin\", but added some impromptu pantomimes as the cameras were rolling. \"Imitation of Movie Heroes Dying\" were Skelton's impressions of the cinema deaths of stars such as George Raft, Edward G. Robinson, and James Cagney. Skelton appeared in numerous films for MGM throughout the 1940s.", "Skelton appeared in numerous films for MGM throughout the 1940s. In 1940, he provided comic relief as a lieutenant in Frank Borzage's war drama Flight Command, opposite Robert Taylor, Ruth Hussey, and Walter Pidgeon. In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare.", "In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare. Skelton was soon starring in comedy features as inept radio detective \"The Fox\", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director.", "Skelton was soon starring in comedy features as inept radio detective \"The Fox\", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director. He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943).", "He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943). In 1941, Skelton began appearing in musical comedies, starring opposite Eleanor Powell, Ann Sothern, and Robert Young in Norman Z. McLeod's Lady Be Good. In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie.", "In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie. In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It.", "In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It. The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming.", "The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming. Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick.", "Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick. Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects.", "Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects. Keaton offered to forgo his salary if the films made by the company were not box-office hits; Mayer chose to decline the request. In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties.", "In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties. He next had a relatively minor role as a \"TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor\" in the \"When Television Comes\" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles.", "He next had a relatively minor role as a \"TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor\" in the \"When Television Comes\" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles. In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off.", "In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off. Skelton's contract called for MGM's approval prior to his radio shows and other appearances. When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental.", "When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental. At the time, the major work in the medium was centered in New York; Skelton had worked there for some time, and was able to determine that he would find success with his physical comedy through the medium. By 1947, Skelton's work interests were focused not on films, but on radio and television.", "By 1947, Skelton's work interests were focused not on films, but on radio and television. His MGM contract was rigid enough to require the studio's written consent for his weekly radio shows, as well as any benefit or similar appearances he made; radio offered fewer restrictions, more creative control, and a higher salary. Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract.", "Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract. He also voiced frustration with the film scripts he was offered while on the set of The Fuller Brush Man, saying, \"Movies are not my field. Radio and television are.\" He did not receive the desired television clause nor a release from his MGM contract.", "He did not receive the desired television clause nor a release from his MGM contract. In 1948, columnist Sheilah Graham printed that Skelton's wishes were to make only one film a year, spending the rest of the time traveling the U.S. with his radio show. Skelton's ability to successfully ad lib often meant that the way the script was written was not always the way it was recorded on film. Some directors were delighted with the creativity, but others were often frustrated by it.", "Some directors were delighted with the creativity, but others were often frustrated by it. S. Sylvan Simon, who became a close friend, allowed Skelton free rein when directing him. MGM became annoyed with Simon during the filming of The Fuller Brush Man, as the studio contended that Skelton should have been playing romantic leads instead of performing slapstick. Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits.", "Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits. Skelton was willing to negotiate with MGM to extend the agreement provided he would receive the right to pursue television. This time, the studio was willing to grant it, making Skelton the only major MGM personality with the privilege. The 1950 negotiations allowed him to begin working in television beginning September 30, 1951.", "The 1950 negotiations allowed him to begin working in television beginning September 30, 1951. During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films.", "During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films. He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No.", "He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No. 1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!.", "1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!. In a 1956 interview, he said he would never work simultaneously in all three media again.", "In a 1956 interview, he said he would never work simultaneously in all three media again. As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965).", "As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965). Radio, divorce, and remarriage (1937–1951) Performing the \"Doughnut Dunkers\" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937.", "Radio, divorce, and remarriage (1937–1951) Performing the \"Doughnut Dunkers\" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent-show segment, and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton.", "Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.", "The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name.", "On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939.", "She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio-show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles-area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.", "A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. \"I dood it!\"", "\"I dood it!\" \"I dood it!\" Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem.", "After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem. The second character, the Mean Widdle Kid, or \"Junior\", was a young boy full of mischief, who typically did things he was told not to do. \"Junior\" would say things like, \"If I dood it, I gets a whipping.", "\"Junior\" would say things like, \"If I dood it, I gets a whipping. \", followed moments later by the statement, \"I dood it!\" Skelton performed the character at home with Edna, giving him the nickname \"Junior\" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's.", "While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play \"Junior\" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase \"Doolittle Dood It\" as a headline.", "The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase \"Doolittle Dood It\" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II.", "After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber \"We Dood It!\"", "Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber \"We Dood It!\" In 1986, Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928.", "Skelton also added a routine he had been performing since 1928. Originally called \"Mellow Cigars\", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine \"Guzzler's Gin\", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares.", "Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine \"Guzzler's Gin\", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's audience was treated to a post-program performance.", "After the regular radio program had ended, the show's audience was treated to a post-program performance. He then performed his \"Guzzler's Gin\" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats.", "As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats. Divorce from Edna, marriage to Georgia In 1942, Edna announced that she was leaving Skelton, but would continue to manage his career and write material for him. He did not realize she was serious until Edna issued a statement about the impending divorce through NBC. They were divorced in 1943, leaving the courtroom arm in arm.", "They were divorced in 1943, leaving the courtroom arm in arm. The couple did not discuss the reasons for their divorce, and Edna initially prepared to work as a script writer for other radio programs. When the divorce was finalized, she went to New York, leaving her former husband three fully prepared show scripts. Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity.", "Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity. Edna remained the manager of the couple's funds because Skelton spent money too easily. An attempt at managing his own checking account that began with a $5,000 balance, ended five days later after a call to Edna saying the account was overdrawn. Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets.", "Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets. She remained an advisor on his career until 1952, receiving a generous weekly salary for life for her efforts. The divorce meant that Skelton had lost his married man's deferment; he was once again classified as 1-A for service. He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail.", "He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail. His last Raleigh radio show was on June 6, 1944, the day before he was formally inducted as a private; he was not assigned to Special Services at that time. Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet.", "Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet. By 1944, Skelton was engaged to actress Muriel Morris, who was also known as Muriel Chase; the couple had obtained a marriage license and told the press they intended to marry within a few days. At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City.", "At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City. She later recanted the story about marrying the businessman, but continued to say that her relationship with Skelton was over. The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband.", "The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband. He was on army furlough for throat discomfort when he married actress Georgia Maureen Davis in Beverly Hills, California, on March 9, 1945; the couple met on the MGM lot. Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding.", "Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding. He knew he would possibly be assigned overseas soon, and wanted the marriage to take place first. After the wedding, he entered the hospital to have his tonsils removed. The couple had two children; Valentina, a daughter, was born May 5, 1947, and a son, Richard, was born May 20, 1948. A cast of characters Skelton served in the United States Army during World War II.", "A cast of characters Skelton served in the United States Army during World War II. After being assigned to the Special Services, Skelton performed as many as 12 shows per day before troops in both the United States and in Europe. The pressure of his workload caused him to suffer exhaustion and a nervous breakdown. He had a nervous collapse while in the Army, following which he developed a stutter.", "He had a nervous collapse while in the Army, following which he developed a stutter. While recovering at an army hospital at Camp Pickett, Virginia, he met a soldier who had been severely wounded and was not expected to survive. Skelton devoted a lot of time and effort to trying to make the man laugh. As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list.", "As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list. He was released from his army duties in September 1945. \"I've been told I'm the only celebrity who entered the Army as a private and came out a private,\" he told reporters. His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945.", "His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945. Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a \"loudmouthed braggart\"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations.", "Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a \"loudmouthed braggart\"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations. By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air.", "By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air. On April 22, 1947, Skelton was censored by NBC two minutes into his radio show.", "On April 22, 1947, Skelton was censored by NBC two minutes into his radio show. When his announcer Rod O'Connor and he began talking about Fred Allen being censored the previous week, they were silenced for 15 seconds; comedian Bob Hope was given the same treatment once he began referring to the censoring of Allen. Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast.", "Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast. He had been briefly censored the previous month for the use of the word \"diaper\". After the April incidents, NBC indicated it would no longer pull the plug for similar reasons. Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs.", "Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs. His new sponsor was Procter & Gamble's Tide laundry detergent. The next year, he changed networks, going from NBC to CBS, where his radio show aired until May 1953. After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954.", "After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954. His syndicated radio program was offered as a daily show; it included segments of his older network radio programs, and new material done for the syndication. He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them.", "He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them. Television (1951–1970) Skelton was unable to work in television until the end of his 1951 MGM movie contract; a renegotiation to extend the pact provided permission after that point. On May 4, 1951, he signed a contract for television with NBC; Procter and Gamble was his sponsor. He said he would be performing the same characters on television that he had been doing on radio.", "He said he would be performing the same characters on television that he had been doing on radio. The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down.", "His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down. A 1943 instrumental hit by David Rose, called \"Holiday for Strings\", became Skelton's TV theme song.", "A 1943 instrumental hit by David Rose, called \"Holiday for Strings\", became Skelton's TV theme song. The move to television allowed him to create two nonhuman characters, seagulls Gertrude and Heathcliffe, which he performed while the pair were flying by, tucking his thumbs under his arms to represent wings and shaping his hat to look like a bird's bill. He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics.", "He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics. His \"Freddie the Freeloader\" clown was introduced on the program in 1952, with Skelton copying his father's makeup for the character. ( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.)", "( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.) A ritual was established for the end of every program, with Skelton's shy, boyish wave and words of \"Good night and may God bless.\" During the 1951–1952 season, the program was broadcast from a converted NBC radio studio.", "During the 1951–1952 season, the program was broadcast from a converted NBC radio studio. The first year of the television show was done live; this led to problems, because not enough time was available for costume changes; Skelton was on camera for most of the half hour, including the delivery of a commercial that was written into one of the show's skits. In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up.", "In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up. The script was completed, and he had the show's production crew build a set that was perpendicular to the stage, so it would give the illusion that someone was walking on walls. The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking.", "The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking. When Willie wakes up there after a night of drinking, he is misled into believing he is not lying on the floor, but on the living room wall. Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall.", "Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall. Within an hour after the broadcast, the NBC switchboard had received 350 calls regarding the show, and Skelton had received more than 2,500 letters about the skit within a week of its airing. Skelton was delivering an intense performance live each week, and the strain showed in physical illness.", "Skelton was delivering an intense performance live each week, and the strain showed in physical illness. In 1952, he was drinking heavily due to the constant physical pain of a diaphragmatic hernia and the emotional distress of marital problems. He thought about divorcing Georgia. NBC agreed to film his shows in the 1952–1953 season at Eagle Lion Studios, next to the Sam Goldwyn Studio, on Santa Monica Boulevard in Hollywood. Later, the show was moved to the new NBC television studios in Burbank.", "Later, the show was moved to the new NBC television studios in Burbank. Procter and Gamble was unhappy with the filming of the television show, and insisted that Skelton return to live broadcasts. The situation made him think about leaving television. Declining ratings prompted sponsor Procter & Gamble to cancel his show in the spring of 1953. Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing.", "Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing. Beginning with the 1953–1954 season, he switched to CBS, where he remained until 1970. For the initial move to CBS, he had no sponsor. The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol.", "The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol. He curtailed his drinking and his ratings at CBS began to improve, especially after he began appearing on Tuesday nights for co-sponsors Johnson's Wax and Pet Milk Company. By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960.", "By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960. He tried to encourage CBS to do other shows in color at the facility, but CBS mostly avoided color broadcasting after the network's television-set manufacturing division was discontinued in 1951. By 1959, Skelton was the only comedian with a weekly variety television show. Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs.", "Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs. He performed a preview show for a studio audience on Mondays, using their reactions to determine which skits required editing for the Tuesday program. For the Tuesday afternoon run-through prior to the actual show, he ignored the script for the most part, ad-libbing through it at will. The run-through was well attended by CBS Television City employees.", "The run-through was well attended by CBS Television City employees. Sometimes during live telecasts and taped programs, Skelton would break up or cause his guest stars to laugh. Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live.", "Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live. While the network told him to take as much time off as necessary, Skelton felt that unless he went back to his television show, he would be unable to be at ease and make his son's life a happy one. He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits.", "He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits. In happier times, he had frequently mentioned his children on his program, but he found it extremely difficult to do this after Richard became ill. Skelton resumed this practice only after his son asked him to do so. After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible.", "After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible. The Skeltons had an audience with Pope Pius XII on July 22, 1957. According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far.", "According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far. The Skeltons cut their travels short and returned to the United States after an encounter with an aggressive reporter in London and relentlessly negative reports in British newspapers. The Skelton family received support from CBS management and from the public following the announcement of Richard's illness.", "The Skelton family received support from CBS management and from the public following the announcement of Richard's illness. In November, Skelton fell down stairs and injured an ankle, and he nearly died after a \"cardiac-asthma\" attack on December 30, 1957. He was taken to St. John's Hospital in Santa Monica, where, his doctors said, \"if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived\".", "He was taken to St. John's Hospital in Santa Monica, where, his doctors said, \"if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived\". Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers.", "Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers. His illness and recovery kept him off the air for a full month; Skelton returned to his television show on January 28, 1958. Richard died on May 10, 1958, 10 days before his 10th birthday.", "Richard died on May 10, 1958, 10 days before his 10th birthday. Skelton was scheduled to do his weekly television show on the day his son was buried. Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead.", "Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead. His friends in the television, film and music industries organized The Friends Of Red Skelton Variety Show, which they performed to replace The Red Skelton Show for that week; by May 27, 1958, Skelton had returned to his program. Richard‘s death had a profound effect on the family.", "Richard‘s death had a profound effect on the family. Life magazine, profiling \"The Invincible Red\" on April 21, 1961, observed that Skelton was still \"racked [sic]\" by his son’s death. In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping.", "In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping. The Red Skelton Hour In early 1960, Skelton purchased the old Charlie Chaplin Studios and updated it for videotape recording. With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color.", "With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color. Even with his color facilities, CBS discontinued color broadcasts on a regular basis and Skelton shortly thereafter sold the studio to CBS and the mobile unit to local station KTLA. Prior to this, he had been filming at Desilu Productions. Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network.", "Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network. In the fall of 1962, CBS expanded his program to a full hour, retitling it The Red Skelton Hour. Although it was a staple of his radio programs, he did not perform his \"Junior\" character on television until 1962, after extending the length of his program.", "Although it was a staple of his radio programs, he did not perform his \"Junior\" character on television until 1962, after extending the length of his program. Skelton frequently employed the art of pantomime for his characters; a segment of his weekly program was called the \"Silent Spot\". He attributed his liking for pantomime and for using few props to the early days when he did not want to have a lot of luggage. He explained that having the right hat was the key to getting into character.", "He explained that having the right hat was the key to getting into character. Skelton's season premiere for the 1960–1961 television season was a tribute to the United Nations. About 600 people from the organization, including diplomats, were invited to be part of the audience for the show. The program was entirely done in pantomime, as UN representatives from 39 nations were in the studio audience. One of the sketches he performed for the UN was that of the old man watching the parade.", "One of the sketches he performed for the UN was that of the old man watching the parade. The sketch had its origins in a question Skelton's son, Richard, asked his father about what happens when people die. He told his son, \"They join a parade and start marching.\" In 1965, Skelton did another show completely in pantomime. This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio.", "This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio. The only person who spoke during the hour was Maurice Chevalier, who served as the show's narrator. In 1969, Skelton wrote and performed a monologue about the Pledge of Allegiance. In the speech, he commented on the meaning of each phrase of the pledge. He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech.", "He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech. The teacher had grown tired of hearing his students monotonously recite the pledge each morning; he then demonstrated to them how it should be recited, along with comments about the meaning behind each phrase. CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records.", "CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records. A year later, he performed the monologue for President Richard Nixon at the first \"Evening at the White House\", a series of entertainment events honoring the recently inaugurated president. Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs.", "Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs. Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan.", "Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan. Performing in Las Vegas when he got the news of his CBS cancellation, Skelton said, \"My heart has been broken.\" His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television.", "His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television. Skelton moved to NBC in 1970 in a half-hour Monday-night version of his former show. Its cancellation after one season ended his television career, and he returned to live performances. In an effort to prove the networks wrong, he gave many of these at colleges and proved popular with the audiences. Skelton was bitter about CBS's cancellation for many years afterwards.", "Skelton was bitter about CBS's cancellation for many years afterwards. Believing the demographic and salary issues to be irrelevant, he accused CBS of bowing to the antiestablishment, antiwar faction at the height of the Vietnam War, saying his conservative political and social views caused the network to turn against him. He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program.", "He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program. Personal, as well as professional, changes occurred in Skelton's life at this time. He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973.", "He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973. While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program.", "While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program. (Johnny Carson, one of his former writers, began his rise to network television prominence when he substituted for Skelton after a dress rehearsal injury in 1954.) Skelton was also a guest on The Merv Griffin Show in October of the same year.", "Skelton was also a guest on The Merv Griffin Show in October of the same year. Hopes he may have had that he could ease back into television through the talk-show circuit were ended on May 10, 1976, when Georgia Skelton committed suicide by gunshot on the 18th anniversary of Richard Skelton's death. Georgia was 54 and had been in poor health for some time. He put all professional activities on hold for some months as he mourned his former wife's death.", "He put all professional activities on hold for some months as he mourned his former wife's death. Skelton made plans in 1977 to sell the rights to his old television programs as part of a package that would bring him back to regular television appearances. The package called for him to produce one new television show for every three older episodes; this did not materialize.", "The package called for him to produce one new television show for every three older episodes; this did not materialize. In 1980, he was taken to court by 13 of his former writers over a report that his will called for the destruction of recordings of all his old television shows upon his death. Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context.", "Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context. He said at the time, \"Would you burn the only monument you've built in over 20 years?\" As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime.", "As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime. In 1983, Group W announced that it had come to terms with him for the rights to rebroadcast some of his original television programs from 1966 through 1970; some of his earlier shows were made available after Skelton's death. Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer.", "Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer. He retained a fondness for theaters, and referred to them as \"palaces\"; he also likened them to his \"living room\", where he would privately entertain guests. At the end of a performance, he would look at the empty stage where there was now no laughter or applause and tell himself, \"Tomorrow I must start again. One hour ago, I was a big man. I was important out there.", "I was important out there. I was important out there. Now it's empty. It's all gone.\" Skelton was invited to play a four-week date at the London Palladium in July 1951. While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children.", "While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children. The plane lost the use of two of its four engines and seemed destined to lose the rest, meaning that the plane would crash over Mont Blanc. The priest readied himself to administer last rites. As he did so, he told Skelton, \"You take care of your department, Red, and I'll take care of mine.\"", "As he did so, he told Skelton, \"You take care of your department, Red, and I'll take care of mine.\" Skelton diverted the attention of the passengers with pantomimes while Father Carney prayed. They ultimately landed at a small airstrip in Lyon, France. He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year.", "He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year. Though Skelton had always done live engagements at Nevada hotels and appearances such as state fairs during his television show's hiatus, he focused his time and energy on live performances after he was no longer on the air, performing up to 125 dates a year. He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls.", "He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls. Before the show, his audiences received a ballot listing about 100 of his many routines and were asked to tick off their favorites. The venue's ushers would collect the ballots and tally the votes. Skelton's performance on that given day was based on the skits his audience selected.", "Skelton's performance on that given day was based on the skits his audience selected. After he learned that his performances were popular with the hearing-impaired because of his heavy use of pantomimes, Skelton hired a sign language interpreter to translate the non-pantomime portions of his act for all his shows. He continued performing live until 1993, when he celebrated his 80th birthday.", "He continued performing live until 1993, when he celebrated his 80th birthday. Later years and death In 1974, Skelton's interest in film work was rekindled with the news that Neil Simon's comedy The Sunshine Boys would become a movie; his last significant film appearance had been in Public Pigeon No. 1 in 1956. He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis.", "He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis. Although Simon had planned to cast Jack Albertson, who played Willy on Broadway, in the same role for the film, Skelton's screen test impressed him enough to change his mind. Skelton declined the part, however, reportedly due to an inadequate financial offer, and Benny's final illness forced him to withdraw, as well. George Burns and Walter Matthau ultimately starred in the film.", "George Burns and Walter Matthau ultimately starred in the film. In 1981, Skelton made several specials for HBO, including Freddie the Freeloader's Christmas Dinner (1981) and the Funny Faces series of specials. He gave a Royal Command Performance for the Royal Society for the Protection of Birds in 1984, which was later shown in the U.S. on HBO. A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime.", "A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime. Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as \"a long, undisclosed illness\".", "Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as \"a long, undisclosed illness\". He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California.", "He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California. Skelton was survived by his widow, Lothian Toland Skelton; his daughter, Valentina Marie Skelton Alonso; and granddaughter Sabrina Maureen Alonso. Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years.", "Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years. He said he was inspired to try his hand at painting after visiting a large Chicago department store that had various paintings on display. Inquiring as to the price of one, which Skelton described as \"a bunch of blotches\", he was told, \"Ten thousand wouldn't buy that one.\"", "Inquiring as to the price of one, which Skelton described as \"a bunch of blotches\", he was told, \"Ten thousand wouldn't buy that one.\" He told the clerk he was one of the ten thousand who would not buy the painting, instead buying his own art materials. His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time.", "His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time. Skelton believed painting was an asset to his comedy work, as it helped him to better visualize the imaginary props used in his pantomime routines. In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business.", "In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business. He made his work available to art galleries by selling them franchises to display and sell his paintings. He once estimated the sale of his lithographs earned him $2.5 million per year. Shortly after his death, his art dealer said he believed that Skelton made more money on his paintings than from his television work. At the time of his death, Skelton had produced over 1,000 oil paintings of clowns.", "At the time of his death, Skelton had produced over 1,000 oil paintings of clowns. When asked why his artwork focused on clowns, he said at first, \"I don't know why it's always clowns.\" He continued after thinking a moment by saying \"No, that's not true—I do know why. I just don't feel like thinking about it ...\" At the time of Skelton's death, his originals were priced at $80,000 and upward.", "I just don't feel like thinking about it ...\" At the time of Skelton's death, his originals were priced at $80,000 and upward. Other interests Skelton was a prolific writer of both short stories and music. After sleeping only four or five hours a night, he would wake up at 5 am and begin writing stories, composing music, and painting pictures. He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death.", "He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death. He wrote commercials for Skoal tobacco and sold many of his compositions to Muzak, a company that specialized in providing background music to stores and other businesses. Skelton was also interested in photography; when attending Hollywood parties, he would take photos and give the film to newspaper reporters waiting outside. He was never without a miniature camera, and kept a photographic record of all his paintings.", "He was never without a miniature camera, and kept a photographic record of all his paintings. Skelton was also an avid gardener, who created his own Japanese and Italian gardens and cultivated bonsai trees at his home in Palm Springs. He owned a horse ranch in the Anza Valley. Fraternity and honors Skelton was a Freemason, a member of Vincennes Lodge No. 1, in Indiana. He also was a member of both the Scottish and the York Rites.", "He also was a member of both the Scottish and the York Rites. He was a recipient of the Gold Medal of the General Grand Chapter, Royal Arch Masons, for Distinguished Service in the Arts and Sciences. On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995.", "On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995. Skelton became interested in Masonry as a small boy selling newspapers in Vincennes, when a man bought a paper from him with a $5 bill and told him to keep the change. The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give.", "The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give. Skelton decided to become one also when he was grown. He was also member of the Independent Order of Odd Fellows, as well as a Shriner in Los Angeles. Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University.", "Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University. In 1961, he became an honorary brother of the Phi Alpha Tau Fraternity of Emerson College, when he was awarded the Joseph E. Connor Award for excellence in the field of communications. He also received an honorary degree from the college at the same ceremony. Skelton received an honorary high-school diploma from Vincennes High School.", "Skelton received an honorary high-school diploma from Vincennes High School. He was also an honorary member of Kappa Kappa Psi National Honorary Band Fraternity; Skelton had composed many marches, which were used by more than 10,000 high-school and college bands. In 1986, Skelton received an honorary degree from Ball State University. The Red Skelton Memorial Bridge spans the Wabash River and provides the highway link between Illinois and Indiana on U.S. Route 50, near Skelton's home town of Vincennes. He attended the dedication ceremonies in 1963.", "He attended the dedication ceremonies in 1963. He attended the dedication ceremonies in 1963. Awards and recognition In 1952, Skelton received Emmy Awards for Best Comedy Program and Best Comedian. He also received an Emmy nomination in 1957 for his noncomedic performance in Playhouse 90's presentation of \"The Big Slide\". Skelton and his writers won another Emmy in 1961 for Outstanding Writing Achievement in Comedy. He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969.", "He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969. Skelton's first major post-television recognition came in 1978, when the Golden Globe Awards named him as the recipient for their Cecil B. DeMille Award, which is given to honor outstanding contributions in entertainment. His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette.", "His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette. When he was presented with the Academy of Television Arts & Sciences' Governor's Award in 1986, Skelton received a standing ovation. \"I want to thank you for sitting down\", he said when the ovation subsided. \"I thought you were pulling a CBS and walking out on me.\" The honor came 16 years after his television program left the airwaves.", "The honor came 16 years after his television program left the airwaves. Skelton received a Lifetime Achievement Award from the Screen Actors Guild in 1987, and in 1988, he was inducted into the Academy of Television Arts & Sciences' Television Hall of Fame. He was one of the International Clown Hall of Fame's first inductees in 1989. Skelton and Katharine Hepburn were honored with lifetime achievement awards by the American Comedy Awards in the same year. He was inducted into the National Radio Hall of Fame in 1994.", "He was inducted into the National Radio Hall of Fame in 1994. Skelton also has two stars on the Hollywood Walk of Fame for his radio and television work. Legacy and tributes Skelton preferred to be described as a clown rather than a comic: \"A comedian goes out and hits people right on. A clown uses pathos. He can be funny, then turn right around and reach people and touch them with what life is like.\"", "He can be funny, then turn right around and reach people and touch them with what life is like.\" \"I just want to be known as a clown\", he said, \"because to me that's the height of my profession. It means you can do everything—sing, dance and above all, make people laugh.\" His purpose in life, he believed, was to make people laugh.", "His purpose in life, he believed, was to make people laugh. In Groucho and Me, Groucho Marx called Skelton \"the most unacclaimed clown in show business\", and \"the logical successor to [Charlie] Chaplin\", largely because of his ability to play a multitude of characters with minimal use of dialogue and props.", "In Groucho and Me, Groucho Marx called Skelton \"the most unacclaimed clown in show business\", and \"the logical successor to [Charlie] Chaplin\", largely because of his ability to play a multitude of characters with minimal use of dialogue and props. \"With one prop, a soft battered hat\", Groucho wrote, describing a performance he had witnessed, \"he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy.", "\"With one prop, a soft battered hat\", Groucho wrote, describing a performance he had witnessed, \"he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy. No grotesque make-up, no funny clothes, just Red.\" He added that Skelton also \"plays a dramatic scene about as effectively as any of the dramatic actors.\"", "He added that Skelton also \"plays a dramatic scene about as effectively as any of the dramatic actors.\" In late 1965, ventriloquist Edgar Bergen, reminiscing about the entertainment business, singled out Skelton for high praise. \"It's all so very different today. The whole business of comedy has changed — from 15 minutes of quality to quantity. We had a lot of very funny people around, from Charley Chase to Charlie Chaplin and Laurel and Hardy. The last one of that breed is Red Skelton.\"", "The last one of that breed is Red Skelton.\" Harry Cohn of Columbia Pictures also praised Skelton, saying, \"He's a clown in the old tradition. He doesn't need punch lines. He's got heart.\" Skelton and Marcel Marceau shared a long friendship and admiration of each other's work. Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery.", "Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery. He was also a guest on the three Funny Faces specials that Skelton produced for HBO. In a TV Guide interview after Skelton's death, Marceau said, \"Red, you are eternal for me and the millions of people you made laugh and cry. May God bless you forever, my great and precious companion. I will never forget that silent world we created together.\"", "I will never forget that silent world we created together.\" CBS issued the following statement upon his death: \"Red's audience had no age limits. He was the consummate family entertainer—a winsome clown, a storyteller without peer, a superb mime, a singer, and a dancer.\" The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born.", "The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born. The building includes an 850-seat theater, classrooms, rehearsal rooms, and dressing rooms. Its grand foyer is a gallery for Skelton's paintings, statues, and film posters. The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions.", "The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions. The adjacent Red Skelton Museum of American Comedy opened on July 18, 2013, on what would have been Skelton's 100th birthday. It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment.", "It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment. Skelton's widow, Lothian, noted that he expressed no interest in any sort of Hollywood memorial. The museum is funded jointly by the Red Skelton Museum Foundation and the Indiana Historical Society. Other foundation projects include a fund that provides new clothes to Vincennes children from low-income families. The foundation also purchased Skelton's birthplace.", "The foundation also purchased Skelton's birthplace. The foundation also purchased Skelton's birthplace. On July 15, 2017, the state of Indiana unveiled a state historic marker at the home in Vincennes where Skelton was born. The town of Vincennes has held an annual Red Skelton Festival since 2005. A \"Parade of a Thousand Clowns\", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances.", "A \"Parade of a Thousand Clowns\", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances. In 2006, Travis Tarrants purchased the historic Vincennes Pantheon Theatre, where Skelton performed during his youth. He established a nonprofit organization with the hope of restoring the theatre to its 1921 state. Tarrants was able to raise close to $300,000 for the restoration. Two years later, donations for the project plummeted.", "Two years later, donations for the project plummeted. Two years later, donations for the project plummeted. Tarrants lost the theatre to unpaid back taxes in 2012, and the new owner was realtor Heath Klein. In late 2014, Klein sold the theatre property to a Vincennes nonprofit group, INVin. The organization works to bring arts and arts-related businesses into downtown Vincennes. In March 2016, the group proposed to turn the theatre into shared workspace.", "In March 2016, the group proposed to turn the theatre into shared workspace. Filmography Features Short subjects Box-office ranking Based on rankings of the amount of money earned in box-office receipts for film showings, for a number of years Skelton was among the most popular stars in the country: 1944 – 16th largest box office draw 1949 – 13th 1951 – 14th 1952 – 21st Published works Notes References Sources cited External links Red Skelton Biography Red Skelton Foundation Red Skelton Museum and Education Center Red Skelton Performing Arts Center at Vincennes University Edna and Red Skelton Collection at the Indiana Historical Society RED-EO Video Production Company, article and photo, The Broadcast Archive List of Red Skelton TV Episodes 1951–1971, The Classic TV Archive Literature on Red Skelton Red Skelton at the Internet Archive \"Edna Stillwell and the 'Real Making of Red'”, Indiana Historical Bureau 1913 births 1997 deaths 20th-century American comedians 20th-century American composers 20th-century American male actors 20th-century American male musicians 20th-century American painters Red Skelton Red Skelton Red Skelton American burlesque performers American clowns American male comedians American male composers American male film actors American male painters American male radio actors American male television actors American radio personalities Television personalities from California Burials at Forest Lawn Memorial Park (Glendale) California Republicans Red Skelton Cecil B. DeMille Award Golden Globe winners Comedians from California Conservatism in the United States Indiana Historical Society Indiana Republicans Deaths from pneumonia in California Male actors from Indiana Male actors from Palm Springs, California Metro-Goldwyn-Mayer contract players Red Skelton Painters from Indiana Painters from California People from Vincennes, Indiana Primetime Emmy Award winners Screen Actors Guild Life Achievement Award United States Army personnel of World War II United States Army soldiers Vaudeville performers" ]
[ "Red Skelton", "Radio, divorce and remarriage (1937-1951)", "Was Red on radio", "A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.", "Did he do ads on radio or shows?", " Skelton went on the air with his own radio show, The Raleigh Cigarette Program," ]
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Was the show The Raleigh Cigarette Program popular?
Red Skelton
Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallee's The Fleischmann's Yeast Hour on August 12, 1937. Vallee's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallee also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers: selecting material from them, adding her own and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. CANNOTANSWER
The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard,
Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show. He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934. The "Doughnut Dunkers" pantomime sketch, which he wrote together with his wife, launched a career for him in vaudeville, radio, and films. His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938. He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957. Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953). Skelton was eager to work in television, even when the medium was in its infancy. The Red Skelton Show made its television premiere on September 30, 1951, on NBC. By 1954, Skelton's program moved to CBS, where it was expanded to one hour and renamed The Red Skelton Hour in 1962. Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power. Skelton moved his program to NBC, where he completed his last year with a regularly scheduled television show in 1971. He spent his time after that making as many as 125 personal appearances a year and working on his paintings. Skelton's paintings of clowns remained a hobby until 1964, when his wife Georgia persuaded him to show them at the Sands Hotel in Las Vegas while he was performing there. Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales. At the time of his death, his art dealer said he thought that Skelton had earned more money through his paintings than from his television performances. Skelton believed that his life's work was to make people laugh; he wanted to be known as a clown because he defined it as being able to do everything. He had a 70-year-long career as a performer and entertained three generations of Americans. His widow donated many of his personal and professional effects to Vincennes University, including prints of his artwork. They are part of the Red Skelton Museum of American Comedy at Vincennes, Indiana. Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana. In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really "Red" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was "Red". Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton. He had three older brothers: Denny Ishmael Skelton (1905-1943), Christopher M. Skelton (1907-1977) and Paul Fred Skelton (1910-1989). Joseph Skelton, a grocer, died two months before Richard was born; he had once been a clown with the Hagenbeck-Wallace Circus. His birth certificate surname was that of his father's stepfather. During Skelton's lifetime there was some dispute about the year of his birth. Author Wesley Hyatt suggests that since he began working at such an early age, Skelton may have claimed he was older than he actually was in order to gain employment. Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future. Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home. He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him. According to later accounts, Skelton's early interest in becoming an entertainer stemmed from an incident that took place in Vincennes around 1923, when a stranger, supposedly the comedian Ed Wynn, approached Skelton, who was the newsboy selling papers outside a Vincennes theater. When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town. The man purchased every paper Skelton had, providing enough money for the boy to purchase a ticket for himself. The stranger turned out to be one of the show's stars, who later took the boy backstage to introduce him to the other performers. The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer. Skelton discovered at an early age that he could make people laugh. Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers. He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end. Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead. In another incident, while performing in Uncle Tom's Cabin, Skelton was on an unseen treadmill; when it malfunctioned and began working in reverse, the frightened young actor called out, "Help! I'm backing into heaven!" He was fired before completing a week's work in the role. At the age of 15, Skelton did some early work on the burlesque circuit, and reportedly spent four months with the Hagenbeck-Wallace Circus in 1929, when he was 16 years old. Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but "his destiny had caught up with him at an early age". She let him go with her blessing. Times were tough during the Great Depression, and it may have meant one less child for her to feed. Around 1929, while Skelton was still a teen, he joined "Doc" R.E. Lewis's traveling medicine show as an errand boy who sold bottles of medicine to the audience. During one show, when Skelton accidentally fell from the stage, breaking several bottles of medicine as he fell, people laughed. Both Lewis and Skelton realized one could earn a living with this ability and the fall was worked into the show. He also told jokes and sang in the medicine show during his four years there. Skelton earned ten dollars a week, and sent all of it home to his mother. When she worried that he was keeping nothing for his own needs, Skelton reassured her: "We get plenty to eat, and we sleep in the wagon." Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on. He insisted that he was no prude; "I just didn't think the lines were funny". He became a sought-after master of ceremonies for dance marathons (known as "walkathons" at the time), a popular fad in the 1930s. The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater. She approached Skelton after winning the contest and told him that she did not like his jokes; he asked if she could do better. They married in 1931 in Kansas City, and Edna began writing his material. At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16. When they learned that Skelton's salary was to be cut, Edna went to see the boss; he resented the interference, until she came away with not only a raise, but additional considerations as well. Since he had left school at an early age, his wife bought textbooks and taught him what he had missed. With Edna's help, Skelton received a high school equivalency degree. The couple put together an act and began booking it at small midwestern theaters. When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City. To get to Massachusetts they bought a used car and borrowed five dollars from Edna's mother, but by the time they arrived in St. Louis they had only fifty cents. Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked. He then spent their fifty cents on bars of soap, which they cut into small cubes and wrapped with the tinfoil from the cigarette packs. By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port. "Doughnut Dunkers" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the "Doughnut Dunkers" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the "Doughnut Dunkers" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, "Careful what you drink, Mr. President. I got rolled in a place like this once." His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Film work Skelton's first contact with Hollywood came in the form of a failed 1932 screen test. In 1938, he made his film debut for RKO Pictures in the supporting role of a camp counselor in Having Wonderful Time. He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo. Actor Mickey Rooney contacted Skelton, urging him to try for work in films after seeing him perform his "Doughnut Dunkers" act at President Roosevelt's 1940 birthday party. For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as "Guzzler's Gin", but added some impromptu pantomimes as the cameras were rolling. "Imitation of Movie Heroes Dying" were Skelton's impressions of the cinema deaths of stars such as George Raft, Edward G. Robinson, and James Cagney. Skelton appeared in numerous films for MGM throughout the 1940s. In 1940, he provided comic relief as a lieutenant in Frank Borzage's war drama Flight Command, opposite Robert Taylor, Ruth Hussey, and Walter Pidgeon. In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare. Skelton was soon starring in comedy features as inept radio detective "The Fox", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director. He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943). In 1941, Skelton began appearing in musical comedies, starring opposite Eleanor Powell, Ann Sothern, and Robert Young in Norman Z. McLeod's Lady Be Good. In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie. In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It. The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming. Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick. Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects. Keaton offered to forgo his salary if the films made by the company were not box-office hits; Mayer chose to decline the request. In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties. He next had a relatively minor role as a "TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor" in the "When Television Comes" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles. In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off. Skelton's contract called for MGM's approval prior to his radio shows and other appearances. When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental. At the time, the major work in the medium was centered in New York; Skelton had worked there for some time, and was able to determine that he would find success with his physical comedy through the medium. By 1947, Skelton's work interests were focused not on films, but on radio and television. His MGM contract was rigid enough to require the studio's written consent for his weekly radio shows, as well as any benefit or similar appearances he made; radio offered fewer restrictions, more creative control, and a higher salary. Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract. He also voiced frustration with the film scripts he was offered while on the set of The Fuller Brush Man, saying, "Movies are not my field. Radio and television are." He did not receive the desired television clause nor a release from his MGM contract. In 1948, columnist Sheilah Graham printed that Skelton's wishes were to make only one film a year, spending the rest of the time traveling the U.S. with his radio show. Skelton's ability to successfully ad lib often meant that the way the script was written was not always the way it was recorded on film. Some directors were delighted with the creativity, but others were often frustrated by it. S. Sylvan Simon, who became a close friend, allowed Skelton free rein when directing him. MGM became annoyed with Simon during the filming of The Fuller Brush Man, as the studio contended that Skelton should have been playing romantic leads instead of performing slapstick. Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits. Skelton was willing to negotiate with MGM to extend the agreement provided he would receive the right to pursue television. This time, the studio was willing to grant it, making Skelton the only major MGM personality with the privilege. The 1950 negotiations allowed him to begin working in television beginning September 30, 1951. During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films. He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No. 1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!. In a 1956 interview, he said he would never work simultaneously in all three media again. As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965). Radio, divorce, and remarriage (1937–1951) Performing the "Doughnut Dunkers" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent-show segment, and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio-show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles-area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. "I dood it!" Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem. The second character, the Mean Widdle Kid, or "Junior", was a young boy full of mischief, who typically did things he was told not to do. "Junior" would say things like, "If I dood it, I gets a whipping.", followed moments later by the statement, "I dood it!" Skelton performed the character at home with Edna, giving him the nickname "Junior" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play "Junior" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase "Doolittle Dood It" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber "We Dood It!" In 1986, Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928. Originally called "Mellow Cigars", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine "Guzzler's Gin", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's audience was treated to a post-program performance. He then performed his "Guzzler's Gin" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats. Divorce from Edna, marriage to Georgia In 1942, Edna announced that she was leaving Skelton, but would continue to manage his career and write material for him. He did not realize she was serious until Edna issued a statement about the impending divorce through NBC. They were divorced in 1943, leaving the courtroom arm in arm. The couple did not discuss the reasons for their divorce, and Edna initially prepared to work as a script writer for other radio programs. When the divorce was finalized, she went to New York, leaving her former husband three fully prepared show scripts. Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity. Edna remained the manager of the couple's funds because Skelton spent money too easily. An attempt at managing his own checking account that began with a $5,000 balance, ended five days later after a call to Edna saying the account was overdrawn. Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets. She remained an advisor on his career until 1952, receiving a generous weekly salary for life for her efforts. The divorce meant that Skelton had lost his married man's deferment; he was once again classified as 1-A for service. He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail. His last Raleigh radio show was on June 6, 1944, the day before he was formally inducted as a private; he was not assigned to Special Services at that time. Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet. By 1944, Skelton was engaged to actress Muriel Morris, who was also known as Muriel Chase; the couple had obtained a marriage license and told the press they intended to marry within a few days. At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City. She later recanted the story about marrying the businessman, but continued to say that her relationship with Skelton was over. The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband. He was on army furlough for throat discomfort when he married actress Georgia Maureen Davis in Beverly Hills, California, on March 9, 1945; the couple met on the MGM lot. Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding. He knew he would possibly be assigned overseas soon, and wanted the marriage to take place first. After the wedding, he entered the hospital to have his tonsils removed. The couple had two children; Valentina, a daughter, was born May 5, 1947, and a son, Richard, was born May 20, 1948. A cast of characters Skelton served in the United States Army during World War II. After being assigned to the Special Services, Skelton performed as many as 12 shows per day before troops in both the United States and in Europe. The pressure of his workload caused him to suffer exhaustion and a nervous breakdown. He had a nervous collapse while in the Army, following which he developed a stutter. While recovering at an army hospital at Camp Pickett, Virginia, he met a soldier who had been severely wounded and was not expected to survive. Skelton devoted a lot of time and effort to trying to make the man laugh. As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list. He was released from his army duties in September 1945. "I've been told I'm the only celebrity who entered the Army as a private and came out a private," he told reporters. His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945. Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a "loudmouthed braggart"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations. By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air. On April 22, 1947, Skelton was censored by NBC two minutes into his radio show. When his announcer Rod O'Connor and he began talking about Fred Allen being censored the previous week, they were silenced for 15 seconds; comedian Bob Hope was given the same treatment once he began referring to the censoring of Allen. Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast. He had been briefly censored the previous month for the use of the word "diaper". After the April incidents, NBC indicated it would no longer pull the plug for similar reasons. Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs. His new sponsor was Procter & Gamble's Tide laundry detergent. The next year, he changed networks, going from NBC to CBS, where his radio show aired until May 1953. After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954. His syndicated radio program was offered as a daily show; it included segments of his older network radio programs, and new material done for the syndication. He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them. Television (1951–1970) Skelton was unable to work in television until the end of his 1951 MGM movie contract; a renegotiation to extend the pact provided permission after that point. On May 4, 1951, he signed a contract for television with NBC; Procter and Gamble was his sponsor. He said he would be performing the same characters on television that he had been doing on radio. The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down. A 1943 instrumental hit by David Rose, called "Holiday for Strings", became Skelton's TV theme song. The move to television allowed him to create two nonhuman characters, seagulls Gertrude and Heathcliffe, which he performed while the pair were flying by, tucking his thumbs under his arms to represent wings and shaping his hat to look like a bird's bill. He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics. His "Freddie the Freeloader" clown was introduced on the program in 1952, with Skelton copying his father's makeup for the character. ( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.) A ritual was established for the end of every program, with Skelton's shy, boyish wave and words of "Good night and may God bless." During the 1951–1952 season, the program was broadcast from a converted NBC radio studio. The first year of the television show was done live; this led to problems, because not enough time was available for costume changes; Skelton was on camera for most of the half hour, including the delivery of a commercial that was written into one of the show's skits. In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up. The script was completed, and he had the show's production crew build a set that was perpendicular to the stage, so it would give the illusion that someone was walking on walls. The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking. When Willie wakes up there after a night of drinking, he is misled into believing he is not lying on the floor, but on the living room wall. Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall. Within an hour after the broadcast, the NBC switchboard had received 350 calls regarding the show, and Skelton had received more than 2,500 letters about the skit within a week of its airing. Skelton was delivering an intense performance live each week, and the strain showed in physical illness. In 1952, he was drinking heavily due to the constant physical pain of a diaphragmatic hernia and the emotional distress of marital problems. He thought about divorcing Georgia. NBC agreed to film his shows in the 1952–1953 season at Eagle Lion Studios, next to the Sam Goldwyn Studio, on Santa Monica Boulevard in Hollywood. Later, the show was moved to the new NBC television studios in Burbank. Procter and Gamble was unhappy with the filming of the television show, and insisted that Skelton return to live broadcasts. The situation made him think about leaving television. Declining ratings prompted sponsor Procter & Gamble to cancel his show in the spring of 1953. Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing. Beginning with the 1953–1954 season, he switched to CBS, where he remained until 1970. For the initial move to CBS, he had no sponsor. The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol. He curtailed his drinking and his ratings at CBS began to improve, especially after he began appearing on Tuesday nights for co-sponsors Johnson's Wax and Pet Milk Company. By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960. He tried to encourage CBS to do other shows in color at the facility, but CBS mostly avoided color broadcasting after the network's television-set manufacturing division was discontinued in 1951. By 1959, Skelton was the only comedian with a weekly variety television show. Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs. He performed a preview show for a studio audience on Mondays, using their reactions to determine which skits required editing for the Tuesday program. For the Tuesday afternoon run-through prior to the actual show, he ignored the script for the most part, ad-libbing through it at will. The run-through was well attended by CBS Television City employees. Sometimes during live telecasts and taped programs, Skelton would break up or cause his guest stars to laugh. Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live. While the network told him to take as much time off as necessary, Skelton felt that unless he went back to his television show, he would be unable to be at ease and make his son's life a happy one. He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits. In happier times, he had frequently mentioned his children on his program, but he found it extremely difficult to do this after Richard became ill. Skelton resumed this practice only after his son asked him to do so. After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible. The Skeltons had an audience with Pope Pius XII on July 22, 1957. According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far. The Skeltons cut their travels short and returned to the United States after an encounter with an aggressive reporter in London and relentlessly negative reports in British newspapers. The Skelton family received support from CBS management and from the public following the announcement of Richard's illness. In November, Skelton fell down stairs and injured an ankle, and he nearly died after a "cardiac-asthma" attack on December 30, 1957. He was taken to St. John's Hospital in Santa Monica, where, his doctors said, "if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived". Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers. His illness and recovery kept him off the air for a full month; Skelton returned to his television show on January 28, 1958. Richard died on May 10, 1958, 10 days before his 10th birthday. Skelton was scheduled to do his weekly television show on the day his son was buried. Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead. His friends in the television, film and music industries organized The Friends Of Red Skelton Variety Show, which they performed to replace The Red Skelton Show for that week; by May 27, 1958, Skelton had returned to his program. Richard‘s death had a profound effect on the family. Life magazine, profiling "The Invincible Red" on April 21, 1961, observed that Skelton was still "racked [sic]" by his son’s death. In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping. The Red Skelton Hour In early 1960, Skelton purchased the old Charlie Chaplin Studios and updated it for videotape recording. With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color. Even with his color facilities, CBS discontinued color broadcasts on a regular basis and Skelton shortly thereafter sold the studio to CBS and the mobile unit to local station KTLA. Prior to this, he had been filming at Desilu Productions. Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network. In the fall of 1962, CBS expanded his program to a full hour, retitling it The Red Skelton Hour. Although it was a staple of his radio programs, he did not perform his "Junior" character on television until 1962, after extending the length of his program. Skelton frequently employed the art of pantomime for his characters; a segment of his weekly program was called the "Silent Spot". He attributed his liking for pantomime and for using few props to the early days when he did not want to have a lot of luggage. He explained that having the right hat was the key to getting into character. Skelton's season premiere for the 1960–1961 television season was a tribute to the United Nations. About 600 people from the organization, including diplomats, were invited to be part of the audience for the show. The program was entirely done in pantomime, as UN representatives from 39 nations were in the studio audience. One of the sketches he performed for the UN was that of the old man watching the parade. The sketch had its origins in a question Skelton's son, Richard, asked his father about what happens when people die. He told his son, "They join a parade and start marching." In 1965, Skelton did another show completely in pantomime. This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio. The only person who spoke during the hour was Maurice Chevalier, who served as the show's narrator. In 1969, Skelton wrote and performed a monologue about the Pledge of Allegiance. In the speech, he commented on the meaning of each phrase of the pledge. He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech. The teacher had grown tired of hearing his students monotonously recite the pledge each morning; he then demonstrated to them how it should be recited, along with comments about the meaning behind each phrase. CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records. A year later, he performed the monologue for President Richard Nixon at the first "Evening at the White House", a series of entertainment events honoring the recently inaugurated president. Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs. Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan. Performing in Las Vegas when he got the news of his CBS cancellation, Skelton said, "My heart has been broken." His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television. Skelton moved to NBC in 1970 in a half-hour Monday-night version of his former show. Its cancellation after one season ended his television career, and he returned to live performances. In an effort to prove the networks wrong, he gave many of these at colleges and proved popular with the audiences. Skelton was bitter about CBS's cancellation for many years afterwards. Believing the demographic and salary issues to be irrelevant, he accused CBS of bowing to the antiestablishment, antiwar faction at the height of the Vietnam War, saying his conservative political and social views caused the network to turn against him. He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program. Personal, as well as professional, changes occurred in Skelton's life at this time. He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973. While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program. (Johnny Carson, one of his former writers, began his rise to network television prominence when he substituted for Skelton after a dress rehearsal injury in 1954.) Skelton was also a guest on The Merv Griffin Show in October of the same year. Hopes he may have had that he could ease back into television through the talk-show circuit were ended on May 10, 1976, when Georgia Skelton committed suicide by gunshot on the 18th anniversary of Richard Skelton's death. Georgia was 54 and had been in poor health for some time. He put all professional activities on hold for some months as he mourned his former wife's death. Skelton made plans in 1977 to sell the rights to his old television programs as part of a package that would bring him back to regular television appearances. The package called for him to produce one new television show for every three older episodes; this did not materialize. In 1980, he was taken to court by 13 of his former writers over a report that his will called for the destruction of recordings of all his old television shows upon his death. Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context. He said at the time, "Would you burn the only monument you've built in over 20 years?" As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime. In 1983, Group W announced that it had come to terms with him for the rights to rebroadcast some of his original television programs from 1966 through 1970; some of his earlier shows were made available after Skelton's death. Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer. He retained a fondness for theaters, and referred to them as "palaces"; he also likened them to his "living room", where he would privately entertain guests. At the end of a performance, he would look at the empty stage where there was now no laughter or applause and tell himself, "Tomorrow I must start again. One hour ago, I was a big man. I was important out there. Now it's empty. It's all gone." Skelton was invited to play a four-week date at the London Palladium in July 1951. While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children. The plane lost the use of two of its four engines and seemed destined to lose the rest, meaning that the plane would crash over Mont Blanc. The priest readied himself to administer last rites. As he did so, he told Skelton, "You take care of your department, Red, and I'll take care of mine." Skelton diverted the attention of the passengers with pantomimes while Father Carney prayed. They ultimately landed at a small airstrip in Lyon, France. He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year. Though Skelton had always done live engagements at Nevada hotels and appearances such as state fairs during his television show's hiatus, he focused his time and energy on live performances after he was no longer on the air, performing up to 125 dates a year. He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls. Before the show, his audiences received a ballot listing about 100 of his many routines and were asked to tick off their favorites. The venue's ushers would collect the ballots and tally the votes. Skelton's performance on that given day was based on the skits his audience selected. After he learned that his performances were popular with the hearing-impaired because of his heavy use of pantomimes, Skelton hired a sign language interpreter to translate the non-pantomime portions of his act for all his shows. He continued performing live until 1993, when he celebrated his 80th birthday. Later years and death In 1974, Skelton's interest in film work was rekindled with the news that Neil Simon's comedy The Sunshine Boys would become a movie; his last significant film appearance had been in Public Pigeon No. 1 in 1956. He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis. Although Simon had planned to cast Jack Albertson, who played Willy on Broadway, in the same role for the film, Skelton's screen test impressed him enough to change his mind. Skelton declined the part, however, reportedly due to an inadequate financial offer, and Benny's final illness forced him to withdraw, as well. George Burns and Walter Matthau ultimately starred in the film. In 1981, Skelton made several specials for HBO, including Freddie the Freeloader's Christmas Dinner (1981) and the Funny Faces series of specials. He gave a Royal Command Performance for the Royal Society for the Protection of Birds in 1984, which was later shown in the U.S. on HBO. A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime. Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as "a long, undisclosed illness". He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California. Skelton was survived by his widow, Lothian Toland Skelton; his daughter, Valentina Marie Skelton Alonso; and granddaughter Sabrina Maureen Alonso. Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years. He said he was inspired to try his hand at painting after visiting a large Chicago department store that had various paintings on display. Inquiring as to the price of one, which Skelton described as "a bunch of blotches", he was told, "Ten thousand wouldn't buy that one." He told the clerk he was one of the ten thousand who would not buy the painting, instead buying his own art materials. His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time. Skelton believed painting was an asset to his comedy work, as it helped him to better visualize the imaginary props used in his pantomime routines. In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business. He made his work available to art galleries by selling them franchises to display and sell his paintings. He once estimated the sale of his lithographs earned him $2.5 million per year. Shortly after his death, his art dealer said he believed that Skelton made more money on his paintings than from his television work. At the time of his death, Skelton had produced over 1,000 oil paintings of clowns. When asked why his artwork focused on clowns, he said at first, "I don't know why it's always clowns." He continued after thinking a moment by saying "No, that's not true—I do know why. I just don't feel like thinking about it ..." At the time of Skelton's death, his originals were priced at $80,000 and upward. Other interests Skelton was a prolific writer of both short stories and music. After sleeping only four or five hours a night, he would wake up at 5 am and begin writing stories, composing music, and painting pictures. He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death. He wrote commercials for Skoal tobacco and sold many of his compositions to Muzak, a company that specialized in providing background music to stores and other businesses. Skelton was also interested in photography; when attending Hollywood parties, he would take photos and give the film to newspaper reporters waiting outside. He was never without a miniature camera, and kept a photographic record of all his paintings. Skelton was also an avid gardener, who created his own Japanese and Italian gardens and cultivated bonsai trees at his home in Palm Springs. He owned a horse ranch in the Anza Valley. Fraternity and honors Skelton was a Freemason, a member of Vincennes Lodge No. 1, in Indiana. He also was a member of both the Scottish and the York Rites. He was a recipient of the Gold Medal of the General Grand Chapter, Royal Arch Masons, for Distinguished Service in the Arts and Sciences. On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995. Skelton became interested in Masonry as a small boy selling newspapers in Vincennes, when a man bought a paper from him with a $5 bill and told him to keep the change. The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give. Skelton decided to become one also when he was grown. He was also member of the Independent Order of Odd Fellows, as well as a Shriner in Los Angeles. Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University. In 1961, he became an honorary brother of the Phi Alpha Tau Fraternity of Emerson College, when he was awarded the Joseph E. Connor Award for excellence in the field of communications. He also received an honorary degree from the college at the same ceremony. Skelton received an honorary high-school diploma from Vincennes High School. He was also an honorary member of Kappa Kappa Psi National Honorary Band Fraternity; Skelton had composed many marches, which were used by more than 10,000 high-school and college bands. In 1986, Skelton received an honorary degree from Ball State University. The Red Skelton Memorial Bridge spans the Wabash River and provides the highway link between Illinois and Indiana on U.S. Route 50, near Skelton's home town of Vincennes. He attended the dedication ceremonies in 1963. Awards and recognition In 1952, Skelton received Emmy Awards for Best Comedy Program and Best Comedian. He also received an Emmy nomination in 1957 for his noncomedic performance in Playhouse 90's presentation of "The Big Slide". Skelton and his writers won another Emmy in 1961 for Outstanding Writing Achievement in Comedy. He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969. Skelton's first major post-television recognition came in 1978, when the Golden Globe Awards named him as the recipient for their Cecil B. DeMille Award, which is given to honor outstanding contributions in entertainment. His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette. When he was presented with the Academy of Television Arts & Sciences' Governor's Award in 1986, Skelton received a standing ovation. "I want to thank you for sitting down", he said when the ovation subsided. "I thought you were pulling a CBS and walking out on me." The honor came 16 years after his television program left the airwaves. Skelton received a Lifetime Achievement Award from the Screen Actors Guild in 1987, and in 1988, he was inducted into the Academy of Television Arts & Sciences' Television Hall of Fame. He was one of the International Clown Hall of Fame's first inductees in 1989. Skelton and Katharine Hepburn were honored with lifetime achievement awards by the American Comedy Awards in the same year. He was inducted into the National Radio Hall of Fame in 1994. Skelton also has two stars on the Hollywood Walk of Fame for his radio and television work. Legacy and tributes Skelton preferred to be described as a clown rather than a comic: "A comedian goes out and hits people right on. A clown uses pathos. He can be funny, then turn right around and reach people and touch them with what life is like." "I just want to be known as a clown", he said, "because to me that's the height of my profession. It means you can do everything—sing, dance and above all, make people laugh." His purpose in life, he believed, was to make people laugh. In Groucho and Me, Groucho Marx called Skelton "the most unacclaimed clown in show business", and "the logical successor to [Charlie] Chaplin", largely because of his ability to play a multitude of characters with minimal use of dialogue and props. "With one prop, a soft battered hat", Groucho wrote, describing a performance he had witnessed, "he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy. No grotesque make-up, no funny clothes, just Red." He added that Skelton also "plays a dramatic scene about as effectively as any of the dramatic actors." In late 1965, ventriloquist Edgar Bergen, reminiscing about the entertainment business, singled out Skelton for high praise. "It's all so very different today. The whole business of comedy has changed — from 15 minutes of quality to quantity. We had a lot of very funny people around, from Charley Chase to Charlie Chaplin and Laurel and Hardy. The last one of that breed is Red Skelton." Harry Cohn of Columbia Pictures also praised Skelton, saying, "He's a clown in the old tradition. He doesn't need punch lines. He's got heart." Skelton and Marcel Marceau shared a long friendship and admiration of each other's work. Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery. He was also a guest on the three Funny Faces specials that Skelton produced for HBO. In a TV Guide interview after Skelton's death, Marceau said, "Red, you are eternal for me and the millions of people you made laugh and cry. May God bless you forever, my great and precious companion. I will never forget that silent world we created together." CBS issued the following statement upon his death: "Red's audience had no age limits. He was the consummate family entertainer—a winsome clown, a storyteller without peer, a superb mime, a singer, and a dancer." The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born. The building includes an 850-seat theater, classrooms, rehearsal rooms, and dressing rooms. Its grand foyer is a gallery for Skelton's paintings, statues, and film posters. The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions. The adjacent Red Skelton Museum of American Comedy opened on July 18, 2013, on what would have been Skelton's 100th birthday. It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment. Skelton's widow, Lothian, noted that he expressed no interest in any sort of Hollywood memorial. The museum is funded jointly by the Red Skelton Museum Foundation and the Indiana Historical Society. Other foundation projects include a fund that provides new clothes to Vincennes children from low-income families. The foundation also purchased Skelton's birthplace. On July 15, 2017, the state of Indiana unveiled a state historic marker at the home in Vincennes where Skelton was born. The town of Vincennes has held an annual Red Skelton Festival since 2005. A "Parade of a Thousand Clowns", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances. In 2006, Travis Tarrants purchased the historic Vincennes Pantheon Theatre, where Skelton performed during his youth. He established a nonprofit organization with the hope of restoring the theatre to its 1921 state. Tarrants was able to raise close to $300,000 for the restoration. Two years later, donations for the project plummeted. Tarrants lost the theatre to unpaid back taxes in 2012, and the new owner was realtor Heath Klein. In late 2014, Klein sold the theatre property to a Vincennes nonprofit group, INVin. The organization works to bring arts and arts-related businesses into downtown Vincennes. In March 2016, the group proposed to turn the theatre into shared workspace. Filmography Features Short subjects Box-office ranking Based on rankings of the amount of money earned in box-office receipts for film showings, for a number of years Skelton was among the most popular stars in the country: 1944 – 16th largest box office draw 1949 – 13th 1951 – 14th 1952 – 21st Published works Notes References Sources cited External links Red Skelton Biography Red Skelton Foundation Red Skelton Museum and Education Center Red Skelton Performing Arts Center at Vincennes University Edna and Red Skelton Collection at the Indiana Historical Society RED-EO Video Production Company, article and photo, The Broadcast Archive List of Red Skelton TV Episodes 1951–1971, The Classic TV Archive Literature on Red Skelton Red Skelton at the Internet Archive "Edna Stillwell and the 'Real Making of Red'”, Indiana Historical Bureau 1913 births 1997 deaths 20th-century American comedians 20th-century American composers 20th-century American male actors 20th-century American male musicians 20th-century American painters Red Skelton Red Skelton Red Skelton American burlesque performers American clowns American male comedians American male composers American male film actors American male painters American male radio actors American male television actors American radio personalities Television personalities from California Burials at Forest Lawn Memorial Park (Glendale) California Republicans Red Skelton Cecil B. DeMille Award Golden Globe winners Comedians from California Conservatism in the United States Indiana Historical Society Indiana Republicans Deaths from pneumonia in California Male actors from Indiana Male actors from Palm Springs, California Metro-Goldwyn-Mayer contract players Red Skelton Painters from Indiana Painters from California People from Vincennes, Indiana Primetime Emmy Award winners Screen Actors Guild Life Achievement Award United States Army personnel of World War II United States Army soldiers Vaudeville performers
true
[ "The Silver Logie for Most Popular Australian Program was an award presented at the Australian TV Week Logie Awards. The award was given to recognise the popularity of Australian programs, originally state based awards and then awarded nationally.\n\nIt was first awarded at the 3rd Annual TV Week Logie Awards ceremony, held in 1961 when the award was originally called Most Popular Program. This award category was eliminated in 1966 and replaced by the Most Popular Live Show category. It was reintroduced in 1968 and renamed Best Show. Over the years, this category has also been known as Best Local Show (1970), Most Popular Show (1971, 1973–1985), Most Popular Series (1993–1997) and Most Popular Australian Program (2003–2004).\n\nState Affair holds the record for the most wins, with fifteen, followed by Adelaide Tonight, The Mike Walsh Show and Neighbours with nine wins each.\n\nNational\n\nStates\n\nNew South Wales\n\nQueensland\n\nSouth Australia\n\nTasmania\n\nVictoria\n\nWestern Australia\n\nReferences\n\nAwards established in 1961", "The Logie for Most Popular Comedy Program is an award presented annually at the Australian TV Week Logie Awards. It recognises the popularity of an Australian comedy program, which over the years have included scripted comedy series, sketch comedy, variety comedy shows and panel comedy shows.\n\nIt was first awarded at the 19th Annual TV Week Logie Awards, held in 1977 when the award was originally called Most Popular Australian Comedy. Over the years, it has been known as Most Popular Variety/Panel Comedy Show (1978), Most Popular Comedy Show (1979, 1981, 1983), Most Popular Variety/Comedy Show (1980), Most Popular Comedy Series (1982), Most Popular Comedy Series (1985).\n\nThe award was discontinued in 1986 when nominees were included in the Most Popular Australian Light Entertainment Program category. From 1989 to 1992, that award was known as the Most Popular Light Entertainment Program/Comedy award.\n\nThe category was reinstated as the Most Comedy Program in 1993 until 1999. In 2000, the categories were again combined as the Most Popular Comedy/Light Entertainment Program award. From 2018, the award category name was restored as Most Popular Comedy Program.\n\nThe winner and nominees of this category are chosen by the public through an online voting survey on the TV Week website. Full Frontal holds the record for the most wins, with four, followed by The Paul Hogan Show and Fast Forward with three each.\n\nWinners and nominees\n\nFrom 2000 to 2017, comedy nominees were included in the Logie Award for Most Popular Entertainment Program category.\n\nMultiple wins\n\nSee also\n Logie Award for Most Popular Entertainment Program\n\nReferences\n\nExternal links\n\nAwards established in 1977" ]
[ "Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program The Red Skelton Show. He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist.", "He has stars on the Hollywood Walk of Fame for his work in radio and television, and also appeared in burlesque, vaudeville, films, nightclubs, and casinos, all while he pursued an entirely separate career as an artist. Skelton began developing his comedic and pantomime skills from the age of 10, when he became part of a traveling medicine show. He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934.", "He then spent time on a showboat, worked the burlesque circuit, and then entered into vaudeville in 1934. The \"Doughnut Dunkers\" pantomime sketch, which he wrote together with his wife, launched a career for him in vaudeville, radio, and films. His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938.", "His radio career began in 1937 with a guest appearance on The Fleischmann's Yeast Hour, which led to his becoming the host of Avalon Time in 1938. He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957.", "He became the host of The Raleigh Cigarette Program in 1941, on which many of his comedy characters were created, and he had a regularly scheduled radio program until 1957. Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953).", "Skelton made his film debut in 1938 alongside Ginger Rogers and Douglas Fairbanks Jr. in Alfred Santell's Having Wonderful Time, and would appear in numerous musical and comedy films throughout the 1940s and 1950s, with starring roles in 19 films, including Ship Ahoy (1941), I Dood It (1943), Ziegfeld Follies (1946), and The Clown (1953). Skelton was eager to work in television, even when the medium was in its infancy.", "Skelton was eager to work in television, even when the medium was in its infancy. The Red Skelton Show made its television premiere on September 30, 1951, on NBC. By 1954, Skelton's program moved to CBS, where it was expanded to one hour and renamed The Red Skelton Hour in 1962. Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power.", "Despite high ratings, the show was canceled by CBS in 1970, as the network believed that more youth-oriented programs were needed to attract younger viewers and their spending power. Skelton moved his program to NBC, where he completed his last year with a regularly scheduled television show in 1971. He spent his time after that making as many as 125 personal appearances a year and working on his paintings.", "He spent his time after that making as many as 125 personal appearances a year and working on his paintings. Skelton's paintings of clowns remained a hobby until 1964, when his wife Georgia persuaded him to show them at the Sands Hotel in Las Vegas while he was performing there. Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales.", "Sales of his originals were successful, and he also sold prints and lithographs, earning $2.5 million yearly on lithograph sales. At the time of his death, his art dealer said he thought that Skelton had earned more money through his paintings than from his television performances. Skelton believed that his life's work was to make people laugh; he wanted to be known as a clown because he defined it as being able to do everything. He had a 70-year-long career as a performer and entertained three generations of Americans.", "He had a 70-year-long career as a performer and entertained three generations of Americans. His widow donated many of his personal and professional effects to Vincennes University, including prints of his artwork. They are part of the Red Skelton Museum of American Comedy at Vincennes, Indiana. Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana.", "Biography Early years, the medicine show and the circus (1913–1929) According to some sources, Skelton was born Richard Red Skelton on July 18, 1913, in Vincennes, Indiana. In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really \"Red\" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was \"Red\".", "In a 1983 appearance on The Tonight Show Starring Johnny Carson, Skelton claimed his middle name was really \"Red\" and that he had made up the middle name Bernard, from the name of a local store, Bernard Clothiers, to satisfy a schoolteacher who would not believe his middle name was \"Red\". Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton.", "Skelton was the fourth son and youngest child of Joseph Elmer and Ida Mae (née Fields) Skelton. He had three older brothers: Denny Ishmael Skelton (1905-1943), Christopher M. Skelton (1907-1977) and Paul Fred Skelton (1910-1989). Joseph Skelton, a grocer, died two months before Richard was born; he had once been a clown with the Hagenbeck-Wallace Circus. His birth certificate surname was that of his father's stepfather. During Skelton's lifetime there was some dispute about the year of his birth.", "During Skelton's lifetime there was some dispute about the year of his birth. Author Wesley Hyatt suggests that since he began working at such an early age, Skelton may have claimed he was older than he actually was in order to gain employment. Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future.", "Vincennes neighbors described the Skelton family as being extremely poor; a childhood friend remembered that her parents broke up a youthful romance between her sister and Skelton because they thought he had no future. Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home.", "Because of the loss of his father, Skelton went to work as early as the age of seven, selling newspapers and doing other odd jobs to help his family, who had lost the family store and their home. He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him.", "He quickly learned the newsboy's patter and would keep it up until a prospective buyer bought a copy of the paper just to quiet him. According to later accounts, Skelton's early interest in becoming an entertainer stemmed from an incident that took place in Vincennes around 1923, when a stranger, supposedly the comedian Ed Wynn, approached Skelton, who was the newsboy selling papers outside a Vincennes theater. When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town.", "When the man asked Skelton what events were going on in town, Skelton suggested he see the new show in town. The man purchased every paper Skelton had, providing enough money for the boy to purchase a ticket for himself. The stranger turned out to be one of the show's stars, who later took the boy backstage to introduce him to the other performers. The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer.", "The experience prompted Skelton, who had already shown comedic tendencies, to pursue a career as a performer. Skelton discovered at an early age that he could make people laugh. Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers.", "Skelton dropped out of school around 1926 or 1927, when he was 13 or 14 years old, but he already had some experience performing in minstrel shows in Vincennes, and on a showboat, The Cotton Blossom, that plied the Ohio and Missouri rivers. He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end.", "He enjoyed his work on the riverboat, moving on only after he realized that showboat entertainment was coming to an end. Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead.", "Skelton, who was interested in all forms of acting, took a dramatic role with the John Lawrence stock theater company, but was unable to deliver his lines in a serious manner; the audience laughed instead. In another incident, while performing in Uncle Tom's Cabin, Skelton was on an unseen treadmill; when it malfunctioned and began working in reverse, the frightened young actor called out, \"Help! I'm backing into heaven!\" He was fired before completing a week's work in the role.", "He was fired before completing a week's work in the role. At the age of 15, Skelton did some early work on the burlesque circuit, and reportedly spent four months with the Hagenbeck-Wallace Circus in 1929, when he was 16 years old. Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but \"his destiny had caught up with him at an early age\".", "Ida Skelton, who held multiple jobs to support her family after the death of her husband, did not suggest that her youngest son had run away from home to become an entertainer, but \"his destiny had caught up with him at an early age\". She let him go with her blessing. Times were tough during the Great Depression, and it may have meant one less child for her to feed. Around 1929, while Skelton was still a teen, he joined \"Doc\" R.E.", "Around 1929, while Skelton was still a teen, he joined \"Doc\" R.E. Lewis's traveling medicine show as an errand boy who sold bottles of medicine to the audience. During one show, when Skelton accidentally fell from the stage, breaking several bottles of medicine as he fell, people laughed. Both Lewis and Skelton realized one could earn a living with this ability and the fall was worked into the show. He also told jokes and sang in the medicine show during his four years there.", "He also told jokes and sang in the medicine show during his four years there. Skelton earned ten dollars a week, and sent all of it home to his mother. When she worried that he was keeping nothing for his own needs, Skelton reassured her: \"We get plenty to eat, and we sleep in the wagon.\" Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on.", "Burlesque to vaudeville (1929–1937) As burlesque comedy material became progressively more ribald, Skelton moved on. He insisted that he was no prude; \"I just didn't think the lines were funny\". He became a sought-after master of ceremonies for dance marathons (known as \"walkathons\" at the time), a popular fad in the 1930s. The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater.", "The winner of one of the marathons was Edna Stillwell, an usher at the old Pantages Theater. She approached Skelton after winning the contest and told him that she did not like his jokes; he asked if she could do better. They married in 1931 in Kansas City, and Edna began writing his material. At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16.", "At the time of their marriage Skelton was one month away from his 18th birthday; Edna was 16. When they learned that Skelton's salary was to be cut, Edna went to see the boss; he resented the interference, until she came away with not only a raise, but additional considerations as well. Since he had left school at an early age, his wife bought textbooks and taught him what he had missed. With Edna's help, Skelton received a high school equivalency degree.", "With Edna's help, Skelton received a high school equivalency degree. The couple put together an act and began booking it at small midwestern theaters. When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City.", "When an offer came for an engagement in Harwich Port, Massachusetts, some 2,000 miles from Kansas City, they were pleased to get it because of its proximity to their ultimate goal, the vaudeville houses of New York City. To get to Massachusetts they bought a used car and borrowed five dollars from Edna's mother, but by the time they arrived in St. Louis they had only fifty cents. Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked.", "Skelton asked Edna to collect empty cigarette packs; she thought he was joking, but did as he asked. He then spent their fifty cents on bars of soap, which they cut into small cubes and wrapped with the tinfoil from the cigarette packs. By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port.", "By selling their products for fifty cents each as fog remover for eyeglasses, the Skeltons were able to afford a hotel room every night as they worked their way to Harwich Port. \"Doughnut Dunkers\" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre.", "\"Doughnut Dunkers\" Skelton and Edna worked for a year in Camden, New Jersey, and were able to get an engagement at Montreal's Lido Club in 1934 through a friend who managed the chorus lines at New York's Roxy Theatre. Despite an initial rocky start, the act was a success, and brought them more theater dates throughout Canada. Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come.", "Skelton's performances in Canada led to new opportunities and the inspiration for a new, innovative routine that brought him recognition in the years to come. While performing in Montreal, the Skeltons met Harry Anger, a vaudeville producer for New York City's Loew's State Theatre. Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement.", "Anger promised the pair a booking as a headlining act at Loew's, but they would need to come up with new material for the engagement. While the Skeltons were having breakfast in a Montreal diner, Edna had an idea for a new routine as she and Skelton observed the other patrons eating doughnuts and drinking coffee. They devised the \"Doughnut Dunkers\" routine, with Skelton's visual impressions of how different people ate doughnuts. The skit won them the Loew's State engagement and a handsome fee.", "The skit won them the Loew's State engagement and a handsome fee. The couple viewed the Loew's State engagement in 1937 as Skelton's big chance. They hired New York comedy writers to prepare material for the engagement, believing they needed more sophisticated jokes and skits than the routines Skelton normally performed. However, his New York audience did not laugh or applaud until Skelton abandoned the newly written material and began performing the \"Doughnut Dunkers\" and his older routines. The doughnut-dunking routine also helped Skelton rise to celebrity status.", "The doughnut-dunking routine also helped Skelton rise to celebrity status. In 1937, while he was entertaining at the Capitol Theater in Washington, D.C., President Franklin D. Roosevelt invited Skelton to perform at a White House luncheon. During one of the official toasts, Skelton grabbed Roosevelt's glass, saying, \"Careful what you drink, Mr. President. I got rolled in a place like this once.\" His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward.", "His humor appealed to FDR and Skelton became the master of ceremonies for Roosevelt's official birthday celebration for many years afterward. Film work Skelton's first contact with Hollywood came in the form of a failed 1932 screen test. In 1938, he made his film debut for RKO Pictures in the supporting role of a camp counselor in Having Wonderful Time. He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo.", "He appeared in two short subjects for Vitaphone in 1939: Seeing Red and The Broadway Buckaroo. Actor Mickey Rooney contacted Skelton, urging him to try for work in films after seeing him perform his \"Doughnut Dunkers\" act at President Roosevelt's 1940 birthday party. For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as \"Guzzler's Gin\", but added some impromptu pantomimes as the cameras were rolling.", "For his Metro-Goldwyn-Mayer (MGM) screen test, Skelton performed many of his more popular skits, such as \"Guzzler's Gin\", but added some impromptu pantomimes as the cameras were rolling. \"Imitation of Movie Heroes Dying\" were Skelton's impressions of the cinema deaths of stars such as George Raft, Edward G. Robinson, and James Cagney. Skelton appeared in numerous films for MGM throughout the 1940s.", "Skelton appeared in numerous films for MGM throughout the 1940s. In 1940, he provided comic relief as a lieutenant in Frank Borzage's war drama Flight Command, opposite Robert Taylor, Ruth Hussey, and Walter Pidgeon. In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare.", "In 1941, he also provided comic relief in Harold S. Bucquet's Dr. Kildare medical dramas, Dr. Kildare's Wedding Day and The People vs. Dr. Kildare. Skelton was soon starring in comedy features as inept radio detective \"The Fox\", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director.", "Skelton was soon starring in comedy features as inept radio detective \"The Fox\", the first of which was Whistling in the Dark (1941) in which he began working with director S. Sylvan Simon, who became his favorite director. He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943).", "He reprised the same role opposite Ann Rutherford in Simon's other pictures, including Whistling in Dixie (1942) and Whistling in Brooklyn (1943). In 1941, Skelton began appearing in musical comedies, starring opposite Eleanor Powell, Ann Sothern, and Robert Young in Norman Z. McLeod's Lady Be Good. In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie.", "In 1942, Skelton again starred opposite Eleanor Powell in Edward Buzzell's Ship Ahoy, and alongside Ann Sothern in McLeod's Panama Hattie. In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It.", "In 1943, after a memorable role as a nightclub hatcheck attendant who becomes King Louis XV of France in a dream opposite Lucille Ball and Gene Kelly in Roy Del Ruth's Du Barry Was a Lady, Skelton starred as Joseph Rivington Reynolds, a hotel valet besotted with Broadway starlet Constance Shaw (Powell) in Vincente Minnelli's romantic musical comedy, I Dood It. The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming.", "The film was largely a remake of Buster Keaton's Spite Marriage; Keaton, who had become a comedy consultant to MGM after his film career had diminished, began coaching Skelton on set during the filming. Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick.", "Keaton worked in this capacity on several of Skelton's films, and his 1926 film The General was also later rewritten to become Skelton's A Southern Yankee (1948), under directors S. Sylvan Simon and Edward Sedgwick. Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects.", "Keaton was so convinced of Skelton's comedic talent that he approached MGM studio head Louis B. Mayer with a request to create a small company within MGM for himself and Skelton, where the two could work on film projects. Keaton offered to forgo his salary if the films made by the company were not box-office hits; Mayer chose to decline the request. In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties.", "In 1944, Skelton starred opposite Esther Williams in George Sidney's musical comedy Bathing Beauty, playing a songwriter with romantic difficulties. He next had a relatively minor role as a \"TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor\" in the \"When Television Comes\" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles.", "He next had a relatively minor role as a \"TV announcer who, in the course of demonstrating a brand of gin, progresses from mild inebriation through messy drunkenness to full-blown stupor\" in the \"When Television Comes\" segment of Ziegfeld Follies, which featured William Powell and Judy Garland in the main roles. In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off.", "In 1946, Skelton played boastful clerk J. Aubrey Piper opposite Marilyn Maxwell and Marjorie Main in Harry Beaumont's comedy picture The Show-Off. Skelton's contract called for MGM's approval prior to his radio shows and other appearances. When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental.", "When he renegotiated his long-term contract with MGM, he wanted a clause that permitted him to remain working in radio and to be able to work on television, which was then largely experimental. At the time, the major work in the medium was centered in New York; Skelton had worked there for some time, and was able to determine that he would find success with his physical comedy through the medium. By 1947, Skelton's work interests were focused not on films, but on radio and television.", "By 1947, Skelton's work interests were focused not on films, but on radio and television. His MGM contract was rigid enough to require the studio's written consent for his weekly radio shows, as well as any benefit or similar appearances he made; radio offered fewer restrictions, more creative control, and a higher salary. Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract.", "Skelton asked for a release from MGM after learning he could not raise the $750,000 needed to buy out the remainder of his contract. He also voiced frustration with the film scripts he was offered while on the set of The Fuller Brush Man, saying, \"Movies are not my field. Radio and television are.\" He did not receive the desired television clause nor a release from his MGM contract.", "He did not receive the desired television clause nor a release from his MGM contract. In 1948, columnist Sheilah Graham printed that Skelton's wishes were to make only one film a year, spending the rest of the time traveling the U.S. with his radio show. Skelton's ability to successfully ad lib often meant that the way the script was written was not always the way it was recorded on film. Some directors were delighted with the creativity, but others were often frustrated by it.", "Some directors were delighted with the creativity, but others were often frustrated by it. S. Sylvan Simon, who became a close friend, allowed Skelton free rein when directing him. MGM became annoyed with Simon during the filming of The Fuller Brush Man, as the studio contended that Skelton should have been playing romantic leads instead of performing slapstick. Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits.", "Simon and MGM parted company when he was not asked to direct retakes of Skelton's A Southern Yankee; Simon asked that his name be removed from the film's credits. Skelton was willing to negotiate with MGM to extend the agreement provided he would receive the right to pursue television. This time, the studio was willing to grant it, making Skelton the only major MGM personality with the privilege. The 1950 negotiations allowed him to begin working in television beginning September 30, 1951.", "The 1950 negotiations allowed him to begin working in television beginning September 30, 1951. During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films.", "During the last portion of his contract with the studio, Skelton was working in radio and on television in addition to films. He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No.", "He went on to appear in films such as Jack Donohue's The Yellow Cab Man (1950), Roy Rowland and Buster Keaton's Excuse My Dust (1951), Charles Walters' Texas Carnival (1951), Mervyn LeRoy's Lovely to Look At (1952), Robert Z. Leonard's The Clown (1953), and The Great Diamond Robbery (1954), and Norman Z. McLeod's poorly received Public Pigeon No. 1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!.", "1 (1957), his last major film role, which originated incidentally from an episode of the television anthology series Climax!. In a 1956 interview, he said he would never work simultaneously in all three media again.", "In a 1956 interview, he said he would never work simultaneously in all three media again. As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965).", "As a result, Skelton would make only a few appearances in films after this, including playing a saloon drunk in Around the World in Eighty Days (1956), a fictional version of himself as a gambler in Ocean's 11 (1960), and a Neanderthal man in Those Magnificent Men in Their Flying Machines (1965). Radio, divorce, and remarriage (1937–1951) Performing the \"Doughnut Dunkers\" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937.", "Radio, divorce, and remarriage (1937–1951) Performing the \"Doughnut Dunkers\" routine led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent-show segment, and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton.", "Vallée also booked veteran comic and fellow Indiana native Joe Cook to appear as a guest with Skelton. The two Hoosiers proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year.", "The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name.", "On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time on NBC; Edna also joined the show's cast, under her maiden name. She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939.", "She developed a system for working with the show's writers – selecting material from them, adding her own, and filing the unused bits and lines for future use; the Skeltons worked on Avalon Time until late 1939. Skelton's work in films led to a new regular radio-show offer; between films, he promoted himself and MGM by appearing without charge at Los Angeles-area banquets. A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients.", "A radio advertising agent was a guest at one of his banquet performances and recommended Skelton to one of his clients. Skelton went on the air with his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. \"I dood it!\"", "\"I dood it!\" \"I dood it!\" Skelton introduced the first two of his many characters during The Raleigh Cigarette Program's first season. The character of Clem Kadiddlehopper was based on a Vincennes neighbor named Carl Hopper, who was hard of hearing. After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem.", "After the cartoon character Bullwinkle was introduced, Skelton contemplated filing a lawsuit against Bill Scott, who voiced the cartoon moose, because he found it similar to his voice pattern for Clem. The second character, the Mean Widdle Kid, or \"Junior\", was a young boy full of mischief, who typically did things he was told not to do. \"Junior\" would say things like, \"If I dood it, I gets a whipping.", "\"Junior\" would say things like, \"If I dood it, I gets a whipping. \", followed moments later by the statement, \"I dood it!\" Skelton performed the character at home with Edna, giving him the nickname \"Junior\" long before it was heard by a radio audience. While the phrase was Skelton's, the idea of using the character on the radio show was Edna's.", "While the phrase was Skelton's, the idea of using the character on the radio show was Edna's. Skelton starred in a 1943 movie of the same name, but did not play \"Junior\" in the film. The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase \"Doolittle Dood It\" as a headline.", "The phrase was such a part of national culture at the time that, when General Doolittle conducted the bombing of Tokyo in 1942, many newspapers used the phrase \"Doolittle Dood It\" as a headline. After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II.", "After a talk with President Roosevelt in 1943, Skelton used his radio show to collect funds for a Douglas A-20 Havoc to be given to the Soviet Army to help fight World War II. Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber \"We Dood It!\"", "Asking children to send in their spare change, he raised enough money for the aircraft in two weeks; he named the bomber \"We Dood It!\" In 1986, Soviet newspaper Pravda offered praise to Skelton for his 1943 gift, and in 1993, the pilot of the plane was able to meet Skelton and thank him for the bomber. Skelton also added a routine he had been performing since 1928.", "Skelton also added a routine he had been performing since 1928. Originally called \"Mellow Cigars\", the skit entailed an announcer who became ill as he smoked his sponsor's product. Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine \"Guzzler's Gin\", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares.", "Brown and Williamson, the makers of cigarettes, asked Skelton to change some aspects of the skit; he renamed the routine \"Guzzler's Gin\", where the announcer became inebriated while sampling and touting the imaginary sponsor's wares. While the traditional radio program called for its cast to do an audience warm-up in preparation for the broadcast, Skelton did just the opposite. After the regular radio program had ended, the show's audience was treated to a post-program performance.", "After the regular radio program had ended, the show's audience was treated to a post-program performance. He then performed his \"Guzzler's Gin\" or any of more than 350 routines for those who had come to the radio show. He updated and revised his post-show routines as diligently as those for his radio program. As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats.", "As a result, studio audience tickets for Skelton's radio show were in high demand; at times, up to 300 people had to be turned away for lack of seats. Divorce from Edna, marriage to Georgia In 1942, Edna announced that she was leaving Skelton, but would continue to manage his career and write material for him. He did not realize she was serious until Edna issued a statement about the impending divorce through NBC. They were divorced in 1943, leaving the courtroom arm in arm.", "They were divorced in 1943, leaving the courtroom arm in arm. The couple did not discuss the reasons for their divorce, and Edna initially prepared to work as a script writer for other radio programs. When the divorce was finalized, she went to New York, leaving her former husband three fully prepared show scripts. Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity.", "Skelton and those associated with him sent telegrams and called her, asking her to come back to him in a professional capacity. Edna remained the manager of the couple's funds because Skelton spent money too easily. An attempt at managing his own checking account that began with a $5,000 balance, ended five days later after a call to Edna saying the account was overdrawn. Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets.", "Skelton had a weekly allowance of $75, with Edna making investments for him, choosing real estate and other relatively stable assets. She remained an advisor on his career until 1952, receiving a generous weekly salary for life for her efforts. The divorce meant that Skelton had lost his married man's deferment; he was once again classified as 1-A for service. He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail.", "He was drafted into the Army in early 1944; both MGM and his radio sponsor tried to obtain a deferment for the comedian, but to no avail. His last Raleigh radio show was on June 6, 1944, the day before he was formally inducted as a private; he was not assigned to Special Services at that time. Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet.", "Without its star, the program was discontinued, and the opportunity presented itself for the Nelsons to begin a radio show of their own, The Adventures of Ozzie and Harriet. By 1944, Skelton was engaged to actress Muriel Morris, who was also known as Muriel Chase; the couple had obtained a marriage license and told the press they intended to marry within a few days. At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City.", "At the last minute, the actress decided not to marry him, initially saying she intended to marry a wealthy businessman in Mexico City. She later recanted the story about marrying the businessman, but continued to say that her relationship with Skelton was over. The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband.", "The actress further denied that the reason for the breakup was Edna's continuing to manage her ex-husband's career; Edna stated that she had no intention of either getting in the middle of the relationship or reconciling with her former husband. He was on army furlough for throat discomfort when he married actress Georgia Maureen Davis in Beverly Hills, California, on March 9, 1945; the couple met on the MGM lot. Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding.", "Skelton traveled to Los Angeles from the eastern army base where he was assigned for the wedding. He knew he would possibly be assigned overseas soon, and wanted the marriage to take place first. After the wedding, he entered the hospital to have his tonsils removed. The couple had two children; Valentina, a daughter, was born May 5, 1947, and a son, Richard, was born May 20, 1948. A cast of characters Skelton served in the United States Army during World War II.", "A cast of characters Skelton served in the United States Army during World War II. After being assigned to the Special Services, Skelton performed as many as 12 shows per day before troops in both the United States and in Europe. The pressure of his workload caused him to suffer exhaustion and a nervous breakdown. He had a nervous collapse while in the Army, following which he developed a stutter.", "He had a nervous collapse while in the Army, following which he developed a stutter. While recovering at an army hospital at Camp Pickett, Virginia, he met a soldier who had been severely wounded and was not expected to survive. Skelton devoted a lot of time and effort to trying to make the man laugh. As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list.", "As a result of this effort, his stutter reduced; his army friend's condition also improved, and he was no longer on the critical list. He was released from his army duties in September 1945. \"I've been told I'm the only celebrity who entered the Army as a private and came out a private,\" he told reporters. His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945.", "His sponsor was eager to have him back on the air, and Skelton's program began anew on NBC on December 4, 1945. Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a \"loudmouthed braggart\"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations.", "Upon returning to radio, Skelton brought with him many new characters that were added to his repertoire: Bolivar Shagnasty, described as a \"loudmouthed braggart\"; Cauliflower McPugg, a boxer; Deadeye, a cowboy; Willie Lump-Lump, a fellow who drank too much; and San Fernando Red, a confidence man with political aspirations. By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air.", "By 1947, Skelton's musical conductor was David Rose, who went on to television with him; he had worked with Rose during his time in the Army and wanted Rose to join him on the radio show when it went back on the air. On April 22, 1947, Skelton was censored by NBC two minutes into his radio show.", "On April 22, 1947, Skelton was censored by NBC two minutes into his radio show. When his announcer Rod O'Connor and he began talking about Fred Allen being censored the previous week, they were silenced for 15 seconds; comedian Bob Hope was given the same treatment once he began referring to the censoring of Allen. Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast.", "Skelton forged on with his lines for his studio audience's benefit; the material he insisted on using had been edited from the script by the network before the broadcast. He had been briefly censored the previous month for the use of the word \"diaper\". After the April incidents, NBC indicated it would no longer pull the plug for similar reasons. Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs.", "Skelton changed sponsors in 1948; Brown & Williamson, owners of Raleigh cigarettes, withdrew due to program production costs. His new sponsor was Procter & Gamble's Tide laundry detergent. The next year, he changed networks, going from NBC to CBS, where his radio show aired until May 1953. After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954.", "After his network radio contract was over, he signed a three-year contract with Ziv Radio for a syndicated radio program in 1954. His syndicated radio program was offered as a daily show; it included segments of his older network radio programs, and new material done for the syndication. He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them.", "He was able to use portions of his older radio shows because he owned the rights for rebroadcasting them. Television (1951–1970) Skelton was unable to work in television until the end of his 1951 MGM movie contract; a renegotiation to extend the pact provided permission after that point. On May 4, 1951, he signed a contract for television with NBC; Procter and Gamble was his sponsor. He said he would be performing the same characters on television that he had been doing on radio.", "He said he would be performing the same characters on television that he had been doing on radio. The MGM agreement with Skelton for television performances did not allow him to go on the air before September 30, 1951. His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down.", "His television debut, The Red Skelton Show, premiered on that date: At the end of his opening monologue, two men backstage grabbed his ankles from behind the set curtain, hauling him offstage face down. A 1943 instrumental hit by David Rose, called \"Holiday for Strings\", became Skelton's TV theme song.", "A 1943 instrumental hit by David Rose, called \"Holiday for Strings\", became Skelton's TV theme song. The move to television allowed him to create two nonhuman characters, seagulls Gertrude and Heathcliffe, which he performed while the pair were flying by, tucking his thumbs under his arms to represent wings and shaping his hat to look like a bird's bill. He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics.", "He patterned his meek, henpecked television character of George Appleby after his radio character, J. Newton Numbskull, who had similar characteristics. His \"Freddie the Freeloader\" clown was introduced on the program in 1952, with Skelton copying his father's makeup for the character. ( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.)", "( He learned how to duplicate his father's makeup and perform his routines through his mother's recollections.) A ritual was established for the end of every program, with Skelton's shy, boyish wave and words of \"Good night and may God bless.\" During the 1951–1952 season, the program was broadcast from a converted NBC radio studio.", "During the 1951–1952 season, the program was broadcast from a converted NBC radio studio. The first year of the television show was done live; this led to problems, because not enough time was available for costume changes; Skelton was on camera for most of the half hour, including the delivery of a commercial that was written into one of the show's skits. In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up.", "In early 1952, Skelton had an idea for a television sketch about someone who had been drinking not knowing which way is up. The script was completed, and he had the show's production crew build a set that was perpendicular to the stage, so it would give the illusion that someone was walking on walls. The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking.", "The skit, starring his character Willie Lump-Lump, called for the character's wife to hire a carpenter to redo the living room in an effort to teach her husband a lesson about his drinking. When Willie wakes up there after a night of drinking, he is misled into believing he is not lying on the floor, but on the living room wall. Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall.", "Willie's wife goes about the house normally, but to Willie, she appears to be walking on a wall. Within an hour after the broadcast, the NBC switchboard had received 350 calls regarding the show, and Skelton had received more than 2,500 letters about the skit within a week of its airing. Skelton was delivering an intense performance live each week, and the strain showed in physical illness.", "Skelton was delivering an intense performance live each week, and the strain showed in physical illness. In 1952, he was drinking heavily due to the constant physical pain of a diaphragmatic hernia and the emotional distress of marital problems. He thought about divorcing Georgia. NBC agreed to film his shows in the 1952–1953 season at Eagle Lion Studios, next to the Sam Goldwyn Studio, on Santa Monica Boulevard in Hollywood. Later, the show was moved to the new NBC television studios in Burbank.", "Later, the show was moved to the new NBC television studios in Burbank. Procter and Gamble was unhappy with the filming of the television show, and insisted that Skelton return to live broadcasts. The situation made him think about leaving television. Declining ratings prompted sponsor Procter & Gamble to cancel his show in the spring of 1953. Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing.", "Skelton announced that any of his future television programs would be variety shows, where he would not have the almost constant burden of performing. Beginning with the 1953–1954 season, he switched to CBS, where he remained until 1970. For the initial move to CBS, he had no sponsor. The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol.", "The network gambled by covering all expenses for the program on a sustaining basis: His first CBS sponsor was Geritol. He curtailed his drinking and his ratings at CBS began to improve, especially after he began appearing on Tuesday nights for co-sponsors Johnson's Wax and Pet Milk Company. By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960.", "By 1955, Skelton was broadcasting some of his weekly programs in color, which was the case about 100 times between 1955 and 1960. He tried to encourage CBS to do other shows in color at the facility, but CBS mostly avoided color broadcasting after the network's television-set manufacturing division was discontinued in 1951. By 1959, Skelton was the only comedian with a weekly variety television show. Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs.", "Others who remained on the air, such as Danny Thomas, were performing their routines as part of situation comedy programs. He performed a preview show for a studio audience on Mondays, using their reactions to determine which skits required editing for the Tuesday program. For the Tuesday afternoon run-through prior to the actual show, he ignored the script for the most part, ad-libbing through it at will. The run-through was well attended by CBS Television City employees.", "The run-through was well attended by CBS Television City employees. Sometimes during live telecasts and taped programs, Skelton would break up or cause his guest stars to laugh. Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live.", "Richard's illness and death At the height of Skelton's popularity, his 9-year-old son Richard was diagnosed with leukemia and was given a year to live. While the network told him to take as much time off as necessary, Skelton felt that unless he went back to his television show, he would be unable to be at ease and make his son's life a happy one. He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits.", "He returned to his television show on January 15, 1957, with guest star Mickey Rooney helping to lift his spirits. In happier times, he had frequently mentioned his children on his program, but he found it extremely difficult to do this after Richard became ill. Skelton resumed this practice only after his son asked him to do so. After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible.", "After his son's diagnosis, Skelton took his family on an extended trip, so Richard could see as much of the world as possible. The Skeltons had an audience with Pope Pius XII on July 22, 1957. According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far.", "According to an International News Service article that appeared in the August 1, 1957, issue of the St.Joseph, Missouri News Press, Richard said that the audience with the Pope was the high point of the trip so far. The Skeltons cut their travels short and returned to the United States after an encounter with an aggressive reporter in London and relentlessly negative reports in British newspapers. The Skelton family received support from CBS management and from the public following the announcement of Richard's illness.", "The Skelton family received support from CBS management and from the public following the announcement of Richard's illness. In November, Skelton fell down stairs and injured an ankle, and he nearly died after a \"cardiac-asthma\" attack on December 30, 1957. He was taken to St. John's Hospital in Santa Monica, where, his doctors said, \"if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived\".", "He was taken to St. John's Hospital in Santa Monica, where, his doctors said, \"if there were ten steps to death, Red Skelton had taken nine of them by the time he had arrived\". Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers.", "Skelton later said he was working on some notes for television and the next thing he remembered, he was in a hospital bed; he did not know how serious his illness was until he read about it himself in the newspapers. His illness and recovery kept him off the air for a full month; Skelton returned to his television show on January 28, 1958. Richard died on May 10, 1958, 10 days before his 10th birthday.", "Richard died on May 10, 1958, 10 days before his 10th birthday. Skelton was scheduled to do his weekly television show on the day his son was buried. Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead.", "Though recordings of some older programs were available that the network could have run, he asked that guest performers be used, instead. His friends in the television, film and music industries organized The Friends Of Red Skelton Variety Show, which they performed to replace The Red Skelton Show for that week; by May 27, 1958, Skelton had returned to his program. Richard‘s death had a profound effect on the family.", "Richard‘s death had a profound effect on the family. Life magazine, profiling \"The Invincible Red\" on April 21, 1961, observed that Skelton was still \"racked [sic]\" by his son’s death. In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping.", "In 1962, the Skelton family moved to Palm Springs, and Skelton used the Bel Air home only on the two days a week when he was in Los Angeles for his television show taping. The Red Skelton Hour In early 1960, Skelton purchased the old Charlie Chaplin Studios and updated it for videotape recording. With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color.", "With a recently purchased three-truck mobile color television unit, he recorded a number of his series episodes and specials in color. Even with his color facilities, CBS discontinued color broadcasts on a regular basis and Skelton shortly thereafter sold the studio to CBS and the mobile unit to local station KTLA. Prior to this, he had been filming at Desilu Productions. Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network.", "Skelton then moved back to the network's Television City facilities, where he taped his programs until he left the network. In the fall of 1962, CBS expanded his program to a full hour, retitling it The Red Skelton Hour. Although it was a staple of his radio programs, he did not perform his \"Junior\" character on television until 1962, after extending the length of his program.", "Although it was a staple of his radio programs, he did not perform his \"Junior\" character on television until 1962, after extending the length of his program. Skelton frequently employed the art of pantomime for his characters; a segment of his weekly program was called the \"Silent Spot\". He attributed his liking for pantomime and for using few props to the early days when he did not want to have a lot of luggage. He explained that having the right hat was the key to getting into character.", "He explained that having the right hat was the key to getting into character. Skelton's season premiere for the 1960–1961 television season was a tribute to the United Nations. About 600 people from the organization, including diplomats, were invited to be part of the audience for the show. The program was entirely done in pantomime, as UN representatives from 39 nations were in the studio audience. One of the sketches he performed for the UN was that of the old man watching the parade.", "One of the sketches he performed for the UN was that of the old man watching the parade. The sketch had its origins in a question Skelton's son, Richard, asked his father about what happens when people die. He told his son, \"They join a parade and start marching.\" In 1965, Skelton did another show completely in pantomime. This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio.", "This time, he was joined by Marcel Marceau; the two artists alternated performances for the hour-long program, sharing the stage to perform Pinocchio. The only person who spoke during the hour was Maurice Chevalier, who served as the show's narrator. In 1969, Skelton wrote and performed a monologue about the Pledge of Allegiance. In the speech, he commented on the meaning of each phrase of the pledge. He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech.", "He credited one of his Vincennes grammar-school teachers, Mr. Laswell, with the original speech. The teacher had grown tired of hearing his students monotonously recite the pledge each morning; he then demonstrated to them how it should be recited, along with comments about the meaning behind each phrase. CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records.", "CBS received 200,000 requests for copies; the company subsequently released the monologue as a single on Columbia Records. A year later, he performed the monologue for President Richard Nixon at the first \"Evening at the White House\", a series of entertainment events honoring the recently inaugurated president. Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs.", "Off the air and bitterness (1970–1983) As the 1970s began, the networks began a major campaign to discontinue long-running shows that they considered stale, dominated by older demographics, and/or becoming too expensive due to escalating costs. Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan.", "Despite Skelton's continued strong overall viewership, CBS saw his show as fitting into this category and cancelled the program along with other comedy and variety shows hosted by veterans such as Jackie Gleason and Ed Sullivan. Performing in Las Vegas when he got the news of his CBS cancellation, Skelton said, \"My heart has been broken.\" His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television.", "His program had been one of the top-10, highest-rated shows for 17 of the 20 years he was on television. Skelton moved to NBC in 1970 in a half-hour Monday-night version of his former show. Its cancellation after one season ended his television career, and he returned to live performances. In an effort to prove the networks wrong, he gave many of these at colleges and proved popular with the audiences. Skelton was bitter about CBS's cancellation for many years afterwards.", "Skelton was bitter about CBS's cancellation for many years afterwards. Believing the demographic and salary issues to be irrelevant, he accused CBS of bowing to the antiestablishment, antiwar faction at the height of the Vietnam War, saying his conservative political and social views caused the network to turn against him. He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program.", "He had invited prominent Republicans, including Vice President Spiro Agnew and Senate Republican Minority Leader Everett Dirksen, one of the Senate’s strongest supporters of the war, to appear on his program. Personal, as well as professional, changes occurred in Skelton's life at this time. He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973.", "He divorced Georgia in 1971 and married Lothian Toland, daughter of cinematographer Gregg Toland, on October 7, 1973. While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program.", "While he disassociated himself from television soon after his show was cancelled, his bitterness had subsided enough for him to appear on The Tonight Show Starring Johnny Carson on July 11, 1975; it was his first television appearance since the cancellation of his television program. (Johnny Carson, one of his former writers, began his rise to network television prominence when he substituted for Skelton after a dress rehearsal injury in 1954.) Skelton was also a guest on The Merv Griffin Show in October of the same year.", "Skelton was also a guest on The Merv Griffin Show in October of the same year. Hopes he may have had that he could ease back into television through the talk-show circuit were ended on May 10, 1976, when Georgia Skelton committed suicide by gunshot on the 18th anniversary of Richard Skelton's death. Georgia was 54 and had been in poor health for some time. He put all professional activities on hold for some months as he mourned his former wife's death.", "He put all professional activities on hold for some months as he mourned his former wife's death. Skelton made plans in 1977 to sell the rights to his old television programs as part of a package that would bring him back to regular television appearances. The package called for him to produce one new television show for every three older episodes; this did not materialize.", "The package called for him to produce one new television show for every three older episodes; this did not materialize. In 1980, he was taken to court by 13 of his former writers over a report that his will called for the destruction of recordings of all his old television shows upon his death. Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context.", "Skelton contended his remarks were made at a time when he was very unhappy with the television industry and were taken out of context. He said at the time, \"Would you burn the only monument you've built in over 20 years?\" As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime.", "As the owner of the television shows, Skelton initially refused to allow them to be syndicated as reruns during his lifetime. In 1983, Group W announced that it had come to terms with him for the rights to rebroadcast some of his original television programs from 1966 through 1970; some of his earlier shows were made available after Skelton's death. Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer.", "Red Skelton onstage Skelton's 70-year career as an entertainer began as a stage performer. He retained a fondness for theaters, and referred to them as \"palaces\"; he also likened them to his \"living room\", where he would privately entertain guests. At the end of a performance, he would look at the empty stage where there was now no laughter or applause and tell himself, \"Tomorrow I must start again. One hour ago, I was a big man. I was important out there.", "I was important out there. I was important out there. Now it's empty. It's all gone.\" Skelton was invited to play a four-week date at the London Palladium in July 1951. While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children.", "While flying to the engagement, Skelton, Georgia and Father Edward J. Carney, were on a plane from Rome with passengers from an assortment of countries that included 11 children. The plane lost the use of two of its four engines and seemed destined to lose the rest, meaning that the plane would crash over Mont Blanc. The priest readied himself to administer last rites. As he did so, he told Skelton, \"You take care of your department, Red, and I'll take care of mine.\"", "As he did so, he told Skelton, \"You take care of your department, Red, and I'll take care of mine.\" Skelton diverted the attention of the passengers with pantomimes while Father Carney prayed. They ultimately landed at a small airstrip in Lyon, France. He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year.", "He received both an enthusiastic reception and an invitation to return for the Palladium's Christmas show of that year. Though Skelton had always done live engagements at Nevada hotels and appearances such as state fairs during his television show's hiatus, he focused his time and energy on live performances after he was no longer on the air, performing up to 125 dates a year. He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls.", "He often arrived days early for his engagement and would serve as his own promotion staff, making the rounds of the local shopping malls. Before the show, his audiences received a ballot listing about 100 of his many routines and were asked to tick off their favorites. The venue's ushers would collect the ballots and tally the votes. Skelton's performance on that given day was based on the skits his audience selected.", "Skelton's performance on that given day was based on the skits his audience selected. After he learned that his performances were popular with the hearing-impaired because of his heavy use of pantomimes, Skelton hired a sign language interpreter to translate the non-pantomime portions of his act for all his shows. He continued performing live until 1993, when he celebrated his 80th birthday.", "He continued performing live until 1993, when he celebrated his 80th birthday. Later years and death In 1974, Skelton's interest in film work was rekindled with the news that Neil Simon's comedy The Sunshine Boys would become a movie; his last significant film appearance had been in Public Pigeon No. 1 in 1956. He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis.", "He screen tested for the role of Willy Clark with Jack Benny, who had been cast as Al Lewis. Although Simon had planned to cast Jack Albertson, who played Willy on Broadway, in the same role for the film, Skelton's screen test impressed him enough to change his mind. Skelton declined the part, however, reportedly due to an inadequate financial offer, and Benny's final illness forced him to withdraw, as well. George Burns and Walter Matthau ultimately starred in the film.", "George Burns and Walter Matthau ultimately starred in the film. In 1981, Skelton made several specials for HBO, including Freddie the Freeloader's Christmas Dinner (1981) and the Funny Faces series of specials. He gave a Royal Command Performance for the Royal Society for the Protection of Birds in 1984, which was later shown in the U.S. on HBO. A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime.", "A portion of one of his last interviews, conducted by Steven F. Zambo, was broadcast as part of the 2005 PBS special The Pioneers of Primetime. Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as \"a long, undisclosed illness\".", "Skelton died on September 17, 1997, at the Eisenhower Medical Center in Rancho Mirage, California, at the age of 84, after what was described as \"a long, undisclosed illness\". He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California.", "He is interred in the Skelton Family Tomb, the family's private room, alongside his son, Richard Freeman Skelton, Jr., and his second wife, Georgia Maureen Davis Skelton, in the Great Mausoleum's Sanctuary of Benediction at Forest Lawn Memorial Park in Glendale, California. Skelton was survived by his widow, Lothian Toland Skelton; his daughter, Valentina Marie Skelton Alonso; and granddaughter Sabrina Maureen Alonso. Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years.", "Art and other interests Artwork Skelton began producing artwork in 1943, but kept his works private for many years. He said he was inspired to try his hand at painting after visiting a large Chicago department store that had various paintings on display. Inquiring as to the price of one, which Skelton described as \"a bunch of blotches\", he was told, \"Ten thousand wouldn't buy that one.\"", "Inquiring as to the price of one, which Skelton described as \"a bunch of blotches\", he was told, \"Ten thousand wouldn't buy that one.\" He told the clerk he was one of the ten thousand who would not buy the painting, instead buying his own art materials. His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time.", "His wife Georgia, a former art student, persuaded him to have his first public showing of his work in 1964 at the Sands Hotel in Las Vegas, where he was performing at the time. Skelton believed painting was an asset to his comedy work, as it helped him to better visualize the imaginary props used in his pantomime routines. In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business.", "In addition to his originals, Skelton also sold reproductions and prints through his own mail-order business. He made his work available to art galleries by selling them franchises to display and sell his paintings. He once estimated the sale of his lithographs earned him $2.5 million per year. Shortly after his death, his art dealer said he believed that Skelton made more money on his paintings than from his television work. At the time of his death, Skelton had produced over 1,000 oil paintings of clowns.", "At the time of his death, Skelton had produced over 1,000 oil paintings of clowns. When asked why his artwork focused on clowns, he said at first, \"I don't know why it's always clowns.\" He continued after thinking a moment by saying \"No, that's not true—I do know why. I just don't feel like thinking about it ...\" At the time of Skelton's death, his originals were priced at $80,000 and upward.", "I just don't feel like thinking about it ...\" At the time of Skelton's death, his originals were priced at $80,000 and upward. Other interests Skelton was a prolific writer of both short stories and music. After sleeping only four or five hours a night, he would wake up at 5 am and begin writing stories, composing music, and painting pictures. He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death.", "He wrote at least one short story a week and had composed over 8,000 songs and symphonies by the time of his death. He wrote commercials for Skoal tobacco and sold many of his compositions to Muzak, a company that specialized in providing background music to stores and other businesses. Skelton was also interested in photography; when attending Hollywood parties, he would take photos and give the film to newspaper reporters waiting outside. He was never without a miniature camera, and kept a photographic record of all his paintings.", "He was never without a miniature camera, and kept a photographic record of all his paintings. Skelton was also an avid gardener, who created his own Japanese and Italian gardens and cultivated bonsai trees at his home in Palm Springs. He owned a horse ranch in the Anza Valley. Fraternity and honors Skelton was a Freemason, a member of Vincennes Lodge No. 1, in Indiana. He also was a member of both the Scottish and the York Rites.", "He also was a member of both the Scottish and the York Rites. He was a recipient of the Gold Medal of the General Grand Chapter, Royal Arch Masons, for Distinguished Service in the Arts and Sciences. On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995.", "On September 24, 1969, he received the honorary 33rd degree in the Scottish Rite and was a Gourgas Medal recipient in 1995. Skelton became interested in Masonry as a small boy selling newspapers in Vincennes, when a man bought a paper from him with a $5 bill and told him to keep the change. The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give.", "The young Skelton asked his benefactor why he had given him so much money; the man explained that he was a Mason and Masons are taught to give. Skelton decided to become one also when he was grown. He was also member of the Independent Order of Odd Fellows, as well as a Shriner in Los Angeles. Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University.", "Skelton was made an honorary brother of Phi Sigma Kappa at Truman State University. In 1961, he became an honorary brother of the Phi Alpha Tau Fraternity of Emerson College, when he was awarded the Joseph E. Connor Award for excellence in the field of communications. He also received an honorary degree from the college at the same ceremony. Skelton received an honorary high-school diploma from Vincennes High School.", "Skelton received an honorary high-school diploma from Vincennes High School. He was also an honorary member of Kappa Kappa Psi National Honorary Band Fraternity; Skelton had composed many marches, which were used by more than 10,000 high-school and college bands. In 1986, Skelton received an honorary degree from Ball State University. The Red Skelton Memorial Bridge spans the Wabash River and provides the highway link between Illinois and Indiana on U.S. Route 50, near Skelton's home town of Vincennes. He attended the dedication ceremonies in 1963.", "He attended the dedication ceremonies in 1963. He attended the dedication ceremonies in 1963. Awards and recognition In 1952, Skelton received Emmy Awards for Best Comedy Program and Best Comedian. He also received an Emmy nomination in 1957 for his noncomedic performance in Playhouse 90's presentation of \"The Big Slide\". Skelton and his writers won another Emmy in 1961 for Outstanding Writing Achievement in Comedy. He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969.", "He was named an honorary faculty member of Ringling Bros. and Barnum & Bailey Clown College in 1968 and 1969. Skelton's first major post-television recognition came in 1978, when the Golden Globe Awards named him as the recipient for their Cecil B. DeMille Award, which is given to honor outstanding contributions in entertainment. His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette.", "His excitement was so great upon receiving the award and a standing ovation, that he clutched it tightly enough to break the statuette. When he was presented with the Academy of Television Arts & Sciences' Governor's Award in 1986, Skelton received a standing ovation. \"I want to thank you for sitting down\", he said when the ovation subsided. \"I thought you were pulling a CBS and walking out on me.\" The honor came 16 years after his television program left the airwaves.", "The honor came 16 years after his television program left the airwaves. Skelton received a Lifetime Achievement Award from the Screen Actors Guild in 1987, and in 1988, he was inducted into the Academy of Television Arts & Sciences' Television Hall of Fame. He was one of the International Clown Hall of Fame's first inductees in 1989. Skelton and Katharine Hepburn were honored with lifetime achievement awards by the American Comedy Awards in the same year. He was inducted into the National Radio Hall of Fame in 1994.", "He was inducted into the National Radio Hall of Fame in 1994. Skelton also has two stars on the Hollywood Walk of Fame for his radio and television work. Legacy and tributes Skelton preferred to be described as a clown rather than a comic: \"A comedian goes out and hits people right on. A clown uses pathos. He can be funny, then turn right around and reach people and touch them with what life is like.\"", "He can be funny, then turn right around and reach people and touch them with what life is like.\" \"I just want to be known as a clown\", he said, \"because to me that's the height of my profession. It means you can do everything—sing, dance and above all, make people laugh.\" His purpose in life, he believed, was to make people laugh.", "His purpose in life, he believed, was to make people laugh. In Groucho and Me, Groucho Marx called Skelton \"the most unacclaimed clown in show business\", and \"the logical successor to [Charlie] Chaplin\", largely because of his ability to play a multitude of characters with minimal use of dialogue and props.", "In Groucho and Me, Groucho Marx called Skelton \"the most unacclaimed clown in show business\", and \"the logical successor to [Charlie] Chaplin\", largely because of his ability to play a multitude of characters with minimal use of dialogue and props. \"With one prop, a soft battered hat\", Groucho wrote, describing a performance he had witnessed, \"he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy.", "\"With one prop, a soft battered hat\", Groucho wrote, describing a performance he had witnessed, \"he successfully converted himself into an idiot boy, a peevish old lady, a teetering-tottering drunk, an overstuffed clubwoman, a tramp, and any other character that seemed to suit his fancy. No grotesque make-up, no funny clothes, just Red.\" He added that Skelton also \"plays a dramatic scene about as effectively as any of the dramatic actors.\"", "He added that Skelton also \"plays a dramatic scene about as effectively as any of the dramatic actors.\" In late 1965, ventriloquist Edgar Bergen, reminiscing about the entertainment business, singled out Skelton for high praise. \"It's all so very different today. The whole business of comedy has changed — from 15 minutes of quality to quantity. We had a lot of very funny people around, from Charley Chase to Charlie Chaplin and Laurel and Hardy. The last one of that breed is Red Skelton.\"", "The last one of that breed is Red Skelton.\" Harry Cohn of Columbia Pictures also praised Skelton, saying, \"He's a clown in the old tradition. He doesn't need punch lines. He's got heart.\" Skelton and Marcel Marceau shared a long friendship and admiration of each other's work. Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery.", "Marceau appeared on Skelton's CBS television show three times, including one turn as the host in 1961 as Skelton recovered from surgery. He was also a guest on the three Funny Faces specials that Skelton produced for HBO. In a TV Guide interview after Skelton's death, Marceau said, \"Red, you are eternal for me and the millions of people you made laugh and cry. May God bless you forever, my great and precious companion. I will never forget that silent world we created together.\"", "I will never forget that silent world we created together.\" CBS issued the following statement upon his death: \"Red's audience had no age limits. He was the consummate family entertainer—a winsome clown, a storyteller without peer, a superb mime, a singer, and a dancer.\" The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born.", "The Red Skelton Performing Arts Center was dedicated in February 2006 on the campus of Vincennes University, one block from the home in Vincennes where Skelton was born. The building includes an 850-seat theater, classrooms, rehearsal rooms, and dressing rooms. Its grand foyer is a gallery for Skelton's paintings, statues, and film posters. The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions.", "The theater hosts theatrical and musical productions by Vincennes University, as well as special events, convocations, and conventions. The adjacent Red Skelton Museum of American Comedy opened on July 18, 2013, on what would have been Skelton's 100th birthday. It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment.", "It houses his personal and professional materials, which he had collected since the age of 10, in accordance with his wishes that they be made available in his hometown for the public's enjoyment. Skelton's widow, Lothian, noted that he expressed no interest in any sort of Hollywood memorial. The museum is funded jointly by the Red Skelton Museum Foundation and the Indiana Historical Society. Other foundation projects include a fund that provides new clothes to Vincennes children from low-income families. The foundation also purchased Skelton's birthplace.", "The foundation also purchased Skelton's birthplace. The foundation also purchased Skelton's birthplace. On July 15, 2017, the state of Indiana unveiled a state historic marker at the home in Vincennes where Skelton was born. The town of Vincennes has held an annual Red Skelton Festival since 2005. A \"Parade of a Thousand Clowns\", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances.", "A \"Parade of a Thousand Clowns\", billed as the largest clown parade in the Midwest, is followed by family-oriented activities and live music performances. In 2006, Travis Tarrants purchased the historic Vincennes Pantheon Theatre, where Skelton performed during his youth. He established a nonprofit organization with the hope of restoring the theatre to its 1921 state. Tarrants was able to raise close to $300,000 for the restoration. Two years later, donations for the project plummeted.", "Two years later, donations for the project plummeted. Two years later, donations for the project plummeted. Tarrants lost the theatre to unpaid back taxes in 2012, and the new owner was realtor Heath Klein. In late 2014, Klein sold the theatre property to a Vincennes nonprofit group, INVin. The organization works to bring arts and arts-related businesses into downtown Vincennes. In March 2016, the group proposed to turn the theatre into shared workspace.", "In March 2016, the group proposed to turn the theatre into shared workspace. Filmography Features Short subjects Box-office ranking Based on rankings of the amount of money earned in box-office receipts for film showings, for a number of years Skelton was among the most popular stars in the country: 1944 – 16th largest box office draw 1949 – 13th 1951 – 14th 1952 – 21st Published works Notes References Sources cited External links Red Skelton Biography Red Skelton Foundation Red Skelton Museum and Education Center Red Skelton Performing Arts Center at Vincennes University Edna and Red Skelton Collection at the Indiana Historical Society RED-EO Video Production Company, article and photo, The Broadcast Archive List of Red Skelton TV Episodes 1951–1971, The Classic TV Archive Literature on Red Skelton Red Skelton at the Internet Archive \"Edna Stillwell and the 'Real Making of Red'”, Indiana Historical Bureau 1913 births 1997 deaths 20th-century American comedians 20th-century American composers 20th-century American male actors 20th-century American male musicians 20th-century American painters Red Skelton Red Skelton Red Skelton American burlesque performers American clowns American male comedians American male composers American male film actors American male painters American male radio actors American male television actors American radio personalities Television personalities from California Burials at Forest Lawn Memorial Park (Glendale) California Republicans Red Skelton Cecil B. DeMille Award Golden Globe winners Comedians from California Conservatism in the United States Indiana Historical Society Indiana Republicans Deaths from pneumonia in California Male actors from Indiana Male actors from Palm Springs, California Metro-Goldwyn-Mayer contract players Red Skelton Painters from Indiana Painters from California People from Vincennes, Indiana Primetime Emmy Award winners Screen Actors Guild Life Achievement Award United States Army personnel of World War II United States Army soldiers Vaudeville performers" ]
[ "Ruben Studdard", "2006-2008: The Return", "what happened in 2006?", "Studdard's third album, The Return was released in October 2006;", "how did the album do?", "The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that,", "why did sales decline rapidly?", "it goes back to his R&B roots, but is different from his previous efforts.", "what was his greatest accomplishment?", "However, Studdard did have good success on the Urban Contemporary chart with \"Change Me\" (which reached number one) and its successor \"Make Ya Feel Beautiful\".", "how did \"make ya feel beautiful\" do?", "I don't know." ]
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what is the most important fact in this article?
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what is the most important fact in this article on Ruben Studdard?
Ruben Studdard
Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening." Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY. In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam. Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER
In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations".
Ruben Studdard (born September 12, 1978) is an American singer and actor. He rose to fame as winner of the second season of American Idol and received a Grammy Award nomination in 2003 for Best Male R&B Vocal Performance for his recording of "Superstar." In the years following Idol, Studdard has released seven studio albums, including his platinum-selling debut, Soulful, and the top-selling gospel follow-up, I Need an Angel. He is most well known for his recording career, which has produced hits including "Flying Without Wings," "Sorry 2004," and "Change Me," but he has also segued into television and stage work. Most notably, he starred as Fats Waller in a national tour revival of Ain't Misbehavin', which spawned a Grammy-nominated soundtrack. In 2013, Studdard appeared as a contestant on the fifteenth season of weight-loss competition show The Biggest Loser. He later signed to Verve Records and collaborated with the label's chairman, David Foster, on Studdard's sixth studio album, Unconditional Love, in 2014. That album received strong reviews as a return-to-form and included a tour with Lalah Hathaway. In 2018, Studdard, who has long been compared to R&B singer Luther Vandross, released a cover album called Ruben Sings Luther and launched his Always & Forever national tour. He made his Broadway theatre debut in December 2018 in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre. Early life Studdard was born in Frankfurt, West Germany, to American parents, while his father was stationed there with the U.S. Army, and grew up in Birmingham, Alabama. The youngest son of two teachers, at the age of three, he sang for the first time at the Rising Star Baptist Church in his hometown of Birmingham. He continued singing gospel in church, performing solos as a child while his mother sang in the local choir. While at Huffman High School, he played football for which he received a scholarship to Alabama A&M University. While at Alabama A&M, he joined the Omicron Delta chapter of Phi Mu Alpha Sinfonia, the men's music fraternity of America. After growing up listening to his mother's Donny Hathaway albums, Fred Hammond, and gospel music, Studdard began to pursue a career in the music industry, majoring in voice studies at Alabama A&M. He sang with Just a Few Cats, a popular local Birmingham jazz and R&B band founded by members of Ray Reach's UAB Jazz Ensemble, along with other local musicians. Years later, Studdard stated: "A lot of people don't realize how hard I was trying to get into the business before American Idol. I was making demos and just working so hard." A back-up singer from Just a Few Cats asked him to accompany her to Nashville, Tennessee for an audition on the 2003 second season of American Idol. American Idol When auditioning, Studdard sang Stevie Wonder's "Ribbon in the Sky." This guided him to being one of the local finalists. On American Idol, he impressed viewers with his performances of the Leon Russell/Bonnie Bramlett song "Superstar" and the Peabo Bryson/Regina Belle duet "A Whole New World." During his time on the show, Studdard received praise from music legends such as Lionel Richie, Neil Sedaka, Robin Gibb of the Bee Gees, Luther Vandross, and Gladys Knight. During the televised competition, Studdard gained the nickname "Velvet Teddy Bear" and was noted for his shirts printed with "205," the telephone area code of his hometown of Birmingham. He won the contest over runner-up Clay Aiken by only 134,000 votes out of 24,000,000 cast in the May 2003 finale, becoming the second American Idol winner. Alabama Governor Bob Riley declared March 11, 2003 as "Ruben Studdard Day." Performances and results Career 2003–2004: Soulful Studdard released his first single, a cover of Westlife's "Flying Without Wings" (which he had sung on the American Idol finale), produced by The Underdogs and Babyface. Fueled largely by sales, it debuted at number two on the Billboard Hot 100. In December 2003, advance orders for his album Soulful topped the one million mark before it was released into stores. The album debuted at number one on the Billboard 200 album chart that month, selling over 400,000 copies in its first week and attaining the second highest first-week sales of any American Idol winner. The single "Sorry 2004" from this album found substantial airplay, reaching number nine in the Billboard Hot 100 and number two on the Billboard R&B singles chart. Studdard received a Grammy Award nomination in December 2003 for Best Male R&B Vocal Performance for "Superstar", nominated alongside his idol Luther Vandross, who ultimately won the category. In March 2004, Ruben won the NAACP Outstanding New Artist award. 2004–2005: I Need an Angel Studdard released the gospel album I Need an Angel on November 23, 2004. The title track and first single "I Need an Angel" was a cover of a 2002 single performed by R&B singer Daniel DeBourg and written by R. Kelly. The album sold over 96,000 copies in its first week, entering the Gospel charts at number one and at number twenty on the Billboard 200 chart. It since has sold over 500,000 copies, securing Gold certification from the Recording Industry Association of America. It was also number one on the 2005 Billboard Year-End Gospel Albums Chart. In March 2005, Studdard filed a lawsuit against his godfather and business advisor Ronald Edwards. The suit alleges that Edwards ran up $156,000 on Studdard's credit cards and stole $90,000 from his checking account. Edwards filed a countersuit. On June 15, 2006, Studdard was awarded $500,000 for personal losses and another $1.5 million in punitive damages. Between his second and third albums, Studdard began a diet and fitness program to deal with his weight, out of concern for a family history of diabetes and hypertension, resulting in his losing over 70 pounds on a vegetarian diet. In 2004, Studdard made a cameo in the film Scooby-Doo 2: Monsters Unleashed, singing a cover of Earth, Wind & Fire's "Shining Star". He also made guest appearances on TV shows including Life on a Stick, 8 Simple Rules, One on One, All of Us and Eve. 2006–2008: The Return Studdard's third album, The Return, was released in October 2006. Returning to R&B music on this album, Studdard collaborated with a variety of producers, including Scott Storch, Stargate, and Ne-Yo. Studdard also co-wrote several songs on the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart. The lead single, "Change Me," reached number one on Billboard's Urban Contemporary chart, while the follow-up track, "Make Ya Feel Beautiful", also made a strong impression on the R&B charts. Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening." Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY. In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings and was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam. Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night grand finale of American Idol's seventh season. In 2008, Studdard also collaborated with gospel singer Deitrick Haddon and duo Mary Mary on the hit gospel song "Love Him Like I Do". 2009–2010: Love Is Studdard announced that his next album, to be released May 19, 2009, would be released on Sony Music offshoot Hickory Records. The new album, entitled Love Is, was produced by Jimmy Jam and Terry Lewis. The album spawned the singles "Together" and "Don't Make 'Em Like U No More". Love Is was released on May 19, 2009, to positive reviews. The album, which features a mix of covers and original songs, sold 15,200 units in its first week to debut at number 36 on the Billboard 200, number five on Independent Albums and number eight on Top R&B/Hip-Hop Albums. Studdard appeared with the "David Foster and Friends" ten-city tour beginning October 21, 2009, in Chicago, Illinois and ending November 8, 2009, in Vancouver, Canada. A compilation album, Playlist: The Very Best of Ruben Studdard was released on January 26, 2010 by Sony's Legacy Recordings. Studdard returned to the American Idol stage on March 31, 2010 to perform "Don't Make 'Em Like U No More". In his on-camera interview with Ryan Seacrest after his performance, he announced that he would be touring with Clay Aiken in the summer. Studdard and Aiken brought their Timeless tour to cities in the US and Canada beginning in Asheville, North Carolina on July 23, 2010 and ending in Biloxi, Mississippi on August 14. Instead of a concert focusing on each singers recordings, Studdard and Aiken opted for a variety show format covering medleys of songs from the 1960s to the 1990s, with a few solos and interspersed with comedy bits. 2010–2013: Letters from Birmingham In 2011, Studdard signed with Shanachie Entertainment. His first album for the label and fifth studio release overall, Letters from Birmingham, was released in March 2012. A concept album that traces a relationship through a series of romantic letters, Letters from Birmingham received mostly positive reviews, especially for his duet with Chrisette Michele, "Do It Right", which was praised as "sublime" and "tantalizing". The album also included covers of Bobby Brown's "Rock Wit'cha" and "Pure Imagination" from Willy Wonka and the Chocolate Factory, recast as a love song. Since its release, "Letters from Birmingham" has sold 22,000 copies, and the lead single, "June 28 (I'm Single)", which referenced his marriage and subsequent divorce, reached the top 20 of Billboard's urban charts. 2013–2014: The Biggest Loser and Unconditional Love Studdard joined the cast of fifteenth season of the NBC weight loss competition show The Biggest Loser, and was credited as its first ever celebrity contestant. At 6'3 and 462 pounds, Studdard had the highest starting weight and BMI of the entire cast. A member of the show's Red Team, Studdard was first eliminated in the fourth week after he failed to make his weight loss goal. However, because opposing coach Jillian Michaels had given her team caffeine pills in violation of the rules, Studdard's elimination was voided and he returned before once again being eliminated during the competition's eighth week. At the show's finale on February 4, 2014 (which coincided with the release of Studdard's newest album, Unconditional Love), it was revealed that he had lost a total of 119 pounds for an ending weight of 343 pounds. Studdard credited the weight loss for improving his ability to perform onstage. During the finale, Studdard also performed his new album's lead single, "Meant to Be", accompanied by the song's cowriter and producer, David Foster, on piano. Unconditional Love is Studdard's sixth studio album and first with his new label, Verve Records. Foster, who has won 16 Grammy Awards, was the executive producer of the disc, which primarily consists of covers of love songs along with two originals, including "Meant to Be". Studdard has called it "the album that everybody expected from me when I won American Idol." The album features collaborations with Stevie Wonder, Lalah Hathaway, and Eric Benet, and includes covers of songs originally performed by artists such as Paul McCartney, Donny Hathaway, Bonnie Raitt, Marvin Gaye, and Peabo Bryson. Since its release, the album has received some of Studdard's best reviews of his career. According to critics, the album "finds Studdard at the top of his game vocally" and he hits his stride, "exuding grace, confidence and class" as he successfully positions himself as a "stylish crooner." Unconditional Love debuted at #46 on the Billboard 200 and #7 on Billboard's R&B Albums chart. Studdard supported the release of Unconditional Love with the national Born Again Tour with his collaborator Lalah Hathaway. 2015-present: Ruben Sings Luther and Broadway debut Studdard continues to appear regularly on American Idol, including mentoring and performing with contestants in its farewell season on Fox. He released a new single, "Can't Nobody Love You," on April 8, 2016, and appeared on several talk shows to promote the song. In 2017, he released a cover of "A Change Is Gonna Come" and guested on Patti LaBelle's holiday album, performing "Your Presence with Me" and "Ave Maria." In 2018, Studdard, who had long been compared to Luther Vandross, released a tribute album, Ruben Sings Luther, on the SEG Music label. He supported the album with the Always & Forever national tour. In an interview with People Magazine, Studdard said that, “Since I won American Idol, people have been asking for me to sing Luther songs for a long time. I thought, ‘OK. You want to hear it? I might as well do it. I thought it was the perfect time to pay homage to one of the greatest song interpreters of all time.” Both the album and tour received strong reviews, with Variety noting that "Studdard truly took wing and made the music of Vandross his own" on tour and The Philadelphia Inquirer calling the album a "full-on lush-and-funky tribute". Studdard made his Broadway theatre debut in December 2018, reuniting with Clay Aiken in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre, with previews beginning December 7 and the show officially opening December 11. The show continued through December 30, with a portion of ticket sales benefitting the National Inclusion Project. Acting Studdard has worked as an actor in several roles, including single-episode appearances on the television series 8 Simple Rules, Life on a Stick, All of Us, Eve, and One on One, as well as a cameo appearance in the film Scooby Doo 2: Monsters Unleashed. He has also appeared on a television commercial for a Birmingham-area Kia dealer. Studdard headlined the revival tour of Ain't Misbehavin', starring alongside fellow American Idol alumni Trenyce and Frenchie Davis. Starring as Fats Waller, Studdard received positive reviews and was part of the cast recording album released by Rhino Records on January 13, 2009. The album was nominated for the Grammy Award for Best Musical Theater Album. Advocacy Studdard's love of music led him to create The Ruben Studdard Foundation for the Advancement of Children in the Music Arts. The foundation's mission statement says their aim is "to promote the essential role of the arts in education through learning initiatives for the development of students in the Greater Birmingham Area." Studdard also signed on as an official spokesperson for "Be Sickle Smart", a nationwide grassroots health-education program aimed at increasing awareness of iron overload among people living with sickle-cell disease. Personal life Studdard met Surata Zuri McCants in October 2006, when he was signing CDs at a Wal-Mart in Atlanta. On June 28, 2008, Studdard married McCants in a short, private ceremony in Mountain Brook, Alabama. On November 16, 2011, Studdard's attorney announced that Studdard was in the process of a divorce. Studdard's divorce was finalized in April 2012. Studdard received an honorary Master of Arts degree from his alma mater of Alabama A&M University, where he received a bachelor degree in Vocal Studies, at its December 2015 commencement ceremony. He is a member of Phi Mu Alpha Sinfonia fraternity. In 2022, it was announced that Studdard would teach a masterclass for performing arts majors at the University of Tennessee at Chattanooga. Awards and nominations Discography Studio albums Compilation albums Singles Single certifications Other albums American Idol Season 2: All-Time Classic American Love Songs (2003) "What the World Needs Now" (with Season 2 Finalists) "God Bless the U.S.A. (Proud to Be an American)" (with Season 2 Finalists) "Superstar" American Idol: The Great Holiday Classics (2003) "Have Yourself a Merry Little Christmas" "Santa Claus Is Coming to Town" (American Idol Ensemble) "This Christmas" Genius & Friends (2005) "Imagine" with Ray Charles and The Harlem Gospel Singers Revealed (2008) "Love Him Like I Do" with Deitrick Haddon and Mary Mary Ain't Misbehavin': The 30th Anniversary Cast Recording (2009) "Honeysuckle Rose" duet with Frenchie Davis "The Jitterbug Waltz" with Patrice Covington & Company "Lounging At The Waldorf" with Frenchie Davis, Trenyce Cobbins & Patrice Covington "Your Feet's Too Big" Hit Man Returns: David Foster & Friends (2011) "Home" with David Foster Unbelievable (2011) "Saturday Love" with Keke Wyatt Sing Pray Love, Vol. 1: Sing (2014) "Back 2 Love" with Kelly Price Patti LaBelle Presents: Home for the Holidays with Friends (2017) "Don't Save it All for Christmas" "Your Presence with Me" "Let It Snow" "Ave Maria" Filmography One on One (2004) Scooby Doo 2: Monsters Unleashed (2004) 8 Simple Rules (2005) Life on a Stick (2005) All of Us (2005) Natural Born Komics (2006) (direct-to-DVD) Eve (2006) Lifted (2011) The Perfect Gift (2011) See also List of Idols winners References External links Official Foundation site 1978 births Living people Alabama A&M Bulldogs football players American football offensive linemen American gospel singers American Idol winners American male pop singers American contemporary R&B singers Baptists from Alabama Musicians from Birmingham, Alabama Urban contemporary gospel musicians 19 Recordings artists J Records artists Hickory Records artists Shanachie Records artists Verve Records artists 21st-century African-American male singers
true
[ "\"Toward a Fair Use Standard\", 103 Harv. L. Rev. 1105 (1990), is a law review article on the fair use doctrine in US copyright law, written by then-District Court Judge Pierre N. Leval. The article argued that the most critical element of the fair use analysis is the transformativeness of a work, the first of the statutory factors listed in the Copyright Act of 1976, . \n\nLeval's article is cited in the Supreme Court's 1994 decision in Campbell v. Acuff-Rose Music, Inc., which marked a shift in judicial treatment of fair use toward a transformativeness analysis and away from emphasizing the \"commerciality\" analysis of the fourth factor. Prior to Leval's article, the fourth factor had often been described as the most important of the factors. \n\nIn his article, Leval noted: \nI believe the answer to the question of justification turns primarily on whether, and to what extent, the challenged use is transformative. The use must be productive and must employ the quoted matter in a different manner or for a different purpose from the original. ...[If] the secondary use adds value to the original—if the quoted matter is used as raw material, transformed in the creation of new information, new aesthetics, new insights and understandings—this is the very type of activity that the fair use doctrine intends to protect for the enrichment of society.\n\nTransformative uses may include criticizing the quoted work, exposing the character of the original author, proving a fact, or summarizing an idea argued in the original in order to defend or rebut it. They also may include parody, symbolism, aesthetic declarations, and innumerable other uses.\n\nLeval's article was published with an accompanying article by Lloyd Weinreb \"Fair's Fair: A Comment on the Fair Use Doctrine\", 103 Harvard Law Review 1137 (1990), which generally critiqued Leval's thesis.\n\nFurther reading \n \n \n\n1990 essays\n1990 in law\nFair use\nCopyright law literature\nLegal literature\nWorks originally published in the Harvard Law Review\nUnited States copyright law", "In Caspar Hare's theory of perspectival realism, there is a defining intrinsic property that the things that are in perceptual awareness have. Consider seeing object A but not object B. Of course, we can say that the visual experience of A is present to you, and no visual experience of B is present to you. But, it can be argued, this misses the fact that the visual experience of A is simply present, not relative to anything. This is what Hare's perspectival realism attempts to capture, resulting in a weak version of metaphysical solipsism.\n\nAs Hare points out, the same type of argument is often used in the philosophy of time to support theories such as presentism. Of course, we can say that A is happening on [insert today's date]. But, it can be argued, this misses the fact that A is simply happening (right now), not relative to anything.\n\nHare's theory of perspectival realism is closely related to his theory of egocentric presentism.\nSeveral other philosophers have written reviews of Hare's work on this topic.\n\nSee also\n Metaphysical subjectivism\n Centered worlds\n Benj Hellie's vertiginous question\n J.J. Valberg's personal horizon\n\nReferences\n\nExternal links\n Hare, Caspar. Self-Bias, Time-Bias, and the Metaphysics of Self and Time. Preprint of article in The Journal of Philosophy (2007).\n Hare, Caspar. On Myself, and Other, Less Important Subjects. Early draft of book published by Princeton University Press (2009).\n Hare, Caspar. Realism About Tense and Perspective. Preprint of article in Philosophy Compass (2010).\n\nEpistemological theories\nMetaphysics of mind\nPhilosophical realism\nPhilosophy of time\nTheory of mind" ]
[ "Ruben Studdard (born September 12, 1978) is an American singer and actor. He rose to fame as winner of the second season of American Idol and received a Grammy Award nomination in 2003 for Best Male R&B Vocal Performance for his recording of \"Superstar.\" In the years following Idol, Studdard has released seven studio albums, including his platinum-selling debut, Soulful, and the top-selling gospel follow-up, I Need an Angel.", "In the years following Idol, Studdard has released seven studio albums, including his platinum-selling debut, Soulful, and the top-selling gospel follow-up, I Need an Angel. He is most well known for his recording career, which has produced hits including \"Flying Without Wings,\" \"Sorry 2004,\" and \"Change Me,\" but he has also segued into television and stage work. Most notably, he starred as Fats Waller in a national tour revival of Ain't Misbehavin', which spawned a Grammy-nominated soundtrack.", "Most notably, he starred as Fats Waller in a national tour revival of Ain't Misbehavin', which spawned a Grammy-nominated soundtrack. In 2013, Studdard appeared as a contestant on the fifteenth season of weight-loss competition show The Biggest Loser. He later signed to Verve Records and collaborated with the label's chairman, David Foster, on Studdard's sixth studio album, Unconditional Love, in 2014. That album received strong reviews as a return-to-form and included a tour with Lalah Hathaway.", "That album received strong reviews as a return-to-form and included a tour with Lalah Hathaway. In 2018, Studdard, who has long been compared to R&B singer Luther Vandross, released a cover album called Ruben Sings Luther and launched his Always & Forever national tour. He made his Broadway theatre debut in December 2018 in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre.", "He made his Broadway theatre debut in December 2018 in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre. Early life Studdard was born in Frankfurt, West Germany, to American parents, while his father was stationed there with the U.S. Army, and grew up in Birmingham, Alabama.", "Early life Studdard was born in Frankfurt, West Germany, to American parents, while his father was stationed there with the U.S. Army, and grew up in Birmingham, Alabama. The youngest son of two teachers, at the age of three, he sang for the first time at the Rising Star Baptist Church in his hometown of Birmingham. He continued singing gospel in church, performing solos as a child while his mother sang in the local choir.", "He continued singing gospel in church, performing solos as a child while his mother sang in the local choir. While at Huffman High School, he played football for which he received a scholarship to Alabama A&M University. While at Alabama A&M, he joined the Omicron Delta chapter of Phi Mu Alpha Sinfonia, the men's music fraternity of America.", "While at Alabama A&M, he joined the Omicron Delta chapter of Phi Mu Alpha Sinfonia, the men's music fraternity of America. After growing up listening to his mother's Donny Hathaway albums, Fred Hammond, and gospel music, Studdard began to pursue a career in the music industry, majoring in voice studies at Alabama A&M.", "After growing up listening to his mother's Donny Hathaway albums, Fred Hammond, and gospel music, Studdard began to pursue a career in the music industry, majoring in voice studies at Alabama A&M. He sang with Just a Few Cats, a popular local Birmingham jazz and R&B band founded by members of Ray Reach's UAB Jazz Ensemble, along with other local musicians.", "He sang with Just a Few Cats, a popular local Birmingham jazz and R&B band founded by members of Ray Reach's UAB Jazz Ensemble, along with other local musicians. Years later, Studdard stated: \"A lot of people don't realize how hard I was trying to get into the business before American Idol. I was making demos and just working so hard.\"", "I was making demos and just working so hard.\" A back-up singer from Just a Few Cats asked him to accompany her to Nashville, Tennessee for an audition on the 2003 second season of American Idol. American Idol When auditioning, Studdard sang Stevie Wonder's \"Ribbon in the Sky.\" This guided him to being one of the local finalists. On American Idol, he impressed viewers with his performances of the Leon Russell/Bonnie Bramlett song \"Superstar\" and the Peabo Bryson/Regina Belle duet \"A Whole New World.\"", "On American Idol, he impressed viewers with his performances of the Leon Russell/Bonnie Bramlett song \"Superstar\" and the Peabo Bryson/Regina Belle duet \"A Whole New World.\" During his time on the show, Studdard received praise from music legends such as Lionel Richie, Neil Sedaka, Robin Gibb of the Bee Gees, Luther Vandross, and Gladys Knight.", "During his time on the show, Studdard received praise from music legends such as Lionel Richie, Neil Sedaka, Robin Gibb of the Bee Gees, Luther Vandross, and Gladys Knight. During the televised competition, Studdard gained the nickname \"Velvet Teddy Bear\" and was noted for his shirts printed with \"205,\" the telephone area code of his hometown of Birmingham. He won the contest over runner-up Clay Aiken by only 134,000 votes out of 24,000,000 cast in the May 2003 finale, becoming the second American Idol winner.", "He won the contest over runner-up Clay Aiken by only 134,000 votes out of 24,000,000 cast in the May 2003 finale, becoming the second American Idol winner. Alabama Governor Bob Riley declared March 11, 2003 as \"Ruben Studdard Day.\" Performances and results Career 2003–2004: Soulful Studdard released his first single, a cover of Westlife's \"Flying Without Wings\" (which he had sung on the American Idol finale), produced by The Underdogs and Babyface.", "Performances and results Career 2003–2004: Soulful Studdard released his first single, a cover of Westlife's \"Flying Without Wings\" (which he had sung on the American Idol finale), produced by The Underdogs and Babyface. Fueled largely by sales, it debuted at number two on the Billboard Hot 100. In December 2003, advance orders for his album Soulful topped the one million mark before it was released into stores.", "In December 2003, advance orders for his album Soulful topped the one million mark before it was released into stores. The album debuted at number one on the Billboard 200 album chart that month, selling over 400,000 copies in its first week and attaining the second highest first-week sales of any American Idol winner. The single \"Sorry 2004\" from this album found substantial airplay, reaching number nine in the Billboard Hot 100 and number two on the Billboard R&B singles chart.", "The single \"Sorry 2004\" from this album found substantial airplay, reaching number nine in the Billboard Hot 100 and number two on the Billboard R&B singles chart. Studdard received a Grammy Award nomination in December 2003 for Best Male R&B Vocal Performance for \"Superstar\", nominated alongside his idol Luther Vandross, who ultimately won the category. In March 2004, Ruben won the NAACP Outstanding New Artist award.", "In March 2004, Ruben won the NAACP Outstanding New Artist award. 2004–2005: I Need an Angel Studdard released the gospel album I Need an Angel on November 23, 2004. The title track and first single \"I Need an Angel\" was a cover of a 2002 single performed by R&B singer Daniel DeBourg and written by R. Kelly. The album sold over 96,000 copies in its first week, entering the Gospel charts at number one and at number twenty on the Billboard 200 chart.", "The album sold over 96,000 copies in its first week, entering the Gospel charts at number one and at number twenty on the Billboard 200 chart. It since has sold over 500,000 copies, securing Gold certification from the Recording Industry Association of America. It was also number one on the 2005 Billboard Year-End Gospel Albums Chart. In March 2005, Studdard filed a lawsuit against his godfather and business advisor Ronald Edwards.", "In March 2005, Studdard filed a lawsuit against his godfather and business advisor Ronald Edwards. The suit alleges that Edwards ran up $156,000 on Studdard's credit cards and stole $90,000 from his checking account. Edwards filed a countersuit. On June 15, 2006, Studdard was awarded $500,000 for personal losses and another $1.5 million in punitive damages.", "On June 15, 2006, Studdard was awarded $500,000 for personal losses and another $1.5 million in punitive damages. Between his second and third albums, Studdard began a diet and fitness program to deal with his weight, out of concern for a family history of diabetes and hypertension, resulting in his losing over 70 pounds on a vegetarian diet. In 2004, Studdard made a cameo in the film Scooby-Doo 2: Monsters Unleashed, singing a cover of Earth, Wind & Fire's \"Shining Star\".", "In 2004, Studdard made a cameo in the film Scooby-Doo 2: Monsters Unleashed, singing a cover of Earth, Wind & Fire's \"Shining Star\". He also made guest appearances on TV shows including Life on a Stick, 8 Simple Rules, One on One, All of Us and Eve. 2006–2008: The Return Studdard's third album, The Return, was released in October 2006.", "2006–2008: The Return Studdard's third album, The Return, was released in October 2006. Returning to R&B music on this album, Studdard collaborated with a variety of producers, including Scott Storch, Stargate, and Ne-Yo. Studdard also co-wrote several songs on the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart.", "The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart. The lead single, \"Change Me,\" reached number one on Billboard's Urban Contemporary chart, while the follow-up track, \"Make Ya Feel Beautiful\", also made a strong impression on the R&B charts. Studdard continued to tour, saying he would play a variety of music: \"Coming out to my show is like coming to my house. I'll play the songs I love.", "I'll play the songs I love. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening.\" Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008.", "He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY. In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and \"[falling] short of expectations\".", "In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and \"[falling] short of expectations\". He remained under contract with 19 Recordings and was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' \"Celebrate Me Home\", in a new version produced by Terry Lewis and Jimmy Jam.", "He remained under contract with 19 Recordings and was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' \"Celebrate Me Home\", in a new version produced by Terry Lewis and Jimmy Jam. Studdard performed \"Celebrate Me Home\" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night grand finale of American Idol's seventh season.", "Studdard performed \"Celebrate Me Home\" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night grand finale of American Idol's seventh season. In 2008, Studdard also collaborated with gospel singer Deitrick Haddon and duo Mary Mary on the hit gospel song \"Love Him Like I Do\". 2009–2010: Love Is Studdard announced that his next album, to be released May 19, 2009, would be released on Sony Music offshoot Hickory Records.", "2009–2010: Love Is Studdard announced that his next album, to be released May 19, 2009, would be released on Sony Music offshoot Hickory Records. The new album, entitled Love Is, was produced by Jimmy Jam and Terry Lewis. The album spawned the singles \"Together\" and \"Don't Make 'Em Like U No More\". Love Is was released on May 19, 2009, to positive reviews.", "Love Is was released on May 19, 2009, to positive reviews. The album, which features a mix of covers and original songs, sold 15,200 units in its first week to debut at number 36 on the Billboard 200, number five on Independent Albums and number eight on Top R&B/Hip-Hop Albums. Studdard appeared with the \"David Foster and Friends\" ten-city tour beginning October 21, 2009, in Chicago, Illinois and ending November 8, 2009, in Vancouver, Canada.", "Studdard appeared with the \"David Foster and Friends\" ten-city tour beginning October 21, 2009, in Chicago, Illinois and ending November 8, 2009, in Vancouver, Canada. A compilation album, Playlist: The Very Best of Ruben Studdard was released on January 26, 2010 by Sony's Legacy Recordings. Studdard returned to the American Idol stage on March 31, 2010 to perform \"Don't Make 'Em Like U No More\".", "Studdard returned to the American Idol stage on March 31, 2010 to perform \"Don't Make 'Em Like U No More\". In his on-camera interview with Ryan Seacrest after his performance, he announced that he would be touring with Clay Aiken in the summer. Studdard and Aiken brought their Timeless tour to cities in the US and Canada beginning in Asheville, North Carolina on July 23, 2010 and ending in Biloxi, Mississippi on August 14.", "Studdard and Aiken brought their Timeless tour to cities in the US and Canada beginning in Asheville, North Carolina on July 23, 2010 and ending in Biloxi, Mississippi on August 14. Instead of a concert focusing on each singers recordings, Studdard and Aiken opted for a variety show format covering medleys of songs from the 1960s to the 1990s, with a few solos and interspersed with comedy bits. 2010–2013: Letters from Birmingham In 2011, Studdard signed with Shanachie Entertainment.", "2010–2013: Letters from Birmingham In 2011, Studdard signed with Shanachie Entertainment. His first album for the label and fifth studio release overall, Letters from Birmingham, was released in March 2012. A concept album that traces a relationship through a series of romantic letters, Letters from Birmingham received mostly positive reviews, especially for his duet with Chrisette Michele, \"Do It Right\", which was praised as \"sublime\" and \"tantalizing\".", "A concept album that traces a relationship through a series of romantic letters, Letters from Birmingham received mostly positive reviews, especially for his duet with Chrisette Michele, \"Do It Right\", which was praised as \"sublime\" and \"tantalizing\". The album also included covers of Bobby Brown's \"Rock Wit'cha\" and \"Pure Imagination\" from Willy Wonka and the Chocolate Factory, recast as a love song.", "The album also included covers of Bobby Brown's \"Rock Wit'cha\" and \"Pure Imagination\" from Willy Wonka and the Chocolate Factory, recast as a love song. Since its release, \"Letters from Birmingham\" has sold 22,000 copies, and the lead single, \"June 28 (I'm Single)\", which referenced his marriage and subsequent divorce, reached the top 20 of Billboard's urban charts.", "Since its release, \"Letters from Birmingham\" has sold 22,000 copies, and the lead single, \"June 28 (I'm Single)\", which referenced his marriage and subsequent divorce, reached the top 20 of Billboard's urban charts. 2013–2014: The Biggest Loser and Unconditional Love Studdard joined the cast of fifteenth season of the NBC weight loss competition show The Biggest Loser, and was credited as its first ever celebrity contestant.", "2013–2014: The Biggest Loser and Unconditional Love Studdard joined the cast of fifteenth season of the NBC weight loss competition show The Biggest Loser, and was credited as its first ever celebrity contestant. At 6'3 and 462 pounds, Studdard had the highest starting weight and BMI of the entire cast. A member of the show's Red Team, Studdard was first eliminated in the fourth week after he failed to make his weight loss goal.", "A member of the show's Red Team, Studdard was first eliminated in the fourth week after he failed to make his weight loss goal. However, because opposing coach Jillian Michaels had given her team caffeine pills in violation of the rules, Studdard's elimination was voided and he returned before once again being eliminated during the competition's eighth week.", "However, because opposing coach Jillian Michaels had given her team caffeine pills in violation of the rules, Studdard's elimination was voided and he returned before once again being eliminated during the competition's eighth week. At the show's finale on February 4, 2014 (which coincided with the release of Studdard's newest album, Unconditional Love), it was revealed that he had lost a total of 119 pounds for an ending weight of 343 pounds. Studdard credited the weight loss for improving his ability to perform onstage.", "Studdard credited the weight loss for improving his ability to perform onstage. During the finale, Studdard also performed his new album's lead single, \"Meant to Be\", accompanied by the song's cowriter and producer, David Foster, on piano. Unconditional Love is Studdard's sixth studio album and first with his new label, Verve Records.", "Unconditional Love is Studdard's sixth studio album and first with his new label, Verve Records. Foster, who has won 16 Grammy Awards, was the executive producer of the disc, which primarily consists of covers of love songs along with two originals, including \"Meant to Be\". Studdard has called it \"the album that everybody expected from me when I won American Idol.\"", "Studdard has called it \"the album that everybody expected from me when I won American Idol.\" The album features collaborations with Stevie Wonder, Lalah Hathaway, and Eric Benet, and includes covers of songs originally performed by artists such as Paul McCartney, Donny Hathaway, Bonnie Raitt, Marvin Gaye, and Peabo Bryson. Since its release, the album has received some of Studdard's best reviews of his career.", "Since its release, the album has received some of Studdard's best reviews of his career. According to critics, the album \"finds Studdard at the top of his game vocally\" and he hits his stride, \"exuding grace, confidence and class\" as he successfully positions himself as a \"stylish crooner.\" Unconditional Love debuted at #46 on the Billboard 200 and #7 on Billboard's R&B Albums chart.", "Unconditional Love debuted at #46 on the Billboard 200 and #7 on Billboard's R&B Albums chart. Studdard supported the release of Unconditional Love with the national Born Again Tour with his collaborator Lalah Hathaway. 2015-present: Ruben Sings Luther and Broadway debut Studdard continues to appear regularly on American Idol, including mentoring and performing with contestants in its farewell season on Fox.", "2015-present: Ruben Sings Luther and Broadway debut Studdard continues to appear regularly on American Idol, including mentoring and performing with contestants in its farewell season on Fox. He released a new single, \"Can't Nobody Love You,\" on April 8, 2016, and appeared on several talk shows to promote the song. In 2017, he released a cover of \"A Change Is Gonna Come\" and guested on Patti LaBelle's holiday album, performing \"Your Presence with Me\" and \"Ave Maria.\"", "In 2017, he released a cover of \"A Change Is Gonna Come\" and guested on Patti LaBelle's holiday album, performing \"Your Presence with Me\" and \"Ave Maria.\" In 2018, Studdard, who had long been compared to Luther Vandross, released a tribute album, Ruben Sings Luther, on the SEG Music label. He supported the album with the Always & Forever national tour.", "He supported the album with the Always & Forever national tour. In an interview with People Magazine, Studdard said that, “Since I won American Idol, people have been asking for me to sing Luther songs for a long time. I thought, ‘OK. You want to hear it? I might as well do it.", "You want to hear it? I might as well do it. I might as well do it. I thought it was the perfect time to pay homage to one of the greatest song interpreters of all time.” Both the album and tour received strong reviews, with Variety noting that \"Studdard truly took wing and made the music of Vandross his own\" on tour and The Philadelphia Inquirer calling the album a \"full-on lush-and-funky tribute\".", "I thought it was the perfect time to pay homage to one of the greatest song interpreters of all time.” Both the album and tour received strong reviews, with Variety noting that \"Studdard truly took wing and made the music of Vandross his own\" on tour and The Philadelphia Inquirer calling the album a \"full-on lush-and-funky tribute\". Studdard made his Broadway theatre debut in December 2018, reuniting with Clay Aiken in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre, with previews beginning December 7 and the show officially opening December 11.", "Studdard made his Broadway theatre debut in December 2018, reuniting with Clay Aiken in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre, with previews beginning December 7 and the show officially opening December 11. The show continued through December 30, with a portion of ticket sales benefitting the National Inclusion Project.", "The show continued through December 30, with a portion of ticket sales benefitting the National Inclusion Project. Acting Studdard has worked as an actor in several roles, including single-episode appearances on the television series 8 Simple Rules, Life on a Stick, All of Us, Eve, and One on One, as well as a cameo appearance in the film Scooby Doo 2: Monsters Unleashed. He has also appeared on a television commercial for a Birmingham-area Kia dealer.", "He has also appeared on a television commercial for a Birmingham-area Kia dealer. Studdard headlined the revival tour of Ain't Misbehavin', starring alongside fellow American Idol alumni Trenyce and Frenchie Davis. Starring as Fats Waller, Studdard received positive reviews and was part of the cast recording album released by Rhino Records on January 13, 2009. The album was nominated for the Grammy Award for Best Musical Theater Album.", "The album was nominated for the Grammy Award for Best Musical Theater Album. Advocacy Studdard's love of music led him to create The Ruben Studdard Foundation for the Advancement of Children in the Music Arts. The foundation's mission statement says their aim is \"to promote the essential role of the arts in education through learning initiatives for the development of students in the Greater Birmingham Area.\"", "The foundation's mission statement says their aim is \"to promote the essential role of the arts in education through learning initiatives for the development of students in the Greater Birmingham Area.\" Studdard also signed on as an official spokesperson for \"Be Sickle Smart\", a nationwide grassroots health-education program aimed at increasing awareness of iron overload among people living with sickle-cell disease. Personal life Studdard met Surata Zuri McCants in October 2006, when he was signing CDs at a Wal-Mart in Atlanta.", "Personal life Studdard met Surata Zuri McCants in October 2006, when he was signing CDs at a Wal-Mart in Atlanta. On June 28, 2008, Studdard married McCants in a short, private ceremony in Mountain Brook, Alabama. On November 16, 2011, Studdard's attorney announced that Studdard was in the process of a divorce. Studdard's divorce was finalized in April 2012.", "Studdard's divorce was finalized in April 2012. Studdard's divorce was finalized in April 2012. Studdard received an honorary Master of Arts degree from his alma mater of Alabama A&M University, where he received a bachelor degree in Vocal Studies, at its December 2015 commencement ceremony. He is a member of Phi Mu Alpha Sinfonia fraternity. In 2022, it was announced that Studdard would teach a masterclass for performing arts majors at the University of Tennessee at Chattanooga.", "In 2022, it was announced that Studdard would teach a masterclass for performing arts majors at the University of Tennessee at Chattanooga. Awards and nominations Discography Studio albums Compilation albums Singles Single certifications Other albums American Idol Season 2: All-Time Classic American Love Songs (2003) \"What the World Needs Now\" (with Season 2 Finalists) \"God Bless the U.S.A. (Proud to Be an American)\" (with Season 2 Finalists) \"Superstar\" American Idol: The Great Holiday Classics (2003) \"Have Yourself a Merry Little Christmas\" \"Santa Claus Is Coming to Town\" (American Idol Ensemble) \"This Christmas\" Genius & Friends (2005) \"Imagine\" with Ray Charles and The Harlem Gospel Singers Revealed (2008) \"Love Him Like I Do\" with Deitrick Haddon and Mary Mary Ain't Misbehavin': The 30th Anniversary Cast Recording (2009) \"Honeysuckle Rose\" duet with Frenchie Davis \"The Jitterbug Waltz\" with Patrice Covington & Company \"Lounging At The Waldorf\" with Frenchie Davis, Trenyce Cobbins & Patrice Covington \"Your Feet's Too Big\" Hit Man Returns: David Foster & Friends (2011) \"Home\" with David Foster Unbelievable (2011) \"Saturday Love\" with Keke Wyatt Sing Pray Love, Vol.", "Awards and nominations Discography Studio albums Compilation albums Singles Single certifications Other albums American Idol Season 2: All-Time Classic American Love Songs (2003) \"What the World Needs Now\" (with Season 2 Finalists) \"God Bless the U.S.A. (Proud to Be an American)\" (with Season 2 Finalists) \"Superstar\" American Idol: The Great Holiday Classics (2003) \"Have Yourself a Merry Little Christmas\" \"Santa Claus Is Coming to Town\" (American Idol Ensemble) \"This Christmas\" Genius & Friends (2005) \"Imagine\" with Ray Charles and The Harlem Gospel Singers Revealed (2008) \"Love Him Like I Do\" with Deitrick Haddon and Mary Mary Ain't Misbehavin': The 30th Anniversary Cast Recording (2009) \"Honeysuckle Rose\" duet with Frenchie Davis \"The Jitterbug Waltz\" with Patrice Covington & Company \"Lounging At The Waldorf\" with Frenchie Davis, Trenyce Cobbins & Patrice Covington \"Your Feet's Too Big\" Hit Man Returns: David Foster & Friends (2011) \"Home\" with David Foster Unbelievable (2011) \"Saturday Love\" with Keke Wyatt Sing Pray Love, Vol. 1: Sing (2014) \"Back 2 Love\" with Kelly Price Patti LaBelle Presents: Home for the Holidays with Friends (2017) \"Don't Save it All for Christmas\" \"Your Presence with Me\" \"Let It Snow\" \"Ave Maria\" Filmography One on One (2004) Scooby Doo 2: Monsters Unleashed (2004) 8 Simple Rules (2005) Life on a Stick (2005) All of Us (2005) Natural Born Komics (2006) (direct-to-DVD) Eve (2006) Lifted (2011) The Perfect Gift (2011) See also List of Idols winners References External links Official Foundation site 1978 births Living people Alabama A&M Bulldogs football players American football offensive linemen American gospel singers American Idol winners American male pop singers American contemporary R&B singers Baptists from Alabama Musicians from Birmingham, Alabama Urban contemporary gospel musicians 19 Recordings artists J Records artists Hickory Records artists Shanachie Records artists Verve Records artists 21st-century African-American male singers" ]
[ "Ruben Studdard", "2006-2008: The Return", "what happened in 2006?", "Studdard's third album, The Return was released in October 2006;", "how did the album do?", "The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that,", "why did sales decline rapidly?", "it goes back to his R&B roots, but is different from his previous efforts.", "what was his greatest accomplishment?", "However, Studdard did have good success on the Urban Contemporary chart with \"Change Me\" (which reached number one) and its successor \"Make Ya Feel Beautiful\".", "how did \"make ya feel beautiful\" do?", "I don't know.", "what is the most important fact in this article?", "In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and \"[falling] short of expectations\".", "Are there any other interesting aspects about this article?", "He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song," ]
C_f61797b8cc554761a4647de15fbd2199_1
what was the season 7 farewell song?
8
what was the American Idol season 7 farewell song?
Ruben Studdard
Studdard's third album, The Return was released in October 2006; it goes back to his R&B roots, but is different from his previous efforts. Studdard collaborated with the artist Ne-Yo on this album, along with a variety of producers. The single "Change Me" was released ahead of the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart, but sales declined rapidly after that, not approaching those of his earlier albums. However, Studdard did have good success on the Urban Contemporary chart with "Change Me" (which reached number one) and its successor "Make Ya Feel Beautiful". Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening." Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY. In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings, however. As such he was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam. Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night Grand Finale of American Idol's seventh season. CANNOTANSWER
a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam.
Ruben Studdard (born September 12, 1978) is an American singer and actor. He rose to fame as winner of the second season of American Idol and received a Grammy Award nomination in 2003 for Best Male R&B Vocal Performance for his recording of "Superstar." In the years following Idol, Studdard has released seven studio albums, including his platinum-selling debut, Soulful, and the top-selling gospel follow-up, I Need an Angel. He is most well known for his recording career, which has produced hits including "Flying Without Wings," "Sorry 2004," and "Change Me," but he has also segued into television and stage work. Most notably, he starred as Fats Waller in a national tour revival of Ain't Misbehavin', which spawned a Grammy-nominated soundtrack. In 2013, Studdard appeared as a contestant on the fifteenth season of weight-loss competition show The Biggest Loser. He later signed to Verve Records and collaborated with the label's chairman, David Foster, on Studdard's sixth studio album, Unconditional Love, in 2014. That album received strong reviews as a return-to-form and included a tour with Lalah Hathaway. In 2018, Studdard, who has long been compared to R&B singer Luther Vandross, released a cover album called Ruben Sings Luther and launched his Always & Forever national tour. He made his Broadway theatre debut in December 2018 in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre. Early life Studdard was born in Frankfurt, West Germany, to American parents, while his father was stationed there with the U.S. Army, and grew up in Birmingham, Alabama. The youngest son of two teachers, at the age of three, he sang for the first time at the Rising Star Baptist Church in his hometown of Birmingham. He continued singing gospel in church, performing solos as a child while his mother sang in the local choir. While at Huffman High School, he played football for which he received a scholarship to Alabama A&M University. While at Alabama A&M, he joined the Omicron Delta chapter of Phi Mu Alpha Sinfonia, the men's music fraternity of America. After growing up listening to his mother's Donny Hathaway albums, Fred Hammond, and gospel music, Studdard began to pursue a career in the music industry, majoring in voice studies at Alabama A&M. He sang with Just a Few Cats, a popular local Birmingham jazz and R&B band founded by members of Ray Reach's UAB Jazz Ensemble, along with other local musicians. Years later, Studdard stated: "A lot of people don't realize how hard I was trying to get into the business before American Idol. I was making demos and just working so hard." A back-up singer from Just a Few Cats asked him to accompany her to Nashville, Tennessee for an audition on the 2003 second season of American Idol. American Idol When auditioning, Studdard sang Stevie Wonder's "Ribbon in the Sky." This guided him to being one of the local finalists. On American Idol, he impressed viewers with his performances of the Leon Russell/Bonnie Bramlett song "Superstar" and the Peabo Bryson/Regina Belle duet "A Whole New World." During his time on the show, Studdard received praise from music legends such as Lionel Richie, Neil Sedaka, Robin Gibb of the Bee Gees, Luther Vandross, and Gladys Knight. During the televised competition, Studdard gained the nickname "Velvet Teddy Bear" and was noted for his shirts printed with "205," the telephone area code of his hometown of Birmingham. He won the contest over runner-up Clay Aiken by only 134,000 votes out of 24,000,000 cast in the May 2003 finale, becoming the second American Idol winner. Alabama Governor Bob Riley declared March 11, 2003 as "Ruben Studdard Day." Performances and results Career 2003–2004: Soulful Studdard released his first single, a cover of Westlife's "Flying Without Wings" (which he had sung on the American Idol finale), produced by The Underdogs and Babyface. Fueled largely by sales, it debuted at number two on the Billboard Hot 100. In December 2003, advance orders for his album Soulful topped the one million mark before it was released into stores. The album debuted at number one on the Billboard 200 album chart that month, selling over 400,000 copies in its first week and attaining the second highest first-week sales of any American Idol winner. The single "Sorry 2004" from this album found substantial airplay, reaching number nine in the Billboard Hot 100 and number two on the Billboard R&B singles chart. Studdard received a Grammy Award nomination in December 2003 for Best Male R&B Vocal Performance for "Superstar", nominated alongside his idol Luther Vandross, who ultimately won the category. In March 2004, Ruben won the NAACP Outstanding New Artist award. 2004–2005: I Need an Angel Studdard released the gospel album I Need an Angel on November 23, 2004. The title track and first single "I Need an Angel" was a cover of a 2002 single performed by R&B singer Daniel DeBourg and written by R. Kelly. The album sold over 96,000 copies in its first week, entering the Gospel charts at number one and at number twenty on the Billboard 200 chart. It since has sold over 500,000 copies, securing Gold certification from the Recording Industry Association of America. It was also number one on the 2005 Billboard Year-End Gospel Albums Chart. In March 2005, Studdard filed a lawsuit against his godfather and business advisor Ronald Edwards. The suit alleges that Edwards ran up $156,000 on Studdard's credit cards and stole $90,000 from his checking account. Edwards filed a countersuit. On June 15, 2006, Studdard was awarded $500,000 for personal losses and another $1.5 million in punitive damages. Between his second and third albums, Studdard began a diet and fitness program to deal with his weight, out of concern for a family history of diabetes and hypertension, resulting in his losing over 70 pounds on a vegetarian diet. In 2004, Studdard made a cameo in the film Scooby-Doo 2: Monsters Unleashed, singing a cover of Earth, Wind & Fire's "Shining Star". He also made guest appearances on TV shows including Life on a Stick, 8 Simple Rules, One on One, All of Us and Eve. 2006–2008: The Return Studdard's third album, The Return, was released in October 2006. Returning to R&B music on this album, Studdard collaborated with a variety of producers, including Scott Storch, Stargate, and Ne-Yo. Studdard also co-wrote several songs on the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart. The lead single, "Change Me," reached number one on Billboard's Urban Contemporary chart, while the follow-up track, "Make Ya Feel Beautiful", also made a strong impression on the R&B charts. Studdard continued to tour, saying he would play a variety of music: "Coming out to my show is like coming to my house. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening." Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY. In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and "[falling] short of expectations". He remained under contract with 19 Recordings and was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' "Celebrate Me Home", in a new version produced by Terry Lewis and Jimmy Jam. Studdard performed "Celebrate Me Home" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night grand finale of American Idol's seventh season. In 2008, Studdard also collaborated with gospel singer Deitrick Haddon and duo Mary Mary on the hit gospel song "Love Him Like I Do". 2009–2010: Love Is Studdard announced that his next album, to be released May 19, 2009, would be released on Sony Music offshoot Hickory Records. The new album, entitled Love Is, was produced by Jimmy Jam and Terry Lewis. The album spawned the singles "Together" and "Don't Make 'Em Like U No More". Love Is was released on May 19, 2009, to positive reviews. The album, which features a mix of covers and original songs, sold 15,200 units in its first week to debut at number 36 on the Billboard 200, number five on Independent Albums and number eight on Top R&B/Hip-Hop Albums. Studdard appeared with the "David Foster and Friends" ten-city tour beginning October 21, 2009, in Chicago, Illinois and ending November 8, 2009, in Vancouver, Canada. A compilation album, Playlist: The Very Best of Ruben Studdard was released on January 26, 2010 by Sony's Legacy Recordings. Studdard returned to the American Idol stage on March 31, 2010 to perform "Don't Make 'Em Like U No More". In his on-camera interview with Ryan Seacrest after his performance, he announced that he would be touring with Clay Aiken in the summer. Studdard and Aiken brought their Timeless tour to cities in the US and Canada beginning in Asheville, North Carolina on July 23, 2010 and ending in Biloxi, Mississippi on August 14. Instead of a concert focusing on each singers recordings, Studdard and Aiken opted for a variety show format covering medleys of songs from the 1960s to the 1990s, with a few solos and interspersed with comedy bits. 2010–2013: Letters from Birmingham In 2011, Studdard signed with Shanachie Entertainment. His first album for the label and fifth studio release overall, Letters from Birmingham, was released in March 2012. A concept album that traces a relationship through a series of romantic letters, Letters from Birmingham received mostly positive reviews, especially for his duet with Chrisette Michele, "Do It Right", which was praised as "sublime" and "tantalizing". The album also included covers of Bobby Brown's "Rock Wit'cha" and "Pure Imagination" from Willy Wonka and the Chocolate Factory, recast as a love song. Since its release, "Letters from Birmingham" has sold 22,000 copies, and the lead single, "June 28 (I'm Single)", which referenced his marriage and subsequent divorce, reached the top 20 of Billboard's urban charts. 2013–2014: The Biggest Loser and Unconditional Love Studdard joined the cast of fifteenth season of the NBC weight loss competition show The Biggest Loser, and was credited as its first ever celebrity contestant. At 6'3 and 462 pounds, Studdard had the highest starting weight and BMI of the entire cast. A member of the show's Red Team, Studdard was first eliminated in the fourth week after he failed to make his weight loss goal. However, because opposing coach Jillian Michaels had given her team caffeine pills in violation of the rules, Studdard's elimination was voided and he returned before once again being eliminated during the competition's eighth week. At the show's finale on February 4, 2014 (which coincided with the release of Studdard's newest album, Unconditional Love), it was revealed that he had lost a total of 119 pounds for an ending weight of 343 pounds. Studdard credited the weight loss for improving his ability to perform onstage. During the finale, Studdard also performed his new album's lead single, "Meant to Be", accompanied by the song's cowriter and producer, David Foster, on piano. Unconditional Love is Studdard's sixth studio album and first with his new label, Verve Records. Foster, who has won 16 Grammy Awards, was the executive producer of the disc, which primarily consists of covers of love songs along with two originals, including "Meant to Be". Studdard has called it "the album that everybody expected from me when I won American Idol." The album features collaborations with Stevie Wonder, Lalah Hathaway, and Eric Benet, and includes covers of songs originally performed by artists such as Paul McCartney, Donny Hathaway, Bonnie Raitt, Marvin Gaye, and Peabo Bryson. Since its release, the album has received some of Studdard's best reviews of his career. According to critics, the album "finds Studdard at the top of his game vocally" and he hits his stride, "exuding grace, confidence and class" as he successfully positions himself as a "stylish crooner." Unconditional Love debuted at #46 on the Billboard 200 and #7 on Billboard's R&B Albums chart. Studdard supported the release of Unconditional Love with the national Born Again Tour with his collaborator Lalah Hathaway. 2015-present: Ruben Sings Luther and Broadway debut Studdard continues to appear regularly on American Idol, including mentoring and performing with contestants in its farewell season on Fox. He released a new single, "Can't Nobody Love You," on April 8, 2016, and appeared on several talk shows to promote the song. In 2017, he released a cover of "A Change Is Gonna Come" and guested on Patti LaBelle's holiday album, performing "Your Presence with Me" and "Ave Maria." In 2018, Studdard, who had long been compared to Luther Vandross, released a tribute album, Ruben Sings Luther, on the SEG Music label. He supported the album with the Always & Forever national tour. In an interview with People Magazine, Studdard said that, “Since I won American Idol, people have been asking for me to sing Luther songs for a long time. I thought, ‘OK. You want to hear it? I might as well do it. I thought it was the perfect time to pay homage to one of the greatest song interpreters of all time.” Both the album and tour received strong reviews, with Variety noting that "Studdard truly took wing and made the music of Vandross his own" on tour and The Philadelphia Inquirer calling the album a "full-on lush-and-funky tribute". Studdard made his Broadway theatre debut in December 2018, reuniting with Clay Aiken in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre, with previews beginning December 7 and the show officially opening December 11. The show continued through December 30, with a portion of ticket sales benefitting the National Inclusion Project. Acting Studdard has worked as an actor in several roles, including single-episode appearances on the television series 8 Simple Rules, Life on a Stick, All of Us, Eve, and One on One, as well as a cameo appearance in the film Scooby Doo 2: Monsters Unleashed. He has also appeared on a television commercial for a Birmingham-area Kia dealer. Studdard headlined the revival tour of Ain't Misbehavin', starring alongside fellow American Idol alumni Trenyce and Frenchie Davis. Starring as Fats Waller, Studdard received positive reviews and was part of the cast recording album released by Rhino Records on January 13, 2009. The album was nominated for the Grammy Award for Best Musical Theater Album. Advocacy Studdard's love of music led him to create The Ruben Studdard Foundation for the Advancement of Children in the Music Arts. The foundation's mission statement says their aim is "to promote the essential role of the arts in education through learning initiatives for the development of students in the Greater Birmingham Area." Studdard also signed on as an official spokesperson for "Be Sickle Smart", a nationwide grassroots health-education program aimed at increasing awareness of iron overload among people living with sickle-cell disease. Personal life Studdard met Surata Zuri McCants in October 2006, when he was signing CDs at a Wal-Mart in Atlanta. On June 28, 2008, Studdard married McCants in a short, private ceremony in Mountain Brook, Alabama. On November 16, 2011, Studdard's attorney announced that Studdard was in the process of a divorce. Studdard's divorce was finalized in April 2012. Studdard received an honorary Master of Arts degree from his alma mater of Alabama A&M University, where he received a bachelor degree in Vocal Studies, at its December 2015 commencement ceremony. He is a member of Phi Mu Alpha Sinfonia fraternity. In 2022, it was announced that Studdard would teach a masterclass for performing arts majors at the University of Tennessee at Chattanooga. Awards and nominations Discography Studio albums Compilation albums Singles Single certifications Other albums American Idol Season 2: All-Time Classic American Love Songs (2003) "What the World Needs Now" (with Season 2 Finalists) "God Bless the U.S.A. (Proud to Be an American)" (with Season 2 Finalists) "Superstar" American Idol: The Great Holiday Classics (2003) "Have Yourself a Merry Little Christmas" "Santa Claus Is Coming to Town" (American Idol Ensemble) "This Christmas" Genius & Friends (2005) "Imagine" with Ray Charles and The Harlem Gospel Singers Revealed (2008) "Love Him Like I Do" with Deitrick Haddon and Mary Mary Ain't Misbehavin': The 30th Anniversary Cast Recording (2009) "Honeysuckle Rose" duet with Frenchie Davis "The Jitterbug Waltz" with Patrice Covington & Company "Lounging At The Waldorf" with Frenchie Davis, Trenyce Cobbins & Patrice Covington "Your Feet's Too Big" Hit Man Returns: David Foster & Friends (2011) "Home" with David Foster Unbelievable (2011) "Saturday Love" with Keke Wyatt Sing Pray Love, Vol. 1: Sing (2014) "Back 2 Love" with Kelly Price Patti LaBelle Presents: Home for the Holidays with Friends (2017) "Don't Save it All for Christmas" "Your Presence with Me" "Let It Snow" "Ave Maria" Filmography One on One (2004) Scooby Doo 2: Monsters Unleashed (2004) 8 Simple Rules (2005) Life on a Stick (2005) All of Us (2005) Natural Born Komics (2006) (direct-to-DVD) Eve (2006) Lifted (2011) The Perfect Gift (2011) See also List of Idols winners References External links Official Foundation site 1978 births Living people Alabama A&M Bulldogs football players American football offensive linemen American gospel singers American Idol winners American male pop singers American contemporary R&B singers Baptists from Alabama Musicians from Birmingham, Alabama Urban contemporary gospel musicians 19 Recordings artists J Records artists Hickory Records artists Shanachie Records artists Verve Records artists 21st-century African-American male singers
true
[ "\"Farewell Is a Lonely Sound\" is a song by American soul singer Jimmy Ruffin, released as a single in October 1969 from his album Ruff'n Ready. It peaked at number 8 on the UK Singles Chart.\n\nRelease and reception \n\"Farewell Is a Lonely Sound\" was recorded in March 1967 at Motown's Hitsville U.S.A. studio, but was only first released in March 1969 on the album Ruff'n Ready. Having released two singles from the album in 1968, \"I'll Say Forever My Love\" and \"Don't Let Him Take Your Love from Me\", both of which had failed to make much of an impact on the charts, the record label chose to release \"Farewell Is a Lonely Sound\" as a single in a last attempt to get a hit song from the album. It was released in the US in October 1969 and in the UK in February 1970.\n\nThe single was re-released in October 1974 after a re-release of \"What Becomes of the Broken Hearted\" became a top-ten hit in the UK for the second time.\n\nReviewing for Record Mirror, James Hamilton described the song as \"very much in the mould of his past hits, it's a semi-slow sentimental swayer, to the well-tried formula\".\n\nTrack listings \n7\": Soul / S-35060 (1969)\n \"Farewell Is a Lonely Sound\" – 2:56\n \"If You Will Let Me, I Know I Can\" – 2:59\n\n7\": Tamla Motown / TMG 922 (1974)\n \"Farewell Is a Lonely Sound\" – 2:56\n \"I Will Never Let You Get Away\" – 2:55\n\nCharts\n\nReferences \n\n1969 songs\n1969 singles\nSongs written by James Dean (songwriter)", "\"A Farewell to Kings\" is a song by the Canadian progressive rock band Rush. It was released as the title track to their 1977 album A Farewell to Kings.\nA music video to the song was uploaded to YouTube in March 2018.\n\n\"A Farewell to Kings\" is about dealing with hypocrisy, and finding your own way by looking within yourself.\n\nComposition and recording\nThe song was composed in the key of B minor.\n\nThe guitar played in the beginning of \"A Farewell to Kings\" was recorded outside. Frontman Geddy Lee said that \"the acoustic was recorded out there to get that really crisp sound and I remember Alex was walking around this mic that Terry had set up while he was playing. He was just like a troubadour – he was playing as he walked around and, naturally, every troubadour has his guy trailing behind him playing a Minimoog!\".\n \nLee also said that the song \"was quite a different piece for us, because of the way the intro’s structured, and then it comes in with a bang and there’s this weird time signature going on. It’s a tough song to play.\"\n\nRobert Telleria in the book Merely Players of the song: The title is adapted from Ernest Hemingway's novel A Farewell to Arms. Longing for a new Renaissance era (which focused on our place in the cosmos), this revolution is more down to earth, the new world envisioned in \"2112\", a timeless realm. As in \"2112\", the wise are again resented, and the sacred \"Halls of Truth\" are the churches, courthouses, and schools. The hypocrites are the elite: teachers, lawyers, and clergy.\n\nReception\nUltimate Classic Rock ranked \"A Farewell to Kings\" number 4 on their list of \"All 167 Rush Songs Ranked Worst to Best\".\n\nAllMusic reviewer Greg Prato picked the \"A Farewell to Kings\" as one of the highlights on the album, and called the song's intro \"a tasty classical guitar/synth passage, before erupting into a powerful rocker.\"\n\nOdyssey rated the song 5/5. They especially praised the song's acoustic intro, lyrics and Alex Lifeson's solo. They also ranked it the 24th best Rush song, and the second best on the album, only behind \"Xanadu\".\n\nReferences\n\n1977 songs\nRush (band) songs\nSongs written by Geddy Lee\nSongs written by Neil Peart\nSongs written by Alex Lifeson" ]
[ "Ruben Studdard (born September 12, 1978) is an American singer and actor. He rose to fame as winner of the second season of American Idol and received a Grammy Award nomination in 2003 for Best Male R&B Vocal Performance for his recording of \"Superstar.\" In the years following Idol, Studdard has released seven studio albums, including his platinum-selling debut, Soulful, and the top-selling gospel follow-up, I Need an Angel.", "In the years following Idol, Studdard has released seven studio albums, including his platinum-selling debut, Soulful, and the top-selling gospel follow-up, I Need an Angel. He is most well known for his recording career, which has produced hits including \"Flying Without Wings,\" \"Sorry 2004,\" and \"Change Me,\" but he has also segued into television and stage work. Most notably, he starred as Fats Waller in a national tour revival of Ain't Misbehavin', which spawned a Grammy-nominated soundtrack.", "Most notably, he starred as Fats Waller in a national tour revival of Ain't Misbehavin', which spawned a Grammy-nominated soundtrack. In 2013, Studdard appeared as a contestant on the fifteenth season of weight-loss competition show The Biggest Loser. He later signed to Verve Records and collaborated with the label's chairman, David Foster, on Studdard's sixth studio album, Unconditional Love, in 2014. That album received strong reviews as a return-to-form and included a tour with Lalah Hathaway.", "That album received strong reviews as a return-to-form and included a tour with Lalah Hathaway. In 2018, Studdard, who has long been compared to R&B singer Luther Vandross, released a cover album called Ruben Sings Luther and launched his Always & Forever national tour. He made his Broadway theatre debut in December 2018 in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre.", "He made his Broadway theatre debut in December 2018 in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre. Early life Studdard was born in Frankfurt, West Germany, to American parents, while his father was stationed there with the U.S. Army, and grew up in Birmingham, Alabama.", "Early life Studdard was born in Frankfurt, West Germany, to American parents, while his father was stationed there with the U.S. Army, and grew up in Birmingham, Alabama. The youngest son of two teachers, at the age of three, he sang for the first time at the Rising Star Baptist Church in his hometown of Birmingham. He continued singing gospel in church, performing solos as a child while his mother sang in the local choir.", "He continued singing gospel in church, performing solos as a child while his mother sang in the local choir. While at Huffman High School, he played football for which he received a scholarship to Alabama A&M University. While at Alabama A&M, he joined the Omicron Delta chapter of Phi Mu Alpha Sinfonia, the men's music fraternity of America.", "While at Alabama A&M, he joined the Omicron Delta chapter of Phi Mu Alpha Sinfonia, the men's music fraternity of America. After growing up listening to his mother's Donny Hathaway albums, Fred Hammond, and gospel music, Studdard began to pursue a career in the music industry, majoring in voice studies at Alabama A&M.", "After growing up listening to his mother's Donny Hathaway albums, Fred Hammond, and gospel music, Studdard began to pursue a career in the music industry, majoring in voice studies at Alabama A&M. He sang with Just a Few Cats, a popular local Birmingham jazz and R&B band founded by members of Ray Reach's UAB Jazz Ensemble, along with other local musicians.", "He sang with Just a Few Cats, a popular local Birmingham jazz and R&B band founded by members of Ray Reach's UAB Jazz Ensemble, along with other local musicians. Years later, Studdard stated: \"A lot of people don't realize how hard I was trying to get into the business before American Idol. I was making demos and just working so hard.\"", "I was making demos and just working so hard.\" A back-up singer from Just a Few Cats asked him to accompany her to Nashville, Tennessee for an audition on the 2003 second season of American Idol. American Idol When auditioning, Studdard sang Stevie Wonder's \"Ribbon in the Sky.\" This guided him to being one of the local finalists. On American Idol, he impressed viewers with his performances of the Leon Russell/Bonnie Bramlett song \"Superstar\" and the Peabo Bryson/Regina Belle duet \"A Whole New World.\"", "On American Idol, he impressed viewers with his performances of the Leon Russell/Bonnie Bramlett song \"Superstar\" and the Peabo Bryson/Regina Belle duet \"A Whole New World.\" During his time on the show, Studdard received praise from music legends such as Lionel Richie, Neil Sedaka, Robin Gibb of the Bee Gees, Luther Vandross, and Gladys Knight.", "During his time on the show, Studdard received praise from music legends such as Lionel Richie, Neil Sedaka, Robin Gibb of the Bee Gees, Luther Vandross, and Gladys Knight. During the televised competition, Studdard gained the nickname \"Velvet Teddy Bear\" and was noted for his shirts printed with \"205,\" the telephone area code of his hometown of Birmingham. He won the contest over runner-up Clay Aiken by only 134,000 votes out of 24,000,000 cast in the May 2003 finale, becoming the second American Idol winner.", "He won the contest over runner-up Clay Aiken by only 134,000 votes out of 24,000,000 cast in the May 2003 finale, becoming the second American Idol winner. Alabama Governor Bob Riley declared March 11, 2003 as \"Ruben Studdard Day.\" Performances and results Career 2003–2004: Soulful Studdard released his first single, a cover of Westlife's \"Flying Without Wings\" (which he had sung on the American Idol finale), produced by The Underdogs and Babyface.", "Performances and results Career 2003–2004: Soulful Studdard released his first single, a cover of Westlife's \"Flying Without Wings\" (which he had sung on the American Idol finale), produced by The Underdogs and Babyface. Fueled largely by sales, it debuted at number two on the Billboard Hot 100. In December 2003, advance orders for his album Soulful topped the one million mark before it was released into stores.", "In December 2003, advance orders for his album Soulful topped the one million mark before it was released into stores. The album debuted at number one on the Billboard 200 album chart that month, selling over 400,000 copies in its first week and attaining the second highest first-week sales of any American Idol winner. The single \"Sorry 2004\" from this album found substantial airplay, reaching number nine in the Billboard Hot 100 and number two on the Billboard R&B singles chart.", "The single \"Sorry 2004\" from this album found substantial airplay, reaching number nine in the Billboard Hot 100 and number two on the Billboard R&B singles chart. Studdard received a Grammy Award nomination in December 2003 for Best Male R&B Vocal Performance for \"Superstar\", nominated alongside his idol Luther Vandross, who ultimately won the category. In March 2004, Ruben won the NAACP Outstanding New Artist award.", "In March 2004, Ruben won the NAACP Outstanding New Artist award. 2004–2005: I Need an Angel Studdard released the gospel album I Need an Angel on November 23, 2004. The title track and first single \"I Need an Angel\" was a cover of a 2002 single performed by R&B singer Daniel DeBourg and written by R. Kelly. The album sold over 96,000 copies in its first week, entering the Gospel charts at number one and at number twenty on the Billboard 200 chart.", "The album sold over 96,000 copies in its first week, entering the Gospel charts at number one and at number twenty on the Billboard 200 chart. It since has sold over 500,000 copies, securing Gold certification from the Recording Industry Association of America. It was also number one on the 2005 Billboard Year-End Gospel Albums Chart. In March 2005, Studdard filed a lawsuit against his godfather and business advisor Ronald Edwards.", "In March 2005, Studdard filed a lawsuit against his godfather and business advisor Ronald Edwards. The suit alleges that Edwards ran up $156,000 on Studdard's credit cards and stole $90,000 from his checking account. Edwards filed a countersuit. On June 15, 2006, Studdard was awarded $500,000 for personal losses and another $1.5 million in punitive damages.", "On June 15, 2006, Studdard was awarded $500,000 for personal losses and another $1.5 million in punitive damages. Between his second and third albums, Studdard began a diet and fitness program to deal with his weight, out of concern for a family history of diabetes and hypertension, resulting in his losing over 70 pounds on a vegetarian diet. In 2004, Studdard made a cameo in the film Scooby-Doo 2: Monsters Unleashed, singing a cover of Earth, Wind & Fire's \"Shining Star\".", "In 2004, Studdard made a cameo in the film Scooby-Doo 2: Monsters Unleashed, singing a cover of Earth, Wind & Fire's \"Shining Star\". He also made guest appearances on TV shows including Life on a Stick, 8 Simple Rules, One on One, All of Us and Eve. 2006–2008: The Return Studdard's third album, The Return, was released in October 2006.", "2006–2008: The Return Studdard's third album, The Return, was released in October 2006. Returning to R&B music on this album, Studdard collaborated with a variety of producers, including Scott Storch, Stargate, and Ne-Yo. Studdard also co-wrote several songs on the album. The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart.", "The Return sold 71,000 copies in its first week to open at number eight on the Billboard 200 album chart. The lead single, \"Change Me,\" reached number one on Billboard's Urban Contemporary chart, while the follow-up track, \"Make Ya Feel Beautiful\", also made a strong impression on the R&B charts. Studdard continued to tour, saying he would play a variety of music: \"Coming out to my show is like coming to my house. I'll play the songs I love.", "I'll play the songs I love. I'll play the songs I love. It's like a party. For me, a party has all different types of music happening.\" Studdard appeared on the finale of American Idol season 6 in May 2007. He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008.", "He spent a few weeks touring with Robin Givens in the comedy-drama Heaven I Need a Hug and prepared to take on the role of Fats Waller in a national tour of Ain't Misbehavin' in 2008. The tour is scheduled to begin November 17, 2008 in Atlanta, GA and end May 14, 2009 in Syracuse, NY. In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and \"[falling] short of expectations\".", "In December 2007, Studdard had been dropped from his record company, J Records, due to poor sales of The Return and \"[falling] short of expectations\". He remained under contract with 19 Recordings and was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' \"Celebrate Me Home\", in a new version produced by Terry Lewis and Jimmy Jam.", "He remained under contract with 19 Recordings and was assigned the high-profile position of performing the American Idol season 7 farewell song, a recording of Kenny Loggins' \"Celebrate Me Home\", in a new version produced by Terry Lewis and Jimmy Jam. Studdard performed \"Celebrate Me Home\" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night grand finale of American Idol's seventh season.", "Studdard performed \"Celebrate Me Home\" live on May 20, 2008, at the Nokia Theatre for the first night of the two-night grand finale of American Idol's seventh season. In 2008, Studdard also collaborated with gospel singer Deitrick Haddon and duo Mary Mary on the hit gospel song \"Love Him Like I Do\". 2009–2010: Love Is Studdard announced that his next album, to be released May 19, 2009, would be released on Sony Music offshoot Hickory Records.", "2009–2010: Love Is Studdard announced that his next album, to be released May 19, 2009, would be released on Sony Music offshoot Hickory Records. The new album, entitled Love Is, was produced by Jimmy Jam and Terry Lewis. The album spawned the singles \"Together\" and \"Don't Make 'Em Like U No More\". Love Is was released on May 19, 2009, to positive reviews.", "Love Is was released on May 19, 2009, to positive reviews. The album, which features a mix of covers and original songs, sold 15,200 units in its first week to debut at number 36 on the Billboard 200, number five on Independent Albums and number eight on Top R&B/Hip-Hop Albums. Studdard appeared with the \"David Foster and Friends\" ten-city tour beginning October 21, 2009, in Chicago, Illinois and ending November 8, 2009, in Vancouver, Canada.", "Studdard appeared with the \"David Foster and Friends\" ten-city tour beginning October 21, 2009, in Chicago, Illinois and ending November 8, 2009, in Vancouver, Canada. A compilation album, Playlist: The Very Best of Ruben Studdard was released on January 26, 2010 by Sony's Legacy Recordings. Studdard returned to the American Idol stage on March 31, 2010 to perform \"Don't Make 'Em Like U No More\".", "Studdard returned to the American Idol stage on March 31, 2010 to perform \"Don't Make 'Em Like U No More\". In his on-camera interview with Ryan Seacrest after his performance, he announced that he would be touring with Clay Aiken in the summer. Studdard and Aiken brought their Timeless tour to cities in the US and Canada beginning in Asheville, North Carolina on July 23, 2010 and ending in Biloxi, Mississippi on August 14.", "Studdard and Aiken brought their Timeless tour to cities in the US and Canada beginning in Asheville, North Carolina on July 23, 2010 and ending in Biloxi, Mississippi on August 14. Instead of a concert focusing on each singers recordings, Studdard and Aiken opted for a variety show format covering medleys of songs from the 1960s to the 1990s, with a few solos and interspersed with comedy bits. 2010–2013: Letters from Birmingham In 2011, Studdard signed with Shanachie Entertainment.", "2010–2013: Letters from Birmingham In 2011, Studdard signed with Shanachie Entertainment. His first album for the label and fifth studio release overall, Letters from Birmingham, was released in March 2012. A concept album that traces a relationship through a series of romantic letters, Letters from Birmingham received mostly positive reviews, especially for his duet with Chrisette Michele, \"Do It Right\", which was praised as \"sublime\" and \"tantalizing\".", "A concept album that traces a relationship through a series of romantic letters, Letters from Birmingham received mostly positive reviews, especially for his duet with Chrisette Michele, \"Do It Right\", which was praised as \"sublime\" and \"tantalizing\". The album also included covers of Bobby Brown's \"Rock Wit'cha\" and \"Pure Imagination\" from Willy Wonka and the Chocolate Factory, recast as a love song.", "The album also included covers of Bobby Brown's \"Rock Wit'cha\" and \"Pure Imagination\" from Willy Wonka and the Chocolate Factory, recast as a love song. Since its release, \"Letters from Birmingham\" has sold 22,000 copies, and the lead single, \"June 28 (I'm Single)\", which referenced his marriage and subsequent divorce, reached the top 20 of Billboard's urban charts.", "Since its release, \"Letters from Birmingham\" has sold 22,000 copies, and the lead single, \"June 28 (I'm Single)\", which referenced his marriage and subsequent divorce, reached the top 20 of Billboard's urban charts. 2013–2014: The Biggest Loser and Unconditional Love Studdard joined the cast of fifteenth season of the NBC weight loss competition show The Biggest Loser, and was credited as its first ever celebrity contestant.", "2013–2014: The Biggest Loser and Unconditional Love Studdard joined the cast of fifteenth season of the NBC weight loss competition show The Biggest Loser, and was credited as its first ever celebrity contestant. At 6'3 and 462 pounds, Studdard had the highest starting weight and BMI of the entire cast. A member of the show's Red Team, Studdard was first eliminated in the fourth week after he failed to make his weight loss goal.", "A member of the show's Red Team, Studdard was first eliminated in the fourth week after he failed to make his weight loss goal. However, because opposing coach Jillian Michaels had given her team caffeine pills in violation of the rules, Studdard's elimination was voided and he returned before once again being eliminated during the competition's eighth week.", "However, because opposing coach Jillian Michaels had given her team caffeine pills in violation of the rules, Studdard's elimination was voided and he returned before once again being eliminated during the competition's eighth week. At the show's finale on February 4, 2014 (which coincided with the release of Studdard's newest album, Unconditional Love), it was revealed that he had lost a total of 119 pounds for an ending weight of 343 pounds. Studdard credited the weight loss for improving his ability to perform onstage.", "Studdard credited the weight loss for improving his ability to perform onstage. During the finale, Studdard also performed his new album's lead single, \"Meant to Be\", accompanied by the song's cowriter and producer, David Foster, on piano. Unconditional Love is Studdard's sixth studio album and first with his new label, Verve Records.", "Unconditional Love is Studdard's sixth studio album and first with his new label, Verve Records. Foster, who has won 16 Grammy Awards, was the executive producer of the disc, which primarily consists of covers of love songs along with two originals, including \"Meant to Be\". Studdard has called it \"the album that everybody expected from me when I won American Idol.\"", "Studdard has called it \"the album that everybody expected from me when I won American Idol.\" The album features collaborations with Stevie Wonder, Lalah Hathaway, and Eric Benet, and includes covers of songs originally performed by artists such as Paul McCartney, Donny Hathaway, Bonnie Raitt, Marvin Gaye, and Peabo Bryson. Since its release, the album has received some of Studdard's best reviews of his career.", "Since its release, the album has received some of Studdard's best reviews of his career. According to critics, the album \"finds Studdard at the top of his game vocally\" and he hits his stride, \"exuding grace, confidence and class\" as he successfully positions himself as a \"stylish crooner.\" Unconditional Love debuted at #46 on the Billboard 200 and #7 on Billboard's R&B Albums chart.", "Unconditional Love debuted at #46 on the Billboard 200 and #7 on Billboard's R&B Albums chart. Studdard supported the release of Unconditional Love with the national Born Again Tour with his collaborator Lalah Hathaway. 2015-present: Ruben Sings Luther and Broadway debut Studdard continues to appear regularly on American Idol, including mentoring and performing with contestants in its farewell season on Fox.", "2015-present: Ruben Sings Luther and Broadway debut Studdard continues to appear regularly on American Idol, including mentoring and performing with contestants in its farewell season on Fox. He released a new single, \"Can't Nobody Love You,\" on April 8, 2016, and appeared on several talk shows to promote the song. In 2017, he released a cover of \"A Change Is Gonna Come\" and guested on Patti LaBelle's holiday album, performing \"Your Presence with Me\" and \"Ave Maria.\"", "In 2017, he released a cover of \"A Change Is Gonna Come\" and guested on Patti LaBelle's holiday album, performing \"Your Presence with Me\" and \"Ave Maria.\" In 2018, Studdard, who had long been compared to Luther Vandross, released a tribute album, Ruben Sings Luther, on the SEG Music label. He supported the album with the Always & Forever national tour.", "He supported the album with the Always & Forever national tour. In an interview with People Magazine, Studdard said that, “Since I won American Idol, people have been asking for me to sing Luther songs for a long time. I thought, ‘OK. You want to hear it? I might as well do it.", "You want to hear it? I might as well do it. I might as well do it. I thought it was the perfect time to pay homage to one of the greatest song interpreters of all time.” Both the album and tour received strong reviews, with Variety noting that \"Studdard truly took wing and made the music of Vandross his own\" on tour and The Philadelphia Inquirer calling the album a \"full-on lush-and-funky tribute\".", "I thought it was the perfect time to pay homage to one of the greatest song interpreters of all time.” Both the album and tour received strong reviews, with Variety noting that \"Studdard truly took wing and made the music of Vandross his own\" on tour and The Philadelphia Inquirer calling the album a \"full-on lush-and-funky tribute\". Studdard made his Broadway theatre debut in December 2018, reuniting with Clay Aiken in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre, with previews beginning December 7 and the show officially opening December 11.", "Studdard made his Broadway theatre debut in December 2018, reuniting with Clay Aiken in Ruben & Clay’s First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show (aka Ruben & Clay’s Christmas Show) at the Imperial Theatre, with previews beginning December 7 and the show officially opening December 11. The show continued through December 30, with a portion of ticket sales benefitting the National Inclusion Project.", "The show continued through December 30, with a portion of ticket sales benefitting the National Inclusion Project. Acting Studdard has worked as an actor in several roles, including single-episode appearances on the television series 8 Simple Rules, Life on a Stick, All of Us, Eve, and One on One, as well as a cameo appearance in the film Scooby Doo 2: Monsters Unleashed. He has also appeared on a television commercial for a Birmingham-area Kia dealer.", "He has also appeared on a television commercial for a Birmingham-area Kia dealer. Studdard headlined the revival tour of Ain't Misbehavin', starring alongside fellow American Idol alumni Trenyce and Frenchie Davis. Starring as Fats Waller, Studdard received positive reviews and was part of the cast recording album released by Rhino Records on January 13, 2009. The album was nominated for the Grammy Award for Best Musical Theater Album.", "The album was nominated for the Grammy Award for Best Musical Theater Album. Advocacy Studdard's love of music led him to create The Ruben Studdard Foundation for the Advancement of Children in the Music Arts. The foundation's mission statement says their aim is \"to promote the essential role of the arts in education through learning initiatives for the development of students in the Greater Birmingham Area.\"", "The foundation's mission statement says their aim is \"to promote the essential role of the arts in education through learning initiatives for the development of students in the Greater Birmingham Area.\" Studdard also signed on as an official spokesperson for \"Be Sickle Smart\", a nationwide grassroots health-education program aimed at increasing awareness of iron overload among people living with sickle-cell disease. Personal life Studdard met Surata Zuri McCants in October 2006, when he was signing CDs at a Wal-Mart in Atlanta.", "Personal life Studdard met Surata Zuri McCants in October 2006, when he was signing CDs at a Wal-Mart in Atlanta. On June 28, 2008, Studdard married McCants in a short, private ceremony in Mountain Brook, Alabama. On November 16, 2011, Studdard's attorney announced that Studdard was in the process of a divorce. Studdard's divorce was finalized in April 2012.", "Studdard's divorce was finalized in April 2012. Studdard's divorce was finalized in April 2012. Studdard received an honorary Master of Arts degree from his alma mater of Alabama A&M University, where he received a bachelor degree in Vocal Studies, at its December 2015 commencement ceremony. He is a member of Phi Mu Alpha Sinfonia fraternity. In 2022, it was announced that Studdard would teach a masterclass for performing arts majors at the University of Tennessee at Chattanooga.", "In 2022, it was announced that Studdard would teach a masterclass for performing arts majors at the University of Tennessee at Chattanooga. Awards and nominations Discography Studio albums Compilation albums Singles Single certifications Other albums American Idol Season 2: All-Time Classic American Love Songs (2003) \"What the World Needs Now\" (with Season 2 Finalists) \"God Bless the U.S.A. (Proud to Be an American)\" (with Season 2 Finalists) \"Superstar\" American Idol: The Great Holiday Classics (2003) \"Have Yourself a Merry Little Christmas\" \"Santa Claus Is Coming to Town\" (American Idol Ensemble) \"This Christmas\" Genius & Friends (2005) \"Imagine\" with Ray Charles and The Harlem Gospel Singers Revealed (2008) \"Love Him Like I Do\" with Deitrick Haddon and Mary Mary Ain't Misbehavin': The 30th Anniversary Cast Recording (2009) \"Honeysuckle Rose\" duet with Frenchie Davis \"The Jitterbug Waltz\" with Patrice Covington & Company \"Lounging At The Waldorf\" with Frenchie Davis, Trenyce Cobbins & Patrice Covington \"Your Feet's Too Big\" Hit Man Returns: David Foster & Friends (2011) \"Home\" with David Foster Unbelievable (2011) \"Saturday Love\" with Keke Wyatt Sing Pray Love, Vol.", "Awards and nominations Discography Studio albums Compilation albums Singles Single certifications Other albums American Idol Season 2: All-Time Classic American Love Songs (2003) \"What the World Needs Now\" (with Season 2 Finalists) \"God Bless the U.S.A. (Proud to Be an American)\" (with Season 2 Finalists) \"Superstar\" American Idol: The Great Holiday Classics (2003) \"Have Yourself a Merry Little Christmas\" \"Santa Claus Is Coming to Town\" (American Idol Ensemble) \"This Christmas\" Genius & Friends (2005) \"Imagine\" with Ray Charles and The Harlem Gospel Singers Revealed (2008) \"Love Him Like I Do\" with Deitrick Haddon and Mary Mary Ain't Misbehavin': The 30th Anniversary Cast Recording (2009) \"Honeysuckle Rose\" duet with Frenchie Davis \"The Jitterbug Waltz\" with Patrice Covington & Company \"Lounging At The Waldorf\" with Frenchie Davis, Trenyce Cobbins & Patrice Covington \"Your Feet's Too Big\" Hit Man Returns: David Foster & Friends (2011) \"Home\" with David Foster Unbelievable (2011) \"Saturday Love\" with Keke Wyatt Sing Pray Love, Vol. 1: Sing (2014) \"Back 2 Love\" with Kelly Price Patti LaBelle Presents: Home for the Holidays with Friends (2017) \"Don't Save it All for Christmas\" \"Your Presence with Me\" \"Let It Snow\" \"Ave Maria\" Filmography One on One (2004) Scooby Doo 2: Monsters Unleashed (2004) 8 Simple Rules (2005) Life on a Stick (2005) All of Us (2005) Natural Born Komics (2006) (direct-to-DVD) Eve (2006) Lifted (2011) The Perfect Gift (2011) See also List of Idols winners References External links Official Foundation site 1978 births Living people Alabama A&M Bulldogs football players American football offensive linemen American gospel singers American Idol winners American male pop singers American contemporary R&B singers Baptists from Alabama Musicians from Birmingham, Alabama Urban contemporary gospel musicians 19 Recordings artists J Records artists Hickory Records artists Shanachie Records artists Verve Records artists 21st-century African-American male singers" ]
[ "Dinosaur Jr.", "You're Living All Over Me", "What is You're living all over me?", "Dinosaur recorded much of their second album You're Living All Over Me with Sonic Youth engineer Wharton Tiers in New York." ]
C_e8222f72e3ca4f74a76588abb3ba15bb_0
Was it successful?
2
Was You're Living All Over Me by Dinosaur Jr. successful?
Dinosaur Jr.
Dinosaur recorded much of their second album You're Living All Over Me with Sonic Youth engineer Wharton Tiers in New York. During the recording process, tension emerged between Mascis and Murph because Mascis had very specific ideas for the drum parts. Barlow recalled, "J controlled Murph's every drumbeat...And Murph could not handle that. Murph wanted to kill J for the longest time." Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-based SST Records. Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, "There was no way I couldn't take it personally." After the album's completion Mascis moved to New York, leaving the rest of the band feeling alienated. You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin' tape, the first release by Barlow's side project Sebadoh. The album received much more attention in the indie-rock community than the debut. While the previous record had featured different musical styles for each song, You're Living All Over Me found the band's various disparate influences merging into each individual song. Although the hardcore punk influences were noticeably more muted than on Dinosaur, the overall sound was much more powerful, with the instruments often recorded very loud and with considerable distortion. While Mascis's guitar, alternating between Black Sabbath-like riffs, squalling solos, dissonant noise-rock and occasional quiet passages, was the main attraction, Barlow's bass, melodic, highly distorted and often playing thick two-note chords, competed for attention. Meanwhile, Murph played the Mascis-composed drum parts in a very heavy and powerful fashion, resulting in a version of the power trio format. Mascis did most of the lead singing, in a detached drawl that presented a contrast with the extreme music. The songs were highly melodic, albeit with odd song structures that avoided the typical verse-chorus-verse patterns of most rock and pop songs. Barlow also composed two songs: the hardcore-influenced "Lose" and an acoustic sonic collage entitled "Poledo" that anticipated his work with Sebadoh. Immediately following the release of You're Living All Over Me, supergroup The Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued them over the use of the name, prompting the addition of "Jr." CANNOTANSWER
The album received much more attention in the indie-rock community than the debut.
Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984, originally simply called Dinosaur until legal issues forced a change in name. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock. Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion. His replacement, Mike Johnson, came aboard for three major-label albums. Murph eventually quit, with Mascis taking over drum duties on the band's albums before the group disbanded in 1997. The original lineup reformed in 2005, releasing five albums thereafter. Mascis's drawling vocals and distinct guitar sound, hearkening back to 1960s and 1970s classic rock and characterized by extensive use of feedback and distortion, were highly influential in the alternative rock movement of the 1990s. History Formation Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts. After high school, they began exploring slower yet still aggressive music such as Black Sabbath, the Replacements, and Neil Young. Mascis's college friend Gerard Cosloy introduced him to psychedelic-influenced pop bands like Dream Syndicate, which Mascis in turn showed to Barlow. Barlow explained, "We loved speed metal ... and we loved wimpy-jangly stuff". Deep Wound broke up in mid-1984. Cosloy had dropped out of the University of Massachusetts Amherst to focus on running his independent record label, Homestead Records, and promised Mascis that if he were to make a record Homestead would release it. Mascis wrote a number of songs by himself and showed them to Barlow, to whom he offered the bassist position. Barlow said the songs "were fucking brilliant ...They were so far beyond. I was still into two-chord songs and basic stuff like 'I'm so sad.' While I was really into my own little tragedy, J was operating in this whole other panorama." Mascis enlisted vocalist Charlie Nakajima, also formerly of Deep Wound, and drummer Emmett Patrick Murphy, otherwise known as Murph, to complete the band. Mascis explained the concept behind the group as "ear-bleeding country". The band was initially named Mogo, and played their first show on University of Massachusetts Amherst campus in the first week of September 1984. However, Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day. A few days later Mascis invited Barlow and Murph to form a new band without telling Nakajima. "I was kind of too wimpy to kick him out, exactly," Mascis later admitted. "Communicating with people has been a constant problem in the band." The trio named themselves Dinosaur, and Mascis and Barlow took over lead-vocal duties. Dinosaur Mascis took Cosloy up on his offer to release an album and Dinosaur recorded their debut album for $500 at a home studio in the woods outside Northampton, Massachusetts. Their debut album, Dinosaur, was released in 1985. Mascis wrote all of the songs. Vocals were done by Mascis in his trademark nasal drawl which was often compared to singer Neil Young. Mascis would sing most or all of the lead vocals on all of their subsequent releases. The album did not make much of an impact commercially or critically: it sold only about 1,500 copies in its first year and was largely ignored by the majority of the music press. After the record's release, Dinosaur would often drive to New York City to perform shows. At one of their shows, the New York-based alternative rock band Sonic Youth was at first unimpressed by the first Dinosaur performance they saw, but after watching them play several months later, approached the band declaring themselves as fans. Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in September 1986. You're Living All Over Me Dinosaur recorded much of their second album, You're Living All Over Me, with Sonic Youth engineer Wharton Tiers in New York. During the recording process, tension emerged between Mascis and Murph because Mascis had very specific ideas for the drum parts. Barlow recalled, "J controlled Murph's every drumbeat ... And Murph could not handle that. Murph wanted to kill J for the longest time." Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-based SST Records. Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, "There was no way I couldn't take it personally." After the album's completion Mascis moved to New York, leaving the rest of the band feeling alienated. You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin tape, the first release by Barlow's side project Sebadoh. The album received much more attention in the indie-rock community than the debut. Barlow also composed two songs: the hardcore-influenced "Lose" and an acoustic sonic collage entitled "Poledo" that anticipated his work with Sebadoh. Immediately following the release of You're Living All Over Me, a supergroup called the Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of "Jr." Bug and Barlow's departure Dinosaur Jr. had a major breakthrough in the United Kingdom with their debut single for Blast First, "Freak Scene", in 1988, a version with censored lyrics being issued for radio consumption. It reached number 4 in the UK independent chart, staying on the chart for 12 weeks. The band's third album, Bug, followed shortly afterwards, reaching number 1 on the UK independent chart and spending 38 weeks in the chart. The band's first UK singles chart placing came in 1989 with their cover of The Cure's "Just Like Heaven". Bug was similar in musical style to You're Living All Over Me, with the contrast between the extremely distorted instruments and the melodic vocal parts intact, as was the band's unique blend of musical influences. However, this time out, there was even more melody and the song structures were more conventional. Mascis was exhibiting an even tighter control over the band's sound, singing lead vocals on all but one song and composing the parts for Murph and Lou to play. Barlow's only lead vocal was on the album's final track, featuring an overdriven, noise-rock backing track and Barlow screaming "Why don't you like me?" Mascis has described Bug as his least favorite of the band's albums. In an interview in 2005, after the original line-up had reformed, he said, "Bug is my least favourite of all our records. I like some of the songs but, I dunno, I guess I really don't like the vibe of it." Despite the album's success, tension between Mascis and Barlow began interfering with the band's productivity, and in 1989, after touring in support of Bug, Barlow was kicked out of the band. Barlow now focused all of his attention on the former side-project Sebadoh. "The Freed Pig", the opening track on 1991's Sebadoh III, documents Barlow's frustration with Mascis and feeling of being treated poorly in Dinosaur Jr. Meanwhile, the band embarked on an Australian tour with Donna Dresch filling in for Barlow. In 1990, the band released a new single, "The Wagon" on Sub Pop, their first release since Barlow's departure. The single featured a short-lived lineup including guitarist Don Fleming and drummer Jay Spiegel from the band Gumball, in addition to Mascis and Murph. Major label years Despite the ongoing lineup turmoil, Dinosaur Jr. signed with Sire Records in 1990. They made their major-label debut Green Mind in 1991. The new record was virtually a J Mascis solo album, with Murph playing drums on only a few songs, as well as minimal contributions from Fleming and Spiegel, who were out of the band by the time the album was released. Mascis, whose first instrument was a drum kit, recorded many of the drum parts by himself, layering the various instrumental parts through overdubbing. For touring purposes, Mascis first added Van Conner, and then Mike Johnson to handle the bass parts and embarked on several tours to support Green Mind, with support acts that included Nirvana. In 1991, Sire records released an EP titled Whatever's Cool with Me that featured old B-sides coupled with one new track. In 1992, the band was part of the Rollercoaster Tour, a package tour based on the successful Lollapolooza festival, which featured The Jesus and Mary Chain, My Bloody Valentine and Blur. The band found their live shows well received in the changing musical climate of the early 1990s, and decided to record new material with the new lineup. This time, the recording sessions were with full participation from Murph and Johnson, with the former playing most of the drums and the latter playing all of the bass parts, singing harmony vocals and even contributing a few guitar solos. This material represented the peak of the band's commercial success, with the single "Start Choppin'" reaching the top 20 in the UK, and the album that followed, Where You Been, reaching the UK top 10 and the US top 50. The opening track, "Out There", had an accompanying video and was aired on MTV for a short time, as the show 120 Minutes was still popular as a late-night "alternative" video show. Although the new material was more accessible than the band's 1980s albums, in terms of playing it represented a partial return to the more unrestrained power-trio sound of the original lineup. Murph left the band after touring for Where You Been and was replaced for the band's live shows by George Berz, leaving Mascis as the sole remaining original member. However, the band's subsequent albums would be recorded mostly by J Mascis on his own, playing everything except for the bass and some of the harmony vocals, which continued to be handled by Mike Johnson. The commercial success continued with 1994's Without a Sound, which placed well in both the US and UK album charts. After 1997's Hand It Over, Mascis finally retired the Dinosaur Jr. name, with the group's final live performance being an appearance on the American talk show The Jenny Jones Show. In 1999, Mascis released the first of two solo albums under the name J Mascis + The Fog. 2005 reunion and onward The beginnings of a Mascis–Barlow détente started in the mid-'90s when Mascis began showing up at Sebadoh shows. "I think he was kind of aware of how much shit I was talking about him," Barlow noted in a 2005 interview, "but I don't think he really ever pursued any of it. One of the things that really triggered this, for me to finally just go, 'Hey, you know, maybe this could work,' is when I realized that maybe J wasn't really holding any kind of grudge against me because he didn't like me. I was thinking, maybe he just didn't realize what he had done, or maybe he wasn't really aware of how much he'd actually hurt me. And when I started to realize that, he kind of became more human to me." In 2002, the two shared the stage for two shows in London, with Barlow singing I Wanna Be Your Dog along with Mascis, Ron Asheton, Scott Asheton and Mike Watt, who had been performing Stooges songs as "Asheton, Asheton, Mascis and Watt". Mascis regained the master rights to the band's first three albums from SST in 2004, and arranged for their reissue on Merge early 2005. Later that year, he and Barlow shared the stage at benefit show for autism at Smith College organized by Barlow's mother in Northampton, Massachusetts, and played together as Deep Wound after Mascis and Sebadoh had completed their respective sets. Following the reissues in 2005, Mascis, Barlow and Murph finally reunited to play on The Late Late Show with Craig Ferguson on April 15, 2005, and in June that year, they kicked off a tour of Europe. While performing in New York City in 2006, much of the band's equipment was stolen while stored outside their hotel and has not yet been recovered. The band members were later among the curators of 2006's All Tomorrow's Parties festival. In 2007, the original members of Dinosaur Jr. released Beyond on Fat Possum Records, their first album of new material as a trio since Bug in 1988. It was met with critical acclaim, rating an 8.4 from Pitchfork Media and garnering positive reviews from the music press as a whole. It was considered somewhat of a sonic paradox in that even though it featured the original members who produced "two records so drenched in noise they still sound like aural assaults decades after their original release," sonically it resembled the major label releases of the 1990s in both production values and stylistic range. On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a much bigger, more unrestrained, and more live-sounding feel than their 1990s albums, though Barlow's bass was noticeably quieter than in the old days. Barlow did make his mark on the music in other ways: for the first time since You're Living All Over Me, he contributed to the songwriting. The album went on to good commercial success, debuting on the Billboard 200 at number 69 its opening week. In February 2009, the band signed with indie label Jagjaguwar. The band's first release on the new label was titled Farm and released on June 23, 2009. Murph said the album was recorded at Mascis's home and marks return to the heavier, Where You Been LP era. The album reached number 29 on the Billboard 200, making it the band's highest-charting album in the US. To promote the album, the band played Farm's lead-off track, "Pieces", on Late Night with Jimmy Fallon on June 25, 2009. Dinosaur Jr. released their second album for Jagjaguwar, I Bet on Sky, in September 2012, to favourable reviews. In December 2015, Murph confirmed the band had entered the studio to begin working on their follow up to I Bet on Sky. The album Give a Glimpse of What Yer Not was released on August 5, 2016, on Jagjaguwar. In February 2019, the song "Over Your Shoulder" from the band's 1994 album Without a Sound reached number 18 on Japan's Billboard charts. The cause is suspected to be the song's use on the Japanese TV show called Gachinko Fight Club. In February 2021, the band announced their 12th album Sweep It Into Space, which was released on April 23, 2021. The album was originally scheduled for release in mid-2020 but was delayed due to the COVID-19 pandemic. The album was preceded by the single "I Ran Away" on February 23, 2021, with a music video for the song being released on March 3, 2021. The second single, "Garden", was released with a music video on March 31, 2021. The band announced a 2021 North American tour to support the album was planned to begin in September 2021 and would conclude in February 2022. Musical style and influences Dinosaur Jr has been described as alternative rock, indie rock and noise rock, also noise pop, hardcore punk (first albums), and grunge (early nineties). Dinosaur Jr. is considered to be an alternative rock band; however the band's musical style, compared to its underground contemporaries in the 1980s, differed in several ways. This included the influence of classic rock on the band's music, their use of feedback, extreme volume and the loud-quiet dynamic, and frontman Mascis's droning vocals. A characteristic of Mascis's vocal style is frequent use of vocal fry. Gerald Cosloy, head of Homestead Records, summarised the band's music: "It was its own bizarre hybrid. ... It wasn't exactly pop, it wasn't exactly punk rock—it was completely its own thing". Mascis listened to classic rock artists such as the Rolling Stones and the Beach Boys, elements of which were incorporated into Dinosaur Jr.'s sound. In addition, Mascis was also a fan of many punk and hardcore bands such as The Birthday Party, and has frequently noted Nick Cave as an influence. Dinosaur Jr.'s members also combined elements of hardcore punk and noise rock in their songs, which often featured a large amount of feedback, distortion and extreme volume. When the master tape of You're Living All Over Me arrived at SST, the label's production manager noticed the level on the tape was so high it was distorting; however, Mascis confirmed it was the way he wanted the album to sound. Similar to Mascis's guitar work, Barlow's bass lines, with their alternating heavily distorted, fast chords and pulverizing lows, draw heavily from both his hardcore past and musicians such as Lemmy from Motörhead and Johnny Ramone. "Johnny Ramone is my hero. I wanted to make that rhythmic chugging sound like he got playing guitar with the Ramones. And, I found that I got a bigger sound by strumming farther up the neck." Mascis's vocals are another distinctive feature of Dinosaur Jr.'s music. He attributed his "whiny low-key drawl", the opposite of the hardcore punk "bark", to artists such as John Fogerty and Mick Jagger. His style also resembled Neil Young's, but Mascis disputed this, and later commented: "That got annoying, being compared all the time." His drawl epitomised the band's slacker ethos and relaxed attitude; author Michael Azerrad said "even Mascis seemed removed from the feelings he was conveying in the music". Legacy In a BBC review of their reissued albums You're Living All Over Me and Bug, Zoe Street called them "Frighteningly ahead of their time." The Seattle Times called them "one of post-punk’s most influential bands." According to Azerrad:Dinosaur Jr was one of the first, biggest, and best bands among the second generation of indie kids, the ones who took Black Flag and Minor Threat for granted, a generation for whom the Seventies, not the Sixties, was the nostalgic ideal. Their music continued a retrograde stylistic shift in the American underground that the Replacements and other bands had begun: renouncing the antihistorical tendencies of hardcore and fully embracing the music that everyone had grown up on. In particular, Dinosaur singer-guitarist J Mascis achieved the unthinkable in underground rock—he brought back the extended guitar solo.Dinosaur Jr's music has influenced many other musicians such as Kurt Cobain of Nirvana, Billy Corgan of The Smashing Pumpkins, Black Francis of Pixies, Radiohead, Graham Coxon of Blur, Doug Martsch of Built to Spill, Henry Rollins, Tad, Kevin Shields of My Bloody Valentine, Ride, Slowdive, Aidan Moffat of Belle and Sebastian, Swervedriver, Uncle Tupelo, Teenage Fanclub, The Lemonheads, Tom DeLonge of Blink-182, Snow Patrol, Band of Horses, Polvo, and Kurt Vile. Their album You're Living All Over Me has been called possibly "the first perfect indie rock album." Spin named it one of "The 300 Best Albums of the Past 30 Years (1985-2014)". Pitchfork placed the album at number 40 on its Top 100 Albums of the 1980s list. Band membersCurrent membersJ Mascis – lead vocals, guitars, keyboards (1984–1997, 2005–present); drums (studio, 1991, 1994–1997) Lou Barlow – bass, backing and lead vocals (1984–1989, 2005–present) Murph – drums (1984–1993, 2005–present)Former members''' Mike Johnson – bass, backing vocals (1991–1997) George Berz – drums (live, 1993–1997) Van Conner - bass, backing vocals (live, 1990–1991) DiscographyDinosaur (1985)You're Living All Over Me (1987)Bug (1988)Green Mind (1991)Where You Been (1993)Without a Sound (1994)Hand It Over (1997)Beyond (2007)Farm (2009)I Bet on Sky (2012)Give a Glimpse of What Yer Not (2016)Sweep It Into Space (2021) Filmography 2020 Freakscene – The Story of Dinosaur Jr.'' Documentary. Dir.: Philipp Reichenheim References Sources External links Official Dinosaur Jr. site Musical groups established in 1984 Musical groups disestablished in 1997 Musical groups reestablished in 2005 American musical trios Alternative rock groups from Massachusetts Homestead Records artists SST Records artists Blast First artists Sire Records artists Fat Possum Records artists PIAS Recordings artists American noise rock music groups Indie rock musical groups from Massachusetts Jagjaguwar artists 1984 establishments in Massachusetts Merge Records artists
true
[ "Merry Legs (1911-1932) was a Tennessee Walking Horse mare who was given foundation registration for her influence as a broodmare. She was also a successful show horse.\n\nLife\nMerry Legs was foaled in April 1911. She was a bay with sabino markings. She was sired by the foundation stallion Black Allan F-1, out of the American Saddlebred mare Nell Dement, registration number F-3, and bred by the early breeder Albert Dement. She was a large mare at maturity, standing high and weighing . Merry Legs was a successful show horse; as a three-year-old, she won the stake class at the Tennessee State Fair. She was also successful as a broodmare, giving birth to 13 foals, among them the well-known Bud Allen, Last Chance, Major Allen, and Merry Boy. For her influence on the breed, she was given the foundation number F-4 when the TWHBEA was formed in 1935. She died in 1932.\n\nReferences\n\nIndividual Tennessee Walking Horses\n1911 animal births\n1932 animal deaths", "The UCI Road World Championships – Men's team time trial was a world championship for road bicycle racing in the discipline of team time trial (TTT). It is organized by the world governing body, the Union Cycliste Internationale (UCI).\n\nNational teams (1962–1994)\nA championship for national teams was introduced in 1962 and held until 1994. It was held annually, except that from 1972 onward, the TTT was not held in Olympic years. There were 4 riders per team on a route around 100 kilometres long. Italy is the most successful nation with seven victories.\n\nMedal winners\n\nMedals by nation\n\nMost successful riders\n\nUCI teams (2012–2018)\nThere was a long break until a championship for trade teams was introduced in 2012. There were 6 riders per team. The championship was held up to 2018.\n\nMedal winners\n\nMost successful teams\n\nMost successful riders\n\nReferences \n \n \n\n \nMen's Team Time Trial\nRecurring sporting events established in 1962\nUCI World Tour races\nMen's road bicycle races\nLists of UCI Road World Championships medalists\nRecurring sporting events disestablished in 2018" ]
[ "Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984, originally simply called Dinosaur until legal issues forced a change in name. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock. Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion.", "Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion. His replacement, Mike Johnson, came aboard for three major-label albums. Murph eventually quit, with Mascis taking over drum duties on the band's albums before the group disbanded in 1997. The original lineup reformed in 2005, releasing five albums thereafter.", "The original lineup reformed in 2005, releasing five albums thereafter. Mascis's drawling vocals and distinct guitar sound, hearkening back to 1960s and 1970s classic rock and characterized by extensive use of feedback and distortion, were highly influential in the alternative rock movement of the 1990s. History Formation Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts.", "History Formation Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts. After high school, they began exploring slower yet still aggressive music such as Black Sabbath, the Replacements, and Neil Young. Mascis's college friend Gerard Cosloy introduced him to psychedelic-influenced pop bands like Dream Syndicate, which Mascis in turn showed to Barlow. Barlow explained, \"We loved speed metal ... and we loved wimpy-jangly stuff\".", "Barlow explained, \"We loved speed metal ... and we loved wimpy-jangly stuff\". Deep Wound broke up in mid-1984. Cosloy had dropped out of the University of Massachusetts Amherst to focus on running his independent record label, Homestead Records, and promised Mascis that if he were to make a record Homestead would release it. Mascis wrote a number of songs by himself and showed them to Barlow, to whom he offered the bassist position. Barlow said the songs \"were fucking brilliant ...They were so far beyond.", "Barlow said the songs \"were fucking brilliant ...They were so far beyond. I was still into two-chord songs and basic stuff like 'I'm so sad.' While I was really into my own little tragedy, J was operating in this whole other panorama.\" Mascis enlisted vocalist Charlie Nakajima, also formerly of Deep Wound, and drummer Emmett Patrick Murphy, otherwise known as Murph, to complete the band. Mascis explained the concept behind the group as \"ear-bleeding country\".", "Mascis explained the concept behind the group as \"ear-bleeding country\". The band was initially named Mogo, and played their first show on University of Massachusetts Amherst campus in the first week of September 1984. However, Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day. A few days later Mascis invited Barlow and Murph to form a new band without telling Nakajima.", "A few days later Mascis invited Barlow and Murph to form a new band without telling Nakajima. \"I was kind of too wimpy to kick him out, exactly,\" Mascis later admitted. \"Communicating with people has been a constant problem in the band.\" The trio named themselves Dinosaur, and Mascis and Barlow took over lead-vocal duties. Dinosaur Mascis took Cosloy up on his offer to release an album and Dinosaur recorded their debut album for $500 at a home studio in the woods outside Northampton, Massachusetts.", "Dinosaur Mascis took Cosloy up on his offer to release an album and Dinosaur recorded their debut album for $500 at a home studio in the woods outside Northampton, Massachusetts. Their debut album, Dinosaur, was released in 1985. Mascis wrote all of the songs. Vocals were done by Mascis in his trademark nasal drawl which was often compared to singer Neil Young. Mascis would sing most or all of the lead vocals on all of their subsequent releases.", "Mascis would sing most or all of the lead vocals on all of their subsequent releases. The album did not make much of an impact commercially or critically: it sold only about 1,500 copies in its first year and was largely ignored by the majority of the music press. After the record's release, Dinosaur would often drive to New York City to perform shows.", "After the record's release, Dinosaur would often drive to New York City to perform shows. At one of their shows, the New York-based alternative rock band Sonic Youth was at first unimpressed by the first Dinosaur performance they saw, but after watching them play several months later, approached the band declaring themselves as fans. Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in September 1986.", "Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in September 1986. You're Living All Over Me Dinosaur recorded much of their second album, You're Living All Over Me, with Sonic Youth engineer Wharton Tiers in New York. During the recording process, tension emerged between Mascis and Murph because Mascis had very specific ideas for the drum parts. Barlow recalled, \"J controlled Murph's every drumbeat ... And Murph could not handle that.", "Barlow recalled, \"J controlled Murph's every drumbeat ... And Murph could not handle that. Murph wanted to kill J for the longest time.\" Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-based SST Records. Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, \"There was no way I couldn't take it personally.\"", "Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, \"There was no way I couldn't take it personally.\" After the album's completion Mascis moved to New York, leaving the rest of the band feeling alienated. You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin tape, the first release by Barlow's side project Sebadoh.", "You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin tape, the first release by Barlow's side project Sebadoh. The album received much more attention in the indie-rock community than the debut. Barlow also composed two songs: the hardcore-influenced \"Lose\" and an acoustic sonic collage entitled \"Poledo\" that anticipated his work with Sebadoh.", "Barlow also composed two songs: the hardcore-influenced \"Lose\" and an acoustic sonic collage entitled \"Poledo\" that anticipated his work with Sebadoh. Immediately following the release of You're Living All Over Me, a supergroup called the Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of \"Jr.\" Bug and Barlow's departure Dinosaur Jr. had a major breakthrough in the United Kingdom with their debut single for Blast First, \"Freak Scene\", in 1988, a version with censored lyrics being issued for radio consumption.", "Immediately following the release of You're Living All Over Me, a supergroup called the Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of \"Jr.\" Bug and Barlow's departure Dinosaur Jr. had a major breakthrough in the United Kingdom with their debut single for Blast First, \"Freak Scene\", in 1988, a version with censored lyrics being issued for radio consumption. It reached number 4 in the UK independent chart, staying on the chart for 12 weeks.", "It reached number 4 in the UK independent chart, staying on the chart for 12 weeks. The band's third album, Bug, followed shortly afterwards, reaching number 1 on the UK independent chart and spending 38 weeks in the chart. The band's first UK singles chart placing came in 1989 with their cover of The Cure's \"Just Like Heaven\".", "The band's first UK singles chart placing came in 1989 with their cover of The Cure's \"Just Like Heaven\". Bug was similar in musical style to You're Living All Over Me, with the contrast between the extremely distorted instruments and the melodic vocal parts intact, as was the band's unique blend of musical influences. However, this time out, there was even more melody and the song structures were more conventional.", "However, this time out, there was even more melody and the song structures were more conventional. Mascis was exhibiting an even tighter control over the band's sound, singing lead vocals on all but one song and composing the parts for Murph and Lou to play. Barlow's only lead vocal was on the album's final track, featuring an overdriven, noise-rock backing track and Barlow screaming \"Why don't you like me?\" Mascis has described Bug as his least favorite of the band's albums.", "Mascis has described Bug as his least favorite of the band's albums. In an interview in 2005, after the original line-up had reformed, he said, \"Bug is my least favourite of all our records. I like some of the songs but, I dunno, I guess I really don't like the vibe of it.\"", "I like some of the songs but, I dunno, I guess I really don't like the vibe of it.\" Despite the album's success, tension between Mascis and Barlow began interfering with the band's productivity, and in 1989, after touring in support of Bug, Barlow was kicked out of the band. Barlow now focused all of his attention on the former side-project Sebadoh.", "Barlow now focused all of his attention on the former side-project Sebadoh. \"The Freed Pig\", the opening track on 1991's Sebadoh III, documents Barlow's frustration with Mascis and feeling of being treated poorly in Dinosaur Jr. Meanwhile, the band embarked on an Australian tour with Donna Dresch filling in for Barlow. In 1990, the band released a new single, \"The Wagon\" on Sub Pop, their first release since Barlow's departure.", "In 1990, the band released a new single, \"The Wagon\" on Sub Pop, their first release since Barlow's departure. The single featured a short-lived lineup including guitarist Don Fleming and drummer Jay Spiegel from the band Gumball, in addition to Mascis and Murph. Major label years Despite the ongoing lineup turmoil, Dinosaur Jr. signed with Sire Records in 1990. They made their major-label debut Green Mind in 1991.", "They made their major-label debut Green Mind in 1991. They made their major-label debut Green Mind in 1991. The new record was virtually a J Mascis solo album, with Murph playing drums on only a few songs, as well as minimal contributions from Fleming and Spiegel, who were out of the band by the time the album was released. Mascis, whose first instrument was a drum kit, recorded many of the drum parts by himself, layering the various instrumental parts through overdubbing.", "Mascis, whose first instrument was a drum kit, recorded many of the drum parts by himself, layering the various instrumental parts through overdubbing. For touring purposes, Mascis first added Van Conner, and then Mike Johnson to handle the bass parts and embarked on several tours to support Green Mind, with support acts that included Nirvana. In 1991, Sire records released an EP titled Whatever's Cool with Me that featured old B-sides coupled with one new track.", "In 1991, Sire records released an EP titled Whatever's Cool with Me that featured old B-sides coupled with one new track. In 1992, the band was part of the Rollercoaster Tour, a package tour based on the successful Lollapolooza festival, which featured The Jesus and Mary Chain, My Bloody Valentine and Blur. The band found their live shows well received in the changing musical climate of the early 1990s, and decided to record new material with the new lineup.", "The band found their live shows well received in the changing musical climate of the early 1990s, and decided to record new material with the new lineup. This time, the recording sessions were with full participation from Murph and Johnson, with the former playing most of the drums and the latter playing all of the bass parts, singing harmony vocals and even contributing a few guitar solos.", "This time, the recording sessions were with full participation from Murph and Johnson, with the former playing most of the drums and the latter playing all of the bass parts, singing harmony vocals and even contributing a few guitar solos. This material represented the peak of the band's commercial success, with the single \"Start Choppin'\" reaching the top 20 in the UK, and the album that followed, Where You Been, reaching the UK top 10 and the US top 50.", "This material represented the peak of the band's commercial success, with the single \"Start Choppin'\" reaching the top 20 in the UK, and the album that followed, Where You Been, reaching the UK top 10 and the US top 50. The opening track, \"Out There\", had an accompanying video and was aired on MTV for a short time, as the show 120 Minutes was still popular as a late-night \"alternative\" video show.", "The opening track, \"Out There\", had an accompanying video and was aired on MTV for a short time, as the show 120 Minutes was still popular as a late-night \"alternative\" video show. Although the new material was more accessible than the band's 1980s albums, in terms of playing it represented a partial return to the more unrestrained power-trio sound of the original lineup.", "Although the new material was more accessible than the band's 1980s albums, in terms of playing it represented a partial return to the more unrestrained power-trio sound of the original lineup. Murph left the band after touring for Where You Been and was replaced for the band's live shows by George Berz, leaving Mascis as the sole remaining original member.", "Murph left the band after touring for Where You Been and was replaced for the band's live shows by George Berz, leaving Mascis as the sole remaining original member. However, the band's subsequent albums would be recorded mostly by J Mascis on his own, playing everything except for the bass and some of the harmony vocals, which continued to be handled by Mike Johnson. The commercial success continued with 1994's Without a Sound, which placed well in both the US and UK album charts.", "The commercial success continued with 1994's Without a Sound, which placed well in both the US and UK album charts. After 1997's Hand It Over, Mascis finally retired the Dinosaur Jr. name, with the group's final live performance being an appearance on the American talk show The Jenny Jones Show. In 1999, Mascis released the first of two solo albums under the name J Mascis + The Fog.", "In 1999, Mascis released the first of two solo albums under the name J Mascis + The Fog. 2005 reunion and onward The beginnings of a Mascis–Barlow détente started in the mid-'90s when Mascis began showing up at Sebadoh shows. \"I think he was kind of aware of how much shit I was talking about him,\" Barlow noted in a 2005 interview, \"but I don't think he really ever pursued any of it.", "\"I think he was kind of aware of how much shit I was talking about him,\" Barlow noted in a 2005 interview, \"but I don't think he really ever pursued any of it. One of the things that really triggered this, for me to finally just go, 'Hey, you know, maybe this could work,' is when I realized that maybe J wasn't really holding any kind of grudge against me because he didn't like me.", "One of the things that really triggered this, for me to finally just go, 'Hey, you know, maybe this could work,' is when I realized that maybe J wasn't really holding any kind of grudge against me because he didn't like me. I was thinking, maybe he just didn't realize what he had done, or maybe he wasn't really aware of how much he'd actually hurt me. And when I started to realize that, he kind of became more human to me.\"", "And when I started to realize that, he kind of became more human to me.\" In 2002, the two shared the stage for two shows in London, with Barlow singing I Wanna Be Your Dog along with Mascis, Ron Asheton, Scott Asheton and Mike Watt, who had been performing Stooges songs as \"Asheton, Asheton, Mascis and Watt\". Mascis regained the master rights to the band's first three albums from SST in 2004, and arranged for their reissue on Merge early 2005.", "Mascis regained the master rights to the band's first three albums from SST in 2004, and arranged for their reissue on Merge early 2005. Later that year, he and Barlow shared the stage at benefit show for autism at Smith College organized by Barlow's mother in Northampton, Massachusetts, and played together as Deep Wound after Mascis and Sebadoh had completed their respective sets.", "Later that year, he and Barlow shared the stage at benefit show for autism at Smith College organized by Barlow's mother in Northampton, Massachusetts, and played together as Deep Wound after Mascis and Sebadoh had completed their respective sets. Following the reissues in 2005, Mascis, Barlow and Murph finally reunited to play on The Late Late Show with Craig Ferguson on April 15, 2005, and in June that year, they kicked off a tour of Europe.", "Following the reissues in 2005, Mascis, Barlow and Murph finally reunited to play on The Late Late Show with Craig Ferguson on April 15, 2005, and in June that year, they kicked off a tour of Europe. While performing in New York City in 2006, much of the band's equipment was stolen while stored outside their hotel and has not yet been recovered. The band members were later among the curators of 2006's All Tomorrow's Parties festival.", "The band members were later among the curators of 2006's All Tomorrow's Parties festival. In 2007, the original members of Dinosaur Jr. released Beyond on Fat Possum Records, their first album of new material as a trio since Bug in 1988. It was met with critical acclaim, rating an 8.4 from Pitchfork Media and garnering positive reviews from the music press as a whole.", "It was met with critical acclaim, rating an 8.4 from Pitchfork Media and garnering positive reviews from the music press as a whole. It was considered somewhat of a sonic paradox in that even though it featured the original members who produced \"two records so drenched in noise they still sound like aural assaults decades after their original release,\" sonically it resembled the major label releases of the 1990s in both production values and stylistic range.", "It was considered somewhat of a sonic paradox in that even though it featured the original members who produced \"two records so drenched in noise they still sound like aural assaults decades after their original release,\" sonically it resembled the major label releases of the 1990s in both production values and stylistic range. On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a much bigger, more unrestrained, and more live-sounding feel than their 1990s albums, though Barlow's bass was noticeably quieter than in the old days.", "On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a much bigger, more unrestrained, and more live-sounding feel than their 1990s albums, though Barlow's bass was noticeably quieter than in the old days. Barlow did make his mark on the music in other ways: for the first time since You're Living All Over Me, he contributed to the songwriting.", "Barlow did make his mark on the music in other ways: for the first time since You're Living All Over Me, he contributed to the songwriting. The album went on to good commercial success, debuting on the Billboard 200 at number 69 its opening week. In February 2009, the band signed with indie label Jagjaguwar. The band's first release on the new label was titled Farm and released on June 23, 2009.", "The band's first release on the new label was titled Farm and released on June 23, 2009. Murph said the album was recorded at Mascis's home and marks return to the heavier, Where You Been LP era. The album reached number 29 on the Billboard 200, making it the band's highest-charting album in the US. To promote the album, the band played Farm's lead-off track, \"Pieces\", on Late Night with Jimmy Fallon on June 25, 2009.", "To promote the album, the band played Farm's lead-off track, \"Pieces\", on Late Night with Jimmy Fallon on June 25, 2009. Dinosaur Jr. released their second album for Jagjaguwar, I Bet on Sky, in September 2012, to favourable reviews. In December 2015, Murph confirmed the band had entered the studio to begin working on their follow up to I Bet on Sky. The album Give a Glimpse of What Yer Not was released on August 5, 2016, on Jagjaguwar.", "The album Give a Glimpse of What Yer Not was released on August 5, 2016, on Jagjaguwar. In February 2019, the song \"Over Your Shoulder\" from the band's 1994 album Without a Sound reached number 18 on Japan's Billboard charts. The cause is suspected to be the song's use on the Japanese TV show called Gachinko Fight Club. In February 2021, the band announced their 12th album Sweep It Into Space, which was released on April 23, 2021.", "In February 2021, the band announced their 12th album Sweep It Into Space, which was released on April 23, 2021. The album was originally scheduled for release in mid-2020 but was delayed due to the COVID-19 pandemic. The album was preceded by the single \"I Ran Away\" on February 23, 2021, with a music video for the song being released on March 3, 2021. The second single, \"Garden\", was released with a music video on March 31, 2021.", "The second single, \"Garden\", was released with a music video on March 31, 2021. The band announced a 2021 North American tour to support the album was planned to begin in September 2021 and would conclude in February 2022. Musical style and influences Dinosaur Jr has been described as alternative rock, indie rock and noise rock, also noise pop, hardcore punk (first albums), and grunge (early nineties).", "Musical style and influences Dinosaur Jr has been described as alternative rock, indie rock and noise rock, also noise pop, hardcore punk (first albums), and grunge (early nineties). Dinosaur Jr. is considered to be an alternative rock band; however the band's musical style, compared to its underground contemporaries in the 1980s, differed in several ways.", "Dinosaur Jr. is considered to be an alternative rock band; however the band's musical style, compared to its underground contemporaries in the 1980s, differed in several ways. This included the influence of classic rock on the band's music, their use of feedback, extreme volume and the loud-quiet dynamic, and frontman Mascis's droning vocals. A characteristic of Mascis's vocal style is frequent use of vocal fry. Gerald Cosloy, head of Homestead Records, summarised the band's music: \"It was its own bizarre hybrid.", "Gerald Cosloy, head of Homestead Records, summarised the band's music: \"It was its own bizarre hybrid. ... It wasn't exactly pop, it wasn't exactly punk rock—it was completely its own thing\". Mascis listened to classic rock artists such as the Rolling Stones and the Beach Boys, elements of which were incorporated into Dinosaur Jr.'s sound. In addition, Mascis was also a fan of many punk and hardcore bands such as The Birthday Party, and has frequently noted Nick Cave as an influence.", "In addition, Mascis was also a fan of many punk and hardcore bands such as The Birthday Party, and has frequently noted Nick Cave as an influence. Dinosaur Jr.'s members also combined elements of hardcore punk and noise rock in their songs, which often featured a large amount of feedback, distortion and extreme volume.", "Dinosaur Jr.'s members also combined elements of hardcore punk and noise rock in their songs, which often featured a large amount of feedback, distortion and extreme volume. When the master tape of You're Living All Over Me arrived at SST, the label's production manager noticed the level on the tape was so high it was distorting; however, Mascis confirmed it was the way he wanted the album to sound.", "When the master tape of You're Living All Over Me arrived at SST, the label's production manager noticed the level on the tape was so high it was distorting; however, Mascis confirmed it was the way he wanted the album to sound. Similar to Mascis's guitar work, Barlow's bass lines, with their alternating heavily distorted, fast chords and pulverizing lows, draw heavily from both his hardcore past and musicians such as Lemmy from Motörhead and Johnny Ramone. \"Johnny Ramone is my hero.", "\"Johnny Ramone is my hero. \"Johnny Ramone is my hero. I wanted to make that rhythmic chugging sound like he got playing guitar with the Ramones. And, I found that I got a bigger sound by strumming farther up the neck.\" Mascis's vocals are another distinctive feature of Dinosaur Jr.'s music. He attributed his \"whiny low-key drawl\", the opposite of the hardcore punk \"bark\", to artists such as John Fogerty and Mick Jagger.", "He attributed his \"whiny low-key drawl\", the opposite of the hardcore punk \"bark\", to artists such as John Fogerty and Mick Jagger. His style also resembled Neil Young's, but Mascis disputed this, and later commented: \"That got annoying, being compared all the time.\" His drawl epitomised the band's slacker ethos and relaxed attitude; author Michael Azerrad said \"even Mascis seemed removed from the feelings he was conveying in the music\".", "His drawl epitomised the band's slacker ethos and relaxed attitude; author Michael Azerrad said \"even Mascis seemed removed from the feelings he was conveying in the music\". Legacy In a BBC review of their reissued albums You're Living All Over Me and Bug, Zoe Street called them \"Frighteningly ahead of their time.\" The Seattle Times called them \"one of post-punk’s most influential bands.\"", "The Seattle Times called them \"one of post-punk’s most influential bands.\" According to Azerrad:Dinosaur Jr was one of the first, biggest, and best bands among the second generation of indie kids, the ones who took Black Flag and Minor Threat for granted, a generation for whom the Seventies, not the Sixties, was the nostalgic ideal.", "According to Azerrad:Dinosaur Jr was one of the first, biggest, and best bands among the second generation of indie kids, the ones who took Black Flag and Minor Threat for granted, a generation for whom the Seventies, not the Sixties, was the nostalgic ideal. Their music continued a retrograde stylistic shift in the American underground that the Replacements and other bands had begun: renouncing the antihistorical tendencies of hardcore and fully embracing the music that everyone had grown up on.", "Their music continued a retrograde stylistic shift in the American underground that the Replacements and other bands had begun: renouncing the antihistorical tendencies of hardcore and fully embracing the music that everyone had grown up on. In particular, Dinosaur singer-guitarist J Mascis achieved the unthinkable in underground rock—he brought back the extended guitar solo.Dinosaur Jr's music has influenced many other musicians such as Kurt Cobain of Nirvana, Billy Corgan of The Smashing Pumpkins, Black Francis of Pixies, Radiohead, Graham Coxon of Blur, Doug Martsch of Built to Spill, Henry Rollins, Tad, Kevin Shields of My Bloody Valentine, Ride, Slowdive, Aidan Moffat of Belle and Sebastian, Swervedriver, Uncle Tupelo, Teenage Fanclub, The Lemonheads, Tom DeLonge of Blink-182, Snow Patrol, Band of Horses, Polvo, and Kurt Vile.", "In particular, Dinosaur singer-guitarist J Mascis achieved the unthinkable in underground rock—he brought back the extended guitar solo.Dinosaur Jr's music has influenced many other musicians such as Kurt Cobain of Nirvana, Billy Corgan of The Smashing Pumpkins, Black Francis of Pixies, Radiohead, Graham Coxon of Blur, Doug Martsch of Built to Spill, Henry Rollins, Tad, Kevin Shields of My Bloody Valentine, Ride, Slowdive, Aidan Moffat of Belle and Sebastian, Swervedriver, Uncle Tupelo, Teenage Fanclub, The Lemonheads, Tom DeLonge of Blink-182, Snow Patrol, Band of Horses, Polvo, and Kurt Vile. Their album You're Living All Over Me has been called possibly \"the first perfect indie rock album.\"", "Their album You're Living All Over Me has been called possibly \"the first perfect indie rock album.\" Spin named it one of \"The 300 Best Albums of the Past 30 Years (1985-2014)\". Pitchfork placed the album at number 40 on its Top 100 Albums of the 1980s list.", "Pitchfork placed the album at number 40 on its Top 100 Albums of the 1980s list. Band membersCurrent membersJ Mascis – lead vocals, guitars, keyboards (1984–1997, 2005–present); drums (studio, 1991, 1994–1997) Lou Barlow – bass, backing and lead vocals (1984–1989, 2005–present) Murph – drums (1984–1993, 2005–present)Former members''' Mike Johnson – bass, backing vocals (1991–1997) George Berz – drums (live, 1993–1997) Van Conner - bass, backing vocals (live, 1990–1991) DiscographyDinosaur (1985)You're Living All Over Me (1987)Bug (1988)Green Mind (1991)Where You Been (1993)Without a Sound (1994)Hand It Over (1997)Beyond (2007)Farm (2009)I Bet on Sky (2012)Give a Glimpse of What Yer Not (2016)Sweep It Into Space (2021) Filmography 2020 Freakscene – The Story of Dinosaur Jr.'' Documentary.", "Band membersCurrent membersJ Mascis – lead vocals, guitars, keyboards (1984–1997, 2005–present); drums (studio, 1991, 1994–1997) Lou Barlow – bass, backing and lead vocals (1984–1989, 2005–present) Murph – drums (1984–1993, 2005–present)Former members''' Mike Johnson – bass, backing vocals (1991–1997) George Berz – drums (live, 1993–1997) Van Conner - bass, backing vocals (live, 1990–1991) DiscographyDinosaur (1985)You're Living All Over Me (1987)Bug (1988)Green Mind (1991)Where You Been (1993)Without a Sound (1994)Hand It Over (1997)Beyond (2007)Farm (2009)I Bet on Sky (2012)Give a Glimpse of What Yer Not (2016)Sweep It Into Space (2021) Filmography 2020 Freakscene – The Story of Dinosaur Jr.'' Documentary. Dir.", "Dir. Dir. : Philipp Reichenheim References Sources External links Official Dinosaur Jr. site Musical groups established in 1984 Musical groups disestablished in 1997 Musical groups reestablished in 2005 American musical trios Alternative rock groups from Massachusetts Homestead Records artists SST Records artists Blast First artists Sire Records artists Fat Possum Records artists PIAS Recordings artists American noise rock music groups Indie rock musical groups from Massachusetts Jagjaguwar artists 1984 establishments in Massachusetts Merge Records artists" ]
[ "Dinosaur Jr.", "You're Living All Over Me", "What is You're living all over me?", "Dinosaur recorded much of their second album You're Living All Over Me with Sonic Youth engineer Wharton Tiers in New York.", "Was it successful?", "The album received much more attention in the indie-rock community than the debut.", "Did it win any awards?", "I don't know.", "Were any singles released from it?", "early copies of the record in the Boston area were packaged with the Weed Forestin' tape, the first release by Barlow's side project Sebadoh.", "What was the Weed Forestin' Tape?", "the Weed Forestin' tape, the first release by Barlow's side project Sebadoh." ]
C_e8222f72e3ca4f74a76588abb3ba15bb_0
Was it successful?
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Was The Weed Forestin' Tape by Sebadoh successful?
Dinosaur Jr.
Dinosaur recorded much of their second album You're Living All Over Me with Sonic Youth engineer Wharton Tiers in New York. During the recording process, tension emerged between Mascis and Murph because Mascis had very specific ideas for the drum parts. Barlow recalled, "J controlled Murph's every drumbeat...And Murph could not handle that. Murph wanted to kill J for the longest time." Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-based SST Records. Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, "There was no way I couldn't take it personally." After the album's completion Mascis moved to New York, leaving the rest of the band feeling alienated. You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin' tape, the first release by Barlow's side project Sebadoh. The album received much more attention in the indie-rock community than the debut. While the previous record had featured different musical styles for each song, You're Living All Over Me found the band's various disparate influences merging into each individual song. Although the hardcore punk influences were noticeably more muted than on Dinosaur, the overall sound was much more powerful, with the instruments often recorded very loud and with considerable distortion. While Mascis's guitar, alternating between Black Sabbath-like riffs, squalling solos, dissonant noise-rock and occasional quiet passages, was the main attraction, Barlow's bass, melodic, highly distorted and often playing thick two-note chords, competed for attention. Meanwhile, Murph played the Mascis-composed drum parts in a very heavy and powerful fashion, resulting in a version of the power trio format. Mascis did most of the lead singing, in a detached drawl that presented a contrast with the extreme music. The songs were highly melodic, albeit with odd song structures that avoided the typical verse-chorus-verse patterns of most rock and pop songs. Barlow also composed two songs: the hardcore-influenced "Lose" and an acoustic sonic collage entitled "Poledo" that anticipated his work with Sebadoh. Immediately following the release of You're Living All Over Me, supergroup The Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued them over the use of the name, prompting the addition of "Jr." CANNOTANSWER
The album received much more attention in the indie-rock community than the debut.
Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984, originally simply called Dinosaur until legal issues forced a change in name. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock. Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion. His replacement, Mike Johnson, came aboard for three major-label albums. Murph eventually quit, with Mascis taking over drum duties on the band's albums before the group disbanded in 1997. The original lineup reformed in 2005, releasing five albums thereafter. Mascis's drawling vocals and distinct guitar sound, hearkening back to 1960s and 1970s classic rock and characterized by extensive use of feedback and distortion, were highly influential in the alternative rock movement of the 1990s. History Formation Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts. After high school, they began exploring slower yet still aggressive music such as Black Sabbath, the Replacements, and Neil Young. Mascis's college friend Gerard Cosloy introduced him to psychedelic-influenced pop bands like Dream Syndicate, which Mascis in turn showed to Barlow. Barlow explained, "We loved speed metal ... and we loved wimpy-jangly stuff". Deep Wound broke up in mid-1984. Cosloy had dropped out of the University of Massachusetts Amherst to focus on running his independent record label, Homestead Records, and promised Mascis that if he were to make a record Homestead would release it. Mascis wrote a number of songs by himself and showed them to Barlow, to whom he offered the bassist position. Barlow said the songs "were fucking brilliant ...They were so far beyond. I was still into two-chord songs and basic stuff like 'I'm so sad.' While I was really into my own little tragedy, J was operating in this whole other panorama." Mascis enlisted vocalist Charlie Nakajima, also formerly of Deep Wound, and drummer Emmett Patrick Murphy, otherwise known as Murph, to complete the band. Mascis explained the concept behind the group as "ear-bleeding country". The band was initially named Mogo, and played their first show on University of Massachusetts Amherst campus in the first week of September 1984. However, Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day. A few days later Mascis invited Barlow and Murph to form a new band without telling Nakajima. "I was kind of too wimpy to kick him out, exactly," Mascis later admitted. "Communicating with people has been a constant problem in the band." The trio named themselves Dinosaur, and Mascis and Barlow took over lead-vocal duties. Dinosaur Mascis took Cosloy up on his offer to release an album and Dinosaur recorded their debut album for $500 at a home studio in the woods outside Northampton, Massachusetts. Their debut album, Dinosaur, was released in 1985. Mascis wrote all of the songs. Vocals were done by Mascis in his trademark nasal drawl which was often compared to singer Neil Young. Mascis would sing most or all of the lead vocals on all of their subsequent releases. The album did not make much of an impact commercially or critically: it sold only about 1,500 copies in its first year and was largely ignored by the majority of the music press. After the record's release, Dinosaur would often drive to New York City to perform shows. At one of their shows, the New York-based alternative rock band Sonic Youth was at first unimpressed by the first Dinosaur performance they saw, but after watching them play several months later, approached the band declaring themselves as fans. Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in September 1986. You're Living All Over Me Dinosaur recorded much of their second album, You're Living All Over Me, with Sonic Youth engineer Wharton Tiers in New York. During the recording process, tension emerged between Mascis and Murph because Mascis had very specific ideas for the drum parts. Barlow recalled, "J controlled Murph's every drumbeat ... And Murph could not handle that. Murph wanted to kill J for the longest time." Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-based SST Records. Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, "There was no way I couldn't take it personally." After the album's completion Mascis moved to New York, leaving the rest of the band feeling alienated. You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin tape, the first release by Barlow's side project Sebadoh. The album received much more attention in the indie-rock community than the debut. Barlow also composed two songs: the hardcore-influenced "Lose" and an acoustic sonic collage entitled "Poledo" that anticipated his work with Sebadoh. Immediately following the release of You're Living All Over Me, a supergroup called the Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of "Jr." Bug and Barlow's departure Dinosaur Jr. had a major breakthrough in the United Kingdom with their debut single for Blast First, "Freak Scene", in 1988, a version with censored lyrics being issued for radio consumption. It reached number 4 in the UK independent chart, staying on the chart for 12 weeks. The band's third album, Bug, followed shortly afterwards, reaching number 1 on the UK independent chart and spending 38 weeks in the chart. The band's first UK singles chart placing came in 1989 with their cover of The Cure's "Just Like Heaven". Bug was similar in musical style to You're Living All Over Me, with the contrast between the extremely distorted instruments and the melodic vocal parts intact, as was the band's unique blend of musical influences. However, this time out, there was even more melody and the song structures were more conventional. Mascis was exhibiting an even tighter control over the band's sound, singing lead vocals on all but one song and composing the parts for Murph and Lou to play. Barlow's only lead vocal was on the album's final track, featuring an overdriven, noise-rock backing track and Barlow screaming "Why don't you like me?" Mascis has described Bug as his least favorite of the band's albums. In an interview in 2005, after the original line-up had reformed, he said, "Bug is my least favourite of all our records. I like some of the songs but, I dunno, I guess I really don't like the vibe of it." Despite the album's success, tension between Mascis and Barlow began interfering with the band's productivity, and in 1989, after touring in support of Bug, Barlow was kicked out of the band. Barlow now focused all of his attention on the former side-project Sebadoh. "The Freed Pig", the opening track on 1991's Sebadoh III, documents Barlow's frustration with Mascis and feeling of being treated poorly in Dinosaur Jr. Meanwhile, the band embarked on an Australian tour with Donna Dresch filling in for Barlow. In 1990, the band released a new single, "The Wagon" on Sub Pop, their first release since Barlow's departure. The single featured a short-lived lineup including guitarist Don Fleming and drummer Jay Spiegel from the band Gumball, in addition to Mascis and Murph. Major label years Despite the ongoing lineup turmoil, Dinosaur Jr. signed with Sire Records in 1990. They made their major-label debut Green Mind in 1991. The new record was virtually a J Mascis solo album, with Murph playing drums on only a few songs, as well as minimal contributions from Fleming and Spiegel, who were out of the band by the time the album was released. Mascis, whose first instrument was a drum kit, recorded many of the drum parts by himself, layering the various instrumental parts through overdubbing. For touring purposes, Mascis first added Van Conner, and then Mike Johnson to handle the bass parts and embarked on several tours to support Green Mind, with support acts that included Nirvana. In 1991, Sire records released an EP titled Whatever's Cool with Me that featured old B-sides coupled with one new track. In 1992, the band was part of the Rollercoaster Tour, a package tour based on the successful Lollapolooza festival, which featured The Jesus and Mary Chain, My Bloody Valentine and Blur. The band found their live shows well received in the changing musical climate of the early 1990s, and decided to record new material with the new lineup. This time, the recording sessions were with full participation from Murph and Johnson, with the former playing most of the drums and the latter playing all of the bass parts, singing harmony vocals and even contributing a few guitar solos. This material represented the peak of the band's commercial success, with the single "Start Choppin'" reaching the top 20 in the UK, and the album that followed, Where You Been, reaching the UK top 10 and the US top 50. The opening track, "Out There", had an accompanying video and was aired on MTV for a short time, as the show 120 Minutes was still popular as a late-night "alternative" video show. Although the new material was more accessible than the band's 1980s albums, in terms of playing it represented a partial return to the more unrestrained power-trio sound of the original lineup. Murph left the band after touring for Where You Been and was replaced for the band's live shows by George Berz, leaving Mascis as the sole remaining original member. However, the band's subsequent albums would be recorded mostly by J Mascis on his own, playing everything except for the bass and some of the harmony vocals, which continued to be handled by Mike Johnson. The commercial success continued with 1994's Without a Sound, which placed well in both the US and UK album charts. After 1997's Hand It Over, Mascis finally retired the Dinosaur Jr. name, with the group's final live performance being an appearance on the American talk show The Jenny Jones Show. In 1999, Mascis released the first of two solo albums under the name J Mascis + The Fog. 2005 reunion and onward The beginnings of a Mascis–Barlow détente started in the mid-'90s when Mascis began showing up at Sebadoh shows. "I think he was kind of aware of how much shit I was talking about him," Barlow noted in a 2005 interview, "but I don't think he really ever pursued any of it. One of the things that really triggered this, for me to finally just go, 'Hey, you know, maybe this could work,' is when I realized that maybe J wasn't really holding any kind of grudge against me because he didn't like me. I was thinking, maybe he just didn't realize what he had done, or maybe he wasn't really aware of how much he'd actually hurt me. And when I started to realize that, he kind of became more human to me." In 2002, the two shared the stage for two shows in London, with Barlow singing I Wanna Be Your Dog along with Mascis, Ron Asheton, Scott Asheton and Mike Watt, who had been performing Stooges songs as "Asheton, Asheton, Mascis and Watt". Mascis regained the master rights to the band's first three albums from SST in 2004, and arranged for their reissue on Merge early 2005. Later that year, he and Barlow shared the stage at benefit show for autism at Smith College organized by Barlow's mother in Northampton, Massachusetts, and played together as Deep Wound after Mascis and Sebadoh had completed their respective sets. Following the reissues in 2005, Mascis, Barlow and Murph finally reunited to play on The Late Late Show with Craig Ferguson on April 15, 2005, and in June that year, they kicked off a tour of Europe. While performing in New York City in 2006, much of the band's equipment was stolen while stored outside their hotel and has not yet been recovered. The band members were later among the curators of 2006's All Tomorrow's Parties festival. In 2007, the original members of Dinosaur Jr. released Beyond on Fat Possum Records, their first album of new material as a trio since Bug in 1988. It was met with critical acclaim, rating an 8.4 from Pitchfork Media and garnering positive reviews from the music press as a whole. It was considered somewhat of a sonic paradox in that even though it featured the original members who produced "two records so drenched in noise they still sound like aural assaults decades after their original release," sonically it resembled the major label releases of the 1990s in both production values and stylistic range. On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a much bigger, more unrestrained, and more live-sounding feel than their 1990s albums, though Barlow's bass was noticeably quieter than in the old days. Barlow did make his mark on the music in other ways: for the first time since You're Living All Over Me, he contributed to the songwriting. The album went on to good commercial success, debuting on the Billboard 200 at number 69 its opening week. In February 2009, the band signed with indie label Jagjaguwar. The band's first release on the new label was titled Farm and released on June 23, 2009. Murph said the album was recorded at Mascis's home and marks return to the heavier, Where You Been LP era. The album reached number 29 on the Billboard 200, making it the band's highest-charting album in the US. To promote the album, the band played Farm's lead-off track, "Pieces", on Late Night with Jimmy Fallon on June 25, 2009. Dinosaur Jr. released their second album for Jagjaguwar, I Bet on Sky, in September 2012, to favourable reviews. In December 2015, Murph confirmed the band had entered the studio to begin working on their follow up to I Bet on Sky. The album Give a Glimpse of What Yer Not was released on August 5, 2016, on Jagjaguwar. In February 2019, the song "Over Your Shoulder" from the band's 1994 album Without a Sound reached number 18 on Japan's Billboard charts. The cause is suspected to be the song's use on the Japanese TV show called Gachinko Fight Club. In February 2021, the band announced their 12th album Sweep It Into Space, which was released on April 23, 2021. The album was originally scheduled for release in mid-2020 but was delayed due to the COVID-19 pandemic. The album was preceded by the single "I Ran Away" on February 23, 2021, with a music video for the song being released on March 3, 2021. The second single, "Garden", was released with a music video on March 31, 2021. The band announced a 2021 North American tour to support the album was planned to begin in September 2021 and would conclude in February 2022. Musical style and influences Dinosaur Jr has been described as alternative rock, indie rock and noise rock, also noise pop, hardcore punk (first albums), and grunge (early nineties). Dinosaur Jr. is considered to be an alternative rock band; however the band's musical style, compared to its underground contemporaries in the 1980s, differed in several ways. This included the influence of classic rock on the band's music, their use of feedback, extreme volume and the loud-quiet dynamic, and frontman Mascis's droning vocals. A characteristic of Mascis's vocal style is frequent use of vocal fry. Gerald Cosloy, head of Homestead Records, summarised the band's music: "It was its own bizarre hybrid. ... It wasn't exactly pop, it wasn't exactly punk rock—it was completely its own thing". Mascis listened to classic rock artists such as the Rolling Stones and the Beach Boys, elements of which were incorporated into Dinosaur Jr.'s sound. In addition, Mascis was also a fan of many punk and hardcore bands such as The Birthday Party, and has frequently noted Nick Cave as an influence. Dinosaur Jr.'s members also combined elements of hardcore punk and noise rock in their songs, which often featured a large amount of feedback, distortion and extreme volume. When the master tape of You're Living All Over Me arrived at SST, the label's production manager noticed the level on the tape was so high it was distorting; however, Mascis confirmed it was the way he wanted the album to sound. Similar to Mascis's guitar work, Barlow's bass lines, with their alternating heavily distorted, fast chords and pulverizing lows, draw heavily from both his hardcore past and musicians such as Lemmy from Motörhead and Johnny Ramone. "Johnny Ramone is my hero. I wanted to make that rhythmic chugging sound like he got playing guitar with the Ramones. And, I found that I got a bigger sound by strumming farther up the neck." Mascis's vocals are another distinctive feature of Dinosaur Jr.'s music. He attributed his "whiny low-key drawl", the opposite of the hardcore punk "bark", to artists such as John Fogerty and Mick Jagger. His style also resembled Neil Young's, but Mascis disputed this, and later commented: "That got annoying, being compared all the time." His drawl epitomised the band's slacker ethos and relaxed attitude; author Michael Azerrad said "even Mascis seemed removed from the feelings he was conveying in the music". Legacy In a BBC review of their reissued albums You're Living All Over Me and Bug, Zoe Street called them "Frighteningly ahead of their time." The Seattle Times called them "one of post-punk’s most influential bands." According to Azerrad:Dinosaur Jr was one of the first, biggest, and best bands among the second generation of indie kids, the ones who took Black Flag and Minor Threat for granted, a generation for whom the Seventies, not the Sixties, was the nostalgic ideal. Their music continued a retrograde stylistic shift in the American underground that the Replacements and other bands had begun: renouncing the antihistorical tendencies of hardcore and fully embracing the music that everyone had grown up on. In particular, Dinosaur singer-guitarist J Mascis achieved the unthinkable in underground rock—he brought back the extended guitar solo.Dinosaur Jr's music has influenced many other musicians such as Kurt Cobain of Nirvana, Billy Corgan of The Smashing Pumpkins, Black Francis of Pixies, Radiohead, Graham Coxon of Blur, Doug Martsch of Built to Spill, Henry Rollins, Tad, Kevin Shields of My Bloody Valentine, Ride, Slowdive, Aidan Moffat of Belle and Sebastian, Swervedriver, Uncle Tupelo, Teenage Fanclub, The Lemonheads, Tom DeLonge of Blink-182, Snow Patrol, Band of Horses, Polvo, and Kurt Vile. Their album You're Living All Over Me has been called possibly "the first perfect indie rock album." Spin named it one of "The 300 Best Albums of the Past 30 Years (1985-2014)". Pitchfork placed the album at number 40 on its Top 100 Albums of the 1980s list. Band membersCurrent membersJ Mascis – lead vocals, guitars, keyboards (1984–1997, 2005–present); drums (studio, 1991, 1994–1997) Lou Barlow – bass, backing and lead vocals (1984–1989, 2005–present) Murph – drums (1984–1993, 2005–present)Former members''' Mike Johnson – bass, backing vocals (1991–1997) George Berz – drums (live, 1993–1997) Van Conner - bass, backing vocals (live, 1990–1991) DiscographyDinosaur (1985)You're Living All Over Me (1987)Bug (1988)Green Mind (1991)Where You Been (1993)Without a Sound (1994)Hand It Over (1997)Beyond (2007)Farm (2009)I Bet on Sky (2012)Give a Glimpse of What Yer Not (2016)Sweep It Into Space (2021) Filmography 2020 Freakscene – The Story of Dinosaur Jr.'' Documentary. Dir.: Philipp Reichenheim References Sources External links Official Dinosaur Jr. site Musical groups established in 1984 Musical groups disestablished in 1997 Musical groups reestablished in 2005 American musical trios Alternative rock groups from Massachusetts Homestead Records artists SST Records artists Blast First artists Sire Records artists Fat Possum Records artists PIAS Recordings artists American noise rock music groups Indie rock musical groups from Massachusetts Jagjaguwar artists 1984 establishments in Massachusetts Merge Records artists
true
[ "Merry Legs (1911-1932) was a Tennessee Walking Horse mare who was given foundation registration for her influence as a broodmare. She was also a successful show horse.\n\nLife\nMerry Legs was foaled in April 1911. She was a bay with sabino markings. She was sired by the foundation stallion Black Allan F-1, out of the American Saddlebred mare Nell Dement, registration number F-3, and bred by the early breeder Albert Dement. She was a large mare at maturity, standing high and weighing . Merry Legs was a successful show horse; as a three-year-old, she won the stake class at the Tennessee State Fair. She was also successful as a broodmare, giving birth to 13 foals, among them the well-known Bud Allen, Last Chance, Major Allen, and Merry Boy. For her influence on the breed, she was given the foundation number F-4 when the TWHBEA was formed in 1935. She died in 1932.\n\nReferences\n\nIndividual Tennessee Walking Horses\n1911 animal births\n1932 animal deaths", "The UCI Road World Championships – Men's team time trial was a world championship for road bicycle racing in the discipline of team time trial (TTT). It is organized by the world governing body, the Union Cycliste Internationale (UCI).\n\nNational teams (1962–1994)\nA championship for national teams was introduced in 1962 and held until 1994. It was held annually, except that from 1972 onward, the TTT was not held in Olympic years. There were 4 riders per team on a route around 100 kilometres long. Italy is the most successful nation with seven victories.\n\nMedal winners\n\nMedals by nation\n\nMost successful riders\n\nUCI teams (2012–2018)\nThere was a long break until a championship for trade teams was introduced in 2012. There were 6 riders per team. The championship was held up to 2018.\n\nMedal winners\n\nMost successful teams\n\nMost successful riders\n\nReferences \n \n \n\n \nMen's Team Time Trial\nRecurring sporting events established in 1962\nUCI World Tour races\nMen's road bicycle races\nLists of UCI Road World Championships medalists\nRecurring sporting events disestablished in 2018" ]
[ "Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984, originally simply called Dinosaur until legal issues forced a change in name. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock. Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion.", "Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion. His replacement, Mike Johnson, came aboard for three major-label albums. Murph eventually quit, with Mascis taking over drum duties on the band's albums before the group disbanded in 1997. The original lineup reformed in 2005, releasing five albums thereafter.", "The original lineup reformed in 2005, releasing five albums thereafter. Mascis's drawling vocals and distinct guitar sound, hearkening back to 1960s and 1970s classic rock and characterized by extensive use of feedback and distortion, were highly influential in the alternative rock movement of the 1990s. History Formation Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts.", "History Formation Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts. After high school, they began exploring slower yet still aggressive music such as Black Sabbath, the Replacements, and Neil Young. Mascis's college friend Gerard Cosloy introduced him to psychedelic-influenced pop bands like Dream Syndicate, which Mascis in turn showed to Barlow. Barlow explained, \"We loved speed metal ... and we loved wimpy-jangly stuff\".", "Barlow explained, \"We loved speed metal ... and we loved wimpy-jangly stuff\". Deep Wound broke up in mid-1984. Cosloy had dropped out of the University of Massachusetts Amherst to focus on running his independent record label, Homestead Records, and promised Mascis that if he were to make a record Homestead would release it. Mascis wrote a number of songs by himself and showed them to Barlow, to whom he offered the bassist position. Barlow said the songs \"were fucking brilliant ...They were so far beyond.", "Barlow said the songs \"were fucking brilliant ...They were so far beyond. I was still into two-chord songs and basic stuff like 'I'm so sad.' While I was really into my own little tragedy, J was operating in this whole other panorama.\" Mascis enlisted vocalist Charlie Nakajima, also formerly of Deep Wound, and drummer Emmett Patrick Murphy, otherwise known as Murph, to complete the band. Mascis explained the concept behind the group as \"ear-bleeding country\".", "Mascis explained the concept behind the group as \"ear-bleeding country\". The band was initially named Mogo, and played their first show on University of Massachusetts Amherst campus in the first week of September 1984. However, Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day. A few days later Mascis invited Barlow and Murph to form a new band without telling Nakajima.", "A few days later Mascis invited Barlow and Murph to form a new band without telling Nakajima. \"I was kind of too wimpy to kick him out, exactly,\" Mascis later admitted. \"Communicating with people has been a constant problem in the band.\" The trio named themselves Dinosaur, and Mascis and Barlow took over lead-vocal duties. Dinosaur Mascis took Cosloy up on his offer to release an album and Dinosaur recorded their debut album for $500 at a home studio in the woods outside Northampton, Massachusetts.", "Dinosaur Mascis took Cosloy up on his offer to release an album and Dinosaur recorded their debut album for $500 at a home studio in the woods outside Northampton, Massachusetts. Their debut album, Dinosaur, was released in 1985. Mascis wrote all of the songs. Vocals were done by Mascis in his trademark nasal drawl which was often compared to singer Neil Young. Mascis would sing most or all of the lead vocals on all of their subsequent releases.", "Mascis would sing most or all of the lead vocals on all of their subsequent releases. The album did not make much of an impact commercially or critically: it sold only about 1,500 copies in its first year and was largely ignored by the majority of the music press. After the record's release, Dinosaur would often drive to New York City to perform shows.", "After the record's release, Dinosaur would often drive to New York City to perform shows. At one of their shows, the New York-based alternative rock band Sonic Youth was at first unimpressed by the first Dinosaur performance they saw, but after watching them play several months later, approached the band declaring themselves as fans. Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in September 1986.", "Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in September 1986. You're Living All Over Me Dinosaur recorded much of their second album, You're Living All Over Me, with Sonic Youth engineer Wharton Tiers in New York. During the recording process, tension emerged between Mascis and Murph because Mascis had very specific ideas for the drum parts. Barlow recalled, \"J controlled Murph's every drumbeat ... And Murph could not handle that.", "Barlow recalled, \"J controlled Murph's every drumbeat ... And Murph could not handle that. Murph wanted to kill J for the longest time.\" Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-based SST Records. Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, \"There was no way I couldn't take it personally.\"", "Mascis was reluctant to sign a two-album deal with Homestead, but Cosloy felt betrayed, \"There was no way I couldn't take it personally.\" After the album's completion Mascis moved to New York, leaving the rest of the band feeling alienated. You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin tape, the first release by Barlow's side project Sebadoh.", "You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin tape, the first release by Barlow's side project Sebadoh. The album received much more attention in the indie-rock community than the debut. Barlow also composed two songs: the hardcore-influenced \"Lose\" and an acoustic sonic collage entitled \"Poledo\" that anticipated his work with Sebadoh.", "Barlow also composed two songs: the hardcore-influenced \"Lose\" and an acoustic sonic collage entitled \"Poledo\" that anticipated his work with Sebadoh. Immediately following the release of You're Living All Over Me, a supergroup called the Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of \"Jr.\" Bug and Barlow's departure Dinosaur Jr. had a major breakthrough in the United Kingdom with their debut single for Blast First, \"Freak Scene\", in 1988, a version with censored lyrics being issued for radio consumption.", "Immediately following the release of You're Living All Over Me, a supergroup called the Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, Grateful Dead and Jefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of \"Jr.\" Bug and Barlow's departure Dinosaur Jr. had a major breakthrough in the United Kingdom with their debut single for Blast First, \"Freak Scene\", in 1988, a version with censored lyrics being issued for radio consumption. It reached number 4 in the UK independent chart, staying on the chart for 12 weeks.", "It reached number 4 in the UK independent chart, staying on the chart for 12 weeks. The band's third album, Bug, followed shortly afterwards, reaching number 1 on the UK independent chart and spending 38 weeks in the chart. The band's first UK singles chart placing came in 1989 with their cover of The Cure's \"Just Like Heaven\".", "The band's first UK singles chart placing came in 1989 with their cover of The Cure's \"Just Like Heaven\". Bug was similar in musical style to You're Living All Over Me, with the contrast between the extremely distorted instruments and the melodic vocal parts intact, as was the band's unique blend of musical influences. However, this time out, there was even more melody and the song structures were more conventional.", "However, this time out, there was even more melody and the song structures were more conventional. Mascis was exhibiting an even tighter control over the band's sound, singing lead vocals on all but one song and composing the parts for Murph and Lou to play. Barlow's only lead vocal was on the album's final track, featuring an overdriven, noise-rock backing track and Barlow screaming \"Why don't you like me?\" Mascis has described Bug as his least favorite of the band's albums.", "Mascis has described Bug as his least favorite of the band's albums. In an interview in 2005, after the original line-up had reformed, he said, \"Bug is my least favourite of all our records. I like some of the songs but, I dunno, I guess I really don't like the vibe of it.\"", "I like some of the songs but, I dunno, I guess I really don't like the vibe of it.\" Despite the album's success, tension between Mascis and Barlow began interfering with the band's productivity, and in 1989, after touring in support of Bug, Barlow was kicked out of the band. Barlow now focused all of his attention on the former side-project Sebadoh.", "Barlow now focused all of his attention on the former side-project Sebadoh. \"The Freed Pig\", the opening track on 1991's Sebadoh III, documents Barlow's frustration with Mascis and feeling of being treated poorly in Dinosaur Jr. Meanwhile, the band embarked on an Australian tour with Donna Dresch filling in for Barlow. In 1990, the band released a new single, \"The Wagon\" on Sub Pop, their first release since Barlow's departure.", "In 1990, the band released a new single, \"The Wagon\" on Sub Pop, their first release since Barlow's departure. The single featured a short-lived lineup including guitarist Don Fleming and drummer Jay Spiegel from the band Gumball, in addition to Mascis and Murph. Major label years Despite the ongoing lineup turmoil, Dinosaur Jr. signed with Sire Records in 1990. They made their major-label debut Green Mind in 1991.", "They made their major-label debut Green Mind in 1991. They made their major-label debut Green Mind in 1991. The new record was virtually a J Mascis solo album, with Murph playing drums on only a few songs, as well as minimal contributions from Fleming and Spiegel, who were out of the band by the time the album was released. Mascis, whose first instrument was a drum kit, recorded many of the drum parts by himself, layering the various instrumental parts through overdubbing.", "Mascis, whose first instrument was a drum kit, recorded many of the drum parts by himself, layering the various instrumental parts through overdubbing. For touring purposes, Mascis first added Van Conner, and then Mike Johnson to handle the bass parts and embarked on several tours to support Green Mind, with support acts that included Nirvana. In 1991, Sire records released an EP titled Whatever's Cool with Me that featured old B-sides coupled with one new track.", "In 1991, Sire records released an EP titled Whatever's Cool with Me that featured old B-sides coupled with one new track. In 1992, the band was part of the Rollercoaster Tour, a package tour based on the successful Lollapolooza festival, which featured The Jesus and Mary Chain, My Bloody Valentine and Blur. The band found their live shows well received in the changing musical climate of the early 1990s, and decided to record new material with the new lineup.", "The band found their live shows well received in the changing musical climate of the early 1990s, and decided to record new material with the new lineup. This time, the recording sessions were with full participation from Murph and Johnson, with the former playing most of the drums and the latter playing all of the bass parts, singing harmony vocals and even contributing a few guitar solos.", "This time, the recording sessions were with full participation from Murph and Johnson, with the former playing most of the drums and the latter playing all of the bass parts, singing harmony vocals and even contributing a few guitar solos. This material represented the peak of the band's commercial success, with the single \"Start Choppin'\" reaching the top 20 in the UK, and the album that followed, Where You Been, reaching the UK top 10 and the US top 50.", "This material represented the peak of the band's commercial success, with the single \"Start Choppin'\" reaching the top 20 in the UK, and the album that followed, Where You Been, reaching the UK top 10 and the US top 50. The opening track, \"Out There\", had an accompanying video and was aired on MTV for a short time, as the show 120 Minutes was still popular as a late-night \"alternative\" video show.", "The opening track, \"Out There\", had an accompanying video and was aired on MTV for a short time, as the show 120 Minutes was still popular as a late-night \"alternative\" video show. Although the new material was more accessible than the band's 1980s albums, in terms of playing it represented a partial return to the more unrestrained power-trio sound of the original lineup.", "Although the new material was more accessible than the band's 1980s albums, in terms of playing it represented a partial return to the more unrestrained power-trio sound of the original lineup. Murph left the band after touring for Where You Been and was replaced for the band's live shows by George Berz, leaving Mascis as the sole remaining original member.", "Murph left the band after touring for Where You Been and was replaced for the band's live shows by George Berz, leaving Mascis as the sole remaining original member. However, the band's subsequent albums would be recorded mostly by J Mascis on his own, playing everything except for the bass and some of the harmony vocals, which continued to be handled by Mike Johnson. The commercial success continued with 1994's Without a Sound, which placed well in both the US and UK album charts.", "The commercial success continued with 1994's Without a Sound, which placed well in both the US and UK album charts. After 1997's Hand It Over, Mascis finally retired the Dinosaur Jr. name, with the group's final live performance being an appearance on the American talk show The Jenny Jones Show. In 1999, Mascis released the first of two solo albums under the name J Mascis + The Fog.", "In 1999, Mascis released the first of two solo albums under the name J Mascis + The Fog. 2005 reunion and onward The beginnings of a Mascis–Barlow détente started in the mid-'90s when Mascis began showing up at Sebadoh shows. \"I think he was kind of aware of how much shit I was talking about him,\" Barlow noted in a 2005 interview, \"but I don't think he really ever pursued any of it.", "\"I think he was kind of aware of how much shit I was talking about him,\" Barlow noted in a 2005 interview, \"but I don't think he really ever pursued any of it. One of the things that really triggered this, for me to finally just go, 'Hey, you know, maybe this could work,' is when I realized that maybe J wasn't really holding any kind of grudge against me because he didn't like me.", "One of the things that really triggered this, for me to finally just go, 'Hey, you know, maybe this could work,' is when I realized that maybe J wasn't really holding any kind of grudge against me because he didn't like me. I was thinking, maybe he just didn't realize what he had done, or maybe he wasn't really aware of how much he'd actually hurt me. And when I started to realize that, he kind of became more human to me.\"", "And when I started to realize that, he kind of became more human to me.\" In 2002, the two shared the stage for two shows in London, with Barlow singing I Wanna Be Your Dog along with Mascis, Ron Asheton, Scott Asheton and Mike Watt, who had been performing Stooges songs as \"Asheton, Asheton, Mascis and Watt\". Mascis regained the master rights to the band's first three albums from SST in 2004, and arranged for their reissue on Merge early 2005.", "Mascis regained the master rights to the band's first three albums from SST in 2004, and arranged for their reissue on Merge early 2005. Later that year, he and Barlow shared the stage at benefit show for autism at Smith College organized by Barlow's mother in Northampton, Massachusetts, and played together as Deep Wound after Mascis and Sebadoh had completed their respective sets.", "Later that year, he and Barlow shared the stage at benefit show for autism at Smith College organized by Barlow's mother in Northampton, Massachusetts, and played together as Deep Wound after Mascis and Sebadoh had completed their respective sets. Following the reissues in 2005, Mascis, Barlow and Murph finally reunited to play on The Late Late Show with Craig Ferguson on April 15, 2005, and in June that year, they kicked off a tour of Europe.", "Following the reissues in 2005, Mascis, Barlow and Murph finally reunited to play on The Late Late Show with Craig Ferguson on April 15, 2005, and in June that year, they kicked off a tour of Europe. While performing in New York City in 2006, much of the band's equipment was stolen while stored outside their hotel and has not yet been recovered. The band members were later among the curators of 2006's All Tomorrow's Parties festival.", "The band members were later among the curators of 2006's All Tomorrow's Parties festival. In 2007, the original members of Dinosaur Jr. released Beyond on Fat Possum Records, their first album of new material as a trio since Bug in 1988. It was met with critical acclaim, rating an 8.4 from Pitchfork Media and garnering positive reviews from the music press as a whole.", "It was met with critical acclaim, rating an 8.4 from Pitchfork Media and garnering positive reviews from the music press as a whole. It was considered somewhat of a sonic paradox in that even though it featured the original members who produced \"two records so drenched in noise they still sound like aural assaults decades after their original release,\" sonically it resembled the major label releases of the 1990s in both production values and stylistic range.", "It was considered somewhat of a sonic paradox in that even though it featured the original members who produced \"two records so drenched in noise they still sound like aural assaults decades after their original release,\" sonically it resembled the major label releases of the 1990s in both production values and stylistic range. On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a much bigger, more unrestrained, and more live-sounding feel than their 1990s albums, though Barlow's bass was noticeably quieter than in the old days.", "On the other hand, while the sound was not as extreme as the original lineup's 1980s albums, it did feature a much bigger, more unrestrained, and more live-sounding feel than their 1990s albums, though Barlow's bass was noticeably quieter than in the old days. Barlow did make his mark on the music in other ways: for the first time since You're Living All Over Me, he contributed to the songwriting.", "Barlow did make his mark on the music in other ways: for the first time since You're Living All Over Me, he contributed to the songwriting. The album went on to good commercial success, debuting on the Billboard 200 at number 69 its opening week. In February 2009, the band signed with indie label Jagjaguwar. The band's first release on the new label was titled Farm and released on June 23, 2009.", "The band's first release on the new label was titled Farm and released on June 23, 2009. Murph said the album was recorded at Mascis's home and marks return to the heavier, Where You Been LP era. The album reached number 29 on the Billboard 200, making it the band's highest-charting album in the US. To promote the album, the band played Farm's lead-off track, \"Pieces\", on Late Night with Jimmy Fallon on June 25, 2009.", "To promote the album, the band played Farm's lead-off track, \"Pieces\", on Late Night with Jimmy Fallon on June 25, 2009. Dinosaur Jr. released their second album for Jagjaguwar, I Bet on Sky, in September 2012, to favourable reviews. In December 2015, Murph confirmed the band had entered the studio to begin working on their follow up to I Bet on Sky. The album Give a Glimpse of What Yer Not was released on August 5, 2016, on Jagjaguwar.", "The album Give a Glimpse of What Yer Not was released on August 5, 2016, on Jagjaguwar. In February 2019, the song \"Over Your Shoulder\" from the band's 1994 album Without a Sound reached number 18 on Japan's Billboard charts. The cause is suspected to be the song's use on the Japanese TV show called Gachinko Fight Club. In February 2021, the band announced their 12th album Sweep It Into Space, which was released on April 23, 2021.", "In February 2021, the band announced their 12th album Sweep It Into Space, which was released on April 23, 2021. The album was originally scheduled for release in mid-2020 but was delayed due to the COVID-19 pandemic. The album was preceded by the single \"I Ran Away\" on February 23, 2021, with a music video for the song being released on March 3, 2021. The second single, \"Garden\", was released with a music video on March 31, 2021.", "The second single, \"Garden\", was released with a music video on March 31, 2021. The band announced a 2021 North American tour to support the album was planned to begin in September 2021 and would conclude in February 2022. Musical style and influences Dinosaur Jr has been described as alternative rock, indie rock and noise rock, also noise pop, hardcore punk (first albums), and grunge (early nineties).", "Musical style and influences Dinosaur Jr has been described as alternative rock, indie rock and noise rock, also noise pop, hardcore punk (first albums), and grunge (early nineties). Dinosaur Jr. is considered to be an alternative rock band; however the band's musical style, compared to its underground contemporaries in the 1980s, differed in several ways.", "Dinosaur Jr. is considered to be an alternative rock band; however the band's musical style, compared to its underground contemporaries in the 1980s, differed in several ways. This included the influence of classic rock on the band's music, their use of feedback, extreme volume and the loud-quiet dynamic, and frontman Mascis's droning vocals. A characteristic of Mascis's vocal style is frequent use of vocal fry. Gerald Cosloy, head of Homestead Records, summarised the band's music: \"It was its own bizarre hybrid.", "Gerald Cosloy, head of Homestead Records, summarised the band's music: \"It was its own bizarre hybrid. ... It wasn't exactly pop, it wasn't exactly punk rock—it was completely its own thing\". Mascis listened to classic rock artists such as the Rolling Stones and the Beach Boys, elements of which were incorporated into Dinosaur Jr.'s sound. In addition, Mascis was also a fan of many punk and hardcore bands such as The Birthday Party, and has frequently noted Nick Cave as an influence.", "In addition, Mascis was also a fan of many punk and hardcore bands such as The Birthday Party, and has frequently noted Nick Cave as an influence. Dinosaur Jr.'s members also combined elements of hardcore punk and noise rock in their songs, which often featured a large amount of feedback, distortion and extreme volume.", "Dinosaur Jr.'s members also combined elements of hardcore punk and noise rock in their songs, which often featured a large amount of feedback, distortion and extreme volume. When the master tape of You're Living All Over Me arrived at SST, the label's production manager noticed the level on the tape was so high it was distorting; however, Mascis confirmed it was the way he wanted the album to sound.", "When the master tape of You're Living All Over Me arrived at SST, the label's production manager noticed the level on the tape was so high it was distorting; however, Mascis confirmed it was the way he wanted the album to sound. Similar to Mascis's guitar work, Barlow's bass lines, with their alternating heavily distorted, fast chords and pulverizing lows, draw heavily from both his hardcore past and musicians such as Lemmy from Motörhead and Johnny Ramone. \"Johnny Ramone is my hero.", "\"Johnny Ramone is my hero. \"Johnny Ramone is my hero. I wanted to make that rhythmic chugging sound like he got playing guitar with the Ramones. And, I found that I got a bigger sound by strumming farther up the neck.\" Mascis's vocals are another distinctive feature of Dinosaur Jr.'s music. He attributed his \"whiny low-key drawl\", the opposite of the hardcore punk \"bark\", to artists such as John Fogerty and Mick Jagger.", "He attributed his \"whiny low-key drawl\", the opposite of the hardcore punk \"bark\", to artists such as John Fogerty and Mick Jagger. His style also resembled Neil Young's, but Mascis disputed this, and later commented: \"That got annoying, being compared all the time.\" His drawl epitomised the band's slacker ethos and relaxed attitude; author Michael Azerrad said \"even Mascis seemed removed from the feelings he was conveying in the music\".", "His drawl epitomised the band's slacker ethos and relaxed attitude; author Michael Azerrad said \"even Mascis seemed removed from the feelings he was conveying in the music\". Legacy In a BBC review of their reissued albums You're Living All Over Me and Bug, Zoe Street called them \"Frighteningly ahead of their time.\" The Seattle Times called them \"one of post-punk’s most influential bands.\"", "The Seattle Times called them \"one of post-punk’s most influential bands.\" According to Azerrad:Dinosaur Jr was one of the first, biggest, and best bands among the second generation of indie kids, the ones who took Black Flag and Minor Threat for granted, a generation for whom the Seventies, not the Sixties, was the nostalgic ideal.", "According to Azerrad:Dinosaur Jr was one of the first, biggest, and best bands among the second generation of indie kids, the ones who took Black Flag and Minor Threat for granted, a generation for whom the Seventies, not the Sixties, was the nostalgic ideal. Their music continued a retrograde stylistic shift in the American underground that the Replacements and other bands had begun: renouncing the antihistorical tendencies of hardcore and fully embracing the music that everyone had grown up on.", "Their music continued a retrograde stylistic shift in the American underground that the Replacements and other bands had begun: renouncing the antihistorical tendencies of hardcore and fully embracing the music that everyone had grown up on. In particular, Dinosaur singer-guitarist J Mascis achieved the unthinkable in underground rock—he brought back the extended guitar solo.Dinosaur Jr's music has influenced many other musicians such as Kurt Cobain of Nirvana, Billy Corgan of The Smashing Pumpkins, Black Francis of Pixies, Radiohead, Graham Coxon of Blur, Doug Martsch of Built to Spill, Henry Rollins, Tad, Kevin Shields of My Bloody Valentine, Ride, Slowdive, Aidan Moffat of Belle and Sebastian, Swervedriver, Uncle Tupelo, Teenage Fanclub, The Lemonheads, Tom DeLonge of Blink-182, Snow Patrol, Band of Horses, Polvo, and Kurt Vile.", "In particular, Dinosaur singer-guitarist J Mascis achieved the unthinkable in underground rock—he brought back the extended guitar solo.Dinosaur Jr's music has influenced many other musicians such as Kurt Cobain of Nirvana, Billy Corgan of The Smashing Pumpkins, Black Francis of Pixies, Radiohead, Graham Coxon of Blur, Doug Martsch of Built to Spill, Henry Rollins, Tad, Kevin Shields of My Bloody Valentine, Ride, Slowdive, Aidan Moffat of Belle and Sebastian, Swervedriver, Uncle Tupelo, Teenage Fanclub, The Lemonheads, Tom DeLonge of Blink-182, Snow Patrol, Band of Horses, Polvo, and Kurt Vile. Their album You're Living All Over Me has been called possibly \"the first perfect indie rock album.\"", "Their album You're Living All Over Me has been called possibly \"the first perfect indie rock album.\" Spin named it one of \"The 300 Best Albums of the Past 30 Years (1985-2014)\". Pitchfork placed the album at number 40 on its Top 100 Albums of the 1980s list.", "Pitchfork placed the album at number 40 on its Top 100 Albums of the 1980s list. Band membersCurrent membersJ Mascis – lead vocals, guitars, keyboards (1984–1997, 2005–present); drums (studio, 1991, 1994–1997) Lou Barlow – bass, backing and lead vocals (1984–1989, 2005–present) Murph – drums (1984–1993, 2005–present)Former members''' Mike Johnson – bass, backing vocals (1991–1997) George Berz – drums (live, 1993–1997) Van Conner - bass, backing vocals (live, 1990–1991) DiscographyDinosaur (1985)You're Living All Over Me (1987)Bug (1988)Green Mind (1991)Where You Been (1993)Without a Sound (1994)Hand It Over (1997)Beyond (2007)Farm (2009)I Bet on Sky (2012)Give a Glimpse of What Yer Not (2016)Sweep It Into Space (2021) Filmography 2020 Freakscene – The Story of Dinosaur Jr.'' Documentary.", "Band membersCurrent membersJ Mascis – lead vocals, guitars, keyboards (1984–1997, 2005–present); drums (studio, 1991, 1994–1997) Lou Barlow – bass, backing and lead vocals (1984–1989, 2005–present) Murph – drums (1984–1993, 2005–present)Former members''' Mike Johnson – bass, backing vocals (1991–1997) George Berz – drums (live, 1993–1997) Van Conner - bass, backing vocals (live, 1990–1991) DiscographyDinosaur (1985)You're Living All Over Me (1987)Bug (1988)Green Mind (1991)Where You Been (1993)Without a Sound (1994)Hand It Over (1997)Beyond (2007)Farm (2009)I Bet on Sky (2012)Give a Glimpse of What Yer Not (2016)Sweep It Into Space (2021) Filmography 2020 Freakscene – The Story of Dinosaur Jr.'' Documentary. Dir.", "Dir. Dir. : Philipp Reichenheim References Sources External links Official Dinosaur Jr. site Musical groups established in 1984 Musical groups disestablished in 1997 Musical groups reestablished in 2005 American musical trios Alternative rock groups from Massachusetts Homestead Records artists SST Records artists Blast First artists Sire Records artists Fat Possum Records artists PIAS Recordings artists American noise rock music groups Indie rock musical groups from Massachusetts Jagjaguwar artists 1984 establishments in Massachusetts Merge Records artists" ]
[ "Ion Creangă", "Junimea reception" ]
C_c81777bed23f4fd3a49716508c674479_0
When was the Junimea reception
1
When was the Junimea reception?
Ion Creangă
At around the same time, Creanga also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creanga was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creanga was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creanga's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creanga only after the summer break of 1875. Gradually or instantly, Creanga made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creanga's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vantura-Tara ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Mos Creanga ("Old Man Creanga" or "Father Creanga"), which was a sign of respect and sympathy. Among Ion Creanga's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracuda (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creanga later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. CANNOTANSWER
The exact date of his reception is a mystery.
Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists ("Harap Alb", "Ivan Turbincă", "Dănilă Prepeleac", "Stan Pățitul"), as well as fairy tales indebted to conventional forms ("The Story of the Pig", "The Goat and Her Three Kids", "The Mother with Three Daughters-in-Law", "The Old Man's Daughter and the Old Woman's Daughter"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his "corrosives". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei ("Nică of Ștefan of Petru", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău ("Spinster"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia "Popa Duhu" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either "for aesthetic reasons" (as his new name, literally meaning "branch" or "bough", "sounds good") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already "caught the scent" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as "a killer", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as "idiot", "impertinent" or "envious"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară ("A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii ("The Little Bird in Wintertime"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor ("The Children's Teacher") and co-authored by V. Răceanu. It included several prose fables and a sketch story, "Human Stupidity", to which later editions added Poveste ("A Story") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână ("Priest Sour Cream"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani ("Not even a needle from the kikes"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was "going out of his way for scandal". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was "nothing scandalous or demoralizing" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed "Nasreddinesque" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his "independence, sincerity, honesty" in supporting the cause of "human dignity". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for "tiny hut"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina "Tinca" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called "proverbial gluttony" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă ("Old Man Creangă" or "Father Creangă"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with "The Mother with Three Daughters-in-Law", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică ("Guide to Reading by Writing in the Phonetic System"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași ("The Geography of Iași County"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române ("Rules of the Romanian Language"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul ("Tubby") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that "the invisible hand of God" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that "had God not pierced the skin over our eyes, we would be unable to see each other's mistakes". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei ("Făt-Frumos, Son of the Mare"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: "A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea." His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: "Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature." Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of "literate peasants" such as Creangă as exemplary proof of Junimist "diversity" and "tolerance". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as "a primitive and uncouth talent". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane ("popular", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the "popular realism" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's "somewhat surreptitious" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: "You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did." An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the "authentic Moldavian peasant" that was Creangă also complemented Eminescu's own "more metaphysical" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a "superimposed stratum" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the "great prose writers" of the 1880s. Lucian Boia, who noted that "the triad of Romanian classics" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom "the Romanians have said almost all there is to say about themselves"), Creangă has "a rather more limited register". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common "wide-ranging stylistic means" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: "[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive." According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one "in their immediate succession." While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a "glossological museum", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its "softness of sound" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the "balance" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the "discoloration and roughness" of "Wallachianism". He also criticized those views according to which Creangă's variant of the literary language was "beautiful", since it failed to "please everyone on account of some acoustical beauty", and since readers from outside the writer's native area could confront it "with some irritation." For Călinescu, the result nevertheless displays "an enormous capacity of authentic speech", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a "hermetic" type of "argot", which contained "hilarious double entendres and indecent onomatopoeia", passing from "erudite beauty" to "obscene laughter". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as "drought made the snake scream inside the frog's mouth", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, "Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling." According to the critic, discovering this "fundamental" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through "realistic dialogues" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning "that word", but covering the sense of "as word goes around"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: "peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal." The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was "a supreme artist" whose use of "typical sayings" attests "a man of the people, but not an anonymous and impersonal sample." These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a "strictly intellectual sensuousness" and the notion that "pleasure arises from gratuitousness", while Manolescu's colleague Mircea Braga referred to "the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one." In Braga's assessment, this synthesis managed "the impossible", but the difficulty of repeating it with each story also resulted in mediocre writings: "from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his "erudite device", concluding: "Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition]." Outlining his own theory about the aspects of "national specificity" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as "core Romanians" who illustrated a "primordial note", complemented by the "southern" and "Balkan" group of Caragiale and others. Claiming that the "core" presence had "not primitive, but ancient" origins, perpetuated by "stereotyped wisdom" and "energetic fatalism", he asserted: "Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age." The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: "if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country." Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: "One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish." Commenting on Creangă's "robust realism" and lack of "sentimentality", Vianu contrarily asserted: "Creangă's nostalgia ... has an individual, not social, sense." The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself "for against" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: "not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being "a strong sensual and auditive type", and a "very emotional" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges "the rich vocabulary of the Moldavian peasant" with "an original gaiety and gusto comparable to that of Rabelais." According to George Călinescu: "[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid." In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching "Nasreddinisms" with "Miticism". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, "particularized incarnations of the same symbolic character", while the use of humor itself reflects the traditional mindset, "a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words." Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a "perturbing situation" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring "grotesqueries" and "illogical surprises". With "The Goat and Her Three Kids", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by "the culinary fire": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of "The Mother with Three Daughters-in-Law", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. "The Story of the Pig" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by "The Old Man's Daughter and the Old Woman's Daughter". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as "kind and industrious"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to "The Old Man's Daughter ..." is "The Purse a' Tuppence", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and "Harap Alb" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is "Dănilă Prepeleac", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls "idiocy serving to initiate", or, according to Gabriela Ursachi, "complete, and therefore sublime, stupidity." The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, "Stan Pățitul" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut ("frowzy" or "lacking in freshness"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's "most original manner of dealing with the fabulous", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, "Stan Pățitul" is, according to Vianu, untraceable in its inspiration: "[its] folk origin could not be identified, but it is not dismissible". Another account in this series is "Ivan Turbincă", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. "Harap Alb", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as "the gifted man will earn a reputation under any guise." The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the "peasant speech" adopted by the villain known as the Bald Man, to the "crass vulgarity" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or "Moor"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as "playful realism" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă ("Drink-All") and Flămânzilă ("Eat-All") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls "the most complex representation of Holy Sunday", with mention of her isolated and heavenly abode on "flower island". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for "lettuce from the garden of the bear". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars ("Red Jews"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled "Popa Duhu"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: "The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere." Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of "a confession or a diary", but that of a symbolic account depicting "the childhood of the universal child." According to Vianu, the text is especially illustrative of its author's "spontaneous passage" between the levels of "popular" and "cultured" literature: "The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: "even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and "clan leader" David Creangă. The latter, she notes, is an "enlightened man" displaying "the wisdom and balance of the ripe age", a person able to insist on the importance of education, and a churchgoer who frowns on "his wife's bigotry." The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as "a terrible way to stultify the mind". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: "Creangă's Memories of the catechism school would discourage any candidate." Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them "The Needle and the Sledge Hammer", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as "The Story of a Gold Coin", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, "The Flax and the Shirt", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that "all things are not what they seem; they were something else once, they are something else now;—and shall become something else." The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; "The Bear Tricked by the Fox", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini ("Five Loafs of Bread"), which serves as a condemnation of greed. With "Human Stupidity", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights "a family-based division" of illogical behavior, in which women are depicted as the main propagators of both "astonishing nonsense" and "prudent stupidity". Instead, literary critic Ion Pecie identified inside the narrative a meditation on "the link between spirit and nature", with the unpredictable ball of salt representing the equivalent of a "sphinx". His colleague Gheorghe Grigurcu argued that such conclusions "may seem excessive", but that they were ultimately validated by the literary work being "a plurality of levels". A similar piece is the prose fable "The Story of a Lazy Man": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: "But are your bread crumbs soft?" The peculiar effect of this moral is underlined by Anghelescu: "The lazy man dies as a martyr of his own immobility." Braga interpreted the story as evidence of "the primacy of ethics" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: "Here, ... Creangă loses much of his depth." Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on "the community's instinctual eugenic reaction". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: "[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass." According to Muguraș Constantinescu: "[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and "corrosives" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul ("Old Man Nichifor Slyboots") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: "the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold "poisons". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text "interesting in its way and decisively Romanian", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text "a childish thing", he suggested to Maiorescu that revisions were needed, stating "I have written it long, because there was no time for me to write it short." Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into "the first great Romanian novella with a stereotypical hero", while Voinescu described the entire story as "a true masterpiece." The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as "corrosives" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: "All Rabelaisians have penetrated deeply into the realm of vulgarity." The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from "the wide street". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: "The Tale of Ionică the Fool" and "The Tale of All Tales" (also known as Povestea pulei, "Tale of the Dick" or "Tale of the Cock"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. "The Tale of All Tales", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by "the defrocked Creangă", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex. Ștefănescu argued, the text "is refined and full of charm". While acknowledging both "corrosives" for their "popular charm" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a "great stylist", Voinescu also signaled the texts' "very obvious" debt to folkloric sources. In his definition, Ion Creangă is "possibly the only writer" to draw on the legacy of "luscious popular jests" found in local "erotic folklore". Nevertheless, according to literary critic Mircea Iorgulescu, "The Tale of All Tales" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale ("Electorals"). The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an "Ion Creangă Committee", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's "memorial houses" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing "stylistic harmony", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: "Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?" The "thematic grip of the village" was noted by American academic Harold Segel, who investigated its impact on "some of the most revered names in the history of Romanian literature", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's "authentic ruralism" did not complement the "spiritual complications", global social class perspective and intellectual background associated with these trends, making Creangă "the least Sămănătorist among our writers." According to Ornea, Creangă has "nothing in common" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could "maintain, intelligently, the middle ground between contraries". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a "series" of authors, noting that, for all imitation, he was "an exceptional and, as far as Romanian literary history goes, unique creator." Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as "a new Creangă", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as "the Oltenian Creangă". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică ("Inside a Swallow's Nest") borrows from "The Flax and the Shirt". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești ("The Catechists from Humulești")—a literary contribution judged "superfluous" by George Călinescu, who noted that the original was already "dramatic" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, "Harap Alb" and "The Goat and Her Three Kids". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and "sounded terrible" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: "The 'corrosives' left by Creangă are not known publicly." An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made "The Tale of All Tales" circulate "rather like a samizdat", which left writers with "no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public." The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the "genial Moldavian" by turning him into "an unfrocked epileptic and a drunk." Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that "everything has been said about Creangă". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur ("Creangă and the Golden Bough"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about "Harap Alb", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's "exegetic obsession", lacking in "sense of humor, not just sense of reality." One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of "Ivan Turbincă" stands as "the character who dominates world history in our century". Left outside the scope of this critical interest, the "corrosives" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, "still unpublishable" for lack of "a general level of aesthetic education" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of "Harap Alb", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of "Ivan Turbincă". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while "Harap Alb" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of "Harap Alb", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on "The Story of the Pig" and the 1985 film "Ramasagul" which was based on "The Bag with 2 Coins". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of "Ivan Turbincă" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, "The Goat ..." and "The Purse a' Tuppence" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of "The Goat and Her Three Kids" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the "Bridge of Flowers". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his "corrosives", most notably in a 1998 edition titled Povestea poveștilor generației '80 ("The Tale of the Tales of the 80s Generation"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb ("A Report about Harap Alb"). In 2009, Țurlea followed up with a version of "The Old Man's Daughter and the Old Woman's Daughter"; a year later, his colleague Horia Gârbea published a personal take on "The Story of a Lazy Man". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of "The Old Man's Daughter ...") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of "Harap Alb" (with music by Nicu Alifantis), Cristian Pepino's take on "The Goat and Her Three Kids", Mihai Mălaimare's Prostia omenească (from "Human Stupidity") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, "Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă", in Alain Montandon (ed.), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, "Romanian Drama", in Stanley Hochman (ed.), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, "Paradigms of Junimea in Education for a Civil Society", in Magdalena Dumitrana (ed.), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, "Romanian Erotic Literature", in Gaëtan Brulotte, John Phillips (eds.), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): "Danillo Nonsuch" ("Dănilă Prepeleac"), Childhood Memories (excerpt), "The Mother with Three Daughters-in-Law", Childhood Memories (excerpt), "The Purse a' Tuppence", "The Tale of All Tales", "The Tale of Ionică the Fool" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive "The Story of the Pig". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists
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[ "Societatea Academică Junimea (Romanian for \"Junimea Academic Society\") was a society (Studentenverbindung) for Romanian students in the Austro-Hungarian city of Czernowitz, located in the Bukovina region of Cisleithania. The city was called Cernăuți after the region united with Romania in 1918, and today is Chernivtsi, Ukraine. The society operated between 1878 and 1938, spanning both the Austro-Hungarian and the Romanian periods.\n\nFounding and initial phase\n\nAffiliated with Czernowitz University, Junimea was established on December 7, 1878. It carried forth the patriotic ideals proclaimed by Arboroasa, which the authorities had suppressed the previous November. Nearly all the members of the defunct society joined Junimea. The initial leadership included Dimitrie Onciul and president and Ciprian Porumbescu as secretary. Members habitually wore a ribbon patterned after the Romanian tricolor. They raised the flag on festive occasions, as well as an insignia inscribed Vivat, crescat, floreat Junimea.\n\nA festive celebration was held in January 1879, following which Junimea began its activities, which were of a cultural and patriotic nature, with particular attention given to the cultural history of Romanians in Bukovina. By the end of 1880, the society had 39 regular members and 49 supporters, and focused on refinement of the Romanian language for the 1880–1881 academic year. Among those who visited the members were Gheorghe Sion, Titu Maiorescu and Agatha Bârsescu. In 1884, Junimea strongly lobbied against plans by the Austrian government to move the university to Brno.\n\nOver the course of the 1880s, members consciously viewed themselves as upholding a Romanian culture imperiled by foreign domination, and propagated patriotic ideals. In towns and villages, they organized conferences devoted to national history and literature; musical, literary and theatrical evening performances; celebrations with folk songs and traditional dances; and commemorations of national heroes. By 1900, they were raising the tricolor at every occasion; marking 300 years since Michael the Brave briefly united the Romanian lands; and feasting in honor of Vasile Alecsandri, \"the king of poetry\". They actively combated the cosmopolitanism of the empire, instead promoting national pride.\n\nEarly 20th century\n\nAt Junimea's 25th jubilee in 1904, guests arrived from the Romanian Old Kingdom, Transylvania, Banat and Crișana, as well as Aromanians from Macedonia. Meanwhile, local women donated a tricolor they had stitched together. The celebration happened to fall on the four hundredth anniversary of Stephen the Great's death, and the Junimea leadership was selected as part of the festive committee. Members were concerned with the economic well-being of Bukovina's Romanian peasants and craftsmen, and especially after 1892, helped create reading rooms in villages and cooperative banks. They also adopted a combative posture against the authorities, traveling to Cluj in 1894 to support the Transylvanian Memorandum defendants, campaigning in favor of the tricolor in 1898–1899, protesting against the Germanophilia of Czernowitz professors in 1900, electing Nicolae Iorga as an honorary member in 1908 when he was forbidden to enter Bukovina.\n\nThe society edited several publications: Tinerimea română, Junimea literară and Deșteptarea, as well as a number of short-lived satirical magazines. Its 30th anniversary in 1908 brought a number of prominent Romanian intellectuals, including Simion Mehedinți, Constantin Stere, Mihail Sadoveanu, Ștefan Octavian Iosif and Dimitrie Anghel, as well as delegates from the universities of Bucharest and Iași, and representatives from Romanian students in other provinces. By 1914, participants maintained ties with Romanian student societies in, among other places, Vienna, Graz, Munich, Budapest, Berlin and Kraków, as well as other cultural organizations in Bukovina.\n\nJunimea's activity was interrupted upon the outbreak of World War I. The war's implication was quickly clear to its followers: upon the assassination of Archduke Franz Ferdinand, one member brought the news and exclaimed, \"this is a war of liberation!\" The society's flag was brought to the Romanian Academy in Bucharest. Half the leadership committee, including president Traian Popovici, left for the Old Kingdom right away, with others soon following. A number of members, Ion Grămadă among them, would eventually die fighting in the Romanian Army. Others, including Ion Nistor and George Tofan, publicized the difficult situation of Bukovina's Romanians while working within various cultural organizations, and worked to hasten Romania's entry into the war, which eventually happened in August 1916.\n\nNotes\n\nReferences\nDan Jumară, \"Studențimea bucovineană și Marea Unire\", in Acta Moldaviae Meridionalis, Anuarul Muzeului Județean Vaslui, Vaslui, Nr.XXI, 1999–2000, p. 173-81\n\n1878 establishments in Austria-Hungary\n1938 disestablishments in Romania\nChernivtsi University\nStudent organisations in Austria", "Junimea was a Romanian literary society founded in Iași in 1863, through the initiative of several foreign-educated personalities led by Titu Maiorescu, Petre P. Carp, Vasile Pogor, Theodor Rosetti and Iacob Negruzzi. The foremost personality and mentor of the society was Maiorescu, who, through the means of scientific papers and essays, helped establish the basis of the modern Romanian culture. Junimea was the most influential intellectual and political association from Romania in the 19th century.\n\nBeginnings\n\nIn 1863, four years after the union of Moldavia and Wallachia (see: United Principalities), and after the moving of the capital to Bucharest, five enthusiastic young people who had just returned from their studies abroad created in Iaşi a society which wanted to stimulate the cultural life in the city. They chose the name \"Junimea\", a slightly antiquated Romanian word for \"Youth\".\n\nIt is notable that four of the founders were part of the Romanian elite, the boyar class (Theodor Rosetti was the brother-in-law of Domnitor Alexandru Ioan Cuza, Carp and Pogor were sons of boyars, and Iacob Negruzzi was the son of Costache Negruzzi), while only Titu Maiorescu was the only one born in a family of city elite, his father Ioan Maiorescu having been a professor at the National College in Craiova and a representative of the Wallachian government to the Frankfurt Parliament during the 1848 Wallachian Revolution.\n\nThe literary association\n\nThe earliest literary gathering was one year after Junimeas founding, in 1864, when members gathered to hear a translation of Macbeth. Soon afterwards, it became common that they would meet each Sunday in order to discuss the problems of the day and review the newest literary works. Also, there were annual lectures on broad themes, such as Psychological Researches (1868 and 1869), Man and Nature (1873) or The Germans (1875). Their audience was formed of the Iaşi intellectuals, students, lawyers, professors, government officials, etc.\n\nIn 1867 Junimea started publishing its own literary review, Convorbiri Literare. It was to become one of the most important publications in the history of Romanian literature and added a new, modern vision to the whole Romanian culture.\n\nBetween 1874 and 1885, when the society was frequented by the Romanian literature classics – Mihai Eminescu, Ion Creangă, Ion Luca Caragiale, Ioan Slavici – and many other important cultural personalities, it occupied the central spot of cultural life in Romania.\n\nTheory\n\n\"Forms without substance\"\nAfter the Treaty of Adrianople of 1829, the Danubian Principalities (Moldavia and Wallachia) were allowed to engage in trade with other countries than those under Ottoman rule and with this came a great opening toward the European economy and culture (see Westernization). However, the Junimists argued, through their theory of \"Forms Without Substance\" (Teoria Formelor Fără Fond) that Romanian culture and society were merely imitating Western culture, rapidly adopting forms while disregarding the need to select and adapt them to the Romanian context – and thus \"lacked a foundation\". Maiorescu argued that, while it seemed Romania possessed all the institutions of a modern nation, all were, in fact, shallow elements of fashion:\n\nMoreover, Maiorescu argued that Romania only had an appearance of a complex modern society, and in fact harbored only two social classes: peasants, which comprised up to 90% of Romanians, and the landlords. He denied the existence of a Romanian bourgeoisie, and presented Romanian society as one still fundamentally patriarchal. The National Liberal Party (Romania, 1875) (founded in 1875) was dubbed as useless since it had no class to represent. Also, socialism was thought to be the product of an advanced society in Western Europe, and argued to have yet no reason of existence in Romania, where the proletariat made up a small part of the population – Junimea saw socialism in the context of Romania as an \"exotic plant\", and Maiorescu engaged in a polemic with Marxist thinker Constantin Dobrogeanu-Gherea.\n\nWhile this criticism was indeed similar to political conservatism, Junimeas purposes were actually connected with gradual modernization that was meant to lead to a Romanian culture and society able to sustain a dialogue with their European counterparts. Unlike the mainstream Conservative Party, which sought to best represent landowners, the politically active Junimists opposed excessive reliance on agriculture, and could even champion a peasant ethos. Maiorescu wrote:\n\nInfluence\nThe cultural life in Romania was since the 1830s influenced by France, and Junimea brought a new wave of German influence, especially German philosophy, accommodating a new wave of Romanticism – while also advocating and ultimately introducing Realism into local literature. As a regular visitor of the Iaşi club, Vasile Alecsandri was one of the few literary figures to represent both Junimea and its French-influenced predecessors.\n\nThe society also encouraged an accurate use of the Romanian language, and Maiorescu repeatedly argued for a common version of the rendition of words in Romanian, favoring a phonetic transcription over the several versions in circulation after the discarding of the Romanian Cyrillic alphabet. Maiorescu entered a polemic with the main advocates of a spelling that was reflecting pure Latin etymology rather than the spoken language, the Transylvanian group around August Treboniu Laurian:\n\n{{quote|There is but a single purpose for speaking and writing: sharing thought. The faster and more accurately thought is shared, the better the language. One of the living sources for the euphonic law of peoples, aside from the elements of physiology, ethnicity etc., is the increasing speed of ideas and the need for a speedier sharing.\"}}\n\nAt the same time, Maiorescu exercised influence through his attack on what he viewed as excessive innovative trends in writing and speaking Romanian:\n\nAccordingly, Junimea heavily criticized Romanian Romantic nationalism for condoning excesses (especially in the problematic theses connected to the origin of Romanians). In the words of Maiorescu:\n\nUsing the same logic, Junimea (and especially Carp) entered a polemic with the National-Liberal historian Bogdan Petriceicu-Hasdeu over the latter's version of Dacian Protochronism.\n\nThe society encouraged a move towards professionalism in the writing of history, as well as intensified research; Maiorescu, who served as Minister of Education in several late-19th century cabinets, supported the creation of new opportunities in the field (including the granting of scholarships, especially in areas that had previously been neglected – amounting to the creation of one of the most influential Romanian generation of historians, that of Nicolae Iorga, Dimitrie Onciul, and Ioan Bogdan).\n\nAlthough Junimea never imposed a single view on the matter, some of its prominent figures (Maiorescu, Carp, and Junimea associate Ion Luca Caragiale) notoriously opposed the prevalent anti-Jewish sentiment of the political establishment (while the initially Junimist intellectuals A. C. Cuza, A. D. Xenopol, and Ioan Slavici became well-known anti-semites).\n\nMoving to Bucharest\nIn 1885, the society moved to Bucharest, and, through his University of Bucharest professorship, Titu Maiorescu contributed to the creation of a new Junimist generation. However, Junimea ceased to dominate the intellectual life of Romania.\n\nThis roughly coincided with the partial transformation of prominent Junimists into politicians, after leaders such as Maiorescu and Carp joined the Conservative Party. Initially a separate wing with a moderately conservative political agenda (and, as the Partidul Constituţional, \"Constitutional Party\", an independent political group between 1891 and 1907), Junimea representatives moved to the Party's forefront in the first years of the 20th century – both Carp and Maiorescu led the Conservatives in the 1910s.\n\nIts cultural interests moved to historical research, philosophy (the theory of Positivism), as well as the two greatest political problems – the peasant question (see the 1907 Romanian Peasants' Revolt), and the issue of ethnic Romanians in Transylvania (a region which was part of Austria-Hungary). It ceased to exist around 1916, after becoming engulfed in the conflict over Romania's participation in World War I; leading Junimists (Carp first and foremost) had supported continuing Romania's alliance with the Central Powers, and clashed over the issue with pro-French and anti-Austrian politicians.\n\n==Criticism of Junimeas guidelines==\nThe first major review of Junimism came with the rise of Romanian populism (Poporanism), which partly shared the group's weariness in the face of rapid development, but relied instead on distinguishing and increasing the role of peasants as the root of Romanian culture. The populist Garabet Ibrăileanu argued that Junimeas conservatism was the result of a conjectural alliance between low and high Moldavian boyars against a Liberal-encouraged bourgeoisie, one reflected in the \"pessimism of the Eminescu generation\". He invested in the image of low boyars, the Romanticist agents of the 1848 Moldavian revolution, as a tradition which, if partly blended into Junimea, had kept a separate voice the literary society itself, and had more in common with Poporanism than Maiorescu's moderate conservatism:\n\nThe officially sanctioned criticism of Junimea during the Communist regime in Romania found its voice with George Călinescu, in his late work, the Communist-inspired Compendium of his earlier Istoria literaturii române (\"The History of Romanian Literature\"). While arguing that Junimea had created a bridge between peasants and boyars, Călinescu criticised Maiorescu's strict commitment to art for art's sake and the ideas of Arthur Schopenhauer, as signs of rigidity. He downplayed Junimea's literature, arguing that many Junimists had not reached their own goals (for example, he rejected Carp's criticism of Bogdan Petriceicu-Hasdeu and others as \"little and unprofessional\"), but looked favorably upon the major figures connected with the society ( Eminescu, Caragiale, Creangă etc.) and secondary Junimists such as the materialist philosopher Vasile Conta.\n\nNotes\n\nReferences\nGeorge Călinescu, Istoria literaturii române. Compendiu (\"The History of Romanian Literature. Compendium\"), Editura Minerva, 1983 (Chapter XII, \"Junimea\")\n Keith Hitchins, Rumania : 1866–1947, Oxford History of Modern Europe, Oxford University Press, 1994\n Garabet Ibrăileanu, Spiritul critic în cultura românească (\"Selective Attitudes in Romanian Culture\"), 1908: Un junimist patruzecioptist: Vasile Alecsandri (\"An 1848 Generation Junimist: Vasile Alecsandri\"); Evoluţia spiritului critic – Deosebirile dintre vechea şcoală critică moldovenească şi \"Junimea\" (\"The Evolution of Selective Attitudes – The Differences Between the Old School of Criticism and Junimea\")\n Titu Maiorescu, În contra direcţiei de astăzi în cultura română (\"Against the Contemporary Direction in Romanian Culture\", 1868) and Direcţia nouă în poezia şi proza română (\"The New Direction in Romanian Poetry and Prose\", 1872)\n\nExternal links\n\"Vasile Pogor\" House at the Iaşi Romanian Literature Museum\nCarmen-Maria Mecu, Nicolae Mecu, Paradigms of \"Junimea\" in Education for a Civic Society (an essay on Junimist attitudes and more recent developments)\nOvidiu Morar, \"Intelectualii români şi 'chestia evreiască'\" (\"The Romanian Intellectuals and the 'Jewish Question'\"), in Contemporanul'', 6(639)/June 2005\n\n \n1863 establishments in Romania\nPolitical parties disestablished in 1916\nCulture in Iași\nDefunct political parties in Romania\nKingdom of Romania\n1916 disestablishments in Romania" ]
[ "Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes.", "A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\").", "Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration.", "Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his \"corrosives\". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction.", "A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea.", "His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature.", "Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period.", "His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia.", "His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore.", "The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper.", "Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders.", "The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church.", "Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836.", "Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei).", "The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together.", "The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei).", "At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy.", "Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other.", "Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848.", "He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca.", "After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia.", "Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\").", "After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms.", "He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854.", "A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă.", "After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father.", "According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers.", "Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest.", "Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes).", "According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași.", "In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance.", "Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher.", "He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor.", "The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense.", "Relations between Creangă and Grigoriu were exceptionally tense. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce.", "Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu.", "The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin.", "Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864.", "His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad.", "He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865).", "Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing.", "Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\").", "While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform.", "In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\").", "By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862).", "It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\").", "In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu.", "The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu. It included several prose fables and a sketch story, \"Human Stupidity\", to which later editions added Poveste (\"A Story\") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery.", "In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress.", "After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași.", "The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident.", "Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\").", "An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters.", "It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\").", "He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage.", "The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\".", "By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church.", "He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press.", "The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so.", "When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law.", "Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest.", "Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long.", "The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked.", "He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell.", "By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy.", "This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\".", "The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași.", "In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina \"Tinca\" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence.", "A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called \"proverbial gluttony\" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis.", "These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet.", "During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition.", "This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing.", "Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education.", "This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment.", "Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party.", "According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol.", "The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875.", "Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings.", "He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\").", "His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy.", "Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts).", "Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp.", "In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877.", "By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with \"The Mother with Three Daughters-in-Law\", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death.", "In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process.", "Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience.", "The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\").", "In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell.", "It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple.", "After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems.", "For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions).", "Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades.", "Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet.", "He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu.", "That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române (\"Rules of the Romanian Language\"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes.", "Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size).", "He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder.", "He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889.", "After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine.", "Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that \"the invisible hand of God\" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\".", "Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so.", "According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber).", "Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\").", "The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea.", "Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants.", "Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone.", "Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\"", "Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\" His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: \"Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\"", "Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\" Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\".", "Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists.", "Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\".", "Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise.", "Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally.", "Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny).", "Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art.", "Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth.", "Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\"", "Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\" An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood.", "According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a \"superimposed stratum\" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature.", "20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s.", "This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s. Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\".", "Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry.", "The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds.", "The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\"", "Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\" According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\"", "According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\" While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources.", "While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns.", "Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance.", "He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation.", "Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\".", "Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\". He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\"", "He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\" For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu.", "For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\".", "According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical.", "Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait.", "The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, \"Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\"", "When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\" According to the critic, discovering this \"fundamental\" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality.", "The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing.", "Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\").", "He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts.", "One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements.", "... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal.\" The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose.", "The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\"", "According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\" These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu.", "These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\"", "Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\" In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\".", "In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais.", "Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers.", "Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia.", "While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes.", "Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature.", "These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas.", "George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism.", "It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\"", "Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\" Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others.", "Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others. Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\"", "Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\" The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\"", "The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\" Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative.", "Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\"", "Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\" Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\"", "Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\" The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes.", "The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor.", "These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\".", "The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink.", "His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being \"a strong sensual and auditive type\", and a \"very emotional\" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work.", "Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges \"the rich vocabulary of the Moldavian peasant\" with \"an original gaiety and gusto comparable to that of Rabelais.\" According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\"", "According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\" In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\".", "In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\"", "Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\" Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions.", "Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs.", "According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act).", "The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals.", "Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\".", "However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\". With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger.", "With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood.", "The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator.", "The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters.", "This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch.", "The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death.", "The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing.", "The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. \"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted.", "\"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence.", "The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community.", "Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday.", "The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\".", "A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife.", "In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri).", "The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor.", "The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage.", "A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat.", "The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people.", "Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\"", "A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\" The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play.", "The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon.", "Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service.", "Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman.", "The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval.", "Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell.", "Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\".", "Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\". Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death.", "Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel.", "The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness.", "In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad.", "Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. \"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\"", "\"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\" The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne.", "The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor.", "According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures.", "Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance.", "Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă (\"Drink-All\") and Flămânzilă (\"Eat-All\") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources.", "The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls \"the most complex representation of Holy Sunday\", with mention of her isolated and heavenly abode on \"flower island\". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\".", "By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars.", "Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs.", "Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: \"The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\"", "Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\" Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\"", "The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\" According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture.", "According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\".", "No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes.", "Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition.", "A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900.", "Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\"", "Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration.", "The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change.", "The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă.", "Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă. The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\"", "The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\" The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock.", "The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts.", "Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as \"a terrible way to stultify the mind\".", "The narrator refers to this method as \"a terrible way to stultify the mind\". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\"", "The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\" Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin.", "Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri.", "The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\"", "A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\" The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society.", "The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed.", "Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed. With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms.", "With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby.", "The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\".", "This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\". Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\".", "Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\". His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\".", "His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\". A similar piece is the prose fable \"The Story of a Lazy Man\": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident.", "This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: \"But are your bread crumbs soft?\" The peculiar effect of this moral is underlined by Anghelescu: \"The lazy man dies as a martyr of his own immobility.\" Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition.", "Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\"", "Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\" Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\".", "Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza.", "Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century.", "The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea.", "The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights.", "Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'.", "The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\"", "It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\" According to Muguraș Constantinescu: \"[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians\". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse.", "In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age.", "Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra.", "It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms).", "The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\".", "The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation.", "Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold \"poisons\". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă.", "The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text \"interesting in its way and decisively Romanian\", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\"", "This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\" Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\"", "Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\" The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians.", "The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\"", "In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\" The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from \"the wide street\". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally.", "A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\").", "Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act.", "The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. \"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women.", "\"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by \"the defrocked Creangă\", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex.", "Although explicit, literary historian Alex. Although explicit, literary historian Alex. Ștefănescu argued, the text \"is refined and full of charm\". While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources.", "While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources. In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\".", "In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\". Nevertheless, according to literary critic Mircea Iorgulescu, \"The Tale of All Tales\" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works.", "Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death.", "The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper.", "The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906.", "The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale (\"Electorals\"). The same author referred to his counterpart in one of his epigrams.", "The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an \"Ion Creangă Committee\", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's \"memorial houses\" on April 15, 1918.", "It was set up as the first of Romania's \"memorial houses\" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest.", "While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language.", "The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature.", "The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing \"stylistic harmony\", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: \"Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country.", "His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?\"", "What other European culture can take pride in having a classic writer read by all categories of readers?\" The \"thematic grip of the village\" was noted by American academic Harold Segel, who investigated its impact on \"some of the most revered names in the history of Romanian literature\", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900.", "Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif.", "The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\"", "Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\" According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\".", "According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\"", "Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\" Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect.", "Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\".", "Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds.", "Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\".", "Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă.", "With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified.", "By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style.", "This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\".", "The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts.", "Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane.", "The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience.", "In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and \"sounded terrible\" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza.", "Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye.", "While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: \"The 'corrosives' left by Creangă are not known publicly.\" An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature.", "An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\"", "According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\" The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s.", "The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction).", "High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\"", "In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\" Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood.", "Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments.", "Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania).", "Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy.", "In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\".", "His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur (\"Creangă and the Golden Bough\"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism.", "During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage.", "In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\"", "Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\" One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\".", "One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\". Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians.", "Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965.", "A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989.", "The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of \"Harap Alb\", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\".", "In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize.", "The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry.", "During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story).", "Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role.", "In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\".", "Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea).", "The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova).", "The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities.", "Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău.", "The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author.", "His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga.", "In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea).", "Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of \"The Goat and Her Three Kids\" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union.", "After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the \"Bridge of Flowers\". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca.", "The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians.", "The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru.", "New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation.", "Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his \"corrosives\", most notably in a 1998 edition titled Povestea poveștilor generației '80 (\"The Tale of the Tales of the 80s Generation\"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers.", "Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob.", "A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang.", "The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\").", "In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\"). In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\".", "In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students.", "Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of \"The Old Man's Daughter ...\") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges.", "There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text.", "Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy.", "Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc.", "There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova.", "Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220.", "Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed.", "Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed. ), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed.", "Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed. ), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, \"Paradigms of Junimea in Education for a Civil Society\", in Magdalena Dumitrana (ed. ), Romania: Cultural Identity and Education for Civil Society.", "), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002.", "Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995.", "Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, \"Romanian Erotic Literature\", in Gaëtan Brulotte, John Phillips (eds. ), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131.", "), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories.", "External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\".", "Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists" ]
[ "Ion Creangă", "Junimea reception", "When was the Junimea reception", "The exact date of his reception is a mystery." ]
C_c81777bed23f4fd3a49716508c674479_0
Who else was involved in the Junimea reception?
2
Besides Ion Creangă, who else was involved in the Junimea reception?
Ion Creangă
At around the same time, Creanga also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creanga was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creanga was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creanga's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creanga only after the summer break of 1875. Gradually or instantly, Creanga made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creanga's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vantura-Tara ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Mos Creanga ("Old Man Creanga" or "Father Creanga"), which was a sign of respect and sympathy. Among Ion Creanga's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracuda (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creanga later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. CANNOTANSWER
Maiorescu and Petre P. Carp.
Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists ("Harap Alb", "Ivan Turbincă", "Dănilă Prepeleac", "Stan Pățitul"), as well as fairy tales indebted to conventional forms ("The Story of the Pig", "The Goat and Her Three Kids", "The Mother with Three Daughters-in-Law", "The Old Man's Daughter and the Old Woman's Daughter"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his "corrosives". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei ("Nică of Ștefan of Petru", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău ("Spinster"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia "Popa Duhu" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either "for aesthetic reasons" (as his new name, literally meaning "branch" or "bough", "sounds good") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already "caught the scent" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as "a killer", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as "idiot", "impertinent" or "envious"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară ("A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii ("The Little Bird in Wintertime"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor ("The Children's Teacher") and co-authored by V. Răceanu. It included several prose fables and a sketch story, "Human Stupidity", to which later editions added Poveste ("A Story") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână ("Priest Sour Cream"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani ("Not even a needle from the kikes"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was "going out of his way for scandal". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was "nothing scandalous or demoralizing" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed "Nasreddinesque" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his "independence, sincerity, honesty" in supporting the cause of "human dignity". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for "tiny hut"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina "Tinca" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called "proverbial gluttony" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă ("Old Man Creangă" or "Father Creangă"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with "The Mother with Three Daughters-in-Law", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică ("Guide to Reading by Writing in the Phonetic System"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași ("The Geography of Iași County"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române ("Rules of the Romanian Language"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul ("Tubby") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that "the invisible hand of God" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that "had God not pierced the skin over our eyes, we would be unable to see each other's mistakes". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei ("Făt-Frumos, Son of the Mare"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: "A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea." His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: "Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature." Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of "literate peasants" such as Creangă as exemplary proof of Junimist "diversity" and "tolerance". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as "a primitive and uncouth talent". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane ("popular", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the "popular realism" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's "somewhat surreptitious" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: "You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did." An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the "authentic Moldavian peasant" that was Creangă also complemented Eminescu's own "more metaphysical" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a "superimposed stratum" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the "great prose writers" of the 1880s. Lucian Boia, who noted that "the triad of Romanian classics" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom "the Romanians have said almost all there is to say about themselves"), Creangă has "a rather more limited register". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common "wide-ranging stylistic means" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: "[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive." According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one "in their immediate succession." While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a "glossological museum", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its "softness of sound" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the "balance" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the "discoloration and roughness" of "Wallachianism". He also criticized those views according to which Creangă's variant of the literary language was "beautiful", since it failed to "please everyone on account of some acoustical beauty", and since readers from outside the writer's native area could confront it "with some irritation." For Călinescu, the result nevertheless displays "an enormous capacity of authentic speech", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a "hermetic" type of "argot", which contained "hilarious double entendres and indecent onomatopoeia", passing from "erudite beauty" to "obscene laughter". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as "drought made the snake scream inside the frog's mouth", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, "Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling." According to the critic, discovering this "fundamental" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through "realistic dialogues" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning "that word", but covering the sense of "as word goes around"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: "peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal." The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was "a supreme artist" whose use of "typical sayings" attests "a man of the people, but not an anonymous and impersonal sample." These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a "strictly intellectual sensuousness" and the notion that "pleasure arises from gratuitousness", while Manolescu's colleague Mircea Braga referred to "the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one." In Braga's assessment, this synthesis managed "the impossible", but the difficulty of repeating it with each story also resulted in mediocre writings: "from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his "erudite device", concluding: "Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition]." Outlining his own theory about the aspects of "national specificity" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as "core Romanians" who illustrated a "primordial note", complemented by the "southern" and "Balkan" group of Caragiale and others. Claiming that the "core" presence had "not primitive, but ancient" origins, perpetuated by "stereotyped wisdom" and "energetic fatalism", he asserted: "Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age." The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: "if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country." Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: "One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish." Commenting on Creangă's "robust realism" and lack of "sentimentality", Vianu contrarily asserted: "Creangă's nostalgia ... has an individual, not social, sense." The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself "for against" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: "not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being "a strong sensual and auditive type", and a "very emotional" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges "the rich vocabulary of the Moldavian peasant" with "an original gaiety and gusto comparable to that of Rabelais." According to George Călinescu: "[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid." In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching "Nasreddinisms" with "Miticism". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, "particularized incarnations of the same symbolic character", while the use of humor itself reflects the traditional mindset, "a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words." Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a "perturbing situation" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring "grotesqueries" and "illogical surprises". With "The Goat and Her Three Kids", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by "the culinary fire": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of "The Mother with Three Daughters-in-Law", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. "The Story of the Pig" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by "The Old Man's Daughter and the Old Woman's Daughter". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as "kind and industrious"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to "The Old Man's Daughter ..." is "The Purse a' Tuppence", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and "Harap Alb" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is "Dănilă Prepeleac", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls "idiocy serving to initiate", or, according to Gabriela Ursachi, "complete, and therefore sublime, stupidity." The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, "Stan Pățitul" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut ("frowzy" or "lacking in freshness"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's "most original manner of dealing with the fabulous", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, "Stan Pățitul" is, according to Vianu, untraceable in its inspiration: "[its] folk origin could not be identified, but it is not dismissible". Another account in this series is "Ivan Turbincă", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. "Harap Alb", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as "the gifted man will earn a reputation under any guise." The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the "peasant speech" adopted by the villain known as the Bald Man, to the "crass vulgarity" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or "Moor"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as "playful realism" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă ("Drink-All") and Flămânzilă ("Eat-All") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls "the most complex representation of Holy Sunday", with mention of her isolated and heavenly abode on "flower island". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for "lettuce from the garden of the bear". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars ("Red Jews"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled "Popa Duhu"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: "The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere." Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of "a confession or a diary", but that of a symbolic account depicting "the childhood of the universal child." According to Vianu, the text is especially illustrative of its author's "spontaneous passage" between the levels of "popular" and "cultured" literature: "The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: "even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and "clan leader" David Creangă. The latter, she notes, is an "enlightened man" displaying "the wisdom and balance of the ripe age", a person able to insist on the importance of education, and a churchgoer who frowns on "his wife's bigotry." The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as "a terrible way to stultify the mind". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: "Creangă's Memories of the catechism school would discourage any candidate." Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them "The Needle and the Sledge Hammer", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as "The Story of a Gold Coin", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, "The Flax and the Shirt", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that "all things are not what they seem; they were something else once, they are something else now;—and shall become something else." The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; "The Bear Tricked by the Fox", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini ("Five Loafs of Bread"), which serves as a condemnation of greed. With "Human Stupidity", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights "a family-based division" of illogical behavior, in which women are depicted as the main propagators of both "astonishing nonsense" and "prudent stupidity". Instead, literary critic Ion Pecie identified inside the narrative a meditation on "the link between spirit and nature", with the unpredictable ball of salt representing the equivalent of a "sphinx". His colleague Gheorghe Grigurcu argued that such conclusions "may seem excessive", but that they were ultimately validated by the literary work being "a plurality of levels". A similar piece is the prose fable "The Story of a Lazy Man": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: "But are your bread crumbs soft?" The peculiar effect of this moral is underlined by Anghelescu: "The lazy man dies as a martyr of his own immobility." Braga interpreted the story as evidence of "the primacy of ethics" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: "Here, ... Creangă loses much of his depth." Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on "the community's instinctual eugenic reaction". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: "[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass." According to Muguraș Constantinescu: "[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and "corrosives" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul ("Old Man Nichifor Slyboots") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: "the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold "poisons". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text "interesting in its way and decisively Romanian", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text "a childish thing", he suggested to Maiorescu that revisions were needed, stating "I have written it long, because there was no time for me to write it short." Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into "the first great Romanian novella with a stereotypical hero", while Voinescu described the entire story as "a true masterpiece." The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as "corrosives" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: "All Rabelaisians have penetrated deeply into the realm of vulgarity." The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from "the wide street". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: "The Tale of Ionică the Fool" and "The Tale of All Tales" (also known as Povestea pulei, "Tale of the Dick" or "Tale of the Cock"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. "The Tale of All Tales", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by "the defrocked Creangă", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex. Ștefănescu argued, the text "is refined and full of charm". While acknowledging both "corrosives" for their "popular charm" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a "great stylist", Voinescu also signaled the texts' "very obvious" debt to folkloric sources. In his definition, Ion Creangă is "possibly the only writer" to draw on the legacy of "luscious popular jests" found in local "erotic folklore". Nevertheless, according to literary critic Mircea Iorgulescu, "The Tale of All Tales" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale ("Electorals"). The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an "Ion Creangă Committee", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's "memorial houses" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing "stylistic harmony", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: "Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?" The "thematic grip of the village" was noted by American academic Harold Segel, who investigated its impact on "some of the most revered names in the history of Romanian literature", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's "authentic ruralism" did not complement the "spiritual complications", global social class perspective and intellectual background associated with these trends, making Creangă "the least Sămănătorist among our writers." According to Ornea, Creangă has "nothing in common" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could "maintain, intelligently, the middle ground between contraries". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a "series" of authors, noting that, for all imitation, he was "an exceptional and, as far as Romanian literary history goes, unique creator." Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as "a new Creangă", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as "the Oltenian Creangă". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică ("Inside a Swallow's Nest") borrows from "The Flax and the Shirt". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești ("The Catechists from Humulești")—a literary contribution judged "superfluous" by George Călinescu, who noted that the original was already "dramatic" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, "Harap Alb" and "The Goat and Her Three Kids". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and "sounded terrible" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: "The 'corrosives' left by Creangă are not known publicly." An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made "The Tale of All Tales" circulate "rather like a samizdat", which left writers with "no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public." The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the "genial Moldavian" by turning him into "an unfrocked epileptic and a drunk." Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that "everything has been said about Creangă". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur ("Creangă and the Golden Bough"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about "Harap Alb", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's "exegetic obsession", lacking in "sense of humor, not just sense of reality." One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of "Ivan Turbincă" stands as "the character who dominates world history in our century". Left outside the scope of this critical interest, the "corrosives" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, "still unpublishable" for lack of "a general level of aesthetic education" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of "Harap Alb", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of "Ivan Turbincă". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while "Harap Alb" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of "Harap Alb", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on "The Story of the Pig" and the 1985 film "Ramasagul" which was based on "The Bag with 2 Coins". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of "Ivan Turbincă" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, "The Goat ..." and "The Purse a' Tuppence" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of "The Goat and Her Three Kids" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the "Bridge of Flowers". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his "corrosives", most notably in a 1998 edition titled Povestea poveștilor generației '80 ("The Tale of the Tales of the 80s Generation"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb ("A Report about Harap Alb"). In 2009, Țurlea followed up with a version of "The Old Man's Daughter and the Old Woman's Daughter"; a year later, his colleague Horia Gârbea published a personal take on "The Story of a Lazy Man". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of "The Old Man's Daughter ...") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of "Harap Alb" (with music by Nicu Alifantis), Cristian Pepino's take on "The Goat and Her Three Kids", Mihai Mălaimare's Prostia omenească (from "Human Stupidity") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, "Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă", in Alain Montandon (ed.), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, "Romanian Drama", in Stanley Hochman (ed.), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, "Paradigms of Junimea in Education for a Civil Society", in Magdalena Dumitrana (ed.), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, "Romanian Erotic Literature", in Gaëtan Brulotte, John Phillips (eds.), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): "Danillo Nonsuch" ("Dănilă Prepeleac"), Childhood Memories (excerpt), "The Mother with Three Daughters-in-Law", Childhood Memories (excerpt), "The Purse a' Tuppence", "The Tale of All Tales", "The Tale of Ionică the Fool" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive "The Story of the Pig". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists
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[ "Societatea Academică Junimea (Romanian for \"Junimea Academic Society\") was a society (Studentenverbindung) for Romanian students in the Austro-Hungarian city of Czernowitz, located in the Bukovina region of Cisleithania. The city was called Cernăuți after the region united with Romania in 1918, and today is Chernivtsi, Ukraine. The society operated between 1878 and 1938, spanning both the Austro-Hungarian and the Romanian periods.\n\nFounding and initial phase\n\nAffiliated with Czernowitz University, Junimea was established on December 7, 1878. It carried forth the patriotic ideals proclaimed by Arboroasa, which the authorities had suppressed the previous November. Nearly all the members of the defunct society joined Junimea. The initial leadership included Dimitrie Onciul and president and Ciprian Porumbescu as secretary. Members habitually wore a ribbon patterned after the Romanian tricolor. They raised the flag on festive occasions, as well as an insignia inscribed Vivat, crescat, floreat Junimea.\n\nA festive celebration was held in January 1879, following which Junimea began its activities, which were of a cultural and patriotic nature, with particular attention given to the cultural history of Romanians in Bukovina. By the end of 1880, the society had 39 regular members and 49 supporters, and focused on refinement of the Romanian language for the 1880–1881 academic year. Among those who visited the members were Gheorghe Sion, Titu Maiorescu and Agatha Bârsescu. In 1884, Junimea strongly lobbied against plans by the Austrian government to move the university to Brno.\n\nOver the course of the 1880s, members consciously viewed themselves as upholding a Romanian culture imperiled by foreign domination, and propagated patriotic ideals. In towns and villages, they organized conferences devoted to national history and literature; musical, literary and theatrical evening performances; celebrations with folk songs and traditional dances; and commemorations of national heroes. By 1900, they were raising the tricolor at every occasion; marking 300 years since Michael the Brave briefly united the Romanian lands; and feasting in honor of Vasile Alecsandri, \"the king of poetry\". They actively combated the cosmopolitanism of the empire, instead promoting national pride.\n\nEarly 20th century\n\nAt Junimea's 25th jubilee in 1904, guests arrived from the Romanian Old Kingdom, Transylvania, Banat and Crișana, as well as Aromanians from Macedonia. Meanwhile, local women donated a tricolor they had stitched together. The celebration happened to fall on the four hundredth anniversary of Stephen the Great's death, and the Junimea leadership was selected as part of the festive committee. Members were concerned with the economic well-being of Bukovina's Romanian peasants and craftsmen, and especially after 1892, helped create reading rooms in villages and cooperative banks. They also adopted a combative posture against the authorities, traveling to Cluj in 1894 to support the Transylvanian Memorandum defendants, campaigning in favor of the tricolor in 1898–1899, protesting against the Germanophilia of Czernowitz professors in 1900, electing Nicolae Iorga as an honorary member in 1908 when he was forbidden to enter Bukovina.\n\nThe society edited several publications: Tinerimea română, Junimea literară and Deșteptarea, as well as a number of short-lived satirical magazines. Its 30th anniversary in 1908 brought a number of prominent Romanian intellectuals, including Simion Mehedinți, Constantin Stere, Mihail Sadoveanu, Ștefan Octavian Iosif and Dimitrie Anghel, as well as delegates from the universities of Bucharest and Iași, and representatives from Romanian students in other provinces. By 1914, participants maintained ties with Romanian student societies in, among other places, Vienna, Graz, Munich, Budapest, Berlin and Kraków, as well as other cultural organizations in Bukovina.\n\nJunimea's activity was interrupted upon the outbreak of World War I. The war's implication was quickly clear to its followers: upon the assassination of Archduke Franz Ferdinand, one member brought the news and exclaimed, \"this is a war of liberation!\" The society's flag was brought to the Romanian Academy in Bucharest. Half the leadership committee, including president Traian Popovici, left for the Old Kingdom right away, with others soon following. A number of members, Ion Grămadă among them, would eventually die fighting in the Romanian Army. Others, including Ion Nistor and George Tofan, publicized the difficult situation of Bukovina's Romanians while working within various cultural organizations, and worked to hasten Romania's entry into the war, which eventually happened in August 1916.\n\nNotes\n\nReferences\nDan Jumară, \"Studențimea bucovineană și Marea Unire\", in Acta Moldaviae Meridionalis, Anuarul Muzeului Județean Vaslui, Vaslui, Nr.XXI, 1999–2000, p. 173-81\n\n1878 establishments in Austria-Hungary\n1938 disestablishments in Romania\nChernivtsi University\nStudent organisations in Austria", "Junimea was a Romanian literary society founded in Iași in 1863, through the initiative of several foreign-educated personalities led by Titu Maiorescu, Petre P. Carp, Vasile Pogor, Theodor Rosetti and Iacob Negruzzi. The foremost personality and mentor of the society was Maiorescu, who, through the means of scientific papers and essays, helped establish the basis of the modern Romanian culture. Junimea was the most influential intellectual and political association from Romania in the 19th century.\n\nBeginnings\n\nIn 1863, four years after the union of Moldavia and Wallachia (see: United Principalities), and after the moving of the capital to Bucharest, five enthusiastic young people who had just returned from their studies abroad created in Iaşi a society which wanted to stimulate the cultural life in the city. They chose the name \"Junimea\", a slightly antiquated Romanian word for \"Youth\".\n\nIt is notable that four of the founders were part of the Romanian elite, the boyar class (Theodor Rosetti was the brother-in-law of Domnitor Alexandru Ioan Cuza, Carp and Pogor were sons of boyars, and Iacob Negruzzi was the son of Costache Negruzzi), while only Titu Maiorescu was the only one born in a family of city elite, his father Ioan Maiorescu having been a professor at the National College in Craiova and a representative of the Wallachian government to the Frankfurt Parliament during the 1848 Wallachian Revolution.\n\nThe literary association\n\nThe earliest literary gathering was one year after Junimeas founding, in 1864, when members gathered to hear a translation of Macbeth. Soon afterwards, it became common that they would meet each Sunday in order to discuss the problems of the day and review the newest literary works. Also, there were annual lectures on broad themes, such as Psychological Researches (1868 and 1869), Man and Nature (1873) or The Germans (1875). Their audience was formed of the Iaşi intellectuals, students, lawyers, professors, government officials, etc.\n\nIn 1867 Junimea started publishing its own literary review, Convorbiri Literare. It was to become one of the most important publications in the history of Romanian literature and added a new, modern vision to the whole Romanian culture.\n\nBetween 1874 and 1885, when the society was frequented by the Romanian literature classics – Mihai Eminescu, Ion Creangă, Ion Luca Caragiale, Ioan Slavici – and many other important cultural personalities, it occupied the central spot of cultural life in Romania.\n\nTheory\n\n\"Forms without substance\"\nAfter the Treaty of Adrianople of 1829, the Danubian Principalities (Moldavia and Wallachia) were allowed to engage in trade with other countries than those under Ottoman rule and with this came a great opening toward the European economy and culture (see Westernization). However, the Junimists argued, through their theory of \"Forms Without Substance\" (Teoria Formelor Fără Fond) that Romanian culture and society were merely imitating Western culture, rapidly adopting forms while disregarding the need to select and adapt them to the Romanian context – and thus \"lacked a foundation\". Maiorescu argued that, while it seemed Romania possessed all the institutions of a modern nation, all were, in fact, shallow elements of fashion:\n\nMoreover, Maiorescu argued that Romania only had an appearance of a complex modern society, and in fact harbored only two social classes: peasants, which comprised up to 90% of Romanians, and the landlords. He denied the existence of a Romanian bourgeoisie, and presented Romanian society as one still fundamentally patriarchal. The National Liberal Party (Romania, 1875) (founded in 1875) was dubbed as useless since it had no class to represent. Also, socialism was thought to be the product of an advanced society in Western Europe, and argued to have yet no reason of existence in Romania, where the proletariat made up a small part of the population – Junimea saw socialism in the context of Romania as an \"exotic plant\", and Maiorescu engaged in a polemic with Marxist thinker Constantin Dobrogeanu-Gherea.\n\nWhile this criticism was indeed similar to political conservatism, Junimeas purposes were actually connected with gradual modernization that was meant to lead to a Romanian culture and society able to sustain a dialogue with their European counterparts. Unlike the mainstream Conservative Party, which sought to best represent landowners, the politically active Junimists opposed excessive reliance on agriculture, and could even champion a peasant ethos. Maiorescu wrote:\n\nInfluence\nThe cultural life in Romania was since the 1830s influenced by France, and Junimea brought a new wave of German influence, especially German philosophy, accommodating a new wave of Romanticism – while also advocating and ultimately introducing Realism into local literature. As a regular visitor of the Iaşi club, Vasile Alecsandri was one of the few literary figures to represent both Junimea and its French-influenced predecessors.\n\nThe society also encouraged an accurate use of the Romanian language, and Maiorescu repeatedly argued for a common version of the rendition of words in Romanian, favoring a phonetic transcription over the several versions in circulation after the discarding of the Romanian Cyrillic alphabet. Maiorescu entered a polemic with the main advocates of a spelling that was reflecting pure Latin etymology rather than the spoken language, the Transylvanian group around August Treboniu Laurian:\n\n{{quote|There is but a single purpose for speaking and writing: sharing thought. The faster and more accurately thought is shared, the better the language. One of the living sources for the euphonic law of peoples, aside from the elements of physiology, ethnicity etc., is the increasing speed of ideas and the need for a speedier sharing.\"}}\n\nAt the same time, Maiorescu exercised influence through his attack on what he viewed as excessive innovative trends in writing and speaking Romanian:\n\nAccordingly, Junimea heavily criticized Romanian Romantic nationalism for condoning excesses (especially in the problematic theses connected to the origin of Romanians). In the words of Maiorescu:\n\nUsing the same logic, Junimea (and especially Carp) entered a polemic with the National-Liberal historian Bogdan Petriceicu-Hasdeu over the latter's version of Dacian Protochronism.\n\nThe society encouraged a move towards professionalism in the writing of history, as well as intensified research; Maiorescu, who served as Minister of Education in several late-19th century cabinets, supported the creation of new opportunities in the field (including the granting of scholarships, especially in areas that had previously been neglected – amounting to the creation of one of the most influential Romanian generation of historians, that of Nicolae Iorga, Dimitrie Onciul, and Ioan Bogdan).\n\nAlthough Junimea never imposed a single view on the matter, some of its prominent figures (Maiorescu, Carp, and Junimea associate Ion Luca Caragiale) notoriously opposed the prevalent anti-Jewish sentiment of the political establishment (while the initially Junimist intellectuals A. C. Cuza, A. D. Xenopol, and Ioan Slavici became well-known anti-semites).\n\nMoving to Bucharest\nIn 1885, the society moved to Bucharest, and, through his University of Bucharest professorship, Titu Maiorescu contributed to the creation of a new Junimist generation. However, Junimea ceased to dominate the intellectual life of Romania.\n\nThis roughly coincided with the partial transformation of prominent Junimists into politicians, after leaders such as Maiorescu and Carp joined the Conservative Party. Initially a separate wing with a moderately conservative political agenda (and, as the Partidul Constituţional, \"Constitutional Party\", an independent political group between 1891 and 1907), Junimea representatives moved to the Party's forefront in the first years of the 20th century – both Carp and Maiorescu led the Conservatives in the 1910s.\n\nIts cultural interests moved to historical research, philosophy (the theory of Positivism), as well as the two greatest political problems – the peasant question (see the 1907 Romanian Peasants' Revolt), and the issue of ethnic Romanians in Transylvania (a region which was part of Austria-Hungary). It ceased to exist around 1916, after becoming engulfed in the conflict over Romania's participation in World War I; leading Junimists (Carp first and foremost) had supported continuing Romania's alliance with the Central Powers, and clashed over the issue with pro-French and anti-Austrian politicians.\n\n==Criticism of Junimeas guidelines==\nThe first major review of Junimism came with the rise of Romanian populism (Poporanism), which partly shared the group's weariness in the face of rapid development, but relied instead on distinguishing and increasing the role of peasants as the root of Romanian culture. The populist Garabet Ibrăileanu argued that Junimeas conservatism was the result of a conjectural alliance between low and high Moldavian boyars against a Liberal-encouraged bourgeoisie, one reflected in the \"pessimism of the Eminescu generation\". He invested in the image of low boyars, the Romanticist agents of the 1848 Moldavian revolution, as a tradition which, if partly blended into Junimea, had kept a separate voice the literary society itself, and had more in common with Poporanism than Maiorescu's moderate conservatism:\n\nThe officially sanctioned criticism of Junimea during the Communist regime in Romania found its voice with George Călinescu, in his late work, the Communist-inspired Compendium of his earlier Istoria literaturii române (\"The History of Romanian Literature\"). While arguing that Junimea had created a bridge between peasants and boyars, Călinescu criticised Maiorescu's strict commitment to art for art's sake and the ideas of Arthur Schopenhauer, as signs of rigidity. He downplayed Junimea's literature, arguing that many Junimists had not reached their own goals (for example, he rejected Carp's criticism of Bogdan Petriceicu-Hasdeu and others as \"little and unprofessional\"), but looked favorably upon the major figures connected with the society ( Eminescu, Caragiale, Creangă etc.) and secondary Junimists such as the materialist philosopher Vasile Conta.\n\nNotes\n\nReferences\nGeorge Călinescu, Istoria literaturii române. Compendiu (\"The History of Romanian Literature. Compendium\"), Editura Minerva, 1983 (Chapter XII, \"Junimea\")\n Keith Hitchins, Rumania : 1866–1947, Oxford History of Modern Europe, Oxford University Press, 1994\n Garabet Ibrăileanu, Spiritul critic în cultura românească (\"Selective Attitudes in Romanian Culture\"), 1908: Un junimist patruzecioptist: Vasile Alecsandri (\"An 1848 Generation Junimist: Vasile Alecsandri\"); Evoluţia spiritului critic – Deosebirile dintre vechea şcoală critică moldovenească şi \"Junimea\" (\"The Evolution of Selective Attitudes – The Differences Between the Old School of Criticism and Junimea\")\n Titu Maiorescu, În contra direcţiei de astăzi în cultura română (\"Against the Contemporary Direction in Romanian Culture\", 1868) and Direcţia nouă în poezia şi proza română (\"The New Direction in Romanian Poetry and Prose\", 1872)\n\nExternal links\n\"Vasile Pogor\" House at the Iaşi Romanian Literature Museum\nCarmen-Maria Mecu, Nicolae Mecu, Paradigms of \"Junimea\" in Education for a Civic Society (an essay on Junimist attitudes and more recent developments)\nOvidiu Morar, \"Intelectualii români şi 'chestia evreiască'\" (\"The Romanian Intellectuals and the 'Jewish Question'\"), in Contemporanul'', 6(639)/June 2005\n\n \n1863 establishments in Romania\nPolitical parties disestablished in 1916\nCulture in Iași\nDefunct political parties in Romania\nKingdom of Romania\n1916 disestablishments in Romania" ]
[ "Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes.", "A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\").", "Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration.", "Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his \"corrosives\". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction.", "A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea.", "His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature.", "Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period.", "His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia.", "His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore.", "The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper.", "Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders.", "The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church.", "Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836.", "Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei).", "The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together.", "The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei).", "At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy.", "Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other.", "Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848.", "He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca.", "After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia.", "Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\").", "After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms.", "He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854.", "A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă.", "After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father.", "According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers.", "Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest.", "Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes).", "According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași.", "In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance.", "Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher.", "He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor.", "The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense.", "Relations between Creangă and Grigoriu were exceptionally tense. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce.", "Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu.", "The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin.", "Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864.", "His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad.", "He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865).", "Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing.", "Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\").", "While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform.", "In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\").", "By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862).", "It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\").", "In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu.", "The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu. It included several prose fables and a sketch story, \"Human Stupidity\", to which later editions added Poveste (\"A Story\") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery.", "In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress.", "After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași.", "The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident.", "Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\").", "An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters.", "It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\").", "He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage.", "The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\".", "By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church.", "He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press.", "The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so.", "When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law.", "Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest.", "Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long.", "The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked.", "He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell.", "By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy.", "This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\".", "The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași.", "In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina \"Tinca\" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence.", "A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called \"proverbial gluttony\" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis.", "These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet.", "During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition.", "This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing.", "Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education.", "This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment.", "Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party.", "According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol.", "The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875.", "Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings.", "He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\").", "His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy.", "Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts).", "Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp.", "In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877.", "By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with \"The Mother with Three Daughters-in-Law\", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death.", "In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process.", "Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience.", "The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\").", "In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell.", "It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple.", "After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems.", "For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions).", "Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades.", "Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet.", "He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu.", "That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române (\"Rules of the Romanian Language\"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes.", "Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size).", "He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder.", "He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889.", "After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine.", "Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that \"the invisible hand of God\" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\".", "Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so.", "According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber).", "Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\").", "The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea.", "Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants.", "Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone.", "Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\"", "Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\" His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: \"Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\"", "Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\" Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\".", "Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists.", "Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\".", "Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise.", "Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally.", "Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny).", "Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art.", "Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth.", "Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\"", "Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\" An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood.", "According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a \"superimposed stratum\" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature.", "20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s.", "This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s. Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\".", "Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry.", "The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds.", "The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\"", "Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\" According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\"", "According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\" While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources.", "While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns.", "Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance.", "He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation.", "Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\".", "Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\". He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\"", "He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\" For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu.", "For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\".", "According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical.", "Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait.", "The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, \"Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\"", "When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\" According to the critic, discovering this \"fundamental\" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality.", "The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing.", "Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\").", "He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts.", "One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements.", "... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal.\" The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose.", "The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\"", "According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\" These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu.", "These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\"", "Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\" In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\".", "In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais.", "Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers.", "Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia.", "While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes.", "Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature.", "These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas.", "George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism.", "It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\"", "Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\" Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others.", "Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others. Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\"", "Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\" The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\"", "The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\" Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative.", "Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\"", "Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\" Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\"", "Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\" The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes.", "The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor.", "These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\".", "The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink.", "His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being \"a strong sensual and auditive type\", and a \"very emotional\" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work.", "Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges \"the rich vocabulary of the Moldavian peasant\" with \"an original gaiety and gusto comparable to that of Rabelais.\" According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\"", "According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\" In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\".", "In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\"", "Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\" Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions.", "Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs.", "According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act).", "The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals.", "Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\".", "However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\". With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger.", "With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood.", "The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator.", "The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters.", "This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch.", "The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death.", "The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing.", "The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. \"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted.", "\"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence.", "The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community.", "Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday.", "The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\".", "A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife.", "In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri).", "The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor.", "The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage.", "A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat.", "The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people.", "Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\"", "A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\" The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play.", "The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon.", "Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service.", "Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman.", "The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval.", "Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell.", "Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\".", "Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\". Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death.", "Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel.", "The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness.", "In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad.", "Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. \"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\"", "\"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\" The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne.", "The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor.", "According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures.", "Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance.", "Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă (\"Drink-All\") and Flămânzilă (\"Eat-All\") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources.", "The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls \"the most complex representation of Holy Sunday\", with mention of her isolated and heavenly abode on \"flower island\". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\".", "By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars.", "Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs.", "Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: \"The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\"", "Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\" Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\"", "The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\" According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture.", "According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\".", "No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes.", "Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition.", "A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900.", "Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\"", "Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration.", "The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change.", "The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă.", "Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă. The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\"", "The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\" The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock.", "The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts.", "Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as \"a terrible way to stultify the mind\".", "The narrator refers to this method as \"a terrible way to stultify the mind\". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\"", "The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\" Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin.", "Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri.", "The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\"", "A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\" The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society.", "The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed.", "Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed. With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms.", "With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby.", "The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\".", "This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\". Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\".", "Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\". His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\".", "His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\". A similar piece is the prose fable \"The Story of a Lazy Man\": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident.", "This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: \"But are your bread crumbs soft?\" The peculiar effect of this moral is underlined by Anghelescu: \"The lazy man dies as a martyr of his own immobility.\" Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition.", "Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\"", "Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\" Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\".", "Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza.", "Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century.", "The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea.", "The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights.", "Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'.", "The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\"", "It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\" According to Muguraș Constantinescu: \"[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians\". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse.", "In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age.", "Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra.", "It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms).", "The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\".", "The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation.", "Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold \"poisons\". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă.", "The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text \"interesting in its way and decisively Romanian\", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\"", "This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\" Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\"", "Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\" The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians.", "The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\"", "In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\" The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from \"the wide street\". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally.", "A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\").", "Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act.", "The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. \"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women.", "\"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by \"the defrocked Creangă\", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex.", "Although explicit, literary historian Alex. Although explicit, literary historian Alex. Ștefănescu argued, the text \"is refined and full of charm\". While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources.", "While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources. In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\".", "In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\". Nevertheless, according to literary critic Mircea Iorgulescu, \"The Tale of All Tales\" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works.", "Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death.", "The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper.", "The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906.", "The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale (\"Electorals\"). The same author referred to his counterpart in one of his epigrams.", "The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an \"Ion Creangă Committee\", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's \"memorial houses\" on April 15, 1918.", "It was set up as the first of Romania's \"memorial houses\" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest.", "While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language.", "The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature.", "The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing \"stylistic harmony\", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: \"Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country.", "His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?\"", "What other European culture can take pride in having a classic writer read by all categories of readers?\" The \"thematic grip of the village\" was noted by American academic Harold Segel, who investigated its impact on \"some of the most revered names in the history of Romanian literature\", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900.", "Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif.", "The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\"", "Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\" According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\".", "According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\"", "Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\" Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect.", "Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\".", "Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds.", "Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\".", "Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă.", "With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified.", "By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style.", "This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\".", "The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts.", "Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane.", "The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience.", "In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and \"sounded terrible\" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza.", "Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye.", "While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: \"The 'corrosives' left by Creangă are not known publicly.\" An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature.", "An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\"", "According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\" The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s.", "The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction).", "High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\"", "In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\" Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood.", "Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments.", "Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania).", "Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy.", "In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\".", "His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur (\"Creangă and the Golden Bough\"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism.", "During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage.", "In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\"", "Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\" One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\".", "One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\". Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians.", "Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965.", "A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989.", "The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of \"Harap Alb\", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\".", "In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize.", "The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry.", "During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story).", "Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role.", "In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\".", "Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea).", "The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova).", "The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities.", "Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău.", "The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author.", "His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga.", "In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea).", "Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of \"The Goat and Her Three Kids\" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union.", "After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the \"Bridge of Flowers\". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca.", "The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians.", "The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru.", "New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation.", "Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his \"corrosives\", most notably in a 1998 edition titled Povestea poveștilor generației '80 (\"The Tale of the Tales of the 80s Generation\"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers.", "Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob.", "A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang.", "The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\").", "In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\"). In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\".", "In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students.", "Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of \"The Old Man's Daughter ...\") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges.", "There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text.", "Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy.", "Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc.", "There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova.", "Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220.", "Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed.", "Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed. ), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed.", "Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed. ), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, \"Paradigms of Junimea in Education for a Civil Society\", in Magdalena Dumitrana (ed. ), Romania: Cultural Identity and Education for Civil Society.", "), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002.", "Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995.", "Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, \"Romanian Erotic Literature\", in Gaëtan Brulotte, John Phillips (eds. ), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131.", "), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories.", "External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\".", "Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists" ]
[ "Ion Creangă", "Junimea reception", "When was the Junimea reception", "The exact date of his reception is a mystery.", "Who else was involved in the Junimea reception?", "Maiorescu and Petre P. Carp." ]
C_c81777bed23f4fd3a49716508c674479_0
What did Maiorescu do in the reception?
3
What did Maiorescu do in the Junimea reception?
Ion Creangă
At around the same time, Creanga also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creanga was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creanga was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creanga's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creanga only after the summer break of 1875. Gradually or instantly, Creanga made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creanga's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vantura-Tara ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Mos Creanga ("Old Man Creanga" or "Father Creanga"), which was a sign of respect and sympathy. Among Ion Creanga's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracuda (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creanga later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. CANNOTANSWER
represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education.
Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists ("Harap Alb", "Ivan Turbincă", "Dănilă Prepeleac", "Stan Pățitul"), as well as fairy tales indebted to conventional forms ("The Story of the Pig", "The Goat and Her Three Kids", "The Mother with Three Daughters-in-Law", "The Old Man's Daughter and the Old Woman's Daughter"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his "corrosives". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei ("Nică of Ștefan of Petru", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău ("Spinster"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia "Popa Duhu" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either "for aesthetic reasons" (as his new name, literally meaning "branch" or "bough", "sounds good") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already "caught the scent" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as "a killer", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as "idiot", "impertinent" or "envious"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară ("A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii ("The Little Bird in Wintertime"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor ("The Children's Teacher") and co-authored by V. Răceanu. It included several prose fables and a sketch story, "Human Stupidity", to which later editions added Poveste ("A Story") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână ("Priest Sour Cream"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani ("Not even a needle from the kikes"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was "going out of his way for scandal". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was "nothing scandalous or demoralizing" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed "Nasreddinesque" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his "independence, sincerity, honesty" in supporting the cause of "human dignity". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for "tiny hut"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina "Tinca" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called "proverbial gluttony" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă ("Old Man Creangă" or "Father Creangă"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with "The Mother with Three Daughters-in-Law", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică ("Guide to Reading by Writing in the Phonetic System"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași ("The Geography of Iași County"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române ("Rules of the Romanian Language"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul ("Tubby") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that "the invisible hand of God" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that "had God not pierced the skin over our eyes, we would be unable to see each other's mistakes". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei ("Făt-Frumos, Son of the Mare"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: "A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea." His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: "Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature." Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of "literate peasants" such as Creangă as exemplary proof of Junimist "diversity" and "tolerance". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as "a primitive and uncouth talent". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane ("popular", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the "popular realism" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's "somewhat surreptitious" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: "You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did." An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the "authentic Moldavian peasant" that was Creangă also complemented Eminescu's own "more metaphysical" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a "superimposed stratum" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the "great prose writers" of the 1880s. Lucian Boia, who noted that "the triad of Romanian classics" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom "the Romanians have said almost all there is to say about themselves"), Creangă has "a rather more limited register". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common "wide-ranging stylistic means" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: "[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive." According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one "in their immediate succession." While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a "glossological museum", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its "softness of sound" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the "balance" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the "discoloration and roughness" of "Wallachianism". He also criticized those views according to which Creangă's variant of the literary language was "beautiful", since it failed to "please everyone on account of some acoustical beauty", and since readers from outside the writer's native area could confront it "with some irritation." For Călinescu, the result nevertheless displays "an enormous capacity of authentic speech", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a "hermetic" type of "argot", which contained "hilarious double entendres and indecent onomatopoeia", passing from "erudite beauty" to "obscene laughter". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as "drought made the snake scream inside the frog's mouth", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, "Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling." According to the critic, discovering this "fundamental" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through "realistic dialogues" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning "that word", but covering the sense of "as word goes around"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: "peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal." The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was "a supreme artist" whose use of "typical sayings" attests "a man of the people, but not an anonymous and impersonal sample." These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a "strictly intellectual sensuousness" and the notion that "pleasure arises from gratuitousness", while Manolescu's colleague Mircea Braga referred to "the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one." In Braga's assessment, this synthesis managed "the impossible", but the difficulty of repeating it with each story also resulted in mediocre writings: "from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his "erudite device", concluding: "Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition]." Outlining his own theory about the aspects of "national specificity" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as "core Romanians" who illustrated a "primordial note", complemented by the "southern" and "Balkan" group of Caragiale and others. Claiming that the "core" presence had "not primitive, but ancient" origins, perpetuated by "stereotyped wisdom" and "energetic fatalism", he asserted: "Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age." The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: "if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country." Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: "One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish." Commenting on Creangă's "robust realism" and lack of "sentimentality", Vianu contrarily asserted: "Creangă's nostalgia ... has an individual, not social, sense." The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself "for against" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: "not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being "a strong sensual and auditive type", and a "very emotional" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges "the rich vocabulary of the Moldavian peasant" with "an original gaiety and gusto comparable to that of Rabelais." According to George Călinescu: "[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid." In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching "Nasreddinisms" with "Miticism". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, "particularized incarnations of the same symbolic character", while the use of humor itself reflects the traditional mindset, "a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words." Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a "perturbing situation" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring "grotesqueries" and "illogical surprises". With "The Goat and Her Three Kids", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by "the culinary fire": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of "The Mother with Three Daughters-in-Law", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. "The Story of the Pig" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by "The Old Man's Daughter and the Old Woman's Daughter". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as "kind and industrious"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to "The Old Man's Daughter ..." is "The Purse a' Tuppence", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and "Harap Alb" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is "Dănilă Prepeleac", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls "idiocy serving to initiate", or, according to Gabriela Ursachi, "complete, and therefore sublime, stupidity." The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, "Stan Pățitul" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut ("frowzy" or "lacking in freshness"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's "most original manner of dealing with the fabulous", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, "Stan Pățitul" is, according to Vianu, untraceable in its inspiration: "[its] folk origin could not be identified, but it is not dismissible". Another account in this series is "Ivan Turbincă", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. "Harap Alb", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as "the gifted man will earn a reputation under any guise." The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the "peasant speech" adopted by the villain known as the Bald Man, to the "crass vulgarity" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or "Moor"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as "playful realism" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă ("Drink-All") and Flămânzilă ("Eat-All") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls "the most complex representation of Holy Sunday", with mention of her isolated and heavenly abode on "flower island". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for "lettuce from the garden of the bear". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars ("Red Jews"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled "Popa Duhu"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: "The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere." Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of "a confession or a diary", but that of a symbolic account depicting "the childhood of the universal child." According to Vianu, the text is especially illustrative of its author's "spontaneous passage" between the levels of "popular" and "cultured" literature: "The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: "even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and "clan leader" David Creangă. The latter, she notes, is an "enlightened man" displaying "the wisdom and balance of the ripe age", a person able to insist on the importance of education, and a churchgoer who frowns on "his wife's bigotry." The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as "a terrible way to stultify the mind". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: "Creangă's Memories of the catechism school would discourage any candidate." Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them "The Needle and the Sledge Hammer", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as "The Story of a Gold Coin", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, "The Flax and the Shirt", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that "all things are not what they seem; they were something else once, they are something else now;—and shall become something else." The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; "The Bear Tricked by the Fox", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini ("Five Loafs of Bread"), which serves as a condemnation of greed. With "Human Stupidity", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights "a family-based division" of illogical behavior, in which women are depicted as the main propagators of both "astonishing nonsense" and "prudent stupidity". Instead, literary critic Ion Pecie identified inside the narrative a meditation on "the link between spirit and nature", with the unpredictable ball of salt representing the equivalent of a "sphinx". His colleague Gheorghe Grigurcu argued that such conclusions "may seem excessive", but that they were ultimately validated by the literary work being "a plurality of levels". A similar piece is the prose fable "The Story of a Lazy Man": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: "But are your bread crumbs soft?" The peculiar effect of this moral is underlined by Anghelescu: "The lazy man dies as a martyr of his own immobility." Braga interpreted the story as evidence of "the primacy of ethics" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: "Here, ... Creangă loses much of his depth." Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on "the community's instinctual eugenic reaction". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: "[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass." According to Muguraș Constantinescu: "[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and "corrosives" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul ("Old Man Nichifor Slyboots") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: "the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold "poisons". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text "interesting in its way and decisively Romanian", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text "a childish thing", he suggested to Maiorescu that revisions were needed, stating "I have written it long, because there was no time for me to write it short." Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into "the first great Romanian novella with a stereotypical hero", while Voinescu described the entire story as "a true masterpiece." The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as "corrosives" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: "All Rabelaisians have penetrated deeply into the realm of vulgarity." The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from "the wide street". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: "The Tale of Ionică the Fool" and "The Tale of All Tales" (also known as Povestea pulei, "Tale of the Dick" or "Tale of the Cock"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. "The Tale of All Tales", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by "the defrocked Creangă", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex. Ștefănescu argued, the text "is refined and full of charm". While acknowledging both "corrosives" for their "popular charm" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a "great stylist", Voinescu also signaled the texts' "very obvious" debt to folkloric sources. In his definition, Ion Creangă is "possibly the only writer" to draw on the legacy of "luscious popular jests" found in local "erotic folklore". Nevertheless, according to literary critic Mircea Iorgulescu, "The Tale of All Tales" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale ("Electorals"). The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an "Ion Creangă Committee", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's "memorial houses" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing "stylistic harmony", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: "Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?" The "thematic grip of the village" was noted by American academic Harold Segel, who investigated its impact on "some of the most revered names in the history of Romanian literature", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's "authentic ruralism" did not complement the "spiritual complications", global social class perspective and intellectual background associated with these trends, making Creangă "the least Sămănătorist among our writers." According to Ornea, Creangă has "nothing in common" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could "maintain, intelligently, the middle ground between contraries". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a "series" of authors, noting that, for all imitation, he was "an exceptional and, as far as Romanian literary history goes, unique creator." Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as "a new Creangă", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as "the Oltenian Creangă". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică ("Inside a Swallow's Nest") borrows from "The Flax and the Shirt". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești ("The Catechists from Humulești")—a literary contribution judged "superfluous" by George Călinescu, who noted that the original was already "dramatic" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, "Harap Alb" and "The Goat and Her Three Kids". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and "sounded terrible" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: "The 'corrosives' left by Creangă are not known publicly." An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made "The Tale of All Tales" circulate "rather like a samizdat", which left writers with "no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public." The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the "genial Moldavian" by turning him into "an unfrocked epileptic and a drunk." Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that "everything has been said about Creangă". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur ("Creangă and the Golden Bough"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about "Harap Alb", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's "exegetic obsession", lacking in "sense of humor, not just sense of reality." One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of "Ivan Turbincă" stands as "the character who dominates world history in our century". Left outside the scope of this critical interest, the "corrosives" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, "still unpublishable" for lack of "a general level of aesthetic education" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of "Harap Alb", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of "Ivan Turbincă". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while "Harap Alb" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of "Harap Alb", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on "The Story of the Pig" and the 1985 film "Ramasagul" which was based on "The Bag with 2 Coins". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of "Ivan Turbincă" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, "The Goat ..." and "The Purse a' Tuppence" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of "The Goat and Her Three Kids" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the "Bridge of Flowers". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his "corrosives", most notably in a 1998 edition titled Povestea poveștilor generației '80 ("The Tale of the Tales of the 80s Generation"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb ("A Report about Harap Alb"). In 2009, Țurlea followed up with a version of "The Old Man's Daughter and the Old Woman's Daughter"; a year later, his colleague Horia Gârbea published a personal take on "The Story of a Lazy Man". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of "The Old Man's Daughter ...") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of "Harap Alb" (with music by Nicu Alifantis), Cristian Pepino's take on "The Goat and Her Three Kids", Mihai Mălaimare's Prostia omenească (from "Human Stupidity") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, "Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă", in Alain Montandon (ed.), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, "Romanian Drama", in Stanley Hochman (ed.), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, "Paradigms of Junimea in Education for a Civil Society", in Magdalena Dumitrana (ed.), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, "Romanian Erotic Literature", in Gaëtan Brulotte, John Phillips (eds.), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): "Danillo Nonsuch" ("Dănilă Prepeleac"), Childhood Memories (excerpt), "The Mother with Three Daughters-in-Law", Childhood Memories (excerpt), "The Purse a' Tuppence", "The Tale of All Tales", "The Tale of Ionică the Fool" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive "The Story of the Pig". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists
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[ "Titu Liviu Maiorescu (; 15 February 1840 – 18 June 1917) was a Romanian literary critic and politician, founder of the Junimea Society. As a literary critic, he was instrumental in the development of Romanian culture in the second half of the 19th century.\n\nA member of the Conservative Party, he was Foreign Minister between 1910 and 1914 and Prime Minister of Romania from 1912 to 1913. He represented Romania at the Peace Conference in Bucharest that ended the Second Balkan War. In politics as in culture he favoured Germany over France. He opposed Romania's entry in World War I against Germany, but he nevertheless refused to collaborate with the German army after it had occupied Bucharest.\n\nBiography\nTitu Liviu Maiorescu was born in Craiova, on 15 February 1840. Maiorescu's mother, born Maria Popazu, was the sister of the scholar and bishop of Caransebeș, Ioan Popazu. The family Popazu came from Vălenii de Munte. His father, Ioan Maiorescu, was the son of a Transylvanian peasant from Bucerdea Grânoasă and his name was actually Trifu, but he adopted the name Maiorescu in order to emphasize his kindship with Petru Maior. Being a theologian by trade (having studied in Blaj, Budapest, Vienna), Ioan Maiorescu proved to be a free thinker. He worked at a teacher in Cernăuți, Craiova, Iași, Bucharest and he remained a bright personality of that epoch of formation for the Romanian modern educational system. Ioan Maiorescu became an inspector for the schools of Oltenia, then he worked as a teacher at the Central School of Craiova. During the Revolution of 1848 he strengthened the link between the Walachian and Transylvanian revolutionaries and he activated as an agent of the Interim Govern, near the German Dieta from Frankfurt. Meanwhile, his family, consisting of his wife, Maria, born Popasu and his two children, Emilia and Titu, travelled to Bucharest, Brașov, Sibiu and Blaj, staying in Brașov for a long while and there, the future critic attended grade fifth at the Romanian gymnasium. Settling in Vienna, Ioan Maiorescu wrote articles in the Austrian newspapers concerning Romanian and Romanians. Returning to Romania after the Union, he became president of the Obșteasca Epitropie (The Public Trusteeship), then he worked as director of the Central Commission of the United Principalities, then he worked as a teacher at the Saint Sava National College, as director of Public Instruction Eforie and then as a teacher at the Superior School of Letters in Bucharest.\n\nChildhood\nBetween 1846 and 1848 Titu Maiorescu attended the primary school in Craiova. During the days of the revolution, Ioan Maiorescu was sent on a mission to Frankfurt am Main, while Maria Maiorescu and their children travelled to Bucharest, Brașov and Sibiu. In December 1848, under the leadership of Avram Iancu, Ioan Maiorescu's family arrived in Blaj and then in Braşov. Titu Maiorescu continued primary school between 1848 and 1850 at Protodeacon Iosif Barac's School.\n\nBetween 1850 and 1851, after finishing primary school, Titu Maiorescu was enlisted at the Romanian Gymnasium from Schei-Braşov, a gymnasium founded in 1850 through his uncle Ioan Popazu's endeavour. He attended grade fifth at the Romanian gymnasium from Brașov and met Anton Pann, who left him an ineffaceable impression.\n\nAt Theresianum Academy\nIn September 1851 the Maiorescu family settled in Vienna, where his father was working within the Ministry of Justice. Later in October Titu Maiorescu attended the first grade at the Academic Gymnasium, which was an addendum of the Theresianum Academy for foreigners. A month later, they equated his results from the gymnasium from Brașov and he passed to the next grade.\n\nWhile attending the academy in Vienna, Maiorescu a began to write his Însemnărilor zilnice (Daily Journal) (which he kept until July 1917, in 42 notebooks that belong today to the fund of manuscripts from the Romanian Academy Library) and he continued to write his journal until the end of his life. His notes are a good source of knowing Maiorescu's personality. His success from 1858, when he graduated first in his class at the Theresianum Academy, was a guerdon of all his efforts and strong will.\n\nUniversity studies\nHe was very eager to obtain his university (after only one year of studies in Berlin he obtained his PhD at Giessen, magna cum laude, then after a year, he got his license at the Philology and Philosophy University of Sorbona and one year later, after he studied at the University of Paris, he took his license in law), but his eagerness did not affect his demureness in his studies; the foundations of Maiorescu's extremely solid culture were established during that period.\n\nOn 3 January 1857, he sent an essay signed with the name Aureliu to the Transylvania Gazette in order to publish some of his translations from Jean Paul's works. In the following number he intended to publish the translation of a short story written by Jean Paul and entitled \"New Year's Eve Night\". Although the translation was not published at that date, the letter that Aurel A. Mureşianu edited later in the Gazette of books, no 1, in 1934 is still considered the first publishing attempt of T. Maiorescu and it was republished under the same title. In 1858, beside his academic activity, he worked as a teacher of psychology in private boarding schools and as a French teacher in the house of legal counselor Georg Kremnitz.\n\nAs a preparatory for French language for the Kremnitz family, Titu Maiorescu taught the four children of the family: Klara (his future wife), Helene, Wilhelm (future Dr. W. Kremnitz, Mite Kremnitz's husband, born Marie von Bardeleben) and Hermann. Titu Maiorescu got his PhD in philosophy at Giessen, magna cum laude. The Giessen University considered, in order to allow him to get a PhD, that the last two years at Theresianum were university studies. When he returned to Romania, he published the article \"The Measure of Height through a Barometer\" in the review Isis or Nature.\n\nPhD\nIn December 1860 he got his license in Philology and Philosophy at Sorbonne due to the acknowledgment of his doctorate from Giessen. The following year, he published his Philosophy essay entitled Philosophical Considerations for Everybody's Understanding () in Berlin, obviously under the influence of Herbart's and Feuerbach's ideas. On 17 December, after they considered the value of the essay, and after \"a verbal defense in front of the academic committee, brilliantly held for original opinions\", the Sorbonne committee granted him the title of \"licencé ès lettres\" (Philology Licensed). Maiorescu then prepared his doctorate on the thesis: The Relation. Essay on a new foundation of philosophy (), until the end of the year 1861, when he left France.\n\nCareer as a university teacher\nIn the summer of 1862 he was assigned as a substitute lawyer at the Law Court, then he became an attorney. He married his pupil, Clara Kremnitz. In November/December, he became a teacher at the University of Iași and principal of the Central Gymnasium from the same town.\n\nIn 1863 he was assigned to teach a University course of history, on the subject „About the History of the Roman Republic from the Introduction of Plebeian Tribunes until the Death of Julius Caesar Especially Regarding the Economical and Political Progress”. From February until September he was the Dean of the Philosophy Faculty of the University of Iași. On 18 September 1863 he was elected as rector of the University of Iaşi for a period of four years. In October he was assigned as principal of the School „Vasile Lupu“ from Iași. He taught Pedagogy, Romanian Grammar, Psychology and Composition there. For the first time in Romania, he initiated the Pedagogic Practice for pupils and one of these pupils was Ion Creangă.\n\nIn 1863 Titu Maiorescu published in Iași the \"Yearbook of the Gymnasium and the Boarding School from Iași for the School Year 1862–1863\"; the yearbook was preceded by his thesis: „Why Should the Latin Language be Studied in Gymnasium as Part of the Foundation of Moral Education?” On 28 March Titu Maiorescu's daughter, Livia, was born. She later married Dymsza; she died in 1946. On 8 October Titu Maiorescu is elected to lead the Institute Vasilian from Iași, which needed to be „fundamentally reorganized“. In order to complete this mission, commissioned by the Minister of Public Directions from back then, Alexandru Odobescu, he traveled on a documentary journey to Berlin and later he returned to Iași on 4 January 1864.\n\nBetween 1863–1864 Titu Maiorescu taught Philosophy at the Philology University of Iași.\n\nInvolvement in social life\nOn 10 March 1861, Titu Maiorescu held a lecture (Die alte französische Tragödie und die Wagnersche Musik — „The Old French Tragedy and Wagner's Music”) in Berlin for the benefit of the monument of Lessing from Kamenz, which he repeated on 12 April in Paris, at the „Cercle des sociétés savantes“ (Circle of Academic Societies) and later renewed in the form of a communication, on 27 April in Berlin, at the Philosophy Society.\n\nOn 28 November he obtained his Law Licence in Paris, on the thesis \"Du régime dotal\" (\"On Dowery Law\"). On 10 December he began his lecture cycle on „Education Within the Family”. Afterwards he went back to Romania and settled in Bucharest in December.\n\nWhen he returned to Romania, at the end of 1861, Titu Maiorescu was eager to contribute to the progress of the recently formed state, after the Union of 1859, of the cultural and political life, of a European level. At that time, when the Union was done and personalities of fresh energies and cultured people were needed, people who were educated in Western Universities, Titu Maiorescu had an early ascent, from his youth, as he was a University professor at 22 years old (in Iași), a dean at 23 and a rector at the same age, then he became an academician (member of the Romanian Academic Society) at 27, a deputy at 30, then a minister at age 34. But this ascent was not always smooth or without hardships, as he was once sued because of all the calumnies that his political opponents promoted and he was suspended from all his functions in 1864, but the verdict of discharge from the following year proved the baselessness of all the accusation against him.\n\nFoundation of the Junimea Society\nThe years 1860 were for Maiorescu the period of „popular prelections“ (lectures on various problemes addressed to a quite large audience) and also the period when the foundation of the Junimea Society took place. He founded it alongside his friends I. Negruzzi, Petre P. Carp, V. Pogor and Th.Rosetti. He started his work as a lawyer, then he was elected principal of the School „Vasile Lupu“ from Iași, and then he founded the a review Convorbiri Literare in 1867.\n\nAlthough the period that followed after the Union of 1859 represented an epoch of completion of the ideals of the generation of 1848, a few accents still had changed, the conditions were different from the romantic youth of Heliade Rădulescu, Alecsandri or Bălcescu. Maiorescu was representing the new generation, the junimist generation, which had a new conception on social and Romanian cultural life. On the political ideology plan, Maiorescu was a retentionist, an advocate of a natural, organic and well prepared evolution and an adversary of the „forms without root“, whose indictment he made in his article from 1868, Against nowadays direction in Romanian culture, in which he criticized the implementation of certain institutions which were imitated after the Western ones and to which no appropriate root corresponded in the mentalitaty, creation and cultural legacy of the Romanian people.\n\nWork as a literary critic\n\nThe beginnings of Maiorescu's literary critic activity stand apart from the previous generation. Unlike the previous years of the revolution from 1848, when an intense need of original literature determined Heliade Rădulescu to address enthusiastic appeals for Romanian literary works, the seventh decade of the 19th century was marked by a large number of poets and prosemen, who had very limited artistical devices, but high ideals and pretences. It was a time when the selection of true values was needed, on the basis of certain aesthetic criteria and Maiorescu agreed to accomplish that task. The adversaries of his ideas depreciatively called his action „a judicial criticism“, because his studies and articles did not analyse in detail the literary work that they had discussed and they contain many apothegms on it. These are based on an ample culture, a determined artistic taste and on impressive intuitions. The mentor of Junimea society considered this type of criticism (neatly affirmative or negative) necessary only to that epoch of clutter of values, as its modalities of execution would gradate later, in the literary life, when the great writers would elevate the artistic level and implicitly would have the public's exigency augmented.\n\nThis work as a tutor, as fighter for the assertion of values, would be led by Maiorescu throughout his entire life and would be divided between his political activity (he would become prime minister, but he will lose a friend from his youth, P.P. Carp), his University activity (as a professor he had and he promoted disciples of great value, like C. Rădulescu-Motru, P.P. Negulescu, Pompiliu Eliade and others), his lawyer activity and his literary critic activity. Maiorescu was seldom reproached for not having spent enough time on writing literary works but his work as a literary critic profoundly marks one of the most lusty epochs in the history of Romanian literature: the period of the great classics. The role of Junimea society and of Maiorescu himself is linked to the creation and the assertion in the public's conscience of writers like Eminescu, Creangă, Caragiale, Slavici, Duiliu Zamfirescu and others.\n\nConcerning his conduct, the manner that people reproached Maiorescu for his coldness, his lack of passion, his Olympian attitude, that he seemed to hide a dry soul; for exemplifying this statement, the famous appraisal made by the igneous N. Iorga: „Nobody was warm or cold beside him“. The help that Maiorescu gave to the writers from the circle of Junimea and to his disciples and even to his adversary, Dobrogeanu-Gherea, in an important moment of his life, unfolded a man of great and at the same time discreet generosity. The lines that Maiorescu wrote to Eminescu when Eminescu was ill and was worried about the fees for his boarding at the sanatorium from Ober-Döbling prove that Maiorescu was endowed with an admirable gentleness of heart:\n\n„Do you want to know where the means to pay your fees come from for now? Well, mister Eminescu, are we such strangers to each other? Don't you know the love (if you allow me to use this exact word, although it is stronger than other words), the often enthusiastic admiration that I and our entire literary circle feels for you, for your poems, for your whole literary and political work? But it was a real explosion of love that we, all your friends (and only these), contributed to support the few material needs that your situation require. And you would have done the same in using the large or small sum you had when any of your friends would have needed, so we cannot forget a friend of your great value“.\n\nReferences \n\nTitu Maiorescu, \"Contra școalei Bărnuțiu\", \"Against Bărnuțiu's School\" (1868)\n\nExternal links\n \n\n1840 births\n1917 deaths\nPeople from Craiova\nPeople of the Principality of Wallachia\nConservative Party (Romania, 1880–1918) politicians\nPrime Ministers of Romania\nRomanian Ministers of Culture\nRomanian Ministers of Education\nRomanian Ministers of Foreign Affairs\nRomanian Ministers of Justice\nRomanian Ministers of Public Works\nMembers of the Chamber of Deputies (Romania)\nMembers of the Senate of Romania\nRomanian people of the Second Balkan War\nRomanian people of World War I\nJunimists\nRomanian Freemasons\nRomanian expatriates in France\nRomanian expatriates in Germany\nRomanian philosophers\nRomanian logicians\nRomanian art critics\nRomanian essayists\nRomanian literary critics\nCarol I National College alumni\nUniversity of Paris alumni\nAlexandru Ioan Cuza University faculty\nRectors of Alexandru Ioan Cuza University\nRectors of the University of Bucharest\nFounding members of the Romanian Academy\nMihai Eminescu scholars\nBurials at Bellu Cemetery\nRomanian magazine founders", "Ioan Popovici-Bănățeanul (born Ioan Popovici; April 17, 1869 – September 9, 1893) was an Austro-Hungarian-born Romanian prose writer and poet.\n\nBorn in Lugoj into a family of small-scale craftsmen, his father Nicolae Popovici made opinci, while his mother Susana (née Dobrin) sold produce at the market. In 1884, he was expelled from the local Hungarian Catholic gymnasium, and he continued his schooling at Brașov and Beiuș from 1884 to 1889. He then entered the theological and pedagogical institute of Caransebeș, which he attended from 1889 to 1892 but did not complete. In 1886, in Familia, he published a cycle of folk poems that he gathered in the Lugoj area. His original poetry debut came in 1888, in Tribuna. He moved to Bucharest, the capital of the Romanian Old Kingdom, in search of a social and literary position; from 1892 to 1893, he worked as an accountant at the Cultural League for the Unity of All Romanians.\n\nHe won the admiration and support of Titu Maiorescu, who brought him to the attention of both contemporaries and posterity. In 1893, Maiorescu published his most representative verses and short stories (such as \"În lume\" and \"După un an de jale\") in Convorbiri Literare. He also wrote the preface to Popovici's only published book, which arrived posthumously, the 1895 short story collection Din viața meseriașilor. It was also Maiorescu who gave him the name Bănățeanul. Popovici sometimes used the pen names Niță de la Lugoj and Oreste. Working from German texts, he translated Henrik Ibsen, Bjørnstjerne Bjørnson and Ivan Turgenev. Afflicted by lung disease, he returned to Lugoj to die at home; his premature death cut short what appeared to be a promising career.\n\nNotes\n\n1869 births\n1893 deaths\nPeople from Lugoj\nRomanian Austro-Hungarians\nAustro-Hungarian emigrants to Romania\nRomanian poets\nRomanian translators\nRomanian accountants\n19th-century poets\n19th-century translators" ]
[ "Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes.", "A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\").", "Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration.", "Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his \"corrosives\". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction.", "A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea.", "His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature.", "Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period.", "His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia.", "His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore.", "The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper.", "Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders.", "The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church.", "Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836.", "Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei).", "The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together.", "The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei).", "At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy.", "Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other.", "Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848.", "He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca.", "After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia.", "Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\").", "After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms.", "He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854.", "A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă.", "After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father.", "According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers.", "Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest.", "Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes).", "According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași.", "In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance.", "Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher.", "He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor.", "The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense.", "Relations between Creangă and Grigoriu were exceptionally tense. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce.", "Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu.", "The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin.", "Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864.", "His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad.", "He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865).", "Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing.", "Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\").", "While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform.", "In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\").", "By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862).", "It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\").", "In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu.", "The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu. It included several prose fables and a sketch story, \"Human Stupidity\", to which later editions added Poveste (\"A Story\") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery.", "In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress.", "After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași.", "The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident.", "Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\").", "An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters.", "It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\").", "He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage.", "The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\".", "By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church.", "He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press.", "The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so.", "When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law.", "Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest.", "Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long.", "The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked.", "He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell.", "By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy.", "This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\".", "The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași.", "In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina \"Tinca\" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence.", "A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called \"proverbial gluttony\" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis.", "These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet.", "During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition.", "This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing.", "Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education.", "This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment.", "Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party.", "According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol.", "The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875.", "Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings.", "He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\").", "His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy.", "Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts).", "Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp.", "In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877.", "By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with \"The Mother with Three Daughters-in-Law\", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death.", "In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process.", "Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience.", "The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\").", "In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell.", "It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple.", "After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems.", "For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions).", "Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades.", "Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet.", "He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu.", "That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române (\"Rules of the Romanian Language\"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes.", "Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size).", "He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder.", "He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889.", "After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine.", "Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that \"the invisible hand of God\" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\".", "Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so.", "According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber).", "Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\").", "The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea.", "Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants.", "Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone.", "Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\"", "Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\" His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: \"Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\"", "Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\" Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\".", "Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists.", "Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\".", "Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise.", "Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally.", "Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny).", "Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art.", "Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth.", "Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\"", "Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\" An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood.", "According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a \"superimposed stratum\" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature.", "20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s.", "This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s. Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\".", "Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry.", "The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds.", "The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\"", "Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\" According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\"", "According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\" While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources.", "While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns.", "Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance.", "He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation.", "Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\".", "Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\". He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\"", "He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\" For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu.", "For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\".", "According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical.", "Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait.", "The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, \"Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\"", "When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\" According to the critic, discovering this \"fundamental\" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality.", "The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing.", "Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\").", "He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts.", "One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements.", "... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal.\" The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose.", "The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\"", "According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\" These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu.", "These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\"", "Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\" In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\".", "In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais.", "Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers.", "Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia.", "While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes.", "Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature.", "These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas.", "George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism.", "It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\"", "Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\" Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others.", "Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others. Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\"", "Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\" The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\"", "The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\" Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative.", "Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\"", "Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\" Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\"", "Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\" The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes.", "The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor.", "These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\".", "The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink.", "His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being \"a strong sensual and auditive type\", and a \"very emotional\" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work.", "Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges \"the rich vocabulary of the Moldavian peasant\" with \"an original gaiety and gusto comparable to that of Rabelais.\" According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\"", "According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\" In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\".", "In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\"", "Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\" Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions.", "Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs.", "According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act).", "The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals.", "Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\".", "However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\". With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger.", "With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood.", "The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator.", "The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters.", "This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch.", "The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death.", "The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing.", "The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. \"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted.", "\"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence.", "The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community.", "Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday.", "The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\".", "A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife.", "In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri).", "The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor.", "The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage.", "A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat.", "The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people.", "Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\"", "A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\" The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play.", "The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon.", "Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service.", "Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman.", "The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval.", "Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell.", "Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\".", "Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\". Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death.", "Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel.", "The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness.", "In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad.", "Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. \"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\"", "\"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\" The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne.", "The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor.", "According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures.", "Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance.", "Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă (\"Drink-All\") and Flămânzilă (\"Eat-All\") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources.", "The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls \"the most complex representation of Holy Sunday\", with mention of her isolated and heavenly abode on \"flower island\". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\".", "By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars.", "Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs.", "Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: \"The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\"", "Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\" Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\"", "The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\" According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture.", "According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\".", "No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes.", "Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition.", "A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900.", "Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\"", "Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration.", "The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change.", "The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă.", "Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă. The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\"", "The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\" The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock.", "The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts.", "Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as \"a terrible way to stultify the mind\".", "The narrator refers to this method as \"a terrible way to stultify the mind\". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\"", "The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\" Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin.", "Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri.", "The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\"", "A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\" The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society.", "The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed.", "Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed. With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms.", "With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby.", "The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\".", "This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\". Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\".", "Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\". His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\".", "His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\". A similar piece is the prose fable \"The Story of a Lazy Man\": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident.", "This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: \"But are your bread crumbs soft?\" The peculiar effect of this moral is underlined by Anghelescu: \"The lazy man dies as a martyr of his own immobility.\" Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition.", "Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\"", "Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\" Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\".", "Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza.", "Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century.", "The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea.", "The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights.", "Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'.", "The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\"", "It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\" According to Muguraș Constantinescu: \"[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians\". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse.", "In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age.", "Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra.", "It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms).", "The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\".", "The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation.", "Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold \"poisons\". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă.", "The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text \"interesting in its way and decisively Romanian\", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\"", "This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\" Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\"", "Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\" The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians.", "The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\"", "In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\" The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from \"the wide street\". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally.", "A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\").", "Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act.", "The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. \"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women.", "\"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by \"the defrocked Creangă\", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex.", "Although explicit, literary historian Alex. Although explicit, literary historian Alex. Ștefănescu argued, the text \"is refined and full of charm\". While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources.", "While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources. In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\".", "In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\". Nevertheless, according to literary critic Mircea Iorgulescu, \"The Tale of All Tales\" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works.", "Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death.", "The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper.", "The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906.", "The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale (\"Electorals\"). The same author referred to his counterpart in one of his epigrams.", "The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an \"Ion Creangă Committee\", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's \"memorial houses\" on April 15, 1918.", "It was set up as the first of Romania's \"memorial houses\" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest.", "While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language.", "The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature.", "The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing \"stylistic harmony\", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: \"Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country.", "His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?\"", "What other European culture can take pride in having a classic writer read by all categories of readers?\" The \"thematic grip of the village\" was noted by American academic Harold Segel, who investigated its impact on \"some of the most revered names in the history of Romanian literature\", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900.", "Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif.", "The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\"", "Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\" According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\".", "According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\"", "Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\" Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect.", "Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\".", "Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds.", "Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\".", "Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă.", "With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified.", "By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style.", "This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\".", "The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts.", "Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane.", "The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience.", "In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and \"sounded terrible\" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza.", "Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye.", "While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: \"The 'corrosives' left by Creangă are not known publicly.\" An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature.", "An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\"", "According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\" The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s.", "The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction).", "High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\"", "In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\" Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood.", "Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments.", "Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania).", "Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy.", "In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\".", "His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur (\"Creangă and the Golden Bough\"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism.", "During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage.", "In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\"", "Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\" One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\".", "One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\". Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians.", "Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965.", "A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989.", "The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of \"Harap Alb\", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\".", "In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize.", "The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry.", "During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story).", "Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role.", "In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\".", "Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea).", "The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova).", "The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities.", "Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău.", "The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author.", "His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga.", "In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea).", "Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of \"The Goat and Her Three Kids\" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union.", "After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the \"Bridge of Flowers\". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca.", "The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians.", "The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru.", "New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation.", "Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his \"corrosives\", most notably in a 1998 edition titled Povestea poveștilor generației '80 (\"The Tale of the Tales of the 80s Generation\"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers.", "Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob.", "A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang.", "The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\").", "In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\"). In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\".", "In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students.", "Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of \"The Old Man's Daughter ...\") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges.", "There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text.", "Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy.", "Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc.", "There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova.", "Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220.", "Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed.", "Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed. ), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed.", "Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed. ), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, \"Paradigms of Junimea in Education for a Civil Society\", in Magdalena Dumitrana (ed. ), Romania: Cultural Identity and Education for Civil Society.", "), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002.", "Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995.", "Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, \"Romanian Erotic Literature\", in Gaëtan Brulotte, John Phillips (eds. ), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131.", "), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories.", "External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\".", "Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists" ]
[ "Ion Creangă", "Junimea reception", "When was the Junimea reception", "The exact date of his reception is a mystery.", "Who else was involved in the Junimea reception?", "Maiorescu and Petre P. Carp.", "What did Maiorescu do in the reception?", "represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education." ]
C_c81777bed23f4fd3a49716508c674479_0
What was Petre P. Carp's role in the reception?
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What was Petre P. Carp's role in the Junimea reception?
Ion Creangă
At around the same time, Creanga also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creanga was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creanga was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creanga's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creanga only after the summer break of 1875. Gradually or instantly, Creanga made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creanga's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vantura-Tara ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Mos Creanga ("Old Man Creanga" or "Father Creanga"), which was a sign of respect and sympathy. Among Ion Creanga's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracuda (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creanga later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. CANNOTANSWER
in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp.
Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists ("Harap Alb", "Ivan Turbincă", "Dănilă Prepeleac", "Stan Pățitul"), as well as fairy tales indebted to conventional forms ("The Story of the Pig", "The Goat and Her Three Kids", "The Mother with Three Daughters-in-Law", "The Old Man's Daughter and the Old Woman's Daughter"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his "corrosives". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei ("Nică of Ștefan of Petru", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău ("Spinster"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia "Popa Duhu" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either "for aesthetic reasons" (as his new name, literally meaning "branch" or "bough", "sounds good") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already "caught the scent" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as "a killer", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as "idiot", "impertinent" or "envious"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară ("A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii ("The Little Bird in Wintertime"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor ("The Children's Teacher") and co-authored by V. Răceanu. It included several prose fables and a sketch story, "Human Stupidity", to which later editions added Poveste ("A Story") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână ("Priest Sour Cream"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani ("Not even a needle from the kikes"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was "going out of his way for scandal". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was "nothing scandalous or demoralizing" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed "Nasreddinesque" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his "independence, sincerity, honesty" in supporting the cause of "human dignity". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for "tiny hut"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina "Tinca" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called "proverbial gluttony" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă ("Old Man Creangă" or "Father Creangă"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with "The Mother with Three Daughters-in-Law", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică ("Guide to Reading by Writing in the Phonetic System"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași ("The Geography of Iași County"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române ("Rules of the Romanian Language"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul ("Tubby") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that "the invisible hand of God" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that "had God not pierced the skin over our eyes, we would be unable to see each other's mistakes". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei ("Făt-Frumos, Son of the Mare"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: "A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea." His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: "Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature." Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of "literate peasants" such as Creangă as exemplary proof of Junimist "diversity" and "tolerance". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as "a primitive and uncouth talent". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane ("popular", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the "popular realism" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's "somewhat surreptitious" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: "You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did." An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the "authentic Moldavian peasant" that was Creangă also complemented Eminescu's own "more metaphysical" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a "superimposed stratum" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the "great prose writers" of the 1880s. Lucian Boia, who noted that "the triad of Romanian classics" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom "the Romanians have said almost all there is to say about themselves"), Creangă has "a rather more limited register". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common "wide-ranging stylistic means" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: "[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive." According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one "in their immediate succession." While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a "glossological museum", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its "softness of sound" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the "balance" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the "discoloration and roughness" of "Wallachianism". He also criticized those views according to which Creangă's variant of the literary language was "beautiful", since it failed to "please everyone on account of some acoustical beauty", and since readers from outside the writer's native area could confront it "with some irritation." For Călinescu, the result nevertheless displays "an enormous capacity of authentic speech", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a "hermetic" type of "argot", which contained "hilarious double entendres and indecent onomatopoeia", passing from "erudite beauty" to "obscene laughter". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as "drought made the snake scream inside the frog's mouth", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, "Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling." According to the critic, discovering this "fundamental" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through "realistic dialogues" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning "that word", but covering the sense of "as word goes around"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: "peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal." The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was "a supreme artist" whose use of "typical sayings" attests "a man of the people, but not an anonymous and impersonal sample." These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a "strictly intellectual sensuousness" and the notion that "pleasure arises from gratuitousness", while Manolescu's colleague Mircea Braga referred to "the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one." In Braga's assessment, this synthesis managed "the impossible", but the difficulty of repeating it with each story also resulted in mediocre writings: "from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his "erudite device", concluding: "Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition]." Outlining his own theory about the aspects of "national specificity" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as "core Romanians" who illustrated a "primordial note", complemented by the "southern" and "Balkan" group of Caragiale and others. Claiming that the "core" presence had "not primitive, but ancient" origins, perpetuated by "stereotyped wisdom" and "energetic fatalism", he asserted: "Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age." The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: "if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country." Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: "One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish." Commenting on Creangă's "robust realism" and lack of "sentimentality", Vianu contrarily asserted: "Creangă's nostalgia ... has an individual, not social, sense." The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself "for against" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: "not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being "a strong sensual and auditive type", and a "very emotional" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges "the rich vocabulary of the Moldavian peasant" with "an original gaiety and gusto comparable to that of Rabelais." According to George Călinescu: "[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid." In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching "Nasreddinisms" with "Miticism". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, "particularized incarnations of the same symbolic character", while the use of humor itself reflects the traditional mindset, "a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words." Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a "perturbing situation" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring "grotesqueries" and "illogical surprises". With "The Goat and Her Three Kids", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by "the culinary fire": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of "The Mother with Three Daughters-in-Law", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. "The Story of the Pig" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by "The Old Man's Daughter and the Old Woman's Daughter". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as "kind and industrious"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to "The Old Man's Daughter ..." is "The Purse a' Tuppence", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and "Harap Alb" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is "Dănilă Prepeleac", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls "idiocy serving to initiate", or, according to Gabriela Ursachi, "complete, and therefore sublime, stupidity." The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, "Stan Pățitul" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut ("frowzy" or "lacking in freshness"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's "most original manner of dealing with the fabulous", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, "Stan Pățitul" is, according to Vianu, untraceable in its inspiration: "[its] folk origin could not be identified, but it is not dismissible". Another account in this series is "Ivan Turbincă", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. "Harap Alb", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as "the gifted man will earn a reputation under any guise." The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the "peasant speech" adopted by the villain known as the Bald Man, to the "crass vulgarity" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or "Moor"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as "playful realism" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă ("Drink-All") and Flămânzilă ("Eat-All") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls "the most complex representation of Holy Sunday", with mention of her isolated and heavenly abode on "flower island". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for "lettuce from the garden of the bear". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars ("Red Jews"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled "Popa Duhu"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: "The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere." Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of "a confession or a diary", but that of a symbolic account depicting "the childhood of the universal child." According to Vianu, the text is especially illustrative of its author's "spontaneous passage" between the levels of "popular" and "cultured" literature: "The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: "even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and "clan leader" David Creangă. The latter, she notes, is an "enlightened man" displaying "the wisdom and balance of the ripe age", a person able to insist on the importance of education, and a churchgoer who frowns on "his wife's bigotry." The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as "a terrible way to stultify the mind". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: "Creangă's Memories of the catechism school would discourage any candidate." Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them "The Needle and the Sledge Hammer", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as "The Story of a Gold Coin", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, "The Flax and the Shirt", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that "all things are not what they seem; they were something else once, they are something else now;—and shall become something else." The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; "The Bear Tricked by the Fox", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini ("Five Loafs of Bread"), which serves as a condemnation of greed. With "Human Stupidity", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights "a family-based division" of illogical behavior, in which women are depicted as the main propagators of both "astonishing nonsense" and "prudent stupidity". Instead, literary critic Ion Pecie identified inside the narrative a meditation on "the link between spirit and nature", with the unpredictable ball of salt representing the equivalent of a "sphinx". His colleague Gheorghe Grigurcu argued that such conclusions "may seem excessive", but that they were ultimately validated by the literary work being "a plurality of levels". A similar piece is the prose fable "The Story of a Lazy Man": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: "But are your bread crumbs soft?" The peculiar effect of this moral is underlined by Anghelescu: "The lazy man dies as a martyr of his own immobility." Braga interpreted the story as evidence of "the primacy of ethics" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: "Here, ... Creangă loses much of his depth." Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on "the community's instinctual eugenic reaction". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: "[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass." According to Muguraș Constantinescu: "[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and "corrosives" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul ("Old Man Nichifor Slyboots") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: "the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold "poisons". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text "interesting in its way and decisively Romanian", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text "a childish thing", he suggested to Maiorescu that revisions were needed, stating "I have written it long, because there was no time for me to write it short." Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into "the first great Romanian novella with a stereotypical hero", while Voinescu described the entire story as "a true masterpiece." The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as "corrosives" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: "All Rabelaisians have penetrated deeply into the realm of vulgarity." The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from "the wide street". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: "The Tale of Ionică the Fool" and "The Tale of All Tales" (also known as Povestea pulei, "Tale of the Dick" or "Tale of the Cock"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. "The Tale of All Tales", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by "the defrocked Creangă", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex. Ștefănescu argued, the text "is refined and full of charm". While acknowledging both "corrosives" for their "popular charm" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a "great stylist", Voinescu also signaled the texts' "very obvious" debt to folkloric sources. In his definition, Ion Creangă is "possibly the only writer" to draw on the legacy of "luscious popular jests" found in local "erotic folklore". Nevertheless, according to literary critic Mircea Iorgulescu, "The Tale of All Tales" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale ("Electorals"). The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an "Ion Creangă Committee", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's "memorial houses" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing "stylistic harmony", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: "Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?" The "thematic grip of the village" was noted by American academic Harold Segel, who investigated its impact on "some of the most revered names in the history of Romanian literature", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's "authentic ruralism" did not complement the "spiritual complications", global social class perspective and intellectual background associated with these trends, making Creangă "the least Sămănătorist among our writers." According to Ornea, Creangă has "nothing in common" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could "maintain, intelligently, the middle ground between contraries". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a "series" of authors, noting that, for all imitation, he was "an exceptional and, as far as Romanian literary history goes, unique creator." Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as "a new Creangă", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as "the Oltenian Creangă". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică ("Inside a Swallow's Nest") borrows from "The Flax and the Shirt". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești ("The Catechists from Humulești")—a literary contribution judged "superfluous" by George Călinescu, who noted that the original was already "dramatic" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, "Harap Alb" and "The Goat and Her Three Kids". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and "sounded terrible" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: "The 'corrosives' left by Creangă are not known publicly." An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made "The Tale of All Tales" circulate "rather like a samizdat", which left writers with "no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public." The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the "genial Moldavian" by turning him into "an unfrocked epileptic and a drunk." Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that "everything has been said about Creangă". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur ("Creangă and the Golden Bough"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about "Harap Alb", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's "exegetic obsession", lacking in "sense of humor, not just sense of reality." One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of "Ivan Turbincă" stands as "the character who dominates world history in our century". Left outside the scope of this critical interest, the "corrosives" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, "still unpublishable" for lack of "a general level of aesthetic education" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of "Harap Alb", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of "Ivan Turbincă". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while "Harap Alb" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of "Harap Alb", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on "The Story of the Pig" and the 1985 film "Ramasagul" which was based on "The Bag with 2 Coins". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of "Ivan Turbincă" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, "The Goat ..." and "The Purse a' Tuppence" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of "The Goat and Her Three Kids" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the "Bridge of Flowers". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his "corrosives", most notably in a 1998 edition titled Povestea poveștilor generației '80 ("The Tale of the Tales of the 80s Generation"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb ("A Report about Harap Alb"). In 2009, Țurlea followed up with a version of "The Old Man's Daughter and the Old Woman's Daughter"; a year later, his colleague Horia Gârbea published a personal take on "The Story of a Lazy Man". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of "The Old Man's Daughter ...") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of "Harap Alb" (with music by Nicu Alifantis), Cristian Pepino's take on "The Goat and Her Three Kids", Mihai Mălaimare's Prostia omenească (from "Human Stupidity") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, "Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă", in Alain Montandon (ed.), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, "Romanian Drama", in Stanley Hochman (ed.), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, "Paradigms of Junimea in Education for a Civil Society", in Magdalena Dumitrana (ed.), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, "Romanian Erotic Literature", in Gaëtan Brulotte, John Phillips (eds.), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): "Danillo Nonsuch" ("Dănilă Prepeleac"), Childhood Memories (excerpt), "The Mother with Three Daughters-in-Law", Childhood Memories (excerpt), "The Purse a' Tuppence", "The Tale of All Tales", "The Tale of Ionică the Fool" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive "The Story of the Pig". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists
true
[ "The first cabinet of Petre P. Carp was the government of Romania from 7 July 1900 to 13 February 1901.\n\nMinisters\nThe ministers of the cabinet were as follows:\n\nPresident of the Council of Ministers:\nPetre P. Carp (7 July 1900 - 13 February 1901)\nMinister of the Interior: \nConstantin Olănescu (7 July 1900 - 13 February 1901)\nMinister of Foreign Affairs: \nAlexandru Marghiloman (7 July 1900 - 13 February 1901)\nMinister of Finance:\nPetre P. Carp (7 July 1900 - 13 February 1901)\nMinister of Justice:\nTitu Maiorescu (7 July 1900 - 13 February 1901)\nMinister of War:\nGen. Iacob Lahovari (7 July 1900 - 13 February 1901)\nMinister of Religious Affairs and Public Instruction:\nConstantin C. Arion (7 July 1900 - 13 February 1901)\nMinister of Public Works:\nIon C. Grădișteanu (7 July 1900 - 13 February 1901)\nMinister of Agriculture, Industry, Commerce, and Property:\nNicolae Filipescu (7 July 1900 - 13 February 1901)\n\nReferences\n\nCabinets of Romania\nCabinets established in 1900\nCabinets disestablished in 1901\n1900 establishments in Romania\n1901 disestablishments in Romania", "The second cabinet of Petre P. Carp was the government of Romania from 29 December 1910 to 27 March 1912.\n\nMinisters\nThe ministers of the cabinet were as follows:\n\nPresident of the Council of Ministers:\nPetre P. Carp (29 December 1910 - 27 March 1912)\nMinister of the Interior: \nAlexandru Marghiloman (29 December 1910 - 27 March 1912)\nMinister of Foreign Affairs: \nTitu Maiorescu (29 December 1910 - 27 March 1912)\nMinister of Finance:\nPetre P. Carp (29 December 1910 - 27 March 1912)\nMinister of Justice:\nMihail G. Cantacuzino (29 December 1910 - 27 March 1912)\nMinister of War:\nNicolae Filipescu (29 December 1910 - 27 March 1912)\nMinister of Religious Affairs and Public Instruction:\nConstantin C. Arion (29 December 1910 - 27 March 1912)\nMinister of Industry and Commerce:\nDimitrie Nenițescu (29 December 1910 - 27 March 1912)\nMinister of Agriculture and Property:\nIon Lahovari (29 December 1910 - 27 March 1912)\nMinister of Public Works:\nBarbu Delavrancea (29 December 1910 - 27 March 1912)\n\nReferences\n\nCabinets of Romania\nCabinets established in 1910\nCabinets disestablished in 1912\n1910 establishments in Romania\n1912 disestablishments in Romania" ]
[ "Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes.", "A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\").", "Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration.", "Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his \"corrosives\". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction.", "A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea.", "His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature.", "Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period.", "His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia.", "His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore.", "The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper.", "Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders.", "The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church.", "Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836.", "Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei).", "The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together.", "The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei).", "At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy.", "Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other.", "Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848.", "He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca.", "After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia.", "Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\").", "After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms.", "He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854.", "A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă.", "After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father.", "According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers.", "Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest.", "Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes).", "According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași.", "In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance.", "Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher.", "He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor.", "The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense.", "Relations between Creangă and Grigoriu were exceptionally tense. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce.", "Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu.", "The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin.", "Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864.", "His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad.", "He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865).", "Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing.", "Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\").", "While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform.", "In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\").", "By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862).", "It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\").", "In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu.", "The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu. It included several prose fables and a sketch story, \"Human Stupidity\", to which later editions added Poveste (\"A Story\") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery.", "In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress.", "After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași.", "The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident.", "Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\").", "An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters.", "It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\").", "He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage.", "The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\".", "By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church.", "He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press.", "The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so.", "When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law.", "Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest.", "Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long.", "The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked.", "He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell.", "By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy.", "This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\".", "The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași.", "In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina \"Tinca\" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence.", "A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called \"proverbial gluttony\" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis.", "These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet.", "During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition.", "This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing.", "Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education.", "This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment.", "Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party.", "According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol.", "The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875.", "Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings.", "He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\").", "His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy.", "Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts).", "Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp.", "In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877.", "By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with \"The Mother with Three Daughters-in-Law\", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death.", "In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process.", "Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience.", "The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\").", "In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell.", "It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple.", "After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems.", "For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions).", "Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades.", "Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet.", "He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu.", "That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române (\"Rules of the Romanian Language\"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes.", "Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size).", "He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder.", "He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889.", "After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine.", "Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that \"the invisible hand of God\" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\".", "Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so.", "According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber).", "Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\").", "The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea.", "Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants.", "Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone.", "Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\"", "Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\" His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: \"Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\"", "Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\" Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\".", "Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists.", "Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\".", "Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise.", "Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally.", "Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny).", "Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art.", "Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth.", "Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\"", "Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\" An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood.", "According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a \"superimposed stratum\" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature.", "20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s.", "This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s. Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\".", "Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry.", "The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds.", "The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\"", "Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\" According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\"", "According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\" While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources.", "While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns.", "Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance.", "He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation.", "Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\".", "Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\". He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\"", "He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\" For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu.", "For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\".", "According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical.", "Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait.", "The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, \"Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\"", "When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\" According to the critic, discovering this \"fundamental\" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality.", "The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing.", "Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\").", "He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts.", "One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements.", "... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal.\" The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose.", "The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\"", "According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\" These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu.", "These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\"", "Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\" In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\".", "In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais.", "Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers.", "Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia.", "While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes.", "Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature.", "These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas.", "George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism.", "It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\"", "Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\" Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others.", "Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others. Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\"", "Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\" The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\"", "The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\" Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative.", "Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\"", "Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\" Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\"", "Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\" The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes.", "The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor.", "These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\".", "The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink.", "His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being \"a strong sensual and auditive type\", and a \"very emotional\" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work.", "Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges \"the rich vocabulary of the Moldavian peasant\" with \"an original gaiety and gusto comparable to that of Rabelais.\" According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\"", "According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\" In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\".", "In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\"", "Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\" Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions.", "Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs.", "According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act).", "The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals.", "Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\".", "However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\". With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger.", "With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood.", "The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator.", "The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters.", "This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch.", "The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death.", "The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing.", "The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. \"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted.", "\"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence.", "The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community.", "Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday.", "The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\".", "A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife.", "In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri).", "The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor.", "The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage.", "A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat.", "The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people.", "Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\"", "A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\" The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play.", "The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon.", "Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service.", "Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman.", "The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval.", "Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell.", "Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\".", "Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\". Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death.", "Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel.", "The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness.", "In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad.", "Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. \"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\"", "\"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\" The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne.", "The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor.", "According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures.", "Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance.", "Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă (\"Drink-All\") and Flămânzilă (\"Eat-All\") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources.", "The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls \"the most complex representation of Holy Sunday\", with mention of her isolated and heavenly abode on \"flower island\". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\".", "By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars.", "Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs.", "Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: \"The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\"", "Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\" Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\"", "The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\" According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture.", "According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\".", "No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes.", "Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition.", "A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900.", "Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\"", "Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration.", "The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change.", "The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă.", "Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă. The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\"", "The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\" The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock.", "The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts.", "Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as \"a terrible way to stultify the mind\".", "The narrator refers to this method as \"a terrible way to stultify the mind\". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\"", "The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\" Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin.", "Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri.", "The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\"", "A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\" The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society.", "The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed.", "Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed. With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms.", "With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby.", "The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\".", "This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\". Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\".", "Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\". His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\".", "His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\". A similar piece is the prose fable \"The Story of a Lazy Man\": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident.", "This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: \"But are your bread crumbs soft?\" The peculiar effect of this moral is underlined by Anghelescu: \"The lazy man dies as a martyr of his own immobility.\" Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition.", "Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\"", "Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\" Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\".", "Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza.", "Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century.", "The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea.", "The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights.", "Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'.", "The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\"", "It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\" According to Muguraș Constantinescu: \"[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians\". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse.", "In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age.", "Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra.", "It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms).", "The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\".", "The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation.", "Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold \"poisons\". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă.", "The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text \"interesting in its way and decisively Romanian\", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\"", "This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\" Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\"", "Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\" The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians.", "The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\"", "In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\" The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from \"the wide street\". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally.", "A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\").", "Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act.", "The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. \"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women.", "\"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by \"the defrocked Creangă\", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex.", "Although explicit, literary historian Alex. Although explicit, literary historian Alex. Ștefănescu argued, the text \"is refined and full of charm\". While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources.", "While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources. In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\".", "In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\". Nevertheless, according to literary critic Mircea Iorgulescu, \"The Tale of All Tales\" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works.", "Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death.", "The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper.", "The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906.", "The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale (\"Electorals\"). The same author referred to his counterpart in one of his epigrams.", "The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an \"Ion Creangă Committee\", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's \"memorial houses\" on April 15, 1918.", "It was set up as the first of Romania's \"memorial houses\" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest.", "While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language.", "The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature.", "The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing \"stylistic harmony\", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: \"Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country.", "His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?\"", "What other European culture can take pride in having a classic writer read by all categories of readers?\" The \"thematic grip of the village\" was noted by American academic Harold Segel, who investigated its impact on \"some of the most revered names in the history of Romanian literature\", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900.", "Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif.", "The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\"", "Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\" According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\".", "According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\"", "Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\" Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect.", "Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\".", "Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds.", "Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\".", "Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă.", "With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified.", "By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style.", "This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\".", "The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts.", "Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane.", "The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience.", "In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and \"sounded terrible\" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza.", "Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye.", "While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: \"The 'corrosives' left by Creangă are not known publicly.\" An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature.", "An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\"", "According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\" The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s.", "The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction).", "High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\"", "In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\" Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood.", "Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments.", "Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania).", "Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy.", "In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\".", "His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur (\"Creangă and the Golden Bough\"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism.", "During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage.", "In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\"", "Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\" One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\".", "One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\". Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians.", "Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965.", "A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989.", "The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of \"Harap Alb\", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\".", "In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize.", "The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry.", "During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story).", "Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role.", "In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\".", "Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea).", "The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova).", "The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities.", "Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău.", "The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author.", "His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga.", "In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea).", "Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of \"The Goat and Her Three Kids\" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union.", "After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the \"Bridge of Flowers\". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca.", "The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians.", "The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru.", "New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation.", "Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his \"corrosives\", most notably in a 1998 edition titled Povestea poveștilor generației '80 (\"The Tale of the Tales of the 80s Generation\"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers.", "Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob.", "A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang.", "The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\").", "In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\"). In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\".", "In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students.", "Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of \"The Old Man's Daughter ...\") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges.", "There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text.", "Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy.", "Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc.", "There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova.", "Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220.", "Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed.", "Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed. ), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed.", "Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed. ), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, \"Paradigms of Junimea in Education for a Civil Society\", in Magdalena Dumitrana (ed. ), Romania: Cultural Identity and Education for Civil Society.", "), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002.", "Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995.", "Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, \"Romanian Erotic Literature\", in Gaëtan Brulotte, John Phillips (eds. ), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131.", "), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories.", "External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\".", "Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists" ]
[ "Ion Creangă", "Junimea reception", "When was the Junimea reception", "The exact date of his reception is a mystery.", "Who else was involved in the Junimea reception?", "Maiorescu and Petre P. Carp.", "What did Maiorescu do in the reception?", "represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education.", "What was Petre P. Carp's role in the reception?", "in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp.", "How long did the reception last?", "I don't know." ]
C_c81777bed23f4fd3a49716508c674479_0
What was the purpose of the reception?
6
What was the purpose of the Junimea reception?
Ion Creangă
At around the same time, Creanga also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creanga was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creanga was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creanga's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creanga only after the summer break of 1875. Gradually or instantly, Creanga made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creanga's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vantura-Tara ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Mos Creanga ("Old Man Creanga" or "Father Creanga"), which was a sign of respect and sympathy. Among Ion Creanga's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracuda (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creanga later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. CANNOTANSWER
an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing.
Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists ("Harap Alb", "Ivan Turbincă", "Dănilă Prepeleac", "Stan Pățitul"), as well as fairy tales indebted to conventional forms ("The Story of the Pig", "The Goat and Her Three Kids", "The Mother with Three Daughters-in-Law", "The Old Man's Daughter and the Old Woman's Daughter"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his "corrosives". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei ("Nică of Ștefan of Petru", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău ("Spinster"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia "Popa Duhu" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either "for aesthetic reasons" (as his new name, literally meaning "branch" or "bough", "sounds good") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already "caught the scent" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as "a killer", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as "idiot", "impertinent" or "envious"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară ("A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii ("The Little Bird in Wintertime"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor ("The Children's Teacher") and co-authored by V. Răceanu. It included several prose fables and a sketch story, "Human Stupidity", to which later editions added Poveste ("A Story") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână ("Priest Sour Cream"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani ("Not even a needle from the kikes"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was "going out of his way for scandal". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was "nothing scandalous or demoralizing" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed "Nasreddinesque" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his "independence, sincerity, honesty" in supporting the cause of "human dignity". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for "tiny hut"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina "Tinca" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called "proverbial gluttony" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist "cosmopolitan orientation", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a "peasant", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a "sack of wonders" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară ("Ioan Gadabout"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă ("Old Man Creangă" or "Father Creangă"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, "small game") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with "The Mother with Three Daughters-in-Law", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică ("Guide to Reading by Writing in the Phonetic System"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași ("The Geography of Iași County"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române ("Rules of the Romanian Language"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul ("Tubby") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that "the invisible hand of God" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that "had God not pierced the skin over our eyes, we would be unable to see each other's mistakes". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei ("Făt-Frumos, Son of the Mare"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: "A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea." His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: "Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature." Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of "literate peasants" such as Creangă as exemplary proof of Junimist "diversity" and "tolerance". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as "a primitive and uncouth talent". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane ("popular", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the "popular realism" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's "somewhat surreptitious" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: "You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did." An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the "authentic Moldavian peasant" that was Creangă also complemented Eminescu's own "more metaphysical" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a "superimposed stratum" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the "great prose writers" of the 1880s. Lucian Boia, who noted that "the triad of Romanian classics" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom "the Romanians have said almost all there is to say about themselves"), Creangă has "a rather more limited register". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common "wide-ranging stylistic means" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: "[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive." According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one "in their immediate succession." While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a "glossological museum", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its "softness of sound" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the "balance" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the "discoloration and roughness" of "Wallachianism". He also criticized those views according to which Creangă's variant of the literary language was "beautiful", since it failed to "please everyone on account of some acoustical beauty", and since readers from outside the writer's native area could confront it "with some irritation." For Călinescu, the result nevertheless displays "an enormous capacity of authentic speech", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a "hermetic" type of "argot", which contained "hilarious double entendres and indecent onomatopoeia", passing from "erudite beauty" to "obscene laughter". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as "drought made the snake scream inside the frog's mouth", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, "Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling." According to the critic, discovering this "fundamental" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through "realistic dialogues" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning "that word", but covering the sense of "as word goes around"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: "peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal." The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was "a supreme artist" whose use of "typical sayings" attests "a man of the people, but not an anonymous and impersonal sample." These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a "strictly intellectual sensuousness" and the notion that "pleasure arises from gratuitousness", while Manolescu's colleague Mircea Braga referred to "the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one." In Braga's assessment, this synthesis managed "the impossible", but the difficulty of repeating it with each story also resulted in mediocre writings: "from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his "erudite device", concluding: "Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition]." Outlining his own theory about the aspects of "national specificity" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as "core Romanians" who illustrated a "primordial note", complemented by the "southern" and "Balkan" group of Caragiale and others. Claiming that the "core" presence had "not primitive, but ancient" origins, perpetuated by "stereotyped wisdom" and "energetic fatalism", he asserted: "Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age." The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: "if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country." Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: "One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish." Commenting on Creangă's "robust realism" and lack of "sentimentality", Vianu contrarily asserted: "Creangă's nostalgia ... has an individual, not social, sense." The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself "for against" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: "not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being "a strong sensual and auditive type", and a "very emotional" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges "the rich vocabulary of the Moldavian peasant" with "an original gaiety and gusto comparable to that of Rabelais." According to George Călinescu: "[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid." In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching "Nasreddinisms" with "Miticism". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, "particularized incarnations of the same symbolic character", while the use of humor itself reflects the traditional mindset, "a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words." Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a "perturbing situation" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring "grotesqueries" and "illogical surprises". With "The Goat and Her Three Kids", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by "the culinary fire": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of "The Mother with Three Daughters-in-Law", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. "The Story of the Pig" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by "The Old Man's Daughter and the Old Woman's Daughter". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as "kind and industrious"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to "The Old Man's Daughter ..." is "The Purse a' Tuppence", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and "Harap Alb" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is "Dănilă Prepeleac", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls "idiocy serving to initiate", or, according to Gabriela Ursachi, "complete, and therefore sublime, stupidity." The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, "Stan Pățitul" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut ("frowzy" or "lacking in freshness"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's "most original manner of dealing with the fabulous", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, "Stan Pățitul" is, according to Vianu, untraceable in its inspiration: "[its] folk origin could not be identified, but it is not dismissible". Another account in this series is "Ivan Turbincă", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. "Harap Alb", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as "the gifted man will earn a reputation under any guise." The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the "peasant speech" adopted by the villain known as the Bald Man, to the "crass vulgarity" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or "Moor"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as "playful realism" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă ("Drink-All") and Flămânzilă ("Eat-All") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls "the most complex representation of Holy Sunday", with mention of her isolated and heavenly abode on "flower island". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for "lettuce from the garden of the bear". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars ("Red Jews"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled "Popa Duhu"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: "The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere." Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of "a confession or a diary", but that of a symbolic account depicting "the childhood of the universal child." According to Vianu, the text is especially illustrative of its author's "spontaneous passage" between the levels of "popular" and "cultured" literature: "The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: "even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and "clan leader" David Creangă. The latter, she notes, is an "enlightened man" displaying "the wisdom and balance of the ripe age", a person able to insist on the importance of education, and a churchgoer who frowns on "his wife's bigotry." The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as "a terrible way to stultify the mind". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: "Creangă's Memories of the catechism school would discourage any candidate." Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them "The Needle and the Sledge Hammer", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as "The Story of a Gold Coin", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, "The Flax and the Shirt", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that "all things are not what they seem; they were something else once, they are something else now;—and shall become something else." The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; "The Bear Tricked by the Fox", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini ("Five Loafs of Bread"), which serves as a condemnation of greed. With "Human Stupidity", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights "a family-based division" of illogical behavior, in which women are depicted as the main propagators of both "astonishing nonsense" and "prudent stupidity". Instead, literary critic Ion Pecie identified inside the narrative a meditation on "the link between spirit and nature", with the unpredictable ball of salt representing the equivalent of a "sphinx". His colleague Gheorghe Grigurcu argued that such conclusions "may seem excessive", but that they were ultimately validated by the literary work being "a plurality of levels". A similar piece is the prose fable "The Story of a Lazy Man": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: "But are your bread crumbs soft?" The peculiar effect of this moral is underlined by Anghelescu: "The lazy man dies as a martyr of his own immobility." Braga interpreted the story as evidence of "the primacy of ethics" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: "Here, ... Creangă loses much of his depth." Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on "the community's instinctual eugenic reaction". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: "[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass." According to Muguraș Constantinescu: "[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and "corrosives" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul ("Old Man Nichifor Slyboots") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: "the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold "poisons". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text "interesting in its way and decisively Romanian", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text "a childish thing", he suggested to Maiorescu that revisions were needed, stating "I have written it long, because there was no time for me to write it short." Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into "the first great Romanian novella with a stereotypical hero", while Voinescu described the entire story as "a true masterpiece." The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as "corrosives" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: "All Rabelaisians have penetrated deeply into the realm of vulgarity." The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from "the wide street". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: "The Tale of Ionică the Fool" and "The Tale of All Tales" (also known as Povestea pulei, "Tale of the Dick" or "Tale of the Cock"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. "The Tale of All Tales", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by "the defrocked Creangă", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex. Ștefănescu argued, the text "is refined and full of charm". While acknowledging both "corrosives" for their "popular charm" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a "great stylist", Voinescu also signaled the texts' "very obvious" debt to folkloric sources. In his definition, Ion Creangă is "possibly the only writer" to draw on the legacy of "luscious popular jests" found in local "erotic folklore". Nevertheless, according to literary critic Mircea Iorgulescu, "The Tale of All Tales" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale ("Electorals"). The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an "Ion Creangă Committee", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's "memorial houses" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing "stylistic harmony", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: "Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?" The "thematic grip of the village" was noted by American academic Harold Segel, who investigated its impact on "some of the most revered names in the history of Romanian literature", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's "authentic ruralism" did not complement the "spiritual complications", global social class perspective and intellectual background associated with these trends, making Creangă "the least Sămănătorist among our writers." According to Ornea, Creangă has "nothing in common" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could "maintain, intelligently, the middle ground between contraries". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a "series" of authors, noting that, for all imitation, he was "an exceptional and, as far as Romanian literary history goes, unique creator." Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as "a new Creangă", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as "the Oltenian Creangă". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică ("Inside a Swallow's Nest") borrows from "The Flax and the Shirt". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești ("The Catechists from Humulești")—a literary contribution judged "superfluous" by George Călinescu, who noted that the original was already "dramatic" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, "Harap Alb" and "The Goat and Her Three Kids". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and "sounded terrible" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: "The 'corrosives' left by Creangă are not known publicly." An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made "The Tale of All Tales" circulate "rather like a samizdat", which left writers with "no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public." The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the "genial Moldavian" by turning him into "an unfrocked epileptic and a drunk." Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that "everything has been said about Creangă". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur ("Creangă and the Golden Bough"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about "Harap Alb", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's "exegetic obsession", lacking in "sense of humor, not just sense of reality." One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of "Ivan Turbincă" stands as "the character who dominates world history in our century". Left outside the scope of this critical interest, the "corrosives" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, "still unpublishable" for lack of "a general level of aesthetic education" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of "Harap Alb", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of "Ivan Turbincă". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while "Harap Alb" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of "Harap Alb", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on "The Story of the Pig" and the 1985 film "Ramasagul" which was based on "The Bag with 2 Coins". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of "Ivan Turbincă" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, "The Goat ..." and "The Purse a' Tuppence" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of "The Goat and Her Three Kids" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the "Bridge of Flowers". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his "corrosives", most notably in a 1998 edition titled Povestea poveștilor generației '80 ("The Tale of the Tales of the 80s Generation"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb ("A Report about Harap Alb"). In 2009, Țurlea followed up with a version of "The Old Man's Daughter and the Old Woman's Daughter"; a year later, his colleague Horia Gârbea published a personal take on "The Story of a Lazy Man". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of "The Old Man's Daughter ...") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of "Harap Alb" (with music by Nicu Alifantis), Cristian Pepino's take on "The Goat and Her Three Kids", Mihai Mălaimare's Prostia omenească (from "Human Stupidity") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, "Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă", in Alain Montandon (ed.), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, "Romanian Drama", in Stanley Hochman (ed.), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, "Paradigms of Junimea in Education for a Civil Society", in Magdalena Dumitrana (ed.), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, "Romanian Erotic Literature", in Gaëtan Brulotte, John Phillips (eds.), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): "Danillo Nonsuch" ("Dănilă Prepeleac"), Childhood Memories (excerpt), "The Mother with Three Daughters-in-Law", Childhood Memories (excerpt), "The Purse a' Tuppence", "The Tale of All Tales", "The Tale of Ionică the Fool" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive "The Story of the Pig". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists
true
[ "Marie Calloway is an American author. Her first book, what purpose did i serve in your life?, was published by Tyrant Books and generated controversy. Part of the volume recounts the author's romantic relationship with a married journalist who she dubbed \"Adrien Brody\", and is reportedly based on an actual relationship with a prominent American writer. Daniel D'Addario of Salon said the article upon which the book was based \"sent shockwaves through the publishing industry\".\n\nCalloway's writing has been championed by writer Tao Lin and is considered a staple of alternative literature.\n\nAs of 2021, Calloway was studying Japanese at Hunter College and living in New York City. She had reportedly recently married.\n\nReception\nA writer in Esquire described Calloway as belonging to an \"'Asperger's style' of literature, the mode of a small New York-based coterie of writers who specialize in disaffection and disconnection.\" Jacob M. Appel at Quarterly Conversation compared Calloway to Jane Austen's Marianne Dashwood and George Eliot's Dorothea Brooke. A writer in Bookforum described the controversy that greeted Calloway's debut, writing, \"The initial publication of \"adrien brody\" on novelist Tao Lin's website Muumuu House heralded Calloway's arrival in the New York literary scene—as an author, but also as a phenomenon. Brody was recognizable to insiders, and the ethics of Calloway's exposure were questioned, often within broader attacks on her sexual morality and provincial assessments of her craft.\"\n\nPublications\n what purpose did i serve in your life, 2013. Tyrant Books\n\nReferences\n\nLiving people\n1990 births", "The Purpose Driven Church: Growth Without Compromising Your Message & Mission is a 1995 book by Rick Warren, founder and senior pastor of Saddleback Church in Lake Forest, California, United States.\n\nSummary \nThe book is targeted to pastors and church leaders and advises them to base their ministry on God's purposes, not their own ideas of ministry, hence the term \"Purpose Driven\". Warren suggests that these purposes are worship, fellowship, discipleship, ministry, and mission, and that they are derived from the Great Commandment (Matthew 22:37–40) and the Great Commission (Matthew 28:19–20).\n\nWarren writes that every church is driven by something. Tradition, finances, programs, personalities, events, seekers and even buildings can each be the controlling force in a church. But he believes that in order for a church to be healthy it must be built around the five New Testament purposes given to the church by Jesus. \"The issue is church health, not church growth!\" declares Warren. \"If your church is healthy, growth will occur naturally. Healthy, consistent growth is the result of balancing the five biblical purposes of the church.\"\n\nHe proposes that church leaders ask of themselves, \"What is our purpose?\", \"Why do we do what we do?\", \"What should we be doing?\", and \"How will you do that?\" In this book Warren provides a guide to answer these questions on how to do church. He further suggests that following the principles he outlines in the book will enable a church to grow.\n\nThe author emphasizes an intentional people-building process. He says, “If you will concentrate on building people, God will build the church.”\n\nThe teaching of The Purpose Driven Church was derived from Warren's own experience in leading Saddleback Church from its founding in 1980 to over 10,000 in worship attendance in its first fifteen years, becoming one of the fastest growing churches in America during this time.\n\nReception \nThe book was a bestseller a few weeks after its publication. The Purpose Driven Church has been translated into over 30 languages, including Spanish, Portuguese, French, and German. It is listed in 100 Christian Books That Changed the Century and has been given many awards. For example, in 1996 and 1997, the book was the Evangelical Christian Publishers Association (ECPA) Christian Book Award Winner for the US. In 2002, the ECPA awarded it the Gold Medallion Award. The book and its author have received numerous reviews in the mainstream press and have been the subject of much support and criticism in Christian blogs and newsletters.\n\nIn a May 2005 survey of American pastors and ministers conducted by George Barna, it was voted as the second book most influential on their lives and ministries, behind The Purpose Driven Life, a subsequent book by Warren.\n\nInfluence \nThe book was the origin of the annual conferences called \"Purpose Driven Conference\".\n\nReferences\n\nExternal links \n Rick Warren\n Saddleback Church\n Pastors.com\n Purpose Driven Life\n Purpose Driven\n\n1995 non-fiction books\nAmerican non-fiction books\nBooks by Rick Warren\nEvangelical Christian literature" ]
[ "Ion Creangă (; also known as Nică al lui Ștefan a Petrei, Ion Torcălău and Ioan Ștefănescu; March 1, 1837 – December 31, 1889) was a Moldavian, later Romanian writer, raconteur and schoolteacher. A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes.", "A main figure in 19th-century Romanian literature, he is best known for his Childhood Memories volume, his novellas and short stories, and his many anecdotes. Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\").", "Creangă's main contribution to fantasy and children's literature includes narratives structured around eponymous protagonists (\"Harap Alb\", \"Ivan Turbincă\", \"Dănilă Prepeleac\", \"Stan Pățitul\"), as well as fairy tales indebted to conventional forms (\"The Story of the Pig\", \"The Goat and Her Three Kids\", \"The Mother with Three Daughters-in-Law\", \"The Old Man's Daughter and the Old Woman's Daughter\"). Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration.", "Widely seen as masterpieces of the Romanian language and local humor, his writings occupy the middle ground between a collection of folkloric sources and an original contribution to a literary realism of rural inspiration. They are accompanied by a set of contributions to erotic literature, collectively known as his \"corrosives\". A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction.", "A defrocked Romanian Orthodox priest with an unconventional lifestyle, Creangă made an early impact as an innovative educator and textbook author, while pursuing a short career in nationalist politics with the Free and Independent Faction. His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea.", "His literary debut came late in life, closely following the start of his close friendship with Romania's national poet Mihai Eminescu and their common affiliation with the influential conservative literary society Junimea. Although viewed with reserve by many of his colleagues there, and primarily appreciated for his records of oral tradition, Creangă helped propagate the group's cultural guidelines in an accessible form. Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature.", "Later critics have often described him, alongside Eminescu, Ion Luca Caragiale and Ioan Slavici, as one of the most accomplished representatives of Junimist literature. Ion Creangă was posthumously granted several honors, and is commemorated by a number of institutions in both Romania and neighboring Moldova. These include the Bojdeuca building in Iași, which, in 1918, was opened as the first memorial house in Romania. His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period.", "His direct descendants include Horia Creangă, one of the leading Romanian architects during the interwar period. Biography Background and family Ion Creangă was born in Humulești in the Principality of Moldavia, a former village which has since been incorporated into Târgu Neamț city, the son of Orthodox trader Ștefan sin Petre Ciubotariul and his wife Smaranda. His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia.", "His native area, bordering on heavily forested areas, was in the Eastern Carpathian foothills, and included into what was then the Principality of Moldavia. The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore.", "The surrounding region's population preserved an archaic way of life, dominated by shepherding, textile manufacturing and related occupations, and noted for preserving the older forms of local folklore. Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper.", "Another characteristic of the area, which left an impression on Creangă's family history, was related to the practice of transhumance and the links between ethnic Romanian communities on both sides of the mountains, in Moldavia and Transylvania: on his maternal side, the writer descended from Maramureș-born peasants, while, according to literary historian George Călinescu, his father's origin may have been further southwest, in Transylvania-proper. The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders.", "The family had reached a significant position within their community: Ștefan sin Petre had made a steady income from his itinerant trade in wool, while his wife was the descendant of the Creangăs of Pipirig, a family of community leaders. The latter's members included Moldavian Metropolitan Iacob Stamati, as well as Smaranda's father, Vornic David, and her uncle Ciubuc Clopotarul, a monk at Neamț Monastery. Proud of this tradition, it was her who insisted for her son to pursue a career in the Church.", "Proud of this tradition, it was her who insisted for her son to pursue a career in the Church. According to his own recollection, the future writer was born on March 1, 1837—a date which has since been challenged. Creangă's other statements mention March 2, 1837, or an unknown date in 1836.", "Creangă's other statements mention March 2, 1837, or an unknown date in 1836. The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei).", "The exactitude of other accounts is equally unreliable: community registers from the period gave the date of June 10, 1839, and mention another child of the same name being born to his parents on February 4, 1842 (the more probable birth date of Creangă's younger brother Zahei). The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together.", "The imprecision also touches other aspects of his family life: noting the resulting conflicts in data, Călinescu decided that it was not possible for one to know if the writer's parents were married to each other (and, if so, if they were on their first marriage), nor how many children they had together. At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei).", "At a time when family names were not legally required, and people were primarily known by various nicknames and patronymics, the boy was known to the community as Nică, a hypocorism formed from Ion, or more formally as Nică al lui Ștefan a Petrei (\"Nică of Ștefan of Petru\", occasionally Nic-a lui Ștefan a Petrei). Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy.", "Childhood, youth and ordination After an idyllic period, which is recounted in the first section of his Childhood Memories, Ion Creangă was sent to primary school, an institution then in the care of Orthodox Church authorities, where he became noted for his rebellious attitude and appetite for truancy. Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other.", "Among his colleagues was a female student, Smărăndița popii (known later as Smaranda Posea), for whom he developed an affection which lasted into his adult life, over decades in which the two no longer saw each other. He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848.", "He was taught reading and writing in Cyrillic alphabet through peer tutoring techniques, before the overseeing teacher, Vasile Ilioaiei, was lassoed off the street and conscripted by the Moldavian military at some point before 1848. After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca.", "After another teacher, whom the Memories portray as a drunk, died from cholera in late 1848, David Creangă withdrew his grandson from the local school and took him to a similar establishment in Broșteni, handing him into the care of a middle-aged woman, Irinuca. Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia.", "Ion Creangă spent several months at Irinuca's remote house on the Bistrița River, before the proximity of goats resulted in a scabies infection and his hastened departure for Pipirig, where he cured himself using birch extract, a folk remedy mastered by his maternal grandmother Nastasia. After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\").", "After returning to school between late 1849 and early 1850, Creangă was pulled out by his financially struggling father, spent the following period working in wool-spinning, and became known by the occupational nickname Torcălău (\"Spinster\"). He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms.", "He only returned in third grade some four years later, having been sent to the Târgu Neamț public school, newly founded by Moldavian Prince Grigore Alexandru Ghica as part of the Regulamentul Organic string of reforms. A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854.", "A colleague of future philosopher Vasile Conta in the class of priest and theologian Isaia \"Popa Duhu\" Teodorescu, Creangă was sent to the Fălticeni seminary in 1854. After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă.", "After having been registered as Ioan Ștefănescu (a variant of his given name and a family name based on his patronymic), the adolescent student eventually adopted his maternal surname of Creangă. According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father.", "According to Călinescu, this was done either \"for aesthetic reasons\" (as his new name, literally meaning \"branch\" or \"bough\", \"sounds good\") or because of a likely discovery that Ștefan was not his real father. Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers.", "Dan Grădinaru, a researcher of Creangă's work, believes that the writer had a special preference for the variant Ioan, generally used in more learned circles, instead of the variant Ion that was consecrated by his biographers. Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest.", "Having witnessed, according to his own claim, the indifference and mundane preoccupations of his peers, Creangă admitted to having taken little care in his training, submitting to the drinking culture, playing practical jokes on his colleagues, and even shoplifting, while pursuing an affair with the daughter of a local priest. According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes).", "According to his own statement, he was a philanderer who, early in his youth, had already \"caught the scent\" of the catrință (the skirt in traditional costumes). In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași.", "In August 1855, circumstances again forced him to change schools: confronted with the closure of his Fălticeni school, Creangă left for the Central Seminary attached to Socola Monastery, in Moldavia's capital of Iași. Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance.", "Ștefan sin Petre's 1858 death left him without means of support, and he requested being directly ordained, but, not being of the necessary age, was instead handed a certificate to attest his school attendance. He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher.", "He was soon after married, after a brief courtship, to the 15-year-old Ileana, daughter of Priest Ioan Grigoriu from the church of the Forty Saints, where he is believed to have been in training as a schoolteacher. The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor.", "The ceremony took place in August 1859, several months after the personal union between Moldavia and its southern neighbor Wallachia, effected by the election of Alexandru Ioan Cuza as Domnitor. Having been employed as a cantor by his father in law's church, he was ordained in December of the same year, assigned to the position of deacon in Holy Trinity Church, and, in May 1860, returned to Forty Saints. Relations between Creangă and Grigoriu were exceptionally tense.", "Relations between Creangă and Grigoriu were exceptionally tense. Relations between Creangă and Grigoriu were exceptionally tense. Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce.", "Only weeks after his wedding, the groom, who had probably agreed to marriage only because it could facilitate succeeding Grigoriu, signed a complaint addressed to Metropolitan Sofronie Miclescu, denouncing his father in law as \"a killer\", claiming to have been mistreated by him and cheated out of his wife's dowry, and demanding to be allowed a divorce. The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu.", "The response to this request was contrary to his wishes: he was ordered into isolation by the Dicasterie, the supreme ecclesiastical court, being allowed to go free only on promise to reconcile with Grigoriu. Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin.", "Beginnings as schoolteacher and clash with the Orthodox Church In 1860, Creangă enlisted at the Faculty of Theology, part of the newly founded University of Iași, and, in December 1860, fathered a son, Constantin. His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864.", "His life still lacked in stability, and he decided to move out of Grigoriu's supervision and into Bărboi Church, before his position as deacon was cut out of the budget and his belongings were evicted out of his temporary lodging in 1864. He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad.", "He contemplated leaving the city, and even officially requested a new assignment in the more remote Bolgrad. Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865).", "Since January 1864, when the Faculty of Theology had been closed down, he had been attending Iași's Trei Ierarhi Monastery normal school (Trisfetite or Trei Sfetite), where he first met the young cultural figure Titu Maiorescu, who served as his teacher and supervisor, and whence he graduated as the first in his class (June 1865). Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing.", "Embittered by his own experience with the education system, Creangă became an enthusiastic promoter of Maiorescu's ideas on education reform and modernization, and in particular of the new methods of teaching reading and writing. During and after completing normal school, he was assigned to teaching positions at Trisfetite. While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\").", "While there, he earned the reputation of a demanding teacher (notably by accompanying his reports on individual students with characterizations such as \"idiot\", \"impertinent\" or \"envious\"). Accounts from the period state that he made use of corporal punishment in disciplining his pupils, and even surpassed the standards of violence accepted at the time. In parallel, he was beginning his activities in support of education reform.", "In parallel, he was beginning his activities in support of education reform. By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\").", "By 1864, he and several others, among them schoolteacher V. Răceanu, were working on a new primer, which saw print in 1868 under the title Metodă nouă de scriere și cetire pentru uzul clasei I primară (\"A New Method of Writing and Reading for the Use of 1st Grade Primary Course Students\"). It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862).", "It mainly addressed the issues posed by the new Romanian alphabetical standard, a Romanization replacing Cyrillic spelling (which had been officially discarded in 1862). Largely based on Maiorescu's principles, Metodă nouă ... became one the period's most circulated textbooks. In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\").", "In addition to didactic texts, it also featured Creangă's isolated debut in lyric poetry, with a naïve piece titled Păsărica în timpul iernii (\"The Little Bird in Wintertime\"). The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu.", "The book was followed in 1871 by another such work, published as Învățătoriul copiilor (\"The Children's Teacher\") and co-authored by V. Răceanu. It included several prose fables and a sketch story, \"Human Stupidity\", to which later editions added Poveste (\"A Story\") and Pâcală (a borrowing of the fictional folk character better known as Păcală). In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery.", "In February 1866, having briefly served at Iași's Pantelimon Church, he was welcomed by hegumen Isaia Vicol Dioclias into the service of Golia Monastery. Around 1867, his wife Ileana left him. After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress.", "After that moment, Creangă began losing interest in performing his duties in the clergy, and, while doing his best to hide that he was no longer living with his wife, took a mistress. The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași.", "The marriage's breakup was later attributed by Creangă himself to Ileana's adulterous affair with a Golia monk, and rumors spread that Ileana's lover was a high-ranking official, the protopope of Iași. Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident.", "Creangă's accusations, Călinescu contends, are nevertheless dubious, because the deacon persisted in working for the same monastery after the alleged incident. By the second half of the 1860s, the future writer was also pursuing an interest in politics, which eventually led him to rally with the more nationalist group within the Romanian liberal current, known as Free and Independent Faction. An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\").", "An agitator for his party, Creangă became commonly known under the nickname Popa Smântână (\"Priest Sour Cream\"). In April 1866, shortly after Domnitor Cuza was toppled by a coup, and just before Carol I was selected to replace him, the Romanian Army intervened to quell a separatist riot in Iași, instigated by Moldavian Metropolitan Calinic Miclescu. It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters.", "It is likely that Creangă shared the outlook of other Factionalists, according to which secession was preferable to Carol's rule, and was probably among the rioters. At around the same time, he began circulating antisemitic tracts, and is said to have demanded that Christians boycott Jewish business. He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\").", "He is thought to have coined the expression Nici un ac de la jidani (\"Not even a needle from the kikes\"). He was eventually selected as one of the Factionalist candidates for an Iași seat in the Romanian Deputies' Chamber, as documented by the memoirs of his conservative rival, Iacob Negruzzi. The episode is supposed to have taken place at the earliest during the 1871 suffrage.", "The episode is supposed to have taken place at the earliest during the 1871 suffrage. By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\".", "By 1868, Creangă's rebellious stance was irritating his hierarchical superiors, and, according to Călinescu, his consecutive actions show that he was \"going out of his way for scandal\". He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church.", "He was initially punished for attending a Iași Theater performance, as well as for defiantly claiming that there was \"nothing scandalous or demoralizing\" in what he had seen, and reportedly further antagonized the monks by firing a gun to scare off the rooks nesting on his church. The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press.", "The latter incident, which some commentators believe fabricated by Creangă's detractors, was judged absurd by the ecclesiastical authorities, who had been further alarmed by negative reporting in the press. When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so.", "When told that no clergyman other than him had been seen using a gun, Creangă issued a reply deemed \"Nasreddinesque\" by George Călinescu, maintaining that, unlike others, he was not afraid of doing so. Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law.", "Confronted by Metropolitan Calinic himself, Creangă allegedly argued that he could think of no other way to eliminate rooks, being eventually pardoned by the prelate when it was ruled that he had not infringed on canon law. Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest.", "Defrocking and the Bojdeuca years Creangă eventually moved out of the monastery, but refused to relinquish his key to the church basement, and, in what was probably a modernizing intent, chopped off his long hair, one of the traditional marks of an Orthodox priest. The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long.", "The latter gesture scandalized his superiors, particularly since Creangă explained himself using an ancient provision of canon law, which stipulated that priests were not supposed to grow their hair long. After some assessment, his superiors agreed not to regard this action as more than a minor disobedience. He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked.", "He was temporarily suspended in practice but, citing an ambiguity in the decision (which could be read as a banishment in perpetuity), Creangă considered himself defrocked. He relinquished his clerical clothing altogether and began wearing lay clothes everywhere, a matter which caused public outrage. By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell.", "By then a teacher at the 1st School for Boys, on Română Street, Creangă was ordered out of his secular assignment in July 1872, when news of his status and attitude reached Education Minister Christian Tell. Upset by the circumstances, and objecting in writing on grounds that it did not refer to his teaching abilities, he fell back on income produced by a tobacconist's shop he had established shortly before being dismissed. This stage marked a final development in Creangă's conflict with the church hierarchy.", "This stage marked a final development in Creangă's conflict with the church hierarchy. Summoned to explain why he was living the life of a shopkeeper, he responded in writing by showing his unwillingness to apologize, and indicated that he would only agree to face secular courts. The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\".", "The virulent text notably accused the church officials of being his enemies on account of his \"independence, sincerity, honesty\" in supporting the cause of \"human dignity\". After the gesture of defiance, the court recommended his defrocking, its decision being soon after confirmed by the synod. In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași.", "In the meantime, Creangă moved into what he called Bojdeuca (or Bujdeuca, both being Moldavian regional speech for \"tiny hut\"), a small house located on the outskirts of Iași. Officially divorced in 1873, he was living there with his lover Ecaterina \"Tinca\" Vartic. A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence.", "A former laundress who had earlier leased one of the Bojdeuca rooms, she shared Creangă's peasant-like existence. This lifestyle implied a number of eccentricities, such as the former deacon's practice of wearing loose shirts throughout summer and bathing in a natural pond. His voracious appetite, called \"proverbial gluttony\" by George Călinescu, was attested by contemporary accounts. These depict him consuming uninterrupted successions of whole meals on a daily basis.", "These depict him consuming uninterrupted successions of whole meals on a daily basis. In May 1874, soon after taking over Minister of Education in the Conservative Party cabinet of Lascăr Catargiu, his friend Maiorescu granted Creangă the position of schoolteacher in the Iași area of Păcurari. During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet.", "During the same period, Ion Creangă met and became best friends with Mihai Eminescu, posthumously celebrated as Romania's national poet. This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition.", "This is said to have taken place in summer 1875, when Eminescu was working as an inspector for Maiorescu's Education Ministry, overseeing schools in Iași County: reportedly, Eminescu was fascinated with Creangă's talents as a raconteur, while the latter admired Eminescu for his erudition. Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing.", "Junimea reception At around the same time, Creangă also began attending Junimea, an upper class literary club presided upon by Maiorescu, whose cultural and political prestige was increasing. This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education.", "This event, literary historian Z. Ornea argued, followed a time of indecision: as a former Factionalist, Creangă was a natural adversary of the mainstream Junimist \"cosmopolitan orientation\", represented by both Maiorescu and Negruzzi, but was still fundamentally committed to Maiorescu's agenda in the field of education. Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment.", "Literary historians Carmen-Maria Mecu and Nicolae Mecu also argue that, after attending Junimea, the author was able to assimilate some of its innovative teachings into his own style of pedagogy, and thus helped diffuse its message outside the purely academic environment. The exact date of his reception is a mystery. According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party.", "According to Maiorescu's own recollections, written some decades after the event, Creangă was in attendance at a Junimea meeting of 1871, during which Gheorghe Costaforu proposed to transform the club into a political party. The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol.", "The information was considered dubious by Z. Ornea, who argued that the episode may have been entirely invented by the Junimist leader, and noted that it contradicted both Negruzzi's accounts and minutes kept by A. D. Xenopol. According to Ornea's assessment, with the exception of literary critic Vladimir Streinu, all of Creangă's biographers have come to dismiss Maiorescu's statement. Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875.", "Several sources mention that the future writer was introduced to the society by Eminescu, who was an active member around 1875. This and other details lead Ornea to conclude that membership was granted to Creangă only after the summer break of 1875. Gradually or instantly, Creangă made a positive impression by confirming with the Junimist ideal of authenticity. He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings.", "He also became treasured for his talkative and jocular nature, self-effacing references to himself as a \"peasant\", and eventually his debut works, which became subjects of his own public readings. His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\").", "His storytelling soon earned him dedicated spectators, who deemed Creangă's fictional universe a \"sack of wonders\" at a time when the author himself had started casually using the pseudonym Ioan Vântură-Țară (\"Ioan Gadabout\"). Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy.", "Although still in his forties, the newcomer was also becoming colloquially known to his colleagues as Moș Creangă (\"Old Man Creangă\" or \"Father Creangă\"), which was a sign of respect and sympathy. Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts).", "Among Ion Creangă's most dedicated promoters were Eminescu, his former political rival Iacob Negruzzi, Alexandru Lambrior and Vasile Pogor, as well as the so-called caracudă (roughly, \"small game\") section, which comprised Junimists who rarely took the floor during public debates, and who were avid listeners of his literary productions (it was to this latter gathering that Creangă later dedicated his erotic texts). In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp.", "In parallel to his diversified literary contribution, the former priest himself became a noted voice in Junimist politics, and, like his new friend Eminescu, voiced support for the group's nationalist faction, in disagreement with the more cosmopolitan and aristocratic segment led by Maiorescu and Petre P. Carp. By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877.", "By that the late 1870s, he was secretly redirecting political support from the former Factionalists to his new colleagues, as confirmed by an encrypted letter he addressed to Negruzzi in March 1877. Literary consecration Autumn 1875 is also often described as his actual debut in fiction prose, with \"The Mother with Three Daughters-in-Law\", a short story first publish in October by the club's magazine Convorbiri Literare. In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death.", "In all, Convorbiri Literare would publish 15 works of fiction and the four existing parts of his Childhood Memories before Creangă's death. Reportedly, the decision to begin writing down his stories had been the direct result of Eminescu's persuasion. His talent for storytelling and its transformation into writing fascinated his new colleagues. Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process.", "Several among them, including poet Grigore Alexandrescu, tasked experimental psychologist Eduard Gruber with closely studying Creangă's methods, investigations which produced a report evidencing Creangă's laborious and physical approach to the creative process. The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience.", "The latter also involved his frequent exchanges of ideas with Vartic, in whom he found his primary audience. In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\").", "In addition to his fiction writing, the emerging author followed Maiorescu's suggestion and, in 1876, published a work of educational methodology and the phonemic orthography favored by Junimea: Povățuitoriu la cetire prin scriere după sistema fonetică (\"Guide to Reading by Writing in the Phonetic System\"). It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell.", "It was supposed to become a standard textbook for the training of teachers, but was withdrawn from circulation soon afterward, when the Catargiu cabinet fell. After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple.", "After losing his job as school inspector following the decisions of a hostile National Liberal executive, Mihai Eminescu spent much of his time in Bojdeuca, where he was looked after by the couple. For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems.", "For five months after quarreling with Samson Bodnărescu, his fellow poet and previous landlord, Eminescu even moved inside the house, where he reputedly pursued his discreet love affair with woman writer Veronica Micle, and completed as many as 22 of his poems. Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions).", "Creangă introduced his younger friend to a circle of companions which included Zahei Creangă, who was by then a cantor, as well as Răceanu, priest Gheorghe Ienăchescu, and clerk Nicșoi (all of whom, Călinescu notes, had come to share the raconteur's lifestyle choices and his nationalist opinions). Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades.", "Eminescu was especially attracted by their variant of simple life, the rudimentary setting of Creangă's house and the group's bohemian escapades. Circumstances drew the two friends apart: by 1877, Eminescu had relocated in Bucharest, the capital city, regularly receiving letters in which Creangă was asking him to return. He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet.", "He was however against Eminescu's plan to marry Veronica Micle, and made his objection known to the poet. In 1879, as a sign that he was formalizing his own affair with Tinca Vartic, Creangă purchased the Bojdeuca in her name, paying his former landlord 40 Austrian gulden in exchange. That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu.", "That same year, he, Răceanu and Ienăchescu published the textbook Geografia județului Iași (\"The Geography of Iași County\"), followed soon after by a map of the same region, researched by Creangă and Răceanu. A final work in the area of education followed in 1880, as a schoolteacher's version of Maiorescu's study of Romanian grammar, Regulile limbei române (\"Rules of the Romanian Language\"). Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes.", "Illness and death By the 1880s, Creangă had become afflicted with epilepsy, suffering accelerated and debilitating episodes. He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size).", "He was also severely overweight, weighing some 120 kilograms (over 250 pounds), with a height of 1.85 meters (6 feet), and being teasingly nicknamed Burduhănosul (\"Tubby\") by his friends (although, according to testimonies by his son and daughter-in-law, he did not actually look his size). Despite his activity being much reduced, he still kept himself informed about the polemics agitating Romania's cultural and political scene. He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder.", "He was also occasionally hosting Eminescu, witnessing his friend's struggle with mental disorder. The two failed to reconnect, and their relationship ended. After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889.", "After one of the meetings, he recorded that the delusional poet was carrying around a revolver with which to fend off unknown attackers—among the first in a series of episodes which ended with Eminescu's psychiatric confinement and death during June 1889. Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine.", "Around that time, Creangă, like other Junimists, was involved in a clash of ideas with the emerging Romanian socialist and atheistic group, rallied around Contemporanul magazine. This occurred after Contemporanul founder Ioan Nădejde publicly ridiculed Învățătoriul copiilor over its take on creationism, quoting its claim that \"the invisible hand of God\" was what made seeds grow into plants. Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\".", "Creangă replied with a measure of irony, stating that \"had God not pierced the skin over our eyes, we would be unable to see each other's mistakes\". Nevertheless, Călinescu argued, Nădejde's comments had shaken his adversary's religious sentiment, leading Creangă to question the immortality of the soul in a letter he addressed to one of his relatives in the clergy. According to other assessments, he was himself an atheist, albeit intimately so.", "According to other assessments, he was himself an atheist, albeit intimately so. In 1887, the National Liberal Ministry of Dimitrie Sturdza removed Creangă from his schoolteacher's post, and he subsequently left for Bucharest in order to petition for his pension rights. Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber).", "Having hoped to be granted assistance by Maiorescu, he was disappointed when the Junimea leader would not respond to his request, and, during his final years, switched allegiance to the literary circle founded by Nicolae Beldiceanu (where he was introduced by Gruber). Among Creangă's last works was a fourth and final part of his Memories, most likely written during 1888. The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\").", "The book remained unfinished, as did the story Făt-frumos, fiul iepei (\"Făt-Frumos, Son of the Mare\"). He died after an epileptic crisis, on the last day of 1889, his body being buried in Iași's Eternitatea Cemetery. His funeral ceremony was attended by several of Iași's intellectuals (Vasile Burlă, A. C. Cuza, Dumitru Evolceanu, Nicolae Iorga and Artur Stavri among them). Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea.", "Work Cultural context The impact of Ion Creangă's work within its cultural context was originally secured by Junimea. Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants.", "Seeking to revitalize Romanian literature by recovering authenticity, and reacting against those cultural imports it deemed excessive, the group notably encouraged individual creativity among peasants. Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone.", "Reflecting back on Maiorescu's role in the process, George Călinescu wrote: \"A literary salon where the personal merit would take the forefront did not exist [before Junimea] and, had Creangă been born two decades earlier, he would not have been able to present 'his peasant material' to anyone. Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\"", "Summoning the creativity of the peasant class and placing it in direct contact with the aristocrats is the work of Junimea.\" His cogenerationist and fellow literary historian Tudor Vianu issued a similar verdict, commenting: \"Junimea is itself ... an aristocratic society. Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\"", "Nevertheless, it is through Junimea that surfaced the first gesture of transmitting a literary direction to some writers of rural extraction: a phenomenon of great importance, the neglect of which would render unexplainable the entire subsequent development of our literature.\" Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\".", "Also referring to cultural positioning within and outside the group, Carmen-Maria Mecu and Nicolae Mecu took the acceptance of \"literate peasants\" such as Creangă as exemplary proof of Junimist \"diversity\" and \"tolerance\". Maiorescu is known to have had much appreciation for Creangă and other writers of peasant origin, such as Ion Popovici-Bănățeanu and Ioan Slavici. Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists.", "Late in life, he used this connection to challenge accusations of Junimist elitism in the face of criticism from more populist traditionalists. Nonetheless, Junimea members in general found Creangă more of an entertainer rather than a serious writer, and treasured him only to the measure where he illustrated their theories about the validity of rural literature as a source of inspiration for cultured authors. Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\".", "Therefore, Iacob Negruzzi sympathetically but controversially referred to his friend as \"a primitive and uncouth talent\". Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise.", "Maiorescu's critical texts also provide little individual coverage of Creangă's contributions, probably because these failed to comply exactly with his stratification of literary works into poporane (\"popular\", that is anonymous or collective) and otherwise. Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally.", "Tudor Vianu's theory defines Creangă as a prime representative of the \"popular realism\" guidelines (as sporadically recommended by the Junimist doyen himself), cautioning however that Creangă's example was never mentioned in such a context by Maiorescu personally. Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny).", "Although he occasionally downplayed his own contribution to literature, Creangă himself was aware that his texts went beyond records of popular tradition, and made significant efforts to be recognized as an original author (by corresponding with fellow writers and willingly submitting his books to critical scrutiny). Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art.", "Vianu commented at length on the exact relationship between the narrative borrowed from oral tradition and Creangă's \"somewhat surreptitious\" method of blending his own style into the folkloric standard, likening it to the historical process whereby local painters improvised over the strict canons of Byzantine art. Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth.", "Creangă's complex take on individuality and the art of writing was attested by his own foreword to an edition of his collected stories, in which he addressed the reader directly: \"You may have read many stupid things since you were put on this Earth. Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\"", "Please read these as well, and where it should be that they don't agree with you, take hold of a pen and come up with something better, for this is all I could see myself doing and did.\" An exception among Junimea promoters was Eminescu, himself noted for expressing a dissenting social perspective which only partly mirrored Maiorescu's take on conservatism. According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood.", "According to historian Lucian Boia, the \"authentic Moldavian peasant\" that was Creangă also complemented Eminescu's own \"more metaphysical\" peasanthood. Similarly, Z. Ornea notes that the poet used Creangă's positions to illustrate his own ethnonationalist take on Romanian culture, and in particular his claim that rural authenticity lay hidden by a \"superimposed stratum\" of urbanized ethnic minorities. 20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature.", "20th century critics have described Creangă as one of his generation's most accomplished figures, and a leading exponent of Junimist literature. This verdict is found in several of Vianu's texts, which uphold Creangă as a great exponent of his generation's literature, comparable to fellow Junimea members Eminescu, Slavici and Ion Luca Caragiale. This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s.", "This view complements George Călinescu's definition, placing the Moldavian author in the company of Slavici and Caragiale as one of the \"great prose writers\" of the 1880s. Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\".", "Lucian Boia, who noted that \"the triad of Romanian classics\" includes Creangă alongside Eminescu and Caragiale, also cautioned that, compared to the other two (with whom \"the Romanians have said almost all there is to say about themselves\"), Creangă has \"a rather more limited register\". The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry.", "The frequent comparison between Creangă and Caragiale in particular is seen by Vianu as stemming from both their common \"wide-ranging stylistic means\" and their complementary positions in relations to two superimposed phenomenons, with Caragiale's depiction of the petite bourgeoisie as the rough equivalent of Creangă's interest in the peasantry. The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds.", "The same parallelism is explained by Ornea as a consequence of the two authors' social outlook: \"[Their works] have cemented aesthetically the portrayal of two worlds. Creangă's is the peasant world, Caragiale's the suburban and urban one. Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\"", "Two worlds which represent, in fact, two characteristic steps and two sociopolitical models in the evolution of Romanian structures which ... were confronting themselves in a process that would later prove decisive.\" According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\"", "According to the same commentator, the two plus Eminescu are their generation's great writers, with Slavici as one \"in their immediate succession.\" While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources.", "While listing what he believes are elements bridging the works of Creangă and Caragiale, other critics have described as strange the fact that the two never appear to have mentioned each other, and stressed that, although not unlikely, a direct encounter between them was never recorded in sources. Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns.", "Narrative style and language Highlighting Ion Creangă's recourse to the particularities of Moldavian regionalisms and archaisms, their accumulation making Creangă's work very difficult to translate, George Călinescu reacted against claims that the narratives reflected antiquating patterns. He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance.", "He concluded that, in effect, Creangă's written language was the equivalent of a \"glossological museum\", and even contrasted by the writer's more modern everyday parlance. Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation.", "Also discussing the impression that Creangă's work should be read with a Moldavian accent, noted for its \"softness of sound\" in relation to standard Romanian phonology, Călinescu cautioned against interpretative exaggerations, maintaining that the actual texts only offer faint suggestions of regional pronunciation. Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\".", "Contrasting Creangă with the traditions of literature produced by Wallachians in what became the standard literary language, Călinescu also argued in favor of a difference in mentality: the \"balance\" evidenced by Moldavian speech and illustrated in Ion Creangă's writings is contrasted by the \"discoloration and roughness\" of \"Wallachianism\". He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\"", "He also criticized those views according to which Creangă's variant of the literary language was \"beautiful\", since it failed to \"please everyone on account of some acoustical beauty\", and since readers from outside the writer's native area could confront it \"with some irritation.\" For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu.", "For Călinescu, the result nevertheless displays \"an enormous capacity of authentic speech\", also found in the works of Caragiale and, in the 20th century, Mihail Sadoveanu. According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\".", "According to the same commentator, the dialectical interventions formed a background to a lively vocabulary, a \"hermetic\" type of \"argot\", which contained \"hilarious double entendres and indecent onomatopoeia\", passing from \"erudite beauty\" to \"obscene laughter\". Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical.", "Some of the expressions characteristic of Creangă's style are obscure in meaning, and some other, such as \"drought made the snake scream inside the frog's mouth\", appear to be spontaneous and nonsensical. Another specific trait of this language, commented upon by Vianu's and compared by him to the aesthetics of Classicism, sees much of Creangă's prose being set to a discreet poetic meter. The recourse to oral literature schemes made it into his writings, where it became a defining trait.", "The recourse to oral literature schemes made it into his writings, where it became a defining trait. As part of this process, Călinescu assessed, \"Creangă acts as all his characters in turn, for his stories are almost entirely spoken. ... When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\"", "When Creangă recounts, the composition is not extraordinary, but once his heroes begin talking, their gesticulation and wording reach a height in typical storytelling.\" According to the critic, discovering this \"fundamental\" notion about Creangă's work was the merit of literary historian and Viața Românească editor Garabet Ibrăileanu, who had mentioned it as a main proof of affiliation to realism. The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality.", "The distinctive manner of characterization through \"realistic dialogues\" is seen by Vianu as a highly personal intervention and indicator of the Moldavian writer's originality. Both Vianu and Călinescu discussed this trait, together with the technique of imparting subjective narration in-between characters' replies, as creating other meeting points between Creangă and his counterpart Caragiale. Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing.", "Partly replicating in paper the essence of social gatherings, Ion Creangă often tried to transpose the particular effects of oral storytelling into writing. Among these characteristic touches were interrogations addressed to the readers as imaginary listeners, and pausing for effect with the visual aid of ellipsis. He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\").", "He also often interrupted his narratives with concise illustrations of his point, often in verse form, and usually introduced by vorba ceea (an expression literally meaning \"that word\", but covering the sense of \"as word goes around\"). One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts.", "One example of this connects the notions of abundance and personal satisfaction: In other cases, the short riddles relate to larger themes, such as divine justification for one's apparent fortune: Creangă's specificity Despite assuming the external form of traditional literature, Ion Creangă's interests and creative interventions, Călinescu noted, separated him from his roots: \"peasants do not have [his] entirely cultured gifts. ... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements.", "... Too much 'atmosphere', too much dialogic 'humor', too much polychromy at the expense of linear epic movements. The peasant wants the bare epic and desires the unreal.\" The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose.", "The commentator passed a similar judgment on the author's use of ancient sayings, concluding that, instead of crystallizing and validating local folklore, the accounts appeal to cultured tastes, having as the generation of comedy and volubility as their main purpose. According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\"", "According to Vianu's assessment Creangă was \"a supreme artist\" whose use of \"typical sayings\" attests \"a man of the people, but not an anonymous and impersonal sample.\" These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu.", "These verdicts, directly contradicting Junimist theories, were mirrored by several other 20th century exegetes belonging to distinct schools of thought: Pompiliu Constantinescu, Benjamin Fondane and Ion Negoițescu. Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\"", "Writing during the second half of the century, critic Nicolae Manolescu passed a similar judgment, believing that Creangă was motivated by a \"strictly intellectual sensuousness\" and the notion that \"pleasure arises from gratuitousness\", while Manolescu's colleague Mircea Braga referred to \"the great secret of the man who has managed to transfer unaltered the code of popular creativity into the immanence of the cultured one.\" In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\".", "In Braga's assessment, this synthesis managed \"the impossible\", but the difficulty of repeating it with each story also resulted in mediocre writings: \"from among his few texts, even fewer are located on the relatively highest level of the relative aesthetic hierarchy\". Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais.", "Călinescu viewed such intellectual traits as shared by Creangă with his Wallachian counterpart Anton Pann, in turn linking both writers to the satirical component of Renaissance literature, and specifically to François Rabelais. Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers.", "Within local tradition, the literary historian saw a symbolic connection between Creangă and the early 18th century figure, Ion Neculce, one of Moldavia's leading chroniclers. While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia.", "While he made his own comparison between Creangă and Pann, Tudor Vianu concluded that the Moldavian writer was in fact superior, as well as being more relevant to literature than Petre Ispirescu, the prime collector of tales in 19th-century Wallachia. Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes.", "Also making use of the Rabelais analogy, literary chronicler Gabriela Ursachi found another analogy in local letters: Ion Budai-Deleanu, an early 19th-century representative of the Transylvanian School, whose style mixes erudite playfulness with popular tastes. These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature.", "These contextual traits, researchers assess, did not prevent Creangă's overall work from acquiring a universal aspect, particularly since various of his writings use narrative sequences common throughout world literature. George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas.", "George Călinescu also assessed that these literary connections served to highlight the elevated nature of Creangă's style, his \"erudite device\", concluding: \"Writers such as Creangă can only show up in places where the word is ancient and equivocal, and where experience has been condensed into unchanging formulas. It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism.", "It would have been more natural for such a prose writer to have emerged a few centuries later, into an era of Romanian humanism. Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\"", "Born much earlier, Creangă showed up where there exists an ancient tradition, and therefore a species of erudition, ... in a mountain village ... where the people is unmixed and keeping [with tradition].\" Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others.", "Outlining his own theory about the aspects of \"national specificity\" in Romanian letters, he expanded on these thoughts, listing Creangă and Eminescu as \"core Romanians\" who illustrated a \"primordial note\", complemented by the \"southern\" and \"Balkan\" group of Caragiale and others. Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\"", "Claiming that the \"core\" presence had \"not primitive, but ancient\" origins, perpetuated by \"stereotyped wisdom\" and \"energetic fatalism\", he asserted: \"Creangă shows our civilization's contemporaneity with the world's oldest civilizations, our Asian age.\" The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\"", "The alternating national and regional characteristics in Creangă's writings are related by historian Neagu Djuvara with the writer's place of birth, an affluent village in an isolated region, contrasting heavily with the 19th century Wallachian countryside: \"if the mud hut villages of the Danube flood plain are to be taken into account, one finds himself in a different country.\" Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative.", "Ornea, who noted that Eminescu effectively shared Creangă's worldview, believed the latter to have been dominated by nostalgia for a world of independent landowning peasants, and argued that Creangă's literary and political outlook were both essentially conservative. Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\"", "Ornea commented: \"One could say that it was through [this form of nostalgia] that the writer debuted and that, within the space of his work it became, in its own right, an expression of the world that was about to vanish.\" Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\"", "Commenting on Creangă's \"robust realism\" and lack of \"sentimentality\", Vianu contrarily asserted: \"Creangă's nostalgia ... has an individual, not social, sense.\" The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes.", "The witty and playful side of Creangă's personality, which became notorious during his time at Junimea and constituted a significant part of his appeal, was reflected into a series of anecdotes. These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor.", "These accounts detail his playing the ignorant in front of fellow Junimists in order not to antagonize sides during literary debates (notably, by declaring himself \"for against\" during a two-option vote), his irony in reference to his own admirers (such as when he asked two of them to treasure the photograph of himself in the middle and the two of them on either side, while comparing it to the crucifixion scene and implicitly assigning them the role of thieves), and his recourse to puns and proverbs which he usually claimed to be citing from oral tradition and the roots of Romanian humor. The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\".", "The latter habit was notably illustrated by his answer to people who would ask him for money: \"not since I born was I as poor as I was poor yesterday and the day before yesterday and last week and last week and throughout life\". His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink.", "His joyfulness complemented his overall Epicureanism and his gourmand habits: his accounts are often marked by a special interest in describing acts related to food and drink. Overall, Eduard Gruber's report contended, Creangă's writing relied on him being \"a strong sensual and auditive type\", and a \"very emotional\" person. Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work.", "Ion Creangă's sense of humor was instrumental in forging the unprecedented characteristics of his work. American critic Ruth S. Lamb, the writer's style merges \"the rich vocabulary of the Moldavian peasant\" with \"an original gaiety and gusto comparable to that of Rabelais.\" According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\"", "According to George Călinescu: \"[Creangă] got the idea that he was a clever man, like all men of the people, and therefore used irony to make himself seem stupid.\" In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\".", "In Călinescu's view, the author's antics had earned him a status equivalent to that of his Wallachian Junimist counterpart Caragiale, with the exception that the latter found his inspiration in urban settings, matching \"Nasreddinisms\" with \"Miticism\". Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\"", "Z. Ornea sees the main protagonists in Creangă's comedic narratives as, in effect, \"particularized incarnations of the same symbolic character\", while the use of humor itself reflects the traditional mindset, \"a survival through intelligence, that of a people with an old history, whose life experience has for centuries been concentrated into gestures and words.\" Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions.", "Most prominent tales Part of Ion Creangă's contribution to the short story, fantasy and children's literature genres involved collecting and transforming narratives circulating throughout his native region, which intertwine with his characteristic storytelling to the point where they become original contributions. According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs.", "According to Călinescu, the traditional praise for Ion Creangă as a creator of literary types is erroneous, since his characters primarily answered to ancient and linear narrative designs. The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act).", "The conclusion is partly shared by Braga, who links Creangă's tales to ethnological and anthropological takes on the themes and purposes of fairy tales, postulating the prevalence of three ancient and related narrative pretexts throughout his contributions: the preexistence of a \"perturbing situation\" (attributable to fatality), the plunging of the hero into a rite of passage-type challenge, a happy ending which brings the triumph of good over evil (often as a brutal and uncompromising act). Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals.", "Like their sources and predecessors in folklore, these accounts also carry transparent morals, ranging from the regulation of family life to meditations about destiny and lessons about tolerating the marginals. However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\".", "However, Swedish researcher Tom Sandqvist argues, they also illustrate the absurdist vein of some traditional narratives, by featuring \"grotesqueries\" and \"illogical surprises\". With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger.", "With \"The Goat and Her Three Kids\", written mainly as a picturesque illustration of motherly love, Creangă produced a fable in prose, opposing the eponymous characters, caricatures of a garrulous but hard-working woman and her restless sons, to the sharp-toothed Big Bad Wolf, a satirical depiction of the cunning and immoral stranger. The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood.", "The plot shows the wolf making his way into the goat's house, where he eats the two older and less obedient kids, while the youngest one manages to escape by hiding up the chimney—the symbolism of which was psychoanalyzed by Dan Grădinaru, who claims it constitutes an allusion to Creangă's own childhood. The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator.", "The dénouement sees an inversion of the natural roles, an episode which, ethnologist Șerban Anghelescu notes, is dominated by \"the culinary fire\": the goat exercises her brutal revenge by trapping and slowly cooking the predator. This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters.", "This approach partly resonates with that of \"The Mother with Three Daughters-in-Law\", in which Creangă makes ample use of a traditional theme in Romanian humor, which portrays mothers-in-law as mean, stingy and oppressive characters. The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch.", "The embodiment of such offensive traits, she is also shown to be ingenious, pretending that she has a hidden third eye which always keeps things under watch. The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death.", "The narrator sides with the three young women in depicting their violent retribution, showing them capturing their oppressor, torturing her until she is left speech impaired, and leaving her on the brink of death. The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing.", "The mother-in-law's end turns into a farce: the eldest and most intelligent of the killers manipulates her victim's dying sounds into a testament partitioning her wealth, and a thin decorum is maintained at the funeral ceremony by the daughters' hypocritical sobbing. \"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted.", "\"The Story of the Pig\" partly illustrates the notion that parental love subdues even physical repulsion, showing an elderly peasant couple cherishing their adopted porcine son, who, unbeknown to them, is enchanted. The creature instantly offsets his parents' sadness and immobility by his witty intelligence.", "The creature instantly offsets his parents' sadness and immobility by his witty intelligence. Having applied his perseverance and spells to erect a magical bridge, the piglet fulfills the requirement for marrying the emperor's daughter, after which it is uncovered that he is a Făt-Frumos or Prince Charming character who assumes his real identity only by night. Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community.", "Although the plot is supposed to deal with imperial magnificence in fairy tale fashion, the setting is still primarily rural, and the court itself is made to look like an elevated peasant community. According to researcher Marcu Beza, the text is, outside of its humorous context, a distant reworking of ancient legends such as Cupid and Psyche. The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday.", "The story introduces three additional characters, old women who assess and reward the efforts of the virtuous: Holy Wednesday, Holy Friday and Holy Sunday. They represent a mix of Christian and pagan traditions, by being both personifications of the liturgical calendar and fairy-like patrons of the wilderness (zâne). A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\".", "A similar perspective was favored by \"The Old Man's Daughter and the Old Woman's Daughter\". Here, the theme echoes Cinderella, but, according to Călinescu, the rural setting provides a sharp contrast to the classical motif. Persecuted by her stepmother and stepsister, the kind and loving daughter of the old man is forced into a position of servitude reflecting the plight of many peasant women in Creangă's lifetime. In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife.", "In this case, the old man is negatively depicted as cowardly and entirely dominated by his mean wife. The focal point of the narrative is the meeting between the good daughter and Holy Sunday. The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri).", "The latter notices and generously rewards the girl's helpful nature and mastery of cooking; in contrast, when her envious sister attempts the same and fails, she ends up being eaten by serpent-like creatures (balauri). The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor.", "The happy ending sees the good girl marrying not Prince Charming, but a simple man described as \"kind and industrious\"—this outcome, Călinescu assessed, did not in effect spare the old man's daughter from a life of intense labor. A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage.", "A story very similar to \"The Old Man's Daughter ...\" is \"The Purse a' Tuppence\", which teaches that greed can shatter families, while offering symbolic retribution to men who are unhappy in marriage. The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat.", "The old man's rooster, chased away by the old woman for being unproductive, ends up amassing a huge fortune, which he keeps inside his belly and regurgitates back into the courtyard; the jealous old woman ends up killing her favorite hen, who has failed in replicating the rooster's feat. Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people.", "Devil-themed stories and \"Harap Alb\" Several of Creangă's characteristic novellas are infused with themes from Christian mythology, fictionalizing God, Saint Peter and the army of devils, most often with the comedic intent of showing such personages behaving like regular people. A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\"", "A defining story in this series is \"Dănilă Prepeleac\", whose eponymous peasant hero is characterized by what Șerban Anghelescu calls \"idiocy serving to initiate\", or, according to Gabriela Ursachi, \"complete, and therefore sublime, stupidity.\" The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play.", "The first part of the story shows Dănilă exchanging his oxen for an empty bag—a set of dialogues which, George Călinescu argued, is almost exactly like a comedy play. In what was described as a complete reversal in characterization, the hero uses intelligence and ruse to trick and frighten several devils. Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon.", "Contrarily, \"Stan Pățitul\" shows its hero fraternizing with a lesser demon. Following the opening episode, in which the latter accidentally eats a bit of mămăligă dedicated by Stan to those who honor God, Satan himself condemns his subordinate to service the peasant. Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service.", "Călinescu highlights the naturalness of exchanges between the two protagonists, the latter of whom assumes the endearing form of a frail boy, Chirică, who ends up moving in with Stan and entering his service. The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman.", "The writing was also noted for other realistic elements alluding to everyday life, such as the overtly colloquial exchange between Chirică and Satan, or the episodes in which the young devil helps Stan woo a peasant woman. Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval.", "Although relatively young, Stan himself is referred to as stătut (\"frowzy\" or \"lacking in freshness\"), and the wording reflects rural attitudes about men who fail to marry during a certain age interval. Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell.", "Toward the end, the story focuses on a corrupt old woman who tries to trick Stan's new wife into committing adultery, but fails and is banished to the remotest area of Hell. Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\".", "Viewed by Călinescu as Creangă's \"most original manner of dealing with the fabulous\", and paralleled by him with Caragiale's Kir Ianulea on account of its realist approach to the supernatural, \"Stan Pățitul\" is, according to Vianu, untraceable in its inspiration: \"[its] folk origin could not be identified, but it is not dismissible\". Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death.", "Another account in this series is \"Ivan Turbincă\", whose protagonist, a Russian serviceman, is shown rebelling against Heaven and Hell, and ultimately accomplishing the human ideal of cheating Death. The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel.", "The plot retells a theme present in both Romanian tradition and Ukrainian folklore, while, according to researcher of children's literature Muguraș Constantinescu, the main character is similar to German tradition's Till Eulenspiegel. In the beginning of the account, God rewards the soldier's exemplary charity by granting him a pouch (turbincă), which can miraculously trap anything in existence. In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness.", "In order to circumvent the laws of nature, Ivan subsequently makes use of both his magical item and his innate shrewdness. In one such episode, pretending not to understand the proper position of bodies inside a coffin, he tricks impatient Death into taking his place, and traps her inside. Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad.", "Eventually, he is allowed to keep his life, but is promised an eternity of old age, which he ingeniously counterbalances by attending an endless succession of wedding parties, and therefore never having to feel sad. \"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\"", "\"Harap Alb\", one of Ion Creangă's most complex narratives, carries a moral defined by Călinescu as \"the gifted man will earn a reputation under any guise.\" The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne.", "The story opens with a coming of age quest, handed down by a king to his three sons: the most fit among them is supposed to reach the court of the Green Emperor, who is the king's brother, and succeed him to the throne. According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor.", "According to Călinescu, the mission bases itself on travels undertaken by young men in Creangă's native region, while the subsequent episodes in the narrative reinforce the impression of familiarity, from the \"peasant speech\" adopted by the villain known as the Bald Man, to the \"crass vulgarity\" evidenced by the antagonist Red Emperor. Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures.", "Forced to pass himself off as a foreign servant (or \"Moor\"), the prince is three times tested and aided by Holy Sunday, who doubles as the queen of zâne creatures. Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance.", "Călinescu described as \"playful realism\" the method through which Creangă outlined the mannerisms of several other characters, in particular the allegorical creatures who provide the youngest prince with additional and serendipitous assistance. In one noted instance, the characters Setilă (\"Drink-All\") and Flămânzilă (\"Eat-All\") help the hero overcome seemingly impossible tasks set by the Red Emperor, by ingesting unnaturally huge amounts of food and drink. The tale builds on intricate symbolism stemming from obscure sources.", "The tale builds on intricate symbolism stemming from obscure sources. It features what Muguraș Constantinescu calls \"the most complex representation of Holy Sunday\", with mention of her isolated and heavenly abode on \"flower island\". A background antithesis opposes the two fictional monarchs, with the Red Emperor replicating an ancient tradition which attributes malignant characteristics to the color. By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\".", "By contrast, the Green Emperor probably illustrates the ideals of vitality and healthy lifestyle, as hinted by his culinary preference for \"lettuce from the garden of the bear\". Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars.", "Historian Adrian Majuru, building on earlier observations made by linguist Lazăr Șăineanu, also connects the servant-prince's antagonists with various reflections of ethnic strife in Romanian folklore: the Red Emperor as standing for the medieval Khazars (\"Red Jews\"), the Bald Man as a popular view of the Tatars. Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs.", "Childhood Memories Childhood Memories is, together with a short story about his teacher Isaia Teodorescu (titled \"Popa Duhu\"), one of Creangă's two memoirs. George Călinescu proposed that, like his fairy tales, the book illustrates popular narrative conventions, a matter accounting for their special place in literature: \"The stories are true, but typical, without depth. Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\"", "Once retold with a different kind of gesticulation, the subject would lose all of its lively atmosphere.\" Also based on the techniques of traditional oral accounts, it features the topical interventions of a first-person narrator in the form of soliloquies, and reflects in part the literary canon set by frame stories. The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\"", "The resulting effect, Călinescu argued, was not that of \"a confession or a diary\", but that of a symbolic account depicting \"the childhood of the universal child.\" According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture.", "According to Vianu, the text is especially illustrative of its author's \"spontaneous passage\" between the levels of \"popular\" and \"cultured\" literature: \"The idea of fictionalizing oneself, of outlining one's formative steps, the steady accumulation of impressions from life, and then the sentiment of time, of its irreversible flow, of regret for all things lost in its consumption, of the charm relived through one's recollections are all thoughts, feelings and attitudes defining a modern man of culture. No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\".", "No popular model could have ever stood before Creangă when he was writing his Memories, but, surely, neither could the cultured prototypes of the genre, the first autobiographies and memoirs of the Renaissance\". Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes.", "Grădinaru and essayist Mircea Moț analyzed the volume as a fundamentally sad text, in stated contrast with its common perception as a recollection of joyful moments: the former focused on moments which seem to depict Nică as a loner, the latter highlighted those sections which include Creangă's bitter musings about destiny and the impregnability of changes. A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition.", "A distinct interpretation was provided by critic Luminița Marcu, who reacted against the tradition of viewing Creangă's actual childhood as inseparable from his own subjective rendition. Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900.", "Several of the book's episodes have drawn attention for the insight they offer into the culture, structure and conflicts of traditional society before 1900. Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\"", "Commenting on this characteristic, Djuvara asserted: \"even if we take into account that the grown-up will embellish, transfigure, 'enrich' the memories of his childhood, how could we not recognize the sincerity in Creangă's heart-warming evocation of his childhood's village?\" The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration.", "The book stays true to life in depicting ancient customs: discussing the impact of paganism on traditional Romanian customs, Marcu Beza communicated a detail of Creangă's account, which shows how January 1 celebrations of Saint Basil opposed the loud buhai players reenacting a fertility rite to people preferring a quieter celebration. The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change.", "The work also offers details on the traditional roles of a rural society such as that of Humulești, in the context of social change. Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă.", "Muguraș Constantinescu highlights the important roles of old men and women within Nică's universe, and especially that of his grandfather and \"clan leader\" David Creangă. The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\"", "The latter, she notes, is an \"enlightened man\" displaying \"the wisdom and balance of the ripe age\", a person able to insist on the importance of education, and a churchgoer who frowns on \"his wife's bigotry.\" The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock.", "The seniors' regulatory role within the village is evidenced throughout the book, notoriously so in the episode where the boy captures a hoopoe who bothers his morning sleep, only to be tricked into releasing it by old man, who understands the bird's vital role as village alarm clock. Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts.", "Another significant part of the account, detailing Creangă's education, shows him frustrated by the old methods of teaching, insisting on the absurd image of children learning by heart and chanting elements of Romanian grammar and even whole texts. The narrator refers to this method as \"a terrible way to stultify the mind\".", "The narrator refers to this method as \"a terrible way to stultify the mind\". The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\"", "The negative portrayal of teaching priests was commented by writer and critic Horia Gârbea as proof of the author's anticlericalism, in line with various satirical works targeting the Romanian clergy: \"Creangă's Memories of the catechism school would discourage any candidate.\" Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin.", "Didactic writings Creangă's contribution to literature also covers a series of didactic fables written as lively dialogues, among them \"The Needle and the Sledge Hammer\", in which the objects of traditional metalworking scold the byproducts of their work for having forgotten their lowly origin. The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri.", "The inspiration behind this theme was identified by Călinescu as \"The Story of a Gold Coin\", written earlier by Creangă's Junimist colleague Vasile Alecsandri. A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\"", "A similar piece, \"The Flax and the Shirt\", reveals the circuit of fibers from weed-like plants into recycled cloth, leading to the conclusion that \"all things are not what they seem; they were something else once, they are something else now;—and shall become something else.\" The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society.", "The technique employed by Creangă has the flax plant teaching the less knowledgeable textile, a dialogue which Călinescu likened to that between old women in a traditional society. Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed.", "Included alongside the two stories were: Pâcală, a writing which, Mircea Braga argued, is not as much didactic as it is a study in dialogue; \"The Bear Tricked by the Fox\", which uses legendary and humorous elements in an attempt to explain why bears are the tail-less species among mammals; and Cinci pâini (\"Five Loafs of Bread\"), which serves as a condemnation of greed. With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms.", "With \"Human Stupidity\", Creangă builds a fable about incompetence in its absolute forms. The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby.", "The story centers on a peasant's quest to find people who are less rational than his wife, having been infuriated by her panic at the remote possibility that a ball of salt could fall from its place of storage and kill their baby. This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\".", "This, essayist and chronicler Simona Vasilache argues, highlights \"a family-based division\" of illogical behavior, in which women are depicted as the main propagators of both \"astonishing nonsense\" and \"prudent stupidity\". Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\".", "Instead, literary critic Ion Pecie identified inside the narrative a meditation on \"the link between spirit and nature\", with the unpredictable ball of salt representing the equivalent of a \"sphinx\". His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\".", "His colleague Gheorghe Grigurcu argued that such conclusions \"may seem excessive\", but that they were ultimately validated by the literary work being \"a plurality of levels\". A similar piece is the prose fable \"The Story of a Lazy Man\": fed up with the protagonist's proverbial indolence, which has led him as far as to view chewing food as an effort, his fellow villagers organize a lynching. This upsets the sensibility of a noblewoman who happens to witness the incident.", "This upsets the sensibility of a noblewoman who happens to witness the incident. When she offers to take the lazy man into her care and feed him bread crumbs, he seals his own fate by asking: \"But are your bread crumbs soft?\" The peculiar effect of this moral is underlined by Anghelescu: \"The lazy man dies as a martyr of his own immobility.\" Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition.", "Braga interpreted the story as evidence of \"the primacy of ethics\" over social aspects in the local tradition. Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\"", "Ion Pecie saw in the story proof of Creangă's own support for capital punishment with a preventive or didactic purpose, even in cases were the fault was trivial or imagined, concluding: \"Here, ... Creangă loses much of his depth.\" Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\".", "Pecie's conclusion was treated with reserve by Grigurcu, who believed that, instead, the narrator refrains from passing any judgment on \"the community's instinctual eugenic reaction\". Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza.", "Partly didactic in scope, several of Creangă's anecdotes involve Ion Roată, a representative to the ad hoc Divan which voted in favor of Moldo-Wallachian union, and the newly elected Domnitor Alexandru Ioan Cuza. The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century.", "The texts convey a sense of tension between the traditional boyar aristocracy and the peasant category, closely reflecting, according to historian Philip Longworth, a conflict mounting during the second half of the 19th century. The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea.", "The same is argued by Ornea, who also proposes that the protagonist offers insight into Creangă's own conservative reflexes and his complex views on the union, while outlining several connections which the brand of social criticism professed by Junimea. Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights.", "Although Roată, a real-life person, was a representative of the pro-union National Party, his main interest, according to the stories themselves, was in curbing the boyars' infringement of peasant rights. The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'.", "The stories' narrator directs his hostility not at boyars in general, but at the younger Romantic nationalist ones, whom he portrays as gambling on Moldavia's future: \"[There was] a clash of ideas opposing old boyars to the youth of Moldavia's ad hoc Divan, even though both were in favor of 'Union'. It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\"", "It's only that the old ones wanted a negotiated 'Union', and the young ones a 'Union' done without proper thinking, as it came to pass.\" According to Muguraș Constantinescu: \"[Roată] opposes the intelligence of common folk, their common sense, their humor and the pleasure of allegorical discourse to the pompous and hollow speeches of some politicians\". In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse.", "In this context, Cuza's presence is depicted as both legitimate and serendipitous, as he takes a personal interest in curbing boyar abuse. Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age.", "Moș Nichifor Coțcariul and \"corrosives\" Seen by Romanian critic Radu Voinescu as an extended anecdote, the novella Moș Nichifor Coțcariul (\"Old Man Nichifor Slyboots\") establishes a connection with the language of fairy tales, being located in a legendary and non-historical age. It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra.", "It details the elaborate seduction of a young Jewish bride by a worldly Moldavian wagoner, on the route between Târgu Neamț and Piatra. The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms).", "The episode, which the text itself indicates is just one in a series of Nichifor's conquests among his female clients, highlights the seducer's verbose monologue, which covers accounts of his unhappy marriage, allusions about the naturalness of physical love, and intimidating suggestions that wolves may be tempted to attack the wagon (prompting the young woman to seek refuge in his arms). The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\".", "The seducer's behavior, Constantinescu notes, presents an alternative to the theme of old age as a time of immobility: \"the still-green old man, the rake, the joker who enjoys his amorous escapades, while justifying them by the natural course of life\". Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation.", "Nichifor mostly expresses himself with the help of folk sayings, which he casually mixes in with personal observations about the situation. The background to the plot is a record of various superstitions, some anticlerical or antisemitic: Nichifor voices the belief that priests crossing one's path will produce bad luck, as well as the claim that Jewish apothecaries sold \"poisons\". The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă.", "The reception of Moș Nichifor Coțcariul by Junimea illustrated its ambivalence toward Creangă. Maiorescu found the text \"interesting in its way and decisively Romanian\", but asked Convorbiri Literare journal to either modify it or refrain from publishing it altogether. This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\"", "This was complemented by its author's own self-effacing assessment: calling the text \"a childish thing\", he suggested to Maiorescu that revisions were needed, stating \"I have written it long, because there was no time for me to write it short.\" Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\"", "Contrarily, the writer's posterity referred to it as one of the greatest Romanian contributions to the genre: according to George Călinescu, the insight into Nichifor's musings resulted in transforming the writing as a whole into \"the first great Romanian novella with a stereotypical hero\", while Voinescu described the entire story as \"a true masterpiece.\" The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians.", "The narrative approaches of Moș Nichifor Coțcariul bordered on Creangă's contributions to erotic literature, pieces collectively known as \"corrosives\" and which have for long treated with discretion by literary historians. In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\"", "In Călinescu's view, this chapter in Creangă's literature created another link between the Moldavian writer and the Renaissance tradition of Rabelais: \"All Rabelaisians have penetrated deeply into the realm of vulgarity.\" The taste for titillating accounts was also cultivated by Junimea members, who discreetly signaled their wish to hear more explicit content by asking Creangă to recount stories from \"the wide street\". A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally.", "A product of this context, Moș Nichifor Coțcariul itself is said to have had at least one sexually explicit variant, circulated orally. Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\").", "Two stories with explicit pornographic content survive as samples of Creangă's erotic authorship: \"The Tale of Ionică the Fool\" and \"The Tale of All Tales\" (also known as Povestea pulei, \"Tale of the Dick\" or \"Tale of the Cock\"). The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act.", "The former shows its cunning hero having intercourse with a priest's daughter, moving between prose and verse to describe the act. \"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women.", "\"The Tale of All Tales\", which makes ample use of vulgar speech, recounts how a peasant disrespectful of divinity has his entire maize harvest transformed into male genitalia, but is able to turn out a profit by catering to the sexual appetites of women. The final section, seen by Gârbea as a sample of anticlerical jeers recorded by \"the defrocked Creangă\", depicts the rape of a priest by one such sexual object. Although explicit, literary historian Alex.", "Although explicit, literary historian Alex. Although explicit, literary historian Alex. Ștefănescu argued, the text \"is refined and full of charm\". While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources.", "While acknowledging both \"corrosives\" for their \"popular charm\" in the line of Rabelais and Geoffrey Chaucer, and noting that they still display the author's place as a \"great stylist\", Voinescu also signaled the texts' \"very obvious\" debt to folkloric sources. In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\".", "In his definition, Ion Creangă is \"possibly the only writer\" to draw on the legacy of \"luscious popular jests\" found in local \"erotic folklore\". Nevertheless, according to literary critic Mircea Iorgulescu, \"The Tale of All Tales\" may in fact be based on Parapilla, a pornographic leaflet circulating in Italian and French. Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works.", "Legacy Estate, family and early cultural impact Soon after the Creangă's death, efforts began to collect his manuscript writings and the updated versions of his printed works. This project involved his son Constantin, alongside A. D. Xenopol, Grigore Alexandrescu and Eduard Gruber, the latter of whom obtained the works from Tinca Vartic. The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death.", "The first edition was published as two volumes, in 1890–1892, but the project came to an abrupt halt due to Gruber's insanity and death. Creangă's final known work, the fragment of Făt-frumos, fiul iepei, was published by Convorbiri Literare in 1898. The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper.", "The Gruber copies were sold to a Dr. Mendel, and only a part of them was recovered by exegetes, alongside various fragments accidentally discovered at Iași market, where they were being used for wrapping paper. The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906.", "The collection, structured into a whole by folklorist Gheorghe T. Kirileanu, was published by Editura Minerva in 1902 and 1906. In addition to being mentioned in the memoirs of several prominent Junimists, Creangă had his political career fictionalized and satirized by Iacob Negruzzi, who transformed him, as Popa Smântână, into a character of his satirical poems Electorale (\"Electorals\"). The same author referred to his counterpart in one of his epigrams.", "The same author referred to his counterpart in one of his epigrams. Shortly after her lover's death, Tinca Vartic married a man who lived in the same part of Iași. The target of organized tourism from as early as 1890, the Iași Bojdeuca nevertheless fell into disrepair. It was eventually purchased by an \"Ion Creangă Committee\", whose members included Constantin Creangă, Kirileanu and the ultra-nationalist politician A. C. Cuza. It was set up as the first of Romania's \"memorial houses\" on April 15, 1918.", "It was set up as the first of Romania's \"memorial houses\" on April 15, 1918. Restored the same year and again in 1933–1934, it houses an important part of Creangă's personal items and the first known among Creangă's portraits, painted by his contemporary V. Mușnețanu. While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest.", "While Constantin Creangă had a successful career in the Romanian Army, one of the writer's two grandsons, Horia Creangă, became one of the celebrated modern architects of the interwar period, earning his reputation by redesigning much of downtown Bucharest. The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language.", "The popularity of Ion Creangă's accounts outside his regional and dialectal context, together with his own contribution as an educator, played a part in the evolution of standard Romanian, at a new phase in which many dialectal variations were incorporated into the spoken language. His primers Metodă nouă ... and Învățătoriul copiilor went through many editions during the late 19th century. The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature.", "The impact of his works was also a contributing factor to preserving a noted interest in rural subjects, a subsequent defining trait in modern Romanian literature. Discussing \"stylistic harmony\", which he believed to be bridging all of Romania's social and literary environments, philosopher Mircea Eliade wrote: \"Romanians consider Ion Creangă a classic writer belonging to the modern age. His work can be read and understood by the entire range of social classes, in all the provinces of our country.", "His work can be read and understood by the entire range of social classes, in all the provinces of our country. In spite of the abundant presence of Moldavian words in his writings, the work would not remain a stranger to its readers. What other European culture can take pride in having a classic writer read by all categories of readers?\"", "What other European culture can take pride in having a classic writer read by all categories of readers?\" The \"thematic grip of the village\" was noted by American academic Harold Segel, who investigated its impact on \"some of the most revered names in the history of Romanian literature\", from Creangă and Slavici to interwar novelist Liviu Rebreanu. Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900.", "Early 20th century and interwar echoes A more thorough evaluation of Creangă's literature began after 1900. At the time, it became a topic of interest to the emerging traditionalist and populist trend, illustrated by the two venues rivaling Junimea: the right-wing Sămănătorul, led by Nicolae Iorga, and the left-wing Poporanists, among which was Garabet Ibrăileanu. The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif.", "The new editions of his works enlisted the collaboration of Sămănătorist intellectuals Ilarie Chendi and Ștefan Octavian Iosif. Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\"", "Tudor Vianu however noted that, unlike Eminescu's outlook, Creangă's \"authentic ruralism\" did not complement the \"spiritual complications\", global social class perspective and intellectual background associated with these trends, making Creangă \"the least Sămănătorist among our writers.\" According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\".", "According to Ornea, Creangă has \"nothing in common\" with the Sămănătorul ideology in particular: while the group shared his nostalgic outlook on the rural past in stark contrast to the modernized world, the Moldavian author could \"maintain, intelligently, the middle ground between contraries\". Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\"", "Likewise, Mircea Braga reacted against the perception of Creangă as announcing a \"series\" of authors, noting that, for all imitation, he was \"an exceptional and, as far as Romanian literary history goes, unique creator.\" Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect.", "Directly influenced by Creangă, several early 20th century and interwar authors within the new traditionalist trend explicitly stood for the legacy of folkloric, spontaneous and unskilled literature: the peasant writer I. Dragoslav, whose memoirs borrow stylistic elements from Creangă's accounts; Constantin Sandu-Aldea, an agriculturalist by profession, who took inspiration from his techniques of rendering dialogue; and Ion Iovescu, whom the Sburătorul literary circle acclaimed as \"a new Creangă\", and who made ample use of a modernized Muntenian dialect. Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\".", "Similarly, the Aromanian activist and author Nicolae Constantin Batzaria, who divided his career between Romania and the southern Balkans, combined Creangă's storytelling techniques with the traditions of Turkish literature, while the reworking of regional folklore themes earned intellectual Constantin S. Nicolăescu-Plopșor a reputation as \"the Oltenian Creangă\". During the 1910s, folklorist Tudor Pamfile published a specialized magazine named Ion Creangă in honor of the writer. Creangă's various works also provided starting points for several other writers of diverse backgrounds.", "Creangă's various works also provided starting points for several other writers of diverse backgrounds. They included representatives of the Symbolist movement, such as Victor Eftimiu, who was inspired by Creangă's narrative style in writing his fantasy and verse play Înșir'te mărgărite. Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\".", "Another such author was poet Elena Farago, whose didactic children's story Într-un cuib de rândunică (\"Inside a Swallow's Nest\") borrows from \"The Flax and the Shirt\". With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă.", "With the interwar period and the spread of modernist literature, a new generation of critics, most notably George Călinescu and Vladimir Streinu, dedicated important segments of their activity to the works of Ion Creangă. Other such figures were Șerban Cioculescu, whose contribution attempts to elucidate the more mysterious parts of the writer's vocabulary, and educator Dumitru Furtună, whose biographical studies provided a main source for subsequent research. By then, interest in Creangă's life and writings had diversified.", "By then, interest in Creangă's life and writings had diversified. This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style.", "This phenomenon first touched Romanian theater when I. I. Mironescu dramatized a section of Creangă's Memories as Catiheții de la Humulești (\"The Catechists from Humulești\")—a literary contribution judged \"superfluous\" by George Călinescu, who noted that the original was already \"dramatic\" in style. The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\".", "The writer's stories also became an inspiration for Alfred Mendelsohn and Alexandru Zirra, two Romanian composers who worked in children's musical theater, who adapted, respectively, \"Harap Alb\" and \"The Goat and Her Three Kids\". Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts.", "Creangă was also a secondary presence in Mite and Bălăuca, two biographical novels centered on Eminescu's amorous life, written by the prominent interwar critic Eugen Lovinescu, to whom Călinescu reproached having largely ignored Creangă in his nonfictional texts. Creangă's writings also earned followers among the more radical wing of the modernist scene. The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane.", "The authenticity and originality of Creangă's prose were highlighted and treasured by the influential modernist venue Contimporanul, in particular by its literary chroniclers Ion Vinea and Benjamin Fondane. Likewise, while formally affiliating with Surrealism, the avant-garde author Ion Călugăru contributed various prose works which borrow some of Creangă's storytelling techniques to depict the lives of Jewish Romanian communities from Moldavia. In stages after World War I, the 19th century writer became better known to an international audience.", "In stages after World War I, the 19th century writer became better known to an international audience. This process produced translations into English, some of which, Călinescu argued, reached significant popularity among British readers of Romanian literature. In contrast, writer Paul Bailey assessed that the variants used antiquated words and \"sounded terrible\" in English. Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza.", "Among the series of early English-language versions was a 1920 edition of Creangă's Memories, translated by Lucy Byng and published by Marcu Beza. It was also during the interwar that Jean Boutière published the first-ever French-language monograph on the Romanian writer, originally as a Ph.D. thesis for the University of Paris. While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye.", "While their author continued to receive praise for his main contributions, the erotic tales were most often kept hidden from the public eye. George Călinescu summarized this contrast by stating: \"The 'corrosives' left by Creangă are not known publicly.\" An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature.", "An exception to this rule was Kirileanu's Creangă reader of 1938, published by Editura Fundațiilor Regale as the first critical edition of his entire literature. According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\"", "According to critic Adrian Solomon, the Romanian tradition of silencing obscene language and sexually explicit literature through censorship made \"The Tale of All Tales\" circulate \"rather like a samizdat\", which left writers with \"no solid tradition to draw on, and precious little chance to evade ... the vigilant morals of a straitlaced public.\" The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s.", "The nationalist aspects of Ion Creangă's public discourse were however approved of and recovered by the far right of the 1920s and '30s. High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction).", "High-ranking Orthodox cleric Tit Simedrea referred to Creangă as a predecessor when, in 1937, he urged his congregation to refrain from purchasing merchandise sold by Jews (a measure which he believed was a practical alternative to the Jews' forced eviction). In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\"", "In 1939, as part of a press campaign targeting Călinescu's work, the fascist journal Porunca Vremii accused the literary historian of having exposed Creangă's biography for the sake of compromising the \"genial Moldavian\" by turning him into \"an unfrocked epileptic and a drunk.\" Creangă inspired a 1920 painting by Octav Băncilă, which shows Creangă listening to Eminescu reading his poems. Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood.", "Two busts of the author were erected in Iași, respectively at his grave site and, in 1932, the gardens of Copou neighborhood. After 1943, another such piece was unveiled in Bucharest's Cișmigiu Gardens, as part of Rotunda Scriitorilor monument. Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments.", "Under communism During Romania's restrictive communist period, which lasted between 1948 and 1989, the critical evaluation of Ion Creangă's work went through several periods, complementing political developments. Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania).", "Throughout the first part of this interval, when socialist realism was politically imposed on Romanian letters, Creangă was spared the posthumous censorship which affected several other classical writers (see Censorship in Communist Romania). His work was officially praised for its aesthetic qualities, but its association with the condemned Junimea was omitted from critical commentary, and readers were instead referred to Creangă as a realist critical of bourgeois society. In 1948, the new authorities granted him posthumous membership in the Romanian Academy.", "In 1948, the new authorities granted him posthumous membership in the Romanian Academy. The following year, at the height of Soviet occupation, official critic Barbu Lăzăreanu controversially described Creangă as a writer indebted to Russian folklore. By the second half of communist rule, several new approaches in the critical assessment of Creangă's literature were emerging. His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\".", "His work became a main topic of critical interest and the sole subject of many works, to the point where Nicolae Manolescu assessed that \"everything has been said about Creangă\". Within this exegetic phenomenon, an original interpretation of his stories from an esoteric perspective was written by philosopher Vasile Lovinescu as Creangă și Creanga de aur (\"Creangă and the Golden Bough\"). During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism.", "During the final two decades of communism, under Nicolae Ceaușescu, the recovery of nationalist discourse into official dogma also encouraged the birth of protochronism. In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage.", "In one of its aspects, theorized by cultural historian Edgar Papu, this approach controversially reevaluated various Romanian writers, Creangă included, presenting them as figures who anticipated most developments on the world stage. Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\"", "Papu's own conclusion about \"Harap Alb\", outlined in a 1983 volume, depicted Creangă as a direct predecessor of Italian semiotician Umberto Eco and his celebrated volume The Open Work—a conclusion which literary historian Florin Mihăilescu has seen as proof of Papu's \"exegetic obsession\", lacking in \"sense of humor, not just sense of reality.\" One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\".", "One of Papu's disciples, national communist ideologue Dan Zamfirescu, claimed that Creangă was equal to, or even more important than world classics Homer, William Shakespeare and Johann Wolfgang von Goethe, while asserting that the eponymous protagonist of \"Ivan Turbincă\" stands as \"the character who dominates world history in our century\". Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians.", "Left outside the scope of this critical interest, the \"corrosives\" were left out of new Creangă readers (such as Iorgu Iordan's 1970 edition), being, according to a 1976 essay by scholar George Munteanu, \"still unpublishable\" for lack of \"a general level of aesthetic education\" among Romanians. A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965.", "A second museum entirely dedicated to the writer was opened at his Târgu Neamț home in 1951, and donated to the state by his successors in 1965. During the following decades, it reportedly became the most visited memorial house in Romania. The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989.", "The authorities also financed a new cultural center, raised in the immediate vicinity of Bojdeuca during 1984–1989. In 1965, the Ion Creangă Children's Theater, a state-run institution, was founded in Bucharest, and its subsequent activity included staging several of the writer's fairy tales for a junior public. Among such contributions were two adaptation of \"Harap Alb\", directed respectively by Ion Lucian and Zoe Anghel Stanca. In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\".", "In 1983, Timișoara-based author Șerban Foarță also completed work on a stage version of \"Ivan Turbincă\". A new publishing house, Editura Ion Creangă, was created as a main publisher of children's literature, and its output included editions of Creangă's own works. The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize.", "The new editions were illustrated by several visual artists of note, among them Corneliu Baba, Eugen Taru and Lívia Rusz, while \"Harap Alb\" became a project of comic book artist Sandu Florea, earning him a Eurocon prize. A major project of the time involved Creangă translations into other languages, including Hungarian (a celebrated contribution by Hungarian-Romanian author András Sütő). During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry.", "During the same epoch, Creangă and his stories first became sources of inspiration for the Romanian film industry. Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story).", "Among the first were two contributions of filmmaker Elisabeta Bostan, both released in the early 1960s and based on the Memories: Amintiri din copilărie (starring child actor Ion Bocancea as the young Nică and Ștefan Ciubotărașu as the grown-up narrator), and Pupăza din tei (focusing on the hoopoe story). In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role.", "In 1965, celebrated Romanian director Ion Popescu-Gopo released De-aș fi Harap Alb, a loose adaptation of \"Harap Alb\", starring Florin Piersic in the title role. Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\".", "Popescu-Gopo also directed the 1976 film Povestea dragostei, which was based on \"The Story of the Pig\" and the 1985 film \"Ramasagul\" which was based on \"The Bag with 2 Coins\". The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea).", "The series also includes Nicolae Mărgineanu's biographical film of 1989, Un bulgăre de humă, focuses on the friendship between Creangă (played by Dorel Vișan) and Eminescu (Adrian Pintea). The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova).", "The legacy of Ion Creangă was also tangible in the Soviet Union, and especially in the Moldavian SSR (which, as the larger section of Bessarabia, had been part of interwar Greater Romania, and later became independent Moldova). Initially, his writings, titled Moldavian Stories, formed part of the Soviet curriculum in the Moldavian Autonomous Region (Transnistria). Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities.", "Following the Soviet occupation of Bessarabia, Creangă was one of the Romanian-language writers whose works were still allowed for publishing by the new authorities. This provided local contributors to Romanian literature contact with older cultural models, directly inspiring the experimental or Postmodern prose pieces by Vlad Ioviță and Leo Butnaru. The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău.", "The endorsement of Creangă's public image within the Moldavian SSR was also reflected in art: in 1958, the writer's bust, the work of sculptor Lev Averbruh, was assigned to the Alley of Classics in Chișinău. His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author.", "His works were illustrated by one of the Moldavian SSR's leading visual artists, Igor Vieru, who also painted a portrait of the author. In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga.", "In 1967, Ioviță and filmmaker Gheorghe Vodă released Se caută un paznic: an adaptation of \"Ivan Turbincă\" and one of the successful samples of early Moldovan cinema, it was also noted for the musical score, composed by Eugen Doga. Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea).", "Also during that period, \"The Goat ...\" and \"The Purse a' Tuppence\" were made into animated shorts (directed by Anton Mater and Constantin Condrea). In 1978, an operatic version of \"The Goat and Her Three Kids\" was created by composer Zlata Tkach, based on a libretto by Grigore Vieru. After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union.", "After 1989 The 1989 Revolution, which signaled the end of communism, closely preceded the dissolution of the Soviet Union. Renewed Moldova–Romania relations, and moves toward potential reunification, were consecrated by 1990 events such as the \"Bridge of Flowers\". The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca.", "The latter tour saw Moldovan politicians and cultural delegates demanding, and obtaining, that they be allowed to visit Bojdeuca. In 1993, answering a petition signed by a group of cultural personalities from Iași, Metropolitan Daniel (the future Patriarch of All Romania) signed a decision to posthumously revert the decision to exclude Ion Creangă from among the Moldavian clergy. The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians.", "The public polled during a 2006 program produced by the Romanian Television nominated Creangă 43rd among the 100 greatest Romanians. New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru.", "New monuments honoring the writer include a bust unveiled in Târgu Neamț, the work of sculptor Ovidiu Ciobotaru. The patrimony associated with Creangă's life has also sparked debates: local authorities in Târgu Neamț were criticized for not maintaining the site near his house in its best condition, while the Fălticeni where he once lived was controversially put up for sale by its private owners in 2009, at a time when city hall could not exercise its pre-emption right. Creangă's work was also subject to rediscovery and reevaluation.", "Creangă's work was also subject to rediscovery and reevaluation. This implied the publishing of his \"corrosives\", most notably in a 1998 edition titled Povestea poveștilor generației '80 (\"The Tale of the Tales of the 80s Generation\"). Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers.", "Edited by Dan Petrescu and Luca Pițu, it featured a Postmodern reworking of Povestea poveștilor by Mircea Nedelciu, a leading theorist of the Optzeciști writers. A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob.", "A trilingual edition of Creangă's original text was published in 2006 as a Humanitas project, with illustrations made for the occasion by graphic artist Ioan Iacob. The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang.", "The book included versions of the text in English (the work of Alistair Ian Blyth) and French (translated by Marie-France Ionesco, the daughter of playwright Eugène Ionesco), both of which were noted for resorting exclusively to antiquated slang. In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\").", "In 2004, another one of Creangă's stories was subjected to a Postmodern interpretation, with Stelian Țurlea's novel Relatare despre Harap Alb (\"A Report about Harap Alb\"). In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\".", "In 2009, Țurlea followed up with a version of \"The Old Man's Daughter and the Old Woman's Daughter\"; a year later, his colleague Horia Gârbea published a personal take on \"The Story of a Lazy Man\". Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students.", "Ion Creangă's own didactic tales have remained a presence in the Romanian curriculum after 2000, particularly in areas of education targeting the youngest students. New films based on Creangă's writings include, among others, Mircea Daneliuc's Tusea și junghiul of 1992 (an adaptation of \"The Old Man's Daughter ...\") and Tudor Tătaru's Moldovan-Romanian co-production Dănilă Prepeleac (1996). There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges.", "There were also several post-1989 theatrical adaptations of Ion Creangă's texts, contributed by various Romanian dramaturges. Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text.", "Some of these are Cornel Todea's variant of \"Harap Alb\" (with music by Nicu Alifantis), Cristian Pepino's take on \"The Goat and Her Three Kids\", Mihai Mălaimare's Prostia omenească (from \"Human Stupidity\") and Gheorghe Hibovski's Povestea poveștilor, a fringe theater show using both Creangă's original and Nedelciu's text. Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy.", "Creangă's name was assigned to several education institutions, among them Bucharest's Ion Creangă National College, and to an annual prize granted by the Romanian Academy. There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc.", "There is an Ion Creangă commune, in Neamț County, and streets or squares were also named in the writer's honor in cities throughout Romania: Târgu Neamț, Iași, Fălticeni, Bucharest, Arad, Brăila, Brașov, Cluj-Napoca, Craiova, Drobeta-Turnu Severin, Oradea, Ploiești, Sibiu, Suceava, Târgu Mureș, Tecuci, Timișoara, Tulcea, etc. A quarter in northern Bucharest, near Colentina, is also named Ion Creangă. Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova.", "Creangă's name was assigned to several landmarks and institutions in post-Soviet Moldova. Among them is the Ion Creangă Pedagogical State University, founded on the basis of Chișinău's normal school. Notes References Marcu Beza, Paganism in Roumanian Folklore, Swedenborg Press, New York, 2007. Lucian Boia, History and Myth in Romanian Consciousness, Central European University Press, Budapest, 2001. Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220.", "Mircea Braga, postface and bibliography to Ion Creangă, Povești și povestiri, Editura Minerva, 1987, p. 199–220. George Călinescu, Istoria literaturii române de la origini pînă în prezent, Editura Minerva, Bucharest, 1986 Paul Cernat, Avangarda românească și complexul periferiei: primul val, Cartea Românească, Bucharest, 2007. Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed.", "Muguraș Constantinescu, \"Figures et représentations du vieillir et de la vieillesse dans les contes de Ion Creangă\", in Alain Montandon (ed. ), Figures du vieillir, Presses Universitaires Blaise Pascal, Clermont-Ferrand, 2005, p. 59–71. Neagu Djuvara, Între Orient și Occident. Țările române la începutul epocii moderne, Humanitas, Bucharest, 1995. Horia Gârbea, Trecute vieți de fanți și de birlici, Cartea Românească, Bucharest, 2008. Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed.", "Ruth S. Lamb, \"Romanian Drama\", in Stanley Hochman (ed. ), The McGraw-Hill Encyclopedia of World Drama. Vol. 4: O-S, McGraw-Hill, New York, 1984, p. 239–252. Carmen-Maria Mecu, Nicolae Mecu, \"Paradigms of Junimea in Education for a Civil Society\", in Magdalena Dumitrana (ed. ), Romania: Cultural Identity and Education for Civil Society.", "), Romania: Cultural Identity and Education for Civil Society. Romanian Philosophical Studies, V. Cultural Heritage and Contemporary Change, Series IVA, Eastern and Central Europe, Volume 24, Council for Research in Values and Philosophy, Washington, 2004, p. 181–193. Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002.", "Florin Mihăilescu, De la proletcultism la postmodernism, Editura Pontica, Constanța, 2002. Lucian Nastasă, Intelectualii și promovarea socială (pentru o morfologie a câmpului universitar), Editura Nereamia Napocae, Cluj-Napoca, 2002; e-book version at the Romanian Academy's George Bariț Institute of History Andrei Oișteanu, Inventing the Jew. Antisemitic Stereotypes in Romanian and Other Central East-European Cultures, University of Nebraska Press, Lincoln, 2009. Z. Ornea, Anii treizeci. Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995.", "Extrema dreaptă românească, Editura Fundației Culturale Române, Bucharest, 1995. Junimea și junimismul, Vol. II, Editura Minerva, Bucharest, 1998. Tudor Vianu, Scriitori români, Vol. I-III, Editura Minerva, Bucharest, 1970–1971. Radu Voinescu, \"Romanian Erotic Literature\", in Gaëtan Brulotte, John Phillips (eds. ), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131.", "), Encyclopedia of Erotic Literature, Routledge, New York & Abingdon, p. 1127–1131. External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories.", "External links translations in the Romanian Cultural Institute's Plural Magazine (various issues): \"Danillo Nonsuch\" (\"Dănilă Prepeleac\"), Childhood Memories (excerpt), \"The Mother with Three Daughters-in-Law\", Childhood Memories (excerpt), \"The Purse a' Tuppence\", \"The Tale of All Tales\", \"The Tale of Ionică the Fool\" Roumanian Stories. Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\".", "Translated by Lucy Byng, at the University of Washington's DXARTS/CARTAH Electronic Text Archive \"The Story of the Pig\". Hog Bridegrooms (tales of Aarne-Thompson-Uther type 441 in which a beautiful maiden is forced to marry a hog or a hedgehog), University of Pittsburgh, Folklore and Mythology Electronic Texts edited and/or translated by D. L. Ashliman 1837 births 1889 deaths People from Târgu Neamț People of the Principality of Moldavia Romanian Orthodox priests Free and Independent Faction politicians Romanian children's writers Romanian collectors of fairy tales Romanian erotica writers Romanian fantasy writers Romanian folklorists Romanian humorists Romanian memoirists 19th-century Romanian poets Romanian male poets Romanian male short story writers Romanian short story writers Romanian textbook writers Romanian fabulists Junimists Realism (art movement) 19th-century Eastern Orthodox priests Romanian political candidates Romanian educational theorists Romanian schoolteachers Censorship in Romania Christian creationists People with epilepsy Burials at Eternitatea cemetery Members of the Romanian Academy elected posthumously 19th-century memoirists" ]
[ "Houston Livestock Show and Rodeo", "Trail rides", "do they have trail rides at the houston livestock show and rodeo?", "Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo." ]
C_b0e09b1b5e694dd1aa7694aaa0a637a4_1
are the trail rides open to the public?
2
Are the trail rides at the Houston Livestock Show and Rodeo open to the public?
Houston Livestock Show and Rodeo
Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about 3 miles (4.8 km) per hour, covering up to 17 miles (27 km) each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. CANNOTANSWER
As of 2017, there were 13 official trail rides, totaling over 3,000 riders.
The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome. It is considered to be the city's "signature event", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed "the year of the volunteer." The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as "Mr. Houston Livestock Show". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: "It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston." The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as ""the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, "if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission." NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, "the Singing Cowboy"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. "Buddy" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows
true
[ "The Stonehurst Family Farm and Motor Museum is a working farm and a motor museum located in the village of Mountsorrel, Leicestershire. The farm won the Leicestershire Tourism Award for Best visitor experience 2000/2001.\n\nFarm\n\nHistory\nThe farm (established in 1851) is currently open to the public daily and is home to many differing animals. The farm operates tractor trailer rides for the local children, currently hoping to link up with the Mountsorrel Railway creating a large linked family attraction. Stonehurst has a working farm with several interactive attractions.\n\nMotor museum\nThe motor museum on the property has a large collection of vintage motorcycles and cars, including some 1960s sports cars.\n\nAttractions\nWobbling bridges and balance beams\nPetting zoo\n Motor museum\nTractor rides\nAdventure trail\nPony rides\n\nReferences\n\nAmusement parks in England\nAutomobile museums in England\nBorough of Charnwood\nFarms in Leicestershire\nMuseums in Leicestershire", "Tour Aotearoa is an annual cycle tour event and cycling route in New Zealand. The route travels from Cape Reinga to Bluff.\n\nTour Aotearoa's debut event in 2016 included about 250 riders. The event was organised by Jonathan Kennett, a manager of the New Zealand Cycle Trail project. Kennett said that as the Cycle Trail project manager, he was often asked what was the best route from Cape Reinga to Bluff, which was part of the inspiration for the event. Kennett described the route in 2016 as a \"mix of off-road trails, back-country roads, a few bits of highway, and even 90 Mile Beach\", and that more sections would move off-road every month as more cycle trails were built.\n\nThe event is a brevet, meaning that it is not a race and cyclists ride at their own pace, though participants are expected to complete the challenge in under 30 days and reach 30 photo checkpoints, as well as carry all their own gear. The event was biannual, held in 2016, 2018, and 2020, then moved to yearly with an event in 2021.\n\nThe New Zealand Herald reported that Jackson Kelly was believed to be the youngest person to complete the event, at age 16. Kelly and his father entered the event in 2021 and completed the route over 28 days.\n\nRoute\nWriter Graeme Simpson said in 2018 that although the route was only a few years old, \"it's already one of New Zealand's great cycling adventures and is recognised as one of the best in the world, too.\"\n\nThe route is a mix of sealed roads, gravel roads, 4WD tracks, cycle trails and mountain bike tracks (). The route segments are selected to include as many Great Rides as possible and avoid high traffic main roads. Route segments are updated as new trail is created.\n\nAll cycling on the route is free and open to the public all year round, however the route does require four or five commercial boat rides; Hokianga Harbour, Kaipara Harbour (optional), Wanganui River, Cook Strait, and Lake Wakatipu.\n\nMain route segments\nNorth Island\n Far North Cycleway Ninety Mile Beach\n Kauri Coast Cycleway\n Kaipara Missing Link\n Hauraki Rail Trail\n Waikato River Trail\n Timber Trail\n Kaiwhakauka Track\n Bridge to Nowhere Mountain Biking Trail\n Mountains to Sea\n The Three Rivers\n Manawatu Cycleway\n Remutaka Cycle Trail\n\nSouth Island\n Queen Charlotte Drive\n Maungatapu Track\n Great Taste Trail\n Pioneer Heritage Trail\n Big River and Waiuta Track\n West Coast Wilderness Trail\n Haast Pass\n Crown Range\n Queenstown Trail\n Around the Mountains Cycle Trail\n Southland Traverse\n\nSee also\n Te Araroa – the tramping/walking route from Cape Reinga to Bluff\n\nReferences\n\nExternal links\n \n \n \n\nCycling events\nCycling in New Zealand\nUltra-distance cycling" ]
[ "The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome.", "It was previously held in the Astrodome. It was previously held in the Astrodome. It is considered to be the city's \"signature event\", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed \"the year of the volunteer.\" The event is 20 days long.", "The event is 20 days long. The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions.", "International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins.", "The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others.", "The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India.", "History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed.", "Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show.", "Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state.", "Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place.", "Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings.", "Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive.", "The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day.", "The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night.", "Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships.", "Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission.", "Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities.", "The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design.", "Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer.", "The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome.", "The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo.", "Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as \"Mr. Houston Livestock Show\". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston.", "Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting.", "The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA).", "Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival.", "For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value.", "This was far beyond market value. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens.", "Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants.", "The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002.", "21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down.", "Following the show, the Astrohall was torn down. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome.", "In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008.", "To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening.", "The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008.", "The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it.", "Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston.\" The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition.", "The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee.", "The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities.", "Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott.", "Minority leaders in Houston advocated a boycott. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied.", "Houston applied for a renewal but were denied. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo.", "As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys.", "However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening.", "In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010.", "Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award.", "Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo.", "The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down.", "It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition.", "RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food.", "There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day.", "Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate.", "The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as \"\"the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress\". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo.", "Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day.", "They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration.", "The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail.", "Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade.", "The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund.", "All proceeds go to the show's scholarship fund. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society.", "It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited.", "The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds.", "Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023.", "The 49th is scheduled for 23–25 February 2023. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale.", "More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys.", "RodeoHouston features 280 of the top professional cowboys. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel.", "In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium.", "They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena.", "Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds.", "The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium.", "Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, \"if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission.\" NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores.", "NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors.", "The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition.", "These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena.", "Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world.", "Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016.", "The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value.", "Most champion animals sell for well over market value. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston.", "Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person.", "The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities.", "It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million.", "In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play.", "The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region.", "A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year.", "The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants.", "Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum.", "1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, \"the Singing Cowboy\"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo.", "1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944.", "Elvis Presley sets attendance record of 43,944. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship.", "1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record.", "1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards.", "1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium.", "2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million.", "2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park.", "2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459.", "2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston.", "2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508.", "2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level.", "It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577.", "It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening.", "2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well.", "(two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus.", "2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows" ]
[ "Houston Livestock Show and Rodeo", "Trail rides", "do they have trail rides at the houston livestock show and rodeo?", "Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo.", "are the trail rides open to the public?", "As of 2017, there were 13 official trail rides, totaling over 3,000 riders." ]
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Are the trail rides competitive or for leisure?
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Are the trail rides at the Houston Livestock Show and Rodeo competitive or for leisure?
Houston Livestock Show and Rodeo
Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about 3 miles (4.8 km) per hour, covering up to 17 miles (27 km) each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. CANNOTANSWER
The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston.
The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome. It is considered to be the city's "signature event", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed "the year of the volunteer." The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as "Mr. Houston Livestock Show". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: "It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston." The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as ""the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, "if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission." NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, "the Singing Cowboy"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. "Buddy" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows
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[ "A Judged trail ride is a type of trail riding popular in the western United States where horses and riders are asked to travel a natural trail for a set distance (usually 10 to 15 miles) with occasional stops for the horse and rider team to negotiate an obstacle, usually with varying options for difficulty, with higher scores given for completing the more difficult version of each obstacle.\n\nUnlike endurance riding or Competitive trail riding, the ride is not timed. Only obstacle scores are utilized. Rides are informal and rules vary widely by region and individual ride.\n\nEndurance and trail riding", "Endurance riding is an equestrian sport based on controlled long-distance races. It is one of the international competitions recognized by the FEI. There are endurance rides worldwide. Endurance rides can be any distance, though they are rarely over 160 km for a one-day competition.\n\nThere are two main types of long-distance riding, competitive trail riding and endurance rides. In an endurance ride, discussed in this article, the winning horse is the first one to cross the finish line while stopping periodically to pass a veterinary check that deems the animal in good health and fit to continue. As with human marathon running, many riders will participate to improve their horse's personal best performance and consider finishing the distance with a proper vet completion record to be a \"win\".\n\nIn the United States, most endurance rides are either 50 or long. Shorter rides, called Limited Distance rides (LD), are organized for new riders to the sport or young horses being trained. However, LD's have evolved into a competition of their own, in which more experienced riders and horses also participate. There are also longer, usually multi-day, rides as well. In the US, the American Endurance Ride Conference (AERC) sanctions endurance rides. In the UK, Endurance GB is the governing body. Winning riders can complete rides in 14 to 15 hours.\n\nAny breed can compete, but the Arabian generally dominates the top levels because of the breed's stamina and natural endurance abilities.\n\nHistory\nThough the need to ride long distances has existed since the domestication of the horse, endurance riding as an organized activity was first developed in the United States based on European cavalry (particularly Polish and Russian WWI) and breeding program tests requiring the ability to carry over in one day. Organized endurance riding as a formal sport began in 1913 in Vermont by the Morgan Horse Club with seven riders on small horses, Arabians or Morgans. They rode for 154 miles in about 31 hours. The most famous endurance ride began in 1955, when Wendell Robie and a group of equestrians rode from the Lake Tahoe area across the Sierra Nevada Range to Auburn in under 24 hours. They followed the historic Western States Trail. This ride soon became known as the Tevis Cup, and it remains the most difficult of any 100-mile ride in the world because of the severe terrain, high altitude, and 100-degree (~37 °C) temperatures. Endurance riding first was brought to Europe in the 1960s.\n\nStructure of the ride\nBefore the ride, horses are inspected by a veterinarian to ensure they are fit to perform in the ride. Riders may be given a map or GPS waypoints for the course, which shows the route, the places for compulsory halts (called \"holds\"), and any natural obstacles (such as ditches, steep hills, and water crossings). The trails frequently are marked with colored surveyor's tape ribbons at regular intervals with additional ribbons or small arrow markers at turns in the trail.\n\nThe ride is divided into sections, with different names (legs, phases, loops etc.), depending on sanctioning organization. After each section, horses are stopped for a veterinary inspection (usually called a \"vet check\" and less often called a \"vetgate\"), where they are checked for soundness and dehydration, with their pulse and respiration taken. To continue the ride, the horse must pass the examination, including reducing its heart rate below that specified for the event, typically 64 bpm, although terrain and weather may require the ride veterinarians to set a different maximum target. The riders' time keeps running until their horses reach the required target, so it is important that the horses recover as soon as possible. Any horse deemed unfit to continue (due to lameness or excessive fatigue, for example) is eliminated from further competition (this is called being \"pulled\").\n\nAfter the veterinary inspection, the horse must be held for an additional hold time (usually between 40 – 60 minutes), at which time it is fed and watered. If the veterinary inspection is on the course rather than at base camp, ride management usually delivers to the inspection location a cache of riders' personal gear, food, and water.\n\nWhile riders may compete without additional aid, sometimes referred to as riding cavalry, many riders have a designated crew to assist them during veterinary checks. In upper-level competition, this is particularly important to efficiently prepare the horse for the vet as well as care for both horse and rider during the mandatory hold times. A good crew allows the rider a brief respite and time to concentrate all energies on the strategy and demands of the trail itself.\n\nRiders are free to choose their pace during the competition, adjusting to the terrain and their mount's condition. Therefore, they must have a great knowledge of pace, knowing when to slow down or speed up during the ride, as well as a great knowledge of their horse's condition and signs of tiring. There is a maximum time allowed to complete mileage (12 hours for 50 miles and 24 hours for a 100-mile ride). Riders may choose to ride or may dismount and walk or jog with their horse without penalty. However, in FEI, they must be mounted when they cross the starting and finish lines. AERC riders have no requirement for being mounted at any point before, during, or after the ride.\n\nThe terrain riders compete over varies greatly from ride to ride. Natural obstacles (called \"hazards\"), are marked on the trails. In some areas, wilderness or undeveloped areas are difficult to find; in these places, no more than 10% of the route can be on hard-surfaced roads.\n\nDetermining the winner\nUnder the rules of the FEI and AERC, the first horse to cross the line and pass the vet check as \"fit to continue\" is the winner. Under the rules of competitive trail riding and the endurance rules in some nations (though not international competition nor that in the USA), as well as for limited-distance endurance rides (25–49 miles or 40–79 km in one day), the winner is determined by a combination of speed and the recovery rate of the horse or by a required standard.\n\nAdditional awards are usually given to the best-conditioned horses who finish in the top 10 for distances of or more. The Best Conditioned, or \"BC\" award is generally more prized than finishing first, as it is determined by a combination of speed, weight carried, and veterinary scores. Thus, a horse finishing fourth, but carrying a heavier rider than the first-place finisher and with equal vet scores, still has a good chance to win the BC award.\n\nEndurance Organizations\n\nAmerican Endurance Ride Conference\nThe majority of American endurance rides are sanctioned by the American Endurance Ride Conference (AERC), founded in 1972 as a governing body for long-distance riding. AERC's motto is \"To finish is to win.\" Though the first horse and rider to finish the race are technically the winner, the majority of AERC riders aim for a \"completion\" rather than a placing. As with human marathon running, many riders will participate to improve their horse's personal best performance and consider finishing the distance with a proper vet completion record to be a \"win\". In addition, each distance race has a time limit. For example, a fifty-mile ride must be completed within twelve hours and the hundred mile ride competitors have twenty-four for completion credit. The majority of competitors are amateurs that participate in endurance as a hobby rather than a profession, generally owning a small number of horses and riding them themselves. More competitive riders race for Top 10 placings, but the horse's welfare is still a top priority and putting a horse's health at risk for the sake of competition is heavily frowned upon.\n\nTraditional endurance ride distances range from 50–100 miles. The most common distance is 50 miles, though longer distances 75 and 100 miles are also completed in one day. Occasionally, 2-day 100-mile rides are offered, where the same rider and horse complete 50 miles each day for two consecutive days and receive credit for a 100-mile ride (competitors must sign up for the 100-mile ride and complete both days in order to receive credit). Elevator rides allow competitors to sign up for a shorter distance with the option to increase to a higher mileage offered on the same day. Multi-day rides, with multiple endurance rides on at least consecutive days and totaling at least 155 miles, usually offer their awards to recognize horses who successfully complete all days of the ride. These rides can be just as demanding, if not more, on a horse and rider team than a single-day 100-mile ride and highlight the exceptional care, preparation, and commitment of a horse and rider team. While the majority of rides are completed in one or more loops with both the start and finish lines are located in base camp, Pioneer rides (like Tevis) are point-to-point rides where riders start in one location and finish in another. Some riders compete with the assistance of a crew in camp that usually consist of friends, family, or fellow riders. However, the majority of riders compete on their own and riders generally provide assistance to one another as needed.\n\nIn addition to traditional endurance distances of 50 or more miles, AERC includes a Limited Distance (LD) division. LD's are at least 25 miles and can be as long as 35 miles. Though originally introduced as training rides for beginning riders and horses, they evolved into their own level of competition. However, due to the difference in demands entailed by the longer distances, LD miles are counted and recognized separately from endurance miles. Occasionally, a non-competitive introductory trail ride for novice riders and horses will be offered alongside the endurance competition, generally about 15 miles long.\n\nAll AERC rides are required to offer completion awards to all horse and rider teams who meet completion criteria (including the horse being judged \"fit to continue), as well placings and Best Condition awards. Individual rides may offer additional recognitions, including middle-of-the-pack awards and the turtle award (last place). Awards are typically low-cost and provide more sentimental than monetary value. T-shirts are popular awards. Moreover, AERC recognizes year-end accomplishments (such as top season mileage) and lifetime horse and rider mileage accomplishments. Various regional clubs and organizations offer further recognitions and awards. Widely acclaimed riders are typically those with high lifetime mileage accumulation and minimal \"pulls\" (non-completions).\n\nFEI\nEndurance became a recognized Fédération Équestre Internationale discipline in 1978, and the international organization has since set down rules with the welfare of the horse as top priority. In the United States, endurance rides are sanctioned by the FEI, the AERC, or both and seldom by the FEI alone. Usually the stand-alone rides are special FEI rides like the North American Team Challenge. When both the FEI and AERC sanction a ride, the FEI rules prevail.\n\nTwo well-known American endurance rides are The Western States Trail Ride, commonly known as the Tevis Cup, held in California, and the Old Dominion ride, held in Virginia. Additionally, the top riders and horses compete at the World Equestrian Games, the Endurance World Championships, and regional championships such as the Pan-Am Games and the European Endurance Championships.\n\nOne-day international competitions are 40–160 km. Multi-day competitions are longer but have daily distance limits. Those that are FEI recognized and are broken into the following categories:\n CEI * (one star): minimum average distance each day is \n CEI **: in one day or per day over two days\n CEI ***: in one day, or per day over two days, or per day over three days or more.\n CEI ****: Senior Championships of a minimum of in one day, Young Horse. Championships for 7 year olds – maximum distance , Junior and Young Rider Championships of a minimum of , maximum of in one day.\n\nNote: CEI is the notation that the competition is an FEI-approved international competition.\n\nWhen first recognized by the FEI, there were only four international competitions. This grew to an average of 18 rides per year by 1998, when the first World Championships were held in the United Arab Emirates. The World Championships provided a huge boost to the sport, and, by 2005, there were 353 international competitions, second to only eventing and show jumping. Due to the huge increase in international competition, endurance is growing quite rapidly worldwide.\n\nHorse welfare controversy\nRecently, there has been increasing concern over horse welfare issues within FEI and particularly Group VII in the Middle East, including injuries (namely fractures), drugging, and overall rule abuse. Multiple endurance organizations around the world, such as France, Belgium, and Switzerland, issued complaints over FEI's mis-handling of these issues. In June, 2013, AERC issued a letter to USEF demanding that something be done. Of particular concern to AERC members were the effects of excessive speed and racing as well as the overall perception of the sport of endurance riding. Due to this strongly-worded letter, North America was invited to participate in discussions over how to address these issues. The result of these discussions were the creation of the FEI Endurance Strategic Planning Group, which is currently working to address current issues and plan for the future.\n\nEquipment\nEndurance is less formal than many other equestrian competitions, with riders choosing clothes for comfort. The AERC does not have any equipment requirements other than requiring junior riders to wear a helmet. However, individual ride managers may set certain requirements, such as the use of a helmet or hoof protection, and such information is typically included in the ride flyer and/or website. At FEI competitions, riders must wear an equestrian helmet, riding breeches or riding tights, correct footwear, and a shirt with a collar.\n\nEndurance riders usually use a saddle that is designed to be lightweight yet comfortable to horse and rider for long hours of riding. There are saddles designed specifically for endurance riding, though they are not universally used. At the highest levels in FEI, it is usually a variation on the English saddle in shape, although it may have wider panels and stirrups with a wider tread. Lightweight endurance designs based on western saddles are also popular, particularly in AERC rides. Various experimental designs are also common, including treeless and flexible panel saddles. Regardless of design, endurance saddles are very light to ensure the horse does not have to carry unnecessary weight. Many endurance saddles have extra metal rings for the attachment of equipment.\n\nRiders who compete in CEI rides must meet a minimum weight of with their saddle and pads. If the rider and their accompanying tack weighs in under this, they are required to ride with weights. Weigh-ins are generally conducted before and after a race; however, unscheduled weigh-ins can occur during the race. AERC has various weight divisions, and a rider may be heavier, but not lighter, than the division in which they are enrolled.\n\nBridles for the horses may use a wide variety of bits or hackamores. Riders also often add a breastcollar to keep the saddle in place while traveling over rough terrain. Use of a crupper is not common, but sometimes seen to keep the saddle from sliding forward on horses. Protective boots may be used on a horse's legs, though boots also cause problems in some types of terrain (they may slip, can collect burrs and dirt, and if crossing water may become waterlogged, any of which can irritate the legs of the horse and lead to lameness), so use varies by the type of ride and the rider's preferences. Hoof protection varies from barefoot to the use of hoof boots and shoes.\n\nSee also\nInternational Federation for Equestrian Sports\nTrail riding\nCompetitive trail riding\nEquestrianism\nHunter Pacing\nShahzada (horse race)\n\nReferences\n\nExternal links\nEndurance GB The official UK endurance group \nAmerican Endurance Ride Conference\n Equestrian Federation of Kazakhstan official website Russian - Equestrian Federation of Kazakhstan English\nFédération Équestre Internationale (International Federation for Equestrian Sports)\nOfficial Czech endurance website\nUnofficial Slovak endurance website\n\n \nEndurance games\nFEI-recognized competition\nSports originating in the United States" ]
[ "The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome.", "It was previously held in the Astrodome. It was previously held in the Astrodome. It is considered to be the city's \"signature event\", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed \"the year of the volunteer.\" The event is 20 days long.", "The event is 20 days long. The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions.", "International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins.", "The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others.", "The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India.", "History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed.", "Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show.", "Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state.", "Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place.", "Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings.", "Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive.", "The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day.", "The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night.", "Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships.", "Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission.", "Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities.", "The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design.", "Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer.", "The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome.", "The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo.", "Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as \"Mr. Houston Livestock Show\". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston.", "Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting.", "The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA).", "Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival.", "For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value.", "This was far beyond market value. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens.", "Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants.", "The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002.", "21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down.", "Following the show, the Astrohall was torn down. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome.", "In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008.", "To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening.", "The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008.", "The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it.", "Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston.\" The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition.", "The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee.", "The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities.", "Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott.", "Minority leaders in Houston advocated a boycott. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied.", "Houston applied for a renewal but were denied. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo.", "As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys.", "However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening.", "In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010.", "Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award.", "Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo.", "The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down.", "It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition.", "RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food.", "There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day.", "Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate.", "The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as \"\"the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress\". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo.", "Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day.", "They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration.", "The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail.", "Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade.", "The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund.", "All proceeds go to the show's scholarship fund. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society.", "It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited.", "The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds.", "Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023.", "The 49th is scheduled for 23–25 February 2023. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale.", "More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys.", "RodeoHouston features 280 of the top professional cowboys. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel.", "In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium.", "They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena.", "Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds.", "The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium.", "Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, \"if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission.\" NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores.", "NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors.", "The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition.", "These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena.", "Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world.", "Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016.", "The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value.", "Most champion animals sell for well over market value. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston.", "Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person.", "The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities.", "It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million.", "In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play.", "The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region.", "A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year.", "The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants.", "Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum.", "1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, \"the Singing Cowboy\"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo.", "1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944.", "Elvis Presley sets attendance record of 43,944. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship.", "1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record.", "1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards.", "1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium.", "2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million.", "2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park.", "2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459.", "2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston.", "2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508.", "2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level.", "It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577.", "It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening.", "2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well.", "(two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus.", "2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows" ]
[ "Houston Livestock Show and Rodeo", "Trail rides", "do they have trail rides at the houston livestock show and rodeo?", "Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo.", "are the trail rides open to the public?", "As of 2017, there were 13 official trail rides, totaling over 3,000 riders.", "Are the trail rides competitive or for leisure?", "The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston." ]
C_b0e09b1b5e694dd1aa7694aaa0a637a4_1
Is the trail ride part of a parade?
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Is the trail ride at the Houston Livestock Show and Rodeo part of a parade?
Houston Livestock Show and Rodeo
Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about 3 miles (4.8 km) per hour, covering up to 17 miles (27 km) each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. CANNOTANSWER
The trail rides last from a few days to three weeks, depending on the distance they cover.
The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome. It is considered to be the city's "signature event", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed "the year of the volunteer." The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as "Mr. Houston Livestock Show". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: "It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston." The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as ""the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, "if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission." NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, "the Singing Cowboy"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. "Buddy" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows
true
[ "The Florida Cracker Trail runs from just east of Bradenton, and ends in Fort Pierce, a total distance of approximately .\n\nIn years past, this route was used for both cattle and horses. Today it includes parts of State Road 66, State Road 64, and U.S. Highway 98.\n\nOn November 20, 2000, the Florida Cracker Trail was selected as a Community Millennium Trail. The Millennium Trails is a partnership among the White House Millennium Council, the Department of Transportation, Rails-to-Trails Conservancy, the National Endowment for the Arts and other public agencies and private organizations. The goal of Millennium Trails is the creation of a nationwide network of trails that protect natural environment, interpret history and culture, and enhance alternative transportation, recreation and tourism.\n\nAn annual Cracker Trail ride is now held the last full week in February of each year. \nThe ride begins at a site just east of Bradenton, Florida, and ends with a parade through downtown Ft. Pierce, Florida, a total of approximately . Each day's ride is approximately 15 to 20 miles in length. The purpose of the ride is to draw attention to Florida's horse and cattle heritage.\n\nSee also \n Florida cracker\n Cracker (white)\n\nExternal links \n Florida Cracker Trail Association\n Florida Greenways and Trails\n Multimedia story about the Florida Cracker Trail\n The Great Florida Cattle Drive – website about 2016 re-enactment of historical Florida cattle drives like those of the original Florida Cracker Trail\n\nFlorida cracker culture\nLandmarks in Florida", "Krushchev in Iowa Trail is a planned rail trail running from Herndon, Iowa, to Coon Rapids, Iowa. It is a planned part of the American Discovery Trail.\n\nOriginally known as the Corn Diplomacy Trail, the Krushchev in Iowa Trail is to be a paved recreational trail that runs through the counties of Guthrie and Carroll along an abandoned Burlington Northern Santa Fe rail line.\n\nTrailheads\n\nPlanned trailheads\n\nHerndon\nBagley\nBayard\nCoon Rapids\n\nConnections to other recreational trails\n\nA connection is planned at Herndon to the Raccoon River Valley Trail in Guthrie county. A connection is planned to Carroll, which is a terminus of the Sauk Rail Trail in Carroll and Sac counties. A third connection is planned between Coon Rapids and Audubon, which is a terminus of the T-Bone Trail in Audubon and Cass counties.\n\nLemonade Ride\nThe annual Lemonade Ride is held between Panora and Coon Rapids along portion of the Raccoon River Valley Trail and the Krushchev in Iowa Trail.\n\nSee also\nList of rail trails\n\nReferences\n\nExternal links\nKrushchev in Iowa Trail\n\nRail trails in Iowa\nProtected areas of Guthrie County, Iowa\nProtected areas of Carroll County, Iowa" ]
[ "The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome.", "It was previously held in the Astrodome. It was previously held in the Astrodome. It is considered to be the city's \"signature event\", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed \"the year of the volunteer.\" The event is 20 days long.", "The event is 20 days long. The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions.", "International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins.", "The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others.", "The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India.", "History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed.", "Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show.", "Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state.", "Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place.", "Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings.", "Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive.", "The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day.", "The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night.", "Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships.", "Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission.", "Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities.", "The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design.", "Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer.", "The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome.", "The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo.", "Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as \"Mr. Houston Livestock Show\". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston.", "Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting.", "The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA).", "Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival.", "For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value.", "This was far beyond market value. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens.", "Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants.", "The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002.", "21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down.", "Following the show, the Astrohall was torn down. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome.", "In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008.", "To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening.", "The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008.", "The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it.", "Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston.\" The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition.", "The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee.", "The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities.", "Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott.", "Minority leaders in Houston advocated a boycott. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied.", "Houston applied for a renewal but were denied. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo.", "As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys.", "However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening.", "In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010.", "Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award.", "Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo.", "The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down.", "It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition.", "RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food.", "There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day.", "Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate.", "The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as \"\"the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress\". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo.", "Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day.", "They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration.", "The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail.", "Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade.", "The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund.", "All proceeds go to the show's scholarship fund. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society.", "It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited.", "The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds.", "Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023.", "The 49th is scheduled for 23–25 February 2023. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale.", "More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys.", "RodeoHouston features 280 of the top professional cowboys. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel.", "In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium.", "They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena.", "Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds.", "The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium.", "Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, \"if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission.\" NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores.", "NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors.", "The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition.", "These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena.", "Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world.", "Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016.", "The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value.", "Most champion animals sell for well over market value. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston.", "Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person.", "The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities.", "It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million.", "In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play.", "The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region.", "A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year.", "The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants.", "Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum.", "1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, \"the Singing Cowboy\"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo.", "1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944.", "Elvis Presley sets attendance record of 43,944. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship.", "1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record.", "1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards.", "1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium.", "2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million.", "2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park.", "2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459.", "2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston.", "2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508.", "2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level.", "It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577.", "It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening.", "2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well.", "(two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus.", "2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows" ]
[ "Houston Livestock Show and Rodeo", "Trail rides", "do they have trail rides at the houston livestock show and rodeo?", "Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo.", "are the trail rides open to the public?", "As of 2017, there were 13 official trail rides, totaling over 3,000 riders.", "Are the trail rides competitive or for leisure?", "The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston.", "Is the trail ride part of a parade?", "The trail rides last from a few days to three weeks, depending on the distance they cover.", "How far is the longest trail ride?", "They make their way at about 3 miles (4.8 km) per hour, covering up to 17 miles (27 km) each day." ]
C_b0e09b1b5e694dd1aa7694aaa0a637a4_1
where are the trail rides held?
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Where are the trail rides held at Houston Livestock Show and Rodeo?
Houston Livestock Show and Rodeo
Since 1952, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about 3 miles (4.8 km) per hour, covering up to 17 miles (27 km) each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. CANNOTANSWER
The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins.
The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome. It is considered to be the city's "signature event", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed "the year of the volunteer." The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as "Mr. Houston Livestock Show". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: "It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston." The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as ""the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, "if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission." NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, "the Singing Cowboy"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. "Buddy" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows
true
[ "A Judged trail ride is a type of trail riding popular in the western United States where horses and riders are asked to travel a natural trail for a set distance (usually 10 to 15 miles) with occasional stops for the horse and rider team to negotiate an obstacle, usually with varying options for difficulty, with higher scores given for completing the more difficult version of each obstacle.\n\nUnlike endurance riding or Competitive trail riding, the ride is not timed. Only obstacle scores are utilized. Rides are informal and rules vary widely by region and individual ride.\n\nEndurance and trail riding", "Frank Sanucci (1901–1991) was an Argentine-born American composer who scored numerous films. Born in Buenos Aires he emigrated to the United States as a child. He worked in Hollywood on generally low-budget productions, many of them for Monogram Pictures where he was employed for several years. He was also employed at Universal Pictures, Grand National Pictures and Astor Pictures.\n\nSelected filmography\n\n Song of the Gringo (1936)\n Headin' for the Rio Grande (1936)\n Riders of the Rockies (1937)\n Riders of the Dawn (1937)\n God's Country and the Man (1937)\n Stars Over Arizona (1937)\n Hittin' the Trail (1937)\n Trouble in Texas (1937)\n Where Trails Divide (1937)\n Romance of the Rockies (1937)\n The Mystery of the Hooded Horsemen (1937)\n Tex Rides with the Boy Scouts (1937)\n Arizona Days (1937)\n Where the Buffalo Roam (1938)\n The Singing Outlaw (1938)\n Border Wolves (1938)\n Two Gun Justice (1938)\n Frontier Town (1938)\n The Last Stand (1938)\n Prison Break (1938)\n Prairie Justice (1938)\n Feud of the Range (1938)\n Gunsmoke Trail (1938)\n Outlaw Express (1938)\n Starlight Over Texas (1938)\n Mystery Plane (1939)\n Westbound Stage (1939)\n Ghost Town Riders (1939)\n Lure of the Wasteland (1939)\n Rollin' Westward (1939)\n Riders of the Sage (1939)\n Guilty Trails (1939)\n Down the Wyoming Trail (1939)\n Mesquite Buckaroo (1939)\n The Phantom Stage (1939)\n Stunt Pilot (1939)\n Man from Texas (1939)\n Riders of the Frontier (1939)\n El Diablo Rides (1939)\n The Cowboy from Sundown (1940)\n The Golden Trail (1940)\n Roll Wagons Roll (1940)\n Rhythm of the Rio Grande (1940)\n Covered Wagon Trails (1940)\n Rollin' Home to Texas (1940)\n Wild Horse Valley (1940)\n Pinto Canyon (1940)\n Riot Squad (1941)\n Tonto Basin Outlaws (1941)\n Ridin' the Cherokee Trail (1941)\n Riding the Sunset Trail (1941)\n The Gang's All Here (1941)\n Fugitive Valley (1941)\n Silver Stallion (1941)\n The Pioneers (1941)\n Gentleman from Dixie (1941)\n The Living Ghost (1942)\n Rock River Renegades (1942)\n King of the Stallions (1942)\n Thunder River Feud (1942)\n Western Mail (1942)\n Arizona Roundup (1942)\n The Man with Two Lives (1942)\n Boot Hill Bandits (1942)\n Where Trails End (1942)\n Down Texas Way (1942)\nWar Dogs (1942)\n Trail Riders (1942)\n One Thrilling Night (1942)\n Texas Trouble Shooters (1942)\n Arizona Stage Coach (1942)\n Phantom Killer (1942)\n Texas to Bataan (1942)\n Haunted Ranch (1943)\n Wild Horse Stampede (1943)\n The Texas Kid (1943)\n Two Fisted Justice (1943)\n Death Valley Rangers (1943)\n Cowboy Commandos (1943)\n The Law Rides Again (1943)\n Song of the Range (1944)\n Arizona Whirlwind (1944)\n Harmony Trail (1944)\n Trigger Law (1944)\n Marked Trails (1944)\n Youth Aflame (1944)\n A Fig Leaf for Eve (1944)\n Sonora Stagecoach (1944)\n Fighting Bill Carson (1945)\n Stranger from Santa Fe (1945)\n Saddle Serenade (1945)\n Springtime in Texas (1945)\n Flame of the West (1945)\n The Lonesome Trail (1945)\n Northwest Trail (1945)\n His Brother's Ghost (1945)\n Riders of the Dawn (1945)\n Border Bandits (1946)\n Song of the Sierras (1946)\n Trail to Mexico (1946)\n West of the Alamo (1946)\n Swing, Cowboy, Swing (1946)\n Moon Over Montana (1946)\n Rainbow Over the Rockies (1947)\n Six-Gun Serenade (1947)\n Deadline (1948)\n Fighting Mustang (1948)\n Sunset Carson Rides Again (1948)\n Buffalo Bill in Tomahawk Territory (1952)\n\nReferences\n\nBibliography\n Pitts, Michael R. Poverty Row Studios, 1929–1940: An Illustrated History of 55 Independent Film Companies, with a Filmography for Each. McFarland & Company, 2005.\n\nExternal links\n\n1901 births\n1991 deaths\nPeople from Buenos Aires\nArgentine film score composers\nAmerican film score composers\nArgentine emigrants to the United States" ]
[ "The Houston Livestock Show and Rodeo, also called RodeoHouston or abbreviated HLSR, is the largest livestock exhibition and rodeo in the world. It includes one of the richest regular-season professional rodeo events. It has been held at NRG Stadium in Houston, Texas, since 2003, with the exception of 2021 due to the effects of the COVID-19 pandemic. It was previously held in the Astrodome.", "It was previously held in the Astrodome. It was previously held in the Astrodome. It is considered to be the city's \"signature event\", much like New Orleans's Mardi Gras, Dallas's Texas State Fair, San Diego's Comic-Con and New York City's New Year's Eve at Times Square. In 2017, attendance reached a record high of 2,611,176 people and 33,000 volunteers. In 2007, the rodeo was deemed \"the year of the volunteer.\" The event is 20 days long.", "The event is 20 days long. The event is 20 days long. It is kicked off by the Downtown Rodeo Roundup held near Houston City Hall, the Downtown Rodeo parade, and the ConocoPhillips Rodeo Run – a 10k and 5k walk & run and the World's Championship Bar-B-Que Contest. The show features championship rodeo action, livestock competitions, concerts, a carnival, pig racing, barbecue and the Rodeo Uncorked! International Wine Competition, shopping, sales and livestock auctions.", "International Wine Competition, shopping, sales and livestock auctions. Traditional trail rides, which start in different areas of Texas and end in Houston, precede the Rodeo events. The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins.", "The City of Houston celebrates this event with Go Texan Day, where residents are encouraged to dress in western wear the Friday before the rodeo begins. The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others.", "The rodeo has drawn some of the world's biggest recording artists, including Gene Autry, Beyoncé, blink-182, Selena Gomez, Keith Urban, Ariana Grande, Selena, Reba McEntire, Kiss, Kelly Clarkson, Charley Pride, Elvis Presley, Bob Dylan, Alan Jackson, REO Speedwagon, Brooks & Dunn, George Strait, Janet Jackson, Garth Brooks, Willie Nelson, Kenny Chesney, Bon Jovi, ZZ Top, Chris Stapleton, John Legend, Taylor Swift, and Lynyrd Skynyrd, among others. History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India.", "History Early years In the early part of the 20th century, Houston-area ranchers developed a new breed of cattle, the American Brahman, which was a blend of four breeds of cattle from India. The cattle were well-adapted to the hot, swampy conditions of the Texas Gulf Coast. In the early 1920s, James W. Sartwelle, a stockyard manager from Sealy, Texas, founded the American Brahman Breeders Association. Ranchers had no opportunities to show their cattle and raise awareness of the breed.", "Ranchers had no opportunities to show their cattle and raise awareness of the breed. Some attempted to show at the Southwestern Exposition and Livestock Show in Fort Worth, Texas, but they weren't allowed into the main arena. In January 1932, Sartwelle invited six other businessmen to a lunch at the Texas State Hotel. They decided to host a livestock exposition in Houston. Sartwelle was named the first president of the new Houston Fat Stock Show.", "Sartwelle was named the first president of the new Houston Fat Stock Show. Their inaugural event was held in late April 1932 at Sam Houston Hall in downtown Houston. It was primarily a regional event, designed to showcase the agriculture and livestock, including Brahmans, in the area around Houston. The show lasted one week and ran a deficit of $2,800. Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state.", "Approximately 2,000 people attended the exposition, where they were also entertained by the Future Farmers Band, comprising 68 high school students from around the state. The Grand Champion Steer was purchased by a local restaurant owner for $504. The Fat Stock Show was held annually for the next four years. Realizing they had outgrown the space, organizers began looking for a larger venue. Shortly after the 1936 show ended, Sam Houston Hall was torn down. Sam Houston Coliseum, a 10,000-seat arena, would take its place.", "Sam Houston Coliseum, a 10,000-seat arena, would take its place. To allow for construction time, the 1937 exposition was cancelled. The year off allowed Fat Stock show organizers to solidify plans for a larger event. When the show resumed in 1938, it included a parade through downtown Houston, a carnival and midway, and a rodeo with a total purse of $640.50. In the 1940s, despite World War II, organizers added musical entertainment. Local talent was invited to perform after the rodeo on some evenings.", "Local talent was invited to perform after the rodeo on some evenings. In 1942, singing cowboy Gene Autry became the first nationally recognized entertainer to perform at the show. Attendance flagged in the early 1950s. To attract more attention to the event, organizers decided to hold a cattle drive. In 1952, the media were invited to join cowboys on a trek from Brenham, Texas to the Fat Stock Show. The publicity stunt was well received. The following year, the Salt Grass Trail Association again held the cattle drive.", "The following year, the Salt Grass Trail Association again held the cattle drive. Other areas of the state organized their own trail rides to the show. This began the transition from a smaller regional event to larger, statewide notice. Archer Romero, one of the key proponents of the trail ride, took over as president of the Fat Stock Show in 1954. That year, he founded the Go Texan Committee to further publicize the show. The committee would designate a day shortly before the show commenced as Go Texan Day.", "The committee would designate a day shortly before the show commenced as Go Texan Day. They encouraged Houston residents to dress in Western wear. The day had the dual purpose of celebrating Texas culture and advertising the show. In 1957, Myrtis Dightman organized the first trail ride for African-Americans. He led 10 other cowboys in a ride from Prairie View, Texas to Houston. Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night.", "Because of their color, they were not welcomed in Memorial Park, where trail riders typically spent the night. Armed guards were there to ensure that the men could enter safely. That same year, the show granted its first major scholarship. Ben Dickerson was given $2,000 ($16,000 in 2016) towards his education. This was the first step a major shift in the show's purpose. Over the next few decades, the show placed an increasing emphasis on education and scholarships.", "Over the next few decades, the show placed an increasing emphasis on education and scholarships. Astrodome era Throughout the 1950s, influential local leaders had been advocating that the city acquire a professional sports team. In 1957, the Texas State Legislature granted Harris County the ability to issue bonds to finance a new stadium, so that the city could attract a team. The county put together a commission to formulate a plan. Romero stepped down as Fat Stock Show president to join the commission.", "Romero stepped down as Fat Stock Show president to join the commission. They visited stadiums in several large cities, as well as a fairgrounds in Oklahoma. After several years of research, the commission recommended that the county build both a stadium and a connected, air-conditioned coliseum. The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities.", "The presentation to the county commissioners listed four main uses for the new facility: 1) Major league baseball, 2) football, 3) the Fat Stock Show, and 4) various other activities. County commissioners approved the project, sending it to a vote of Harris County residents. Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design.", "Just before the election, Fat Stock Show organizers announced that the show would donate near South Main for the project, provided the show have input into the design. Voters approved the new stadium, and the Fat Stock Show became one of the focal residents of the new Astrodome. The show was renamed the Houston Livestock Show and Rodeo in 1961. The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer.", "The show had continued to grow, and organizers realized that Sam Houston Coliseum would not be a viable alternative for much longer. The number of exhibitors had declined because many activities were held outside in tents. The chicken, rabbit, and hog shows were cancelled because organizers could not find space for them. Construction began on the Astrohall, next to the Astrodome, in 1965. The following year, the Livestock Show and Rodeo officially moved to the Astrodome.", "The following year, the Livestock Show and Rodeo officially moved to the Astrodome. To mark their new location, the organizing committee introduced a new logo, the Bowlegged H. The first night of the rodeo featured entertainment by the stars of the television series Gunsmoke. Some locals scoffed at the idea that the rodeo and concert could fill a 45,000-seat stadium, but more than 40,000 fans attended the rodeo the night Jimmy Dean performed that year. Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo.", "Louis Pearce Jr served sixty years as a board member of the Houston Livestock Show and Rodeo. He served on the executive committee as president and CEO, and remained an active executive committee member until his death in 2012. As a result of his dedication and significant contributions to the event, Pearce became known as \"Mr. Houston Livestock Show\". The first Hispanic trail ride commenced in 1973. Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston.", "Calling themselves Los Vaqueros Rio Grande Trail Ride, the group journeyed from the border crossing at Reynosa, Mexico to Houston. The Go Texan committee launched the World's Championship Bar-B-Que Contest in 1974. Seventeen teams entered the competition, which was held in the Astrodome parking lot. Teams were asked to barbecue a minimum of on a wood fire. The inaugural judges included actor Ben Johnson. The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting.", "The competition grew in popularity; by 1981 it had grown to over 200 teams, with 45,000 people visiting. In 1988, the show added a 5k run and 10k fun run through downtown Houston. Participants would pay an entry fee, with proceeds going to the scholarship fund. 1990s By the 1990s, the show had been expanded to 20 days. Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA).", "Each evening featured a rodeo, sanctioned by the Professional Rodeo Cowboys Association (PRCA). The rodeo offered hundreds of thousands of dollars in prize money, second only to the National Finals Rodeo. After the rodeo, attendees would see a concert, usually by a famous entertainer. Tickets were relatively inexpensive. For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival.", "For $10 or a little more, a person could buy a ticket to see the livestock shows, wild west shows, the rodeo and concert, and enjoy the carnival. The livestock show was billed as the largest of its kind, with more animals shown by adolescents than anywhere else in the country. Winning livestock were auctioned at the end of the judging, and, in the 1990s, the combined auction take was usually over $7 million. This was far beyond market value.", "This was far beyond market value. This was far beyond market value. The rodeo was generally limited to the top PRCA contestants, based on prize money earned throughout the year. It was popular with cowboys; Houston won the inaugural Indoor Rodeo Committee of the Year award from the PRCA in 1992, and then won each of the next four years as well. The facility had huge screens hanging from the ceiling. Attendees could watch the competition live, then see an instant replay on the screens.", "Attendees could watch the competition live, then see an instant replay on the screens. In 1996, the rodeo was halted one evening. The crew on the space shuttle Columbia appeared live on the big screens to address the crowd. Later that year, country singer George Strait set a record, having played to more than 1 million Houston rodeo attendees. The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants.", "The 1996 rodeo earned a net profit of $16.8 million and gave more than $7.9 million away in scholarships, assistantships, and research grants. The Hideout was created in 1997 to give attendees more entertainment options after the rodeo and concert had ended. It is a nightclub for adults over 21 to dance and drink. 21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002.", "21st century A new venue, Reliant Stadium (now NRG Stadium), was built on the Astrodome grounds in 2002. The rodeo marked its last night in the Astrodome on March 3, 2002, with a performance by country legend George Strait. The show was recorded and became Strait's first official live album, For the Last Time: Live from the Astrodome. Following the show, the Astrohall was torn down.", "Following the show, the Astrohall was torn down. Following the show, the Astrohall was torn down. A new exhibition space, Reliant Center, was constructed on the grounds, expanding exhibition capacity to 1.4 million square feet. Rodeo executives moved their offices into the second floor of the center. When the rodeo opened in 2003 in its new homes, Strait performed on opening night. In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome.", "In the first two seasons at Reliant, the Hideout was cancelled, but it resumed in 2005, now located within the Astrodome. In 2004, show organizers added a new event, Rodeo Uncorked! International. Vintners from around the world entered their wines into a competition. These were then auctioned, raising $313,700. The following year, the wine auction raised more than $500,000. To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008.", "To give livestock show attendees the opportunity to taste the wines, the show launched the Wine Garden in 2008. Attendance at the rodeo began falling. Attendees would purchase a ticket and arrive just before the concert, leaving a largely empty stadium for the rodeo itself. Joe Bruce Hancock, then the general manager of the rodeo, theorized that the audience was more urban and less familiar with rodeo events. The current show structure moved slowly and made it difficult for this type of audience to follow what was happening.", "The current show structure moved slowly and made it difficult for this type of audience to follow what was happening. As one of the PRCA-sanctioned rodeos, show organizers had little ability to make changes. The PRCA required that certain events be held, dictated the general structure of the rodeo, and insisted that each organizing committee use the PRCA national registration system. This meant that rodeos did not know which contestants were going to be appearing, or on which days. The Houston rodeo committee requested a waiver from the PRCA in 2008.", "The Houston rodeo committee requested a waiver from the PRCA in 2008. Houston would still remit 6% of the rodeo purse to the PRCA, but they would change the format and the registration system. Now, the rodeo knew who would be competing on which days and could market those individual appearances. The rodeo was restructured into a playoff format. Attendance at the rodeo skyrocketed. Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it.", "Champion bareback rider Bobby Mote said competitors appreciated the changes: \"It was exciting to be a part of because people were really getting into it. Finally we were performing for a real crowd in Houston.\" The finale of the 2008 rodeo was the PRCA's Xtreme Bulls tour. The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition.", "The same year, HLSR was inducted into the ProRodeo Hall of Fame along with 15 other PRCA rodeos that had previously been granted special recognition. During the 2009 state legislative session, local state senator Mario Gallegos filed a bill that would require the livestock show organizing committee to comply with the state open records rules. The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee.", "The bill would also encourage the rodeo to contract with more minority-owned business and to add minorities to the livestock show's executive committee. At the time, the 19-member executive committee composed entirely of men, without a single Hispanic or African-American representative. Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities.", "Livestock show president Leroy Shafer insisted that the legislation was unprecedented, and that non-profits should not be held to the same standards as public entities. Shafer maintained that the executive committee membership was determined in large part by length of volunteer service, with the members having served, on average, for 37.5 years. According to Shafer, in time minorities and women would accumulate the years of service required to be on the committee. Minority leaders in Houston advocated a boycott.", "Minority leaders in Houston advocated a boycott. Minority leaders in Houston advocated a boycott. The controversy caused new Harris County sheriff Adrian Garcia to decline an invitation to be co-grand marshal of the rodeo parade, although Garcia still marched in the parade as part of the sheriff's office mounted patrol. When the Astrodome was permanently closed in 2009, the Hideout moved to a giant tent on the grounds of the facility. The rodeo's waiver from the PRCA expired in 2011. Houston applied for a renewal but were denied.", "Houston applied for a renewal but were denied. Houston applied for a renewal but were denied. The PRCA was under new management, who insisted that all of their rodeos should abide by the same rules. The show ended its contract with the organization, making the Houston Livestock Show and Rodeo an independent rodeo. As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo.", "As an unsanctioned rodeo, none of the prize money would count towards competitors' world standings, and thus qualification for the National Finals Rodeo. Some competitors were upset with the change, as winning the RodeoHouston $50,000 prize had generally been enough to qualify a cowboy for the National Finals Rodeo. However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys.", "However, because the $1.75 million purse was the largest one in rodeo at that time, there was little difficulty in attracting cowboys. Because they were now independent, the show could now invite specific competitors who might not otherwise have qualified to appear, such as local cowboy, 8-time world champion calf roper Fred Whitfield. Of the 280 competitors invited to attend in 2012, all but one accepted. In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening.", "In an additional change, the rodeo dropped the PRCA's Xtreme Bulls tour from its last evening. As a replacement, they offered the Cinch RodeoHouston Super Shootout, inviting the champions from the top 10 rodeos in North America to compete in bull riding, saddle-bronc and bareback riding, and barrel racing. Two of the rodeos represented, the Calgary Stampede and the Ponoka Stampede, were also non-PRCA sanctioned invitiational rodeos. Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010.", "Total attendance in 2011 topped 2.26 million, an increase of almost 119,000 people over 2010. In 2019 & 2020 and resuming in 2022, RodeoHouston has been sanctioned by the PRCA again. The Super Series is PRCA-sanctioned and money won here by contestants counts toward the world standings for the National Finals Rodeo. However, the Super Shootout is unsanctioned and money won here does not count toward the PRCA world standings. Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award.", "Also in 2019, RodeoHouston won the PRCA Large Indoor Rodeo of the Year Award. On March 11, 2020 after running for 8 of 20 planned days, the rodeo was shut down by the city of Houston after evidence emerged of community spread of the SARS-CoV-2 virus. The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo.", "The Montgomery County constable deputy in his 40s who tested positive for COVID-19 had attended a barbeque cookoff at the rodeo. The man was hospitalized and at least 18 rodeo attendees tested positive for coronavirus, though it is unclear whether they all contracted it at the event. It was the only time in the event's history the Rodeo got shut down.", "It was the only time in the event's history the Rodeo got shut down. The 2021 edition of the rodeo was originally rescheduled to May due to the COVID-19 pandemic, but after several weeks, it was cancelled altogether, making it the event's first cancellation in 84 years, with the 89th edition instead being deferred to 2022. Events Rodeo Uncorked! RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition.", "RoundUp and Best Bites Competition Almost 3,000 bottles of wine are submitted each year for judging in the Rodeo International Wine Competition. High scoring wines are served to the public at the Rodeo Uncorked! RoundUp and Best Bites Competition before the HLSR begins. More than 5,000 people purchase tickets to attend the event. There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food.", "There, they can sample food from more than 100 local restaurants and vote on their pick for tastiest food. During the livestock show, attendees can purchase glasses of these wine entries at the Wine Garden, an outdoor area comprising six tents that shelter 30,000 square feet of space. Live music is offered in the Wine Garden area each evening. Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day.", "Go Texan Day The unofficial kickoff of the Houston Livestock Show and Rodeo is Go Texan Day. Traditionally held the Friday before the rodeo begins, the day is meant to encourage the Houston community to celebrate Western culture. Houston-area residents are encouraged to wear Western attire, such as jeans, cowboy boots, and cowboy hats. The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate.", "The day is an unofficial holiday, and local school districts and many businesses encourage their students and employees to participate. Writing in The New York Times, journalist Manny Fernandez described Go Texan Day as \"\"the one day of the year on which people in Houston dress the way people outside Houston think people in Houston dress\". Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo.", "Trail rides From 1952 to 2020 & resuming in 2022, traditional trail rides have been a part of the Houston Livestock Show and Rodeo. As of 2017, there were 13 official trail rides, totaling over 3,000 riders. The trail rides range in size from a dozen to over one thousand people who ride on horseback or in horse-drawn wagons from various areas of the state to Houston. They make their way at about per hour, covering up to each day.", "They make their way at about per hour, covering up to each day. Many of the routes take place in part along major highways and busy city streets, making safety a major concern. The trail rides last from a few days to three weeks, depending on the distance they cover. Some of the participants are able to join only on weekends or at the end of the trip. The days start very early, and often end with live music or a small celebration.", "The days start very early, and often end with live music or a small celebration. Many riders choose to camp in recreational vehicles rather than in the open. Each morning, they drive their vehicles and horse trailers to the next camping spot, then have a bus or convoy take them back so they can retrace their path on horseback. Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail.", "Participants can bring their own provisions, or, in some cases, purchase meals at a chuck wagon that is also following the trail. The rides converge at Memorial Park in Houston on Go Texan Day, the Friday before the livestock show and rodeo begins. The city closes some roads downtown to allow the riders to reach their destination safely. The resulting traffic interruption cause annual complaints from those who work downtown. The following day, all of the trail riders participate in the parade.", "The following day, all of the trail riders participate in the parade. Rodeo parade and Rodeo Run The official kickoff of the show is the annual Rodeo Parade. It is held the Saturday before the show begins and runs through downtown Houston. The parade features members of the 13 trail rides, influential Houstonians, bands, and floats. Preceding the parade is the annual Houston Livestock Show and Rodeo Run. More than 10,000 people compete annually in 5k and 10k fun runs. All proceeds go to the show's scholarship fund.", "All proceeds go to the show's scholarship fund. All proceeds go to the show's scholarship fund. The run generally begins near Bagby Street and ends at Eleanor Tinsley Park. World's Championship Bar-B-Que Contest The Thursday, Friday, and Saturday before the livestock show begins, the World's Championship Bar-B-Que Contest, established in 1974, is held on the grounds of NRG Park. It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society.", "It is one of the largest barbecue cookoffs in the United States, but it is not sanctioned by the Kansas City Barbecue Society. More than 250 teams, including a handful from outside of the United States, compete to be named best entry in several categories, including brisket, chicken, and ribs. The barbecue must be cooked on a wood fire; electric or gas fires are prohibited.", "The barbecue must be cooked on a wood fire; electric or gas fires are prohibited. Entries are judged on a 50-point scale, with the most points gained for taste and tenderness, and lesser amounts available for smell and the look and feel of the entry. Winners are named in each category, and then an overall Grand Champion is named. Teams can also compete for non-food-related awards, such as cleanest area, most unique pit, and most colorful team. Each barbecue team has their own tent on the grounds.", "Each barbecue team has their own tent on the grounds. Many offer their own entertainment, generally cover bands or djs. Entrance into each tents is by invitation only. Many teams sell sponsorships that provide access to their tent, with the money often going to charity. Attendees without an invitation to a specific tent can congregate in one of the three general admission areas, each with its own live entertainment. A record 264,132 people attended the World's Championship Barbecue Contest in 2013. The 49th is scheduled for 23–25 February 2023.", "The 49th is scheduled for 23–25 February 2023. The 49th is scheduled for 23–25 February 2023. Rodeo and concert One of the largest draws for the Houston Livestock Show and Rodeo is the 20 consecutive evenings of rodeo and concert, held in NRG Stadium. Tickets are relatively inexpensive, averaging about $29 in 2016, and also grant admission to the livestock show and fairgrounds. More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale.", "More than 43,000 season tickets are sold every year, with the remaining seats 30,000 seats available for individual-show sale. Members of the HLSR are given an opportunity to buy individual tickets before the general public. RodeoHouston is sanctioned by the Professional Rodeo Cowboys Association (PRCA). It offers one of the largest prize purses in North America, over $2 million, which count for the PRCA's National Finals Rodeo. RodeoHouston features 280 of the top professional cowboys.", "RodeoHouston features 280 of the top professional cowboys. RodeoHouston features 280 of the top professional cowboys. They compete in a playoff format, with the ultimate champion in each event earning $50,000. For one day, contestants compete in the RodeoHouston SuperShootout. Champions from each of the top 10 rodeos in North America are invited to compete as teams in a subset of rodeo events. In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel.", "In 2020 & resuming in 2022, the entire rodeo has been televised live on The Cowboy Channel. After the professional rodeo concludes, children are given an opportunity to compete. Each evening, 30 high school students from across the state compete in the calf scramble. They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium.", "They are given the opportunity to chase down (on foot) and catch one of 15 calves, put a halter on them, and drag them back to the center of the stadium. Winners are given money to purchase their own heifer or steer to show the following year. Immediately following the calf scramble is mutton busting. Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena.", "Five- and six-year-olds wearing protective gear try to ride a sheep across a portion of the arena. On the last night of the rodeo, the winners from each of the previous evenings compete again to see who will become grand champion. A rotating stage is then brought into the arena for the nightly concert. The majority of evenings are performances by country music singers, although several nights are dedicated to pop or rock music. The annual Go Tejano Day generally draws the largest crowds.", "The annual Go Tejano Day generally draws the largest crowds. The winner of the annual Mariachi Invitational competition is invited to perform onstage with the Tejano acts. Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium.", "Grounds Visitors who are not attending the rodeo and concert can purchase a lower-cost general admission ticket to gain access to all of NRG Park except the stadium. According to livestock show CEO Joel Cowley, \"if we can draw people here for a concert or a carnival or a rodeo and teach them something about agriculture, it’s a win in regard to our mission.\" NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores.", "NRG Center contains AgVenture, which provides educational displays about agriculture and the origins of the food for sale at grocery stores. More than 61,000 schoolchildren visited AgVenture in 2015 on official tours. Displays include an area where attendees can see cows, pigs, and sheep give birth or see chickens hatch. There are also displays with live rabbits and honeybees. NRG Center also hosts a large vendor area. The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors.", "The grounds feature an area where children can do pretend farm chores and compete in races using pedal-driven tractors. There is also a petting zoo, pony and camel rides, and a full carnival and midway. Over the course of the 20-day event in 2015, visitors purchased over $23 million of food outside of the stadium. Other competitions are held throughout the three weeks at NRG Center and NRG Arena. These include open cattle shows and a paint horse competition.", "These include open cattle shows and a paint horse competition. Children with mental and physical disabilities are invited to compete in the Lil' Rustlers Rodeo, which offers imitation rodeo events, such as riding a stick horse. Free educational seminars are available throughout the three weeks of the livestock show. They are open to the public and cover topic related to wildlife, agricultural in general, and farming and hunting. Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena.", "Adults can visit The Hideout, a temporary dance hall located in a large tent near NRG Arena. After the show in NRG Stadium concludes, The Hideout features live music from new artists. Several past performers at The Hideout, including the Dixie Chicks, Blake Shelton, Keith Urban, and the Eli Young Band, later became headliners at the main rodeo show. Approximately 2,000-3,000 people visit The Hideout each evening. Livestock show HLSR is the largest indoor livestock show in the world.", "Livestock show HLSR is the largest indoor livestock show in the world. For a full week, cattle auctions are held in NRG Arena for professional breeders to sell their stock. The livestock show has a larger international presence than any other. In 2017, the Ministers of Agriculture from Russia and Colombia made official visits to HLSR, joining more than 2,600 other international businessmen representing 88 countries. The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016.", "The HLSR International Committee estimated that they facilitated more than $2.6 million in agriculture sales between livestock show participants and international visitors in 2016. Junior market auctions are also held. Children from around the state show the livestock that they have raised, including cows, pigs, goats, sheep, rabbits, and chicken. The livestock are judged, with the winners auctioned off. It is the largest set of animals to be shown and judged of any livestock show. Most champion animals sell for well over market value.", "Most champion animals sell for well over market value. Most champion animals sell for well over market value. Winning children are guaranteed a certain amount of scholarship money; if the bid is larger than that amount, the excess funds are directed to the general scholarship fund. More than 4,368 cattle were shown in 2017, with Brahmans the largest category. Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston.", "Impact HLSR is a 501(c)(3) charitable organization and ranks as the 7th-largest Better Business Bureau accredited charity in Houston. Its primary source of revenue is an annual livestock show and rodeo and the events leading up to it. HLSR has 85 full-time employees and over 31,000 volunteers, divided into 108 committees. The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person.", "The volunteers contribute an estimated 2.1 million hours of work per year, averaging almost 68 hours per person. All of them are required to pay a minimum fee of $50, and some committees require a larger donation. The most popular committees have a wait list. More than 2.5 million people, including visitors from around the world, attended in 2016. It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities.", "It is the largest cultural event in Houston, and its attendance numbers dwarf those of annual attendance for most professional sports teams and most major cultural events in other cities. In comparison, New Orleans' Mardi Gras generally draws about 1.4 million visitors. In 2015, the organization reported operating revenue of $133.35 million.", "In 2015, the organization reported operating revenue of $133.35 million. The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play.", "The Corral Club, which covers the sale of much of the alcohol on the grounds, but not that within the stadium, sold more alcohol in the three weeks of the HLSR than any other mixed-beverage permit holder in the state for the month of March 2016, and in the year prior was only outsold by the stadium where the Dallas Cowboys play. A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region.", "A 2010 economic impact analysis estimate that the HLSR funneled $220 million into the Houston economy, with almost half of that coming from visitors outside of the Houston metro region. HLSR and its suppliers and vendors paid over $27 million in taxes to local entities. The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year.", "The study's author estimates that by 2017, the HLSR would be contributing almost $500 million to the local economy each year, the equivalent of hosting the Super Bowl every year. HLSR awarded $26.07 million in scholarships, grants, and graduate assistantships in 2017. More than 750 students received scholarships, many of them worth $20,000 over four years. Recipients can pursue any field of study but are required to attend a university or college in Texas. Eleven different colleges were awarded funds to pay for graduate assistants.", "Eleven different colleges were awarded funds to pay for graduate assistants. The remainder of the money was allocated for grants to other nonprofits or educational facilities to provide programs to help educate youth about agriculture or pioneer heritage. Since 1932, HLSR boasts that it has given away over $430 million. Milestones 1931 : First established as The Houston Fat Stock Show. 1932 : First Show is held at the Sam Houston Hall. 1937 : No rodeo due to cancellation. 1938 : Moved to new location: Sam Houston Coliseum.", "1938 : Moved to new location: Sam Houston Coliseum. 1942 : First star entertainer: Gene Autry, \"the Singing Cowboy\"; calf scramble event added to the Show's rodeo. 1943–45 : No rodeo due to World War II. 1946 : Rodeo resumes. 1952 : First trail ride (Salt Grass Trail Ride) commences from Brenham, Texas. 1957 : First major educational scholarship ($2,000) awarded to Ben Dickerson. 1961 : Name changes to Houston Livestock Show and Rodeo.", "1961 : Name changes to Houston Livestock Show and Rodeo. 1963 : The School Art Program begins 1966 : New location: Astrodome complex; Astrohall built for Livestock Exposition. 1970 : Research program launched committing $100,000 annually in support of research studies at various universities and colleges in Texas 1974 : The first World's Championship Bar-B-Que Contest. Elvis Presley sets attendance record of 43,944.", "Elvis Presley sets attendance record of 43,944. Elvis Presley sets attendance record of 43,944. On his second show, on the same day, he breaks his own record drawing 44,175, for a one-day record 88,119 1975 : The Astroarena is completed. 1977 : Four-year scholarships increased from $4,000 to $6,000. 1983 : Four-year scholarships increased from $6,000 to $8,000. 1989 : Scholarship program expands to Houston metropolitan area. 1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship.", "1992 : Four-year scholarships upgraded from $8,000 to $10,000 retroactive to all students currently on scholarship. 1993 : Tejano superstar Selena breaks attendance record at the Astrodome by drawing a crowd of exactly 57,894 fans. 1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record.", "1994 : Tejano superstar Selena sets another attendance record at the Astrodome by drawing another crowd of 60,081 fans, breaking her previous record. 1995 : Tejano superstar Selena holds famed Astrodome concert with over 67,000 fans, again, breaking her previous records 1997 : Rodeo Institute for Teacher Excellence is created as a 3-year pilot program with $4.6 million in funding; websites www.hlsr.com and www.rodeohouston.com introduced. 1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards.", "1998 : Number of 4-H and FFA scholarships increased to 60 per program, totaling 120 four-year $10,000 awards. 1999 : Number of 4-H and FFA scholarships increased to 70 per program, totaling 140 four-year $10,000 awards; Opportunity Scholarships awarded based on financial need and academic excellence. 2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium.", "2000 : Rodeo Institute for Teacher Excellence extended another 3 years with another $4.6 million; Reliant Energy acquires naming rights for the Astrodomain; renamed Reliant Park includes the Reliant Astrodome, Reliant Arena, Reliant Hall, Reliant Center and Reliant Stadium. 2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million.", "2001 : Largest presentation of scholarships to date, with 300 four-year $10,000 awards through the Metropolitan, Opportunity and School Art scholarship programs, totaling $3 million. 2002 : George Strait sets paid attendance record for any Rodeo event in the Reliant Astrodome with 68,266; Reliant Hall is demolished. 2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park.", "2003 : New location: Reliant Stadium and Reliant Center; Carruth Plaza, a Western sculpture garden named in honor of past president and chairman, Allen H. \"Buddy\" Carruth, completed at Reliant Park. 2006 : Brooks & Dunn break rodeo attendance record set by Hilary Duff in 2005 with 72,867 in attendance. 2007 : The Cheetah Girls and supporting act Hannah Montana sell out in just three minutes and set a new rodeo attendance record of 73,291. 2008 : Hannah Montana sets an attendance record of 73,459.", "2008 : Hannah Montana sets an attendance record of 73,459. 2008: Inducted into the ProRodeo Hall of Fame. 2009 : Ramón Ayala and Alacranes Musical set the all-time paid Rodeo attendance record on Go Tejano Day, with 74,147 in attendance for championship Rodeo action, concert entertainment and the Mariachi finals. 2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston.", "2012 : The Professional Bull Riders held their first event at Reliant Stadium, and it was their first to be a part of RodeoHouston. 2013 : George Strait, Martina McBride, and the Randy Rogers Band set a new all-time attendance record with 80,020. 2015 : La Arrolladora Banda El Limón/La Maquinaria Norteña set a new all-time paid Rodeo attendance record on Go Tejano Day with 75,357. 2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508.", "2016 : Banda Los Recoditos/Los Huracanes Del Norte broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,508. 2017 : Banda El Recodo/Banda Siggno broke the all-time paid Rodeo attendance record on Go Tejano Day with 75,557. 2017 : Rodeo officials announced plans to replace the stage used in NRG Stadium for concerts with a new stage resembling that of a five point star. It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level.", "It can fold and it can be elevated or lowered so the performer can have a higher up stage or walk on the ground level. Garth Brooks is scheduled to be the first performer on the new stage. 2018 : Garth Brooks kicked off and ended Livestock Show & Rodeo. 2018 : Calibre 50 beat last year's all-time attendance record, as 75,565 fans showed up on Go Tejano Day. It was later broken by Garth Brooks, attended by 75,577.", "It was later broken by Garth Brooks, attended by 75,577. 2018 : Cody Johnson becomes the first unsigned artist to play to a sold out crowd. 2019 : Cardi B sets record, with 75,580 fans in the audience 2019 : Los Tigres del Norte sets a new all-time attendance record a week later, with 75,586 fans in the audience, beating the previous artist record holder. 2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening.", "2019 : George Strait breaks his own 2013 attendance record with 80,108 fans to close the 2019 show with Lyle Lovett and Robert Earl Keen opening. (two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well.", "(two sets of attendance records are kept: one for shows with an accompanying rodeo competition, one for concert-only performances, in which seats are available on the floor of NRG stadium as well. Strait's record is the concert only, Los Tigres Del Norte holds the record for the rodeo/concert performances) 2020 : RodeoHouston cancelled after 9 days when local spread of SARS-CoV-2 coronavirus caused cases of COVID-19. 2022 : Rodeo will return after a pandemic-based one-year hiatus.", "2022 : Rodeo will return after a pandemic-based one-year hiatus. Notes External links Houston Livestock Show and Rodeo Homepage Houston Livestock Show - Pro Rodeo Online Rodeos Culture of Houston Concerts in the United States Agricultural shows in the United States Tourist attractions in Houston ProRodeo Hall of Fame inductees Rodeo venues in the United States Animal shows" ]
[ "Edwin Edwards", "Early scandals" ]
C_e1d668882c39441abf5804d2a7db0abc_0
what were edwins early scandals?
1
what were edwin's early scandals?
Edwin Edwards
Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemer - father of future governor Buddy Roemer - was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case. CANNOTANSWER
When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive."
Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the "very last of the line of New Deal Southern Democrats", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. "Potch" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their "awareness of problems of the poor". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a "lame duck governor who doesn't want the new administration to do well. It'll make him look bad", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having "never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known." He accused Treen of having adopted Edwards' own reform platform characterized as the "Era of Excellence". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana "jinx" that had doomed former New Orleans Mayor deLesseps Story "Chep" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel "can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics." First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a "cabinet style" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as "Dean of the Louisiana Senate". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened "father of Louisiana's Republican Party". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. "Bob" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called "the government in waiting". Early in 1982, Edwards said that he was so committed to running again for governor that "only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet." In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: "It's difficult for me to understand his popularity", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. "Bubba" Henry, told the Democratic State Central Committee that Edwards had created a "smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: "The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy." Edwards zinged Treen many times, once describing Treen as "so slow it takes him an hour and a half to watch 60 Minutes." During a gubernatorial debate in 1983, Treen asked Edwards, "How come you talk out of both sides of your mouth?" Edwards instantly responded, "So people like you with only half a brain can understand me." Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, "I did Paris with the Gov." Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, "Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes." Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a "jury of my peers". Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a "bag man" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to "kiss my ass". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported "tradition". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. "Anyone But Edwards" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: "No, we've got to slay the dragon. I would endorse anyone but Edwards." The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering "Slay the Dragon" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read "Vote For the Crook. It's Important." Another read "Vote for the Lizard, not the Wizard." Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that "the only thing we have in common is that we both have been wizards beneath the sheets." He also feigned concern for Duke's health due to smoke inhalation "because he's around so many burning crosses" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied "stay alive". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: "Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership." Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised "humorous" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. "I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that", Edwards told the press after his conviction. On his way to prison he said, "I will be a model prisoner, as I have been a model citizen". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had "suffered enough" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming "don't you know who I am?" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: "I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded..." Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an "honorary pallbearer" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to "None of the Above" Knox to dramatize his support for the "None of the Above" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: "I'm the only hope the Democrats have here." He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, "I want you to know, I'm going to give it every effort." If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards "has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak." Louisiana political writer John Maginnis said that Edwards was "likely to make the runoff" because of his name recognition, but "I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining." State pollster Elliott Stonecipher said that "the most basic math of the Edwards race yields an 'it is not impossible' answer" and former Governor Buddy Roemer said that while it is unlikely, "yes, [Edwards] can win". An April 2014 article in Politico that discussed his chances noted that he was "still sharp as a razor" and "in remarkably vigorous health". He pronounced himself "disappointed" with President Obama for "sitting" on the Keystone Pipeline and listed his campaign priorities as "Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous." He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, "mathematically, victory is something close to impossibility." Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said "There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards." Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, "in truth (Edwards) never really had a chance to win." As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 "jungle primary" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly "the most interesting" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah "Penny" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: "Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family." The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and "giving orders" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, "Edwin Edwards: Reflections on a Life", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II
true
[ "August William Edwins (August 12, 1871 – July 2, 1942) was the American founder of the Augustana Evangelical Lutheran Church mission in the Xuchang, Henan, China.\n\nEarly life\n\nAugust William Edwins was born August 12, 1871, in Ogden, Boone Co., Iowa. His parents had emigrated from Sweden in 1868 to Swede Valley, Iowa. August was the fourth of eleven children. Due to poverty, at 16, he left home to earn money for his education. He graduated from Augustana Academy (Augustana College), Rock Island, Illinois, as valedictorian of both his college and his seminary classes. His gift as a scholar and affinity for linguistics became important for his missionary career. He graduated from Augustana Seminary in 1902 and was ordained that year at the Synod convention held in Ishpeming, Michigan. His first call was to serve the congregation at Trinity Lutheran Church, Stillwater, Minnesota.\n\nIt was while serving as a pastor at Trinity that Pastor Edwins was first approached about serving as a missionary in China. In 1904 the China Mission Society (CMS), a group of Augustana members interested in establishing mission work in China, called him to serve as its first missionary to China. He was hesitant, but in 1905, when no one responded to a call for volunteers for the China Mission Society (formed in 1901), Edwins himself volunteered and accepted the Society's call. After one year of language studies, Pastor Edwins, in the company of his Chinese teacher and two Norwegian Lutheran missionaries, set out in the spring of 1906 to explore the possibilities for a CMS field in the Honan province. It proved to be an arduous trip with attacks by angry crowds, military escorts, and revised routes of travel. Pastor and Mrs. Edwins set out for the new mission field in Hsuchang on September 2, 1906.\n\nMission\nCommissioned for China, Edwins married Alfreda Anderholm and sailed from Seattle, arriving in Shanghai in October 1905. After one year of language studies in the Fancheng district of Xiangfan, Hupeh (Hubei) Province, Pastor Edwins, in the company of his Chinese teacher and two Norwegian Lutheran missionaries, set out in the spring of 1906 to explore the possibilities for a CMS field in the Honan province. It proved to be an arduous trip with attacks by angry crowds, military escorts, and revised routes of travel. Pastor and Mrs. Edwins set out for the new mission field in Hsuchang on September 2, 1906. In consultation with missionaries of the China Inland Mission and others, Edwins was directed to an unoccupied field in central Honan. Moving to Hsu-ch'ang (Xuchang) in 1906, Edwins obtained a foothold in Loyang (Luoyang), Jiaxian, and other strategic centers, where land and property were purchased and groundwork was laid for future expansion. In 1910 the first nine converts were baptized in Xuchang. In addition, he was professor at the Union Theological Seminary in Shekow, near Hankou from 1922 to 1942. Pastor Edwins and the mission started a school in 1909 after requests from local people, but this school closed in 1911 due to inadequacies in the curriculum, faculty, and facilities. Another attempt to open a school occurred in 1913, but this school was discontinued after a year because Pastor Edwins was having to spend many days away from the school supervising building work at the other stations.\n\nFinal years and death\nPastor Edwins' last twenty years in the mission field were spent teaching at the Union Theological Seminary at Hankow. Among other accomplishments, Edwins started a union language school for new missionaries, initiated a Chinese Lutheran church paper, promoted indigenous literature, and taught dogmatics in the Union Lutheran Theological Seminary near Wuhan, Hupeh (Hubei), while also serving as the schools President. In March 1941, due to an increasingly tense political situation in China, Pastor Edwins sent his wife and children home to the United States. After the Japanese attack on Pearl Harbor and the subsequent declaration of war on Japan by the United States, American citizens living in China were interned by the Japanese. Since Shekow, where the seminary was located, was in occupied territory, Pastor Edwins became one of those interned. He was interned by the Japanese shortly after Pearl Harbor. Pastor Edwins and others received word in April 1942 that an exchange of American and Japanese nationals was to take place. On June 5 Pastor Edwins and other internees boarded a Japanese steamer that took them to Shanghai. While in Shanghai, Pastor Edwins suffered a stroke and was placed in the China Inland Hospital. He stayed there until he was transferred to the ship that would take him home. The S.S. Conte Verde left Shanghai on June 29 and on July 2 Pastor Edwins died after suffering another stroke late in the evening. He was buried in the South China sea 160 miles due east of Hanoi on July 3 after a brief service attended by fellow missionaries.\n\nSee also\nLutheran Church of China\n\nReferences\n\nAmerican Lutheran missionaries\nLutheran missionaries in China\nAmerican people of Swedish descent\n1871 births\n1942 deaths\nAmerican expatriates in China\nAmerican people who died in Japanese internment camps", "Brandon Chrostowski is an American chef, restaurateur, and politician currently residing in Cleveland, Ohio. He is the founder, president, and CEO of EDWINS Leadership and Restaurant Institute, a 501(c)(3) non-profit organization that acts as both a French restaurant and a culinary institute located in Cleveland's Shaker Square. It trains and is staffed largely by former prison inmates and was the subject of the 2017 Academy Award-nominated documentary short, Knife Skills. Chrostowski is also a certified sommelier and a fromager. He ran for Mayor of Cleveland in 2017.\n\nEarly life and education\nChrostowski was born and grew up in Detroit, Michigan. When he was 18, he was charged with resisting arrest after originally being suspected of a drug-related offense. A judge could have imposed a 10-year prison term but instead sentenced Chrostowski to one year of probation. Soon after this, he began working with Detroit chef, George Kalergis, who became his mentor. This led him to The Culinary Institute of America in New York where he earned an associate's degree in culinary arts and a bachelor's degree in business and restaurant management.\n\nCareer\n\n2000–2007: Early career in Chicago, Paris, and New York\nAfter finishing his studies, Chrostowski apprenticed under Charlie Trotter at his namesake restaurant (Charlie Trotter's) in Chicago. He then moved to France where he worked under Jean Bardet in Tours and Alain Senderens in Paris. For six months, he held a position at the Entree chaud and patisserie station at Senderens' Paris restaurant, Lucas Carton. Around 2005, he returned to the United States, working as saucier at Terrance Brennan's Manhattan restaurant, Picholine. He also worked in the kitchens at Le Cirque and Chanterelle in Manhattan. He worked his way up to manager at the latter restaurant, which was owned by Karen and David Waltuck.\n\nIn 2007, Chrostowski incorporated the 501(c)(3) non-profit organization, EDWINS Leadership and Restaurant Institute. He had originally written a business plan for the organization in 2004 with the goal of offering professional culinary training, housing, clothing, counseling, and life-skills classes to current and former inmates. The name comes from Chrostowski's own middle name (Edwin), which he inherited from his grandfather. It is also shorthand for \"Education Wins.\" Chrostowski moved to Cleveland in around 2008. While there, he earned a job as a manager at the French brasserie, L'Albatros. He would later become the restaurant's sommelier, fromager, and general manager.\n\n2008–2016: Life in Cleveland and founding EDWINS\nWhile working at L'Albatros, Chrostowski began to raise money for his EDWINS venture via fundraisers and private donations. Initially, he developed an EDWINS program for currently imprisoned inmates at the Grafton Correctional Institution and the Northeast Pre-Release Center, which he began in 2011. In September 2012, Chrostowski publicly revealed his business plan in an effort to garner more donations. In March 2013 at a TED Talk in Cleveland, he gave a speech about the difficulties former inmates face after being released from prison. He also announced that he would resign from his position at L'Albatros to focus exclusively on EDWINS. In July 2013, he purchased a building in Cleveland's Shaker Square and began renovating it to accommodate the restaurant and training center. The restaurant opened in November 2013 and was staffed by around 55 former inmates at its outset. A total of about 80 students entered the initial class with about 35 \"graduating\" the six-month program.\n\nBy September 2015, the program had graduated 89 students. In November of that year, Chrostowski was listed on Crain's Cleveland Business \"Forty Under 40\" list. In March 2016, he was named one of 25 CNN Heroes for that year. In August 2016, the EDWINS Second Chance Life Skills Center—a campus composed of three buildings with dormitories, a library, a test kitchen, and fitness center—was completed. Chrostowski had acquired the buildings for the project in Cleveland's Buckeye neighborhood in July 2015. The center is reserved for current members and alumni of the EDWINS program. In January 2017, Chrostowski appeared on an episode of Steve Harvey where he was honored as one of \"Harvey's Heroes.\"\n\n2017–present: Mayoral run and restaurant expansion\nIn February 2017, Chrostowski announced his candidacy for the Mayor of Cleveland. To focus on his campaign, he took a leave of absence from EDWINS, appointing Tom Nobbe to temporarily fill his role. In the September primary election, Chrostowski finished fourth out of nine candidates, accruing 9.5% of the vote and losing to long-time incumbent, Frank G. Jackson. He returned to his position as President of EDWINS soon after the election.\n\nThat year, EDWINS was also the subject of the Thomas Lennon-directed documentary short, Knife Skills. Chrostowski had met Lennon at a dinner party held by his former Chanterelle bosses, Karen and David Waltuck, in September 2013. He later agreed to let Lennon film the run-up to the restaurant's launch. The film largely focuses on EDWINS' opening night in November 2013 along with Chrostowski and the restaurant's trainees. It was nominated for an Academy Award for Best Documentary Short Subject at the 90th Academy Awards. In January 2018, Chrostowski led a group of EDWINS trainees preparing a dinner of fine French cuisine at the James Beard House in Manhattan.\n\nIn March 2018, Chrostowski opened the Serenite Restaurant and Culinary Institute in Medina, Ohio. The restaurant operates similarly to EDWINS but has a focus on individuals recovering from drug and/or alcohol addictions. The center received a $300,000 grant from the state of Ohio to start the restaurant. Chrostowski has finished the EDWINS Butcher Shop and Cafe near the EDWINS Second Chance Life Skills Center. It opened in December 2018. Over the course of its existence, the EDWINS program has graduated over 350 former inmates, and EDWINS culinary classes are held in virtually all Ohio prisons. In July 2019 Chrostowski opened up an Italian eatery helping the homeless. In partnership with the West Side Catholic Center the social enterprise launched on July 19, 2019. Chrostowski has continued his pursuit of building the best culinary school for returning citizens by opening the EDWINS Bakery on December 20, 2019. This fresh bakery and \"from scratch\" diner provides a deeper baking and pastry education to students and provides fresh baked goods that \"feed the soul\" of the nearby community. Because of the commitment that Chrostowski has for the community and excellence exhibited in culinary arts, he was recognized by the International Foodservice Manufacturers Association (IFMA) in March 2020 and named a recipient of the prestigious Silver Plate award.\n\nReferences\n\nExternal links\nOfficial website\nEDWINS Leadership and Restaurant Institute\n\nYear of birth missing (living people)\nLiving people\nAmerican chefs\nPoliticians from Cleveland\nAmerican restaurateurs\nCulinary Institute of America alumni\nSommeliers" ]
[ "Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history.", "He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the \"very last of the line of New Deal Southern Democrats\", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison.", "In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent .", "In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic.", "His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War.", "His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. \"Potch\" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher.", "The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish.", "After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French.", "Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954.", "Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century.", "He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature.", "Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons.", "Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972.", "After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970.", "Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees.", "While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long.", "1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent).", "In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent).", "Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\".", "Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome.", "Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top.", "On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie.", "In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a \"lame duck governor who doesn't want the new administration to do well. It'll make him look bad\", considering a $30 million budget shortfall facing the next governor.", "It'll make him look bad\", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having \"never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\"", "He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\" He accused Treen of having adopted Edwards' own reform platform characterized as the \"Era of Excellence\". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent).", "Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana \"jinx\" that had doomed former New Orleans Mayor deLesseps Story \"Chep\" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator.", "Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel \"can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ...", "... ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics.\" First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter.", "One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted.", "Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a \"cabinet style\" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures.", "During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent.", "In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor.", "He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as \"Dean of the Louisiana Senate\". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana.", "He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate.", "In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction.", "In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary.", "Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system.", "Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened \"father of Louisiana's Republican Party\". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor.", "William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics.", "Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect.", "A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender.", "In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other.", "Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office.", "Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate.", "Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education.", "Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. \"Bob\" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans.", "Thereafter, Jones and Martin became Republicans. Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices.", "At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\" He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case.", "Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades.", "Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative.", "In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice.", "South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it.", "Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings.", "In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold.", "The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983.", "First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called \"the government in waiting\". Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this.", "Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet.\" In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt.", "As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics.", "Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign.", "John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University).", "Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\"", "Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\" Edwards zinged Treen many times, once describing Treen as \"so slow it takes him an hour and a half to watch 60 Minutes.\" During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\"", "During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\" Edwards instantly responded, \"So people like you with only half a brain can understand me.\" Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven.", "Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later.", "There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000.", "Each paid $10,000. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\"", "For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\" Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices.", "Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes.", "In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support.", "The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\"", "Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\" Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers.", "To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results.", "Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz.", "John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party.", "Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a \"jury of my peers\". Russell B.", "Russell B. Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election.", "When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a \"bag man\" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present.", "Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to \"kiss my ass\". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S.", "The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\".", "When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse.", "Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny.", "Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity.", "After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable.", "Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election.", "Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston.", "Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign.", "Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987.", "Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. \"Anyone But Edwards\" Edwards was the issue of the campaign.", "\"Anyone But Edwards\" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff.", "There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates.", "Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff.", "His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon.", "The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon. I would endorse anyone but Edwards.\" The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons.", "The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent.", "Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election.", "This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained.", "By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office.", "By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power.", "And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler.", "After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke.", "Governor Roemer placed third, 80,000 votes behind Duke. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans.", "Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better.", "Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read \"Vote For the Crook. It's Important.\" Another read \"Vote for the Lizard, not the Wizard.\"", "Another read \"Vote for the Lizard, not the Wizard.\" Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin.", "Edwards won by a wide margin. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\"", "Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\" He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\".", "He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes.", "On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration.", "Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards.", "Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign.", "During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration.", "He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts.", "On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began.", "But a political backlash against gambling-related corruption began. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests.", "Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964).", "Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters.", "Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office.", "It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership.\" Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history.", "Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category.", "It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter.", "At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly.", "A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan.", "After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions.", "The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license.", "The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts.", "Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. \"I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that\", Edwards told the press after his conviction. On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\".", "On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration.", "In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming \"don't you know who I am?\" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095.", "In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: \"I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired.", "I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S.", "Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007.", "Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election.", "Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence.", "Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections.", "In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house.", "On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior.", "On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980.", "In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge.", "2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\"", "With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\" He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, \"I want you to know, I'm going to give it every effort.\" If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates.", "If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance.", "After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak.\" Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th.", "Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining.\" State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\".", "State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\". An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\".", "An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\". He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\"", "He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\" He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion.", "He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure.", "A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents.", "Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\"", "David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\" Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\"", "Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\" Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so.", "Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters.", "Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, \"in truth (Edwards) never really had a chance to win.\" As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district.", "As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 \"jungle primary\" votes (27.4 percent).", "Graves had received 70,706 \"jungle primary\" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days.", "Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors.", "Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014.", "However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office.", "In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly \"the most interesting\" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office.", "Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office.", "In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child.", "In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32.", "At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together.", "In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself.", "Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years.", "Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor.", "Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah \"Penny\" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison.", "Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards.", "Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican.", "She is a Republican. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age.", "The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: \"Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family.\" The couple announced February 15, 2013 that Trina was pregnant.", "The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath.", "Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and \"giving orders\" once he got home.", "His wife told the media that he was resting well and \"giving orders\" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco.", "At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, \"Edwin Edwards: Reflections on a Life\", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001.", "Farrar, Straus, and Giroux, 2001. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear.", "Maginnis, John. Cross to Bear. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998.", "Gretna, Louisiana: Pelican Publishing Company, 1998. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II" ]
[ "Edwin Edwards", "Early scandals", "what were edwins early scandals?", "When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\"" ]
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Are there any other interesting aspects about this article?
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Are there any other interesting aspects about this article besides Edwin's scandal?
Edwin Edwards
Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemer - father of future governor Buddy Roemer - was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case. CANNOTANSWER
while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.
Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the "very last of the line of New Deal Southern Democrats", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. "Potch" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their "awareness of problems of the poor". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a "lame duck governor who doesn't want the new administration to do well. It'll make him look bad", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having "never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known." He accused Treen of having adopted Edwards' own reform platform characterized as the "Era of Excellence". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana "jinx" that had doomed former New Orleans Mayor deLesseps Story "Chep" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel "can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics." First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a "cabinet style" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as "Dean of the Louisiana Senate". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened "father of Louisiana's Republican Party". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. "Bob" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called "the government in waiting". Early in 1982, Edwards said that he was so committed to running again for governor that "only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet." In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: "It's difficult for me to understand his popularity", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. "Bubba" Henry, told the Democratic State Central Committee that Edwards had created a "smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: "The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy." Edwards zinged Treen many times, once describing Treen as "so slow it takes him an hour and a half to watch 60 Minutes." During a gubernatorial debate in 1983, Treen asked Edwards, "How come you talk out of both sides of your mouth?" Edwards instantly responded, "So people like you with only half a brain can understand me." Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, "I did Paris with the Gov." Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, "Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes." Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a "jury of my peers". Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a "bag man" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to "kiss my ass". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported "tradition". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. "Anyone But Edwards" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: "No, we've got to slay the dragon. I would endorse anyone but Edwards." The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering "Slay the Dragon" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read "Vote For the Crook. It's Important." Another read "Vote for the Lizard, not the Wizard." Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that "the only thing we have in common is that we both have been wizards beneath the sheets." He also feigned concern for Duke's health due to smoke inhalation "because he's around so many burning crosses" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied "stay alive". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: "Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership." Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised "humorous" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. "I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that", Edwards told the press after his conviction. On his way to prison he said, "I will be a model prisoner, as I have been a model citizen". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had "suffered enough" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming "don't you know who I am?" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: "I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded..." Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an "honorary pallbearer" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to "None of the Above" Knox to dramatize his support for the "None of the Above" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: "I'm the only hope the Democrats have here." He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, "I want you to know, I'm going to give it every effort." If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards "has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak." Louisiana political writer John Maginnis said that Edwards was "likely to make the runoff" because of his name recognition, but "I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining." State pollster Elliott Stonecipher said that "the most basic math of the Edwards race yields an 'it is not impossible' answer" and former Governor Buddy Roemer said that while it is unlikely, "yes, [Edwards] can win". An April 2014 article in Politico that discussed his chances noted that he was "still sharp as a razor" and "in remarkably vigorous health". He pronounced himself "disappointed" with President Obama for "sitting" on the Keystone Pipeline and listed his campaign priorities as "Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous." He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, "mathematically, victory is something close to impossibility." Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said "There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards." Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, "in truth (Edwards) never really had a chance to win." As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 "jungle primary" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly "the most interesting" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah "Penny" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: "Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family." The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and "giving orders" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, "Edwin Edwards: Reflections on a Life", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II
true
[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]
[ "Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history.", "He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the \"very last of the line of New Deal Southern Democrats\", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison.", "In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent .", "In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic.", "His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War.", "His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. \"Potch\" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher.", "The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish.", "After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French.", "Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954.", "Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century.", "He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature.", "Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons.", "Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972.", "After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970.", "Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees.", "While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long.", "1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent).", "In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent).", "Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\".", "Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome.", "Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top.", "On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie.", "In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a \"lame duck governor who doesn't want the new administration to do well. It'll make him look bad\", considering a $30 million budget shortfall facing the next governor.", "It'll make him look bad\", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having \"never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\"", "He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\" He accused Treen of having adopted Edwards' own reform platform characterized as the \"Era of Excellence\". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent).", "Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana \"jinx\" that had doomed former New Orleans Mayor deLesseps Story \"Chep\" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator.", "Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel \"can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ...", "... ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics.\" First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter.", "One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted.", "Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a \"cabinet style\" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures.", "During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent.", "In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor.", "He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as \"Dean of the Louisiana Senate\". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana.", "He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate.", "In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction.", "In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary.", "Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system.", "Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened \"father of Louisiana's Republican Party\". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor.", "William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics.", "Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect.", "A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender.", "In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other.", "Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office.", "Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate.", "Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education.", "Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. \"Bob\" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans.", "Thereafter, Jones and Martin became Republicans. Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices.", "At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\" He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case.", "Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades.", "Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative.", "In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice.", "South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it.", "Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings.", "In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold.", "The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983.", "First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called \"the government in waiting\". Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this.", "Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet.\" In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt.", "As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics.", "Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign.", "John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University).", "Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\"", "Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\" Edwards zinged Treen many times, once describing Treen as \"so slow it takes him an hour and a half to watch 60 Minutes.\" During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\"", "During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\" Edwards instantly responded, \"So people like you with only half a brain can understand me.\" Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven.", "Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later.", "There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000.", "Each paid $10,000. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\"", "For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\" Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices.", "Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes.", "In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support.", "The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\"", "Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\" Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers.", "To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results.", "Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz.", "John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party.", "Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a \"jury of my peers\". Russell B.", "Russell B. Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election.", "When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a \"bag man\" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present.", "Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to \"kiss my ass\". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S.", "The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\".", "When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse.", "Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny.", "Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity.", "After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable.", "Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election.", "Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston.", "Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign.", "Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987.", "Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. \"Anyone But Edwards\" Edwards was the issue of the campaign.", "\"Anyone But Edwards\" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff.", "There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates.", "Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff.", "His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon.", "The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon. I would endorse anyone but Edwards.\" The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons.", "The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent.", "Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election.", "This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained.", "By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office.", "By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power.", "And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler.", "After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke.", "Governor Roemer placed third, 80,000 votes behind Duke. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans.", "Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better.", "Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read \"Vote For the Crook. It's Important.\" Another read \"Vote for the Lizard, not the Wizard.\"", "Another read \"Vote for the Lizard, not the Wizard.\" Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin.", "Edwards won by a wide margin. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\"", "Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\" He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\".", "He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes.", "On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration.", "Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards.", "Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign.", "During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration.", "He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts.", "On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began.", "But a political backlash against gambling-related corruption began. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests.", "Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964).", "Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters.", "Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office.", "It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership.\" Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history.", "Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category.", "It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter.", "At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly.", "A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan.", "After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions.", "The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license.", "The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts.", "Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. \"I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that\", Edwards told the press after his conviction. On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\".", "On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration.", "In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming \"don't you know who I am?\" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095.", "In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: \"I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired.", "I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S.", "Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007.", "Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election.", "Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence.", "Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections.", "In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house.", "On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior.", "On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980.", "In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge.", "2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\"", "With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\" He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, \"I want you to know, I'm going to give it every effort.\" If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates.", "If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance.", "After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak.\" Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th.", "Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining.\" State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\".", "State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\". An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\".", "An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\". He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\"", "He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\" He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion.", "He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure.", "A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents.", "Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\"", "David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\" Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\"", "Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\" Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so.", "Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters.", "Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, \"in truth (Edwards) never really had a chance to win.\" As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district.", "As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 \"jungle primary\" votes (27.4 percent).", "Graves had received 70,706 \"jungle primary\" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days.", "Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors.", "Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014.", "However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office.", "In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly \"the most interesting\" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office.", "Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office.", "In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child.", "In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32.", "At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together.", "In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself.", "Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years.", "Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor.", "Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah \"Penny\" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison.", "Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards.", "Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican.", "She is a Republican. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age.", "The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: \"Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family.\" The couple announced February 15, 2013 that Trina was pregnant.", "The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath.", "Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and \"giving orders\" once he got home.", "His wife told the media that he was resting well and \"giving orders\" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco.", "At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, \"Edwin Edwards: Reflections on a Life\", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001.", "Farrar, Straus, and Giroux, 2001. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear.", "Maginnis, John. Cross to Bear. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998.", "Gretna, Louisiana: Pelican Publishing Company, 1998. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II" ]
[ "Edwin Edwards", "Early scandals", "what were edwins early scandals?", "When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\"", "Are there any other interesting aspects about this article?", "while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas." ]
C_e1d668882c39441abf5804d2a7db0abc_0
how did the press take his demonstration?
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how did the press take Edwin Edwards' demonstration of his gambling prowess?
Edwin Edwards
Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemer - father of future governor Buddy Roemer - was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case. CANNOTANSWER
At the time, Edwards was remarkably candid about his questionable practices.
Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the "very last of the line of New Deal Southern Democrats", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. "Potch" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their "awareness of problems of the poor". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a "lame duck governor who doesn't want the new administration to do well. It'll make him look bad", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having "never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known." He accused Treen of having adopted Edwards' own reform platform characterized as the "Era of Excellence". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana "jinx" that had doomed former New Orleans Mayor deLesseps Story "Chep" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel "can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics." First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a "cabinet style" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as "Dean of the Louisiana Senate". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened "father of Louisiana's Republican Party". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. "Bob" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called "the government in waiting". Early in 1982, Edwards said that he was so committed to running again for governor that "only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet." In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: "It's difficult for me to understand his popularity", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. "Bubba" Henry, told the Democratic State Central Committee that Edwards had created a "smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: "The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy." Edwards zinged Treen many times, once describing Treen as "so slow it takes him an hour and a half to watch 60 Minutes." During a gubernatorial debate in 1983, Treen asked Edwards, "How come you talk out of both sides of your mouth?" Edwards instantly responded, "So people like you with only half a brain can understand me." Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, "I did Paris with the Gov." Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, "Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes." Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a "jury of my peers". Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a "bag man" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to "kiss my ass". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported "tradition". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. "Anyone But Edwards" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: "No, we've got to slay the dragon. I would endorse anyone but Edwards." The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering "Slay the Dragon" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read "Vote For the Crook. It's Important." Another read "Vote for the Lizard, not the Wizard." Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that "the only thing we have in common is that we both have been wizards beneath the sheets." He also feigned concern for Duke's health due to smoke inhalation "because he's around so many burning crosses" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied "stay alive". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: "Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership." Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised "humorous" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. "I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that", Edwards told the press after his conviction. On his way to prison he said, "I will be a model prisoner, as I have been a model citizen". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had "suffered enough" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming "don't you know who I am?" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: "I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded..." Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an "honorary pallbearer" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to "None of the Above" Knox to dramatize his support for the "None of the Above" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: "I'm the only hope the Democrats have here." He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, "I want you to know, I'm going to give it every effort." If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards "has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak." Louisiana political writer John Maginnis said that Edwards was "likely to make the runoff" because of his name recognition, but "I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining." State pollster Elliott Stonecipher said that "the most basic math of the Edwards race yields an 'it is not impossible' answer" and former Governor Buddy Roemer said that while it is unlikely, "yes, [Edwards] can win". An April 2014 article in Politico that discussed his chances noted that he was "still sharp as a razor" and "in remarkably vigorous health". He pronounced himself "disappointed" with President Obama for "sitting" on the Keystone Pipeline and listed his campaign priorities as "Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous." He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, "mathematically, victory is something close to impossibility." Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said "There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards." Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, "in truth (Edwards) never really had a chance to win." As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 "jungle primary" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly "the most interesting" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah "Penny" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: "Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family." The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and "giving orders" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, "Edwin Edwards: Reflections on a Life", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II
true
[ "The 1916 Democratic National Convention was held at the St. Louis Coliseum in St. Louis, Missouri from June 14 to June 16, 1916. It resulted in the nomination of President Woodrow Wilson and Vice President Thomas R. Marshall for reelection.\n\nDemonstrations \nWomen's suffrage activists in Missouri staged a demonstration for the convention. Suffragists Emily Newell Blair and Edna Gellhorn came up with the idea and organized a \"walkless, talkless parade,\" also called the \"Golden Lane.\" Around 3,000 suffragists lined twelve blocks of Locust Street in St. Louis, wearing white dresses, \"votes for women\" sashes and holding yellow umbrellas. Democratic delegates had to walk past the suffragists to reach the convention hall. The demonstration was meant to represent how women were silenced by not being allowed to vote and received national attention in the press. The Democratic delegates did decide to support women's suffrage on a state by state basis.\n\nImages\n\nSee also\n1916 Democratic Party presidential primaries\nList of Democratic National Conventions\nU.S. presidential nomination convention\nHistory of the United States Democratic Party\n1916 Republican National Convention\n1916 United States presidential election\n\nReferences\n\nSources\n\nExternal links \n \nThe Political Grave Yard: 1916 Democratic National Convention\n Democratic Party Platform of 1916 at The American Presidency Project\n Wilson Nomination Acceptance Speech for President at DNC (transcript) The American Presidency Project\n\n1916 conferences\n1916 United States presidential election\n1916 in Missouri\nConventions\nConventions in St. Louis\nPolitical conventions in Missouri\nMissouri Democratic Party\nPolitical events in Missouri\nDemocratic National Conventions\nJune 1916 events", "The Acacia Demonstration Gardens is a public park in Henderson, Nevada that features many examples of how to landscape in a dry desert climate. The park was built by the Conservation District Southern Nevada in coordination with the City of Henderson.\n\nDemonstration Gardens\n\n Allergy Friendly Garden\n Cactus Garden\n Compost Demonstration Area\n Dry Wash Demonstration\n Ethnobotanical Garden\n Mediterranean Garden\n Native Garden\n Near Native Garden\n Outside Living and Entertaining Garden\n Small Yard Demonstration Gardens\n Streetscape Demonstration\n Tomi's Garden - In Memory of Nanyu Tomiyasu \n Turf Demonstration Area\n Wildlife Friendly Garden\n\nOther Features\nNear the gardens are other park features, including:\n\n Water park playground for children\n Soccer field\n Baseball field\n Dog park\n\nReferences\n\nGardens in Nevada\nGeography of Henderson, Nevada\nDog parks in the United States\nProtected areas of Clark County, Nevada" ]
[ "Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history.", "He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the \"very last of the line of New Deal Southern Democrats\", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison.", "In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent .", "In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic.", "His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War.", "His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. \"Potch\" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher.", "The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish.", "After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French.", "Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954.", "Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century.", "He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature.", "Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons.", "Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972.", "After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970.", "Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees.", "While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long.", "1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent).", "In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent).", "Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\".", "Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome.", "Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top.", "On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie.", "In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a \"lame duck governor who doesn't want the new administration to do well. It'll make him look bad\", considering a $30 million budget shortfall facing the next governor.", "It'll make him look bad\", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having \"never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\"", "He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\" He accused Treen of having adopted Edwards' own reform platform characterized as the \"Era of Excellence\". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent).", "Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana \"jinx\" that had doomed former New Orleans Mayor deLesseps Story \"Chep\" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator.", "Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel \"can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ...", "... ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics.\" First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter.", "One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted.", "Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a \"cabinet style\" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures.", "During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent.", "In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor.", "He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as \"Dean of the Louisiana Senate\". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana.", "He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate.", "In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction.", "In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary.", "Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system.", "Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened \"father of Louisiana's Republican Party\". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor.", "William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics.", "Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect.", "A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender.", "In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other.", "Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office.", "Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate.", "Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education.", "Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. \"Bob\" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans.", "Thereafter, Jones and Martin became Republicans. Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices.", "At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\" He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case.", "Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades.", "Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative.", "In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice.", "South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it.", "Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings.", "In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold.", "The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983.", "First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called \"the government in waiting\". Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this.", "Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet.\" In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt.", "As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics.", "Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign.", "John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University).", "Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\"", "Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\" Edwards zinged Treen many times, once describing Treen as \"so slow it takes him an hour and a half to watch 60 Minutes.\" During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\"", "During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\" Edwards instantly responded, \"So people like you with only half a brain can understand me.\" Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven.", "Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later.", "There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000.", "Each paid $10,000. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\"", "For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\" Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices.", "Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes.", "In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support.", "The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\"", "Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\" Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers.", "To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results.", "Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz.", "John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party.", "Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a \"jury of my peers\". Russell B.", "Russell B. Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election.", "When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a \"bag man\" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present.", "Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to \"kiss my ass\". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S.", "The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\".", "When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse.", "Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny.", "Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity.", "After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable.", "Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election.", "Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston.", "Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign.", "Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987.", "Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. \"Anyone But Edwards\" Edwards was the issue of the campaign.", "\"Anyone But Edwards\" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff.", "There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates.", "Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff.", "His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon.", "The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon. I would endorse anyone but Edwards.\" The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons.", "The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent.", "Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election.", "This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained.", "By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office.", "By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power.", "And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler.", "After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke.", "Governor Roemer placed third, 80,000 votes behind Duke. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans.", "Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better.", "Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read \"Vote For the Crook. It's Important.\" Another read \"Vote for the Lizard, not the Wizard.\"", "Another read \"Vote for the Lizard, not the Wizard.\" Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin.", "Edwards won by a wide margin. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\"", "Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\" He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\".", "He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes.", "On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration.", "Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards.", "Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign.", "During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration.", "He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts.", "On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began.", "But a political backlash against gambling-related corruption began. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests.", "Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964).", "Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters.", "Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office.", "It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership.\" Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history.", "Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category.", "It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter.", "At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly.", "A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan.", "After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions.", "The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license.", "The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts.", "Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. \"I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that\", Edwards told the press after his conviction. On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\".", "On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration.", "In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming \"don't you know who I am?\" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095.", "In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: \"I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired.", "I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S.", "Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007.", "Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election.", "Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence.", "Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections.", "In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house.", "On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior.", "On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980.", "In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge.", "2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\"", "With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\" He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, \"I want you to know, I'm going to give it every effort.\" If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates.", "If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance.", "After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak.\" Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th.", "Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining.\" State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\".", "State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\". An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\".", "An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\". He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\"", "He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\" He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion.", "He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure.", "A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents.", "Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\"", "David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\" Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\"", "Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\" Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so.", "Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters.", "Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, \"in truth (Edwards) never really had a chance to win.\" As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district.", "As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 \"jungle primary\" votes (27.4 percent).", "Graves had received 70,706 \"jungle primary\" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days.", "Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors.", "Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014.", "However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office.", "In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly \"the most interesting\" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office.", "Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office.", "In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child.", "In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32.", "At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together.", "In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself.", "Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years.", "Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor.", "Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah \"Penny\" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison.", "Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards.", "Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican.", "She is a Republican. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age.", "The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: \"Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family.\" The couple announced February 15, 2013 that Trina was pregnant.", "The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath.", "Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and \"giving orders\" once he got home.", "His wife told the media that he was resting well and \"giving orders\" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco.", "At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, \"Edwin Edwards: Reflections on a Life\", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001.", "Farrar, Straus, and Giroux, 2001. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear.", "Maginnis, John. Cross to Bear. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998.", "Gretna, Louisiana: Pelican Publishing Company, 1998. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II" ]
[ "Edwin Edwards", "Early scandals", "what were edwins early scandals?", "When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\"", "Are there any other interesting aspects about this article?", "while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "how did the press take his demonstration?", "At the time, Edwards was remarkably candid about his questionable practices." ]
C_e1d668882c39441abf5804d2a7db0abc_0
what did he go on to do after being questioned?
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what did Edwin Edwards go on to do after being questioned?
Edwin Edwards
Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemer - father of future governor Buddy Roemer - was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case. CANNOTANSWER
During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts.
Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the "very last of the line of New Deal Southern Democrats", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. "Potch" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their "awareness of problems of the poor". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a "lame duck governor who doesn't want the new administration to do well. It'll make him look bad", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having "never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known." He accused Treen of having adopted Edwards' own reform platform characterized as the "Era of Excellence". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana "jinx" that had doomed former New Orleans Mayor deLesseps Story "Chep" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel "can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics." First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a "cabinet style" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as "Dean of the Louisiana Senate". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened "father of Louisiana's Republican Party". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. "Bob" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called "the government in waiting". Early in 1982, Edwards said that he was so committed to running again for governor that "only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet." In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: "It's difficult for me to understand his popularity", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. "Bubba" Henry, told the Democratic State Central Committee that Edwards had created a "smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: "The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy." Edwards zinged Treen many times, once describing Treen as "so slow it takes him an hour and a half to watch 60 Minutes." During a gubernatorial debate in 1983, Treen asked Edwards, "How come you talk out of both sides of your mouth?" Edwards instantly responded, "So people like you with only half a brain can understand me." Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, "I did Paris with the Gov." Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, "Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes." Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a "jury of my peers". Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a "bag man" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to "kiss my ass". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported "tradition". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. "Anyone But Edwards" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: "No, we've got to slay the dragon. I would endorse anyone but Edwards." The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering "Slay the Dragon" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read "Vote For the Crook. It's Important." Another read "Vote for the Lizard, not the Wizard." Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that "the only thing we have in common is that we both have been wizards beneath the sheets." He also feigned concern for Duke's health due to smoke inhalation "because he's around so many burning crosses" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied "stay alive". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: "Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership." Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised "humorous" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. "I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that", Edwards told the press after his conviction. On his way to prison he said, "I will be a model prisoner, as I have been a model citizen". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had "suffered enough" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming "don't you know who I am?" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: "I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded..." Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an "honorary pallbearer" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to "None of the Above" Knox to dramatize his support for the "None of the Above" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: "I'm the only hope the Democrats have here." He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, "I want you to know, I'm going to give it every effort." If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards "has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak." Louisiana political writer John Maginnis said that Edwards was "likely to make the runoff" because of his name recognition, but "I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining." State pollster Elliott Stonecipher said that "the most basic math of the Edwards race yields an 'it is not impossible' answer" and former Governor Buddy Roemer said that while it is unlikely, "yes, [Edwards] can win". An April 2014 article in Politico that discussed his chances noted that he was "still sharp as a razor" and "in remarkably vigorous health". He pronounced himself "disappointed" with President Obama for "sitting" on the Keystone Pipeline and listed his campaign priorities as "Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous." He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, "mathematically, victory is something close to impossibility." Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said "There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards." Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, "in truth (Edwards) never really had a chance to win." As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 "jungle primary" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly "the most interesting" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah "Penny" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: "Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family." The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and "giving orders" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, "Edwin Edwards: Reflections on a Life", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II
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[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "Minu väike paradiis is the second album by Estonian rock band Terminaator, released in 1995. It's also the first album by Terminaator to appear on a CD. The sound is a bit heavier than on the previous album. The cover features Terminaator's mascot.\n\nTrack listing\n\nSong information \n\n \"Lõbus maja\" is about a bordello, where you can escape from everyday life. A live version is on \"Go Live 2005\".\n \"Viski\" is about alcoholism, which is compared to a girl from one night stand.\n The message of \"4B\" is: \"What should I do to make you understand I love you?\". It is also featured on \"Kuld\".\n \"Ma lähen alla\" is a song about going down and not trying to fight it, also exampling other pointless deeds.\n \"Saatus\" is about a man, whose life is a trail of mishaps and who realizes many sad things. It's also on \"Go Live 2005\".\n \"Valus vesi\" is about self-loathing and being tired of life.\n \"Juulikuu lumi\" is about the sad side of love. It's the most famous song by Terminaator. It is also on \"Kuld\" and \"Go Live 2005\".\n \"Isa ütles\" is about how Kreem's father disapproved the band. Also on \"Go Live 2005\"\n \"Minu väike paradiis\" is about a madman, who thinks he can do anything in \"his little paradise\".\n \"Ütle miks\" is a seaman's story. Before leaving to sea, it's hard for him to say goodbye to his beloved and on the trip he misses her badly. Upon coming back, he finds out, that she has forgotten him – it's just what he had feared. Also featured on \"Kuld\".\n\nBand members\nSven Valdmann - bass\nEimel Kaljulaid - drums\nElmar Liitmaa - guitar, backing vocals\nJaagup Kreem - vocals\n\nExternal links \n \n Estmusic.com Listen to the songs.\n\n1995 albums\nTerminaator albums\nEstonian-language albums" ]
[ "Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history.", "He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the \"very last of the line of New Deal Southern Democrats\", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison.", "In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent .", "In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic.", "His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War.", "His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. \"Potch\" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher.", "The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish.", "After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French.", "Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954.", "Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century.", "He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature.", "Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons.", "Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972.", "After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970.", "Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees.", "While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long.", "1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent).", "In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent).", "Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\".", "Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome.", "Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top.", "On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie.", "In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a \"lame duck governor who doesn't want the new administration to do well. It'll make him look bad\", considering a $30 million budget shortfall facing the next governor.", "It'll make him look bad\", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having \"never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\"", "He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\" He accused Treen of having adopted Edwards' own reform platform characterized as the \"Era of Excellence\". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent).", "Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana \"jinx\" that had doomed former New Orleans Mayor deLesseps Story \"Chep\" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator.", "Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel \"can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ...", "... ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics.\" First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter.", "One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted.", "Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a \"cabinet style\" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures.", "During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent.", "In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor.", "He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as \"Dean of the Louisiana Senate\". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana.", "He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate.", "In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction.", "In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary.", "Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system.", "Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened \"father of Louisiana's Republican Party\". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor.", "William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics.", "Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect.", "A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender.", "In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other.", "Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office.", "Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate.", "Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education.", "Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. \"Bob\" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans.", "Thereafter, Jones and Martin became Republicans. Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices.", "At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\" He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case.", "Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades.", "Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative.", "In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice.", "South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it.", "Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings.", "In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold.", "The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983.", "First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called \"the government in waiting\". Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this.", "Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet.\" In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt.", "As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics.", "Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign.", "John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University).", "Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\"", "Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\" Edwards zinged Treen many times, once describing Treen as \"so slow it takes him an hour and a half to watch 60 Minutes.\" During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\"", "During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\" Edwards instantly responded, \"So people like you with only half a brain can understand me.\" Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven.", "Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later.", "There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000.", "Each paid $10,000. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\"", "For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\" Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices.", "Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes.", "In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support.", "The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\"", "Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\" Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers.", "To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results.", "Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz.", "John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party.", "Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a \"jury of my peers\". Russell B.", "Russell B. Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election.", "When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a \"bag man\" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present.", "Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to \"kiss my ass\". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S.", "The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\".", "When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse.", "Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny.", "Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity.", "After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable.", "Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election.", "Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston.", "Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign.", "Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987.", "Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. \"Anyone But Edwards\" Edwards was the issue of the campaign.", "\"Anyone But Edwards\" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff.", "There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates.", "Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff.", "His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon.", "The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon. I would endorse anyone but Edwards.\" The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons.", "The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent.", "Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election.", "This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained.", "By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office.", "By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power.", "And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler.", "After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke.", "Governor Roemer placed third, 80,000 votes behind Duke. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans.", "Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better.", "Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read \"Vote For the Crook. It's Important.\" Another read \"Vote for the Lizard, not the Wizard.\"", "Another read \"Vote for the Lizard, not the Wizard.\" Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin.", "Edwards won by a wide margin. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\"", "Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\" He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\".", "He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes.", "On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration.", "Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards.", "Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign.", "During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration.", "He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts.", "On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began.", "But a political backlash against gambling-related corruption began. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests.", "Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964).", "Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters.", "Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office.", "It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership.\" Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history.", "Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category.", "It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter.", "At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly.", "A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan.", "After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions.", "The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license.", "The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts.", "Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. \"I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that\", Edwards told the press after his conviction. On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\".", "On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration.", "In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming \"don't you know who I am?\" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095.", "In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: \"I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired.", "I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S.", "Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007.", "Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election.", "Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence.", "Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections.", "In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house.", "On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior.", "On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980.", "In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge.", "2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\"", "With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\" He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, \"I want you to know, I'm going to give it every effort.\" If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates.", "If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance.", "After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak.\" Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th.", "Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining.\" State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\".", "State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\". An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\".", "An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\". He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\"", "He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\" He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion.", "He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure.", "A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents.", "Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\"", "David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\" Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\"", "Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\" Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so.", "Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters.", "Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, \"in truth (Edwards) never really had a chance to win.\" As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district.", "As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 \"jungle primary\" votes (27.4 percent).", "Graves had received 70,706 \"jungle primary\" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days.", "Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors.", "Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014.", "However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office.", "In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly \"the most interesting\" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office.", "Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office.", "In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child.", "In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32.", "At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together.", "In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself.", "Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years.", "Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor.", "Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah \"Penny\" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison.", "Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards.", "Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican.", "She is a Republican. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age.", "The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: \"Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family.\" The couple announced February 15, 2013 that Trina was pregnant.", "The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath.", "Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and \"giving orders\" once he got home.", "His wife told the media that he was resting well and \"giving orders\" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco.", "At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, \"Edwin Edwards: Reflections on a Life\", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001.", "Farrar, Straus, and Giroux, 2001. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear.", "Maginnis, John. Cross to Bear. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998.", "Gretna, Louisiana: Pelican Publishing Company, 1998. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II" ]
[ "Edwin Edwards", "Early scandals", "what were edwins early scandals?", "When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\"", "Are there any other interesting aspects about this article?", "while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "how did the press take his demonstration?", "At the time, Edwards was remarkably candid about his questionable practices.", "what did he go on to do after being questioned?", "During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts." ]
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were his accusations true?
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were Edwin Edwards' accusations true?
Edwin Edwards
Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemer - father of future governor Buddy Roemer - was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case. CANNOTANSWER
Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades.
Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the "very last of the line of New Deal Southern Democrats", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. "Potch" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their "awareness of problems of the poor". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a "lame duck governor who doesn't want the new administration to do well. It'll make him look bad", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having "never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known." He accused Treen of having adopted Edwards' own reform platform characterized as the "Era of Excellence". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana "jinx" that had doomed former New Orleans Mayor deLesseps Story "Chep" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel "can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics." First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a "cabinet style" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as "Dean of the Louisiana Senate". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened "father of Louisiana's Republican Party". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. "Bob" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called "the government in waiting". Early in 1982, Edwards said that he was so committed to running again for governor that "only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet." In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: "It's difficult for me to understand his popularity", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. "Bubba" Henry, told the Democratic State Central Committee that Edwards had created a "smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: "The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy." Edwards zinged Treen many times, once describing Treen as "so slow it takes him an hour and a half to watch 60 Minutes." During a gubernatorial debate in 1983, Treen asked Edwards, "How come you talk out of both sides of your mouth?" Edwards instantly responded, "So people like you with only half a brain can understand me." Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, "I did Paris with the Gov." Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, "Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes." Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a "jury of my peers". Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a "bag man" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to "kiss my ass". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported "tradition". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. "Anyone But Edwards" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: "No, we've got to slay the dragon. I would endorse anyone but Edwards." The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering "Slay the Dragon" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read "Vote For the Crook. It's Important." Another read "Vote for the Lizard, not the Wizard." Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that "the only thing we have in common is that we both have been wizards beneath the sheets." He also feigned concern for Duke's health due to smoke inhalation "because he's around so many burning crosses" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied "stay alive". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: "Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership." Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised "humorous" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. "I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that", Edwards told the press after his conviction. On his way to prison he said, "I will be a model prisoner, as I have been a model citizen". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had "suffered enough" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming "don't you know who I am?" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: "I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded..." Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an "honorary pallbearer" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to "None of the Above" Knox to dramatize his support for the "None of the Above" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: "I'm the only hope the Democrats have here." He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, "I want you to know, I'm going to give it every effort." If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards "has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak." Louisiana political writer John Maginnis said that Edwards was "likely to make the runoff" because of his name recognition, but "I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining." State pollster Elliott Stonecipher said that "the most basic math of the Edwards race yields an 'it is not impossible' answer" and former Governor Buddy Roemer said that while it is unlikely, "yes, [Edwards] can win". An April 2014 article in Politico that discussed his chances noted that he was "still sharp as a razor" and "in remarkably vigorous health". He pronounced himself "disappointed" with President Obama for "sitting" on the Keystone Pipeline and listed his campaign priorities as "Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous." He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, "mathematically, victory is something close to impossibility." Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said "There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards." Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, "in truth (Edwards) never really had a chance to win." As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 "jungle primary" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly "the most interesting" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah "Penny" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: "Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family." The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and "giving orders" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, "Edwin Edwards: Reflections on a Life", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II
true
[ "Monklandsgate was the name of a political scandal in the former Scottish local government district of Monklands (now part of North Lanarkshire) which dominated the Monklands East by-election in 1994.\n\nMonklandsgate consisted of allegations of sectarianism spending discrepancies between Protestant Airdrie and Catholic Coatbridge, fuelled by the fact that all 17 of the ruling Labour group were Roman Catholics.\n\nAccusations included: £21m spent on capital projects in Coatbridge while only £2m was spent in Airdrie; councillors handing out green job application forms while the job centre handed out white ones; and also accusations of nepotism as dozens of council workers were related to Labour councillors. The accusations were of increased interest to the media as the Monklands West MP was Tom Clarke, former Monklands District Provost and one time Shadow Secretary of State for Scotland, while the Monklands East MP was the Labour leader, John Smith. The allegations of sectarianism were never proven, however allegations of nepotism were found to be true.\n\nDespite the allegations Helen Liddell narrowly retained the seat for Labour, against a strong swing to Kay Ullrich of the Scottish National Party.\n\nReferences\n\n1994 in Scotland\nPolitical scandals in Scotland\nScottish Labour\nCoatbridge\n1994 in British politics\nPolitics of North Lanarkshire\nHistory of North Lanarkshire\nNepotism\nSectarianism", "A false accusation is a claim or allegation of wrongdoing that is untrue and/or otherwise unsupported by facts. False accusations are also known as groundless accusations or unfounded accusations or false allegations or false claims. They can occur in any of the following contexts:\n Informally in everyday life\n Quasi-judicially\n Judicially\n\nTypes\nWhen there is insufficient supporting evidence to determine whether it is true or false, an accusation is described as \"unsubstantiated\" or \"unfounded\". Accusations that are determined to be false based on corroborating evidence can be divided into three categories:\n A completely false allegation, in that the alleged events did not occur.\n An allegation that describes events that did occur, but were perpetrated by an individual who is not accused, and in which the accused person is innocent.\n An allegation that is false, in that it mixes descriptions of events that actually happened with other events that did not occur.\n\nA false allegation can occur as the result of intentional lying on the part of the accuser; or unintentionally, due to a confabulation, either arising spontaneously due to mental illness or resulting from deliberate or accidental suggestive questioning, or faulty interviewing techniques. In 1997, researchers Poole and Lindsay suggested that separate labels should be applied to the two concepts, proposing that the term \"false allegations\" be used specifically when the accuser is aware that they are lying, and \"false suspicions\" for the wider range of false accusations in which suggestive questioning may have been involved.\n\nWhen a person is suspected of a wrongdoing for which they are in fact responsible, \"false accusation may be used to divert attention from one's own guilt\". False accusation may also arise in part from the conduct of the accused, particularly where the accused engages in behaviors consistent with having committed the suspected wrongdoing, either unconsciously or for purposes of appearing guilty.\n\nAdditionally, once a false accusation has been made – particularly an emotionally laden one – normal human emotional responses to being falsely accused (such as fear, anger, or denial of the accusation) may be misinterpreted as evidence of guilt.\n\nRape\n\nA false accusation of rape is the intentional reporting of a rape where no rape has occurred. It is difficult to assess the prevalence of false accusations because they are often conflated with non-prosecuted cases under the designation \"unfounded\". However, in the United States, the FBI Uniform Crime Report in 1996 and the United States Department of Justice in 1997 stated 8% of rape accusations in the United States were regarded as unfounded or false. Studies in other countries have reported their own rates at anywhere from 1.5% (Denmark) to 10% (Canada). Due to varying definitions of a \"false accusation\", the true percentage remains unknown.\n\nChild abuse\n\nA false allegation of child sexual abuse is an accusation that a person committed one or more acts of child sexual abuse when in reality there was no perpetration of abuse by the accused person as alleged. Such accusations can be brought by the victim, or by another person on the alleged victim's behalf. Studies of child abuse allegations suggest that the overall rate of false accusation is under 10%, as approximated based on multiple studies. Of the allegations determined to be false, only a small portion originated with the child, the studies showed; most false allegations originated with an adult bringing the accusations on behalf of a child, and of those, a large majority occurred in the context of divorce and child-custody battles.\n\nWorkplace bullying\n\nAccording to a 2003 survey by the Workplace Bullying Institute, the most common bullying tactics included false attribution of \"errors\" to an employee, glaring or other hostile body language, dismissive comments, the \"silent treatment\", and/or making up arbitrary \"rules\" to ensure that a victim breaks them.\n\nWorkplace mobbing\n\nWorkplace mobbing can be considered as a \"virus\" or a \"cancer\" that spreads throughout the workplace via gossip, rumour and unfounded accusations.\n\nMünchausen syndrome by proxy\n\nThe case has been made that diagnoses of Münchausen syndrome by proxy, that is harming someone else in order to gain attention for oneself, are often false or highly questionable.\n\nStalking\n\nIn 1999, Pathe, Mullen, and Purcell wrote that popular interest in stalking was promoting false claims. In 2004, Sheridan and Blaauw said that they estimated that 11.5% of claims in a sample of 357 reported claims of stalking were false.\n\nPsychological projection\n\nPsychological projection can be utilized as a means of obtaining or justifying certain actions that would normally be found atrocious or heinous. This often means projecting false accusations, information, etc., onto an individual for the sole purpose of maintaining a self-created illusion.\n\nSee also\n\nReferences \n\nAbuse\nBullying\nWorkplace bullying\nAbuse of the legal system\nStalking\nLying" ]
[ "Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history.", "He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the \"very last of the line of New Deal Southern Democrats\", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison.", "In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent .", "In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic.", "His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War.", "His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. \"Potch\" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher.", "The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish.", "After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French.", "Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954.", "Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century.", "He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature.", "Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons.", "Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972.", "After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970.", "Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees.", "While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long.", "1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent).", "In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent).", "Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\".", "Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome.", "Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top.", "On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie.", "In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a \"lame duck governor who doesn't want the new administration to do well. It'll make him look bad\", considering a $30 million budget shortfall facing the next governor.", "It'll make him look bad\", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having \"never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\"", "He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\" He accused Treen of having adopted Edwards' own reform platform characterized as the \"Era of Excellence\". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent).", "Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana \"jinx\" that had doomed former New Orleans Mayor deLesseps Story \"Chep\" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator.", "Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel \"can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ...", "... ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics.\" First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter.", "One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted.", "Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a \"cabinet style\" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures.", "During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent.", "In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor.", "He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as \"Dean of the Louisiana Senate\". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana.", "He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate.", "In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction.", "In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary.", "Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system.", "Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened \"father of Louisiana's Republican Party\". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor.", "William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics.", "Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect.", "A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender.", "In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other.", "Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office.", "Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate.", "Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education.", "Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. \"Bob\" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans.", "Thereafter, Jones and Martin became Republicans. Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices.", "At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\" He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case.", "Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades.", "Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative.", "In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice.", "South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it.", "Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings.", "In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold.", "The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983.", "First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called \"the government in waiting\". Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this.", "Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet.\" In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt.", "As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics.", "Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign.", "John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University).", "Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\"", "Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\" Edwards zinged Treen many times, once describing Treen as \"so slow it takes him an hour and a half to watch 60 Minutes.\" During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\"", "During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\" Edwards instantly responded, \"So people like you with only half a brain can understand me.\" Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven.", "Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later.", "There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000.", "Each paid $10,000. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\"", "For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\" Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices.", "Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes.", "In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support.", "The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\"", "Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\" Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers.", "To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results.", "Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz.", "John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party.", "Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a \"jury of my peers\". Russell B.", "Russell B. Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election.", "When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a \"bag man\" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present.", "Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to \"kiss my ass\". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S.", "The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\".", "When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse.", "Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny.", "Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity.", "After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable.", "Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election.", "Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston.", "Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign.", "Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987.", "Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. \"Anyone But Edwards\" Edwards was the issue of the campaign.", "\"Anyone But Edwards\" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff.", "There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates.", "Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff.", "His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon.", "The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon. I would endorse anyone but Edwards.\" The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons.", "The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent.", "Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election.", "This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained.", "By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office.", "By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power.", "And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler.", "After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke.", "Governor Roemer placed third, 80,000 votes behind Duke. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans.", "Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better.", "Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read \"Vote For the Crook. It's Important.\" Another read \"Vote for the Lizard, not the Wizard.\"", "Another read \"Vote for the Lizard, not the Wizard.\" Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin.", "Edwards won by a wide margin. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\"", "Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\" He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\".", "He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes.", "On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration.", "Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards.", "Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign.", "During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration.", "He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts.", "On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began.", "But a political backlash against gambling-related corruption began. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests.", "Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964).", "Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters.", "Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office.", "It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership.\" Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history.", "Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category.", "It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter.", "At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly.", "A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan.", "After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions.", "The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license.", "The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts.", "Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. \"I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that\", Edwards told the press after his conviction. On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\".", "On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration.", "In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming \"don't you know who I am?\" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095.", "In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: \"I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired.", "I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S.", "Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007.", "Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election.", "Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence.", "Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections.", "In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house.", "On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior.", "On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980.", "In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge.", "2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\"", "With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\" He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, \"I want you to know, I'm going to give it every effort.\" If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates.", "If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance.", "After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak.\" Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th.", "Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining.\" State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\".", "State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\". An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\".", "An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\". He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\"", "He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\" He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion.", "He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure.", "A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents.", "Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\"", "David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\" Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\"", "Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\" Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so.", "Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters.", "Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, \"in truth (Edwards) never really had a chance to win.\" As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district.", "As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 \"jungle primary\" votes (27.4 percent).", "Graves had received 70,706 \"jungle primary\" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days.", "Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors.", "Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014.", "However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office.", "In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly \"the most interesting\" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office.", "Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office.", "In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child.", "In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32.", "At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together.", "In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself.", "Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years.", "Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor.", "Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah \"Penny\" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison.", "Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards.", "Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican.", "She is a Republican. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age.", "The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: \"Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family.\" The couple announced February 15, 2013 that Trina was pregnant.", "The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath.", "Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and \"giving orders\" once he got home.", "His wife told the media that he was resting well and \"giving orders\" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco.", "At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, \"Edwin Edwards: Reflections on a Life\", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001.", "Farrar, Straus, and Giroux, 2001. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear.", "Maginnis, John. Cross to Bear. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998.", "Gretna, Louisiana: Pelican Publishing Company, 1998. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II" ]
[ "Edwin Edwards", "Early scandals", "what were edwins early scandals?", "When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\"", "Are there any other interesting aspects about this article?", "while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "how did the press take his demonstration?", "At the time, Edwards was remarkably candid about his questionable practices.", "what did he go on to do after being questioned?", "During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts.", "were his accusations true?", "Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades." ]
C_e1d668882c39441abf5804d2a7db0abc_0
was the book well-sold?
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was Vidrine 's book well-sold?
Edwin Edwards
Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemer - father of future governor Buddy Roemer - was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case. CANNOTANSWER
Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife.
Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the "very last of the line of New Deal Southern Democrats", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. "Potch" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their "awareness of problems of the poor". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a "lame duck governor who doesn't want the new administration to do well. It'll make him look bad", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having "never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known." He accused Treen of having adopted Edwards' own reform platform characterized as the "Era of Excellence". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana "jinx" that had doomed former New Orleans Mayor deLesseps Story "Chep" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel "can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics." First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a "cabinet style" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as "Dean of the Louisiana Senate". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened "father of Louisiana's Republican Party". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. "Bob" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that "It was illegal for them to give, but not for me to receive." He also insisted he saw no problem with investing in a proposed New Orleans office building called "One Edwards Square" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was "super moralistic" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called "the government in waiting". Early in 1982, Edwards said that he was so committed to running again for governor that "only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet." In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: "It's difficult for me to understand his popularity", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. "Bubba" Henry, told the Democratic State Central Committee that Edwards had created a "smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: "The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy." Edwards zinged Treen many times, once describing Treen as "so slow it takes him an hour and a half to watch 60 Minutes." During a gubernatorial debate in 1983, Treen asked Edwards, "How come you talk out of both sides of your mouth?" Edwards instantly responded, "So people like you with only half a brain can understand me." Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, "I did Paris with the Gov." Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, "Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes." Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a "jury of my peers". Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a "bag man" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to "kiss my ass". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported "tradition". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. "Anyone But Edwards" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: "No, we've got to slay the dragon. I would endorse anyone but Edwards." The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering "Slay the Dragon" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read "Vote For the Crook. It's Important." Another read "Vote for the Lizard, not the Wizard." Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that "the only thing we have in common is that we both have been wizards beneath the sheets." He also feigned concern for Duke's health due to smoke inhalation "because he's around so many burning crosses" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied "stay alive". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: "Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership." Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised "humorous" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. "I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that", Edwards told the press after his conviction. On his way to prison he said, "I will be a model prisoner, as I have been a model citizen". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had "suffered enough" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming "don't you know who I am?" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: "I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded..." Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an "honorary pallbearer" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to "None of the Above" Knox to dramatize his support for the "None of the Above" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: "I'm the only hope the Democrats have here." He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, "I want you to know, I'm going to give it every effort." If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards "has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak." Louisiana political writer John Maginnis said that Edwards was "likely to make the runoff" because of his name recognition, but "I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining." State pollster Elliott Stonecipher said that "the most basic math of the Edwards race yields an 'it is not impossible' answer" and former Governor Buddy Roemer said that while it is unlikely, "yes, [Edwards] can win". An April 2014 article in Politico that discussed his chances noted that he was "still sharp as a razor" and "in remarkably vigorous health". He pronounced himself "disappointed" with President Obama for "sitting" on the Keystone Pipeline and listed his campaign priorities as "Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous." He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, "mathematically, victory is something close to impossibility." Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said "There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards." Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, "in truth (Edwards) never really had a chance to win." As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 "jungle primary" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly "the most interesting" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah "Penny" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: "Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family." The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and "giving orders" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, "Edwin Edwards: Reflections on a Life", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II
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[ "Valdimar Tómasson (born 1971) is an Icelandic poet. He was born in Vík í Mýrdal but moved to Reykjavík at the age of 16.\n\nValdimar's first book, Enn sefur vatnið (\"The Water Still Sleeps\") was published in 2007 by the Icelandic publishing house JPV. The book contains short alliterative poems with a free rhythm. It was positively received by the newspaper Fréttablaðið and the poetry magazine Són.\n\nValdimar´s next work was a book of sonnets, Sonnettugeigur (\"Sonnet Fear\") (2013). The book sold well and made #3 on the Icelandic Publishers Association list of best-selling books of poetry for the year 2013. This commercial success led to a republishing of Enn sefur vatnið in 2014 which then made #8 on the Icelandic Publishers Association list for that year.\n\nValdimar returned to the format of free alliterative verse with the book Dvalið við dauðalindir (\"Dwelling at the Fountains of Death\") in 2017. The book was praised by the newspaper Morgunblaðið and Starafugl, a cultural magazine, and made #2 on the Icelandic Publishers Association list for 2017. Free alliterative verse is also the style of Valdimar's fourth book, Vetrarland (\"Winter Land\"), published in 2018. The book sold well and made #8 on the Icelandic Publishers Association list for the year.\n\nIn 2019, Valdimar's four preceding books were republished together as Ljóð 2007–2018 (\"Poems 2007–2018\").\n\nIn 2020 Valdimar published the book Veirufangar og veraldarharmur (Virus Capture and World Grief). It was also well received and sold well in Iceland.\n\nReferences\n\nValdimar Tomasson\nLiving people\nValdimar Tomasson\n1971 births\nValdimar Tomassonl", "Josiah Reddie Martin Mallett (1864 – 7 September 1938), known as Reddie Mallett, was an English freethinker, naturopath, poet and writer.\n\nBiography\n\nMallett was born in 1864. He authored books and pamphlets on natural health that were published by Watts & Co. His most popular book Nature's Way: A Means of Health Without Medicine sold well in the United Kingdom. By 1926 it was in its 18th edition and had sold 185,000 copies. It also sold well in Australia and was reprinted as How to Get Well: According to Nature's Way. A revised edition was edited by George Ryley Scott in 1948.\n\nMallett gave special importance to diet for attaining health without medicine. He promoted natural remedies and the consumption of fruit and vegetable juices. He opposed the use of drugs and had no faith in physicians and surgeons. His 1926 Book of Health promoted a diet of fruit juice and to cure all ailments by lemon juice and olive oil. Mallett stated that lemon juice is a marvellous disinfectant that is unrecognized by medical science and can cure many diseases including cancer. The book was criticized in 1931 as statements in the book contravened the Venereal Diseases Act of 1917. The British Social Hygiene Council and the Ministry for Health were concerned about its harmful advice regarding self-treatment of syphilis. The book was withdrawn by the publisher. This was the only book Mallett authored that was withdrawn by Watts & Co. He continued to author many other books for them on naturopathy that were published in the 1930s.\n\nIn 1935, Mallett stated that he could \"live quite well\" on a diet of fruit juices and he was walking over a hundred miles each month.\n\nMallett died at Dunsford on 7 September 1938. His estate valued at £1,933 was granted to his widow Mrs. Clara Mallett.\n\nSelected publications\n\nReferences\n\nExternal links\n\n1864 births\n1938 deaths\n19th-century English poets\n20th-century English poets\nAlternative cancer treatment advocates\nAlternative medicine activists\nBritish anti-vaccination activists\nEnglish health and wellness writers\nEnglish self-help writers\nFreethought writers\nNaturopaths\nOrthopaths\nVegetarianism activists" ]
[ "Edwin Washington Edwards (August 7, 1927 – July 12, 2021) was an American politician and member of the Democratic Party who served as the U.S. representative for from 1965 to 1972 and as the 50th governor of Louisiana for four terms (1972–1976, 1976-1980, 1984–1988, and 1992–1996), twice as many elected terms as any other Louisiana chief executive. He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history.", "He served a total of 16 years in gubernatorial office, at 5,784 days the sixth-longest such tenure in post-Constitutional U.S. history. A colorful, powerful, and legendary figure in Louisiana politics, Edwards, who was dubbed the \"very last of the line of New Deal Southern Democrats\", was long dogged by charges of corruption. In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison.", "In 2001, he was found guilty of racketeering charges and sentenced to ten years in federal prison. Edwards began serving his sentence in October 2002 in Fort Worth, Texas, and was later transferred to the federal facility in Oakdale, Louisiana. He was released from federal prison in January 2011, having served eight years. In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent .", "In 2014, Edwards again sought election to the U.S. House of Representatives, running to represent . He placed first in the jungle primary, but was defeated by Republican Garret Graves by nearly 25 percentage points in the runoff election. Early life and career Edwin Washington Edwards was born in rural Avoyelles Parish, near Marksville. His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic.", "His father, Clarence Edwards, was a half-French Creole Presbyterian sharecropper, while his mother, the former Agnès Brouillette, was a French-speaking Roman Catholic. Edwards' ancestors were among early Louisiana colonists from France who eventually settled in Avoyelles Parish, referred to as the original French Creoles. Edwards, like many 20th century politicians from Avoyelles, assumed that he had Cajun ancestry, when in fact he may have had none. His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War.", "His father was descended from a family in Kentucky, who came to Louisiana during the American Civil War. His great-great-grandfather, William Edwards, was killed in Marksville at the beginning of the American Civil War because of his pro-Union sentiment. Avoyelles Parish has been known for colorful politicians; another who stood out, F.O. \"Potch\" Didier, actually spent seven days in his own jail after being convicted of malfeasance in office during his own heated reelection. The young Edwards had planned on a career as a preacher.", "The young Edwards had planned on a career as a preacher. As a young man, he did some preaching for the Marksville Church of the Nazarene. He served briefly in the U.S. Navy Air Corps near the end of World War II. After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish.", "After his return from the military, he graduated at the age of twenty-one from Louisiana State University Law Center and began practicing law in Crowley, the seat of Acadia Parish. He relocated there in 1949 after his sister, Audrey E. Isbell, who had moved there with her husband, told him there were few French-speaking attorneys in the southwestern Louisiana community. Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French.", "Edwards' career was thus helped by his being bilingual and articulate in both English and Cajun French. He learned to cultivate the goodwill of the media, working reporters and editorial page editors. One of his favorites was Adras LaBorde, the longtime managing editor of the Alexandria Daily Town Talk in Alexandria. LaBorde even influenced Edwards in regard to environmental policy. Edwards entered politics through election to the Crowley City Council in 1954.", "Edwards entered politics through election to the Crowley City Council in 1954. He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century.", "He was a member of the Democratic Party which, in that era, had a monopoly on public offices in Louisiana, but which fell out of favor in the late 20th century. Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature.", "Edwards remained on the Crowley council until his election to the Louisiana State Senate in 1964; in that race he defeated, in a major political upset in the Democratic primary, the incumbent Bill Cleveland, a Crowley businessman who had served for twenty years in both houses of the Louisiana legislature. Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons.", "Years later as governor, Edwards appointed Cleveland's daughter, Willie Mae Fulkerson (1924–2009), a former member of the Crowley City Council, to the Louisiana Board of Prisons. After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972.", "After serving in the state Senate for less than two years as a floor leader for Governor John McKeithen, Edwards was elected to the United States House of Representatives from Louisiana's 7th congressional district, a position that he held from 1965 until 1972. He won the congressional seat in a special election called when the incumbent, T. Ashton Thompson of Ville Platte, was killed in an automobile accident near Gastonia, North Carolina. Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970.", "Edwards was easily reelected to three full terms in the House in 1966, 1968, and 1970. In 1968, he defeated Republican Vance William Plauché (1924–2013) of Lake Charles, son of former one-term Democratic Congressman Vance Gabriel Plauché, who was also a native of Avoyelles Parish. Edwards received more than 80 percent of the general election vote. While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees.", "While in Congress, Edwards served on the Public Works, Judiciary, and Internal Security committees. In 1970, he was one of the few Southern congressmen to support the extension for five years of the Voting Rights Act of 1965. 1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long.", "1971–1972 campaign for governor In the election of 1971–1972, Edwards won the governorship after finishing first in a field of seventeen candidates in the Democratic primary, including the final race of former governor Jimmie Davis and Gillis Long, a relative of Huey Long. His greatest support came from southern Louisiana, particularly among its large numbers of Cajun, Creole, and African-American voters. In the first primary, Edwards led with 276,397 (23.8 percent).", "In the first primary, Edwards led with 276,397 (23.8 percent). J. Bennett Johnston Jr., a state senator from Shreveport, followed with 208,830 (17.8 percent). In third place was former Congressman Gillis Long of Alexandria, with 164,276 (14 percent). Former Governor Jimmie Davis finished fourth with 138,756 (11.8 percent). Far to the rear of the pack was Congressman Speedy O. Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent).", "Long of Jena of rural La Salle Parish with only 61,359 (5.2 percent). Both Edwards and Johnston ran on reform-oriented platforms during the primary, but Edwards was more adept at making political deals and building alliances for the runoff round of voting. Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\".", "Edwards said that the major philosophical difference that he held with Johnston was in regard to their \"awareness of problems of the poor\". Johnston won the endorsement of Edwards' legislative colleague, Joe D. Waggonner of Bossier Parish, but the Shreveport state senator declined to accept Edwards' offer of a televised debate between the two. Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome.", "Edwards defeated Johnston in the runoff, 584,262 (50.2 percent) to 579,774 (49.8 percent), In a less than one vote per precinct outcome. The victory showed that south Louisiana was eclipsing the north in both population and in future political domination of the state. On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top.", "On election night, Edwards gave public credit to the African American New Orleans political organization SOUL for his extremely narrow victory, stating that the 12,000 vote lead SOUL had bought him in New Orleans had put him over the top. Such public recognition of black political power by a Democratic governor of Louisiana was unprecedented. In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie.", "In the general election held on February 1, 1972, Edwards faced Republican gubernatorial nominee David C. Treen, then of Metairie. He did not run as the candidate who would continue the Democratic policies of his predecessor, John McKeithen, for whom Edwards had been a state senate floor leader. Instead he derided McKeithen as a \"lame duck governor who doesn't want the new administration to do well. It'll make him look bad\", considering a $30 million budget shortfall facing the next governor.", "It'll make him look bad\", considering a $30 million budget shortfall facing the next governor. Throughout the campaign, Edwards repeatedly insisted that Treen had no chance of victory. He said the climate was not right for a Republican governor in Louisiana. He ridiculed Treen as having \"never held a public office. He has run for office four times and has been defeated all four times. He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\"", "He can't even generate enough enthusiasm in his home district (Jefferson Parish), where he is best known.\" He accused Treen of having adopted Edwards' own reform platform characterized as the \"Era of Excellence\". Though Treen ran a vigorous campaign, Louisiana's Democratic tradition favored Edwards from the start, as Edwards had predicted. Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent).", "Edwards polled 641,146 (57.2 percent) to Treen's 480,424 (42.8 percent). Edwards also overcame the south Louisiana \"jinx\" that had doomed former New Orleans Mayor deLesseps Story \"Chep\" Morrison Sr., in his three gubernatorial bids. Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator.", "Edwards picked up the enthusiastic backing of his runoff rival, J. Bennett Johnston, later a U.S. senator. Bill Dodd, who was defeated for state superintendent of education in the same election cycle that Edwards was winning the governorship in for the first time, attributed the Edwards victory in part to political kingmaker Louis J. Roussel Jr., of New Orleans. According to Dodd, Roussel \"can do more than any other individual in Louisiana to elect any candidate he supports for any office in this state. ...", "... ... He is such a good administrator and motivator that he can put together an organization that will win in business and in politics.\" First two terms as governor, 1972–1980 Both in his political rhetoric and in his public persona, Edwards cast himself as a Louisiana populist in the tradition of Huey P. Long and Earl K. Long. He was inaugurated as governor on May 9. One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter.", "One of his first acts was to call for a constitutional convention to overhaul Louisiana's bulky charter. Many of the sections on state government were written by delegate Robert G. Pugh, a prominent Shreveport attorney, who became an advisor to Edwards and two other governors thereafter. Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted.", "Voters approved the new constitution by a three-to-two margin in 1974, and government reorganization resulted. For the first time Louisiana operated with a \"cabinet style\" executive department in lieu of the hundreds of boards and commissions that had existed for decades, each its own fiefdom. During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures.", "During his first two terms in office, Edwards developed a reputation for being one of the most colorful and flamboyant politicians in the history of a state known for its unorthodox political figures. Charismatic, well-dressed, and quick with clever one-liners and retorts, Edwards maintained wide popularity. On taking office, Edwards hired J. Kelly Nix as his executive assistant and in 1974 elevated him to first executive assistant. In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent.", "In the second term, however, Nix left the administration to take office as the Louisiana state school superintendent. Dale Thorn, who had been Edwards' press secretary while he was in Congress, continued in that position for the first and most of the second Edwards terms. He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor.", "He was later associate commissioner of higher education for the Louisiana Board of Regents, and an LSU journalism professor. Edwards also depended heavily on state Senator Sixty Rayburn of Bogalusa, whose 44-year service earned him the sobriquet as \"Dean of the Louisiana Senate\". He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana.", "He also rewarded political friends, such as former legislative colleague Fred L. Schiele, whom he appointed in 1973 to succeed the embattled Noah W. Cross as sheriff of Concordia Parish in eastern Louisiana. Under Edwards, Michael H. O'Keefe of New Orleans in 1976 was named president of the state Senate, an office that was held by the lieutenant governor prior to the implementation of the state Constitution of 1974. In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate.", "In 1983, as Edwards prepared to return to office, O'Keefe was engulfed in scandal and forced to leave the Senate. He was as replaced by the Edwards loyalist, Samuel B. Nunez Jr., of Chalmette in St. Bernard Parish. In 2013, O'Keefe was still serving time in prison for a 1999 conviction.", "In 2013, O'Keefe was still serving time in prison for a 1999 conviction. Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary.", "Policies and achievements After enduring three grueling rounds of voting in the 1971–1972 campaign, Edwards pushed a bill through the legislature that limited state elections to two rounds by having Democratic, Republican, and independent candidates run together on the same ballot in a nonpartisan blanket primary. Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system.", "Though the jungle primary system was intended to benefit Edwards' own political career, many observers cite it as being a major factor in the eventual rise of the state's Republican Party and the creation of a genuinely competitive two-party system. For this, Edwards was facetiously christened \"father of Louisiana's Republican Party\". William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor.", "William Denis Brown, III, a lawyer and a state senator from Monroe, was Edwards's floor leader in the upper legislative chamber in the first term as governor. A native of Vicksburg, Mississippi reared on a plantation north of Lake Providence in East Carroll Parish, Brown was instrumental in drafting the Louisiana Mineral Code. Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics.", "Thereafter from 1980 to 1988, Brown was the chairman of the Louisiana Board of Ethics. Early in the first gubernatorial term, Edwards initiated the creation of the first new Louisiana state constitution in more than a half century. He intended to replace the Constitution of 1921, an unwieldy and outmoded document burdened with hundreds of amendments. A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect.", "A constitutional convention was held in 1973; the resulting document was put into effect in 1975. , the 1973 Constitution remains in effect. Edwards also undertook a major reorganization of the state government, abolishing over 80 state agencies and modeling the remaining structure after that of the federal government. In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender.", "In his first year in office, Edwards appointed his wife Elaine Edwards, also a native of Avoyelles Parish, to complete the Senate term of the deceased Allen J. Ellender. Mrs. Edwards served from August 1972 until that November, and during that time, the small town of Crowley boasted the governor, a U.S. Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other.", "Senator, and a U.S. Representative (former Edwards aide John Breaux), who all lived within a few blocks of each other. An outspoken supporter of civil rights, Edwards appointed more black people and women to high positions in his administration than had his predecessors. Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office.", "Edwards named State Representative J. Burton Angelle of Breaux Bridge as his director of the Louisiana Department of Wildlife and Fisheries, a key appointment which Angelle filled for Edwards' first three terms of office. Edwards' tenure in the 1970s coincided with a huge boom in the state's oil and gas industry after the gas pricing crisis of 1973. Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate.", "Edwards was able to greatly expand the state's oil revenues by basing severance taxes on a percentage of the price of each barrel rather than the former flat rate. This oil money fueled a massive increase in state spending (a 163% increase between 1972 and 1980), and Edwards was able to consistently balance the state budget due to the boom in oil revenue. Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education.", "Much of this increased spending went toward health and human services programs and increased funding for vocational-technical schools and higher education. Edwards easily won reelection in 1975, with 750,107 votes (62.3 percent). In second place was Democratic State Senator Robert G. \"Bob\" Jones of Lake Charles, son of former Governor Sam Houston Jones, with 292,220 (24.3 percent). Secretary of State Wade O. Martin Jr., ran third with 146,363 (12.2 percent). Thereafter, Jones and Martin became Republicans.", "Thereafter, Jones and Martin became Republicans. Thereafter, Jones and Martin became Republicans. Addison Roswell Thompson, the perennial segregationist candidate from New Orleans, made his last race for governor in the 1975 primary. Early scandals Though arguably minor compared to the Edwards scandals of the 1980s and 1990s, the governor was embroiled in several ethics controversies during his first two terms in office. At the time, Edwards was remarkably candid about his questionable practices.", "At the time, Edwards was remarkably candid about his questionable practices. When questioned about receiving illegal campaign contributions, he replied that \"It was illegal for them to give, but not for me to receive.\" He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas.", "He also insisted he saw no problem with investing in a proposed New Orleans office building called \"One Edwards Square\" (it was never actually named that) while still governor, and demonstrated his gambling prowess to the press on one of his frequent gambling trips to Las Vegas. Later, Edwards' commissioner of administration Charles Roemerfather of future governor Buddy Roemer – was convicted of taking bribes and having connections with Mafia boss Carlos Marcello. Edwards managed to avoid direct implication in the Roemer case.", "Edwards managed to avoid direct implication in the Roemer case. During the governor's first term, a disaffected former Edwards bodyguard named Clyde Vidrine made several high-profile accusations of corruption, including the sale of state agency posts. The accusations were investigated by a grand jury, but the Edwards administration attacked Vidrine's credibility and the investigation stalled. Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades.", "Later, Vidrine published a tell-all book called Just Takin' Orders, which included salacious details of Edwards' frequent gambling trips and extramarital escapades. Vidrine was murdered in December 1986 by the husband of a woman he was guarding, who believed Vidrine was having an affair with his wife. In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative.", "In a 1976 scandal known as Koreagate, it came to light that Edwards and his wife Elaine had received questionable gifts in 1971, while Edwards was a U.S. representative. South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice.", "South Korean rice broker Tongsun Park was under investigation for trying to bribe American legislators on behalf of the South Korean government, and for making millions of dollars in commissions on American purchases of South Korean rice. Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it.", "Edwards admitted that Park gave Elaine an envelope containing $10,000 in cash, but insisted that the gift was given out of friendship and that there was nothing improper about it. In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings.", "In the course of the controversy, Edwards stated that he thought it was \"super moralistic\" for the U.S. government to prohibit American businessmen to accept gifts from foreign officials in the course of their business dealings. The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold.", "The scandal also engulfed Edwards's former congressional colleague Otto Passman of Monroe, who was later acquitted of all charges in the case, but nonetheless was defeated in his 1976 re-election bid by Jerry Huckaby of Ringgold. First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983.", "First political comeback: Edwards vs. Treen, 1983 Barred by the state constitution from seeking a third term immediately after his second, Edwards temporarily left politics in 1980 but made it clear he would run again for governor in 1983. He began raising money and touring the state long before the 1983 election, maintaining what supporters called \"the government in waiting\". Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this.", "Early in 1982, Edwards said that he was so committed to running again for governor that \"only death alone can separate me from this. ... We are being led by a governor whose only answer to unemployment is to buy a $350,000 jet.\" In 1979, Republican David Treen was narrowly elected governor on a pledge of good government reform. Edwards had supported Treen's opponent, Democratic Public Service Commissioner Louis Lambert of Ascension Parish. As widely expected, Edwards in 1983 defeated Treen's re-election attempt.", "As widely expected, Edwards in 1983 defeated Treen's re-election attempt. The election offered a clear contrast between the flamboyant, charismatic Edwards and the low-key, policy-oriented Treen. While Treen focused on Edward's reputation for corruption and dishonesty, Edwards sought to portray Treen as incompetent and unresponsive to the public. Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics.", "Treen said of Edwards: \"It's difficult for me to understand his popularity\", which indicated in the eyes of many that he did not fully comprehend Louisiana politics. The two major candidates spent over $18 million between them; the election became renowned as one of the most expensive campaigns ever conducted in a state the size of Louisiana. John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign.", "John Maginnis' 1984 book, The Last Hayride, chronicles this colorful but lopsided campaign. Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University).", "Treen's commissioner of administration, former legislator E. L. \"Bubba\" Henry, told the Democratic State Central Committee that Edwards had created a \"smoke screen ... to divert attention from his own 'sweetheart deals' for his political friends\", a reference to controversy which arose in the financing of a new baseball stadium for the University of Louisiana at Monroe (then known as Northeast Louisiana University). Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\"", "Before election day, Edwards joked with reporters: \"The only way I can lose this election is if I'm caught in bed with either a dead girl or a live boy.\" Edwards zinged Treen many times, once describing Treen as \"so slow it takes him an hour and a half to watch 60 Minutes.\" During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\"", "During a gubernatorial debate in 1983, Treen asked Edwards, \"How come you talk out of both sides of your mouth?\" Edwards instantly responded, \"So people like you with only half a brain can understand me.\" Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven.", "Then Shreveport Journal editor Stanley R. Tiner reported after the campaign of 1983 that Edwards does not believe in the Resurrection of Jesus Christ and does not personally expect to go to heaven. There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later.", "There was an uproar in conservative religious circles, but the comments did not stop Edwards from finishing his term or winning a fourth election eight years later. Edwards' brother, Marion David Edwards (1928–2013), was part of the 1983 campaign and of the entourage that headed to France and Belgium early in 1984 to raise money to repay a lingering $4.2 million campaign debt. Six hundred supporters joined the Edwardses on an eight-day tour that included dinner at Versailles and gambling in Monte Carlo. Each paid $10,000.", "Each paid $10,000. Each paid $10,000. Edwards expected a 70 percent profit on the contributors' tickets to retire the debt. Bumper stickers were printed in blue and gold campaign colors and distributed to those who contributed to the retirement of this debt. For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\"", "For years afterwards, motorists saw stickers on vehicles bearing the slogan, \"I did Paris with the Gov.\" Attendees ranged from Sheriff Don Hathaway of Caddo Parish to the Lafayette artist George Rodrigue, known at the time for his oak tree symbol, later replaced by the widely recognized blue dog. Third term as governor, 1984–1988 State finances nosedived during the third Edwards administration. Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices.", "Money from petroleum severance taxes decreased sharply in the middle 1980s because of plummeting oil prices. In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes.", "In 1984, Edwards attempted to deal with the erosion of state revenue by approving $730 million—Edwards had requested $1.1 billion—in new personal taxes, including a 1 percentage point increase in the state sales tax, $61 million in higher corporate income taxes, and $190 million in additional gasoline taxes. The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support.", "The legislature, overwhelmingly dominated by lawmakers beholden to Edwards, passed these taxes into law, but the taxes were highly unpopular and damaged Edwards' level of public support. Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\"", "Republican State Representative Terry W. Gee of New Orleans said at the time, \"Nobody realized the magnitude of what's going on; I've had 180 phone calls in two days against the higher taxes.\" Much of Edwards' support in the 1970s had been fueled by high levels of social spending during times of economic prosperity; with economic conditions worsening, his popularity waned. To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers.", "To obtain passage of the higher taxes, Edwards first submitted Treen's 1984–1985 proposed budget as a warning to lawmakers. The Treen budget, he claimed, would cut state spending too drastically and cause roads to fall apart, bridges to collapse, and insurance premiums to skyrocket. Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results.", "Edwards predicted that if lawmakers passed Treen's budget instead of the higher taxes the voters would rebel and blame the legislature itself for the results. In the end, Edwards got most of what he wanted and was able to use the excuse of teacher pay increases to put pressure on lawmakers. John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz.", "John Volz indictment and trials In February 1985, soon after his third term began, Edwards was forced to stand trial on charges of mail fraud, obstruction of justice, and bribery, brought by U.S. Attorney John Volz. The charges were centered around an alleged scheme in which Edwards and his associates received almost $2 million in exchange for granting preferential treatment to companies dealing with state hospitals. Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party.", "Edwards proclaimed his innocence and insisted that the charges were politically motivated by Volz and the Republican Party. The first trial resulted in a mistrial in December 1985, while a second trial in 1986 resulted in an acquittal. After Edwards and his four co-defendants were acquitted, the hotel where the jurors had been sequestered revealed that half of the jurors had stolen towels as they left. Edwards quipped that he had been judged by a \"jury of my peers\". Russell B.", "Russell B. Russell B. Long had correctly predicted in March 1985 that Edwards would indeed be acquitted by a Louisiana jury and that the ensuing trial would not disrupt state government. When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election.", "When Long announced his retirement from the U.S. Senate seat that he had held since 1948, he indicated his preference for Edwards as his senatorial successor but added, correctly, that he did not think Edwards would enter the 1986 Senate election. Prosecutors referred to Marion Edwards, also indicted in the alleged health care scheme, as a \"bag man\" for his brother. Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present.", "Marion ridiculed this characterization at a French Quarter bar in New Orleans, when media representatives were present. He placed a shopping bag on his head to resemble a crown and tossed about phony $100 bills. Edwards later recited during a toast at a French Quarter bar, though his beverage was non-alcoholic as he was a teetotaler, a rhyming invitation for Volz to \"kiss my ass\". The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S.", "The trials were rather lengthy, and at one point during the first trial but before the mistrial Edwards rode to the Hale Boggs U.S. Courthouse on a mule from his hotel. When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\".", "When asked by reporters why he did so, he replied something to the effect that it was symbolic of the speed and intellect of the federal judicial system, but also that he supported \"tradition\". Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse.", "Marion Edwards, an attorney, often wore a pinstripe suit with a top hat and cane and held comedic press briefings at the end of each court session on the steps of the courthouse. Marion Edwards mocked the U.S. Department of Justice, U.S. Attorney Volz, and United States Judge Marcel Livaudais, who presided over the trials. Even after beating the Volz indictment, Edwin Edwards' popularity was in decline. Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny.", "Despite his acquittal, the trial brought many sordid details of Edwards's conduct under public scrutiny. It was revealed that during frequent gambling trips to Las Vegas, Edwards lost hundreds of thousands of dollars under aliases such as T. Wong and E. Lee, later paying these gambling debts using suitcases stuffed with cash of unknown origin. After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity.", "After the trial, Edwards' support for the legalization of gambling as a solution to the state's severe revenue shortages contributed to a further decline in his popularity. He had made unpopular budget cuts to education and other social programs earlier in his term. Beginning in January 1986, he argued that legalizing casino gambling in up to fifteen locations and creating a state lottery would be a way to restore the programs, but the state legislature rejected his gambling proposals. Entering a tough re-election campaign in 1987, Edwards seemed vulnerable.", "Entering a tough re-election campaign in 1987, Edwards seemed vulnerable. Going into the election, his disapproval ratings ranged from 52 to 71 percent. At first Edwards had predicted that a casino and a state lottery would net the state $600 million; then he lowered the expectations to $150 million. Both gambling measures would eventually be implemented, but not during Edwards' third term. Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election.", "Defeat: Edwards vs. Roemer, 1987 Several notable candidates lined up to face Edwards in the 1987 gubernatorial election. Perhaps his strongest early challenger was Republican Congressman Bob Livingston.", "Perhaps his strongest early challenger was Republican Congressman Bob Livingston. Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign.", "Also in the race were Billy Tauzin, a then-Democratic Cajun congressman from Thibodaux who was a strong Edwards supporter while serving in the state legislature from 1972 to 1980; Democratic Secretary of State Jim Brown of Ferriday, and a Democratic congressman from Bossier City, Buddy Roemer, the son of former Commissioner of Administration Charles Roemer, who climbed up from a series of low poll rankings early in the campaign. Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987.", "Louis J. Roussel Jr., the businessman from New Orleans who began his career as a bus driver, contributed $600,000 to Edwards in the losing race in 1987. Roussel had been a large donor to Bill Dodd, whose son, William Ford Dodd, ran unsuccessfully for lieutenant governor in the same 1987 primary election. \"Anyone But Edwards\" Edwards was the issue of the campaign.", "\"Anyone But Edwards\" Edwards was the issue of the campaign. Because of his name recognition, his resilient supporters, and unmatched political skill, even a weakened Edwards could safely assume he would win a place in Louisiana's unique primary election system runoff. The question was whether his opponent in the runoff would be someone who could beat him. There was a prevailing sense in the race that Edwards needed Livingston in the runoff.", "There was a prevailing sense in the race that Edwards needed Livingston in the runoff. Livingston was a Republican in a state that had at that point elected only one Republican governor since Reconstruction. And Livingston was widely perceived as lacking in charisma and personality, which would work to Edwards's advantage. Any other opponent, a moderate Democrat without the ethical problems, would be dangerous. To that end, Edwards talked up Livingston. Perhaps the key moment in the 1987 race came at a forum between the candidates.", "Perhaps the key moment in the 1987 race came at a forum between the candidates. As usual, the main topic of discussion was Edwin Edwards. His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff.", "His challengers were asked, in succession, if they would consider endorsing Edwards in the general election if they did not make it to the runoff. The candidates hedged, particularly Secretary of State Brown, a reliable Edwards supporter in the state Senate who in his 1979 election drew many of the same voters who supported fellow Democrat Louis Lambert in his failed gubernatorial bid in the same general election vs. Treen. The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon.", "The last candidate to speak was Buddy Roemer: \"No, we've got to slay the dragon. I would endorse anyone but Edwards.\" The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons.", "The next day, as political commentator John Maginnis put it, Jim Brown was explaining his statement while Buddy Roemer was ordering \"Slay the Dragon\" buttons. Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent.", "Boosted by his endorsement as the 'good government candidate' by nearly every newspaper in the state, Roemer stormed from last place in the polls and on election night, overtook Edwin Edwards and placed first in the primary election, with 33 percent of the vote compared with Edwards' 28 percent. This marked the first time Edwin Edwards ever finished other than in first place in an election.", "This marked the first time Edwin Edwards ever finished other than in first place in an election. In what seemed to be the end of Edwards' political career, the governor withdrew from the contest in his concession speech, automatically electing Buddy Roemer governor. In fact, he was cleverly setting a trap for Roemer. By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained.", "By withdrawing, Edwards denied Roemer the opportunity to build a governing coalition in the general election race, and denied him the decisive majority victory that he surely would have attained. In one stroke, Edwards made Buddy Roemer a minority governor. Also, Edwards virtually ceded control of the state to Roemer even before his inauguration. By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office.", "By doing so, he passed on the burden of the state's problems to the new governor, who was essentially under the gun even before assuming office. For four years, Roemer struggled to be a reform governor of Louisiana as so many had before him. And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power.", "And although virtually no one realized it at the time, Edwin Edwards quietly waited in the wings for a return to power. Second comeback: Edwards vs. Duke, 1991 As the 1991 governor's race drew near, many of Edwards' friends encouraged him to abandon his planned comeback, believing that he had no chance to win. After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler.", "After Edwards' loss in 1987, Lanny Keller, a journalist for the defunct Shreveport Journal wrote that the only way Edwin Edwards could ever be elected again was to run against Adolf Hitler. These words turned out to be shockingly prophetic, since after the 1991 primary Edwards discovered his runoff opponent to be former Grand Wizard of the Knights of the Ku Klux Klan, David Duke. Edwards received 34 percent of the vote while Duke received 32 percent. Governor Roemer placed third, 80,000 votes behind Duke.", "Governor Roemer placed third, 80,000 votes behind Duke. Governor Roemer placed third, 80,000 votes behind Duke. The runoff between an avowed white supremacist and a former governor who was corrupt but was also perceived as minority-friendly, gained national attention. Support for Edwards grew in between the primary and the runoff. Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans.", "Louisiana Coalition against Racism and Nazism, an interest group, appeared on the landscape to challenge Duke, with its leadership including longtime Treen supporter Beth Rickey, a member of the Louisiana Republican State Central Committee from New Orleans. The coalition revealed through a recording of Duke at a White Nationalist conference that he was still involved in Ku Klux Klan activities. Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better.", "Faced with the alternative of Duke, many who were otherwise lukewarm for Edwards found him looking ever better. Edwards found himself receiving endorsements from Treen and Roemer; even Republican President George H. W. Bush urged that Edwards, the Democrat, be elected over Duke. A popular bumper sticker urging support for Edwards (although clearly not produced by his campaign) read \"Vote For the Crook. It's Important.\" Another read \"Vote for the Lizard, not the Wizard.\"", "Another read \"Vote for the Lizard, not the Wizard.\" Edwards said that this would be his final term as governor and that he cared about leaving a good legacy, which made many hope that the corruption of his previous administrations would not be repeated. Edwards won by a wide margin.", "Edwards won by a wide margin. Edwards won by a wide margin. Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\"", "Continuing his artful use of humor to deflate an opponent, and referring to his considerable reputation as a ladies' man, Edwards said of Duke that \"the only thing we have in common is that we both have been wizards beneath the sheets.\" He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\".", "He also feigned concern for Duke's health due to smoke inhalation \"because he's around so many burning crosses\" and when a reporter asked Edwards what he needed to do to triumph over Duke, Edwards replied \"stay alive\". On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes.", "On election day, Edwards defeated Duke in a landslide, 61 to 39 percent, a margin of nearly 400,000 votes. Fourth term as governor, 1992–1996 In his last term, Edwards asked his boyhood friend, Raymond Laborde, to leave the state House after twenty years to serve as commissioner of administration. Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration.", "Laborde, who had once defeated Edwards for class president at Marksville High School and had earlier been his legislative floor leader, agreed to join the administration. He invited former state Representative Kevin P. Reilly Sr., of Baton Rouge, former CEO of Lamar Advertising Company to serve as secretary of economic development. Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards.", "Reilly had been removed in 1986 as chairman of the Louisiana House Appropriations Committee after having criticized Edwards. In 1992, Edwards appointed the professional penologist, Richard Stalder, as secretary of the Louisiana Department of Public Safety & Corrections, a position that used to be given to political supporters. Stalder remained secretary until 2008, serving during three subsequent gubernatorial terms in the position. During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign.", "During his previous term as Governor, Edwards promoted casino gambling in Louisiana, which had been a major part of his platform in the 1991 campaign. In June 1992, his heavy lobbying led the state legislature to pass a bill calling for a single large land-based casino in New Orleans. He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration.", "He also appointed a board that, at his private direction, awarded 15 floating riverboat casinos that had been authorized by the Legislature and the Roemer administration. He appointed a political ally, Paul Fontenot, to head the State Police; he would oversee the licensing and investigation of casino operators. On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts.", "On another front he again demonstrated his broad commitment to civil rights by becoming the first Southern governor to issue an executive order protecting lesbian, gay, and bisexual persons from discrimination in state governmental services, employment, and contracts. Despite the discovery that some licensees had links to organized crime or other unsavory ties, Edwards blocked the revocation of their licenses. But a political backlash against gambling-related corruption began.", "But a political backlash against gambling-related corruption began. But a political backlash against gambling-related corruption began. Though he had originally planned to run for re-election in 1995, he announced in June 1994, shortly after marrying his second wife Candy Picou, that he would be retiring from politics at the end of his term. Edwards was succeeded as governor by State Senator Murphy J. Foster Jr., who ran as an opponent of gambling interests.", "Foster Jr., who ran as an opponent of gambling interests. Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964).", "Edwards retired to a newly purchased home in Baton Rouge, intent on returning to a private law practice and living out his remaining days in contentment with his young wife, Candy (born 1964). Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters.", "Ron Gomez, whose second term in the legislature corresponded with Edwards' third term as governor, describes Edwards, accordingly: \"Somehow, his brashness and arrogance over the years, traits that would have destroyed the average politician, have only seemed to endear him to his core constituency: minorities, organized labor, Cajuns and lower-income voters. It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office.", "It is exactly those groups who suffered the most over the quarter of a century he was in and out of the governor's office. Except for some black leaders who attached themselves to his entourage and gained political clout and monetary rewards through favors and appointments, the minority population as a whole has made very little progress culturally, educationally or socially because of his leadership.\" Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history.", "Gomez continued: Organized labor, once a powerful force in the state, has fallen to its lowest membership in history. And, overall, when he finally left office in 1996, the state was near the bottom in teacher pay and college and university funding (among other things). It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category.", "It was also near the top in high school dropouts, teen pregnancies, welfare recipients, prison population, and virtually every other negative category. Indictment and conviction Former Congressman Cleo Fields achieved considerable notoriety in 1997 when an FBI surveillance videotape showed him accepting a large amount of cash (about $20,000) from Edwards and stuffing it in his pockets. At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter.", "At the time Fields stated that the incident was just an innocent business transaction between friends, and said there was a humorous explanation, which he would make public shortly thereafter. A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly.", "A cloud hung over Fields as an unindicted co-conspirator in Edwards' criminal trial and in the end Fields refused to deliver the promised \"humorous\" explanation, stating that at the time of the cash transfer, he was not an elected official, and therefore under no obligation to explain publicly. After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan.", "After being fingered by Texas for-profit prison entrepreneur Patrick Graham, who allegedly gave him $845,000 in conjunction with a scheme to locate a private juvenile prison in Jena in La Salle Parish, Edwards was indicted in 1998 by the federal government with the prosecution led by U.S. Attorney Eddie Jordan. The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions.", "The prosecution soon released transcripts of audio conversations, and excerpts of video surveillance that seemed to indicate dubious financial transactions. The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license.", "The Edwards investigation also resulted in the conviction of San Francisco 49ers owner Edward J. DeBartolo Jr., who admitted to paying Edwards a $400,000 bribe (DeBartolo was convicted for not reporting the extortion) in exchange for Edwards's assistance in securing a riverboat casino license. Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts.", "Edwards was found guilty on seventeen of twenty-six counts, including racketeering, extortion, money laundering, mail fraud, and wire fraud; his son Stephen was convicted on 18 counts. \"I did not do anything wrong as a governor, even if you accept the verdict as it is, it doesn't indicate that\", Edwards told the press after his conviction. On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\".", "On his way to prison he said, \"I will be a model prisoner, as I have been a model citizen\". From 2002 to 2004 Edwin Edwards was incarcerated at the Federal Medical Center in Fort Worth, Texas. Edwards' sometime co-conspirator, Cecil Brown, a Eunice cattleman, was convicted for his part in the payoffs in 2002. In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration.", "In 2004, Edwards filed for divorce from his second wife Candy, saying that Mrs. Edwards had \"suffered enough\" during his incarceration. In June 2005, the former Mrs. Edwards was arrested for threatening a police officer at a traffic stop in Port Barre, screaming \"don't you know who I am?\" In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095.", "In 2005, Edwards was moved to the Federal Correctional Institution in Oakdale in Allen Parish, where he served his sentence as inmate #03128-095. According to the Federal Bureau of Prisons, he was scheduled to be released on July 6, 2011. In prison, he served as the facility's librarian: \"I did what I could for my fellow inmates. I helped a number of them get their GEDs and I was helping several more when my term expired.", "I helped a number of them get their GEDs and I was helping several more when my term expired. Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S.", "Now, I have to be honest; I didn't stick around to see if they succeeded...\" Two men whom Edwards defeated in Louisiana elections—David C. Treen and J. Bennett Johnston Jr.—and a third who was his protégé and successor in the Seventh District U.S. House seat, U.S. Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007.", "Senator John Breaux, confirmed in July 2007 that they intended to approach then U.S. President George W. Bush to seek a pardon or commutation for Edwards, who celebrated his 80th birthday in prison in August 2007. Bush denied a pardon for Edwards before he left the presidency on January 20, 2009. Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election.", "Edwards supporters also lobbied U.S. President Barack Obama for a pardon for Edwards so he might run in the 2011 Louisiana gubernatorial election. Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence.", "Obama did not reply to petitions by supporters of Edwards and lacking a pardon, Edwards remained ineligible to seek the governorship of Louisiana until the end of his life and would have only been eligible to run after fifteen years would have passed from the end of his sentence. In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections.", "In 2009, Edwards was listed as an \"honorary pallbearer\" at the funeral of perennial political candidate L. D. Knox of Winnsboro, who in the 1979 gubernatorial contest, when Edwards was not on the ballot, legally changed his name to \"None of the Above\" Knox to dramatize his support for the \"None of the Above\" option in elections. On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house.", "On January 13, 2011, Edwards was released from prison and served the remainder of his sentence at a halfway house. His sentence ended on July 6, 2011 and he began three years of probation. He entered into home confinement at his daughter's Denham Springs, Louisiana home through the supervision of a halfway house, on January 13, 2011. Following that, Edwards was placed on probation. On February 7, 2013, Edwards was granted early release from probation due to good behavior.", "On February 7, 2013, Edwards was granted early release from probation due to good behavior. His wife Trina made the announcement on her Facebook page. In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980.", "In a poll taken in October 2011, months after he had been released from prison, 30 percent of respondents named Edwards the state's best governor since 1980. 2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge.", "2014 Congressional election In February 2014, Edwards announced that he was contemplating running in the 2014 election to represent the Louisiana's 6th congressional district in the U.S. House of Representatives, which is centered on the state capital of Baton Rouge. With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\"", "With U.S. Representative Bill Cassidy exiting the seat to run for the Senate, Edwards said of the solidly Republican district: \"I'm the only hope the Democrats have here.\" He formally declared his candidacy at a March 17 meeting of the Press Club of Baton Rouge, saying, \"I want you to know, I'm going to give it every effort.\" If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates.", "If no candidate wins a majority of the vote, a runoff would be held on December 6, 2014, between the top two candidates. Two other Democrats, a Libertarian and nine Republicans, most notably Garret Graves, a former aide to Governor Bobby Jindal, State Senator Dan Claitor, businessman Paul Dietzel, II, and State Representative Lenar Whitney, also sought the seat. After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance.", "After Edwards' announcement, Cassidy told KEEL radio news in Shreveport that he doubted that Edwards \"has a chance. It's a conservative district, and he's obviously not a conservative. But it kind of shows, I think, to a certain extent that the Democratic bench is weak.\" Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th.", "Louisiana political writer John Maginnis said that Edwards was \"likely to make the runoff\" because of his name recognition, but \"I don't see how he could win in a strong GOP-performance district like the 6th. But it should be entertaining.\" State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\".", "State pollster Elliott Stonecipher said that \"the most basic math of the Edwards race yields an 'it is not impossible' answer\" and former Governor Buddy Roemer said that while it is unlikely, \"yes, [Edwards] can win\". An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\".", "An April 2014 article in Politico that discussed his chances noted that he was \"still sharp as a razor\" and \"in remarkably vigorous health\". He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\"", "He pronounced himself \"disappointed\" with President Obama for \"sitting\" on the Keystone Pipeline and listed his campaign priorities as \"Building support for a high-speed rail system between Baton Rouge and New Orleans and emphasizing the good aspects of Obamacare, while doing what I can to change or amend the provisions that I think are onerous.\" He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion.", "He said that he would have voted against the Affordable Care Act, but criticized Governor Jindal for not accepting the Medicaid expansion. If elected, he hoped to serve on the Committee on Transportation and Infrastructure, to spur the construction of elevated roadways in the state. A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure.", "A September 2014 survey of statewide Louisiana voters by Public Policy Polling found that 40% had a favourable opinion of Edwards, 44% did not and 17% were unsure. Asked whether they would rather have Edwards as governor than incumbent Republican governor Bobby Jindal, 47% said they would prefer Edwards, 43% preferred Jindal and 10% were not sure. Edwards finished first in every poll taken of the race, though only with a plurality. Runoff polls showed him losing to all of his Republican opponents.", "Runoff polls showed him losing to all of his Republican opponents. An article in The Times-Picayune in late October 2014 noted that he had run a vigorous, serious campaign and noted that, as previously, analysts were split on whether he could actually win. David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\"", "David Wasserman of The Cook Political Report said that for Edwards, \"mathematically, victory is something close to impossibility.\" Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\"", "Conversely, a spokesman for Republican opponent Lenar Whitney and political analyst Michael Beychok both said that he had a chance to win and Republican candidate Garret Graves said \"There's no one alive anymore in this state that has the experience or, quite frankly, the tactics (of) Edwin Edwards.\" Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so.", "Edwards was expected to make the runoff, with his chances dependent on which Republican joins him, with several analysts saying that Edwards' best chance would come if Whitney, the most conservative Republican running, does so. Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters.", "Edwards' strategy was to appeal to black and Cajun voters and conservative Democrats, also campaigning on college campuses to appeal to younger voters. Columnist Bob Mann predicted that if Edwards made the runoff, the media would decry Louisiana voters' toleration for corruption when, \"in truth (Edwards) never really had a chance to win.\" As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district.", "As expected, Edwards as the principal Democratic candidate led the 2014 primary field for Congress with 77,862 votes (30.1 percent), winning every parish in the district. He then faced the Republican runner-up, Garret Graves, in the December 6 runoff election. Graves had received 70,706 \"jungle primary\" votes (27.4 percent).", "Graves had received 70,706 \"jungle primary\" votes (27.4 percent). Losing Republican candidates were Paul Dietzel II, with 35,013 votes (13.6 percent), state Senator Dan Claitor with 26,520 (10.3 percent), and state Representative Lenar Whitney with 19,146 votes (7.4 percent). Edwards lost to Graves by a 62–38 percent margin in the runoff. It was only the second loss of his political career. Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days.", "Edwards' record of longevity Edwards has the seventh longest gubernatorial tenure in post-Constitutional U.S. history at 5,784 days. Few governors have served four four-year terms. Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors.", "Edwards followed George Wallace of Alabama, Jim Hunt of North Carolina, Bill Janklow of South Dakota, Terry Branstad of Iowa, Lewis Cass of Michigan, and Jim Rhodes of Ohio as 16-year governors. However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014.", "However, Branstad was elected to a fifth nonconsecutive term as governor of Iowa in 2010, placing him second to George Clinton of New York (21 years) as the longest-serving governor in U.S. history, and won a sixth term as governor in 2014. In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office.", "In December 2015 Branstad surpassed New York's George Clinton as the longest-tenured governor in American history, with 8,169 days in office. Veteran journalist Iris Kelso once described Edwards as clearly \"the most interesting\" of the six governors that she had covered while working for three newspapers and WDSU, the NBC television affiliate in New Orleans. Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office.", "Kelso declared Edwards more colorful than Earl Long, whom she covered for less than a year in the office. Personal life Marriages and family In 1949, Edwards married Elaine Schwartzenburg, whom he had met at Marksville High School. The couple had four children: Anna, Victoria, Stephen, and David. In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office.", "In 1972, Edwards appointed her as an interim U.S. senator to complete the unfinished term of Allen J. Ellender of Houma, who died while campaigning for his seventh term in office. On July 1, 1989, the couple divorced after forty years of marriage. They had begun living apart on March 15, 1989. In 1994, Edwards married Candy Picou (born 1964). In 1997, the couple entered the headlines when they attempted to have a child.", "In 1997, the couple entered the headlines when they attempted to have a child. Edwards had a vasectomy reversal, and the couple froze sperm to attempt to have a baby but were not successful. While in prison, Edwin Edwards filed for divorce, which was finalized in 2004. In July 2011, Edwards married Trina Grimes, his prison pen pal. They began corresponding while he was serving his sentence for corruption. At the time of the wedding, he was 83, and she was 32.", "At the time of the wedding, he was 83, and she was 32. On August 1, 2013, Grimes gave birth to their child, Eli Wallace Edwards. In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together.", "In 2013, Edwards and Trina co-starred in an A&E reality show, The Governor's Wife based on their life together. Extended family One of Edwards's brothers, Nolan Edwards, a former assistant district attorney in Acadia Parish, was murdered in Crowley by an irate client in 1983, the same year that Edwards was engineering his comeback bid for a third term as governor. Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself.", "Nolan's killer, Rodney Wingate Jr., of Church Point, Louisiana, then killed himself. Wingate had been pardoned by Governor Edwards in 1980 for two drug convictions in the 1970s, a pardon procured through the intervention of Nolan Edwards. Nolan's murder halted the 1983 politicking. Newspapers carried a photograph of brothers Edwin and Marion locked in an embrace on an airport tarmac. Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years.", "Marion Edwards, an insurance agent and political consultant, was a cancer survivor and counseled other patients for many years. Born on July 10, 1928, in Marksville, he died on January 12, 2013, at the age of eighty-four at his home in Broussard near Lafayette, Louisiana. The cause of death was not released. The Marion D. Edwards Fellowship in Hepatic Oncology at the M.D. Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor.", "Anderson Hospital and Tumor Institute in Houston, Texas, is named in his honor. Marion Edwards, who was Nazarene, was survived by his second wife, the former Deborah \"Penny\" Meaux, and three daughters from his first marriage to Aline Luther Edwards: Wanda Edwards, Elizabeth Kersten, and Donna Edwards. Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison.", "Another brother, Allen Edwards, the longtime owner of a farm and heavy equipment company in Quitman in northern Arkansas, died in 2009, while Edwards was in prison. Edwards did not attend the funeral because of security difficulties. Edwards was an uncle by marriage to former U.S. Representative Charles Boustany, a Republican from Lafayette, whose district includes much of the territory represented from 1965 to 1972 by then-U.S. Representative Edwin Edwards. Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards.", "Boustany's wife is the former Bridget Edwards, a daughter of Nolan Edwards. Third wife and reality television show On July 29, 2011, Edwards married Trina Grimes Scott (born August 1978) from Baton Rouge, at the Monteleone Hotel in New Orleans. Edwards' one-time prison pen pal, she was fifty-one years his junior and was born midway in his second term as governor. She is a Republican.", "She is a Republican. She is a Republican. Edwin and Trina Edwards were the subjects of the reality show The Governor's Wife, which premiered October 27, 2013, on the Arts & Entertainment Network. The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age.", "The program focused on Trina's rearing of teenaged sons and acting as stepmother to Edwards' daughters who are almost twice her age. According to the A&E description of the program: \"Between school projects, running for president of the Homeowner's Association, fending off skeptics who think she's a gold digger, and thoughts of adding a baby of their own to the mix, the Edwards clan truly represents a new take on the modern family.\" The couple announced February 15, 2013 that Trina was pregnant.", "The couple announced February 15, 2013 that Trina was pregnant. Trina gave birth to their son, Eli Wallace Edwards, on August 1, 2013. Health and death In 2015, Edwards was hospitalized for pneumonia. On December 13, 2016, Edwards was hospitalized under stable condition again for pneumonia in Baton Rouge. Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath.", "Edwards was rushed to the hospital again by ambulance in November 2020, with shortness of breath. Edwards returned to his home in Gonzales after spending two nights at Our Lady of the Lake Medical Center in Baton Rouge. It was reported that he had a common head cold and he reportedly tested negative for both COVID-19 and pneumonia, as well as the flu. His wife told the media that he was resting well and \"giving orders\" once he got home.", "His wife told the media that he was resting well and \"giving orders\" once he got home. Edwards was sent to hospice care for pain in his lungs in Gonzales, Louisiana on July 6, 2021. He died six days later on July 12, 26 days short of his 94th birthday. The cause of death was respiratory complications. At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco.", "At the time of his death, Edwards had outlived four of his successors: Dave Treen, Buddy Roemer, Mike Foster, and Kathleen Blanco. References Bibliography State of Louisiana – Biography Boulard, Garry, \"Edwin Edwards: Reflections on a Life\", Times of Acadiana, August 15, 2001. Bridges, Tyler. Bad Bet on the Bayou: The Rise of Gambling in Louisiana and the Fall of Governor Edwin Edwards. Farrar, Straus, and Giroux, 2001.", "Farrar, Straus, and Giroux, 2001. Farrar, Straus, and Giroux, 2001. Dawson, Joseph G. The Louisiana Governors: From Iberville to Edwards. Baton Rouge: LSU Press, 1990. Honeycutt, Leo. Edwin Edwards, Governor of Louisiana, An Authorized Biography by Leo Honeycutt. Lisburn Press, 2009. Lemann, Nancy. Ritz of the Bayou. Knopf, 1987. Maginnis, John. The Last Hayride. Baton Rouge: Gris Gris Press, 1984. Maginnis, John. Cross to Bear.", "Maginnis, John. Cross to Bear. Cross to Bear. Baton Rouge: Darkhorse Press, 1992. Reeves, Miriam G. The Governors of Louisiana. Gretna, Louisiana: Pelican Publishing Company, 1998.", "Gretna, Louisiana: Pelican Publishing Company, 1998. Gretna, Louisiana: Pelican Publishing Company, 1998. External links Edwards' greatest quotes New York magazine profile Larry King interview |- |- |- |- |- |- 1927 births 2021 deaths 20th-century American lawyers 20th-century American politicians 21st-century American politicians American members of the Church of the Nazarene American money launderers American people of French descent American prisoners and detainees Cajun people Candidates in the 2014 United States elections Catholics from Louisiana Democratic Party members of the United States House of Representatives from Louisiana Democratic Party state governors of the United States Governors of Louisiana Louisiana Democrats Louisiana State University Law Center alumni Louisiana city council members Louisiana lawyers Louisiana politicians convicted of crimes Louisiana state senators Marksville High School alumni Members of the United States House of Representatives from Louisiana Military personnel from Louisiana People from Ascension Parish, Louisiana People from Crowley, Louisiana People from Marksville, Louisiana Politicians convicted of extortion under color of official right Politicians convicted of mail and wire fraud Politicians convicted of racketeering Politicians from Baton Rouge, Louisiana Prisoners and detainees of the United States federal government United States Naval Aviators United States Navy personnel of World War II" ]
[ "Scarlett Johansson", "Music career" ]
C_d189e6b99ea04627b701abfd791e3d8a_0
What was her first music performance?
1
What was Scarlett Johansson's first music performance?
Scarlett Johansson
In 2006, Johansson sang the track "Summertime" for Unexpected Dreams - Songs From the Stars, a non-profit collection of songs recorded by Hollywood actors. She performed with the Jesus and Mary Chain for a Coachella reunion show in Indio, California, in April 2007. The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for "What Goes Around... Comes Around", which was nominated for an MTV Video Music Award for Video of the Year. In May 2008, Johansson released her debut album Anywhere I Lay My Head, which consists of one original song and ten cover versions of Tom Waits songs, and features David Bowie and members from the Yeah Yeah Yeahs and Celebration. Reviews of the album were mixed. Spin was not particularly impressed with Johansson's singing. Some critics found it to be "surprisingly alluring", "a bravely eccentric selection", and "a brilliant album" with "ghostly magic". NME named the album the "23rd best album of 2008", and it peaked at number 126 on the Billboard 200. Johansson started listening to Waits when she was 11 or 12 years old, and said of him, "His melodies are so beautiful, his voice is so distinct and I had my own way of doing Tom Waits songs." In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot. The album reached number 41 in the US. In 2010, Steel Train released Terrible Thrills Vol. 1, which includes their favorite female artists singing songs from their self-titled album. Johansson is the first artist on the album, singing "Bullet". Johansson sang "One Whole Hour" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010). and in 2012 sang on a J. Ralph track entitled "Before My Time" for the end credits of the climate documentary Chasing Ice (2012) In February 2015, Johansson formed a band called the Singles with Este Haim from HAIM, Holly Miranda, Kendra Morris, and Julia Haltigan. The group's first single was called "Candy". Johansson was issued a cease and desist order from the lead singer of the Los Angeles-based rock band the Singles, demanding she stop using their name. In 2016, she performed "Trust in Me" for The Jungle Book soundtrack and "The Promise & The Prize," "Universal Fanfare", "Set It All Free" and "I Don't Wanna" for Sing: Original Motion Picture Soundtrack. CANNOTANSWER
Summertime
Scarlett Ingrid Johansson (; born November 22, 1984) is an American actress. The world's highest-paid actress in 2018 and 2019, she has featured multiple times on the Forbes Celebrity 100 list. Her films have grossed over  billion worldwide, making Johansson the ninth-highest-grossing box office star of all time. She has received various accolades, including a Tony Award and a British Academy Film Award, in addition to nominations for two Academy Awards and five Golden Globe Awards. Johansson aspired to be an actress from an early age and first appeared on stage in an Off-Broadway play as a child actor. She made her film debut in the fantasy comedy North (1994), and gained early recognition for her roles in Manny & Lo (1996), The Horse Whisperer (1998), and Ghost World (2001). Johansson shifted to adult roles in 2003 with her performances in Lost in Translation, which won her a BAFTA Award for Best Actress, and Girl with a Pearl Earring. She was nominated for Golden Globe Awards for these films, and for playing a troubled teenager in the drama A Love Song for Bobby Long (2004) and a seductress in psychological thriller Match Point (2005). The latter was her first collaboration with Woody Allen, who later directed her in Scoop (2006) and Vicky Cristina Barcelona (2008). Johansson's other works of this period include The Prestige (2006) and the albums Anywhere I Lay My Head (2008) and Break Up (2009), both of which charted on the Billboard 200. In 2010, Johansson debuted on Broadway in a revival of A View from the Bridge, which won her a Tony Award for Best Featured Actress, and began portraying Black Widow in the Marvel Cinematic Universe film Iron Man 2. She reprised the role in eight films, most recently in her solo feature Black Widow (2021), gaining global recognition for her performances. During this period, Johansson starred in the science fiction films Her (2013), Under the Skin (2013) and Lucy (2014). She received two simultaneous Academy Award nominations—Best Actress and Best Supporting Actress—for the respective roles of an actress going through a divorce in the drama Marriage Story (2019) and a single mother in Nazi Germany in the satire Jojo Rabbit (2019). Labeled a sex symbol, Johansson has been referred to as one of the world's most attractive women by various media outlets. She is a prominent brand endorser and supports several charitable causes. Divorced from actor Ryan Reynolds and businessman Romain Dauriac, Johansson has been married to comedian Colin Jost since 2020. She has two children, one with Dauriac and another with Jost. Early life Johansson was born on November 22, 1984, in the Manhattan borough of New York City. Her father, Karsten Olaf Johansson, is an architect originally from Copenhagen, Denmark. Her paternal grandfather, Ejner Johansson, was an art historian, screenwriter, and film director, whose own father was Swedish. Her mother, Melanie Sloan, a New Yorker, has worked as a producer; she comes from an Ashkenazi Jewish family from Poland and Russia, originally surnamed Schlamberg, and Johansson describes herself as Jewish. She has an older sister, Vanessa, also an actress; an older brother, Adrian; and a twin brother, Hunter. She also has an older half-brother, Christian, from her father's first marriage. Johansson holds dual American and Danish citizenship. She discovered that her maternal great-grandfather's family died during the Holocaust in the Warsaw Ghetto on a 2017 episode of PBS's Finding Your Roots. Johansson attended PS 41, an elementary school in Greenwich Village, Manhattan. Her parents divorced when she was thirteen. She was particularly close to her maternal grandmother, Dorothy Sloan, a bookkeeper and schoolteacher; they often spent time together and Johansson considered Dorothy her best friend. Interested in a career in the spotlight from an early age, Johansson often put on song-and-dance routines for her family. She was particularly fond of musical theater and jazz hands. She took lessons in tap dance, and states that her parents were supportive of her career choice. She has described her childhood as very ordinary. As a child, Johansson practiced acting by staring in the mirror until she made herself cry, wanting to be Judy Garland in Meet Me in St. Louis. At age seven, she was devastated when a talent agent signed one of her brothers instead of her, but she later decided to become an actress anyway. She enrolled at the Lee Strasberg Theatre Institute and began auditioning for commercials, but soon lost interest: "I didn't want to promote Wonder Bread." She shifted her focus to film and theater, making her first stage appearance in the Off-Broadway play Sophistry with Ethan Hawke, in which she had two lines. Around this time, she began studying at Professional Children's School (PCS), a private educational institution for aspiring child actors in Manhattan. Acting career Early work and breakthrough (1994–2002) At age nine, Johansson made her film debut as John Ritter's daughter in the fantasy comedy North (1994). She says that when she was on the film set, she knew intuitively what to do. She later played minor roles such as the daughter of Sean Connery's and Kate Capshaw's characters in the mystery thriller Just Cause (1995), and an art student in If Lucy Fell (1996). Johansson's first leading role was as Amanda, the younger sister of a pregnant teenager who runs away from her foster home in Manny & Lo (1996) alongside Aleksa Palladino and her brother, Hunter. Her performance received positive reviews: one written for the San Francisco Chronicle noted, "[the film] grows on you, largely because of the charm of ... Scarlett Johansson," while critic Mick LaSalle, writing for the same paper, commented on her "peaceful aura", and believed, "If she can get through puberty with that aura undisturbed, she could become an important actress." Johansson earned a nomination for the Independent Spirit Award for Best Lead Female for the role. After appearing in minor roles in Fall and Home Alone 3 (both 1997), Johansson attracted wider attention for her performance in the film The Horse Whisperer (1998), directed by Robert Redford. The drama film, based on the 1995 novel of the same name by Nicholas Evans, tells the story of a trainer with a gift for understanding horses, who is hired to help an injured teenager played by Johansson. The actress received an "introducing" credit on this film, although it was her seventh role. On Johansson's maturity, Redford described her as "13 going on 30". Todd McCarthy of Variety commented that Johansson "convincingly conveys the awkwardness of her age and the inner pain of a carefree girl suddenly laid low by horrible happenstance". For the film, she was nominated for the Chicago Film Critics Association Award for Most Promising Actress. She believed that the film changed many things in her life, realizing that acting is the ability to manipulate one's emotions. On finding good roles as a teenager, Johansson said it was hard for her as adults wrote the scripts and they "portray kids like mall rats and not seriously ... Kids and teenagers just aren't being portrayed with any real depth". Johansson later appeared in My Brother the Pig (1999) and in the neo-noir, Coen brothers film The Man Who Wasn't There (2001). Her breakthrough came playing a cynical outcast in Terry Zwigoff's black comedy Ghost World (2001), an adaptation of Daniel Clowes' graphic novel of the same name. Johansson auditioned for the film via a tape from New York, and Zwigoff believed her to be "a unique, eccentric person, and right for that part". The film premiered at the 2001 Seattle International Film Festival; it was a box office failure, but has since developed a cult status. Johansson was credited with "sensitivity and talent [that] belie her age" by an Austin Chronicle critic, and won a Toronto Film Critics Association Award for Best Supporting Actress for her performance. With David Arquette, Johansson appeared in the horror comedy Eight Legged Freaks (2002), about a collection of spiders that are exposed to toxic waste, causing them to grow to gigantic proportions and begin killing and harvesting. After graduating from Professional Children's School that year, she applied to New York University's Tisch School of the Arts; she decided to focus on her film career when she was rejected. Transition to adult roles (2003–2004) Johansson transitioned from teen to adult roles with two films in 2003: the romantic comedy-drama Lost in Translation and the drama Girl with a Pearl Earring. In the former, directed by Sofia Coppola, she plays Charlotte, a listless and lonely young wife, opposite Bill Murray. Coppola had first noticed Johansson in Manny & Lo, and compared her to a young Lauren Bacall; Coppola based the film's story on the relationship between Bacall and Humphrey Bogart in The Big Sleep (1946). Johansson found the experience of working with a female director different because of Coppola's ability to empathize with her. Made on a budget of $4million, the film grossed $119million at the box office and received critical acclaim. Roger Ebert was pleased with the film and described the lead actors' performances as "wonderful", and Entertainment Weekly wrote of Johansson's "embracing, restful serenity". The New York Times praised Johansson, aged 17 at the time of filming, for playing an older character. In Peter Webber's Girl with a Pearl Earring, which is based on the novel of the same name by Tracy Chevalier, Johansson played Griet, a young 17th-century servant in the household of the Dutch painter Johannes Vermeer (played by Colin Firth). Webber interviewed 150 actors before casting Johansson. Johansson found the character moving, but did not read the novel, as she thought it was better to approach the story with a fresh start. Girl with a Pearl Earring received positive reviews and was profitable. In his review for The New Yorker, Anthony Lane thought that her presence kept the film "alive", writing, "She is often wordless and close to plain onscreen, but wait for the ardor with which she can summon a closeup and bloom under its gaze; this is her film, not Vermeer's, all the way." Owen Gleiberman of Entertainment Weekly noted her "nearly silent performance", remarking, "The interplay on her face of fear, ignorance, curiosity, and sex is intensely dramatic." She was nominated for the BAFTA Award for Best Actress in a Leading Role and Golden Globe Awards for Best Actress for both films in 2003, winning the former for Lost in Translation. In Varietys opinion, Johansson's roles in Lost in Translation and Girl with a Pearl Earring established her as among the most versatile actresses of her generation. Johansson had five releases in 2004, three of which—the teen heist film The Perfect Score, the drama A Love Song for Bobby Long, and the drama A Good Woman—were critical and commercial failures. Co-starring with John Travolta, Johansson played a discontented teenager in A Love Song for Bobby Long, which is based on the novel Off Magazine Street by Ronald Everett Capps. David Rooney of Variety wrote that Johansson's and Travolta's performances rescued the film. Johansson earned a Golden Globe Award for Best Actress in a Drama nomination for the film. In her fourth release in 2004, the live-action animated comedy The SpongeBob SquarePants Movie, Johansson voiced Princess Mindy, the daughter of King Neptune. She agreed to the project because of her love of cartoons, particularly The Ren & Stimpy Show. The film was her most commercially successful release that year. She would then reprise her role as Mindy in the video game adaptation of the film. She followed it with In Good Company, a comedy-drama in which she complicates the life of her father when she dates his much younger boss. Reviews of the film were generally positive, describing it as "witty and charming". Roger Ebert was impressed with Johansson's portrayal, writing that she "continues to employ the gravitational pull of quiet fascination". Collaborations with Woody Allen (2005–2009) Johansson played Nola, an aspiring actress who begins an affair with a married man (played by Jonathan Rhys Meyers) in Woody Allen's drama Match Point in 2005. After replacing Kate Winslet with Johansson for the role, Allen changed the character's nationality from British to American. An admirer of Allen's films, Johansson liked the idea of working with him, but felt nervous her first day on the set. The New York Times was impressed with the performances of Johansson and Rhys Meyers, and Mick LaSalle, writing for the San Francisco Chronicle, stated that Johansson "is a powerhouse from the word go", with a performance that "borders on astonishing". The film, a box office success, earned Johansson nominations for the Golden Globe and the Chicago Film Critics Association Award for Best Supporting Actress. Also that year, Johansson underwent a tonsillectomy, after which she starred with Ewan McGregor in Michael Bay's science fiction film The Island, in dual roles as Sarah Jordan and her clone, Jordan Two Delta. Johansson found her filming schedule exhausting: she had to shoot for 14 hours a day, and she hit her head and injured herself. The film received mixed reviews and grossed $163million against a $126million budget. Two of Johansson's films in 2006 explored the world of stage magicians, both opposite Hugh Jackman. Allen cast her opposite Jackman and himself in the film Scoop (2006), in which she played a journalism student. The film was a modest worldwide box office success, but polarized critics. Ebert was critical of the film, but found Johansson "lovely as always", and Mick LaSalle noted the freshness she brought to her part. She also appeared in Brian De Palma's The Black Dahlia, a film noir shot in Los Angeles and Bulgaria. Johansson later said she was a fan of DePalma and had wanted to work with him on the film, but thought that she was unsuitable for the part. Anne Billson of The Daily Telegraph likewise found her miscast. However, CNN said that she "takes to the pulpy period atmosphere as if it were oxygen". Also in 2006, Johansson starred in the short film When the Deal Goes Down to accompany Bob Dylan's song "When the Deal Goes Down..." from the album Modern Times. Johansson had a supporting role of assistant and lover of Jackman's character, an aristocratic magician, in Christopher Nolan's mystery thriller The Prestige (2006). Nolan thought Johansson possessed "ambiguity" and "a shielded quality". She was fascinated with Nolan's directing methods and liked working with him. The film was a critical and box office success, recommended by the Los Angeles Times as "an adult, provocative piece of work". Some critics were skeptical of her performance: Billson again judged her miscast, and Dan Jolin of Empire criticized her English accent. Johansson's sole release of 2007 was the critically panned comedy-drama The Nanny Diaries alongside Chris Evans and Laura Linney, in which she played a college graduate working as a nanny. Reviews of her performance were mixed; Variety wrote, "[She] essays an engaging heroine", and The New Yorker criticized her for looking "merely confused" while "trying to give the material a plausible emotional center". In 2008, Johansson starred, with Natalie Portman and Eric Bana, in The Other Boleyn Girl, which also earned mixed reviews. Promoting the film, Johansson and Portman appeared on the cover of W, discussing with the magazine the public's reception of them. In Rolling Stone, Pete Travers criticized the film for "[moving] in frustrating herks and jerks", but thought that the duo were the only positive aspect of the production. Variety credited the cast as "almost flawless ... at the top of its game", citing "Johansson's quieter Mary ... as the [film's] emotional center". In her third collaboration with Woody Allen, the romantic comedy-drama Vicky Cristina Barcelona (2008), which was filmed in Spain, Johansson plays one of the love interests of Javier Bardem's character alongside Penélope Cruz. The film was one of Allen's most profitable and received favorable reviews. A reviewer in Variety described Johansson as "open and malleable" compared to the other actors. She also played the femme fatale Silken Floss in The Spirit, based on the newspaper comic strip of the same name by Will Eisner. It received poor reviews from critics, who deemed it melodramatic, unoriginal, and sexist. Johansson's only role in 2009 was as Anna Marks, a yoga instructor, in the ensemble comedy-drama He's Just Not That into You (2009). The film was released to tepid reviews, but was a box office success. Marvel Cinematic Universe and worldwide recognition (2010–2013) Aspiring to appear on Broadway since childhood, Johansson made her debut in a 2010 revival of Arthur Miller's drama A View from the Bridge. Set in the 1950s in an Italian-American neighborhood in New York, it tells the tragic tale of Eddie (Liev Schreiber), who has an inappropriate love for his wife's orphaned niece, Catherine (Johansson). After initial reservations about playing a teenage character, Johansson was convinced by a friend to take on the part. Ben Brantley of The New York Times wrote Johansson "melts into her character so thoroughly that her nimbus of celebrity disappears". Varietys David Rooney was impressed with the play and Johansson in particular, describing her as the chief performer. She won the 2010 Tony Award for Best Performance by a Featured Actress in a Play. Some critics and Broadway actors criticized the award committee's decision to reward the work of mainstream Hollywood actors, including Johansson. In response, she said that she understood the frustration, but had worked hard for her accomplishments. Johansson played Black Widow in Jon Favreau's Iron Man 2 (2010), a part of the Marvel Cinematic Universe (MCU). Before she secured the role, she dyed her hair red to convince Favreau that she was right for the part, and undertook stunt and strength training to prepare for the role. Johansson said the character resonated with her, and she admired the superhero's human traits. The film earned $623.9million against its $200million budget, and received generally positive reviews from critics, although reviewers criticized how her character was written. Tim Robey of The Daily Telegraph and Matt Goldberg thought that she had little to do but look attractive. In 2011, Johansson played the role of Kelly, a zookeeper in the family film We Bought a Zoo alongside Matt Damon. The film got mainly favorable reviews, and Anne Billson praised Johansson for bringing depth to a rather uninteresting character. Johansson earned a Teen Choice Award for Choice Movie Actress: Drama nomination for her performance. Johansson learned some Russian from a former teacher on the phone for her role as Black Widow in The Avengers (2012), another entry from the MCU. The film received mainly positive reviews and broke many box office records, becoming the third highest-grossing film both in the United States and worldwide. For her performance, she was nominated for two Teen Choice Awards and three People's Choice Awards. Later that year, Johansson portrayed actress Janet Leigh in Sacha Gervasi's Hitchcock, a behind-the-scenes drama about the making of Alfred Hitchcock's 1960 film Psycho. Roger Ebert wrote that Johansson did not look much like Leigh, but conveyed her spunk, intelligence, and sense of humor. In January 2013, Johansson starred in a Broadway revival of Cat on a Hot Tin Roof, directed by Rob Ashford. Set in the Mississippi Delta, it examines the relationships within the family of Big Daddy (Ciarán Hinds), primarily between his son Brick (Benjamin Walker) and Maggie (Johansson). Her performance received mixed reviews. Entertainment Weeklys Thom Geier wrote Johansson "brings a fierce fighting spirit" to her part, but Joe Dziemianowicz from Daily News called her performance "alarmingly one-note". The 2013 Sundance Film Festival hosted the premiere of Joseph Gordon-Levitt's directorial debut, Don Jon. In this romantic comedy-drama, she played the pornography-addicted title character's girlfriend. Gordon-Levitt wrote the role for Johansson, who had previously admired his acting work. The film received positive reviews and Johansson's performance was highlighted by critics. Claudia Puig of USA Today considered it to be one of her best performances. In 2013, Johansson voiced the character Samantha, a self-aware computer operating system, in Spike Jonze's film Her, replacing Samantha Morton in the role. The film premiered at the 8th Rome International Film Festival, where Johansson won Best Actress; she was also nominated for the Critics' Choice Movie Award for Best Supporting Actress. Johansson was intimidated by the role's complexity, and found her recording sessions for the role challenging but liberating. Peter Travers believed Johansson's voice in the film was "sweet, sexy, caring, manipulative, scary [and] award-worthy". Times Richard Corliss called her performance "seductive and winning", and Her was rated as one of the best films of 2013. She also won the Saturn Award for Best Supporting Actress at the 40th Saturn Awards in 2014 for her performance. Johansson was cast in Jonathan Glazer's science fiction film Under the Skin (2013) as an extraterrestrial creature disguised as a human femme fatale who preys on men in Scotland. The project, an adaptation of Michel Faber's novel of the same name, took nine years to complete. For the role, she learned to drive a van and speak in an English accent. Johansson improvised conversations with non-professional actors on the street, who did not know they were being filmed. It was released to generally positive reviews, with particular praise for Johansson. Erin Whitney, writing for The Huffington Post, considered it to be her finest performance to that point, and noted that it was her first fully nude role. Author Maureen Foster wrote, "How much depth, breadth, and range Johansson mines from her character's very limited allowance of emotional response is a testament to her acting prowess that is, as the film goes on, increasingly stunning." It earned Johansson a BIFA Award for Best Performance by an Actress in a British Independent Film nomination. Blockbuster films and critical acclaim (2014–2020) Continuing her work in the MCU, Johansson reprised her role as Black Widow in Captain America: The Winter Soldier (2014). In the film, she joins forces with Captain America (Chris Evans) and Falcon (Anthony Mackie) to uncover a conspiracy within S.H.I.E.L.D., while facing a mysterious assassin known as the Winter Soldier. Johansson and Evans wrote their own dialogue for several scenes they had together. Johansson was attracted to her character's way of doing her job, employing her feminine wiles and not her physical appeal. The film was a critical and commercial success, grossing over $714million worldwide. Critic Odie Henderson saw "a genuine emotional shorthand at work, especially from Johansson, who is excellent here". The role earned her a Saturn Award for Best Supporting Actress nomination. Johansson played a supporting role in the film Chef (2014), alongside Robert Downey, Jr., Sofía Vergara, and director Jon Favreau. It grossed over $45million at the box office and was well received by critics. The Chicago Sun-Times writer Richard Roeper found the film "funny, quirky and insightful, with a bounty of interesting supporting characters". In Luc Besson's science fiction action film Lucy (2014), Johansson starred as the title character, who gains psychokinetic abilities when a nootropic drug is absorbed into her bloodstream. Besson discussed the role with several actresses, and cast Johansson based on her strong reaction to the script and her discipline. Critics generally praised the film's themes, visuals, and Johansson's performance; some found the plot nonsensical. IGN's Jim Vejvoda attributed the film's success to her acting and Besson's style. The film grossed $458million on a budget of $40million to become the 18th highest-grossing film of 2014. In 2015 and 2016, Johansson again played Black Widow in the MCU films Avengers: Age of Ultron and Captain America: Civil War. During filming of the former, a mixture of close-ups, concealing costumes, stunt doubles and visual effects were used to hide her pregnancy. Both films earned more than $1.1billion, ranking among the highest-grossing films of all time. For Civil War, Johansson earned her second nomination for Critics' Choice Movie Award for Best Actress in an Action Movie and her fourth for Saturn Award for Best Supporting Actress. Earlier in 2016, Johansson had featured in the Coen brothers' well-received comedy film Hail, Caesar! about a "fixer" working in the classical Hollywood cinema, trying to discover what happened to a cast member who vanished during the filming of a biblical epic; Johansson plays an actress who becomes pregnant while her film is in production. She also voiced Kaa in Jon Favreau's live-action adaptation of Disney's The Jungle Book, and Ash in the animated musical comedy film Sing (both 2016). That year she also narrated an audiobook of Lewis Carroll's children's novel Alice's Adventures in Wonderland. Johansson played Motoko Kusanagi in Rupert Sanders's 2017 film adaptation of the Ghost in the Shell franchise. The film was praised for its visual style, acting, and cinematography, but was the subject of controversy for whitewashing the cast, particularly Johansson's character, a cyborg who was meant to hold the memories of a Japanese woman. Responding to the backlash, the actress asserted she would never play a non-white character, but wanted to take the rare opportunity to star in a female-led franchise. Ghost in the Shell grossed $169.8million worldwide against a production budget of $110million. In March 2017, Johansson hosted Saturday Night Live for the fifth time, making her the 17th person, and the fourth woman, to enter the NBC sketch comedy's prestigious Five-Timers Club. Johansson's next 2017 film was the comedy Rough Night, where she played Jess Thayer, one of the five friends—alongside Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz—whose bachelorette party goes wrong after a male stripper dies. The film had a mixed critical reception and moderate box office returns. In 2018, Johansson voiced show dog Nutmeg in Wes Anderson's stop-motion animated film Isle of Dogs, released in March, and reprised her MCU role as Black Widow in Avengers: Infinity War, which followed the next month. Johansson was due to star in Rub & Tug, a biographical film in which she would have played Dante "Tex" Gill, a transgender man who operated a massage parlor and prostitution ring in the 1970s and 1980s. She dropped out of the project following backlash to the casting of a cisgender woman to play a transgender man. In 2019, Johansson once again reprised her role as Black Widow in Avengers: Endgame, which is the highest-grossing film of all time. She next starred in Noah Baumbach's Netflix film Marriage Story, in which Adam Driver and she played a warring couple who file for divorce. Johansson found a connection with her character, as she was amid her own divorce proceedings at the time. Peter Bradshaw of The Guardian commended her "brilliantly textured" performance in it. She also took on the supporting role of a young boy's mother who shelters a Jewish girl in Nazi Germany in Taika Waititi's satire Jojo Rabbit. Waititi modeled the character on his own mother, and cast Johansson to provide her a rare opportunity to perform comedy. The film received polarizing reviews, but Stephanie Zacharek labeled her the "lustrous soul of the movie". Johansson received her first two Academy Award nominations, for Best Actress and Best Supporting Actress for her performances in Marriage Story and Jojo Rabbit, respectively, becoming the eleventh performer to be nominated for two Oscars in the same year. She also received two BAFTA nominations for these films, and a Golden Globe nomination for the former. Black Widow and lawsuit (2021–present) After a one-year screen absence, Johansson reprised her role as Black Widow in her own solo prequel film in 2021, on which she also served as an executive producer. Also starring Florence Pugh, the film is set after the events of Captain America: Civil War, and sees Johansson's character on the run and forced to confront her past. Director Cate Shortland, who wanted to make a standalone film on her character, watched Johansson's previous appearances as Black Widow to prepare. Johansson felt proud of the film and that her work playing the role was now complete. She saw this as an opportunity to show her character's ability to be on her own and make choices for herself while facing difficult times, and noted that her vulnerability distinguished her from other Avengers. Critics were generally favorable in their reviews of the film, mainly praising Johansson and Pugh's performances. In a review published in The Hollywood Reporter, David Rooney thought the film was "a stellar vehicle" for Johansson. Pete Hammond of Deadline Hollywood found the actress "again a great presence in the role, showing expert action and acting chops throughout". For the film, Johansson won The Female Movie Star of 2021 at the 47th People's Choice Awards. In July 2021, Johansson filed a lawsuit against Disney claiming that the simultaneous release of Black Widow on their streaming service Disney+ breached a clause in her contract that the film receive exclusive theatrical release. She alleged that the release on Disney+ exempted her from receiving additional bonus from box-office profits, to which she was entitled. In response, Disney said her lawsuit showed an indifference to the "horrific and prolonged" effects of the COVID-19 pandemic. The company also stated that Johansson already received $20million for the film and that the Disney+ Premier Access release would only earn her additional compensation. The Hollywood Reporter described Disney's response as "aggressive". Accusing Disney of intentionally violating their contract with Johansson, Creative Artists Agency co-chairman Bryan Lourd criticized the company for falsely portraying Johansson as insensitive to the effects of the pandemic, which he considered a "direct attack on her character". Lourd further stated that the company including her salary in their public statement was to try to "weaponize her success as an artist and businesswoman". Later that September, both parties announced that they had resolved their dispute, with the terms of the settlement remaining undisclosed. Music career In 2006, Johansson sang the track "Summertime" for Unexpected DreamsSongs From the Stars, a non-profit collection of songs recorded by Hollywood actors. She performed with the Jesus and Mary Chain for a Coachella reunion show in Indio, California, in April 2007. The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for "What Goes Around... Comes Around", which was nominated for an MTV Video Music Award for Video of the Year. In May 2008, Johansson released her debut album Anywhere I Lay My Head, which consists of one original song and ten cover versions of Tom Waits songs, and features David Bowie and members from the Yeah Yeah Yeahs and Celebration. Reviews of the album were mixed. Spin was not particularly impressed with Johansson's singing. Some critics found it to be "surprisingly alluring", "a bravely eccentric selection", and "a brilliant album" with "ghostly magic". NME named the album the "23rd best album of 2008", and it peaked at number126 on the Billboard 200. Johansson started listening to Waits when she was 11 or 12 years old, and said of him, "His melodies are so beautiful, his voice is so distinct and I had my own way of doing Tom Waits songs." In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot. The album reached number 41 in the US. In 2010, Steel Train released Terrible Thrills Vol.1, which includes their favorite female artists singing songs from their self-titled album. Johansson is the first artist on the album, singing "Bullet". Johansson sang "One Whole Hour" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010). and in 2012 sang on a J.Ralph track entitled "Before My Time" for the end credits of the climate documentary Chasing Ice (2012) In February 2015, Johansson formed a band called the Singles with Este Haim from HAIM, Holly Miranda, Kendra Morris, and Julia Haltigan. The group's first single was called "Candy". Johansson was issued a cease and desist order from the lead singer of the Los Angeles-based rock band the Singles, demanding she stop using their name. In 2016, she performed "Trust in Me" for The Jungle Book soundtrack and "Set It All Free" and "I Don't Wanna" for Sing: Original Motion Picture Soundtrack. In 2018, Johansson collaborated with Pete Yorn again for an EP titled Apart, released June 1. Public image Johansson has been called "ScarJo" by the media and fans, and dislikes being called this, finding it lazy, flippant and insulting. She has no social media profiles, saying she does not see the need "to continuously share details of [her] everyday life." Johansson is described as a sex symbol by the media. The Sydney Morning Herald describes her as "the embodiment of male fantasy". During the filming of Match Point, director Woody Allen remarked upon her attractiveness, calling her "beautiful" and "sexually overwhelming". In 2014, The New Yorker film critic Anthony Lane wrote that "she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation." Johansson has expressed displeasure at being sexualized, and maintains that a preoccupation with one's attractiveness does not last. She lost the role of Lisbeth Salander in The Girl with the Dragon Tattoo (2011), because the film's director David Fincher found her "too sexy" for the part. Johansson ranks highly in several beauty listings. Maxim included her in their Hot 100 list from 2006 to 2014. She has been named "Sexiest Woman Alive" twice by Esquire (2006 and 2013), and has been included in similar listings by Playboy (2007), Men's Health (2011), and FHM (since 2005). She was named GQs Babe of the Year in 2010. Madame Tussauds New York museum unveiled a wax statue of her in 2015. Johansson was invited to join the Academy of Motion Picture Arts and Sciences in June 2004. In 2006, she appeared on Forbes Celebrity 100 list, and again in 2014, 2015, 2018 and 2019. She received a star on the Hollywood Walk of Fame in May 2012. In 2021, she appeared on the Time 100, Times annual list of the 100 most influential people in the world. Johansson was included on Forbes annual list of the world's highest-paid actresses from 2014 to 2016, with respective earnings of $17million, $35.5million and $25million. She would later top the list in 2018 and 2019, with earnings of $40.5million and $56million, respectively. She was the highest-grossing actor of 2016, with a total of $1.2billion. As a result, IndieWire credited her for taking on risky roles. , her films have grossed over  billion in North America and over  billion worldwide, making Johansson the third-highest-grossing box-office star of all time both domestically and worldwide as well as the highest-grossing actress of all time in North America. Johansson has appeared in advertising campaigns for Calvin Klein, Dolce & Gabbana, L'Oréal, and Louis Vuitton, and has represented the Spanish brand Mango since 2009. She was the first Hollywood celebrity to represent a champagne producer, appearing in advertisements for Moët & Chandon. In January 2014, the Israeli company SodaStream, which makes home-carbonation products, hired Johansson as its first global brand ambassador, a relationship that commenced with a television commercial during Super Bowl XLVIII on February 2, 2014. This created some controversy, as SodaStream at that time operated a plant in Israeli-occupied territory in the West Bank. Personal life While attending PCS, Johansson dated classmate Jack Antonoff from 2001 to 2002. She dated her Black Dahlia co-star Josh Hartnett for about two years until the end of 2006. Hartnett said they broke up because their busy schedules kept them apart. Johansson began dating Canadian actor Ryan Reynolds in 2007. They became engaged in May 2008, married in September 2008 on Vancouver Island, separated in December 2010 and divorced in July 2011. In November 2012, Johansson began dating Frenchman Romain Dauriac, the owner of an advertising agency. They became engaged the following September. The pair divided their time between New York City and Paris. She gave birth to their daughter, Rose Dorothy Dauriac, in 2014. Johansson and Dauriac married that October in Philipsburg, Montana. They separated in mid-2016 and divorced in September 2017. Johansson began dating Saturday Night Live co-head writer and Weekend Update co-host Colin Jost in May 2017. In May 2019, the two were engaged. They married in October 2020, at their New York home. She gave birth to their son, Cosmo, in August 2021. Johansson resides in New York and Los Angeles. In September 2011, nude photographs of Johansson hacked from her cell phone were leaked online. She said the pictures had been sent to her then-husband, Ryan Reynolds, three years before the incident. Following an FBI investigation, the hacker was arrested, pleaded guilty, and was sentenced to ten years in prison. In 2014, Johansson won a lawsuit against French publisher JC Lattès over defamatory statements about her relationships in the novel The First Thing We Look At by Grégoire Delacourt. She was awarded $3,400; she had claimed $68,000. Johansson has criticized the media for promoting an image that causes unhealthy diets and eating disorders among women. In an essay she wrote for The Huffington Post, she encouraged people to maintain a healthy body. She posed nude on the March 2006 cover of Vanity Fair alongside actress Keira Knightley and fully clothed fashion designer Tom Ford, who jumped in last minute on the day of the shoot to replace Rachel McAdams after she walked out. The photograph sparked controversy, as some believed it demonstrated that women are forced to flaunt their sexuality more often than men. Other ventures Philanthropy Johansson has supported various charitable organizations, including Aid Still Required, Cancer Research UK, Stand Up To Cancer, Too Many Women (which works against breast cancer), and USA Harvest, which provides food for people in need. In 2005, Johansson became a global ambassador for the aid and development agency Oxfam. In 2007, she took part in the anti-poverty campaign ONE, which was organized by U2's lead singer Bono. In March 2008, a UK-based bidder paid £20,000 on an eBay auction to benefit Oxfam, winning a hair and makeup treatment, a pair of tickets, and a chauffeured trip to accompany her on a 20-minute date to the world premiere of He's Just Not That into You. In January 2014, Johansson resigned from her Oxfam position after criticism of her promotion of SodaStream, whose main factory was based in Mishor Adumim, an Israeli settlement in the West Bank; Oxfam opposes all trade with such Israeli settlements. Oxfam stated that it was thankful for her contributions in raising funds to fight poverty. Together with her Avengers costars, Johansson raised $500,000 for the victims of Hurricane Maria. In 2018, she collaborated with 300 women in Hollywood to set up the Time's Up initiative to protect women from harassment and discrimination. Johansson took part in the Women's March in Los Angeles in January 2018, where she spoke on topics such as abuses of power, sharing her own experience. She received backlash for calling out fellow actor James Franco on allegations of sexual misconduct as in the past she had defended working with Woody Allen amid an accusation by his daughter Dylan Farrow. Johansson has given support to Operation Warrior Wellness, a division of the David Lynch Foundation that helps veterans learn Transcendental Meditation. Her grand-uncle, Phillip Schlamberg, was the last American pilot to have been killed during WWII. He had gone on a bombing mission with Jerry Yellin, who went on to become co-founder of Operation Warrior Wellness. Politics Johansson was registered as an independent, at least through 2008, and campaigned for Democratic candidate John Kerry in the 2004 United States presidential election. When George W. Bush was re-elected in 2004, she said she was disappointed. In January 2008, her campaign for Democratic candidate Barack Obama included appearances in Iowa targeted at younger voters, an appearance at Cornell College, and a speaking engagement at Carleton College in Northfield, Minnesota, on Super Tuesday, 2008. Johansson appeared in the music video for rapper will.i.am's song, "Yes We Can" (2008), directed by Jesse Dylan; the song was inspired by Obama's speech after the 2008 New Hampshire primary. In February 2012, Johansson and Anna Wintour hosted a fashion launch of pro-Obama clothing, bags, and accessories, the proceeds of which went to the President's re-election campaign. She addressed voters at the Democratic National Convention in September 2012, calling for Obama's re-election and for more engagement from young voters. She encouraged women to vote for Obama and condemned Mitt Romney for his opposition to Planned Parenthood. Johansson publicly endorsed and supported Manhattan Borough President Scott Stringer's 2013 run for New York City Comptroller by hosting a series of fundraisers. To encourage people to vote in the 2016 presidential election, in which Johansson endorsed Hillary Clinton, she appeared in a commercial alongside her Marvel Cinematic Universe co-star Robert Downey Jr., and Joss Whedon. In 2017, she spoke at the Women's March on Washington, addressing Donald Trump's presidency and stating that she would support the president if he works for women's rights and stops withdrawing federal funding for Planned Parenthood. In the 2020 Democratic presidential primaries, Johansson endorsed Elizabeth Warren, referring to Warren as "thoughtful and progressive but realistic". In December 2020, three members of the Egyptian Initiative for Personal Rights, an Egyptian civil rights organization, were released from prison in Egypt, after Johansson had described their detention circumstances and demanded the trio's release. Notes See also List of actors nominated for two Academy Awards in the same year References Further reading External links 20th-century American actresses 21st-century American actresses 21st-century American women singers 21st-century American singers 1984 births Actresses from New York City American child actresses American film actresses American people of Danish descent American people of Polish-Jewish descent American people of Russian-Jewish descent American people of Swedish descent American stage actresses American voice actresses American women film producers Atco Records artists Best Actress BAFTA Award winners César Honorary Award recipients Danish people of Polish-Jewish descent Danish people of Russian-Jewish descent Danish people of Swedish descent Female models from New York (state) Fraternal twin actresses Jewish American actresses Jewish singers Lee Strasberg Theatre and Film Institute alumni Living people Method actors People from Manhattan Theatre World Award winners Time 100 Tony Award winners Twin people from the United States
true
[ "\"What Will It Be\" is a digital single by Deeyah Khan, featuring guest performance rap by Los Angeles based rapper Young Maylay. This was Young Maylay's first appearance in a single.\n\nWhat Will It Be was to be Deeyah's second single in the UK after a successful Top 30 release of Plan of My Own. \nThe music video for What Will It Be was filmed in Mumbai, India. Throughout the music video people are shown removing tape from their mouths to illustrate a need for expressive freedom, particularly concerning women's right's, a woman's freedom of choice as well as sexuality. It is also, according to Deeyah, a response to critics that would hope to silence her musical voice and who have threatened Deeyah throughout her career in an attempt limit her freedom of expression. In Deeyah's view, the Muslim community needs to examine its own place in the world and treatment of women before turning its judgment outward towards the West. The video also refers to the double standards and hypocrisy of strictly patriarchal cultures based on honor and shame.\n\nIn reoccurring scenes throughout the music video, images of individuals, especially women, are projected on Deeyah's bare back. Every person is someone who was murdered for his or her individual choices.\n\nThe music video for What Will It Be was pulled from rotation as threats of violence mounted against UK television and music stations by the Muslim community increased. In the wake of these controversies, local Asian music channel B4U Music banned her videos. In a statement to UK newspapers a B4U network's representative stated they \"have received threats that has forced them to take the matter seriously\". .\n\nWhat Will It Be received the Freedom to create award in 2008.\nThe music video was also shown as part of an art exhibition for freedom of expression in Stedelijk Museum, Netherlands.\n\nEventually, due to demand, \"What Will It Be\" was made available as a digital download only release on iTunes. Although this was to be Deeyah's last single due to concerns over personal safety.\n\nReferences \n\nProtest songs\nEnglish-language Norwegian songs\n2006 songs", "\"'What're You Doing Tonight'\" is a song written by Bob McDill that was recorded by American country music artist Janie Fricke. It was released as her debut solo single in August 1977 and reached chart positions in both the United States and Canada. It was the first single from Fricke's debut album Singer of Songs.\n\nBackground and recording\nJanie Fricke had gone from a studio background singer and commercial jingle performer to a recording artist in 1977. After being heard on a single by country artist Johnny Duncan, she signed her own contract with Columbia Records in 1977. Under the production of producer Billy Sherrill, Fricke recorded her first single \"What're You Doing Tonight\". It was composed by Nashville songwriter Bob McDill. The song was recorded at the Columbia Studio in Nashville, Tennessee under the direction of Sherrill. The session took place in June 1977. Also cut during the same session was the track \"We're a Love Song\".\n\nRelease, chart performance and reception\nIn August 1977, \"What're You Doing Tonight\" was released as a single on Columbia Records. It was backed on the B-side by Fricke's self-composed tune \"We're a Love Song\". It was issued as a seven inch vinyl single and was the debut single released in her career. It became Fricke's first single to reach the American Billboard Hot Country Songs chart. Spending 13 weeks on the survey, the single peaked at number 21 in November 1977. On Canada's RPM Country Songs chart, the single reached the top 20, peaking at number 14. \"What're You Doing Tonight\" was later included on Fricke's debut studio album called Singer of Songs. The album was released on Columbia in May 1978. At the 20th Annual Grammy Awards, Fricke was nominated for Best Female Country Vocal Performance. She would be nominated three more times for the same award in her career.\n\nTrack listing\n7\" vinyl single\n \"What're You Doing Tonight\" – 2:49\n \"We're a Love Song\" – 3:17\n\nCharts\n\nAccolades\n\n!\n|-\n| 1978\n| 20th Annual Grammy Awards\n| Best Female Country Vocal Performance\n| \n| \n|-\n|}\n\nReferences\n\n1977 debut singles\n1977 songs\nColumbia Records singles\nJanie Fricke songs\nSong recordings produced by Billy Sherrill\nSongs written by Bob McDill" ]
[ "Scarlett Ingrid Johansson (; born November 22, 1984) is an American actress. The world's highest-paid actress in 2018 and 2019, she has featured multiple times on the Forbes Celebrity 100 list. Her films have grossed over  billion worldwide, making Johansson the ninth-highest-grossing box office star of all time. She has received various accolades, including a Tony Award and a British Academy Film Award, in addition to nominations for two Academy Awards and five Golden Globe Awards.", "She has received various accolades, including a Tony Award and a British Academy Film Award, in addition to nominations for two Academy Awards and five Golden Globe Awards. Johansson aspired to be an actress from an early age and first appeared on stage in an Off-Broadway play as a child actor. She made her film debut in the fantasy comedy North (1994), and gained early recognition for her roles in Manny & Lo (1996), The Horse Whisperer (1998), and Ghost World (2001).", "She made her film debut in the fantasy comedy North (1994), and gained early recognition for her roles in Manny & Lo (1996), The Horse Whisperer (1998), and Ghost World (2001). Johansson shifted to adult roles in 2003 with her performances in Lost in Translation, which won her a BAFTA Award for Best Actress, and Girl with a Pearl Earring.", "Johansson shifted to adult roles in 2003 with her performances in Lost in Translation, which won her a BAFTA Award for Best Actress, and Girl with a Pearl Earring. She was nominated for Golden Globe Awards for these films, and for playing a troubled teenager in the drama A Love Song for Bobby Long (2004) and a seductress in psychological thriller Match Point (2005). The latter was her first collaboration with Woody Allen, who later directed her in Scoop (2006) and Vicky Cristina Barcelona (2008).", "The latter was her first collaboration with Woody Allen, who later directed her in Scoop (2006) and Vicky Cristina Barcelona (2008). Johansson's other works of this period include The Prestige (2006) and the albums Anywhere I Lay My Head (2008) and Break Up (2009), both of which charted on the Billboard 200.", "Johansson's other works of this period include The Prestige (2006) and the albums Anywhere I Lay My Head (2008) and Break Up (2009), both of which charted on the Billboard 200. In 2010, Johansson debuted on Broadway in a revival of A View from the Bridge, which won her a Tony Award for Best Featured Actress, and began portraying Black Widow in the Marvel Cinematic Universe film Iron Man 2.", "In 2010, Johansson debuted on Broadway in a revival of A View from the Bridge, which won her a Tony Award for Best Featured Actress, and began portraying Black Widow in the Marvel Cinematic Universe film Iron Man 2. She reprised the role in eight films, most recently in her solo feature Black Widow (2021), gaining global recognition for her performances. During this period, Johansson starred in the science fiction films Her (2013), Under the Skin (2013) and Lucy (2014).", "During this period, Johansson starred in the science fiction films Her (2013), Under the Skin (2013) and Lucy (2014). She received two simultaneous Academy Award nominations—Best Actress and Best Supporting Actress—for the respective roles of an actress going through a divorce in the drama Marriage Story (2019) and a single mother in Nazi Germany in the satire Jojo Rabbit (2019). Labeled a sex symbol, Johansson has been referred to as one of the world's most attractive women by various media outlets.", "Labeled a sex symbol, Johansson has been referred to as one of the world's most attractive women by various media outlets. She is a prominent brand endorser and supports several charitable causes. Divorced from actor Ryan Reynolds and businessman Romain Dauriac, Johansson has been married to comedian Colin Jost since 2020. She has two children, one with Dauriac and another with Jost. Early life Johansson was born on November 22, 1984, in the Manhattan borough of New York City.", "Early life Johansson was born on November 22, 1984, in the Manhattan borough of New York City. Her father, Karsten Olaf Johansson, is an architect originally from Copenhagen, Denmark. Her paternal grandfather, Ejner Johansson, was an art historian, screenwriter, and film director, whose own father was Swedish. Her mother, Melanie Sloan, a New Yorker, has worked as a producer; she comes from an Ashkenazi Jewish family from Poland and Russia, originally surnamed Schlamberg, and Johansson describes herself as Jewish.", "Her mother, Melanie Sloan, a New Yorker, has worked as a producer; she comes from an Ashkenazi Jewish family from Poland and Russia, originally surnamed Schlamberg, and Johansson describes herself as Jewish. She has an older sister, Vanessa, also an actress; an older brother, Adrian; and a twin brother, Hunter. She also has an older half-brother, Christian, from her father's first marriage. Johansson holds dual American and Danish citizenship.", "Johansson holds dual American and Danish citizenship. Johansson holds dual American and Danish citizenship. She discovered that her maternal great-grandfather's family died during the Holocaust in the Warsaw Ghetto on a 2017 episode of PBS's Finding Your Roots. Johansson attended PS 41, an elementary school in Greenwich Village, Manhattan. Her parents divorced when she was thirteen. She was particularly close to her maternal grandmother, Dorothy Sloan, a bookkeeper and schoolteacher; they often spent time together and Johansson considered Dorothy her best friend.", "She was particularly close to her maternal grandmother, Dorothy Sloan, a bookkeeper and schoolteacher; they often spent time together and Johansson considered Dorothy her best friend. Interested in a career in the spotlight from an early age, Johansson often put on song-and-dance routines for her family. She was particularly fond of musical theater and jazz hands. She took lessons in tap dance, and states that her parents were supportive of her career choice. She has described her childhood as very ordinary.", "She has described her childhood as very ordinary. She has described her childhood as very ordinary. As a child, Johansson practiced acting by staring in the mirror until she made herself cry, wanting to be Judy Garland in Meet Me in St. Louis. At age seven, she was devastated when a talent agent signed one of her brothers instead of her, but she later decided to become an actress anyway.", "At age seven, she was devastated when a talent agent signed one of her brothers instead of her, but she later decided to become an actress anyway. She enrolled at the Lee Strasberg Theatre Institute and began auditioning for commercials, but soon lost interest: \"I didn't want to promote Wonder Bread.\" She shifted her focus to film and theater, making her first stage appearance in the Off-Broadway play Sophistry with Ethan Hawke, in which she had two lines.", "She shifted her focus to film and theater, making her first stage appearance in the Off-Broadway play Sophistry with Ethan Hawke, in which she had two lines. Around this time, she began studying at Professional Children's School (PCS), a private educational institution for aspiring child actors in Manhattan. Acting career Early work and breakthrough (1994–2002) At age nine, Johansson made her film debut as John Ritter's daughter in the fantasy comedy North (1994).", "Acting career Early work and breakthrough (1994–2002) At age nine, Johansson made her film debut as John Ritter's daughter in the fantasy comedy North (1994). She says that when she was on the film set, she knew intuitively what to do. She later played minor roles such as the daughter of Sean Connery's and Kate Capshaw's characters in the mystery thriller Just Cause (1995), and an art student in If Lucy Fell (1996).", "She later played minor roles such as the daughter of Sean Connery's and Kate Capshaw's characters in the mystery thriller Just Cause (1995), and an art student in If Lucy Fell (1996). Johansson's first leading role was as Amanda, the younger sister of a pregnant teenager who runs away from her foster home in Manny & Lo (1996) alongside Aleksa Palladino and her brother, Hunter.", "Johansson's first leading role was as Amanda, the younger sister of a pregnant teenager who runs away from her foster home in Manny & Lo (1996) alongside Aleksa Palladino and her brother, Hunter. Her performance received positive reviews: one written for the San Francisco Chronicle noted, \"[the film] grows on you, largely because of the charm of ... Scarlett Johansson,\" while critic Mick LaSalle, writing for the same paper, commented on her \"peaceful aura\", and believed, \"If she can get through puberty with that aura undisturbed, she could become an important actress.\"", "Her performance received positive reviews: one written for the San Francisco Chronicle noted, \"[the film] grows on you, largely because of the charm of ... Scarlett Johansson,\" while critic Mick LaSalle, writing for the same paper, commented on her \"peaceful aura\", and believed, \"If she can get through puberty with that aura undisturbed, she could become an important actress.\" Johansson earned a nomination for the Independent Spirit Award for Best Lead Female for the role.", "Johansson earned a nomination for the Independent Spirit Award for Best Lead Female for the role. After appearing in minor roles in Fall and Home Alone 3 (both 1997), Johansson attracted wider attention for her performance in the film The Horse Whisperer (1998), directed by Robert Redford. The drama film, based on the 1995 novel of the same name by Nicholas Evans, tells the story of a trainer with a gift for understanding horses, who is hired to help an injured teenager played by Johansson.", "The drama film, based on the 1995 novel of the same name by Nicholas Evans, tells the story of a trainer with a gift for understanding horses, who is hired to help an injured teenager played by Johansson. The actress received an \"introducing\" credit on this film, although it was her seventh role. On Johansson's maturity, Redford described her as \"13 going on 30\".", "On Johansson's maturity, Redford described her as \"13 going on 30\". Todd McCarthy of Variety commented that Johansson \"convincingly conveys the awkwardness of her age and the inner pain of a carefree girl suddenly laid low by horrible happenstance\". For the film, she was nominated for the Chicago Film Critics Association Award for Most Promising Actress. She believed that the film changed many things in her life, realizing that acting is the ability to manipulate one's emotions.", "She believed that the film changed many things in her life, realizing that acting is the ability to manipulate one's emotions. On finding good roles as a teenager, Johansson said it was hard for her as adults wrote the scripts and they \"portray kids like mall rats and not seriously ... Kids and teenagers just aren't being portrayed with any real depth\". Johansson later appeared in My Brother the Pig (1999) and in the neo-noir, Coen brothers film The Man Who Wasn't There (2001).", "Johansson later appeared in My Brother the Pig (1999) and in the neo-noir, Coen brothers film The Man Who Wasn't There (2001). Her breakthrough came playing a cynical outcast in Terry Zwigoff's black comedy Ghost World (2001), an adaptation of Daniel Clowes' graphic novel of the same name. Johansson auditioned for the film via a tape from New York, and Zwigoff believed her to be \"a unique, eccentric person, and right for that part\".", "Johansson auditioned for the film via a tape from New York, and Zwigoff believed her to be \"a unique, eccentric person, and right for that part\". The film premiered at the 2001 Seattle International Film Festival; it was a box office failure, but has since developed a cult status. Johansson was credited with \"sensitivity and talent [that] belie her age\" by an Austin Chronicle critic, and won a Toronto Film Critics Association Award for Best Supporting Actress for her performance.", "Johansson was credited with \"sensitivity and talent [that] belie her age\" by an Austin Chronicle critic, and won a Toronto Film Critics Association Award for Best Supporting Actress for her performance. With David Arquette, Johansson appeared in the horror comedy Eight Legged Freaks (2002), about a collection of spiders that are exposed to toxic waste, causing them to grow to gigantic proportions and begin killing and harvesting.", "With David Arquette, Johansson appeared in the horror comedy Eight Legged Freaks (2002), about a collection of spiders that are exposed to toxic waste, causing them to grow to gigantic proportions and begin killing and harvesting. After graduating from Professional Children's School that year, she applied to New York University's Tisch School of the Arts; she decided to focus on her film career when she was rejected.", "After graduating from Professional Children's School that year, she applied to New York University's Tisch School of the Arts; she decided to focus on her film career when she was rejected. Transition to adult roles (2003–2004) Johansson transitioned from teen to adult roles with two films in 2003: the romantic comedy-drama Lost in Translation and the drama Girl with a Pearl Earring. In the former, directed by Sofia Coppola, she plays Charlotte, a listless and lonely young wife, opposite Bill Murray.", "In the former, directed by Sofia Coppola, she plays Charlotte, a listless and lonely young wife, opposite Bill Murray. Coppola had first noticed Johansson in Manny & Lo, and compared her to a young Lauren Bacall; Coppola based the film's story on the relationship between Bacall and Humphrey Bogart in The Big Sleep (1946). Johansson found the experience of working with a female director different because of Coppola's ability to empathize with her.", "Johansson found the experience of working with a female director different because of Coppola's ability to empathize with her. Made on a budget of $4million, the film grossed $119million at the box office and received critical acclaim. Roger Ebert was pleased with the film and described the lead actors' performances as \"wonderful\", and Entertainment Weekly wrote of Johansson's \"embracing, restful serenity\". The New York Times praised Johansson, aged 17 at the time of filming, for playing an older character.", "The New York Times praised Johansson, aged 17 at the time of filming, for playing an older character. In Peter Webber's Girl with a Pearl Earring, which is based on the novel of the same name by Tracy Chevalier, Johansson played Griet, a young 17th-century servant in the household of the Dutch painter Johannes Vermeer (played by Colin Firth). Webber interviewed 150 actors before casting Johansson.", "Webber interviewed 150 actors before casting Johansson. Webber interviewed 150 actors before casting Johansson. Johansson found the character moving, but did not read the novel, as she thought it was better to approach the story with a fresh start. Girl with a Pearl Earring received positive reviews and was profitable.", "Girl with a Pearl Earring received positive reviews and was profitable. In his review for The New Yorker, Anthony Lane thought that her presence kept the film \"alive\", writing, \"She is often wordless and close to plain onscreen, but wait for the ardor with which she can summon a closeup and bloom under its gaze; this is her film, not Vermeer's, all the way.\"", "In his review for The New Yorker, Anthony Lane thought that her presence kept the film \"alive\", writing, \"She is often wordless and close to plain onscreen, but wait for the ardor with which she can summon a closeup and bloom under its gaze; this is her film, not Vermeer's, all the way.\" Owen Gleiberman of Entertainment Weekly noted her \"nearly silent performance\", remarking, \"The interplay on her face of fear, ignorance, curiosity, and sex is intensely dramatic.\"", "Owen Gleiberman of Entertainment Weekly noted her \"nearly silent performance\", remarking, \"The interplay on her face of fear, ignorance, curiosity, and sex is intensely dramatic.\" She was nominated for the BAFTA Award for Best Actress in a Leading Role and Golden Globe Awards for Best Actress for both films in 2003, winning the former for Lost in Translation. In Varietys opinion, Johansson's roles in Lost in Translation and Girl with a Pearl Earring established her as among the most versatile actresses of her generation.", "In Varietys opinion, Johansson's roles in Lost in Translation and Girl with a Pearl Earring established her as among the most versatile actresses of her generation. Johansson had five releases in 2004, three of which—the teen heist film The Perfect Score, the drama A Love Song for Bobby Long, and the drama A Good Woman—were critical and commercial failures. Co-starring with John Travolta, Johansson played a discontented teenager in A Love Song for Bobby Long, which is based on the novel Off Magazine Street by Ronald Everett Capps.", "Co-starring with John Travolta, Johansson played a discontented teenager in A Love Song for Bobby Long, which is based on the novel Off Magazine Street by Ronald Everett Capps. David Rooney of Variety wrote that Johansson's and Travolta's performances rescued the film. Johansson earned a Golden Globe Award for Best Actress in a Drama nomination for the film. In her fourth release in 2004, the live-action animated comedy The SpongeBob SquarePants Movie, Johansson voiced Princess Mindy, the daughter of King Neptune.", "In her fourth release in 2004, the live-action animated comedy The SpongeBob SquarePants Movie, Johansson voiced Princess Mindy, the daughter of King Neptune. She agreed to the project because of her love of cartoons, particularly The Ren & Stimpy Show. The film was her most commercially successful release that year. She would then reprise her role as Mindy in the video game adaptation of the film.", "She would then reprise her role as Mindy in the video game adaptation of the film. She followed it with In Good Company, a comedy-drama in which she complicates the life of her father when she dates his much younger boss. Reviews of the film were generally positive, describing it as \"witty and charming\". Roger Ebert was impressed with Johansson's portrayal, writing that she \"continues to employ the gravitational pull of quiet fascination\".", "Roger Ebert was impressed with Johansson's portrayal, writing that she \"continues to employ the gravitational pull of quiet fascination\". Collaborations with Woody Allen (2005–2009) Johansson played Nola, an aspiring actress who begins an affair with a married man (played by Jonathan Rhys Meyers) in Woody Allen's drama Match Point in 2005. After replacing Kate Winslet with Johansson for the role, Allen changed the character's nationality from British to American.", "After replacing Kate Winslet with Johansson for the role, Allen changed the character's nationality from British to American. An admirer of Allen's films, Johansson liked the idea of working with him, but felt nervous her first day on the set. The New York Times was impressed with the performances of Johansson and Rhys Meyers, and Mick LaSalle, writing for the San Francisco Chronicle, stated that Johansson \"is a powerhouse from the word go\", with a performance that \"borders on astonishing\".", "The New York Times was impressed with the performances of Johansson and Rhys Meyers, and Mick LaSalle, writing for the San Francisco Chronicle, stated that Johansson \"is a powerhouse from the word go\", with a performance that \"borders on astonishing\". The film, a box office success, earned Johansson nominations for the Golden Globe and the Chicago Film Critics Association Award for Best Supporting Actress.", "The film, a box office success, earned Johansson nominations for the Golden Globe and the Chicago Film Critics Association Award for Best Supporting Actress. Also that year, Johansson underwent a tonsillectomy, after which she starred with Ewan McGregor in Michael Bay's science fiction film The Island, in dual roles as Sarah Jordan and her clone, Jordan Two Delta. Johansson found her filming schedule exhausting: she had to shoot for 14 hours a day, and she hit her head and injured herself.", "Johansson found her filming schedule exhausting: she had to shoot for 14 hours a day, and she hit her head and injured herself. The film received mixed reviews and grossed $163million against a $126million budget. Two of Johansson's films in 2006 explored the world of stage magicians, both opposite Hugh Jackman. Allen cast her opposite Jackman and himself in the film Scoop (2006), in which she played a journalism student. The film was a modest worldwide box office success, but polarized critics.", "The film was a modest worldwide box office success, but polarized critics. Ebert was critical of the film, but found Johansson \"lovely as always\", and Mick LaSalle noted the freshness she brought to her part. She also appeared in Brian De Palma's The Black Dahlia, a film noir shot in Los Angeles and Bulgaria. Johansson later said she was a fan of DePalma and had wanted to work with him on the film, but thought that she was unsuitable for the part.", "Johansson later said she was a fan of DePalma and had wanted to work with him on the film, but thought that she was unsuitable for the part. Anne Billson of The Daily Telegraph likewise found her miscast. However, CNN said that she \"takes to the pulpy period atmosphere as if it were oxygen\". Also in 2006, Johansson starred in the short film When the Deal Goes Down to accompany Bob Dylan's song \"When the Deal Goes Down...\" from the album Modern Times.", "Also in 2006, Johansson starred in the short film When the Deal Goes Down to accompany Bob Dylan's song \"When the Deal Goes Down...\" from the album Modern Times. Johansson had a supporting role of assistant and lover of Jackman's character, an aristocratic magician, in Christopher Nolan's mystery thriller The Prestige (2006). Nolan thought Johansson possessed \"ambiguity\" and \"a shielded quality\". She was fascinated with Nolan's directing methods and liked working with him.", "She was fascinated with Nolan's directing methods and liked working with him. The film was a critical and box office success, recommended by the Los Angeles Times as \"an adult, provocative piece of work\". Some critics were skeptical of her performance: Billson again judged her miscast, and Dan Jolin of Empire criticized her English accent. Johansson's sole release of 2007 was the critically panned comedy-drama The Nanny Diaries alongside Chris Evans and Laura Linney, in which she played a college graduate working as a nanny.", "Johansson's sole release of 2007 was the critically panned comedy-drama The Nanny Diaries alongside Chris Evans and Laura Linney, in which she played a college graduate working as a nanny. Reviews of her performance were mixed; Variety wrote, \"[She] essays an engaging heroine\", and The New Yorker criticized her for looking \"merely confused\" while \"trying to give the material a plausible emotional center\".", "Reviews of her performance were mixed; Variety wrote, \"[She] essays an engaging heroine\", and The New Yorker criticized her for looking \"merely confused\" while \"trying to give the material a plausible emotional center\". In 2008, Johansson starred, with Natalie Portman and Eric Bana, in The Other Boleyn Girl, which also earned mixed reviews. Promoting the film, Johansson and Portman appeared on the cover of W, discussing with the magazine the public's reception of them.", "Promoting the film, Johansson and Portman appeared on the cover of W, discussing with the magazine the public's reception of them. In Rolling Stone, Pete Travers criticized the film for \"[moving] in frustrating herks and jerks\", but thought that the duo were the only positive aspect of the production. Variety credited the cast as \"almost flawless ... at the top of its game\", citing \"Johansson's quieter Mary ... as the [film's] emotional center\".", "Variety credited the cast as \"almost flawless ... at the top of its game\", citing \"Johansson's quieter Mary ... as the [film's] emotional center\". In her third collaboration with Woody Allen, the romantic comedy-drama Vicky Cristina Barcelona (2008), which was filmed in Spain, Johansson plays one of the love interests of Javier Bardem's character alongside Penélope Cruz. The film was one of Allen's most profitable and received favorable reviews.", "The film was one of Allen's most profitable and received favorable reviews. A reviewer in Variety described Johansson as \"open and malleable\" compared to the other actors. She also played the femme fatale Silken Floss in The Spirit, based on the newspaper comic strip of the same name by Will Eisner. It received poor reviews from critics, who deemed it melodramatic, unoriginal, and sexist.", "It received poor reviews from critics, who deemed it melodramatic, unoriginal, and sexist. Johansson's only role in 2009 was as Anna Marks, a yoga instructor, in the ensemble comedy-drama He's Just Not That into You (2009). The film was released to tepid reviews, but was a box office success. Marvel Cinematic Universe and worldwide recognition (2010–2013) Aspiring to appear on Broadway since childhood, Johansson made her debut in a 2010 revival of Arthur Miller's drama A View from the Bridge.", "Marvel Cinematic Universe and worldwide recognition (2010–2013) Aspiring to appear on Broadway since childhood, Johansson made her debut in a 2010 revival of Arthur Miller's drama A View from the Bridge. Set in the 1950s in an Italian-American neighborhood in New York, it tells the tragic tale of Eddie (Liev Schreiber), who has an inappropriate love for his wife's orphaned niece, Catherine (Johansson). After initial reservations about playing a teenage character, Johansson was convinced by a friend to take on the part.", "After initial reservations about playing a teenage character, Johansson was convinced by a friend to take on the part. Ben Brantley of The New York Times wrote Johansson \"melts into her character so thoroughly that her nimbus of celebrity disappears\". Varietys David Rooney was impressed with the play and Johansson in particular, describing her as the chief performer. She won the 2010 Tony Award for Best Performance by a Featured Actress in a Play.", "She won the 2010 Tony Award for Best Performance by a Featured Actress in a Play. Some critics and Broadway actors criticized the award committee's decision to reward the work of mainstream Hollywood actors, including Johansson. In response, she said that she understood the frustration, but had worked hard for her accomplishments. Johansson played Black Widow in Jon Favreau's Iron Man 2 (2010), a part of the Marvel Cinematic Universe (MCU).", "Johansson played Black Widow in Jon Favreau's Iron Man 2 (2010), a part of the Marvel Cinematic Universe (MCU). Before she secured the role, she dyed her hair red to convince Favreau that she was right for the part, and undertook stunt and strength training to prepare for the role. Johansson said the character resonated with her, and she admired the superhero's human traits.", "Johansson said the character resonated with her, and she admired the superhero's human traits. The film earned $623.9million against its $200million budget, and received generally positive reviews from critics, although reviewers criticized how her character was written. Tim Robey of The Daily Telegraph and Matt Goldberg thought that she had little to do but look attractive. In 2011, Johansson played the role of Kelly, a zookeeper in the family film We Bought a Zoo alongside Matt Damon.", "In 2011, Johansson played the role of Kelly, a zookeeper in the family film We Bought a Zoo alongside Matt Damon. The film got mainly favorable reviews, and Anne Billson praised Johansson for bringing depth to a rather uninteresting character. Johansson earned a Teen Choice Award for Choice Movie Actress: Drama nomination for her performance. Johansson learned some Russian from a former teacher on the phone for her role as Black Widow in The Avengers (2012), another entry from the MCU.", "Johansson learned some Russian from a former teacher on the phone for her role as Black Widow in The Avengers (2012), another entry from the MCU. The film received mainly positive reviews and broke many box office records, becoming the third highest-grossing film both in the United States and worldwide. For her performance, she was nominated for two Teen Choice Awards and three People's Choice Awards.", "For her performance, she was nominated for two Teen Choice Awards and three People's Choice Awards. Later that year, Johansson portrayed actress Janet Leigh in Sacha Gervasi's Hitchcock, a behind-the-scenes drama about the making of Alfred Hitchcock's 1960 film Psycho. Roger Ebert wrote that Johansson did not look much like Leigh, but conveyed her spunk, intelligence, and sense of humor. In January 2013, Johansson starred in a Broadway revival of Cat on a Hot Tin Roof, directed by Rob Ashford.", "In January 2013, Johansson starred in a Broadway revival of Cat on a Hot Tin Roof, directed by Rob Ashford. Set in the Mississippi Delta, it examines the relationships within the family of Big Daddy (Ciarán Hinds), primarily between his son Brick (Benjamin Walker) and Maggie (Johansson). Her performance received mixed reviews. Entertainment Weeklys Thom Geier wrote Johansson \"brings a fierce fighting spirit\" to her part, but Joe Dziemianowicz from Daily News called her performance \"alarmingly one-note\".", "Entertainment Weeklys Thom Geier wrote Johansson \"brings a fierce fighting spirit\" to her part, but Joe Dziemianowicz from Daily News called her performance \"alarmingly one-note\". The 2013 Sundance Film Festival hosted the premiere of Joseph Gordon-Levitt's directorial debut, Don Jon. In this romantic comedy-drama, she played the pornography-addicted title character's girlfriend. Gordon-Levitt wrote the role for Johansson, who had previously admired his acting work. The film received positive reviews and Johansson's performance was highlighted by critics.", "The film received positive reviews and Johansson's performance was highlighted by critics. Claudia Puig of USA Today considered it to be one of her best performances. In 2013, Johansson voiced the character Samantha, a self-aware computer operating system, in Spike Jonze's film Her, replacing Samantha Morton in the role. The film premiered at the 8th Rome International Film Festival, where Johansson won Best Actress; she was also nominated for the Critics' Choice Movie Award for Best Supporting Actress.", "The film premiered at the 8th Rome International Film Festival, where Johansson won Best Actress; she was also nominated for the Critics' Choice Movie Award for Best Supporting Actress. Johansson was intimidated by the role's complexity, and found her recording sessions for the role challenging but liberating. Peter Travers believed Johansson's voice in the film was \"sweet, sexy, caring, manipulative, scary [and] award-worthy\".", "Peter Travers believed Johansson's voice in the film was \"sweet, sexy, caring, manipulative, scary [and] award-worthy\". Times Richard Corliss called her performance \"seductive and winning\", and Her was rated as one of the best films of 2013. She also won the Saturn Award for Best Supporting Actress at the 40th Saturn Awards in 2014 for her performance.", "She also won the Saturn Award for Best Supporting Actress at the 40th Saturn Awards in 2014 for her performance. Johansson was cast in Jonathan Glazer's science fiction film Under the Skin (2013) as an extraterrestrial creature disguised as a human femme fatale who preys on men in Scotland. The project, an adaptation of Michel Faber's novel of the same name, took nine years to complete. For the role, she learned to drive a van and speak in an English accent.", "For the role, she learned to drive a van and speak in an English accent. Johansson improvised conversations with non-professional actors on the street, who did not know they were being filmed. It was released to generally positive reviews, with particular praise for Johansson. Erin Whitney, writing for The Huffington Post, considered it to be her finest performance to that point, and noted that it was her first fully nude role.", "Erin Whitney, writing for The Huffington Post, considered it to be her finest performance to that point, and noted that it was her first fully nude role. Author Maureen Foster wrote, \"How much depth, breadth, and range Johansson mines from her character's very limited allowance of emotional response is a testament to her acting prowess that is, as the film goes on, increasingly stunning.\" It earned Johansson a BIFA Award for Best Performance by an Actress in a British Independent Film nomination.", "It earned Johansson a BIFA Award for Best Performance by an Actress in a British Independent Film nomination. Blockbuster films and critical acclaim (2014–2020) Continuing her work in the MCU, Johansson reprised her role as Black Widow in Captain America: The Winter Soldier (2014). In the film, she joins forces with Captain America (Chris Evans) and Falcon (Anthony Mackie) to uncover a conspiracy within S.H.I.E.L.D., while facing a mysterious assassin known as the Winter Soldier.", "In the film, she joins forces with Captain America (Chris Evans) and Falcon (Anthony Mackie) to uncover a conspiracy within S.H.I.E.L.D., while facing a mysterious assassin known as the Winter Soldier. Johansson and Evans wrote their own dialogue for several scenes they had together. Johansson was attracted to her character's way of doing her job, employing her feminine wiles and not her physical appeal. The film was a critical and commercial success, grossing over $714million worldwide.", "The film was a critical and commercial success, grossing over $714million worldwide. Critic Odie Henderson saw \"a genuine emotional shorthand at work, especially from Johansson, who is excellent here\". The role earned her a Saturn Award for Best Supporting Actress nomination. Johansson played a supporting role in the film Chef (2014), alongside Robert Downey, Jr., Sofía Vergara, and director Jon Favreau. It grossed over $45million at the box office and was well received by critics.", "It grossed over $45million at the box office and was well received by critics. The Chicago Sun-Times writer Richard Roeper found the film \"funny, quirky and insightful, with a bounty of interesting supporting characters\". In Luc Besson's science fiction action film Lucy (2014), Johansson starred as the title character, who gains psychokinetic abilities when a nootropic drug is absorbed into her bloodstream. Besson discussed the role with several actresses, and cast Johansson based on her strong reaction to the script and her discipline.", "Besson discussed the role with several actresses, and cast Johansson based on her strong reaction to the script and her discipline. Critics generally praised the film's themes, visuals, and Johansson's performance; some found the plot nonsensical. IGN's Jim Vejvoda attributed the film's success to her acting and Besson's style. The film grossed $458million on a budget of $40million to become the 18th highest-grossing film of 2014.", "The film grossed $458million on a budget of $40million to become the 18th highest-grossing film of 2014. In 2015 and 2016, Johansson again played Black Widow in the MCU films Avengers: Age of Ultron and Captain America: Civil War. During filming of the former, a mixture of close-ups, concealing costumes, stunt doubles and visual effects were used to hide her pregnancy. Both films earned more than $1.1billion, ranking among the highest-grossing films of all time.", "Both films earned more than $1.1billion, ranking among the highest-grossing films of all time. For Civil War, Johansson earned her second nomination for Critics' Choice Movie Award for Best Actress in an Action Movie and her fourth for Saturn Award for Best Supporting Actress. Earlier in 2016, Johansson had featured in the Coen brothers' well-received comedy film Hail, Caesar!", "Earlier in 2016, Johansson had featured in the Coen brothers' well-received comedy film Hail, Caesar! about a \"fixer\" working in the classical Hollywood cinema, trying to discover what happened to a cast member who vanished during the filming of a biblical epic; Johansson plays an actress who becomes pregnant while her film is in production. She also voiced Kaa in Jon Favreau's live-action adaptation of Disney's The Jungle Book, and Ash in the animated musical comedy film Sing (both 2016).", "She also voiced Kaa in Jon Favreau's live-action adaptation of Disney's The Jungle Book, and Ash in the animated musical comedy film Sing (both 2016). That year she also narrated an audiobook of Lewis Carroll's children's novel Alice's Adventures in Wonderland. Johansson played Motoko Kusanagi in Rupert Sanders's 2017 film adaptation of the Ghost in the Shell franchise.", "Johansson played Motoko Kusanagi in Rupert Sanders's 2017 film adaptation of the Ghost in the Shell franchise. The film was praised for its visual style, acting, and cinematography, but was the subject of controversy for whitewashing the cast, particularly Johansson's character, a cyborg who was meant to hold the memories of a Japanese woman. Responding to the backlash, the actress asserted she would never play a non-white character, but wanted to take the rare opportunity to star in a female-led franchise.", "Responding to the backlash, the actress asserted she would never play a non-white character, but wanted to take the rare opportunity to star in a female-led franchise. Ghost in the Shell grossed $169.8million worldwide against a production budget of $110million. In March 2017, Johansson hosted Saturday Night Live for the fifth time, making her the 17th person, and the fourth woman, to enter the NBC sketch comedy's prestigious Five-Timers Club.", "In March 2017, Johansson hosted Saturday Night Live for the fifth time, making her the 17th person, and the fourth woman, to enter the NBC sketch comedy's prestigious Five-Timers Club. Johansson's next 2017 film was the comedy Rough Night, where she played Jess Thayer, one of the five friends—alongside Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz—whose bachelorette party goes wrong after a male stripper dies. The film had a mixed critical reception and moderate box office returns.", "The film had a mixed critical reception and moderate box office returns. In 2018, Johansson voiced show dog Nutmeg in Wes Anderson's stop-motion animated film Isle of Dogs, released in March, and reprised her MCU role as Black Widow in Avengers: Infinity War, which followed the next month. Johansson was due to star in Rub & Tug, a biographical film in which she would have played Dante \"Tex\" Gill, a transgender man who operated a massage parlor and prostitution ring in the 1970s and 1980s.", "Johansson was due to star in Rub & Tug, a biographical film in which she would have played Dante \"Tex\" Gill, a transgender man who operated a massage parlor and prostitution ring in the 1970s and 1980s. She dropped out of the project following backlash to the casting of a cisgender woman to play a transgender man. In 2019, Johansson once again reprised her role as Black Widow in Avengers: Endgame, which is the highest-grossing film of all time.", "In 2019, Johansson once again reprised her role as Black Widow in Avengers: Endgame, which is the highest-grossing film of all time. She next starred in Noah Baumbach's Netflix film Marriage Story, in which Adam Driver and she played a warring couple who file for divorce. Johansson found a connection with her character, as she was amid her own divorce proceedings at the time. Peter Bradshaw of The Guardian commended her \"brilliantly textured\" performance in it.", "Peter Bradshaw of The Guardian commended her \"brilliantly textured\" performance in it. She also took on the supporting role of a young boy's mother who shelters a Jewish girl in Nazi Germany in Taika Waititi's satire Jojo Rabbit. Waititi modeled the character on his own mother, and cast Johansson to provide her a rare opportunity to perform comedy. The film received polarizing reviews, but Stephanie Zacharek labeled her the \"lustrous soul of the movie\".", "The film received polarizing reviews, but Stephanie Zacharek labeled her the \"lustrous soul of the movie\". Johansson received her first two Academy Award nominations, for Best Actress and Best Supporting Actress for her performances in Marriage Story and Jojo Rabbit, respectively, becoming the eleventh performer to be nominated for two Oscars in the same year. She also received two BAFTA nominations for these films, and a Golden Globe nomination for the former.", "She also received two BAFTA nominations for these films, and a Golden Globe nomination for the former. Black Widow and lawsuit (2021–present) After a one-year screen absence, Johansson reprised her role as Black Widow in her own solo prequel film in 2021, on which she also served as an executive producer. Also starring Florence Pugh, the film is set after the events of Captain America: Civil War, and sees Johansson's character on the run and forced to confront her past.", "Also starring Florence Pugh, the film is set after the events of Captain America: Civil War, and sees Johansson's character on the run and forced to confront her past. Director Cate Shortland, who wanted to make a standalone film on her character, watched Johansson's previous appearances as Black Widow to prepare. Johansson felt proud of the film and that her work playing the role was now complete.", "Johansson felt proud of the film and that her work playing the role was now complete. She saw this as an opportunity to show her character's ability to be on her own and make choices for herself while facing difficult times, and noted that her vulnerability distinguished her from other Avengers. Critics were generally favorable in their reviews of the film, mainly praising Johansson and Pugh's performances. In a review published in The Hollywood Reporter, David Rooney thought the film was \"a stellar vehicle\" for Johansson.", "In a review published in The Hollywood Reporter, David Rooney thought the film was \"a stellar vehicle\" for Johansson. Pete Hammond of Deadline Hollywood found the actress \"again a great presence in the role, showing expert action and acting chops throughout\". For the film, Johansson won The Female Movie Star of 2021 at the 47th People's Choice Awards.", "For the film, Johansson won The Female Movie Star of 2021 at the 47th People's Choice Awards. In July 2021, Johansson filed a lawsuit against Disney claiming that the simultaneous release of Black Widow on their streaming service Disney+ breached a clause in her contract that the film receive exclusive theatrical release. She alleged that the release on Disney+ exempted her from receiving additional bonus from box-office profits, to which she was entitled.", "She alleged that the release on Disney+ exempted her from receiving additional bonus from box-office profits, to which she was entitled. In response, Disney said her lawsuit showed an indifference to the \"horrific and prolonged\" effects of the COVID-19 pandemic. The company also stated that Johansson already received $20million for the film and that the Disney+ Premier Access release would only earn her additional compensation. The Hollywood Reporter described Disney's response as \"aggressive\".", "The Hollywood Reporter described Disney's response as \"aggressive\". Accusing Disney of intentionally violating their contract with Johansson, Creative Artists Agency co-chairman Bryan Lourd criticized the company for falsely portraying Johansson as insensitive to the effects of the pandemic, which he considered a \"direct attack on her character\". Lourd further stated that the company including her salary in their public statement was to try to \"weaponize her success as an artist and businesswoman\".", "Lourd further stated that the company including her salary in their public statement was to try to \"weaponize her success as an artist and businesswoman\". Later that September, both parties announced that they had resolved their dispute, with the terms of the settlement remaining undisclosed. Music career In 2006, Johansson sang the track \"Summertime\" for Unexpected DreamsSongs From the Stars, a non-profit collection of songs recorded by Hollywood actors.", "Music career In 2006, Johansson sang the track \"Summertime\" for Unexpected DreamsSongs From the Stars, a non-profit collection of songs recorded by Hollywood actors. She performed with the Jesus and Mary Chain for a Coachella reunion show in Indio, California, in April 2007. The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for \"What Goes Around... Comes Around\", which was nominated for an MTV Video Music Award for Video of the Year.", "The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for \"What Goes Around... Comes Around\", which was nominated for an MTV Video Music Award for Video of the Year. In May 2008, Johansson released her debut album Anywhere I Lay My Head, which consists of one original song and ten cover versions of Tom Waits songs, and features David Bowie and members from the Yeah Yeah Yeahs and Celebration. Reviews of the album were mixed.", "Reviews of the album were mixed. Reviews of the album were mixed. Spin was not particularly impressed with Johansson's singing. Some critics found it to be \"surprisingly alluring\", \"a bravely eccentric selection\", and \"a brilliant album\" with \"ghostly magic\". NME named the album the \"23rd best album of 2008\", and it peaked at number126 on the Billboard 200.", "NME named the album the \"23rd best album of 2008\", and it peaked at number126 on the Billboard 200. Johansson started listening to Waits when she was 11 or 12 years old, and said of him, \"His melodies are so beautiful, his voice is so distinct and I had my own way of doing Tom Waits songs.\" In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot.", "In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot. The album reached number 41 in the US. In 2010, Steel Train released Terrible Thrills Vol.1, which includes their favorite female artists singing songs from their self-titled album. Johansson is the first artist on the album, singing \"Bullet\". Johansson sang \"One Whole Hour\" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010).", "Johansson sang \"One Whole Hour\" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010). and in 2012 sang on a J.Ralph track entitled \"Before My Time\" for the end credits of the climate documentary Chasing Ice (2012) In February 2015, Johansson formed a band called the Singles with Este Haim from HAIM, Holly Miranda, Kendra Morris, and Julia Haltigan. The group's first single was called \"Candy\".", "The group's first single was called \"Candy\". Johansson was issued a cease and desist order from the lead singer of the Los Angeles-based rock band the Singles, demanding she stop using their name. In 2016, she performed \"Trust in Me\" for The Jungle Book soundtrack and \"Set It All Free\" and \"I Don't Wanna\" for Sing: Original Motion Picture Soundtrack. In 2018, Johansson collaborated with Pete Yorn again for an EP titled Apart, released June 1.", "In 2018, Johansson collaborated with Pete Yorn again for an EP titled Apart, released June 1. Public image Johansson has been called \"ScarJo\" by the media and fans, and dislikes being called this, finding it lazy, flippant and insulting. She has no social media profiles, saying she does not see the need \"to continuously share details of [her] everyday life.\" Johansson is described as a sex symbol by the media.", "Johansson is described as a sex symbol by the media. The Sydney Morning Herald describes her as \"the embodiment of male fantasy\". During the filming of Match Point, director Woody Allen remarked upon her attractiveness, calling her \"beautiful\" and \"sexually overwhelming\". In 2014, The New Yorker film critic Anthony Lane wrote that \"she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation.\"", "In 2014, The New Yorker film critic Anthony Lane wrote that \"she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation.\" Johansson has expressed displeasure at being sexualized, and maintains that a preoccupation with one's attractiveness does not last.", "Johansson has expressed displeasure at being sexualized, and maintains that a preoccupation with one's attractiveness does not last. She lost the role of Lisbeth Salander in The Girl with the Dragon Tattoo (2011), because the film's director David Fincher found her \"too sexy\" for the part. Johansson ranks highly in several beauty listings. Maxim included her in their Hot 100 list from 2006 to 2014.", "Maxim included her in their Hot 100 list from 2006 to 2014. She has been named \"Sexiest Woman Alive\" twice by Esquire (2006 and 2013), and has been included in similar listings by Playboy (2007), Men's Health (2011), and FHM (since 2005). She was named GQs Babe of the Year in 2010. Madame Tussauds New York museum unveiled a wax statue of her in 2015. Johansson was invited to join the Academy of Motion Picture Arts and Sciences in June 2004.", "Johansson was invited to join the Academy of Motion Picture Arts and Sciences in June 2004. In 2006, she appeared on Forbes Celebrity 100 list, and again in 2014, 2015, 2018 and 2019. She received a star on the Hollywood Walk of Fame in May 2012. In 2021, she appeared on the Time 100, Times annual list of the 100 most influential people in the world.", "In 2021, she appeared on the Time 100, Times annual list of the 100 most influential people in the world. Johansson was included on Forbes annual list of the world's highest-paid actresses from 2014 to 2016, with respective earnings of $17million, $35.5million and $25million. She would later top the list in 2018 and 2019, with earnings of $40.5million and $56million, respectively. She was the highest-grossing actor of 2016, with a total of $1.2billion.", "She was the highest-grossing actor of 2016, with a total of $1.2billion. As a result, IndieWire credited her for taking on risky roles. , her films have grossed over  billion in North America and over  billion worldwide, making Johansson the third-highest-grossing box-office star of all time both domestically and worldwide as well as the highest-grossing actress of all time in North America. Johansson has appeared in advertising campaigns for Calvin Klein, Dolce & Gabbana, L'Oréal, and Louis Vuitton, and has represented the Spanish brand Mango since 2009.", "Johansson has appeared in advertising campaigns for Calvin Klein, Dolce & Gabbana, L'Oréal, and Louis Vuitton, and has represented the Spanish brand Mango since 2009. She was the first Hollywood celebrity to represent a champagne producer, appearing in advertisements for Moët & Chandon. In January 2014, the Israeli company SodaStream, which makes home-carbonation products, hired Johansson as its first global brand ambassador, a relationship that commenced with a television commercial during Super Bowl XLVIII on February 2, 2014.", "In January 2014, the Israeli company SodaStream, which makes home-carbonation products, hired Johansson as its first global brand ambassador, a relationship that commenced with a television commercial during Super Bowl XLVIII on February 2, 2014. This created some controversy, as SodaStream at that time operated a plant in Israeli-occupied territory in the West Bank. Personal life While attending PCS, Johansson dated classmate Jack Antonoff from 2001 to 2002. She dated her Black Dahlia co-star Josh Hartnett for about two years until the end of 2006.", "She dated her Black Dahlia co-star Josh Hartnett for about two years until the end of 2006. Hartnett said they broke up because their busy schedules kept them apart. Johansson began dating Canadian actor Ryan Reynolds in 2007. They became engaged in May 2008, married in September 2008 on Vancouver Island, separated in December 2010 and divorced in July 2011. In November 2012, Johansson began dating Frenchman Romain Dauriac, the owner of an advertising agency. They became engaged the following September.", "They became engaged the following September. They became engaged the following September. The pair divided their time between New York City and Paris. She gave birth to their daughter, Rose Dorothy Dauriac, in 2014. Johansson and Dauriac married that October in Philipsburg, Montana. They separated in mid-2016 and divorced in September 2017. Johansson began dating Saturday Night Live co-head writer and Weekend Update co-host Colin Jost in May 2017. In May 2019, the two were engaged. They married in October 2020, at their New York home.", "They married in October 2020, at their New York home. She gave birth to their son, Cosmo, in August 2021. Johansson resides in New York and Los Angeles. In September 2011, nude photographs of Johansson hacked from her cell phone were leaked online. She said the pictures had been sent to her then-husband, Ryan Reynolds, three years before the incident. Following an FBI investigation, the hacker was arrested, pleaded guilty, and was sentenced to ten years in prison.", "Following an FBI investigation, the hacker was arrested, pleaded guilty, and was sentenced to ten years in prison. In 2014, Johansson won a lawsuit against French publisher JC Lattès over defamatory statements about her relationships in the novel The First Thing We Look At by Grégoire Delacourt. She was awarded $3,400; she had claimed $68,000. Johansson has criticized the media for promoting an image that causes unhealthy diets and eating disorders among women.", "Johansson has criticized the media for promoting an image that causes unhealthy diets and eating disorders among women. In an essay she wrote for The Huffington Post, she encouraged people to maintain a healthy body. She posed nude on the March 2006 cover of Vanity Fair alongside actress Keira Knightley and fully clothed fashion designer Tom Ford, who jumped in last minute on the day of the shoot to replace Rachel McAdams after she walked out.", "She posed nude on the March 2006 cover of Vanity Fair alongside actress Keira Knightley and fully clothed fashion designer Tom Ford, who jumped in last minute on the day of the shoot to replace Rachel McAdams after she walked out. The photograph sparked controversy, as some believed it demonstrated that women are forced to flaunt their sexuality more often than men.", "The photograph sparked controversy, as some believed it demonstrated that women are forced to flaunt their sexuality more often than men. Other ventures Philanthropy Johansson has supported various charitable organizations, including Aid Still Required, Cancer Research UK, Stand Up To Cancer, Too Many Women (which works against breast cancer), and USA Harvest, which provides food for people in need. In 2005, Johansson became a global ambassador for the aid and development agency Oxfam.", "In 2005, Johansson became a global ambassador for the aid and development agency Oxfam. In 2007, she took part in the anti-poverty campaign ONE, which was organized by U2's lead singer Bono. In March 2008, a UK-based bidder paid £20,000 on an eBay auction to benefit Oxfam, winning a hair and makeup treatment, a pair of tickets, and a chauffeured trip to accompany her on a 20-minute date to the world premiere of He's Just Not That into You.", "In March 2008, a UK-based bidder paid £20,000 on an eBay auction to benefit Oxfam, winning a hair and makeup treatment, a pair of tickets, and a chauffeured trip to accompany her on a 20-minute date to the world premiere of He's Just Not That into You. In January 2014, Johansson resigned from her Oxfam position after criticism of her promotion of SodaStream, whose main factory was based in Mishor Adumim, an Israeli settlement in the West Bank; Oxfam opposes all trade with such Israeli settlements.", "In January 2014, Johansson resigned from her Oxfam position after criticism of her promotion of SodaStream, whose main factory was based in Mishor Adumim, an Israeli settlement in the West Bank; Oxfam opposes all trade with such Israeli settlements. Oxfam stated that it was thankful for her contributions in raising funds to fight poverty. Together with her Avengers costars, Johansson raised $500,000 for the victims of Hurricane Maria.", "Together with her Avengers costars, Johansson raised $500,000 for the victims of Hurricane Maria. In 2018, she collaborated with 300 women in Hollywood to set up the Time's Up initiative to protect women from harassment and discrimination. Johansson took part in the Women's March in Los Angeles in January 2018, where she spoke on topics such as abuses of power, sharing her own experience.", "Johansson took part in the Women's March in Los Angeles in January 2018, where she spoke on topics such as abuses of power, sharing her own experience. She received backlash for calling out fellow actor James Franco on allegations of sexual misconduct as in the past she had defended working with Woody Allen amid an accusation by his daughter Dylan Farrow. Johansson has given support to Operation Warrior Wellness, a division of the David Lynch Foundation that helps veterans learn Transcendental Meditation.", "Johansson has given support to Operation Warrior Wellness, a division of the David Lynch Foundation that helps veterans learn Transcendental Meditation. Her grand-uncle, Phillip Schlamberg, was the last American pilot to have been killed during WWII. He had gone on a bombing mission with Jerry Yellin, who went on to become co-founder of Operation Warrior Wellness. Politics Johansson was registered as an independent, at least through 2008, and campaigned for Democratic candidate John Kerry in the 2004 United States presidential election.", "Politics Johansson was registered as an independent, at least through 2008, and campaigned for Democratic candidate John Kerry in the 2004 United States presidential election. When George W. Bush was re-elected in 2004, she said she was disappointed. In January 2008, her campaign for Democratic candidate Barack Obama included appearances in Iowa targeted at younger voters, an appearance at Cornell College, and a speaking engagement at Carleton College in Northfield, Minnesota, on Super Tuesday, 2008.", "In January 2008, her campaign for Democratic candidate Barack Obama included appearances in Iowa targeted at younger voters, an appearance at Cornell College, and a speaking engagement at Carleton College in Northfield, Minnesota, on Super Tuesday, 2008. Johansson appeared in the music video for rapper will.i.am's song, \"Yes We Can\" (2008), directed by Jesse Dylan; the song was inspired by Obama's speech after the 2008 New Hampshire primary.", "Johansson appeared in the music video for rapper will.i.am's song, \"Yes We Can\" (2008), directed by Jesse Dylan; the song was inspired by Obama's speech after the 2008 New Hampshire primary. In February 2012, Johansson and Anna Wintour hosted a fashion launch of pro-Obama clothing, bags, and accessories, the proceeds of which went to the President's re-election campaign. She addressed voters at the Democratic National Convention in September 2012, calling for Obama's re-election and for more engagement from young voters.", "She addressed voters at the Democratic National Convention in September 2012, calling for Obama's re-election and for more engagement from young voters. She encouraged women to vote for Obama and condemned Mitt Romney for his opposition to Planned Parenthood. Johansson publicly endorsed and supported Manhattan Borough President Scott Stringer's 2013 run for New York City Comptroller by hosting a series of fundraisers.", "Johansson publicly endorsed and supported Manhattan Borough President Scott Stringer's 2013 run for New York City Comptroller by hosting a series of fundraisers. To encourage people to vote in the 2016 presidential election, in which Johansson endorsed Hillary Clinton, she appeared in a commercial alongside her Marvel Cinematic Universe co-star Robert Downey Jr., and Joss Whedon.", "To encourage people to vote in the 2016 presidential election, in which Johansson endorsed Hillary Clinton, she appeared in a commercial alongside her Marvel Cinematic Universe co-star Robert Downey Jr., and Joss Whedon. In 2017, she spoke at the Women's March on Washington, addressing Donald Trump's presidency and stating that she would support the president if he works for women's rights and stops withdrawing federal funding for Planned Parenthood.", "In 2017, she spoke at the Women's March on Washington, addressing Donald Trump's presidency and stating that she would support the president if he works for women's rights and stops withdrawing federal funding for Planned Parenthood. In the 2020 Democratic presidential primaries, Johansson endorsed Elizabeth Warren, referring to Warren as \"thoughtful and progressive but realistic\".", "In the 2020 Democratic presidential primaries, Johansson endorsed Elizabeth Warren, referring to Warren as \"thoughtful and progressive but realistic\". In December 2020, three members of the Egyptian Initiative for Personal Rights, an Egyptian civil rights organization, were released from prison in Egypt, after Johansson had described their detention circumstances and demanded the trio's release.", "In December 2020, three members of the Egyptian Initiative for Personal Rights, an Egyptian civil rights organization, were released from prison in Egypt, after Johansson had described their detention circumstances and demanded the trio's release. Notes See also List of actors nominated for two Academy Awards in the same year References Further reading External links 20th-century American actresses 21st-century American actresses 21st-century American women singers 21st-century American singers 1984 births Actresses from New York City American child actresses American film actresses American people of Danish descent American people of Polish-Jewish descent American people of Russian-Jewish descent American people of Swedish descent American stage actresses American voice actresses American women film producers Atco Records artists Best Actress BAFTA Award winners César Honorary Award recipients Danish people of Polish-Jewish descent Danish people of Russian-Jewish descent Danish people of Swedish descent Female models from New York (state) Fraternal twin actresses Jewish American actresses Jewish singers Lee Strasberg Theatre and Film Institute alumni Living people Method actors People from Manhattan Theatre World Award winners Time 100 Tony Award winners Twin people from the United States" ]
[ "Scarlett Johansson", "Music career", "What was her first music performance?", "Summertime" ]
C_d189e6b99ea04627b701abfd791e3d8a_0
Was she given any award as a singer?
2
Was Scarlett Johansson given any award as a singer?
Scarlett Johansson
In 2006, Johansson sang the track "Summertime" for Unexpected Dreams - Songs From the Stars, a non-profit collection of songs recorded by Hollywood actors. She performed with the Jesus and Mary Chain for a Coachella reunion show in Indio, California, in April 2007. The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for "What Goes Around... Comes Around", which was nominated for an MTV Video Music Award for Video of the Year. In May 2008, Johansson released her debut album Anywhere I Lay My Head, which consists of one original song and ten cover versions of Tom Waits songs, and features David Bowie and members from the Yeah Yeah Yeahs and Celebration. Reviews of the album were mixed. Spin was not particularly impressed with Johansson's singing. Some critics found it to be "surprisingly alluring", "a bravely eccentric selection", and "a brilliant album" with "ghostly magic". NME named the album the "23rd best album of 2008", and it peaked at number 126 on the Billboard 200. Johansson started listening to Waits when she was 11 or 12 years old, and said of him, "His melodies are so beautiful, his voice is so distinct and I had my own way of doing Tom Waits songs." In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot. The album reached number 41 in the US. In 2010, Steel Train released Terrible Thrills Vol. 1, which includes their favorite female artists singing songs from their self-titled album. Johansson is the first artist on the album, singing "Bullet". Johansson sang "One Whole Hour" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010). and in 2012 sang on a J. Ralph track entitled "Before My Time" for the end credits of the climate documentary Chasing Ice (2012) In February 2015, Johansson formed a band called the Singles with Este Haim from HAIM, Holly Miranda, Kendra Morris, and Julia Haltigan. The group's first single was called "Candy". Johansson was issued a cease and desist order from the lead singer of the Los Angeles-based rock band the Singles, demanding she stop using their name. In 2016, she performed "Trust in Me" for The Jungle Book soundtrack and "The Promise & The Prize," "Universal Fanfare", "Set It All Free" and "I Don't Wanna" for Sing: Original Motion Picture Soundtrack. CANNOTANSWER
Johansson was issued a cease and desist order from the lead singer of the Los Angeles-based rock band the Singles,
Scarlett Ingrid Johansson (; born November 22, 1984) is an American actress. The world's highest-paid actress in 2018 and 2019, she has featured multiple times on the Forbes Celebrity 100 list. Her films have grossed over  billion worldwide, making Johansson the ninth-highest-grossing box office star of all time. She has received various accolades, including a Tony Award and a British Academy Film Award, in addition to nominations for two Academy Awards and five Golden Globe Awards. Johansson aspired to be an actress from an early age and first appeared on stage in an Off-Broadway play as a child actor. She made her film debut in the fantasy comedy North (1994), and gained early recognition for her roles in Manny & Lo (1996), The Horse Whisperer (1998), and Ghost World (2001). Johansson shifted to adult roles in 2003 with her performances in Lost in Translation, which won her a BAFTA Award for Best Actress, and Girl with a Pearl Earring. She was nominated for Golden Globe Awards for these films, and for playing a troubled teenager in the drama A Love Song for Bobby Long (2004) and a seductress in psychological thriller Match Point (2005). The latter was her first collaboration with Woody Allen, who later directed her in Scoop (2006) and Vicky Cristina Barcelona (2008). Johansson's other works of this period include The Prestige (2006) and the albums Anywhere I Lay My Head (2008) and Break Up (2009), both of which charted on the Billboard 200. In 2010, Johansson debuted on Broadway in a revival of A View from the Bridge, which won her a Tony Award for Best Featured Actress, and began portraying Black Widow in the Marvel Cinematic Universe film Iron Man 2. She reprised the role in eight films, most recently in her solo feature Black Widow (2021), gaining global recognition for her performances. During this period, Johansson starred in the science fiction films Her (2013), Under the Skin (2013) and Lucy (2014). She received two simultaneous Academy Award nominations—Best Actress and Best Supporting Actress—for the respective roles of an actress going through a divorce in the drama Marriage Story (2019) and a single mother in Nazi Germany in the satire Jojo Rabbit (2019). Labeled a sex symbol, Johansson has been referred to as one of the world's most attractive women by various media outlets. She is a prominent brand endorser and supports several charitable causes. Divorced from actor Ryan Reynolds and businessman Romain Dauriac, Johansson has been married to comedian Colin Jost since 2020. She has two children, one with Dauriac and another with Jost. Early life Johansson was born on November 22, 1984, in the Manhattan borough of New York City. Her father, Karsten Olaf Johansson, is an architect originally from Copenhagen, Denmark. Her paternal grandfather, Ejner Johansson, was an art historian, screenwriter, and film director, whose own father was Swedish. Her mother, Melanie Sloan, a New Yorker, has worked as a producer; she comes from an Ashkenazi Jewish family from Poland and Russia, originally surnamed Schlamberg, and Johansson describes herself as Jewish. She has an older sister, Vanessa, also an actress; an older brother, Adrian; and a twin brother, Hunter. She also has an older half-brother, Christian, from her father's first marriage. Johansson holds dual American and Danish citizenship. She discovered that her maternal great-grandfather's family died during the Holocaust in the Warsaw Ghetto on a 2017 episode of PBS's Finding Your Roots. Johansson attended PS 41, an elementary school in Greenwich Village, Manhattan. Her parents divorced when she was thirteen. She was particularly close to her maternal grandmother, Dorothy Sloan, a bookkeeper and schoolteacher; they often spent time together and Johansson considered Dorothy her best friend. Interested in a career in the spotlight from an early age, Johansson often put on song-and-dance routines for her family. She was particularly fond of musical theater and jazz hands. She took lessons in tap dance, and states that her parents were supportive of her career choice. She has described her childhood as very ordinary. As a child, Johansson practiced acting by staring in the mirror until she made herself cry, wanting to be Judy Garland in Meet Me in St. Louis. At age seven, she was devastated when a talent agent signed one of her brothers instead of her, but she later decided to become an actress anyway. She enrolled at the Lee Strasberg Theatre Institute and began auditioning for commercials, but soon lost interest: "I didn't want to promote Wonder Bread." She shifted her focus to film and theater, making her first stage appearance in the Off-Broadway play Sophistry with Ethan Hawke, in which she had two lines. Around this time, she began studying at Professional Children's School (PCS), a private educational institution for aspiring child actors in Manhattan. Acting career Early work and breakthrough (1994–2002) At age nine, Johansson made her film debut as John Ritter's daughter in the fantasy comedy North (1994). She says that when she was on the film set, she knew intuitively what to do. She later played minor roles such as the daughter of Sean Connery's and Kate Capshaw's characters in the mystery thriller Just Cause (1995), and an art student in If Lucy Fell (1996). Johansson's first leading role was as Amanda, the younger sister of a pregnant teenager who runs away from her foster home in Manny & Lo (1996) alongside Aleksa Palladino and her brother, Hunter. Her performance received positive reviews: one written for the San Francisco Chronicle noted, "[the film] grows on you, largely because of the charm of ... Scarlett Johansson," while critic Mick LaSalle, writing for the same paper, commented on her "peaceful aura", and believed, "If she can get through puberty with that aura undisturbed, she could become an important actress." Johansson earned a nomination for the Independent Spirit Award for Best Lead Female for the role. After appearing in minor roles in Fall and Home Alone 3 (both 1997), Johansson attracted wider attention for her performance in the film The Horse Whisperer (1998), directed by Robert Redford. The drama film, based on the 1995 novel of the same name by Nicholas Evans, tells the story of a trainer with a gift for understanding horses, who is hired to help an injured teenager played by Johansson. The actress received an "introducing" credit on this film, although it was her seventh role. On Johansson's maturity, Redford described her as "13 going on 30". Todd McCarthy of Variety commented that Johansson "convincingly conveys the awkwardness of her age and the inner pain of a carefree girl suddenly laid low by horrible happenstance". For the film, she was nominated for the Chicago Film Critics Association Award for Most Promising Actress. She believed that the film changed many things in her life, realizing that acting is the ability to manipulate one's emotions. On finding good roles as a teenager, Johansson said it was hard for her as adults wrote the scripts and they "portray kids like mall rats and not seriously ... Kids and teenagers just aren't being portrayed with any real depth". Johansson later appeared in My Brother the Pig (1999) and in the neo-noir, Coen brothers film The Man Who Wasn't There (2001). Her breakthrough came playing a cynical outcast in Terry Zwigoff's black comedy Ghost World (2001), an adaptation of Daniel Clowes' graphic novel of the same name. Johansson auditioned for the film via a tape from New York, and Zwigoff believed her to be "a unique, eccentric person, and right for that part". The film premiered at the 2001 Seattle International Film Festival; it was a box office failure, but has since developed a cult status. Johansson was credited with "sensitivity and talent [that] belie her age" by an Austin Chronicle critic, and won a Toronto Film Critics Association Award for Best Supporting Actress for her performance. With David Arquette, Johansson appeared in the horror comedy Eight Legged Freaks (2002), about a collection of spiders that are exposed to toxic waste, causing them to grow to gigantic proportions and begin killing and harvesting. After graduating from Professional Children's School that year, she applied to New York University's Tisch School of the Arts; she decided to focus on her film career when she was rejected. Transition to adult roles (2003–2004) Johansson transitioned from teen to adult roles with two films in 2003: the romantic comedy-drama Lost in Translation and the drama Girl with a Pearl Earring. In the former, directed by Sofia Coppola, she plays Charlotte, a listless and lonely young wife, opposite Bill Murray. Coppola had first noticed Johansson in Manny & Lo, and compared her to a young Lauren Bacall; Coppola based the film's story on the relationship between Bacall and Humphrey Bogart in The Big Sleep (1946). Johansson found the experience of working with a female director different because of Coppola's ability to empathize with her. Made on a budget of $4million, the film grossed $119million at the box office and received critical acclaim. Roger Ebert was pleased with the film and described the lead actors' performances as "wonderful", and Entertainment Weekly wrote of Johansson's "embracing, restful serenity". The New York Times praised Johansson, aged 17 at the time of filming, for playing an older character. In Peter Webber's Girl with a Pearl Earring, which is based on the novel of the same name by Tracy Chevalier, Johansson played Griet, a young 17th-century servant in the household of the Dutch painter Johannes Vermeer (played by Colin Firth). Webber interviewed 150 actors before casting Johansson. Johansson found the character moving, but did not read the novel, as she thought it was better to approach the story with a fresh start. Girl with a Pearl Earring received positive reviews and was profitable. In his review for The New Yorker, Anthony Lane thought that her presence kept the film "alive", writing, "She is often wordless and close to plain onscreen, but wait for the ardor with which she can summon a closeup and bloom under its gaze; this is her film, not Vermeer's, all the way." Owen Gleiberman of Entertainment Weekly noted her "nearly silent performance", remarking, "The interplay on her face of fear, ignorance, curiosity, and sex is intensely dramatic." She was nominated for the BAFTA Award for Best Actress in a Leading Role and Golden Globe Awards for Best Actress for both films in 2003, winning the former for Lost in Translation. In Varietys opinion, Johansson's roles in Lost in Translation and Girl with a Pearl Earring established her as among the most versatile actresses of her generation. Johansson had five releases in 2004, three of which—the teen heist film The Perfect Score, the drama A Love Song for Bobby Long, and the drama A Good Woman—were critical and commercial failures. Co-starring with John Travolta, Johansson played a discontented teenager in A Love Song for Bobby Long, which is based on the novel Off Magazine Street by Ronald Everett Capps. David Rooney of Variety wrote that Johansson's and Travolta's performances rescued the film. Johansson earned a Golden Globe Award for Best Actress in a Drama nomination for the film. In her fourth release in 2004, the live-action animated comedy The SpongeBob SquarePants Movie, Johansson voiced Princess Mindy, the daughter of King Neptune. She agreed to the project because of her love of cartoons, particularly The Ren & Stimpy Show. The film was her most commercially successful release that year. She would then reprise her role as Mindy in the video game adaptation of the film. She followed it with In Good Company, a comedy-drama in which she complicates the life of her father when she dates his much younger boss. Reviews of the film were generally positive, describing it as "witty and charming". Roger Ebert was impressed with Johansson's portrayal, writing that she "continues to employ the gravitational pull of quiet fascination". Collaborations with Woody Allen (2005–2009) Johansson played Nola, an aspiring actress who begins an affair with a married man (played by Jonathan Rhys Meyers) in Woody Allen's drama Match Point in 2005. After replacing Kate Winslet with Johansson for the role, Allen changed the character's nationality from British to American. An admirer of Allen's films, Johansson liked the idea of working with him, but felt nervous her first day on the set. The New York Times was impressed with the performances of Johansson and Rhys Meyers, and Mick LaSalle, writing for the San Francisco Chronicle, stated that Johansson "is a powerhouse from the word go", with a performance that "borders on astonishing". The film, a box office success, earned Johansson nominations for the Golden Globe and the Chicago Film Critics Association Award for Best Supporting Actress. Also that year, Johansson underwent a tonsillectomy, after which she starred with Ewan McGregor in Michael Bay's science fiction film The Island, in dual roles as Sarah Jordan and her clone, Jordan Two Delta. Johansson found her filming schedule exhausting: she had to shoot for 14 hours a day, and she hit her head and injured herself. The film received mixed reviews and grossed $163million against a $126million budget. Two of Johansson's films in 2006 explored the world of stage magicians, both opposite Hugh Jackman. Allen cast her opposite Jackman and himself in the film Scoop (2006), in which she played a journalism student. The film was a modest worldwide box office success, but polarized critics. Ebert was critical of the film, but found Johansson "lovely as always", and Mick LaSalle noted the freshness she brought to her part. She also appeared in Brian De Palma's The Black Dahlia, a film noir shot in Los Angeles and Bulgaria. Johansson later said she was a fan of DePalma and had wanted to work with him on the film, but thought that she was unsuitable for the part. Anne Billson of The Daily Telegraph likewise found her miscast. However, CNN said that she "takes to the pulpy period atmosphere as if it were oxygen". Also in 2006, Johansson starred in the short film When the Deal Goes Down to accompany Bob Dylan's song "When the Deal Goes Down..." from the album Modern Times. Johansson had a supporting role of assistant and lover of Jackman's character, an aristocratic magician, in Christopher Nolan's mystery thriller The Prestige (2006). Nolan thought Johansson possessed "ambiguity" and "a shielded quality". She was fascinated with Nolan's directing methods and liked working with him. The film was a critical and box office success, recommended by the Los Angeles Times as "an adult, provocative piece of work". Some critics were skeptical of her performance: Billson again judged her miscast, and Dan Jolin of Empire criticized her English accent. Johansson's sole release of 2007 was the critically panned comedy-drama The Nanny Diaries alongside Chris Evans and Laura Linney, in which she played a college graduate working as a nanny. Reviews of her performance were mixed; Variety wrote, "[She] essays an engaging heroine", and The New Yorker criticized her for looking "merely confused" while "trying to give the material a plausible emotional center". In 2008, Johansson starred, with Natalie Portman and Eric Bana, in The Other Boleyn Girl, which also earned mixed reviews. Promoting the film, Johansson and Portman appeared on the cover of W, discussing with the magazine the public's reception of them. In Rolling Stone, Pete Travers criticized the film for "[moving] in frustrating herks and jerks", but thought that the duo were the only positive aspect of the production. Variety credited the cast as "almost flawless ... at the top of its game", citing "Johansson's quieter Mary ... as the [film's] emotional center". In her third collaboration with Woody Allen, the romantic comedy-drama Vicky Cristina Barcelona (2008), which was filmed in Spain, Johansson plays one of the love interests of Javier Bardem's character alongside Penélope Cruz. The film was one of Allen's most profitable and received favorable reviews. A reviewer in Variety described Johansson as "open and malleable" compared to the other actors. She also played the femme fatale Silken Floss in The Spirit, based on the newspaper comic strip of the same name by Will Eisner. It received poor reviews from critics, who deemed it melodramatic, unoriginal, and sexist. Johansson's only role in 2009 was as Anna Marks, a yoga instructor, in the ensemble comedy-drama He's Just Not That into You (2009). The film was released to tepid reviews, but was a box office success. Marvel Cinematic Universe and worldwide recognition (2010–2013) Aspiring to appear on Broadway since childhood, Johansson made her debut in a 2010 revival of Arthur Miller's drama A View from the Bridge. Set in the 1950s in an Italian-American neighborhood in New York, it tells the tragic tale of Eddie (Liev Schreiber), who has an inappropriate love for his wife's orphaned niece, Catherine (Johansson). After initial reservations about playing a teenage character, Johansson was convinced by a friend to take on the part. Ben Brantley of The New York Times wrote Johansson "melts into her character so thoroughly that her nimbus of celebrity disappears". Varietys David Rooney was impressed with the play and Johansson in particular, describing her as the chief performer. She won the 2010 Tony Award for Best Performance by a Featured Actress in a Play. Some critics and Broadway actors criticized the award committee's decision to reward the work of mainstream Hollywood actors, including Johansson. In response, she said that she understood the frustration, but had worked hard for her accomplishments. Johansson played Black Widow in Jon Favreau's Iron Man 2 (2010), a part of the Marvel Cinematic Universe (MCU). Before she secured the role, she dyed her hair red to convince Favreau that she was right for the part, and undertook stunt and strength training to prepare for the role. Johansson said the character resonated with her, and she admired the superhero's human traits. The film earned $623.9million against its $200million budget, and received generally positive reviews from critics, although reviewers criticized how her character was written. Tim Robey of The Daily Telegraph and Matt Goldberg thought that she had little to do but look attractive. In 2011, Johansson played the role of Kelly, a zookeeper in the family film We Bought a Zoo alongside Matt Damon. The film got mainly favorable reviews, and Anne Billson praised Johansson for bringing depth to a rather uninteresting character. Johansson earned a Teen Choice Award for Choice Movie Actress: Drama nomination for her performance. Johansson learned some Russian from a former teacher on the phone for her role as Black Widow in The Avengers (2012), another entry from the MCU. The film received mainly positive reviews and broke many box office records, becoming the third highest-grossing film both in the United States and worldwide. For her performance, she was nominated for two Teen Choice Awards and three People's Choice Awards. Later that year, Johansson portrayed actress Janet Leigh in Sacha Gervasi's Hitchcock, a behind-the-scenes drama about the making of Alfred Hitchcock's 1960 film Psycho. Roger Ebert wrote that Johansson did not look much like Leigh, but conveyed her spunk, intelligence, and sense of humor. In January 2013, Johansson starred in a Broadway revival of Cat on a Hot Tin Roof, directed by Rob Ashford. Set in the Mississippi Delta, it examines the relationships within the family of Big Daddy (Ciarán Hinds), primarily between his son Brick (Benjamin Walker) and Maggie (Johansson). Her performance received mixed reviews. Entertainment Weeklys Thom Geier wrote Johansson "brings a fierce fighting spirit" to her part, but Joe Dziemianowicz from Daily News called her performance "alarmingly one-note". The 2013 Sundance Film Festival hosted the premiere of Joseph Gordon-Levitt's directorial debut, Don Jon. In this romantic comedy-drama, she played the pornography-addicted title character's girlfriend. Gordon-Levitt wrote the role for Johansson, who had previously admired his acting work. The film received positive reviews and Johansson's performance was highlighted by critics. Claudia Puig of USA Today considered it to be one of her best performances. In 2013, Johansson voiced the character Samantha, a self-aware computer operating system, in Spike Jonze's film Her, replacing Samantha Morton in the role. The film premiered at the 8th Rome International Film Festival, where Johansson won Best Actress; she was also nominated for the Critics' Choice Movie Award for Best Supporting Actress. Johansson was intimidated by the role's complexity, and found her recording sessions for the role challenging but liberating. Peter Travers believed Johansson's voice in the film was "sweet, sexy, caring, manipulative, scary [and] award-worthy". Times Richard Corliss called her performance "seductive and winning", and Her was rated as one of the best films of 2013. She also won the Saturn Award for Best Supporting Actress at the 40th Saturn Awards in 2014 for her performance. Johansson was cast in Jonathan Glazer's science fiction film Under the Skin (2013) as an extraterrestrial creature disguised as a human femme fatale who preys on men in Scotland. The project, an adaptation of Michel Faber's novel of the same name, took nine years to complete. For the role, she learned to drive a van and speak in an English accent. Johansson improvised conversations with non-professional actors on the street, who did not know they were being filmed. It was released to generally positive reviews, with particular praise for Johansson. Erin Whitney, writing for The Huffington Post, considered it to be her finest performance to that point, and noted that it was her first fully nude role. Author Maureen Foster wrote, "How much depth, breadth, and range Johansson mines from her character's very limited allowance of emotional response is a testament to her acting prowess that is, as the film goes on, increasingly stunning." It earned Johansson a BIFA Award for Best Performance by an Actress in a British Independent Film nomination. Blockbuster films and critical acclaim (2014–2020) Continuing her work in the MCU, Johansson reprised her role as Black Widow in Captain America: The Winter Soldier (2014). In the film, she joins forces with Captain America (Chris Evans) and Falcon (Anthony Mackie) to uncover a conspiracy within S.H.I.E.L.D., while facing a mysterious assassin known as the Winter Soldier. Johansson and Evans wrote their own dialogue for several scenes they had together. Johansson was attracted to her character's way of doing her job, employing her feminine wiles and not her physical appeal. The film was a critical and commercial success, grossing over $714million worldwide. Critic Odie Henderson saw "a genuine emotional shorthand at work, especially from Johansson, who is excellent here". The role earned her a Saturn Award for Best Supporting Actress nomination. Johansson played a supporting role in the film Chef (2014), alongside Robert Downey, Jr., Sofía Vergara, and director Jon Favreau. It grossed over $45million at the box office and was well received by critics. The Chicago Sun-Times writer Richard Roeper found the film "funny, quirky and insightful, with a bounty of interesting supporting characters". In Luc Besson's science fiction action film Lucy (2014), Johansson starred as the title character, who gains psychokinetic abilities when a nootropic drug is absorbed into her bloodstream. Besson discussed the role with several actresses, and cast Johansson based on her strong reaction to the script and her discipline. Critics generally praised the film's themes, visuals, and Johansson's performance; some found the plot nonsensical. IGN's Jim Vejvoda attributed the film's success to her acting and Besson's style. The film grossed $458million on a budget of $40million to become the 18th highest-grossing film of 2014. In 2015 and 2016, Johansson again played Black Widow in the MCU films Avengers: Age of Ultron and Captain America: Civil War. During filming of the former, a mixture of close-ups, concealing costumes, stunt doubles and visual effects were used to hide her pregnancy. Both films earned more than $1.1billion, ranking among the highest-grossing films of all time. For Civil War, Johansson earned her second nomination for Critics' Choice Movie Award for Best Actress in an Action Movie and her fourth for Saturn Award for Best Supporting Actress. Earlier in 2016, Johansson had featured in the Coen brothers' well-received comedy film Hail, Caesar! about a "fixer" working in the classical Hollywood cinema, trying to discover what happened to a cast member who vanished during the filming of a biblical epic; Johansson plays an actress who becomes pregnant while her film is in production. She also voiced Kaa in Jon Favreau's live-action adaptation of Disney's The Jungle Book, and Ash in the animated musical comedy film Sing (both 2016). That year she also narrated an audiobook of Lewis Carroll's children's novel Alice's Adventures in Wonderland. Johansson played Motoko Kusanagi in Rupert Sanders's 2017 film adaptation of the Ghost in the Shell franchise. The film was praised for its visual style, acting, and cinematography, but was the subject of controversy for whitewashing the cast, particularly Johansson's character, a cyborg who was meant to hold the memories of a Japanese woman. Responding to the backlash, the actress asserted she would never play a non-white character, but wanted to take the rare opportunity to star in a female-led franchise. Ghost in the Shell grossed $169.8million worldwide against a production budget of $110million. In March 2017, Johansson hosted Saturday Night Live for the fifth time, making her the 17th person, and the fourth woman, to enter the NBC sketch comedy's prestigious Five-Timers Club. Johansson's next 2017 film was the comedy Rough Night, where she played Jess Thayer, one of the five friends—alongside Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz—whose bachelorette party goes wrong after a male stripper dies. The film had a mixed critical reception and moderate box office returns. In 2018, Johansson voiced show dog Nutmeg in Wes Anderson's stop-motion animated film Isle of Dogs, released in March, and reprised her MCU role as Black Widow in Avengers: Infinity War, which followed the next month. Johansson was due to star in Rub & Tug, a biographical film in which she would have played Dante "Tex" Gill, a transgender man who operated a massage parlor and prostitution ring in the 1970s and 1980s. She dropped out of the project following backlash to the casting of a cisgender woman to play a transgender man. In 2019, Johansson once again reprised her role as Black Widow in Avengers: Endgame, which is the highest-grossing film of all time. She next starred in Noah Baumbach's Netflix film Marriage Story, in which Adam Driver and she played a warring couple who file for divorce. Johansson found a connection with her character, as she was amid her own divorce proceedings at the time. Peter Bradshaw of The Guardian commended her "brilliantly textured" performance in it. She also took on the supporting role of a young boy's mother who shelters a Jewish girl in Nazi Germany in Taika Waititi's satire Jojo Rabbit. Waititi modeled the character on his own mother, and cast Johansson to provide her a rare opportunity to perform comedy. The film received polarizing reviews, but Stephanie Zacharek labeled her the "lustrous soul of the movie". Johansson received her first two Academy Award nominations, for Best Actress and Best Supporting Actress for her performances in Marriage Story and Jojo Rabbit, respectively, becoming the eleventh performer to be nominated for two Oscars in the same year. She also received two BAFTA nominations for these films, and a Golden Globe nomination for the former. Black Widow and lawsuit (2021–present) After a one-year screen absence, Johansson reprised her role as Black Widow in her own solo prequel film in 2021, on which she also served as an executive producer. Also starring Florence Pugh, the film is set after the events of Captain America: Civil War, and sees Johansson's character on the run and forced to confront her past. Director Cate Shortland, who wanted to make a standalone film on her character, watched Johansson's previous appearances as Black Widow to prepare. Johansson felt proud of the film and that her work playing the role was now complete. She saw this as an opportunity to show her character's ability to be on her own and make choices for herself while facing difficult times, and noted that her vulnerability distinguished her from other Avengers. Critics were generally favorable in their reviews of the film, mainly praising Johansson and Pugh's performances. In a review published in The Hollywood Reporter, David Rooney thought the film was "a stellar vehicle" for Johansson. Pete Hammond of Deadline Hollywood found the actress "again a great presence in the role, showing expert action and acting chops throughout". For the film, Johansson won The Female Movie Star of 2021 at the 47th People's Choice Awards. In July 2021, Johansson filed a lawsuit against Disney claiming that the simultaneous release of Black Widow on their streaming service Disney+ breached a clause in her contract that the film receive exclusive theatrical release. She alleged that the release on Disney+ exempted her from receiving additional bonus from box-office profits, to which she was entitled. In response, Disney said her lawsuit showed an indifference to the "horrific and prolonged" effects of the COVID-19 pandemic. The company also stated that Johansson already received $20million for the film and that the Disney+ Premier Access release would only earn her additional compensation. The Hollywood Reporter described Disney's response as "aggressive". Accusing Disney of intentionally violating their contract with Johansson, Creative Artists Agency co-chairman Bryan Lourd criticized the company for falsely portraying Johansson as insensitive to the effects of the pandemic, which he considered a "direct attack on her character". Lourd further stated that the company including her salary in their public statement was to try to "weaponize her success as an artist and businesswoman". Later that September, both parties announced that they had resolved their dispute, with the terms of the settlement remaining undisclosed. Music career In 2006, Johansson sang the track "Summertime" for Unexpected DreamsSongs From the Stars, a non-profit collection of songs recorded by Hollywood actors. She performed with the Jesus and Mary Chain for a Coachella reunion show in Indio, California, in April 2007. The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for "What Goes Around... Comes Around", which was nominated for an MTV Video Music Award for Video of the Year. In May 2008, Johansson released her debut album Anywhere I Lay My Head, which consists of one original song and ten cover versions of Tom Waits songs, and features David Bowie and members from the Yeah Yeah Yeahs and Celebration. Reviews of the album were mixed. Spin was not particularly impressed with Johansson's singing. Some critics found it to be "surprisingly alluring", "a bravely eccentric selection", and "a brilliant album" with "ghostly magic". NME named the album the "23rd best album of 2008", and it peaked at number126 on the Billboard 200. Johansson started listening to Waits when she was 11 or 12 years old, and said of him, "His melodies are so beautiful, his voice is so distinct and I had my own way of doing Tom Waits songs." In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot. The album reached number 41 in the US. In 2010, Steel Train released Terrible Thrills Vol.1, which includes their favorite female artists singing songs from their self-titled album. Johansson is the first artist on the album, singing "Bullet". Johansson sang "One Whole Hour" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010). and in 2012 sang on a J.Ralph track entitled "Before My Time" for the end credits of the climate documentary Chasing Ice (2012) In February 2015, Johansson formed a band called the Singles with Este Haim from HAIM, Holly Miranda, Kendra Morris, and Julia Haltigan. The group's first single was called "Candy". Johansson was issued a cease and desist order from the lead singer of the Los Angeles-based rock band the Singles, demanding she stop using their name. In 2016, she performed "Trust in Me" for The Jungle Book soundtrack and "Set It All Free" and "I Don't Wanna" for Sing: Original Motion Picture Soundtrack. In 2018, Johansson collaborated with Pete Yorn again for an EP titled Apart, released June 1. Public image Johansson has been called "ScarJo" by the media and fans, and dislikes being called this, finding it lazy, flippant and insulting. She has no social media profiles, saying she does not see the need "to continuously share details of [her] everyday life." Johansson is described as a sex symbol by the media. The Sydney Morning Herald describes her as "the embodiment of male fantasy". During the filming of Match Point, director Woody Allen remarked upon her attractiveness, calling her "beautiful" and "sexually overwhelming". In 2014, The New Yorker film critic Anthony Lane wrote that "she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation." Johansson has expressed displeasure at being sexualized, and maintains that a preoccupation with one's attractiveness does not last. She lost the role of Lisbeth Salander in The Girl with the Dragon Tattoo (2011), because the film's director David Fincher found her "too sexy" for the part. Johansson ranks highly in several beauty listings. Maxim included her in their Hot 100 list from 2006 to 2014. She has been named "Sexiest Woman Alive" twice by Esquire (2006 and 2013), and has been included in similar listings by Playboy (2007), Men's Health (2011), and FHM (since 2005). She was named GQs Babe of the Year in 2010. Madame Tussauds New York museum unveiled a wax statue of her in 2015. Johansson was invited to join the Academy of Motion Picture Arts and Sciences in June 2004. In 2006, she appeared on Forbes Celebrity 100 list, and again in 2014, 2015, 2018 and 2019. She received a star on the Hollywood Walk of Fame in May 2012. In 2021, she appeared on the Time 100, Times annual list of the 100 most influential people in the world. Johansson was included on Forbes annual list of the world's highest-paid actresses from 2014 to 2016, with respective earnings of $17million, $35.5million and $25million. She would later top the list in 2018 and 2019, with earnings of $40.5million and $56million, respectively. She was the highest-grossing actor of 2016, with a total of $1.2billion. As a result, IndieWire credited her for taking on risky roles. , her films have grossed over  billion in North America and over  billion worldwide, making Johansson the third-highest-grossing box-office star of all time both domestically and worldwide as well as the highest-grossing actress of all time in North America. Johansson has appeared in advertising campaigns for Calvin Klein, Dolce & Gabbana, L'Oréal, and Louis Vuitton, and has represented the Spanish brand Mango since 2009. She was the first Hollywood celebrity to represent a champagne producer, appearing in advertisements for Moët & Chandon. In January 2014, the Israeli company SodaStream, which makes home-carbonation products, hired Johansson as its first global brand ambassador, a relationship that commenced with a television commercial during Super Bowl XLVIII on February 2, 2014. This created some controversy, as SodaStream at that time operated a plant in Israeli-occupied territory in the West Bank. Personal life While attending PCS, Johansson dated classmate Jack Antonoff from 2001 to 2002. She dated her Black Dahlia co-star Josh Hartnett for about two years until the end of 2006. Hartnett said they broke up because their busy schedules kept them apart. Johansson began dating Canadian actor Ryan Reynolds in 2007. They became engaged in May 2008, married in September 2008 on Vancouver Island, separated in December 2010 and divorced in July 2011. In November 2012, Johansson began dating Frenchman Romain Dauriac, the owner of an advertising agency. They became engaged the following September. The pair divided their time between New York City and Paris. She gave birth to their daughter, Rose Dorothy Dauriac, in 2014. Johansson and Dauriac married that October in Philipsburg, Montana. They separated in mid-2016 and divorced in September 2017. Johansson began dating Saturday Night Live co-head writer and Weekend Update co-host Colin Jost in May 2017. In May 2019, the two were engaged. They married in October 2020, at their New York home. She gave birth to their son, Cosmo, in August 2021. Johansson resides in New York and Los Angeles. In September 2011, nude photographs of Johansson hacked from her cell phone were leaked online. She said the pictures had been sent to her then-husband, Ryan Reynolds, three years before the incident. Following an FBI investigation, the hacker was arrested, pleaded guilty, and was sentenced to ten years in prison. In 2014, Johansson won a lawsuit against French publisher JC Lattès over defamatory statements about her relationships in the novel The First Thing We Look At by Grégoire Delacourt. She was awarded $3,400; she had claimed $68,000. Johansson has criticized the media for promoting an image that causes unhealthy diets and eating disorders among women. In an essay she wrote for The Huffington Post, she encouraged people to maintain a healthy body. She posed nude on the March 2006 cover of Vanity Fair alongside actress Keira Knightley and fully clothed fashion designer Tom Ford, who jumped in last minute on the day of the shoot to replace Rachel McAdams after she walked out. The photograph sparked controversy, as some believed it demonstrated that women are forced to flaunt their sexuality more often than men. Other ventures Philanthropy Johansson has supported various charitable organizations, including Aid Still Required, Cancer Research UK, Stand Up To Cancer, Too Many Women (which works against breast cancer), and USA Harvest, which provides food for people in need. In 2005, Johansson became a global ambassador for the aid and development agency Oxfam. In 2007, she took part in the anti-poverty campaign ONE, which was organized by U2's lead singer Bono. In March 2008, a UK-based bidder paid £20,000 on an eBay auction to benefit Oxfam, winning a hair and makeup treatment, a pair of tickets, and a chauffeured trip to accompany her on a 20-minute date to the world premiere of He's Just Not That into You. In January 2014, Johansson resigned from her Oxfam position after criticism of her promotion of SodaStream, whose main factory was based in Mishor Adumim, an Israeli settlement in the West Bank; Oxfam opposes all trade with such Israeli settlements. Oxfam stated that it was thankful for her contributions in raising funds to fight poverty. Together with her Avengers costars, Johansson raised $500,000 for the victims of Hurricane Maria. In 2018, she collaborated with 300 women in Hollywood to set up the Time's Up initiative to protect women from harassment and discrimination. Johansson took part in the Women's March in Los Angeles in January 2018, where she spoke on topics such as abuses of power, sharing her own experience. She received backlash for calling out fellow actor James Franco on allegations of sexual misconduct as in the past she had defended working with Woody Allen amid an accusation by his daughter Dylan Farrow. Johansson has given support to Operation Warrior Wellness, a division of the David Lynch Foundation that helps veterans learn Transcendental Meditation. Her grand-uncle, Phillip Schlamberg, was the last American pilot to have been killed during WWII. He had gone on a bombing mission with Jerry Yellin, who went on to become co-founder of Operation Warrior Wellness. Politics Johansson was registered as an independent, at least through 2008, and campaigned for Democratic candidate John Kerry in the 2004 United States presidential election. When George W. Bush was re-elected in 2004, she said she was disappointed. In January 2008, her campaign for Democratic candidate Barack Obama included appearances in Iowa targeted at younger voters, an appearance at Cornell College, and a speaking engagement at Carleton College in Northfield, Minnesota, on Super Tuesday, 2008. Johansson appeared in the music video for rapper will.i.am's song, "Yes We Can" (2008), directed by Jesse Dylan; the song was inspired by Obama's speech after the 2008 New Hampshire primary. In February 2012, Johansson and Anna Wintour hosted a fashion launch of pro-Obama clothing, bags, and accessories, the proceeds of which went to the President's re-election campaign. She addressed voters at the Democratic National Convention in September 2012, calling for Obama's re-election and for more engagement from young voters. She encouraged women to vote for Obama and condemned Mitt Romney for his opposition to Planned Parenthood. Johansson publicly endorsed and supported Manhattan Borough President Scott Stringer's 2013 run for New York City Comptroller by hosting a series of fundraisers. To encourage people to vote in the 2016 presidential election, in which Johansson endorsed Hillary Clinton, she appeared in a commercial alongside her Marvel Cinematic Universe co-star Robert Downey Jr., and Joss Whedon. In 2017, she spoke at the Women's March on Washington, addressing Donald Trump's presidency and stating that she would support the president if he works for women's rights and stops withdrawing federal funding for Planned Parenthood. In the 2020 Democratic presidential primaries, Johansson endorsed Elizabeth Warren, referring to Warren as "thoughtful and progressive but realistic". In December 2020, three members of the Egyptian Initiative for Personal Rights, an Egyptian civil rights organization, were released from prison in Egypt, after Johansson had described their detention circumstances and demanded the trio's release. Notes See also List of actors nominated for two Academy Awards in the same year References Further reading External links 20th-century American actresses 21st-century American actresses 21st-century American women singers 21st-century American singers 1984 births Actresses from New York City American child actresses American film actresses American people of Danish descent American people of Polish-Jewish descent American people of Russian-Jewish descent American people of Swedish descent American stage actresses American voice actresses American women film producers Atco Records artists Best Actress BAFTA Award winners César Honorary Award recipients Danish people of Polish-Jewish descent Danish people of Russian-Jewish descent Danish people of Swedish descent Female models from New York (state) Fraternal twin actresses Jewish American actresses Jewish singers Lee Strasberg Theatre and Film Institute alumni Living people Method actors People from Manhattan Theatre World Award winners Time 100 Tony Award winners Twin people from the United States
true
[ "Orawee Sujjanon (, sometimes Sutjahnon, Satchanont, or Sajjanont; ) (born 9 March 1965) is a Thai lukgrung singer who has the alias \"the singer with voice like a bell\" (thai:นักร้องเสียงระฆังเเก้ว). Her nickname is Lek (Thai :เล็ก). Popularly known as Lek Orawee, she was born in Phrasamutchedi District, Samutprakan Province, Thailand. Her family are of Thai-Chinese nationality and her home is in Phasamutjade, Samutprakan. She graduated from Pranakorn Rajabhat University in 2003.\n\nHistory\nShe started singing at the Prasamutjadee festival with the songs of Pongsri Woranut such as Ginkhangandnompric, Oonjan and Saligakuentin. While she was studying grade 7, she came second in a singing contest with the Traweancaydan song by Jintana Suksathit. It was this contest that inspired her to be a singer.\n\nWhen she studied grade 10 at Horwang School, she had the occasion to sing at Happy Land amusement park where she received an award in 1980. And there was an award about her singing as the best singer of Thailand in 1982.\n\nIn the past, the condition of the singing contest was limited by age but she decided to compete. The singing contest had many challengers, and it that made the contest higher rating of competition. Finally, she got the reward from this contest by herself, she was a singer.\n\nWhen she was a singer, she worked together with famous artists and singers such as Reward, Yuemai, Tanis Sriglindee and Surachai Junthimatorn until she was herself famous.\n\nShe has more than 100 songs from 1988 to 2014.\n\nAchievements\nShe is an accomplished songwriter who has more than one hundred songs. Her albums have earned over 10 million bhat. Some of her most famous albums are Sanam Arom, Measai and Suangean.\n\nConcert\nHer concert was arranged with embellishment in 2007, and her concert name is “The sweet song in downtown Concert” (Thai: เพลงหวานกลางกรุง). This concert had more than 30 songs in 3 hours and she was joined by special artists such as Sombat Metanee, Wongjun Prirote and Odd Kiriboon.\n\nAwards\n Best Singer from Mizzubishi? (1981)\n Best Singer from Thailand singing contest (1983)\n Best Singer from Gold Award (1992)\n Immortal woman of singer (1997, 1998)\n Malaithong award from remake of old songs (2005)\n\nExternal links \n Official website\n GMMstar.com\n\n1966 births\nLiving people\nOrawee Sujjanon\nOrawee Sujjanon\nOrawee Sujjanon", "\"Cinta Terhalang\" (translation: Inhibited Love) is a song performed by Malaysian singer Bob, who rose to prominence by placing fifth in the second season of Akademi Fantasia. The song, which was released in May 2008, serves as the first single of his upcoming untitled album.\n\nSong dispute \nIn the fourth concert of Akademi Fantasia, Season 6, Stacy was given the song as a reward for her consistent performance throughout the first four-week of the season. Thus, when the song is released as a single by Bob in May 2008, it created a controversy about the original singer of the song.\n\nBob claimed that the song was given by him firsthand by the original composer Sharon Paul. According to Sharon, the song was long ago sent to Astro to be given to any artist under the label. However, no response was given and thus, she decided to give the song to Bob to be recorded for his new album.\n\nNevertheless, Stacy's version was slightly altered in comparison to the original composition given to Bob. Sharon has also purposely changed the title to Cinta Khayalan for Stacy's version.\n\nSingle release \nThe song was released to radio stations across Malaysia in May 2008.\n\nTrack listing \n \"Cinta Terhalang [Studio Version]\" – 3:57\n\nAward\n\n2008 \nIn November 2008, the single was chosen to compete in Ballad Semi-finalist in Anugerah Juara Lagu 2008. Despite not making it to the final, Bob performed his very best and gave a heated competition to the other songs that he was competing with.\n\nReferences \n\n2008 singles\nStacy (singer) songs\n2008 songs\nPop songs" ]
[ "Scarlett Ingrid Johansson (; born November 22, 1984) is an American actress. The world's highest-paid actress in 2018 and 2019, she has featured multiple times on the Forbes Celebrity 100 list. Her films have grossed over  billion worldwide, making Johansson the ninth-highest-grossing box office star of all time. She has received various accolades, including a Tony Award and a British Academy Film Award, in addition to nominations for two Academy Awards and five Golden Globe Awards.", "She has received various accolades, including a Tony Award and a British Academy Film Award, in addition to nominations for two Academy Awards and five Golden Globe Awards. Johansson aspired to be an actress from an early age and first appeared on stage in an Off-Broadway play as a child actor. She made her film debut in the fantasy comedy North (1994), and gained early recognition for her roles in Manny & Lo (1996), The Horse Whisperer (1998), and Ghost World (2001).", "She made her film debut in the fantasy comedy North (1994), and gained early recognition for her roles in Manny & Lo (1996), The Horse Whisperer (1998), and Ghost World (2001). Johansson shifted to adult roles in 2003 with her performances in Lost in Translation, which won her a BAFTA Award for Best Actress, and Girl with a Pearl Earring.", "Johansson shifted to adult roles in 2003 with her performances in Lost in Translation, which won her a BAFTA Award for Best Actress, and Girl with a Pearl Earring. She was nominated for Golden Globe Awards for these films, and for playing a troubled teenager in the drama A Love Song for Bobby Long (2004) and a seductress in psychological thriller Match Point (2005). The latter was her first collaboration with Woody Allen, who later directed her in Scoop (2006) and Vicky Cristina Barcelona (2008).", "The latter was her first collaboration with Woody Allen, who later directed her in Scoop (2006) and Vicky Cristina Barcelona (2008). Johansson's other works of this period include The Prestige (2006) and the albums Anywhere I Lay My Head (2008) and Break Up (2009), both of which charted on the Billboard 200.", "Johansson's other works of this period include The Prestige (2006) and the albums Anywhere I Lay My Head (2008) and Break Up (2009), both of which charted on the Billboard 200. In 2010, Johansson debuted on Broadway in a revival of A View from the Bridge, which won her a Tony Award for Best Featured Actress, and began portraying Black Widow in the Marvel Cinematic Universe film Iron Man 2.", "In 2010, Johansson debuted on Broadway in a revival of A View from the Bridge, which won her a Tony Award for Best Featured Actress, and began portraying Black Widow in the Marvel Cinematic Universe film Iron Man 2. She reprised the role in eight films, most recently in her solo feature Black Widow (2021), gaining global recognition for her performances. During this period, Johansson starred in the science fiction films Her (2013), Under the Skin (2013) and Lucy (2014).", "During this period, Johansson starred in the science fiction films Her (2013), Under the Skin (2013) and Lucy (2014). She received two simultaneous Academy Award nominations—Best Actress and Best Supporting Actress—for the respective roles of an actress going through a divorce in the drama Marriage Story (2019) and a single mother in Nazi Germany in the satire Jojo Rabbit (2019). Labeled a sex symbol, Johansson has been referred to as one of the world's most attractive women by various media outlets.", "Labeled a sex symbol, Johansson has been referred to as one of the world's most attractive women by various media outlets. She is a prominent brand endorser and supports several charitable causes. Divorced from actor Ryan Reynolds and businessman Romain Dauriac, Johansson has been married to comedian Colin Jost since 2020. She has two children, one with Dauriac and another with Jost. Early life Johansson was born on November 22, 1984, in the Manhattan borough of New York City.", "Early life Johansson was born on November 22, 1984, in the Manhattan borough of New York City. Her father, Karsten Olaf Johansson, is an architect originally from Copenhagen, Denmark. Her paternal grandfather, Ejner Johansson, was an art historian, screenwriter, and film director, whose own father was Swedish. Her mother, Melanie Sloan, a New Yorker, has worked as a producer; she comes from an Ashkenazi Jewish family from Poland and Russia, originally surnamed Schlamberg, and Johansson describes herself as Jewish.", "Her mother, Melanie Sloan, a New Yorker, has worked as a producer; she comes from an Ashkenazi Jewish family from Poland and Russia, originally surnamed Schlamberg, and Johansson describes herself as Jewish. She has an older sister, Vanessa, also an actress; an older brother, Adrian; and a twin brother, Hunter. She also has an older half-brother, Christian, from her father's first marriage. Johansson holds dual American and Danish citizenship.", "Johansson holds dual American and Danish citizenship. Johansson holds dual American and Danish citizenship. She discovered that her maternal great-grandfather's family died during the Holocaust in the Warsaw Ghetto on a 2017 episode of PBS's Finding Your Roots. Johansson attended PS 41, an elementary school in Greenwich Village, Manhattan. Her parents divorced when she was thirteen. She was particularly close to her maternal grandmother, Dorothy Sloan, a bookkeeper and schoolteacher; they often spent time together and Johansson considered Dorothy her best friend.", "She was particularly close to her maternal grandmother, Dorothy Sloan, a bookkeeper and schoolteacher; they often spent time together and Johansson considered Dorothy her best friend. Interested in a career in the spotlight from an early age, Johansson often put on song-and-dance routines for her family. She was particularly fond of musical theater and jazz hands. She took lessons in tap dance, and states that her parents were supportive of her career choice. She has described her childhood as very ordinary.", "She has described her childhood as very ordinary. She has described her childhood as very ordinary. As a child, Johansson practiced acting by staring in the mirror until she made herself cry, wanting to be Judy Garland in Meet Me in St. Louis. At age seven, she was devastated when a talent agent signed one of her brothers instead of her, but she later decided to become an actress anyway.", "At age seven, she was devastated when a talent agent signed one of her brothers instead of her, but she later decided to become an actress anyway. She enrolled at the Lee Strasberg Theatre Institute and began auditioning for commercials, but soon lost interest: \"I didn't want to promote Wonder Bread.\" She shifted her focus to film and theater, making her first stage appearance in the Off-Broadway play Sophistry with Ethan Hawke, in which she had two lines.", "She shifted her focus to film and theater, making her first stage appearance in the Off-Broadway play Sophistry with Ethan Hawke, in which she had two lines. Around this time, she began studying at Professional Children's School (PCS), a private educational institution for aspiring child actors in Manhattan. Acting career Early work and breakthrough (1994–2002) At age nine, Johansson made her film debut as John Ritter's daughter in the fantasy comedy North (1994).", "Acting career Early work and breakthrough (1994–2002) At age nine, Johansson made her film debut as John Ritter's daughter in the fantasy comedy North (1994). She says that when she was on the film set, she knew intuitively what to do. She later played minor roles such as the daughter of Sean Connery's and Kate Capshaw's characters in the mystery thriller Just Cause (1995), and an art student in If Lucy Fell (1996).", "She later played minor roles such as the daughter of Sean Connery's and Kate Capshaw's characters in the mystery thriller Just Cause (1995), and an art student in If Lucy Fell (1996). Johansson's first leading role was as Amanda, the younger sister of a pregnant teenager who runs away from her foster home in Manny & Lo (1996) alongside Aleksa Palladino and her brother, Hunter.", "Johansson's first leading role was as Amanda, the younger sister of a pregnant teenager who runs away from her foster home in Manny & Lo (1996) alongside Aleksa Palladino and her brother, Hunter. Her performance received positive reviews: one written for the San Francisco Chronicle noted, \"[the film] grows on you, largely because of the charm of ... Scarlett Johansson,\" while critic Mick LaSalle, writing for the same paper, commented on her \"peaceful aura\", and believed, \"If she can get through puberty with that aura undisturbed, she could become an important actress.\"", "Her performance received positive reviews: one written for the San Francisco Chronicle noted, \"[the film] grows on you, largely because of the charm of ... Scarlett Johansson,\" while critic Mick LaSalle, writing for the same paper, commented on her \"peaceful aura\", and believed, \"If she can get through puberty with that aura undisturbed, she could become an important actress.\" Johansson earned a nomination for the Independent Spirit Award for Best Lead Female for the role.", "Johansson earned a nomination for the Independent Spirit Award for Best Lead Female for the role. After appearing in minor roles in Fall and Home Alone 3 (both 1997), Johansson attracted wider attention for her performance in the film The Horse Whisperer (1998), directed by Robert Redford. The drama film, based on the 1995 novel of the same name by Nicholas Evans, tells the story of a trainer with a gift for understanding horses, who is hired to help an injured teenager played by Johansson.", "The drama film, based on the 1995 novel of the same name by Nicholas Evans, tells the story of a trainer with a gift for understanding horses, who is hired to help an injured teenager played by Johansson. The actress received an \"introducing\" credit on this film, although it was her seventh role. On Johansson's maturity, Redford described her as \"13 going on 30\".", "On Johansson's maturity, Redford described her as \"13 going on 30\". Todd McCarthy of Variety commented that Johansson \"convincingly conveys the awkwardness of her age and the inner pain of a carefree girl suddenly laid low by horrible happenstance\". For the film, she was nominated for the Chicago Film Critics Association Award for Most Promising Actress. She believed that the film changed many things in her life, realizing that acting is the ability to manipulate one's emotions.", "She believed that the film changed many things in her life, realizing that acting is the ability to manipulate one's emotions. On finding good roles as a teenager, Johansson said it was hard for her as adults wrote the scripts and they \"portray kids like mall rats and not seriously ... Kids and teenagers just aren't being portrayed with any real depth\". Johansson later appeared in My Brother the Pig (1999) and in the neo-noir, Coen brothers film The Man Who Wasn't There (2001).", "Johansson later appeared in My Brother the Pig (1999) and in the neo-noir, Coen brothers film The Man Who Wasn't There (2001). Her breakthrough came playing a cynical outcast in Terry Zwigoff's black comedy Ghost World (2001), an adaptation of Daniel Clowes' graphic novel of the same name. Johansson auditioned for the film via a tape from New York, and Zwigoff believed her to be \"a unique, eccentric person, and right for that part\".", "Johansson auditioned for the film via a tape from New York, and Zwigoff believed her to be \"a unique, eccentric person, and right for that part\". The film premiered at the 2001 Seattle International Film Festival; it was a box office failure, but has since developed a cult status. Johansson was credited with \"sensitivity and talent [that] belie her age\" by an Austin Chronicle critic, and won a Toronto Film Critics Association Award for Best Supporting Actress for her performance.", "Johansson was credited with \"sensitivity and talent [that] belie her age\" by an Austin Chronicle critic, and won a Toronto Film Critics Association Award for Best Supporting Actress for her performance. With David Arquette, Johansson appeared in the horror comedy Eight Legged Freaks (2002), about a collection of spiders that are exposed to toxic waste, causing them to grow to gigantic proportions and begin killing and harvesting.", "With David Arquette, Johansson appeared in the horror comedy Eight Legged Freaks (2002), about a collection of spiders that are exposed to toxic waste, causing them to grow to gigantic proportions and begin killing and harvesting. After graduating from Professional Children's School that year, she applied to New York University's Tisch School of the Arts; she decided to focus on her film career when she was rejected.", "After graduating from Professional Children's School that year, she applied to New York University's Tisch School of the Arts; she decided to focus on her film career when she was rejected. Transition to adult roles (2003–2004) Johansson transitioned from teen to adult roles with two films in 2003: the romantic comedy-drama Lost in Translation and the drama Girl with a Pearl Earring. In the former, directed by Sofia Coppola, she plays Charlotte, a listless and lonely young wife, opposite Bill Murray.", "In the former, directed by Sofia Coppola, she plays Charlotte, a listless and lonely young wife, opposite Bill Murray. Coppola had first noticed Johansson in Manny & Lo, and compared her to a young Lauren Bacall; Coppola based the film's story on the relationship between Bacall and Humphrey Bogart in The Big Sleep (1946). Johansson found the experience of working with a female director different because of Coppola's ability to empathize with her.", "Johansson found the experience of working with a female director different because of Coppola's ability to empathize with her. Made on a budget of $4million, the film grossed $119million at the box office and received critical acclaim. Roger Ebert was pleased with the film and described the lead actors' performances as \"wonderful\", and Entertainment Weekly wrote of Johansson's \"embracing, restful serenity\". The New York Times praised Johansson, aged 17 at the time of filming, for playing an older character.", "The New York Times praised Johansson, aged 17 at the time of filming, for playing an older character. In Peter Webber's Girl with a Pearl Earring, which is based on the novel of the same name by Tracy Chevalier, Johansson played Griet, a young 17th-century servant in the household of the Dutch painter Johannes Vermeer (played by Colin Firth). Webber interviewed 150 actors before casting Johansson.", "Webber interviewed 150 actors before casting Johansson. Webber interviewed 150 actors before casting Johansson. Johansson found the character moving, but did not read the novel, as she thought it was better to approach the story with a fresh start. Girl with a Pearl Earring received positive reviews and was profitable.", "Girl with a Pearl Earring received positive reviews and was profitable. In his review for The New Yorker, Anthony Lane thought that her presence kept the film \"alive\", writing, \"She is often wordless and close to plain onscreen, but wait for the ardor with which she can summon a closeup and bloom under its gaze; this is her film, not Vermeer's, all the way.\"", "In his review for The New Yorker, Anthony Lane thought that her presence kept the film \"alive\", writing, \"She is often wordless and close to plain onscreen, but wait for the ardor with which she can summon a closeup and bloom under its gaze; this is her film, not Vermeer's, all the way.\" Owen Gleiberman of Entertainment Weekly noted her \"nearly silent performance\", remarking, \"The interplay on her face of fear, ignorance, curiosity, and sex is intensely dramatic.\"", "Owen Gleiberman of Entertainment Weekly noted her \"nearly silent performance\", remarking, \"The interplay on her face of fear, ignorance, curiosity, and sex is intensely dramatic.\" She was nominated for the BAFTA Award for Best Actress in a Leading Role and Golden Globe Awards for Best Actress for both films in 2003, winning the former for Lost in Translation. In Varietys opinion, Johansson's roles in Lost in Translation and Girl with a Pearl Earring established her as among the most versatile actresses of her generation.", "In Varietys opinion, Johansson's roles in Lost in Translation and Girl with a Pearl Earring established her as among the most versatile actresses of her generation. Johansson had five releases in 2004, three of which—the teen heist film The Perfect Score, the drama A Love Song for Bobby Long, and the drama A Good Woman—were critical and commercial failures. Co-starring with John Travolta, Johansson played a discontented teenager in A Love Song for Bobby Long, which is based on the novel Off Magazine Street by Ronald Everett Capps.", "Co-starring with John Travolta, Johansson played a discontented teenager in A Love Song for Bobby Long, which is based on the novel Off Magazine Street by Ronald Everett Capps. David Rooney of Variety wrote that Johansson's and Travolta's performances rescued the film. Johansson earned a Golden Globe Award for Best Actress in a Drama nomination for the film. In her fourth release in 2004, the live-action animated comedy The SpongeBob SquarePants Movie, Johansson voiced Princess Mindy, the daughter of King Neptune.", "In her fourth release in 2004, the live-action animated comedy The SpongeBob SquarePants Movie, Johansson voiced Princess Mindy, the daughter of King Neptune. She agreed to the project because of her love of cartoons, particularly The Ren & Stimpy Show. The film was her most commercially successful release that year. She would then reprise her role as Mindy in the video game adaptation of the film.", "She would then reprise her role as Mindy in the video game adaptation of the film. She followed it with In Good Company, a comedy-drama in which she complicates the life of her father when she dates his much younger boss. Reviews of the film were generally positive, describing it as \"witty and charming\". Roger Ebert was impressed with Johansson's portrayal, writing that she \"continues to employ the gravitational pull of quiet fascination\".", "Roger Ebert was impressed with Johansson's portrayal, writing that she \"continues to employ the gravitational pull of quiet fascination\". Collaborations with Woody Allen (2005–2009) Johansson played Nola, an aspiring actress who begins an affair with a married man (played by Jonathan Rhys Meyers) in Woody Allen's drama Match Point in 2005. After replacing Kate Winslet with Johansson for the role, Allen changed the character's nationality from British to American.", "After replacing Kate Winslet with Johansson for the role, Allen changed the character's nationality from British to American. An admirer of Allen's films, Johansson liked the idea of working with him, but felt nervous her first day on the set. The New York Times was impressed with the performances of Johansson and Rhys Meyers, and Mick LaSalle, writing for the San Francisco Chronicle, stated that Johansson \"is a powerhouse from the word go\", with a performance that \"borders on astonishing\".", "The New York Times was impressed with the performances of Johansson and Rhys Meyers, and Mick LaSalle, writing for the San Francisco Chronicle, stated that Johansson \"is a powerhouse from the word go\", with a performance that \"borders on astonishing\". The film, a box office success, earned Johansson nominations for the Golden Globe and the Chicago Film Critics Association Award for Best Supporting Actress.", "The film, a box office success, earned Johansson nominations for the Golden Globe and the Chicago Film Critics Association Award for Best Supporting Actress. Also that year, Johansson underwent a tonsillectomy, after which she starred with Ewan McGregor in Michael Bay's science fiction film The Island, in dual roles as Sarah Jordan and her clone, Jordan Two Delta. Johansson found her filming schedule exhausting: she had to shoot for 14 hours a day, and she hit her head and injured herself.", "Johansson found her filming schedule exhausting: she had to shoot for 14 hours a day, and she hit her head and injured herself. The film received mixed reviews and grossed $163million against a $126million budget. Two of Johansson's films in 2006 explored the world of stage magicians, both opposite Hugh Jackman. Allen cast her opposite Jackman and himself in the film Scoop (2006), in which she played a journalism student. The film was a modest worldwide box office success, but polarized critics.", "The film was a modest worldwide box office success, but polarized critics. Ebert was critical of the film, but found Johansson \"lovely as always\", and Mick LaSalle noted the freshness she brought to her part. She also appeared in Brian De Palma's The Black Dahlia, a film noir shot in Los Angeles and Bulgaria. Johansson later said she was a fan of DePalma and had wanted to work with him on the film, but thought that she was unsuitable for the part.", "Johansson later said she was a fan of DePalma and had wanted to work with him on the film, but thought that she was unsuitable for the part. Anne Billson of The Daily Telegraph likewise found her miscast. However, CNN said that she \"takes to the pulpy period atmosphere as if it were oxygen\". Also in 2006, Johansson starred in the short film When the Deal Goes Down to accompany Bob Dylan's song \"When the Deal Goes Down...\" from the album Modern Times.", "Also in 2006, Johansson starred in the short film When the Deal Goes Down to accompany Bob Dylan's song \"When the Deal Goes Down...\" from the album Modern Times. Johansson had a supporting role of assistant and lover of Jackman's character, an aristocratic magician, in Christopher Nolan's mystery thriller The Prestige (2006). Nolan thought Johansson possessed \"ambiguity\" and \"a shielded quality\". She was fascinated with Nolan's directing methods and liked working with him.", "She was fascinated with Nolan's directing methods and liked working with him. The film was a critical and box office success, recommended by the Los Angeles Times as \"an adult, provocative piece of work\". Some critics were skeptical of her performance: Billson again judged her miscast, and Dan Jolin of Empire criticized her English accent. Johansson's sole release of 2007 was the critically panned comedy-drama The Nanny Diaries alongside Chris Evans and Laura Linney, in which she played a college graduate working as a nanny.", "Johansson's sole release of 2007 was the critically panned comedy-drama The Nanny Diaries alongside Chris Evans and Laura Linney, in which she played a college graduate working as a nanny. Reviews of her performance were mixed; Variety wrote, \"[She] essays an engaging heroine\", and The New Yorker criticized her for looking \"merely confused\" while \"trying to give the material a plausible emotional center\".", "Reviews of her performance were mixed; Variety wrote, \"[She] essays an engaging heroine\", and The New Yorker criticized her for looking \"merely confused\" while \"trying to give the material a plausible emotional center\". In 2008, Johansson starred, with Natalie Portman and Eric Bana, in The Other Boleyn Girl, which also earned mixed reviews. Promoting the film, Johansson and Portman appeared on the cover of W, discussing with the magazine the public's reception of them.", "Promoting the film, Johansson and Portman appeared on the cover of W, discussing with the magazine the public's reception of them. In Rolling Stone, Pete Travers criticized the film for \"[moving] in frustrating herks and jerks\", but thought that the duo were the only positive aspect of the production. Variety credited the cast as \"almost flawless ... at the top of its game\", citing \"Johansson's quieter Mary ... as the [film's] emotional center\".", "Variety credited the cast as \"almost flawless ... at the top of its game\", citing \"Johansson's quieter Mary ... as the [film's] emotional center\". In her third collaboration with Woody Allen, the romantic comedy-drama Vicky Cristina Barcelona (2008), which was filmed in Spain, Johansson plays one of the love interests of Javier Bardem's character alongside Penélope Cruz. The film was one of Allen's most profitable and received favorable reviews.", "The film was one of Allen's most profitable and received favorable reviews. A reviewer in Variety described Johansson as \"open and malleable\" compared to the other actors. She also played the femme fatale Silken Floss in The Spirit, based on the newspaper comic strip of the same name by Will Eisner. It received poor reviews from critics, who deemed it melodramatic, unoriginal, and sexist.", "It received poor reviews from critics, who deemed it melodramatic, unoriginal, and sexist. Johansson's only role in 2009 was as Anna Marks, a yoga instructor, in the ensemble comedy-drama He's Just Not That into You (2009). The film was released to tepid reviews, but was a box office success. Marvel Cinematic Universe and worldwide recognition (2010–2013) Aspiring to appear on Broadway since childhood, Johansson made her debut in a 2010 revival of Arthur Miller's drama A View from the Bridge.", "Marvel Cinematic Universe and worldwide recognition (2010–2013) Aspiring to appear on Broadway since childhood, Johansson made her debut in a 2010 revival of Arthur Miller's drama A View from the Bridge. Set in the 1950s in an Italian-American neighborhood in New York, it tells the tragic tale of Eddie (Liev Schreiber), who has an inappropriate love for his wife's orphaned niece, Catherine (Johansson). After initial reservations about playing a teenage character, Johansson was convinced by a friend to take on the part.", "After initial reservations about playing a teenage character, Johansson was convinced by a friend to take on the part. Ben Brantley of The New York Times wrote Johansson \"melts into her character so thoroughly that her nimbus of celebrity disappears\". Varietys David Rooney was impressed with the play and Johansson in particular, describing her as the chief performer. She won the 2010 Tony Award for Best Performance by a Featured Actress in a Play.", "She won the 2010 Tony Award for Best Performance by a Featured Actress in a Play. Some critics and Broadway actors criticized the award committee's decision to reward the work of mainstream Hollywood actors, including Johansson. In response, she said that she understood the frustration, but had worked hard for her accomplishments. Johansson played Black Widow in Jon Favreau's Iron Man 2 (2010), a part of the Marvel Cinematic Universe (MCU).", "Johansson played Black Widow in Jon Favreau's Iron Man 2 (2010), a part of the Marvel Cinematic Universe (MCU). Before she secured the role, she dyed her hair red to convince Favreau that she was right for the part, and undertook stunt and strength training to prepare for the role. Johansson said the character resonated with her, and she admired the superhero's human traits.", "Johansson said the character resonated with her, and she admired the superhero's human traits. The film earned $623.9million against its $200million budget, and received generally positive reviews from critics, although reviewers criticized how her character was written. Tim Robey of The Daily Telegraph and Matt Goldberg thought that she had little to do but look attractive. In 2011, Johansson played the role of Kelly, a zookeeper in the family film We Bought a Zoo alongside Matt Damon.", "In 2011, Johansson played the role of Kelly, a zookeeper in the family film We Bought a Zoo alongside Matt Damon. The film got mainly favorable reviews, and Anne Billson praised Johansson for bringing depth to a rather uninteresting character. Johansson earned a Teen Choice Award for Choice Movie Actress: Drama nomination for her performance. Johansson learned some Russian from a former teacher on the phone for her role as Black Widow in The Avengers (2012), another entry from the MCU.", "Johansson learned some Russian from a former teacher on the phone for her role as Black Widow in The Avengers (2012), another entry from the MCU. The film received mainly positive reviews and broke many box office records, becoming the third highest-grossing film both in the United States and worldwide. For her performance, she was nominated for two Teen Choice Awards and three People's Choice Awards.", "For her performance, she was nominated for two Teen Choice Awards and three People's Choice Awards. Later that year, Johansson portrayed actress Janet Leigh in Sacha Gervasi's Hitchcock, a behind-the-scenes drama about the making of Alfred Hitchcock's 1960 film Psycho. Roger Ebert wrote that Johansson did not look much like Leigh, but conveyed her spunk, intelligence, and sense of humor. In January 2013, Johansson starred in a Broadway revival of Cat on a Hot Tin Roof, directed by Rob Ashford.", "In January 2013, Johansson starred in a Broadway revival of Cat on a Hot Tin Roof, directed by Rob Ashford. Set in the Mississippi Delta, it examines the relationships within the family of Big Daddy (Ciarán Hinds), primarily between his son Brick (Benjamin Walker) and Maggie (Johansson). Her performance received mixed reviews. Entertainment Weeklys Thom Geier wrote Johansson \"brings a fierce fighting spirit\" to her part, but Joe Dziemianowicz from Daily News called her performance \"alarmingly one-note\".", "Entertainment Weeklys Thom Geier wrote Johansson \"brings a fierce fighting spirit\" to her part, but Joe Dziemianowicz from Daily News called her performance \"alarmingly one-note\". The 2013 Sundance Film Festival hosted the premiere of Joseph Gordon-Levitt's directorial debut, Don Jon. In this romantic comedy-drama, she played the pornography-addicted title character's girlfriend. Gordon-Levitt wrote the role for Johansson, who had previously admired his acting work. The film received positive reviews and Johansson's performance was highlighted by critics.", "The film received positive reviews and Johansson's performance was highlighted by critics. Claudia Puig of USA Today considered it to be one of her best performances. In 2013, Johansson voiced the character Samantha, a self-aware computer operating system, in Spike Jonze's film Her, replacing Samantha Morton in the role. The film premiered at the 8th Rome International Film Festival, where Johansson won Best Actress; she was also nominated for the Critics' Choice Movie Award for Best Supporting Actress.", "The film premiered at the 8th Rome International Film Festival, where Johansson won Best Actress; she was also nominated for the Critics' Choice Movie Award for Best Supporting Actress. Johansson was intimidated by the role's complexity, and found her recording sessions for the role challenging but liberating. Peter Travers believed Johansson's voice in the film was \"sweet, sexy, caring, manipulative, scary [and] award-worthy\".", "Peter Travers believed Johansson's voice in the film was \"sweet, sexy, caring, manipulative, scary [and] award-worthy\". Times Richard Corliss called her performance \"seductive and winning\", and Her was rated as one of the best films of 2013. She also won the Saturn Award for Best Supporting Actress at the 40th Saturn Awards in 2014 for her performance.", "She also won the Saturn Award for Best Supporting Actress at the 40th Saturn Awards in 2014 for her performance. Johansson was cast in Jonathan Glazer's science fiction film Under the Skin (2013) as an extraterrestrial creature disguised as a human femme fatale who preys on men in Scotland. The project, an adaptation of Michel Faber's novel of the same name, took nine years to complete. For the role, she learned to drive a van and speak in an English accent.", "For the role, she learned to drive a van and speak in an English accent. Johansson improvised conversations with non-professional actors on the street, who did not know they were being filmed. It was released to generally positive reviews, with particular praise for Johansson. Erin Whitney, writing for The Huffington Post, considered it to be her finest performance to that point, and noted that it was her first fully nude role.", "Erin Whitney, writing for The Huffington Post, considered it to be her finest performance to that point, and noted that it was her first fully nude role. Author Maureen Foster wrote, \"How much depth, breadth, and range Johansson mines from her character's very limited allowance of emotional response is a testament to her acting prowess that is, as the film goes on, increasingly stunning.\" It earned Johansson a BIFA Award for Best Performance by an Actress in a British Independent Film nomination.", "It earned Johansson a BIFA Award for Best Performance by an Actress in a British Independent Film nomination. Blockbuster films and critical acclaim (2014–2020) Continuing her work in the MCU, Johansson reprised her role as Black Widow in Captain America: The Winter Soldier (2014). In the film, she joins forces with Captain America (Chris Evans) and Falcon (Anthony Mackie) to uncover a conspiracy within S.H.I.E.L.D., while facing a mysterious assassin known as the Winter Soldier.", "In the film, she joins forces with Captain America (Chris Evans) and Falcon (Anthony Mackie) to uncover a conspiracy within S.H.I.E.L.D., while facing a mysterious assassin known as the Winter Soldier. Johansson and Evans wrote their own dialogue for several scenes they had together. Johansson was attracted to her character's way of doing her job, employing her feminine wiles and not her physical appeal. The film was a critical and commercial success, grossing over $714million worldwide.", "The film was a critical and commercial success, grossing over $714million worldwide. Critic Odie Henderson saw \"a genuine emotional shorthand at work, especially from Johansson, who is excellent here\". The role earned her a Saturn Award for Best Supporting Actress nomination. Johansson played a supporting role in the film Chef (2014), alongside Robert Downey, Jr., Sofía Vergara, and director Jon Favreau. It grossed over $45million at the box office and was well received by critics.", "It grossed over $45million at the box office and was well received by critics. The Chicago Sun-Times writer Richard Roeper found the film \"funny, quirky and insightful, with a bounty of interesting supporting characters\". In Luc Besson's science fiction action film Lucy (2014), Johansson starred as the title character, who gains psychokinetic abilities when a nootropic drug is absorbed into her bloodstream. Besson discussed the role with several actresses, and cast Johansson based on her strong reaction to the script and her discipline.", "Besson discussed the role with several actresses, and cast Johansson based on her strong reaction to the script and her discipline. Critics generally praised the film's themes, visuals, and Johansson's performance; some found the plot nonsensical. IGN's Jim Vejvoda attributed the film's success to her acting and Besson's style. The film grossed $458million on a budget of $40million to become the 18th highest-grossing film of 2014.", "The film grossed $458million on a budget of $40million to become the 18th highest-grossing film of 2014. In 2015 and 2016, Johansson again played Black Widow in the MCU films Avengers: Age of Ultron and Captain America: Civil War. During filming of the former, a mixture of close-ups, concealing costumes, stunt doubles and visual effects were used to hide her pregnancy. Both films earned more than $1.1billion, ranking among the highest-grossing films of all time.", "Both films earned more than $1.1billion, ranking among the highest-grossing films of all time. For Civil War, Johansson earned her second nomination for Critics' Choice Movie Award for Best Actress in an Action Movie and her fourth for Saturn Award for Best Supporting Actress. Earlier in 2016, Johansson had featured in the Coen brothers' well-received comedy film Hail, Caesar!", "Earlier in 2016, Johansson had featured in the Coen brothers' well-received comedy film Hail, Caesar! about a \"fixer\" working in the classical Hollywood cinema, trying to discover what happened to a cast member who vanished during the filming of a biblical epic; Johansson plays an actress who becomes pregnant while her film is in production. She also voiced Kaa in Jon Favreau's live-action adaptation of Disney's The Jungle Book, and Ash in the animated musical comedy film Sing (both 2016).", "She also voiced Kaa in Jon Favreau's live-action adaptation of Disney's The Jungle Book, and Ash in the animated musical comedy film Sing (both 2016). That year she also narrated an audiobook of Lewis Carroll's children's novel Alice's Adventures in Wonderland. Johansson played Motoko Kusanagi in Rupert Sanders's 2017 film adaptation of the Ghost in the Shell franchise.", "Johansson played Motoko Kusanagi in Rupert Sanders's 2017 film adaptation of the Ghost in the Shell franchise. The film was praised for its visual style, acting, and cinematography, but was the subject of controversy for whitewashing the cast, particularly Johansson's character, a cyborg who was meant to hold the memories of a Japanese woman. Responding to the backlash, the actress asserted she would never play a non-white character, but wanted to take the rare opportunity to star in a female-led franchise.", "Responding to the backlash, the actress asserted she would never play a non-white character, but wanted to take the rare opportunity to star in a female-led franchise. Ghost in the Shell grossed $169.8million worldwide against a production budget of $110million. In March 2017, Johansson hosted Saturday Night Live for the fifth time, making her the 17th person, and the fourth woman, to enter the NBC sketch comedy's prestigious Five-Timers Club.", "In March 2017, Johansson hosted Saturday Night Live for the fifth time, making her the 17th person, and the fourth woman, to enter the NBC sketch comedy's prestigious Five-Timers Club. Johansson's next 2017 film was the comedy Rough Night, where she played Jess Thayer, one of the five friends—alongside Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz—whose bachelorette party goes wrong after a male stripper dies. The film had a mixed critical reception and moderate box office returns.", "The film had a mixed critical reception and moderate box office returns. In 2018, Johansson voiced show dog Nutmeg in Wes Anderson's stop-motion animated film Isle of Dogs, released in March, and reprised her MCU role as Black Widow in Avengers: Infinity War, which followed the next month. Johansson was due to star in Rub & Tug, a biographical film in which she would have played Dante \"Tex\" Gill, a transgender man who operated a massage parlor and prostitution ring in the 1970s and 1980s.", "Johansson was due to star in Rub & Tug, a biographical film in which she would have played Dante \"Tex\" Gill, a transgender man who operated a massage parlor and prostitution ring in the 1970s and 1980s. She dropped out of the project following backlash to the casting of a cisgender woman to play a transgender man. In 2019, Johansson once again reprised her role as Black Widow in Avengers: Endgame, which is the highest-grossing film of all time.", "In 2019, Johansson once again reprised her role as Black Widow in Avengers: Endgame, which is the highest-grossing film of all time. She next starred in Noah Baumbach's Netflix film Marriage Story, in which Adam Driver and she played a warring couple who file for divorce. Johansson found a connection with her character, as she was amid her own divorce proceedings at the time. Peter Bradshaw of The Guardian commended her \"brilliantly textured\" performance in it.", "Peter Bradshaw of The Guardian commended her \"brilliantly textured\" performance in it. She also took on the supporting role of a young boy's mother who shelters a Jewish girl in Nazi Germany in Taika Waititi's satire Jojo Rabbit. Waititi modeled the character on his own mother, and cast Johansson to provide her a rare opportunity to perform comedy. The film received polarizing reviews, but Stephanie Zacharek labeled her the \"lustrous soul of the movie\".", "The film received polarizing reviews, but Stephanie Zacharek labeled her the \"lustrous soul of the movie\". Johansson received her first two Academy Award nominations, for Best Actress and Best Supporting Actress for her performances in Marriage Story and Jojo Rabbit, respectively, becoming the eleventh performer to be nominated for two Oscars in the same year. She also received two BAFTA nominations for these films, and a Golden Globe nomination for the former.", "She also received two BAFTA nominations for these films, and a Golden Globe nomination for the former. Black Widow and lawsuit (2021–present) After a one-year screen absence, Johansson reprised her role as Black Widow in her own solo prequel film in 2021, on which she also served as an executive producer. Also starring Florence Pugh, the film is set after the events of Captain America: Civil War, and sees Johansson's character on the run and forced to confront her past.", "Also starring Florence Pugh, the film is set after the events of Captain America: Civil War, and sees Johansson's character on the run and forced to confront her past. Director Cate Shortland, who wanted to make a standalone film on her character, watched Johansson's previous appearances as Black Widow to prepare. Johansson felt proud of the film and that her work playing the role was now complete.", "Johansson felt proud of the film and that her work playing the role was now complete. She saw this as an opportunity to show her character's ability to be on her own and make choices for herself while facing difficult times, and noted that her vulnerability distinguished her from other Avengers. Critics were generally favorable in their reviews of the film, mainly praising Johansson and Pugh's performances. In a review published in The Hollywood Reporter, David Rooney thought the film was \"a stellar vehicle\" for Johansson.", "In a review published in The Hollywood Reporter, David Rooney thought the film was \"a stellar vehicle\" for Johansson. Pete Hammond of Deadline Hollywood found the actress \"again a great presence in the role, showing expert action and acting chops throughout\". For the film, Johansson won The Female Movie Star of 2021 at the 47th People's Choice Awards.", "For the film, Johansson won The Female Movie Star of 2021 at the 47th People's Choice Awards. In July 2021, Johansson filed a lawsuit against Disney claiming that the simultaneous release of Black Widow on their streaming service Disney+ breached a clause in her contract that the film receive exclusive theatrical release. She alleged that the release on Disney+ exempted her from receiving additional bonus from box-office profits, to which she was entitled.", "She alleged that the release on Disney+ exempted her from receiving additional bonus from box-office profits, to which she was entitled. In response, Disney said her lawsuit showed an indifference to the \"horrific and prolonged\" effects of the COVID-19 pandemic. The company also stated that Johansson already received $20million for the film and that the Disney+ Premier Access release would only earn her additional compensation. The Hollywood Reporter described Disney's response as \"aggressive\".", "The Hollywood Reporter described Disney's response as \"aggressive\". Accusing Disney of intentionally violating their contract with Johansson, Creative Artists Agency co-chairman Bryan Lourd criticized the company for falsely portraying Johansson as insensitive to the effects of the pandemic, which he considered a \"direct attack on her character\". Lourd further stated that the company including her salary in their public statement was to try to \"weaponize her success as an artist and businesswoman\".", "Lourd further stated that the company including her salary in their public statement was to try to \"weaponize her success as an artist and businesswoman\". Later that September, both parties announced that they had resolved their dispute, with the terms of the settlement remaining undisclosed. Music career In 2006, Johansson sang the track \"Summertime\" for Unexpected DreamsSongs From the Stars, a non-profit collection of songs recorded by Hollywood actors.", "Music career In 2006, Johansson sang the track \"Summertime\" for Unexpected DreamsSongs From the Stars, a non-profit collection of songs recorded by Hollywood actors. She performed with the Jesus and Mary Chain for a Coachella reunion show in Indio, California, in April 2007. The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for \"What Goes Around... Comes Around\", which was nominated for an MTV Video Music Award for Video of the Year.", "The following year, Johansson appeared as the leading lady in Justin Timberlake's music video, for \"What Goes Around... Comes Around\", which was nominated for an MTV Video Music Award for Video of the Year. In May 2008, Johansson released her debut album Anywhere I Lay My Head, which consists of one original song and ten cover versions of Tom Waits songs, and features David Bowie and members from the Yeah Yeah Yeahs and Celebration. Reviews of the album were mixed.", "Reviews of the album were mixed. Reviews of the album were mixed. Spin was not particularly impressed with Johansson's singing. Some critics found it to be \"surprisingly alluring\", \"a bravely eccentric selection\", and \"a brilliant album\" with \"ghostly magic\". NME named the album the \"23rd best album of 2008\", and it peaked at number126 on the Billboard 200.", "NME named the album the \"23rd best album of 2008\", and it peaked at number126 on the Billboard 200. Johansson started listening to Waits when she was 11 or 12 years old, and said of him, \"His melodies are so beautiful, his voice is so distinct and I had my own way of doing Tom Waits songs.\" In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot.", "In September 2009, Johansson and singer-songwriter Pete Yorn released a collaborative album, Break Up, inspired by Serge Gainsbourg's duets with Brigitte Bardot. The album reached number 41 in the US. In 2010, Steel Train released Terrible Thrills Vol.1, which includes their favorite female artists singing songs from their self-titled album. Johansson is the first artist on the album, singing \"Bullet\". Johansson sang \"One Whole Hour\" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010).", "Johansson sang \"One Whole Hour\" for the 2011 soundtrack of the documentary film Wretches & Jabberers (2010). and in 2012 sang on a J.Ralph track entitled \"Before My Time\" for the end credits of the climate documentary Chasing Ice (2012) In February 2015, Johansson formed a band called the Singles with Este Haim from HAIM, Holly Miranda, Kendra Morris, and Julia Haltigan. The group's first single was called \"Candy\".", "The group's first single was called \"Candy\". Johansson was issued a cease and desist order from the lead singer of the Los Angeles-based rock band the Singles, demanding she stop using their name. In 2016, she performed \"Trust in Me\" for The Jungle Book soundtrack and \"Set It All Free\" and \"I Don't Wanna\" for Sing: Original Motion Picture Soundtrack. In 2018, Johansson collaborated with Pete Yorn again for an EP titled Apart, released June 1.", "In 2018, Johansson collaborated with Pete Yorn again for an EP titled Apart, released June 1. Public image Johansson has been called \"ScarJo\" by the media and fans, and dislikes being called this, finding it lazy, flippant and insulting. She has no social media profiles, saying she does not see the need \"to continuously share details of [her] everyday life.\" Johansson is described as a sex symbol by the media.", "Johansson is described as a sex symbol by the media. The Sydney Morning Herald describes her as \"the embodiment of male fantasy\". During the filming of Match Point, director Woody Allen remarked upon her attractiveness, calling her \"beautiful\" and \"sexually overwhelming\". In 2014, The New Yorker film critic Anthony Lane wrote that \"she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation.\"", "In 2014, The New Yorker film critic Anthony Lane wrote that \"she is evidently, and profitably, aware of her sultriness, and of how much, down to the last inch, it contributes to the contours of her reputation.\" Johansson has expressed displeasure at being sexualized, and maintains that a preoccupation with one's attractiveness does not last.", "Johansson has expressed displeasure at being sexualized, and maintains that a preoccupation with one's attractiveness does not last. She lost the role of Lisbeth Salander in The Girl with the Dragon Tattoo (2011), because the film's director David Fincher found her \"too sexy\" for the part. Johansson ranks highly in several beauty listings. Maxim included her in their Hot 100 list from 2006 to 2014.", "Maxim included her in their Hot 100 list from 2006 to 2014. She has been named \"Sexiest Woman Alive\" twice by Esquire (2006 and 2013), and has been included in similar listings by Playboy (2007), Men's Health (2011), and FHM (since 2005). She was named GQs Babe of the Year in 2010. Madame Tussauds New York museum unveiled a wax statue of her in 2015. Johansson was invited to join the Academy of Motion Picture Arts and Sciences in June 2004.", "Johansson was invited to join the Academy of Motion Picture Arts and Sciences in June 2004. In 2006, she appeared on Forbes Celebrity 100 list, and again in 2014, 2015, 2018 and 2019. She received a star on the Hollywood Walk of Fame in May 2012. In 2021, she appeared on the Time 100, Times annual list of the 100 most influential people in the world.", "In 2021, she appeared on the Time 100, Times annual list of the 100 most influential people in the world. Johansson was included on Forbes annual list of the world's highest-paid actresses from 2014 to 2016, with respective earnings of $17million, $35.5million and $25million. She would later top the list in 2018 and 2019, with earnings of $40.5million and $56million, respectively. She was the highest-grossing actor of 2016, with a total of $1.2billion.", "She was the highest-grossing actor of 2016, with a total of $1.2billion. As a result, IndieWire credited her for taking on risky roles. , her films have grossed over  billion in North America and over  billion worldwide, making Johansson the third-highest-grossing box-office star of all time both domestically and worldwide as well as the highest-grossing actress of all time in North America. Johansson has appeared in advertising campaigns for Calvin Klein, Dolce & Gabbana, L'Oréal, and Louis Vuitton, and has represented the Spanish brand Mango since 2009.", "Johansson has appeared in advertising campaigns for Calvin Klein, Dolce & Gabbana, L'Oréal, and Louis Vuitton, and has represented the Spanish brand Mango since 2009. She was the first Hollywood celebrity to represent a champagne producer, appearing in advertisements for Moët & Chandon. In January 2014, the Israeli company SodaStream, which makes home-carbonation products, hired Johansson as its first global brand ambassador, a relationship that commenced with a television commercial during Super Bowl XLVIII on February 2, 2014.", "In January 2014, the Israeli company SodaStream, which makes home-carbonation products, hired Johansson as its first global brand ambassador, a relationship that commenced with a television commercial during Super Bowl XLVIII on February 2, 2014. This created some controversy, as SodaStream at that time operated a plant in Israeli-occupied territory in the West Bank. Personal life While attending PCS, Johansson dated classmate Jack Antonoff from 2001 to 2002. She dated her Black Dahlia co-star Josh Hartnett for about two years until the end of 2006.", "She dated her Black Dahlia co-star Josh Hartnett for about two years until the end of 2006. Hartnett said they broke up because their busy schedules kept them apart. Johansson began dating Canadian actor Ryan Reynolds in 2007. They became engaged in May 2008, married in September 2008 on Vancouver Island, separated in December 2010 and divorced in July 2011. In November 2012, Johansson began dating Frenchman Romain Dauriac, the owner of an advertising agency. They became engaged the following September.", "They became engaged the following September. They became engaged the following September. The pair divided their time between New York City and Paris. She gave birth to their daughter, Rose Dorothy Dauriac, in 2014. Johansson and Dauriac married that October in Philipsburg, Montana. They separated in mid-2016 and divorced in September 2017. Johansson began dating Saturday Night Live co-head writer and Weekend Update co-host Colin Jost in May 2017. In May 2019, the two were engaged. They married in October 2020, at their New York home.", "They married in October 2020, at their New York home. She gave birth to their son, Cosmo, in August 2021. Johansson resides in New York and Los Angeles. In September 2011, nude photographs of Johansson hacked from her cell phone were leaked online. She said the pictures had been sent to her then-husband, Ryan Reynolds, three years before the incident. Following an FBI investigation, the hacker was arrested, pleaded guilty, and was sentenced to ten years in prison.", "Following an FBI investigation, the hacker was arrested, pleaded guilty, and was sentenced to ten years in prison. In 2014, Johansson won a lawsuit against French publisher JC Lattès over defamatory statements about her relationships in the novel The First Thing We Look At by Grégoire Delacourt. She was awarded $3,400; she had claimed $68,000. Johansson has criticized the media for promoting an image that causes unhealthy diets and eating disorders among women.", "Johansson has criticized the media for promoting an image that causes unhealthy diets and eating disorders among women. In an essay she wrote for The Huffington Post, she encouraged people to maintain a healthy body. She posed nude on the March 2006 cover of Vanity Fair alongside actress Keira Knightley and fully clothed fashion designer Tom Ford, who jumped in last minute on the day of the shoot to replace Rachel McAdams after she walked out.", "She posed nude on the March 2006 cover of Vanity Fair alongside actress Keira Knightley and fully clothed fashion designer Tom Ford, who jumped in last minute on the day of the shoot to replace Rachel McAdams after she walked out. The photograph sparked controversy, as some believed it demonstrated that women are forced to flaunt their sexuality more often than men.", "The photograph sparked controversy, as some believed it demonstrated that women are forced to flaunt their sexuality more often than men. Other ventures Philanthropy Johansson has supported various charitable organizations, including Aid Still Required, Cancer Research UK, Stand Up To Cancer, Too Many Women (which works against breast cancer), and USA Harvest, which provides food for people in need. In 2005, Johansson became a global ambassador for the aid and development agency Oxfam.", "In 2005, Johansson became a global ambassador for the aid and development agency Oxfam. In 2007, she took part in the anti-poverty campaign ONE, which was organized by U2's lead singer Bono. In March 2008, a UK-based bidder paid £20,000 on an eBay auction to benefit Oxfam, winning a hair and makeup treatment, a pair of tickets, and a chauffeured trip to accompany her on a 20-minute date to the world premiere of He's Just Not That into You.", "In March 2008, a UK-based bidder paid £20,000 on an eBay auction to benefit Oxfam, winning a hair and makeup treatment, a pair of tickets, and a chauffeured trip to accompany her on a 20-minute date to the world premiere of He's Just Not That into You. In January 2014, Johansson resigned from her Oxfam position after criticism of her promotion of SodaStream, whose main factory was based in Mishor Adumim, an Israeli settlement in the West Bank; Oxfam opposes all trade with such Israeli settlements.", "In January 2014, Johansson resigned from her Oxfam position after criticism of her promotion of SodaStream, whose main factory was based in Mishor Adumim, an Israeli settlement in the West Bank; Oxfam opposes all trade with such Israeli settlements. Oxfam stated that it was thankful for her contributions in raising funds to fight poverty. Together with her Avengers costars, Johansson raised $500,000 for the victims of Hurricane Maria.", "Together with her Avengers costars, Johansson raised $500,000 for the victims of Hurricane Maria. In 2018, she collaborated with 300 women in Hollywood to set up the Time's Up initiative to protect women from harassment and discrimination. Johansson took part in the Women's March in Los Angeles in January 2018, where she spoke on topics such as abuses of power, sharing her own experience.", "Johansson took part in the Women's March in Los Angeles in January 2018, where she spoke on topics such as abuses of power, sharing her own experience. She received backlash for calling out fellow actor James Franco on allegations of sexual misconduct as in the past she had defended working with Woody Allen amid an accusation by his daughter Dylan Farrow. Johansson has given support to Operation Warrior Wellness, a division of the David Lynch Foundation that helps veterans learn Transcendental Meditation.", "Johansson has given support to Operation Warrior Wellness, a division of the David Lynch Foundation that helps veterans learn Transcendental Meditation. Her grand-uncle, Phillip Schlamberg, was the last American pilot to have been killed during WWII. He had gone on a bombing mission with Jerry Yellin, who went on to become co-founder of Operation Warrior Wellness. Politics Johansson was registered as an independent, at least through 2008, and campaigned for Democratic candidate John Kerry in the 2004 United States presidential election.", "Politics Johansson was registered as an independent, at least through 2008, and campaigned for Democratic candidate John Kerry in the 2004 United States presidential election. When George W. Bush was re-elected in 2004, she said she was disappointed. In January 2008, her campaign for Democratic candidate Barack Obama included appearances in Iowa targeted at younger voters, an appearance at Cornell College, and a speaking engagement at Carleton College in Northfield, Minnesota, on Super Tuesday, 2008.", "In January 2008, her campaign for Democratic candidate Barack Obama included appearances in Iowa targeted at younger voters, an appearance at Cornell College, and a speaking engagement at Carleton College in Northfield, Minnesota, on Super Tuesday, 2008. Johansson appeared in the music video for rapper will.i.am's song, \"Yes We Can\" (2008), directed by Jesse Dylan; the song was inspired by Obama's speech after the 2008 New Hampshire primary.", "Johansson appeared in the music video for rapper will.i.am's song, \"Yes We Can\" (2008), directed by Jesse Dylan; the song was inspired by Obama's speech after the 2008 New Hampshire primary. In February 2012, Johansson and Anna Wintour hosted a fashion launch of pro-Obama clothing, bags, and accessories, the proceeds of which went to the President's re-election campaign. She addressed voters at the Democratic National Convention in September 2012, calling for Obama's re-election and for more engagement from young voters.", "She addressed voters at the Democratic National Convention in September 2012, calling for Obama's re-election and for more engagement from young voters. She encouraged women to vote for Obama and condemned Mitt Romney for his opposition to Planned Parenthood. Johansson publicly endorsed and supported Manhattan Borough President Scott Stringer's 2013 run for New York City Comptroller by hosting a series of fundraisers.", "Johansson publicly endorsed and supported Manhattan Borough President Scott Stringer's 2013 run for New York City Comptroller by hosting a series of fundraisers. To encourage people to vote in the 2016 presidential election, in which Johansson endorsed Hillary Clinton, she appeared in a commercial alongside her Marvel Cinematic Universe co-star Robert Downey Jr., and Joss Whedon.", "To encourage people to vote in the 2016 presidential election, in which Johansson endorsed Hillary Clinton, she appeared in a commercial alongside her Marvel Cinematic Universe co-star Robert Downey Jr., and Joss Whedon. In 2017, she spoke at the Women's March on Washington, addressing Donald Trump's presidency and stating that she would support the president if he works for women's rights and stops withdrawing federal funding for Planned Parenthood.", "In 2017, she spoke at the Women's March on Washington, addressing Donald Trump's presidency and stating that she would support the president if he works for women's rights and stops withdrawing federal funding for Planned Parenthood. In the 2020 Democratic presidential primaries, Johansson endorsed Elizabeth Warren, referring to Warren as \"thoughtful and progressive but realistic\".", "In the 2020 Democratic presidential primaries, Johansson endorsed Elizabeth Warren, referring to Warren as \"thoughtful and progressive but realistic\". In December 2020, three members of the Egyptian Initiative for Personal Rights, an Egyptian civil rights organization, were released from prison in Egypt, after Johansson had described their detention circumstances and demanded the trio's release.", "In December 2020, three members of the Egyptian Initiative for Personal Rights, an Egyptian civil rights organization, were released from prison in Egypt, after Johansson had described their detention circumstances and demanded the trio's release. Notes See also List of actors nominated for two Academy Awards in the same year References Further reading External links 20th-century American actresses 21st-century American actresses 21st-century American women singers 21st-century American singers 1984 births Actresses from New York City American child actresses American film actresses American people of Danish descent American people of Polish-Jewish descent American people of Russian-Jewish descent American people of Swedish descent American stage actresses American voice actresses American women film producers Atco Records artists Best Actress BAFTA Award winners César Honorary Award recipients Danish people of Polish-Jewish descent Danish people of Russian-Jewish descent Danish people of Swedish descent Female models from New York (state) Fraternal twin actresses Jewish American actresses Jewish singers Lee Strasberg Theatre and Film Institute alumni Living people Method actors People from Manhattan Theatre World Award winners Time 100 Tony Award winners Twin people from the United States" ]